1969 Orgasmo HOT MOVIE
Category
🎥
Short filmTranscript
00:00:00.
00:00:30One more.
00:00:31Smile, please.
00:00:32Get down.
00:00:33Over here, Senora.
00:00:34Get down.
00:00:35Brian!
00:00:36Hold it a moment.
00:00:37Captain, dear.
00:00:38How are you?
00:00:39Hold it a minute.
00:00:45Is it true your husband left you $200 million?
00:00:48The stage was set the night we met
00:01:02For fate had planned it so
00:01:07And just one look was all it took
00:01:11To set my heart aglow
00:01:16Wholeheartedly with all of me
00:01:21I proved how love should be
00:01:25And the days we shared when you still cared
00:01:30Was such sweet ecstasy
00:01:34But then, but then, I don't know when
00:01:39You turned up me
00:01:42And you lied to me
00:01:46And so hopelessly
00:01:51I hate the pride
00:01:53And hide inside
00:01:55Where you'd soon be gone
00:01:59But hoping yet you'd not forget
00:02:03That I'd still wait for you
00:02:07Run and do
00:02:09Run and do
00:02:10Run and do
00:02:11Run and do
00:02:12At에
00:02:14Step 3
00:02:19Visit the gate
00:02:24Welcome, Senora West
00:02:26This is zeg the brilliant angel
00:02:27Depend on her to take care of all your
00:02:30Wants and pleasures
00:02:31She is a fished as an IBM
00:02:32How do you do, Teresa?
00:02:33Grazie, Senora, please call me Terry
00:02:35I stay some months in London
00:02:36I stay some months in London, so I know some English.
00:02:38Are you thirsty?
00:02:39Make us a cold drink today, sir.
00:02:43Look, silence and harmony.
00:02:45The village is only a few kilometers.
00:02:48The marina is just 20 minutes, if you like boating.
00:02:51Oh, I'm afraid I won't feel up to the sea.
00:02:55All right.
00:02:58Well, here we are.
00:03:00No one will bother you here.
00:03:02Oh, it's lovely.
00:03:04Really lovely.
00:03:09Brian, you've been perfect.
00:03:11Wait before saying so.
00:03:13Oh, the house is beautiful.
00:03:17Oh, Brian.
00:03:21Now you can turn out pictures by Katherine Sumpsett,
00:03:23just the way you did when you were a promising young artist in New York.
00:03:28Too much time has passed since then.
00:03:32I'm afraid I've lost my spirit.
00:03:34Don't worry.
00:03:35Be grateful that the future will hold whatever your heart desires.
00:03:39There's been so much pain.
00:03:41The sorrow will diminish.
00:03:43The future will lessen the misery you're now enduring.
00:03:46Remember, you can take courage from the memory of Robert.
00:03:50And now that he's dead, how do I pick up the pieces?
00:03:54Oh, no.
00:03:55Isn't there anything stronger to drink in this house?
00:03:59Of course.
00:04:00I'm sorry.
00:04:01Oh, try to understand, Brian.
00:04:03I'm so low, I need something to pick me up once in a while.
00:04:13I know that I can pull myself together in time, but I need a little freedom after what I've been through.
00:04:22I think I ought to remind you that this kind of freedom isn't very good for your nervous system.
00:04:26I'm worried that things could be messy due to a problem turning up in the formal procedure in New York.
00:04:32I don't ever want to go back to New York.
00:04:35So, have you liquidated the estate?
00:04:42My dear girl, I've told you ten times.
00:04:45Two petroleum companies, four television stations, a chain of department stores.
00:04:49They're not items you can unload as you would a truck.
00:04:51It's a big job and I need time.
00:04:54All right, Brian.
00:04:55I'll rely on you.
00:04:57The only thing that might cause a grievance is the family mansion on Lake Michigan.
00:05:02I've just heard from relatives of Robert.
00:05:04Oh, a horrible, cold old barn.
00:05:08I could never stand being there.
00:05:10The letter was from Robert's two old aunts.
00:05:13They're dead set against selling it.
00:05:15Why don't they buy it?
00:05:16Because they consider it property of the family.
00:05:21Oh, it's not important to me.
00:05:23I'll give it to them.
00:05:24This you could do.
00:05:25Of course, on the other hand, it might be best to get the two old ladies out of our hair promptly.
00:05:30I'd recommend you take it easy and don't worry so much.
00:05:33I'll telephone from New York and assign our best attorneys to settle the probate.
00:05:37Oh, thank you, Brian.
00:05:39You're a treasure.
00:05:40Teresa.
00:05:41Senora.
00:05:42Take that thing away.
00:05:43I don't want it in here.
00:05:44It's messy in the cellar.
00:05:45I don't care where you put it.
00:05:46As long as I never have to see it or hear it.
00:05:50Here are the pills, Senora West.
00:05:57A journalist has telephoned to see you.
00:05:58Oh, questions, questions.
00:05:59I'm sick of them.
00:06:00They can go to hell.
00:06:01Oh, I've got such a headache.
00:06:02Oh, I've got such a headache.
00:06:04Better try resting.
00:06:05Here are the pills, Signora West.
00:06:18A journalist has telephoned to see you.
00:06:21Oh, questions, questions.
00:06:24I'm sick of them.
00:06:26They can go to hell.
00:06:28Oh, I've got such a headache.
00:06:30Better try resting.
00:06:35Good morning, Signora, how are the kids?
00:06:47This is Signora West's villa.
00:06:49What is it you want?
00:06:50Please, I need tools and a telephone.
00:06:52But you know that I'm cordially penitent, Signora.
00:06:54You see here a daring poor pilgrim and a miserable guy.
00:06:57I'm sorry, but it's impossible to help.
00:06:59Please, Countess, be nice.
00:07:01I tell you, I can fix them all alone.
00:07:02My passion is automobiles.
00:07:04Please, I've already told you that.
00:07:05Teresa.
00:07:06Yes, Signora West.
00:07:11Give the young man what he needs, and then send him away.
00:07:15Bravo, Signora West.
00:07:17Go now, eh?
00:07:19Offer to me.
00:07:21Get her that rose.
00:07:23Oh, where are you?
00:07:26Pick it and take it to Mrs. West.
00:07:28My name's Peter Donovan.
00:07:34It's a matter of speaking the same language.
00:07:50Well, that does it.
00:07:59You mean you've finished so fast?
00:08:02Not on your life.
00:08:03It's, it's inexorably broken.
00:08:05Have to get a new part.
00:08:06Oh.
00:08:08For your wonderful eyes.
00:08:10By the way, why don't you let me see them?
00:08:12Is it necessary?
00:08:14Not at all.
00:08:14I'll take you on your word.
00:08:15No, the word wasn't enough.
00:08:34All right.
00:08:40Never mind.
00:08:44How far is it to town?
00:08:47I don't know.
00:08:48Two or three miles.
00:08:50Maybe four.
00:08:51Marvelous.
00:08:52I was afraid it was 50.
00:08:53I'm sorry about having to leave the car here, but I'll be back tomorrow morning with the mechanic.
00:08:58It's all right.
00:08:59Would you like me to have Teresa drive you in?
00:09:01No, no, no, I prefer walking on my hands.
00:09:05Well, so long.
00:09:31What are you doing here?
00:09:57Trying to sleep, and then I just happened to bump into the horn.
00:10:01Sorry.
00:10:02But I don't understand.
00:10:03Didn't you go into town?
00:10:04You bet.
00:10:05Six miles, 7,000 lira to pay for a new part.
00:10:09And if the mechanic had come, it would have taken 12.
00:10:11I just had seven.
00:10:12I see.
00:10:14In other words, you didn't have the money for a hotel room.
00:10:16It happens at least once in your life.
00:10:18Just a moment.
00:10:26Yes?
00:10:27Hello?
00:10:29Oh, it's you, Brian.
00:10:30I was afraid you wouldn't call.
00:10:34Saturday.
00:10:35Perfect.
00:10:37Let's see.
00:10:38Today is...
00:10:39Wednesday.
00:10:40Wednesday.
00:10:44Yes, that's right.
00:10:46Wednesday.
00:10:46All right, dear.
00:10:48I'll see you then.
00:10:50Right.
00:10:51Goodbye.
00:10:53Haven't you been taught that it's rude to enter a house without being invited?
00:10:57I was just looking.
00:10:58After all, masterpieces are to be looked at.
00:11:01Otherwise, why bother painting them?
00:11:03Well, I paint for myself.
00:11:06Besides, I'm not a professional.
00:11:08It's perfect.
00:11:10You used a mirror, right?
00:11:11You've got a rather unusual belly button, just like the Botticelli Venus.
00:11:17Oh, stop it.
00:11:19Besides, what do you know about painting?
00:11:29You're not an art critic, are you?
00:11:31Why not?
00:11:31What do you know about me?
00:11:33You're right.
00:11:34In fact, I'm not a critic, not even an intellectual.
00:11:38But I've forgotten all my manners.
00:11:42I'm hungry as a wolf.
00:11:46And wolves do not apologize.
00:11:48Could I, Mrs. West?
00:11:49Oh, wait a minute.
00:11:53All right, stay here.
00:11:55But don't touch anything.
00:11:57That's all I could find.
00:12:07But it should be enough for a wolf.
00:12:09I didn't feel I should wake the housekeeper.
00:12:12You needn't have gone to the trouble.
00:12:15Here's a drink if you feel like it.
00:12:25There.
00:12:27You can settle down here.
00:12:29I hope you'll forgive me if I don't have a pair of pajamas your size.
00:12:33I always sleep naked, and I like the women I sleep with to sleep naked, too.
00:12:39I see.
00:12:40Well, good night.
00:12:41Good night.
00:12:41Good night.
00:12:59Good night.
00:13:02Good night.
00:13:07I don't want that old witch to catch on to anything.
00:13:26Well, I do. You're a free woman. What's more, you pay her.
00:13:31Why are you afraid of her?
00:13:34One has to be afraid of everything these days, especially when one's happy.
00:13:40Besides, things are not easy for me now.
00:13:45But you are a widow, aren't you?
00:13:48As of seven weeks.
00:13:50I suppose you loved your husband very much, didn't you?
00:13:54He died suddenly in a car crash.
00:13:57Very wisely, otherwise we wouldn't be here.
00:14:00Poor Robert. He was a good man, but closed.
00:14:06All he ever thought about was money.
00:14:08And you married him for money?
00:14:10No, I needed affection.
00:14:13I thought an older man could give it to me.
00:14:16But all he knew how to give was money.
00:14:20You want some advice to save your soul?
00:14:24Mm-hmm.
00:14:25Give away all the money you've got, but not to the poor.
00:14:27To somebody richer than you.
00:14:29We need not create rich people any more than there already are.
00:14:39She's coming back later.
00:14:41Well, Mrs. West, have a nice trip and give London a smile.
00:14:50If you're ever in the neighborhood, do stop in.
00:14:53Goodbye.
00:14:55Clear everything away, Teresa.
00:14:58That's all for tonight.
00:15:00Bye.
00:15:01Bye.
00:15:02Bye.
00:15:30Peter?
00:15:31Is that you, Peter?
00:15:38Peter?
00:15:45Oh, no.
00:15:47Are you afraid of getting dirty?
00:15:57Oh, he has dirty me.
00:16:00Hello?
00:16:05Catherine?
00:16:06Brian?
00:16:07Shall I meet you, please?
00:16:08No, I prefer to drive.
00:16:09Wait for me there.
00:16:10Don't forget you're meeting Robert's aunts.
00:16:12Oh, yes.
00:16:13Don't worry.
00:16:14I'll wear the soberest dress I have.
00:16:15All right.
00:16:16See you in London.
00:16:17Right.
00:16:18Bye.
00:16:21Peter, hurry.
00:16:22You've got to leave right away.
00:16:24Okay, but what's your trouble?
00:16:25Oh, I'm in a terrible rush.
00:16:27If you stay, I'll never get to London.
00:16:29Look, please don't be offended, Peter.
00:16:33But I would like you to be in a position of independence until I get back.
00:16:36Here, take it.
00:16:40Were you used to being paid before you married the rich man?
00:16:43Oh, forgive me.
00:16:44It's just my maternal instinct.
00:16:47Please go now, quietly.
00:16:48Okay, my would-be mother.
00:16:49When I get back from London, will we see each other again?
00:16:53It's up to you.
00:16:54If you want me, just call.
00:16:55Piazza Navona 19.
00:16:56Top floor.
00:16:57There's no phone but the mailman comes.
00:16:58It's up to you.
00:16:59If you want me, just call.
00:17:00Piazza Navona 19.
00:17:01Top floor.
00:17:02There's no phone but the mailman comes.
00:17:03We've reached an accord that's perfectly rational.
00:17:10The result is that the family mansion becomes your property.
00:17:11In exchange, are you disposed to renounce all legal demands on the estate of your nephew, Robert?
00:17:16Go.
00:17:17I think so.
00:17:23No, no, that's not so.
00:17:24I'm not going to renounce the legacy we expected.
00:17:25I would absolutely contest any attempt to oppose the will of the family.
00:17:28Mr. Osborne, could we buy their money?
00:17:30No, no.
00:17:31Do you want to buy your family?
00:17:32Oh, I know.
00:17:34Now, I know in such an old household, the company.
00:17:35And I know.
00:17:36You're not going to pay your property, I know in such a way.
00:17:38I know, I know in such a way.
00:17:39I can't be the owner of the family.
00:17:41It's like I'll help you.
00:17:42It's like, st.
00:17:43I know, I'll tell you.
00:17:44Mr. Osborne, could we buy the house?
00:17:46Legally, yes, but you'll have to meet the police.
00:17:48Then it's simpler to do as I say.
00:17:51On the contrary, the West Mansion is worth more than mere money.
00:17:54But Catherine was his wife.
00:17:55It had the honor of having Lincoln as a guest one night.
00:17:58After all, it is the West family's oldest possession.
00:18:01And we cannot forget the sentimental value.
00:18:03We cannot equate sentimentality with economics.
00:18:05Let's hear what Catherine has to say.
00:18:08Oh, my dear aunties, the only thing I know is that my poor Robert
00:18:14would have wanted me to give you the family house.
00:18:17Oh, no, irregardless.
00:18:19We West don't want any charity, legal or personal.
00:18:21But Janet, don't be too offended.
00:18:23It was just and generous of our preciousness.
00:18:25I have no leases.
00:18:26Our poor dear Robert is gone.
00:18:28She's only the widow of my nephew.
00:18:29Poor Robert.
00:18:30He never lived to enjoy his life.
00:18:32A young woman and an older man, it wasn't right.
00:18:34Oh, my goodness, don't forget the food of the wine.
00:18:38But why did he drive himself so hard?
00:18:43You, look out.
00:18:45Please, a glass of water.
00:19:00Here's his telegram.
00:19:02This is from the brokers for Delta Petroleum.
00:19:04For the Pasadena residents, I can hope for the best, even better than New York.
00:19:13These are the Brazilian oilies for the council to administer during litigation, etc.
00:19:17You can rest assured that you'll be even richer.
00:19:20Oh, you must be mad.
00:19:21Oh, where's my angel?
00:19:23Come on, princess, you're invited to dinner.
00:19:25By whom?
00:19:26A lonely man who's fascinated by you, but who feels he's not worthy of your attention.
00:19:30Hello?
00:19:50Telegram?
00:19:51Destination, please.
00:19:52Uh, Rome.
00:19:54Piazza Navona, 19.
00:19:57Urgent.
00:19:57Yes, the message, please.
00:20:01Uh, yes, yes, please.
00:20:03No, I'm sorry.
00:20:04I've changed my mind.
00:20:08Oh.
00:20:09Oh.
00:20:27Who's there?
00:20:55Teresa, is that you?
00:20:56Oh.
00:21:22Oh.
00:21:23Oh.
00:21:23Oh.
00:21:24Oh.
00:21:25Oh.
00:21:25Oh.
00:21:26Oh, my God.
00:21:56Who's there?
00:22:11Let me out! Let me out! Let me out!
00:22:20Teresa! Teresa, help!
00:22:27Senora West!
00:22:27Oh, there!
00:22:30Oh, Teresa.
00:22:32What caused you to scream?
00:22:34There's someone in the house, Teresa.
00:22:36Come along.
00:22:37Teresa, there's someone in the house.
00:22:39Come on, come on, come on.
00:22:39But I tell you, I can't have been dreaming.
00:22:50The shower was on.
00:22:52The window was open.
00:22:53But look there.
00:22:54The painting was always there.
00:22:55Somebody must have taken it upstairs.
00:22:57You're not well tonight.
00:22:58You're feeling terribly anxious, but it's only temporary.
00:23:01Don't drive yourself crazy.
00:23:03The lights were on, and then they went off.
00:23:05In other words, you don't believe me.
00:23:09How can I, when you depend so much on pills to help you escape from reality?
00:23:14You need rest, Senora West.
00:23:16Go to your room.
00:23:17You'll feel better soon.
00:23:35Go to your room.
00:24:05Hello?
00:24:11Hello?
00:24:11Hello?
00:24:11Hello?
00:24:13Hello?
00:24:15Hello?
00:24:35Hello?
00:24:45Hello?
00:24:45Hello?
00:24:48Hello?
00:24:49Hello?
00:24:50And the mountain came to Muhammad.
00:25:15You might have at least called.
00:25:20Do you hear anything?
00:25:24It was cut off two months ago.
00:25:30No.
00:25:32I'm angry with you.
00:25:38Oh, no.
00:25:40Not here.
00:25:42Yes, here.
00:25:43I didn't make any fuss about your damn rich house.
00:25:46I live here.
00:25:46I bring my women here on this bed.
00:25:49Women like that?
00:25:50You're worse than she is.
00:25:56Much worse.
00:26:00Yes, that's right.
00:26:02I'm worse than she is.
00:26:04I'm worse than all of them.
00:26:07Oh, yes.
00:26:09Yes, yes, you saw her.
00:26:16Thanks, dear lady.
00:26:17I'm sorry about this.
00:26:18Put it on the bill.
00:26:29Hey!
00:26:32You're trying to lose me after depriving me of a roof?
00:26:35I don't find it funny.
00:26:37Why don't you behave decently and apologize?
00:26:39Well, I didn't ask you to come here to Rome.
00:26:41Oh, stop it, Peter.
00:26:43I find the whole thing very distasteful.
00:26:45You're right.
00:26:46You're right.
00:26:46I'm sorry.
00:26:46Take them.
00:27:00Teresa.
00:27:02Prepare the guest room.
00:27:04Mr. Donovan is spending a week with us.
00:27:06Eva!
00:27:07Ciao!
00:27:07Come on!
00:27:08I'd like you to meet my sister.
00:27:10Hey, Ava!
00:27:27Ciao!
00:27:28Come on!
00:27:32I'd like you to meet my sister.
00:27:40My sister.
00:27:46I'd like you to meet with my sister.
00:27:50I'd like you to meet my sister.
00:27:54I'd like to meet my sister.
00:27:58Come on.
00:28:01Be well.
00:28:02Come on.
00:28:05I'd like you to meet my sister.
00:28:09Oh, I'm sorry.
00:28:18Please, try to be more careful when you dance.
00:28:20Ah, Teresa, don't bother.
00:28:23Go to bed and get some sleep.
00:28:24Have some sleep.
00:28:30In my day, I was fabulous.
00:28:32In my day, I was famous for rock and roll.
00:28:40This is your day, Catherine.
00:28:41Ours is yet to come.
00:28:44Peter's right.
00:28:46I'd give half my life to resemble you during the other half.
00:28:52If you only knew the admiration,
00:28:55the enormous attraction I feel for you,
00:28:58the melting sensation I get looking at you,
00:29:00so feminine, so beautiful.
00:29:10There, touching you to be sure you're real,
00:29:14that's a thrill.
00:29:16Oh, Eva, you have so much inside.
00:29:21If you can even give it away to someone like me,
00:29:24rich with no purpose in life,
00:29:26who doesn't deserve it.
00:29:30Well, then.
00:29:36If that's the way it's to be,
00:29:38teach me how to be young.
00:29:45Good for you.
00:29:47Come on.
00:29:48Oh, it's wonderful to be young.
00:30:12Oh, no, you monster.
00:30:27Don't use the flash.
00:30:28You'll burn everything out on me,
00:30:29and we'll turn out looking dreadful.
00:30:31It has a special film that takes photos in this light.
00:30:34Now, you can do whatever you want.
00:30:40Does it have an automatic shutter?
00:30:41Of course.
00:30:51Come on.
00:30:52All together, a family group.
00:30:54Hello, Eva.
00:31:00How do you like the house?
00:31:02It's lovely here.
00:31:04Silent, enchanting.
00:31:06It reminds me of our grandparents' house
00:31:08in Beverly Hills.
00:31:09It's an old dreary house
00:31:11full of old folks and dogs.
00:31:13Oh, he's lying.
00:31:15I bet he's longing to go back.
00:31:17He's always doing that.
00:31:18When he loves something,
00:31:19he says he hates it.
00:31:24Mmm, at last.
00:31:28Not for me, thank you.
00:31:32I am no teetotaler,
00:31:34but when I drink on an empty stomach,
00:31:36I don't trust myself to drive.
00:31:38But where do you have to go?
00:31:39Well, back to Rome, I suppose.
00:31:41Oh, not at all.
00:31:42I've already arranged dinner here.
00:31:45Unless you have something
00:31:46more important to do.
00:31:47I don't think there is anyone
00:31:49more important than you, Catherine.
00:31:51At least for the moment.
00:31:54Oh, well then, come on.
00:31:55Have a drink.
00:31:56You won't be driving anywhere tonight.
00:31:58You need some love, just tell me.
00:32:02Oh, yeah.
00:32:05Yeah, anytime.
00:32:08You're feeling down, just tell me.
00:32:11Yeah, anytime.
00:32:12I'll come around, just tell me.
00:32:17Don't worry.
00:32:19Baby, cause I'm alone.
00:32:24I'll be there to turn your sadness
00:32:27into fun.
00:32:31Late at night, when it's dark
00:32:34and so cold.
00:32:36Girl, I'll promise you.
00:32:38Girl, I promise you the warmest
00:32:40and to hold.
00:32:42So anytime.
00:32:43So anytime.
00:32:44You need some love, just tell me.
00:32:48Yeah, anytime.
00:32:49You feel alone, just tell me.
00:32:54Don't worry.
00:32:55Baby, cause I'm alone.
00:32:59I'm alone.
00:33:00I'll be there to turn your sadness
00:33:04into fun.
00:33:06Yeah.
00:33:06I'll be there to turn your sadness
00:33:07into fun.
00:33:08Yeah.
00:33:09I'll be there to turn your sadness
00:33:09into fun.
00:33:10Yeah.
00:33:11So from the end.
00:33:12Yeah.
00:33:12And so cool.
00:33:13Girl, I promise you the warmest
00:33:17and to hold.
00:33:20Anytime.
00:33:23You need some love, just tell me.
00:33:27Yeah, anytime.
00:33:28You feel alone with this in me
00:33:33Don't worry
00:33:34You're gonna fall out of line
00:33:39I'll be there
00:33:41And turn your sadness into fun
00:33:45Why don't you tell me, baby
00:33:48Come on and tell me
00:33:51Why don't you come and tell me, baby
00:33:54Come on and tell me
00:33:57Why don't you come and tell me, baby
00:34:00Why don't you tell me
00:34:03Come on and tell me, baby
00:34:06Come on and tell me
00:34:09Why don't you come and tell me, baby
00:34:12Come on and tell me
00:34:15Why don't you come and tell me, baby
00:34:19Come on and tell me
00:34:21Why don't you come and tell me, baby
00:34:25Oh, I wish I didn't feel so tired.
00:34:38It's a pity to break up a night like tonight.
00:34:41Look, I've got some pills that make you stop feeling tired.
00:34:44I took one in the nightclub.
00:34:47It should be taken with four fingers of whiskey.
00:34:55If I'd like to give her a kiss, may I?
00:35:13You must.
00:35:13Oh, not now, darling.
00:35:16You must never say no to a guest, Catherine.
00:35:19why should you hide when you make love there's so many ridiculous and repulsive things and love is
00:35:38the most beautiful in the world quite right sis just think there's people who count their money
00:35:43in public people who slug each other in the ring people who make war
00:35:48how long is it since you've made love sis i never remember the last time i only think of the next
00:35:57what you've done in the past seems like nothing compared to what you'd like to do
00:36:04now i order you to go to bed i will take your word for it come on catherine
00:36:18wake up darling it's four in the afternoon oh let me sleep please come on you've got to wake up
00:36:45oh i can't you'll end up harming yourself
00:36:55take this you'll feel better in a moment
00:37:03your move catherine
00:37:28yes yes here she is
00:37:42hello hello brian how are you
00:37:49no don't worry they're two kids from boston yes the children of a friend of mine
00:37:56tomorrow evening perfect till tomorrow night then no i'll come there
00:38:04right bye try and leave us and i'll bump you up
00:38:09stop that you moron but peter it was only a joke i don't tolerate jokes with guns
00:38:17and i don't tolerate brutality you prefer she'd shot you you idiot how dare you speak to me like that
00:38:25and you keep your voice down all the brooklyn comes out in you
00:38:28brooklyn
00:38:40i don't want you two to quarrel because of me oh it's not because of you it's because of me come on
00:39:08let's drop it oh that's too easy is that what you did as a little boy always but he means it when
00:39:15he says he's sorry well there's nothing really to be sorry about anyway
00:39:20oh stop it peter
00:39:23good night
00:39:35good loving
00:39:37perhaps dear catherine worry comes from caring
00:39:49that's very sweet of you brian but there's really no need to worry i feel much better now
00:39:56you know these two youngsters have been marvelous for me
00:39:59they've given me a new perspective on life on youth
00:40:04that's so to be young requires the company of the young
00:40:08excuse me i didn't mean to sound like such an old man
00:40:11oh that's not true
00:40:12but i must tell you frankly brian
00:40:15i have no intention of getting married again
00:40:18i'm not asking you to marry me
00:40:21no but you were about to when i stopped you
00:40:24anyway you'll always be closest person to me
00:40:28i'll never let you go
00:40:30i have always felt the same way about you
00:40:33what's that
00:40:35oh it's just something for the digestion
00:40:38i've had a problem with my liver lately
00:40:41that's why i would like to go home early if possible
00:40:54i'll never let you know
00:41:06or things like that
00:41:11either
00:41:13our
00:41:13the
00:41:14your
00:41:19our
00:41:23Welcome back, you tramp.
00:41:53Oh no, no, no, no, no, no, no, no, no.
00:42:23Can you talk, Signora West? Can you say anything? What happened?
00:42:48Are you all right, Signora West? Do you feel any better?
00:42:53This is Teresa. Please, say something. Do you want me to make you a cup of hot tea?
00:43:04Ah, good. Here, drink.
00:43:13Can you say anything? You may have a concussion.
00:43:23I just tripped, Teresa. It's nothing. I'll be all right.
00:43:31Go back to bed. We'll look after her. Come on.
00:43:49We didn't lie to you before. My father and Ava's father were good friends. Our mothers, too.
00:43:55To the point that they divorced and married each other. So we grew up together. School together,
00:44:01vacations together, bed together, ever since we were children.
00:44:05It's disgusting. You've deceived me so.
00:44:10You've helped us yourself.
00:44:11Yourself? Why? Are you jealous of something? I'm the one who should be. But jealousy does not exist.
00:44:21Especially in the particular situation we're in.
00:44:24Why did you come here, Ava? I wanted to see who was stealing Peter from me.
00:44:34And when I saw you, I realized he was right. And you made me fall in love, too.
00:44:41I made you fall in love. There are all kinds of love. And all sorts of pleasures. When you came,
00:44:52we were thinking about you as if you were here with us. I was here with you.
00:45:06I was here with you.
00:45:19I was here with you.
00:45:25I was here with you.
00:45:59Just some sleep.
00:46:29only the free man doesn't need anyone to wait on him we can get along perfectly well by ourselves
00:46:40without that old bag spying on everything we say and do oh but that's out of the question
00:46:45why you're going off on a cruise and you're closing down the house
00:46:48and you mean we stay here alone no martino stays on he lives with his flowers and besides he's
00:46:55deaf tell me Catherine before making up your mind did you like it
00:47:25hey turn it up
00:47:46oh
00:47:48oh
00:47:49oh
00:48:01oh
00:48:03Oh, no, no, no, no, no, no!
00:48:07Don't worry, I'll trade because I'm the one.
00:48:14And I'll be there.
00:48:15Turn your set.
00:48:26So, to the third question.
00:48:30What do you think of yourself?
00:48:33Well, what do I think of myself?
00:48:38When I think of myself, I want to vomit.
00:48:43But I'm happy because I realize it.
00:48:47You see, you two don't realize how nauseating you are.
00:48:53There, I've told the truth.
00:48:55That makes us both more nauseating.
00:49:05Why did you do that? Get out of the way. Let's drink.
00:49:09Come on. It's all over, Catherine. It's only a game.
00:49:13Yes, a game. Game of truth. And I told the truth.
00:49:17You won't screw me anymore with your drugs, you slimy little bastards.
00:49:23You won't have my neck.
00:49:26Go find somebody else for your degenerate games.
00:49:30And get out of my house. I never want to see you again.
00:49:34You filth. I loathe you.
00:49:53Martino, do you hear me? Take this away.
00:49:56Martino, do you hear me? Take this away.
00:49:59Don't forget, open the gate at five sharp. But before and after that, don't open it for anyone.
00:50:035 o'clock.
00:50:04It's five o'clock.
00:50:05No.
00:50:07No.
00:50:08No.
00:50:25No.
00:50:26Don't open it for anyone.
00:50:31Uh, five o'clock?
00:50:33Five.
00:50:34Very nice.
00:50:56What's the meaning of this?
00:51:05Leave it once.
00:51:27All right.
00:51:28How much do you want?
00:51:29She asks how much we want.
00:51:31How much does she think she's worth?
00:51:33I knew it was blackmail.
00:51:36I haven't got time to lose.
00:51:37I'm expecting guests.
00:51:38Say what you want and get out.
00:51:40We don't want your money.
00:51:42We want you.
00:51:44It was certainly fortunate for Catherine that when Teresa suddenly walked out on her,
00:51:57she discovered you too.
00:51:59No doubt.
00:52:00It's very peaceful in this desert.
00:52:02Desert?
00:52:03Miss West, what do you mean?
00:52:05What?
00:52:06This is an earthly paradise.
00:52:08I'm majoring in botany.
00:52:10I've never seen any place as rich in fungi of all kinds.
00:52:13Oh, really?
00:52:14What are your interests seeing you in it, Anneman?
00:52:16Well, music, photography too.
00:52:19But actually, I'm sort of, um, well, an old-fashioned girl.
00:52:23And I think I am too young to take a serious interest in anything.
00:52:27I feel much pleasure whenever I hear such words from the younger generation.
00:52:32No, no, not at all, young lady.
00:52:34Continue on with those principles and you'll wind up like us,
00:52:36taking care of alcoholics without ever having had the pleasure of getting drunk.
00:52:39Are you feeling better, dear?
00:52:40Oh, much better, thank you.
00:52:41In fact, I jotted down the notes you asked for.
00:52:42What papers?
00:52:43About the oil company.
00:52:44If you start losing your memory, Brian, I'll be forced to hire another attorney.
00:52:46Oh, yes, I forgot.
00:52:47I'm sorry.
00:52:48Good.
00:52:49Then it's possible to proceed.
00:52:50Now these are the details concerning the sale of the villa.
00:52:55Now, your approval is necessary to complete the matter.
00:52:56Please sign here.
00:52:57We expect to see you in London, Cathy, dear.
00:52:58Bye.
00:52:59Bye.
00:53:00Bye.
00:53:01Bye.
00:53:02Bye.
00:53:03Bye.
00:53:04Bye.
00:53:05Bye.
00:53:06Bye.
00:53:07Bye.
00:53:08Bye.
00:53:09Bye.
00:53:10Bye.
00:53:11Bye.
00:53:12Bye.
00:53:13Bye.
00:53:14Bye.
00:53:15Bye.
00:53:16Bye.
00:53:17Bye.
00:53:18Bye.
00:53:19Bye.
00:53:20Bye.
00:53:21Bye.
00:53:22Bye.
00:53:23Bye.
00:53:24Bye.
00:53:25Bye.
00:53:26See you in Michigan.
00:53:27Maybe in the springtime.
00:53:28And also, I'm very grateful for the concern.
00:53:31You've shown for Catherine.
00:53:32For us, it's a pleasure, Mr. Sanders.
00:53:34Catherine is so sweet and unhappy.
00:53:36I'll telephone tomorrow from the airport.
00:53:38Don't forget.
00:53:39Please call.
00:53:40Hmm.
00:53:41Ciao.
00:53:51Come back alone as soon as you can.
00:53:54I'm in danger.
00:53:55Shut the gate.
00:53:56Here.
00:53:57Give this to her.
00:53:58Magnificent.
00:53:59It would even give a kick to the rotting Mr. West.
00:54:01Hmm.
00:54:02Hmm.
00:54:03You'd give all your stinking millions to have a taste of this.
00:54:04Wouldn't you, Catherine?
00:54:05We don't want them.
00:54:06We like you.
00:54:07Sweet and agreeable as you were long, long ago.
00:54:09That's all over now.
00:54:10And I don't feel like drinking.
00:54:12You're a liar, Mrs. West.
00:54:13You do feel like it.
00:54:14Except you're also afraid.
00:54:15This is the most exciting moment of your life.
00:54:16Why don't you surprise me?
00:54:17You're a liar, Mrs. West.
00:54:18You're a liar, Mrs. West.
00:54:19You do feel like it.
00:54:20Except you're also afraid.
00:54:21This is the most exciting moment of your life.
00:54:25Why don't you surprise me and ask to have a drink?
00:54:27Stop it.
00:54:28What do you promise me if I let you go?
00:54:30You don't have a drink.
00:54:31That's all over now.
00:54:32And I think you've remembered a drink.
00:54:34I don't like that.
00:54:35I don't like that.
00:54:36You thought you were.
00:54:37But that's all over now.
00:54:38You don't like that.
00:54:39You're no BACK.
00:54:40And you're more dangerous.
00:54:41Than a lot of friends.
00:54:42What would you say?
00:54:44Why would you say you have a drink instead of a drink?
00:54:47Stop it.
00:54:48What do you promise me if I let you drink?
00:54:58Stop it.
00:55:00You hear that? She wants to stop before we've even started.
00:55:06Hello? Brian!
00:55:09Hello, Brian. Can you hear me now?
00:55:13Oh, no, no, no. Please. Please.
00:55:18Oh, no, no, no. Don't hang up, Brian. Stay on the line.
00:55:27What?
00:55:32Hello, Brian.
00:55:35Oh, the letter. Oh, it's nothing important.
00:55:38I just wanted to hear about the dividends.
00:55:41Yes, I'm fine. Bye.
00:55:43Oh, no, turn it down, please.
00:55:45Having a little trouble, huh? Come on. Go to bed. Go on a bed.
00:55:47Don't worry.
00:55:48Don't worry.
00:55:49Don't worry.
00:55:50We want to be alone.
00:55:51Come on.
00:55:52Move it.
00:55:53And I'll be there. Turn your sadness in.
00:55:54You're the love from us, you're the warmest.
00:55:55Turn to home.
00:55:56Oh, no.
00:55:57You're the one.
00:55:58Oh, no.
00:55:59You're feeling down just to me.
00:56:00Oh, no. Turn it down, please.
00:56:01Having a little trouble, huh? Come on.
00:56:02Go to bed. Go on a bed.
00:56:03Don't worry.
00:56:04We want to be alone.
00:56:05Baby, cause I'm the one.
00:56:06Come on.
00:56:07Move it.
00:56:08And I'll be there.
00:56:09Turn your sadness in.
00:56:10I'll be there, turn your sadness in.
00:56:18Girl, I'll promise you a warmest.
00:56:22Damn to hold so many times.
00:56:27You need some love, just tell me.
00:56:29I'll be there.
00:56:59I'll be there.
00:57:29I'll be there.
00:57:59I'll be there.
00:58:01I'll be there.
00:58:03Please, please.
00:58:05Don't be, let me out.
00:58:07I'll be there, turn your sadness in.
00:58:09Please, please.
00:58:11Don't be, let me out.
00:58:13Let me out of here.
00:58:15Tell me, baby.
00:58:17Come on, tell me.
00:58:19Why don't you come on, tell me, baby.
00:58:21Come on, tell me.
00:58:23Come on, tell me.
00:58:25Come on, tell me.
00:58:27Come on, tell me.
00:58:29Come on, tell me, baby.
00:58:33Come on, tell me.
00:58:35And tell me, love, why don't you shut up, baby?
00:58:41I'm still there, so come tell me, baby.
00:58:48What's happening?
00:58:49He shut himself in!
00:58:51Catherine, what have you done?
00:58:53What have you done? What are you doing?
00:58:55Go back the car!
00:58:56Go back the car!
00:58:57Have you gone out of your mind?
00:59:01I want to leave! I want to get out of here!
00:59:03Where are the keys?
00:59:04You're sick, Catherine!
00:59:05Come on, let's go home. Come with me.
00:59:08I don't want to. I want the keys.
00:59:10Where are the keys to my car?
00:59:12I'll give you the keys. Come with me.
00:59:23They weren't there before.
00:59:27You're suffering from hallucinations, Catherine.
00:59:30You can't go away. Not in this state.
00:59:34Come on, be good.
00:59:35Come on, be good.
00:59:55Peter! Peter, look!
00:59:57By God, he might fall.
00:59:58Please, Peter, go get him. Please.
01:00:00Where?
01:00:01Up there. Up there!
01:00:04Oh, the same old story.
01:00:06I'll try from up above. Wait.
01:00:09Where are you going?
01:00:11No, wait!
01:00:12Wait!
01:00:13Stop!
01:00:14Stop!
01:00:15Stop!
01:00:16No, wait!
01:00:17No, wait!
01:00:18Wait!
01:00:19Stop!
01:00:20She's a girl!
01:00:21That's a boy!
01:00:22I can't wait.
01:00:23I can't wait.
01:00:24I'll see you later.
01:00:25No, wait!
01:00:26I can't wait.
01:00:27Here, kitty, kitty, kitty, kitty.
01:00:58Wait a moment.
01:01:04Oh, thanks.
01:01:06Is it yours?
01:01:06Yes, she's been missing since this morning.
01:01:09I'm living down the way.
01:01:14Where are you going? Go back to bed.
01:01:16No, let me buy.
01:01:19No! Let me buy!
01:01:21No, let me buy!
01:01:23No, no, no!
01:01:24You!
01:01:25Bill!
01:01:26Damn you!
01:01:27You!
01:01:28Stop it!
01:01:30No!
01:01:31Bitch!
01:01:32Damn you!
01:01:33Me!
01:01:34Stop it!
01:01:37Stop it!
01:01:38I'm leaving now. See you later.
01:01:40Yeah.
01:01:41Thanks again.
01:01:46Who's that?
01:01:47Oh, the senor.
01:01:49Listen to me first by here. We talk a little.
01:01:51Here, go on to town and get some cigarettes. Go on.
01:01:54Oh, no.
01:01:55Don't beat me. No.
01:01:56Oh, no.
01:01:57Oh, no.
01:01:58Oh, no.
01:01:59Oh, no.
01:02:00Oh, no.
01:02:01Oh, no.
01:02:02Oh, no.
01:02:03No.
01:02:04Don't beat me.
01:02:14Oh, no.
01:02:15Oh, no.
01:02:16Oh, no.
01:02:17No.
01:02:19No.
01:02:20No, please.
01:02:21Oh, please.
01:02:22Oh, please! Oh, no, please, no!
01:02:27Oh, no!
01:02:52Martino!
01:03:05Martino!
01:03:07No, don't go away!
01:03:09Don't leave me!
01:03:11Martino!
01:03:13Wait!
01:03:15Martino!
01:03:19Don't go away!
01:03:21Don't leave me!
01:03:24Martino!
01:03:26Gratis! Gratis, senor!
01:03:29Thank you very much!
01:03:34Bye!
01:03:51There's not a drop left in the house. Have you forgotten on a wonderful evening?
01:04:05Where's the telephone?
01:04:19We're against technological progress and we don't want to be disturbed.
01:04:23Oh, put the telephone back at once. I want to order some whiskey.
01:04:29Eva's gone into laying a supply, but if you're really thirsty, I'll see what I can do.
01:04:35And I warn you, there's a padlock on the gate.
01:04:45Here we are. But if you want a drink, you've got to be nice.
01:04:51No, no, don't come any closer.
01:04:53Well, I was just trying to be nice.
01:04:54The fact is that we really don't have any more fun with you because you're a poor, demented drunk.
01:05:06You're a poor, demented drunk!
01:05:16Drunk!
01:05:46Drunk!
01:05:47Drunk!
01:05:48Drunk!
01:05:49Drunk!
01:05:50Yes!
01:05:51Drunk!
01:05:53Drunk!
01:06:11Hey, bring me a glass now.
01:06:32Uh, yes.
01:06:41Actually, you're a pretty nice girl.
01:06:53Get up.
01:06:55Stand up.
01:07:00Give me the keys to the gate and the keys to the car.
01:07:10Don't do anything silly, Catherine.
01:07:20Stop there.
01:07:23Throw me the keys and then lock yourself inside.
01:07:31Ah!
01:07:32Ah!
01:07:34Ah!
01:07:36Ah!
01:07:37Ah!
01:07:38Ah!
01:07:39Ah!
01:07:40Ah!
01:07:41Ah!
01:07:42Ah!
01:07:43Ah!
01:07:44Ah!
01:07:46Ah!
01:07:47Ah!
01:07:48Ah!
01:07:49Ah!
01:07:50Ah!
01:07:51Ah!
01:07:52Let's go.
01:08:22Let's go.
01:08:52Let's go.
01:09:22You can thank me for having thought of putting in those blanks.
01:09:26How is she?
01:09:28She's just waking up.
01:09:30The sedative was weak.
01:09:33Be careful, huh?
01:09:35This isn't the moment.
01:09:36Don't worry.
01:09:38It's pure science.
01:09:40Hello?
01:09:41Yes?
01:09:42West residence.
01:09:44Ah, good evening, Mr. Sanders.
01:10:02She's gone to Rome with my sister.
01:10:06She's gone to do some shopping.
01:10:10I see.
01:10:11Well, I hope she'll be.
01:10:14That she'll be back by that time.
01:10:16Okay?
01:10:17Be seeing you soon.
01:10:18I'm sorry, darling, but I had to stop you from saying anything funny.
01:10:27You've done too many funny things already.
01:10:31Now, Mr. Sanders is on his way, and you've got to get rid of him.
01:10:34Brian's coming here.
01:10:40Quite right.
01:10:41You have to behave, and if you say one thing, we spill the beans.
01:10:45But no, our little Cathy will be perfect.
01:10:49Now, get up and get yourself into shape.
01:10:52God save you if you let yourself be seen in this condition.
01:10:55No, later.
01:10:59Now, you've got to get up and get dressed.
01:11:15I'm terribly sorry, but I absolutely must be in New York tomorrow morning.
01:11:45I don't know what to say, Mr. Sanders.
01:11:47Every time they go to Rome, they get lost in the shops,
01:11:50go to the movies, stop buying some restaurant.
01:11:53Quite frankly, I'm pretty fed up with trying to keep up with those live wires.
01:11:59Maybe it's better that way.
01:12:00Catherine needs a little distraction.
01:12:02How is she now?
01:12:03Well, I don't know really what to say.
01:12:05Sometimes she seems perfectly well.
01:12:07And then she gets sudden fits of depression.
01:12:10Forgive me, Mr. Sanders.
01:12:12Perhaps I shouldn't, uh...
01:12:13No, no.
01:12:13Tell me the truth, I beg you.
01:12:15Well, when she gets sad, she drinks a lot.
01:12:18And when she drinks a lot, she says she wants to die.
01:12:22Then, uh...
01:12:22Then she takes, uh...
01:12:26Sleeping pills, and she sleeps for 24 hours a day.
01:12:31Yes, we really must convince her to take a cure.
01:12:34I'm very worried, and I'd be very grateful, Mr. Donovan,
01:12:37if you'd always keep me informed.
01:12:39In any case, I'll be back in a week at the most.
01:12:41What about the power of attorney?
01:12:49And tell Catherine to sign this and dispatch it immediately to the office of Carlini,
01:12:53who's my correspondent in Rome.
01:12:55And should Signora West have need of clarification,
01:12:58this is my number to telephone.
01:12:59Mr. Donovan, you've been of considerable help.
01:13:03Now, what Catherine wanted to know is what the total dividends come to.
01:13:06Tell her these papers concern 120 million from the Italian branch.
01:13:10What was that?
01:13:19Ah, the cat's up to his old trick of trying to steal a bottle of milk.
01:13:25Oh, well, tell Catherine, uh, Mrs. West, to call me.
01:13:28Goodbye.
01:13:29Goodbye, gentlemen.
01:13:30See you, Mr. Sanders.
01:13:31Keep your millions, you filthy rich.
01:13:52Telegramma.
01:13:53Too bad you're so crazy.
01:14:00You're so beautiful.
01:14:02I could have loved you and made you happy.
01:14:06All the fault of whiskey.
01:14:10Would you like to make love one last time?
01:14:19Only you and me.
01:14:23I'll be here.
01:14:25You.
01:14:26I'll be here.
01:14:33I want to know.
01:14:37Oh.
01:14:40Oh, my God.
01:14:52Oh.
01:14:52Catherine, your supper's ready.
01:15:15Let me out! I'm going mad! I'm going mad!
01:15:20I'm going mad!
01:15:34Twenty pills. It'll be a painless suicide.
01:15:50I'll be in trouble.
01:15:52I'll be in trouble.
01:15:54I'm going to be in trouble.
01:15:56I'll be in trouble.
01:15:58It is our sad duty to inform you.
01:16:28Of the death of your legal representative, Brian Sanders, oh no, in a plane crash returning home office, oh God, oh God, no.
01:16:58This is it.
01:17:08Let's wait at least ten minutes.
01:17:09Okay.
01:17:11Let's wait.
01:17:27Let's wait.
01:17:43Let's wait.
01:18:01Let's wait.
01:18:17Let's wait.
01:18:33Let's wait.
01:18:49Let's wait.
01:19:05Let's wait.
01:19:21Let's wait.
01:19:25Let's wait.
01:19:37Let's wait.
01:19:41Let's wait.
01:19:45Let's wait.
01:19:57Let's wait.
01:20:01Let's wait.
01:20:17Let's wait.
01:20:21Let's wait.
01:20:23Let's wait.
01:20:39Bye-bye, Catherine.
01:20:41The party's over.
01:20:43Woo-hoo!
01:20:44Come on.
01:20:45Uncle Brian, lend us the car.
01:20:46Absolutely, yes.
01:20:47I'll get into the water.
01:20:48I'll explode.
01:20:49A beautiful day for swimming.
01:20:50You, too.
01:20:51To some of us.
01:20:52Brian, to some of you.
01:20:53See you later.
01:20:54Can they lend us the car?
01:20:55Absolutely, yes.
01:20:56I'll get into the water, I'll explode.
01:20:57It's a beautiful day for swimming.
01:20:59Right.
01:21:00See you, darling.
01:21:01Ciao.
01:21:02See you later.
01:21:19Sir?
01:21:20Excuse me, Mr. Sanders.
01:21:21You wanted a Scotland Yard.
01:21:24We're running out of gas.
01:21:36What do you care?
01:21:37We've got 3,000 oil wells out in Texas.
01:21:40We can double the price of oil and be less traffic on the road.
01:21:49Listen to this.
01:21:51Catherine saved it, too.
01:21:53The stage was set the night we met.
01:22:10For fate had planned it so.
01:22:11And just one look was all...
01:22:15The stage was set the night we met.
01:22:20For fate had planned it so.
01:22:23And just one look was all...
01:22:27Just one look was all...