First broadcast 18th November 2013.
A dangerous terrorist, purportedly a member of the Irish Republican Brotherhood, escapes from police custody and attacks an MP.
Matthew Macfadyen ... Det. Insp. Edmund Reid
Jerome Flynn ... Det. Sgt. Bennet Drake
Adam Rothenberg ... Cpt. Homer Jackson
Clive Russell ... Ch. Insp. Fred Abberline
David Wilmot ... Sgt Donald Atherton
Damien Molony ... Det. Const. Albert Flight
Stanley Townsend ... Aiden Galven
James Wilby ... Charles Broadwick
Leanne Best ... Jane Cobden
Charlie Murphy ... Evelyn Foley
Martin McCann ... Michael Donovan
Michael Marcus ... Sebastian Ferranti
Guy Williams ... Cecil Knightley
Steve Gunn ... Newgate Driver
Frank Melia ... Priest
Mícheál Ó Dubhghaill ... Bar Brawler
Stephen Cowan ... Donovan's Bruiser
Gillian Saker ... Bella Drak
A dangerous terrorist, purportedly a member of the Irish Republican Brotherhood, escapes from police custody and attacks an MP.
Matthew Macfadyen ... Det. Insp. Edmund Reid
Jerome Flynn ... Det. Sgt. Bennet Drake
Adam Rothenberg ... Cpt. Homer Jackson
Clive Russell ... Ch. Insp. Fred Abberline
David Wilmot ... Sgt Donald Atherton
Damien Molony ... Det. Const. Albert Flight
Stanley Townsend ... Aiden Galven
James Wilby ... Charles Broadwick
Leanne Best ... Jane Cobden
Charlie Murphy ... Evelyn Foley
Martin McCann ... Michael Donovan
Michael Marcus ... Sebastian Ferranti
Guy Williams ... Cecil Knightley
Steve Gunn ... Newgate Driver
Frank Melia ... Priest
Mícheál Ó Dubhghaill ... Bar Brawler
Stephen Cowan ... Donovan's Bruiser
Gillian Saker ... Bella Drak
Category
📺
TVTranscript
00:00The End
00:02The End
00:04Bless me, Father, for I have sinned. It has been three months since my last confession.
00:07And you come now to accuse yourself?
00:10I do, Father.
00:12Of which sin, my son?
00:14I am a liar.
00:30The End
00:57Rang their voices out in prayer
01:01Cate Ireland say they rose
01:04Cate Ireland say you
01:07Went for air in theory mode
01:10High upon the gallows tree
01:13Swung the noble hearted tree
01:16Rang they up the ragged stair
01:19Rang their voices out in prayer
01:23Rang their voices out in prayer
01:27Shetty!
01:29What are you doing here?
01:31Get out of here!
01:33Rang their voices out in prayer
01:35Cessna's son!
01:40Shut up, I dig!
01:44Cate Ireland say you
01:47Cate Ireland
01:53There is a God.
02:07Who here would help a true patriot?
02:13A humble man wronged by the cruel iniquities of this uncaring government.
02:19A brother, a warrior for justice.
02:23Who would help me?
02:28The keys.
02:29Will you not give me the keys?
02:31Are ye men or are ye mice?
02:34Are ye Irish men and women or not?
02:37If not now, then never!
02:44Come on, Booker. Good night.
02:46What do you call a dead Englishman?
02:54A good start.
02:56Jesus.
02:57Is this to be laid at your door?
03:13The bar's on you, with shame and elephants.
03:20I hope you were not bored, Inspector.
03:23Oh, by no means, Miss Compton.
03:25They come with a furbough, your friends.
03:27They are not my friends.
03:29They befriend me.
03:31There is a difference.
03:32A settlement movement.
03:34The men and women raised in the gracious avenues of Bath
03:37and the rolling Surrey Downs now making their home here.
03:40And the hope that the benighted souls they now rub against
03:43might somehow be elevated by such noble compound.
03:46And you doubt their sincerity?
03:47I doubt their efficacy.
03:48People wish to improve conditions.
03:50And you do not wish for improvement in people's lives?
03:52No, I, of course.
03:54I fear they will be disappointed.
03:57Men, I find.
03:58And women.
03:59Yes, they too.
04:02In my experience, humans more often choose to resist transformation
04:07and embrace it.
04:10And you, Inspector.
04:12I invite you to an audience with an over-educated cabal of reformists and idealists,
04:18and you choose to attend.
04:22Well, surely that is a transformation of sorts, is it not?
04:26Inspector Reed, you're wanted sir.
04:30Miss Cobden.
04:32My thanks.
04:33Time with you is, as ever, educative.
04:47Ah, Inspector.
04:48Fresh from the admiring attentions of a counsellor for Bowen Bromley?
04:51for Bowen Bromley?
04:53Sergeant, that's our Newgate driver.
04:55Yes, sir, Morris.
04:57Fell from the seat of the Mariah
04:58as it passed underneath the clothesline.
05:00Moved no more.
05:01Convict calls for assistance.
05:04Boy obliges.
05:05He frees himself scabbers.
05:06Any reports from the community
05:07on either boy or prisoner?
05:09Irish round there.
05:10Shut up like an oyster.
05:11This one I pronounce dead.
05:16No clubbing, no shooting, no stabbing,
05:18heart failure most likely,
05:19but I'm gonna open him up,
05:21and I'm gonna get you sure.
05:23So what was it, opportunism?
05:24A stroke of luck for the escapee?
05:25Do we have a name?
05:27We do, sir.
05:29Aidan Galvan, incarcerated at our pleasure since 1868.
05:34Irish Republican Brotherhood.
05:36Sent down with eight other members of the IRB
05:38after the Clerkenwell bombing.
05:40Flathead fiends tried to dynamite a prison,
05:42blew a crater out of the street next door in its stead.
05:4512 dead civilians, murdered at his head.
05:48It is a pitiless killer who now walks free.
05:51But, sir, he has not walked abroad in this city
05:53for over 20 years.
05:53He will be swiftly found.
05:55And your method in so doing, Flight?
05:57We roused the Whitechapel Irish, Inspector.
06:00And the thought of that action sits easy with you, does it?
06:03I know what side I stand on, sir.
06:10Sergeant, you took a squad of men on, sir.
06:12The years roll round,
06:14yet it is ever Irish heads on the end of my club.
06:21Police!
06:22Now, everybody stay calm.
06:24We're just having a little look around.
06:25No television, please!
06:26He's an Irish scum!
06:27Watch your mouth, Pete!
06:28All right, then!
06:33Stay on the side, girls!
06:43Oh, boy!
06:44Have you not walked the streets the last three years?
06:46The IRB has given up its guns.
06:48The days when a fiending could be found hidden inside her barrel are past.
06:51We live in peace now.
06:53There's a prisoner on the loose, girl.
06:55IRB.
06:56With a taste for nothing but the bloody destruction of innocent life.
06:59You're one to talk.
07:01You look in your eye.
07:02Quite a taste for it yourself.
07:05His name is Galvin.
07:07Once, he laid dynamite.
07:10Now, we will search this house, and you will move aside,
07:14or you will know prison life yourself.
07:20Although, one must be careful of these bohemians, Reed.
07:26I mean, they promise much, certainly,
07:28but their casual air of impudence
07:30is more often a disguise, I found.
07:33But what can only be described as a chilly disinclination
07:37when proceedings come to a point.
07:40Captain, tell me, I am curious.
07:44We are now both well enough known to each other, you and I.
07:47Indeed, there are sides to our lives
07:49shared with few others, and yet you persist in this ceaseless goading.
07:55Why do you suppose this is so?
07:58Because we're men, Reed, and that is what men do.
08:02We needle, we goad.
08:05Because if we did not, we would be forced to speak the truth.
08:08Suppose for just one moment that was not the...
08:11Suppose for one minute that was not the case,
08:15what would the truth say?
08:16The truth?
08:19That the good counsellor fits with you,
08:21that the two of you look right together.
08:23And that I'm sorry
08:24that your life is not less...
08:27complex.
08:28And you needn't concern yourself with conspiracies,
08:35at least not as far as this man's concerned.
08:37He got fluid in the lungs,
08:39arthroma of the coronary arteries,
08:40infarction of the myocardium.
08:44His heart collapsed on him.
08:45Your convict got lucky.
08:47You have your mother's way with the pot still, I see.
09:07Is it you waiting, Galvin?
09:08It is, Evelyn.
09:13Aye, oui, Carol, Evelyn.
09:17You're haunted.
09:21It is a chance to be wanted, I can tell you.
09:27Yet another evil of this bastard government,
09:30that they kept me from you.
09:32And this government you speak of,
09:35prevents you from writing letters also?
09:37I am not the letter-writing kind, Evelyn.
09:39No.
09:41You're the gunpowder-plotting kind.
09:42So what'll you do now, Evelyn?
09:49Before the police find you and tear your skin from you?
09:52Well, there are one or two errands I must run.
09:55And then there is you.
09:57I would know you.
09:59Help you if I can.
10:02Are you happy, Evelyn?
10:03Is your life what you would wish it?
10:09I live here, don't I?
10:11What do you think?
10:12You would leave this place?
10:14No, given the choice, would stay.
10:16It is the arsehole of the world, is it not?
10:19With your permission,
10:20I will have to see about removing the pair of us from it.
10:23Mr. Parnell.
10:35The acceptable face of Ireland.
10:37A Protestant.
10:39Trust him, Whittle.
10:41Trust an Irishman.
10:44I'd sooner play chess with an orangutan.
10:46I was 20 years with the Irish Constabulary,
11:05and I'll tell you this.
11:07The Irishman is a Negro turned inside out.
11:11Given only to slavishness and violence.
11:16The Irishman harps on freedom.
11:26Freedom to do what, exactly?
11:28Shoot landowners?
11:29Yeah.
11:30Thieve livestock?
11:32Explode dynamite?
11:33Yeah, yeah.
11:34The Irishman was put on this earth to be ruled.
11:37And it is up to us, gentlemen, to rule him.
11:40Quite so.
11:41I'm for my rest.
11:43Very well, ladley.
11:45Good night.
11:46I wish agonies on you, Mr. Knightley.
11:53And in hell soon.
11:54I wish agonies on you, Mr. Knightley.
11:56And in hell soon.
11:58I wish agonies on you.
12:17I wish agonies on you, Mr. Knightley would like to jump in.
12:18I wish again we could vouch for the assault.
12:21I wish I真的 �assembled you.
12:22Bastards.
12:52This for your time, Pinkerton, and you, Inspector, are with me.
13:09A convicted brotherhood man has sprung from these streets, and you thought not to say?
13:13Hardly sprung, Fred. Driver's heart failed. Garvin's been in a cell for over 20 years.
13:18I'm sure he can barely piss straight.
13:20His physical condition is not germane, Inspector. How do you think this plays?
13:25It is Whitechapel freeze Irish dynamite and blows it back to London.
13:31Michael Donovan, IRB, centre point of the Whitechapel Circle.
13:36Mr. Aberline, our masters meet in banquet halls.
13:39The IRB is now a recognised political party that negotiates with your government.
13:44The days when such men as ourselves convened at such places as this
13:48to take secrets off each other are in the past.
13:51And yet here I am, dragged from my breakfast to converse with you here.
13:56Yourself and...
13:57Reid.
13:59H Division.
14:01And you, boy, are not a man such as I.
14:05We should have begun this task one day ago, Edmund.
14:07This is an act of war, sir.
14:10No, Michael.
14:12It is a retaliation.
14:15This, found beside the charred remains of a member of our Parliamate.
14:21A one-time Inspector General of the Royal Irish Constabulary.
14:25His escape was not sanctioned by leadership.
14:34Lamont Galvin is not affiliated, not no more.
14:38The position of my leadership still stands.
14:41We are from home world by peaceful means.
14:43Michael, your little knackers were still being felt by Father O'Huland
14:48when Aidan Galvin was plotting to blow holes in my city.
14:53Man like that is never for peace.
14:56I am old.
15:00But I know yet when an Irisher
15:03feeds me horse shit,
15:07where will he go?
15:11I don't know.
15:13Please.
15:14Please.
15:18He has a daughter!
15:27Evil and Foley.
15:29War made of the Black Rose.
15:31Good lad, Michael.
15:33Good lad.
15:34No, Fred.
15:35He is yet too green.
15:36Nonetheless, in the time available, he's the best we have.
15:40Detective Blunt's face is right,
15:41his voice is right,
15:43but still, he may sit beside and watch for Galvin,
15:45discern his purpose if, indeed, he does seek her out.
15:51I have not forgotten the boy you lost last year, Edmund,
15:55but you will lose more before this light is out
15:58and nothing to be done to change that fact.
16:02You oblige me, Inspector.
16:04Flight, this man Galvin,
16:10there is a daughter, we are told.
16:11Mother of a woman named Foley, Bethann Foley.
16:14I shall get to the archives, sir,
16:15see what might be found.
16:16No flight.
16:17Sergeant Arthurton will manage.
16:20Chief Inspector Abiline has worked for you.
16:24If you've the chops for it, son.
16:28Yes, sir, I have.
16:29What does it you do to our new gate driver?
16:58There's a link here, Reed.
17:00Your detonator was charged with a Leiden jar.
17:02It's a glass bottle with silver sheeting around it,
17:05set to carry current.
17:07Knightley lays back in his bed to rest.
17:10The bed springs depress,
17:12connects the circuit,
17:15and boom,
17:17electricity,
17:19which is interesting,
17:19because now we have to ask ourselves
17:21if our convict was freed
17:23with the design
17:24of laying this charge
17:25beneath Knightley's bed.
17:27That is a shock scar.
17:30Well, insufficient to cause his heart
17:32to give up.
17:33No, it is a vulnerable organ.
17:37Charge would have needed
17:38to have been significant.
17:39However,
17:40when conducted into him,
17:41I know not how.
17:43With me, Sergeant.
17:43Mariah makes its way along.
17:54Where did it stop?
17:57Somewhere here.
18:01Let's take a look, shall we?
18:02Yes.
18:03Yes.
18:04Yes.
18:05Yes.
18:06Yes.
18:07Yes.
18:08Yes.
18:09Yes.
18:10Yes.
18:11Yes.
18:12Yes.
18:13And what we thought,
18:36chance,
18:37is now plotted conspiracy.
18:39Quite so.
18:40But by the IRB?
18:41No.
18:41When they kill,
18:43they do so to scream
18:43their grievance aloud.
18:44They would never disguise
18:45their purpose in this way.
18:47The murdered MP,
18:49Knightley,
18:49known for his vicious prejudice,
18:51certainly,
18:51but I would like to know
18:53who else,
18:54apart from the IRB,
18:55might celebrate his death.
18:56not yes.
18:57You're right.
18:57No.
18:58No.
18:58No.
18:59No.
18:59You're right.
19:04Very good.
19:04No.
19:04No.
19:08No.
19:09No.
19:10No, no.
19:11No.
19:13No.
19:15No.
19:16No.
19:17No.
19:18No.
19:19Yes, French?
19:26Uh, lemonade.
19:30Whoever's your poison.
19:43Oh, Father dear, I often hear
19:47You speak all there inside
19:50Her lofty hills and valleys green
19:55Her mountains rude and wild
19:58They say she is a lovely land
20:03Wherein a saint might dwell
20:07Ah, why did you abandon it?
20:12Michael, what happened?
20:14Did your pigeons turn on you?
20:16A word with you, Evie?
20:17In private?
20:18Well, as you can see, we have a crowd in.
20:20Will you return in an hour?
20:21No!
20:26Outside.
20:27Well, if you'll make a scene.
20:29Your pa will be needing food and shelter, he will not be able to rely on the IRB for some support.
20:42And where else will he come other than to see how his wee girl has grown?
20:47Twenty years?
20:49More than.
20:49More than.
20:50And not a single communication of affection is delivered to me from behind those bars.
20:54Why would he remain in the city when a boat for Banchu Bay or Ellis Island might be his for the Borden?
20:58Because he has a taste for murdering Englishmen when the IRB dictates that such actions are of the past.
21:04He may be an old limp cock tottering his way to the grave, but there's a warrior in your papa yet.
21:10A warrior that needs pacifying.
21:12Important, therefore, and I'm sure you understand, that it is me that finds him first, not the blues.
21:17And why is that like you?
21:20So you may put a bullet in his skull?
21:23Don't be forgetting which body of men it was that paid your orphan away in this life.
21:27Your mommy dead and gone, the brother who was more of a father to you than he ever was.
21:31This the way you London boys hope to charm a lady, is it?
21:34Bring your boys to stand and tread and bully her.
21:36Did I ask for your help, country boy?
21:39No, I did not.
21:41No lemonade, away with you.
21:44Go on.
21:47That's right, Mark Savage, back on the boat.
21:56I remember my words.
21:58Aidan Galvin.
21:59He comes skulking about.
22:01I'm the first to know.
22:07Girl's mother, Bethann Foley, kept IRB men safe and secret off the streets.
22:12But she passed late 67 in the house fire.
22:14Ladies and gentlemen, imagine, Inspector, the dance I had to perform when it emerged that Whitechapel 8th Division had requested the personal and professional particulars of so recently deceased a dignitary as Cecil Knightley.
22:29I do imagine it now, and I am grateful.
22:31And so you should be, Inspector.
22:33The bloated fathead, set on commissions, chaired them also.
22:38Parliamentary delegation to decide which and who might be offered government contracts for public work.
22:45Power to make men rich.
22:47Or otherwise.
22:48Flying.
22:49Chief, it's better.
22:50You are a poor lost immigrant, searching for a home amongst your own.
22:56What do you do straying off the streets to fraternize with the metropolitan police?
23:03I made approach, sir, but was rebuffed.
23:08I thought it judicious to retreat.
23:11And you said you had the chops for it, son.
23:19Gentlemen, you get back on our flight.
23:23Here.
23:24This commission of Knightley's lobbies to have the basin slum at Shadwell torn down.
23:30The Central and Southeast Electricity Commission wished the basin to be emptied and repurposed for a new power station.
23:37And has invited bids to be tendered for how that power station might be constructed, while the London County Council would prefer for more sanitary dwellings to be built.
23:45Well, at least now you've got a fresh excuse to row yourself past Councilor Comden's dorms, Rector.
23:52You, son.
23:53Sit down.
24:05No.
24:07You know, Constable, I hate to, uh, chop your onions here.
24:11The very thought of it.
24:12But you keep resisting drink.
24:13Most men on this planet are gonna have a hard time trusting you.
24:16Never mind a piss crew of Irish exiles.
24:18You are to gain the trust of a girl who's known little else but the inside of a taproom.
24:21And then, of course, there's a matter of how best to penetrate that frosty exterior and melt the fruitful vine within.
24:27I wish it were not so, but there is little Captain Jackson has left unlearned in this subject.
24:32Now, she's pretty, correct?
24:37She is?
24:39Mm.
24:40And she builds both Crenelation and Portcullis about herself.
24:43No sorcery known will allow a man ingress until she first lowers that drawbridge down.
24:50You need to make her start wondering after you.
24:52Feel the twinge of intrigue, fellow feelings, or vulnerability.
24:58Here.
24:59Here.
25:00You see?
25:01Mother.
25:02Cruelly killed when she was but a child, father in lockdown, and a stranger to her.
25:10You need to make yourself the same flag.
25:11You need to build yourself a story.
25:13Tragic loss.
25:14Tragic loss.
25:15Destitution.
25:16It's got to be perfect.
25:18It's got to be detailed.
25:19But most important, it has got to be felt.
25:23Right here.
25:24In your heart.
25:26With your own secrets.
25:27When you lie, you lie.
25:30With your own hidden truth.
25:32We do not have all year, however.
25:35The woman still needs to somehow notice him.
25:39Then, we mark him out.
25:41But what kind of man would this woman most likely pity?
25:44A victim of police brutality, perhaps?
25:46Hmm.
25:47Well, I guess we'd have to find ourselves a brutal policeman.
25:51Drake, any spring to mind?
25:53Yeah.
26:00Put your hat down, constable.
26:01Come on.
26:02Let's have your hat.
26:06Now this...
26:07This with contrition.
26:08You understand.
26:14Oh!
26:15I'll get you flight.
26:16You're irresistible.
26:17Mmm!
26:29Good morning, lemonade.
26:30I'll take whiskey from you right now, miss.
26:32What are you offering?
26:34Seems I need to find your name for you.
26:36You may have my real one.
26:38I'm Bertrand Doyle.
26:42Then in you come Bertrand.
26:45I'm Evelyn.
26:47Three of them.
26:48In uniform.
26:51Accused me of vagrancy and did not care to wait for my defence.
26:54You were their sport.
26:56Nothing more.
27:01What brings you here Bertrand?
27:04Prospect of nowhere to sleep with the cobbles of Whitechapel.
27:07Work.
27:09Brings me, miss.
27:10The hope of it at least.
27:12Money.
27:14Food in my belly.
27:18And that's an improvement on home, is it?
27:22No home.
27:24Never was. Not much of it at least twice.
27:26My mother taken by typhus when I was five.
27:30Father taken by drink soon after.
27:32I've no knowledge of them.
27:36And that is why the lemonade.
27:37You have no need.
27:42You have no need.
27:45Not to impress me.
27:54Come.
27:55You have no need.
27:56I'd say nothing.
28:00Yeah?
28:01I am not a man.
28:03Look at that.
28:05It is the last night.
28:08No, no.
28:10I'm not sure if you're not going to drive this today.
28:12I am not going to be here, but I have to walk away.
28:13Take those boots off and rest.
28:15I will bring food for you.
28:23Thank you, Evelyn.
28:25Rest, Bertrand.
28:43Don't forget to relax.
28:45While the pipe is not so good, you can bend the knees to the front of me.
28:53It's sharp, and it's beautiful, but it's not past you.
28:58In this case, we're going to lie and continue.
28:59We'll keep the bottom of the arms.
29:01I'll just add the bottom of the arms.
29:04First, you'll notice the bottom of the arms.
29:07The bottom of the arms are not up to the ear.
29:11I'm sorry, they're so beautiful.
29:38One arrived for me to you on my birthday.
29:39They came to me inside a letter
29:41from a man who claimed you was my father.
29:43Was he that?
29:45If he is, then it seems I have two of them.
29:48Then where is the other?
29:51Oh, I've not seen so much of him.
29:52Not until recently, at least.
29:55He's from home, from Ireland?
29:57He's been in London all my life, but...
30:00out of reach.
30:03I'm sorry, I don't mean to be so obscure.
30:05All right.
30:06I feel without care in this life,
30:08and yet I'm made claim on by two men
30:09who are entire strangers to me.
30:12Even when my mother's still here,
30:13she might find it hard to offer clarity.
30:15From what folks here have said,
30:16she was not exactly exclusive in these matters.
30:19If I'd had a brother or a father, for that matter,
30:25I imagine I might have done this for him.
30:42Welcome with milk and bread and butter.
30:45The idea of the way other folks say it is,
30:52I mean, it's our family instruct us.
30:56Is it not to tell us who we are,
30:58how we should be?
30:58Without that instruction, it's hard sometimes,
31:15so I find,
31:16to,
31:16to make sense of ourselves,
31:22what we want,
31:23what is right here.
31:24You scare me.
31:35You scare me.
31:35Inspector, what a lovely surprise.
31:47Miss Crompton,
32:00a moment of your time.
32:02Of course, sir.
32:03Would you like to follow me?
32:06St. Paul's Wharfside,
32:07or what the people who must live in that slum called the basin,
32:10is felt to be dead land,
32:12without purpose.
32:14I would build new homes there.
32:15For the men of the Central and Southeast Electricity Commission, however,
32:18there is opportunity there for industrial development.
32:22It offers a convenient location.
32:24Coal can be delivered from Northumberland, South Wales,
32:27and used to fire the power station they propose.
32:30And the now atomized Mr Knightley
32:32sat to decide on which party would be awarded the privilege of constructing it,
32:36giving a motive to murder him to any electricity supplier
32:39who felt that Knightley would not support their bid.
32:42Indeed.
32:43It just so happens there will be a practical demonstration this afternoon
32:49by one Charles Broadwick,
32:50who hopes to present his suitability for such privilege.
32:55Broadwick is one of the many tenders to build it.
32:59The theater is on your beat.
33:01Is it not?
33:03The light above your door.
33:06The fire in your stove.
33:09The miniature steam train on your boys' bedroom floor.
33:12All will be brought into energetic purpose
33:15by your very own supply of electric current,
33:18arriving beneath the paving stones of your street
33:21and into the life of your home.
33:25None of this is in question.
33:28But yet, there is one debate left for us,
33:34a debate which must be decided before this future finds you.
33:36Where will this power be brought into being?
33:41How will it be delivered to your hearthside?
33:44Because for all its wonder,
33:47the electrical age is also one of profound danger, my friends.
33:50The choice we all face is between currents.
33:57Alternating current or direct current.
34:01Both cages are set for identical voltage but differing currents.
34:05The contrast between the two is alarming.
34:08If you please.
34:09Behold!
34:14Behold!
34:15Behold!
34:40Behold! Alternating cutlets.
34:44I send you away now, ladies and gentlemen, to ponder only this.
34:49Which of these currents would you allow into your home?
34:54There could be only one choice, and that is direct.
34:58Direct current for London, ladies and gentlemen.
35:14Good evening. Charles Broadwick of Broadwick Machine Works.
35:21If you have further questions, I'm only too happy to oblige.
35:24Breed. Police.
35:26Councillor Cobden.
35:28Ah! I am delighted.
35:30A member of our august and newly minted county council.
35:33And a man whose mind is designed to see truth wherever it is hid.
35:37And what truth would you have me describe here, Mr Broadwick?
35:40That animals and electricity do not make great bedfellows.
35:43You're not convinced by my demonstration, Mr Reed.
35:45I have to ask myself if that cage was even charged.
35:47Oh, Councillor, of course it is not.
35:49These animals, whilst never deer, still cost,
35:52and all men of science must economise.
35:56Mr Knightley, the man who was murdered this night last,
35:59I assume you knew of him?
36:01Knew him in life, mourn him in death,
36:04and currently await news of who next I must bribe.
36:08Parliament passed a law last year, Mr Broadwick, an anti-bribery law.
36:12Perhaps you'd care to correct your last statement.
36:14Oh! Come, Mr Reed.
36:16This is priceless. You're welcome to arrest me.
36:18But should you do so, you'll be forced to do likewise
36:20to all men who ever bid for governmental contracts.
36:24Every commercial body wishing to turn St Paul's Wharfside
36:26into a generating plant was paying nightly.
36:29The only secret you will discover for me, sir,
36:31is whether I was paying above or below his median rate.
36:35In fact, we should ask Mr Ferranti.
36:39Miss Cobden, you will, I am sure, be attending his exposition this evening.
36:43Indeed. It is the invitation of the season.
36:46But Mr Ferranti's power station at Detford
36:48is already constructed on the principle of alternating current.
36:51We must admire our rivals, Mr Reed, if we wish to be worthy of them.
36:56Of all the men who waited on Mr Knightley's influence,
36:58it was perhaps Mr Ferranti who placed most at stake.
37:01He would add to the power station he's already constructed at Detford,
37:04and with his new designer St Paul's,
37:06make his exclusive purpose to power all of central London
37:09for within his own halls.
37:10But there is talk of trouble and concerns over its scale
37:13and the scale of danger it represents.
37:23Mr Ferranti.
37:26Yes?
37:27Inspector Reed, please.
37:29How can I help you, sir?
37:31You find us preparing this evening's exposition?
37:34Yes.
37:35For men and women of influence.
37:38Influenced.
37:39You are cynical, Inspector.
37:40No, not of the science.
37:42But the means by which you purchase favour.
37:45So I must ask you whether or not you bribed Knightley
37:48to support your bid for St Paul's Wharfside.
37:51Yes, we gave the man money.
37:53But so we might not be ignored.
37:56The field of play thus levelled we were to win, Mr Reed.
38:00We are yet.
38:01My competitors cast spells of death and destruction
38:04as if they think the people of this city are Neanderthals
38:07to be terrified at the sight of fire.
38:09I have no need of such strategy.
38:11Electrical current is a fierce and unruly force.
38:14What alternating power promises is the means by which such ferocity is made benign.
38:20You drop the voltage using your transformer.
38:25Then you hive it off for domestic consumption.
38:27Indeed.
38:29I have removed the beast from the machine.
38:32Oh, I know what you wonder.
38:33Whether I might have motive to do worse to a man like Knightley
38:36than meet his demands of bribery.
38:38But I have no need to resort to murder
38:40when I have the perfect logic of science at my side.
38:43Do you strike you as the breed of man to consort with escaped dynamiters?
38:48Not so much, sir, no.
38:50Yet Galvin is connected to this circuit somewhere.
38:53And his beast remains intact.
38:55You touch him and I'm straight to the blues.
39:08Do you understand me?
39:10What's your name, boy?
39:14What's yours, sir?
39:15He is Bertrand.
39:17And this Bertrand is Aidan,
39:20who somehow now believes he has the right to be my protector.
39:23You do not.
39:26And do I deserve the right to a ward with you in private?
39:32Please, darling, I leave this city tonight, one way or another.
39:38I give his mom a merchant.
39:57The MP exploded in his rooms.
40:00That was you.
40:01Don't tell me you weep for him, Evelyn.
40:04No.
40:05I care not a thing for him.
40:08But somehow, fool that I am, I care for you.
40:10I know you will now be pursued and hanged right here in a city you hate so bitterly.
40:15I do dream, Dad, Evee.
40:18But I have one last task I must perform, and then...
40:22Look, my love.
40:24New York.
40:27One for you and this task achieved.
40:30One for me.
40:32And with enough fooling to see us righter than a dust house in the Five Pints.
40:37Now I know this is strange for you, Evelyn.
40:40I am unknown to you.
40:42And yet this...
40:44To provide this for you is like a dream for me.
40:49You don't have to befriend me, girl, not call me father, nor even look at me when we sail.
40:53But you take this chance.
40:57Take it.
40:58Take it.
41:12Aidan.
41:13Darling.
41:14Aidan.
41:17This task that you go to.
41:19Not for you to worry over, girl.
41:22I'll see you here later.
41:24All right?
41:26Wait.
41:28Do you know a man called Holland?
41:32Do you?
41:34He writes to me.
41:36And these letters...
41:38What do they say?
41:39Well, he sends one every birthday.
41:45He says that he's my father.
41:48Does he now?
42:09Do you know who's going to be?
42:10Is he gonna go there?
42:11He knows.
42:15He knows.
42:17He is an actor.
42:18He knows.
42:20He's doing.
42:21I don't know what's going on.
42:22He knows.
42:23He knows.
42:24He knows.
42:26He knows.
42:28He knows.
42:30He knows.
42:32So, you know...
42:34You can't.
42:35You take this to Inspector Reed of Lehman Street, I am flight, you do it now.
42:50Sergeant, message to Inspector Reed, urgent.
42:57He found letters, he says, important to the girl from America, a man laying claim to her
43:02parentage.
43:03Galvin is her father, is he not?
43:05And he was reclined in a cell at New Day.
43:07This man's name, Holland.
43:08However, letters to the girl since 1868, the year after her mother's death.
43:12And Galvin went down.
43:13All right, so he's made note of the different postmarks.
43:16Different towns and states till 1881, then his travels cease.
43:19Cease.
43:20There.
43:21Raritan, New Jersey.
43:23Raritan.
43:24Letter after letter to the girl, so we must assume this man Holland settles there.
43:29Menlo Park is in Raritan, is it not, Captain?
43:32It is, Reed.
43:33And thus the circuit's made.
43:35Menlo Park is an industrial park created by one Thomas Edison.
43:39The inventor?
43:40Also a man of business.
43:41All patents filed in more fields of inquiry than any man alive.
43:44Yet he's one ardent pursuit to secure the means by which the United States of America
43:48distributes its electricity and to secure it for his own chosen charge and current.
43:53He's for direct current.
43:54Unlike Ferranti, who is for alternating, is he not?
43:57But, akin to another man I have met recently, Dr. Charles Broadwick.
44:02Captain, you would trust Edison to own a telegraph machine, would you not?
44:06The leanest and fastest, Reed.
44:07Edison did indeed employ James Percival Holland, English physicist, alma mater, University
44:12College, London.
44:13And, wanted by us as a known IRB collaborator in the Clarke-O-Monts.
44:17Same circle as Aidan Galvin.
44:18Wanted but never brought to ground.
44:19Well, you got on a boat then?
44:20No.
44:21No.
44:22No.
44:23No.
44:24No.
44:25No.
44:26No.
44:27No.
44:28No.
44:29No.
44:30No.
44:31No.
44:32No.
44:33No.
44:34No.
44:35No.
44:36No.
44:37No.
44:38No.
44:39No.
44:40No.
44:41No.
44:42No.
44:43No.
44:44No.
44:45No.
44:46No.
44:47No.
44:48No.
44:49No.
44:50No.
44:51No.
44:52No.
44:53No.
44:54No.
44:55No.
44:56No.
44:57No.
44:58No.
44:59No.
45:00No.
45:01No.
45:02No.
45:03No.
45:04No.
45:05No.
45:06No.
45:07No.
45:08No.
45:09No.
45:10No.
45:11No.
45:12No.
45:13No.
45:14Charles Broadwick, like Holland, a champion of direct current.
45:19Charles Broadwick was once James Holland.
45:22He who sprung Aidan Galvin from his prison wagon
45:25and set him to kill Knightley.
45:27And just what business of yours is she
45:30to be writing to her all the way from America?
45:33And you had to, Aidan.
45:35Remember the girl fondly?
45:37Why should I not ask after her?
45:39Because she's not yours to ask after.
45:41Did you write? For yourself?
45:43I did not.
45:46Then is it not better that one of us did?
45:48One of us?
45:49Do not make me the same as you, one of us.
45:53Dynamite.
45:54That's all we ever shared.
45:56Dynamite.
45:58And a woman.
46:03Baton Foley was mine.
46:05She was not Aidan.
46:06Not alone.
46:07She was never particular.
46:10And Evelyn.
46:12Tell me, you bastard!
46:14You've been jailed.
46:15I was bound to New York.
46:17Baton Foley told me that I am Evelyn's father.
46:21I asked if I might make myself numb to the girl.
46:26But I could not.
46:28Would not.
46:29I may send a presence, but I do not have the strength to be a father.
46:32And is that why you broke me out?
46:34So that I might finally have the truth from you?
46:38Release you so that you might know freedom.
46:40And vent your rage against this country once more.
46:43Don't come the charitable English rebel with me, Jamie.
46:47It is a venting designed to suit your purpose and ambition.
46:52This task you would set me on is not for ideas, but for your own advancement and profit.
46:59Perhaps.
47:00But you will pay for it, Aidan.
47:02And it is that profit which will see you to New York.
47:05Before then, however, half of the London County Council waits on Sebastian Ferranti's word.
47:13And on your dynamite.
47:17Your last chance to spill the blood of British politicians.
47:21And mine to extinguish my competitors.
47:25The Aidan Galvin I remember would never have declined such an opportunity.
47:28There ain't no blood.
47:31You're gonna go broke.
47:34There ain't no blood.
47:51There ain't no blood.
47:58Flight, sir.
48:05You need to see this.
48:07The device described here, Garvin has it.
48:10Another electric circuit to detonate the explosive.
48:13This, what is this within?
48:16A wax stem.
48:17That's a delay. It allows them to get clear.
48:20See, the wax plug keeps the electric contact plates apart.
48:22No circuits made, therefore the device is harmless unless you put it beside a heat source.
48:28Or, inside one, Ferentis Transformer.
48:33The Transformer melts the wax, allowing the plates into Congress.
48:38Boom.
48:52Counselor.
48:53How wonderful to see you.
48:54Oh, my pleasure.
48:55I'm thrilled you could join us.
48:56I'm looking forward to it.
48:57Wonderful.
48:58We have a fine show in store.
49:10Good evening, Miss Carlton Street.
49:11Good evening, Miss Carlton Street.
49:12Ladies and gentlemen, I could of course wish you welcome to the future, but whilst this
49:36most certainly is the future I am to show you, I would not do so with fireworks, although such
49:42things are certainly within my gift. I will show you. Here, piped from our power station at Deptford,
49:50I may deliver almost 800 kilowatts of generated power.
49:54Enough not only to kill whichever dumb animal my competitors would use as slanderous scaremongery,
50:07but to stop a stampeding herd of bison if need be. But no, I do not hope to impress you with such
50:17power, but rather with the means by which such power is mastered, transformed by alternating current,
50:25and put to whichever peaceful purpose we choose. I will bring light to your streets and peace to
50:36your homes. The city illuminated, ladies and gentlemen.
50:54Verratti! Shut it down now!
51:07Mr. Reid, explain yourself! Shut it down! Do it now, sir!
51:10Everybody out now. Get up and get out. Nice and calmly.
51:14This must be dismantled. Why? Because we believe it may have been sabotaged.
51:21You should have blown by now. You go back in there, and you fix it.
51:28No, I am no longer your dynamite delivery boy. You do it yourself, Jamie. I go now to let Evelyn know the truth of who she is.
51:36She might be your flesh and blood, but she's my guard, and I will see her right in this world.
51:41Aaron go bra, Jamie.
51:43Everyone out now. Come on. Let's get up and get out of here.
51:50Come on now, ladies and gentlemen. Keep moving. Yes, sir. Do it. Come on.
51:58You're looking with this brother? James Holland. Good evening.
52:13Inspector Reid. You are under arrest. Murder and attempted murder. Multiple counts. You are for the rope, sir.
52:20Infernal machines. No! No!
52:22Help him, sir!
52:36God bless Loughbill. Safe journey.
52:38I'll just head down. Take care.
52:43Yes, all right. God bless a lovely safe journey.
52:47Will you sit down? Take care.
52:50Take care of yourself.
52:55I thought my father had scared you all for good.
52:58Perhaps he did.
53:01Still, my courage is found now.
53:04Should I prepare myself to fight him?
53:07Perhaps.
53:09You'll leave with him, I think.
53:13I do, Bertrand.
53:16America.
53:19I understand, Evelyn.
53:27May I wait, would you?
53:29Perhaps shake his hand.
53:43Think you're leaving, do you, Eden?
53:58And you are?
54:00I am your center.
54:03Your colonel.
54:04Colonel?
54:06Your milk pays, spy.
54:12There will be peace.
54:14There will never be peace.
54:28Does he not come?
54:29Well, he was never reliable.
54:31Perhaps you should sail with me.
54:36Oh, send me an address and I'll come find you.
54:38Well, who should I send it to, Bertrand?
54:47Whoever you are, that is not your real name.
54:58Who are you?
55:01Go, take your boat, Evelyn.
55:03No.
55:08And did you lose your mother?
55:12And your father, too?
55:16Those things are true.
55:19And the rest?
55:20Take your boat.
55:25Take your boat.
55:50One might say you saved my life, Inspector.
56:05That being the case, I have put my mind to how I might thank you.
56:09I thought I might allow you to walk with me this Sunday afternoon.
56:14At Hunstead, perhaps, we could take a blanket and some cold wine.
56:18Miss Cobden.
56:20Miss Cobden.
56:21When will you call me Jane, Inspector?
56:23Miss Cobden.
56:25I...
56:27I do not know what you think it is that has passed between us, but...
56:33I am married.
56:35Mr. Reid.
56:38Edmund.
56:40I am, as you know, for the present and the future, but never the past.
56:44There is nothing but black magnetism there.
56:46Allow me.
56:50And I will help you to resist it.
56:56I am sorry, Miss Cobden.
57:16You run them.
57:28Confess it.
57:29No, sir!
57:30Yes, sir!
57:31You pander and pimp those boys who ought to be safe in your care!
57:33I want you.
57:35Tell me we can do this.
57:36We can do this.
57:38You'll pay.
57:39Yes, sir.
57:40There's a mine.
57:41Silver and copper.
57:42Then a week.
57:43Two hundred.
57:44And the value just soars.
57:45How would you like the stars to turn the biggest bank from London upside down?
57:49I acted in the best interests of my bank and its investors.
57:52By lying to them.
57:54What is the purpose of our work?
57:55Oh shit!
57:57Hmm, shall I remember?
57:58Oh shit!
58:07Oh shit!
58:11Oh shit!
58:13Yeah.