Mumbai: In the recent talk with the star cast of the ‘Khakee: The Bengal Chapter’, they all share experiences working with directors Dipatma and Tushar, highlighting creativity and experimentation on set. Reveals the intricacies of executing a high-octane action scene, including a car stunt. Discusses striking a balance between comfort and discomfort as an artist. Concludes by sharing a heartfelt message for the audience, emphasizing the importance of connection and resonance.
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#DebatmaMandal #Jeet #MimohChakraborty #AakankshaSingh #Khakee: TheBengalChapter #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #ians
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00:00You know, working on this set particularly, I feel that we have been, all of us have been
00:11very fortunate because they were always open for, you know, your suggestions and what you
00:19can bring on the table.
00:20I feel that, you know, very few or maybe my experience says that, you know, I have been
00:25very fortunate to work with the directors like this, you know, and when there is a room
00:31to perform, you know, you can put in your efforts also to make what your director sees
00:36in you or in that character.
00:38It's his baby at the end of the day.
00:40He has written it.
00:41He has imagined that character in particular way.
00:43But when you feel that, you know, as an actor, when you take that character in you, you sometimes
00:49feel that, okay, I can do this like this, you know, can I give you a suggestion?
00:53And it was always open, even Tushar sir.
00:56It's been very, very chill shoot, I would say, that even though we were doing some action
01:03packed scenes or maybe emotional scenes or whatever, we never felt that heaviness, you
01:10know, off camera.
01:11We were working as a team to make that project work for everybody.
01:16So I think, yeah, that was the scenario and when you work for a project as, you know,
01:23you culminate everything to make that project, you know, a success, not just your character.
01:30I feel that your work is done.
01:31So I think we all worked in that direction.
01:39Again, Abbas sir, Abbas Ali Mughal, who's done all the action for the show.
01:44Just what an amazing, amazing guy to work with.
01:49What an amazing talent, legend from the industry.
01:52So, what, I mean, I mean, it's just, it's supposed to entertain you.
01:59I'm hoping you've been entertained.
02:01There are, this is movie magic.
02:03There are things that we should not talk about.
02:05If you're creating magic, why speak about it?
02:08You don't, you never give your tricks.
02:10Yeah, you don't need to put that, you know.
02:12It's best to experience it.
02:13Yeah, I guess, I guess you should be as shocked and you should feel,
02:16I hope the memo didn't get hurt.
02:17I hope Aakansha didn't get hurt.
02:19It's right, I think.
02:20But I think I'd give all my love to Abbas sir for being,
02:25what an amazing, you know, action director, action designer for this show.
02:30If you see, there's a lot of action.
02:32And he's made it so comfortable for everybody,
02:35even for the directors to be on set, taking calls, speaking,
02:40continuously being in, you know, in dialogue with each other.
02:44So, yeah, I think, I think again,
02:46the audience is going to kind of react to whether the action has come out well or not.
02:50But I think I'm really happy with how the action has come out.
02:53And I think the actors will also chime in.
02:55Yeah, because it's, it's very rare, sir,
02:57like right now, you know, Dibat Maza said,
02:59that everyone was comfortable with each other.
03:02There were no egos.
03:03There were no positions.
03:05There were no me or you.
03:07It was all about unison.
03:08It was Khaki.
03:09You know, Khaki means everyone.
03:11You know, I've been very fortunate enough to work with Abbas Bhai,
03:14like my first Haunted.
03:15I'm shooting the sequel now.
03:17Abbas Bhai is there. Khaki Abbas Bhai was there.
03:19Enemy I did with Dad, Abbas Bhai was there.
03:21So what Dibat Maza said, you know,
03:23that man is a living legend.
03:25He knows every shot.
03:27He knows how to break it down.
03:28He knows the tricks.
03:29You know, what you're seeing.
03:30And to handle so many people,
03:32the guns, the bullets, the action, the tension,
03:35and to give that beautiful, you know, picture,
03:39it's only Abbas Bhai.
03:41Only Abbas Bhai can do that.
03:42I'll just add in a little bit.
03:44Like you said, when you come on set,
03:46there was no feeling of coming on set or anything.
03:49I think it was, at one point in time,
03:51it was like a family.
03:52You meet up in the morning, do breakfast together.
03:54Chalo, aaj yeh yeh shoot karna hai.
03:56Chalo, nikalte hain.
03:57It was almost like a chota sa picnic that we went on for.
04:00Chalo, aaj yeh yeh hai.
04:02Kaun kya kar raha hai.
04:03Chalo, discuss kar lete hain.
04:04Yeh hai, lines.
04:05Sabko lines mil gaye.
04:06Chalo, kar lete hain.
04:07I think that's the best way to work in any situation.
04:10I mean, when you feel like,
04:11how Jeetda also added ki,
04:12it doesn't feel like work.
04:14You come on set,
04:15it's like towards the end of school na,
04:17apko lagta hai ki,
04:18yaar yeh chhod ke nahi jana chahiye.
04:19To the point, it's so bittersweet ki,
04:22yaar it's coming to an end wala feeling ho jata hai ki,
04:24yaare.
04:25So, throughout the shoot na,
04:27it almost felt like a very long, beautiful picnic.
04:33You're all shooting with each other,
04:34killing each other.
04:35Too much fun.
04:36Hitting each other,
04:37fighting with each other.
04:38Fighting with each other,
04:39but so, so much fun.
04:40I mean,
04:41what a memorable experience.
04:43Absolutely.
04:50No, I,
04:51when I go for work,
04:52I don't look for comfort.
04:53Sidi baat yeh hai ki,
04:54mai jata hoon kaam karne ke liye.
04:56Aur Akanksha ne,
04:57jaise ka,
04:58bilkul sahi ka,
04:59usmein sirf ek do cheezein
05:00mai jodana chahunga ki,
05:01agar director ya makers,
05:02wo agar aapse kuch nikalna chahate hain,
05:04agar wo open hai,
05:06toh actor ya talent kya soch raha hai,
05:08wo soch agar director ke dimaag tak,
05:10ya uske vision tak pochaya jaa sakta hai,
05:12aur agar wo,
05:13director ki vision ko,
05:142%, 5%, 10%,
05:15kuch bhi jod sakta hai,
05:17toh phir us actor ko laane ka matlab bhi,
05:20jo hai na,
05:21wo strong khada ho jata hai.
05:22Ki haan,
05:23maine isko laaya,
05:24sahi kiya.
05:25Right.
05:26Agar aap wo jodi nahi paate hain,
05:275%, 10%,
05:28sirf puppet ki tarah kaam kar rahe hain,
05:29toh phir aapki din bhi gine chune hi rahte hain,
05:30phir us director ke saath.
05:31Rishtey bhi gine chune hi rahte hain.
05:34Okay.
05:35Who doesn't like to be surprised?
05:36I mean,
05:37as directors,
05:38we imagine a character and come on set,
05:41and if an actor surprises you,
05:44I mean,
05:45what better gift can you get?
05:46True.
05:47Because actor is also a creative person,
05:49he is also visualizing the scene,
05:50when you read it.
05:51Toh usne kya socha hai,
05:52agar ye director open hai sunne ke liye,
05:55toh isse khubsurat baat kuch nahi ho sakti hai.
05:56True.
05:57Kyunki hum team work mein kaam karte hain,
05:58hum sab chahate hain,
05:59kya ek doosre ko reciprocal rahein,
06:01ek doosre ko sunne samjhe,
06:03aur uske baad aage badein.
06:04Aap jo comfort ki baat karein na,
06:06main add karna chahungi,
06:07hum log aise the set pe,
06:08ki hume comfort nahi,
06:10hume discomfort chahiye tha.
06:11Aap hume vanity mein mat bulao,
06:13aap hume bas kaam karwa lo.
06:15So we always look forward to go on set
06:18and create something.
06:19So I think,
06:20we never looked for comfort,
06:22we only looked for more and more work,
06:24is what we wanted.
06:25How to get it right?
06:26Jo scene demand kar raha hai,
06:28jo director demand kar raha hai,
06:29makers demand kar raha hai,
06:30us tak kaise paucha jaye,
06:31aur usko kaise behtar kiya jaye.
06:33Bas yeh hi tha.
06:34Because in the end,
06:35kya hai ki,
06:36it's our duty as actors,
06:38to deliver it to the director.
06:40Chalo audience toh dekhi gi,
06:41but inko toh pehle deliver kar de,
06:43yeh khush hai,
06:44toh pehle audience khush hogi na.
06:45Aur ino ne likha bhi hai,
06:46inception se inko pata hai,
06:48ki wo kya likh rahein,
06:49kya dekh rahein.
06:50Toh humko sirf koshish karni hai,
06:52ki unko jo dekh rahein,
06:53usko meet karna bas.
06:54Usme agar enhance kar payein,
06:55kuch jod payein,
06:56jo maine kaha hai,
06:57aage badte hain.
06:58Perfect.
07:05Iska jo dhoopali na,
07:06aapne aadhi-adhuri bol di,
07:07usko sunke khatam karte hain.
07:08Please, dhoopali.
07:09Haan, haan, haan.
07:10Please, please.
07:13Safalta ke safar me,
07:14dhoop bahut kaam aayi.
07:15Chhaam agar hoti toh,
07:16kapke so gaye hote.
07:20And sirf yeh kehna chahunga,
07:21ki please,
07:22Bengal chapter,
07:23yes,
07:24Khaki the Bengal chapter,
07:25and please give us your love.
07:26Aapki pyaar ke wajah se,
07:27hum log yaha par behend.
07:29I'm sure there's a lot of
07:30coming to your way.
07:31Everyone's way.
07:32Everyone's way.
07:33Everyone's way.