Jeff Goldblum is on the verge of releasing his fourth album, ‘Still Blooming.’ The actor/musician reveals how he nabbed Ariana Grande, Cynthia Erivo and Scarlett Johansson to partake on his album, teases what’s to come in ‘Wicked: For Good,’ playing the piano for in the White House, dabbling in scatting and more!
What do you think of Jeff Goldblum’s music? Let us know in the comments!
What do you think of Jeff Goldblum’s music? Let us know in the comments!
Category
🎵
MusicTranscript
00:00I don't know why, I just do, I was probably saying to her.
00:03And I said, why are you singing that?
00:05What makes you sing that song?
00:06I said, why, did I just, you know that song?
00:08Yes, she said, my grandfather used to sing it
00:12to me all the time.
00:13I have a very special feeling about that song.
00:16Yeah, I was sentimental.
00:18Tap out all the old poop weights.
00:19That's today, you know, whatever I did, yeah.
00:22Ain't nothing like the real thing, baby.
00:25I can say this is mine, you can't take it.
00:27Or, ah, oh, what musical is this from?
00:30Just once in a lifetime, a man knows a moment.
00:34One wonderful moment when fate takes his hand,
00:37and this is my moment.
00:39What show is that from?
00:41I don't know.
00:41You're like a jukebox.
00:42Someone, I'm a good jukebox.
00:44You're releasing your fourth album.
00:50Yes, ma'am.
00:51Still Blooming, coming in April.
00:52Tell me a bit about this project.
00:54When did you start working on it?
00:56What inspired it?
00:57It's our fourth album with the great Decca label and Verve.
01:02But this one, as we continued and found ourselves
01:05at Scott Gilman's studio, The Hobby Shop,
01:07we said, let's make some more music
01:08and let's get some more singers to do
01:11like we had on our other three, half of the tracks.
01:15So on this one, we've got half kind of instrumentalists,
01:18and we'll talk about all the tracks if you like,
01:20and half singers.
01:21So let's do more of that.
01:23And we found ourselves in the studio
01:27and doing it, for heaven's sakes,
01:28because we had good ideas that we were excited about.
01:31And we've got merchandise coming out
01:33that has something to do with that.
01:36And the singers to whom I referred,
01:37we'll talk about how about that.
01:39Yes, we will talk about that.
01:41Maybe they don't even know yet,
01:43but you do, you listen to it.
01:44I know.
01:45Yeah, some pretty big names.
01:47Before we get into the features,
01:49I need to ask the obvious question.
01:51You've had quite a life and career,
01:52but do you feel as though you are still blooming?
01:56Well, like the record title suggests, refers to.
02:01Yeah.
02:01How nice.
02:02Yeah, I've been lucky, like you say.
02:04But my teacher, now that I'm talking around and about it,
02:08Sandy Meisner, said it takes 20 years
02:11to really call yourself an actor after continual work,
02:15just like it does to be a real musician
02:18or an athlete or anything, you know.
02:21You gotta put in the 10,000 hours or however many.
02:24And then a lifetime of continual,
02:29potentially, if you get opportunities
02:31and you have the intent and focus,
02:33potential progress.
02:35I kinda took that to heart,
02:37and maybe I made that way a little bit anyway.
02:40I've always said that my experience is,
02:42truly, that I'm a late bloomer.
02:44For instance, I just had kids
02:46for the first time in my life nine years ago.
02:48We have a nine-year-old and a seven-year-old,
02:49two boys, who are, by the way, playing piano
02:51and being musical in their own way.
02:54And likewise, my acting feels like it's better than ever.
02:58And I'm getting opportunities to exercise that.
03:00And my music.
03:03I keep getting, you know, jazz,
03:05I always knew that you could keep getting in the same vein,
03:08you could keep getting better and better.
03:09And sure enough, I could certainly,
03:12I've always been a humble student,
03:14and now I'm surrounded by, for instance,
03:16this current group, it's been going on for like 30 years,
03:19me and a so-called band,
03:20but this current group are the cream of the crop,
03:22and I'm eager to learn.
03:24Like Sandy Meisner said, as a matter of fact,
03:26continual digging is even more important
03:28than what you're doing exactly.
03:31Just keep digging.
03:32So every morning, I do my work,
03:35and I'm blooming at this, I'm still blooming.
03:38Well, I feel like the lead single
03:40fits in perfectly with this conversation,
03:42The Best Is Yet To Come.
03:43♪ The best is yet to come, come the day that you're mine ♪
03:48Did you call it the lead single?
03:50Yes.
03:50I guess we did.
03:51I guess that is a single, first off.
03:54Yes.
03:55Because we'll release a couple others.
03:56I think you're right.
03:57The Best Is Yet To Come.
03:59Yep.
04:00That has one of the few collaborators on this album.
04:03Stunning, Scarlett Johansson.
04:04Stunning is right.
04:05What a voice.
04:06Compliments the song so well.
04:08Thank you, I agree wholeheartedly.
04:10How'd you get her on the song?
04:11Is that like a simple text, a call?
04:13Well, we were part of two Wes Anderson movies.
04:15We both had voices in Isle of Dogs.
04:18Yes.
04:19She was fantastic in that, wasn't she?
04:20Yes.
04:22We did the premiere of Asteroid City.
04:24Okay.
04:25And on that occasion, I got to talking about
04:27my musical life and our band life and said,
04:31you know, and some people sing with us, Scarlett.
04:34She said, well, why haven't you asked me?
04:36We're da da da da da da.
04:37I said, well, I wouldn't, I couldn't dare to hope.
04:42But she said, yeah, I'd like to do something.
04:44We got in conversation and then she started
04:46talking to Alex and all of us at the band
04:48and she suggested that song.
04:50She said, I like that song and it was her idea also
04:53to do it as we do, as we wound up doing, as a bossa nova.
04:57Yeah.
04:58So sensual and evocative and romantic and delicious.
05:03Yeah, I think it was great.
05:05So we did it and they did the arrangements,
05:08Alex Frank and Joe Bagg, who did all the arrangements
05:11on this, except for Stella by Starlight,
05:13which John Story did, and then we recorded it.
05:16I love it, it's pretty good, isn't it?
05:17Oh, it's better than pretty good.
05:19Thank you, thank you.
05:20Yeah, I like it too.
05:21The other two collaborators I wanna shout out, if I may.
05:24You must, I beg you to.
05:25We have Ariana Grande and Cynthia Erivo on this album.
05:29Isn't that something?
05:30It's unbelievable.
05:31It's unbelievable.
05:32Well, who can we talk about first?
05:35I mean, you've heard them, nobody's heard them yet.
05:37So here's what happened there.
05:39I just could think the world of them, you know?
05:41Yeah.
05:41They're so dear and masterful and spectacular.
05:44Yes.
05:45In this movie, Wicked.
05:46So we were on the set of Wicked.
05:47Maybe you've seen by this time.
05:49Only five times, yeah.
05:50Really?
05:51Yes.
05:52Yeah, had you seen it on stage a lot too?
05:54Just once on stage.
05:55I've seen it a couple times on stage,
05:56that's Stephen Schwartz music, and them doing that,
05:58they do everything, as you know,
06:00but them doing that was particularly.
06:03Yeah.
06:04So we were on the set, and me,
06:08I could have been intimidated, but they were so warm,
06:11besides all their other gifts.
06:12They're so personally wonderful and warm and inviting,
06:16that pretty soon I was singing everything
06:19from the American Songbook, all of which they knew.
06:22Yeah, of course.
06:23And joined in, we would sing along,
06:24and any Broadway show stuff.
06:26So I was singing, and one day,
06:28I started to sing that song, I don't know how it came to me.
06:31I don't know why I love you like I do.
06:33I don't know why I just do.
06:35I was probably saying to her.
06:37And I said, why are you singing that?
06:38I said, you know that song?
06:39Yes, she said, my grandfather
06:42used to sing it to me all the time.
06:45I have a very special feeling about that song.
06:47I said, well, you know, we do these,
06:50I have this band, maybe we've talked about it already,
06:53and we're recording now.
06:56If you would ever think about singing with us,
06:58you know, maybe that song.
07:01She said, yes, I'd love to.
07:03That was.
07:04Meant to be.
07:05That was meant to be, and how, you know,
07:06I was just thrilled beyond words.
07:08Then Cynthia Erivo, I was also singing, singing,
07:11and I said, hey, at one point, Cynthia,
07:14I've asked, Hannah's gonna sing.
07:17I don't feel that I wouldn't be equally honored
07:20to have you sing.
07:21She said, well, yeah, sure, I'll sing.
07:24Yeah, and she heard our band and stuff.
07:25She said, yeah, I'll sing what?
07:28And then we were thinking and we came up
07:30with Vera Lynn sang and had a big hit on Decca,
07:35you know, during World War II.
07:37We'll meet again, don't know where, don't know when.
07:40And it's used in that movie that I love so much,
07:43do you know what I'm talking about?
07:45There's a Stanley Kubrick movie, Dr. Strangelove.
07:47Oh, yes.
07:48You know it, you ever see it?
07:49Yes, yes.
07:50Yeah, so at the end of that movie,
07:50when the whole world goes up in smoke,
07:53ironically, they play that beautiful song,
07:55we'll meet again, don't know where.
07:57And people know it in England, it was a big hit there.
08:00We suggested it, she said, yes, I'll sing that.
08:03We came up with an arrangement.
08:05She came to our studio, the hobby shop
08:07that belongs to Scott Gilman, our saxophone player,
08:12who's also the engineer.
08:14She came in, sang it.
08:16Oh my gosh, chills and tears as usual.
08:20What was it like?
08:21You said you got chills, you know,
08:21hearing Cynthia sing in the studio.
08:23You got to see them perform at the Oscars.
08:25I knew you were gonna say that.
08:26I had to ask.
08:27♪ With you inside, defying gravity ♪
08:33♪ They'll never bring us down ♪
08:37You know, not only did I see her in the flesh,
08:40now have I seen her in every way and singing.
08:43Do you ever get used to that?
08:44No, no, as I think about it now,
08:46I'm gonna start to get choked up.
08:48She's just unbelievable.
08:50And just when she opens her mouth, it's just fantastic.
08:53And no, I'd seen her at a couple of events.
08:56Where were we?
08:57Oh, at the Met Ball.
08:58When Ariana performed?
09:00Yeah, I saw videos.
09:01Yeah, and Cynthia did something too.
09:03Came out as well, yeah.
09:04Well, you know, so I've seen them
09:05not only in person sing like this just for fun
09:09and in the movie like that, which is unbelievable,
09:12but yes, I've seen them in a space like that,
09:15space so-called, and then, so at the Oscars.
09:19Oh my God, I was, and sitting near John M. Chu
09:22who directed that movie, who's just a master.
09:24Oh, it was just unbelievable.
09:25I thought it was great.
09:26I thought that was a great part of that show, you know,
09:28but I'm, you know, I adore them.
09:31You know, I was chilled and thrilled.
09:34So the album comes out,
09:35you're gonna perform some shows,
09:37and then you go back into Wicked mode.
09:39Do you ever turn off?
09:40You have my whole calendar.
09:41I know, I know where you're gonna be.
09:43That's my life.
09:44Can you say anything?
09:45About Wicked, for good, you know,
09:49because it's gotta be a surprise in some way,
09:51but people know the show from the stage show.
09:55It'll follow something along those lines
09:57if I remain in it, if I don't get lost
09:59on the cutting room floor,
10:01because The Wizard has something in that second act.
10:03It follows that.
10:04There's that song that you may know,
10:06wonderful that I sing,
10:08but it's different in this version,
10:11and there are two new songs
10:13that the great Stephen Schwartz has written.
10:15Yes.
10:16So that, you know, I haven't heard.
10:18I don't know. Oh, wow.
10:18So there'll be several things about this
10:21that I'll be surprised about.
10:22Alex Frank helped me.
10:24He was my vocal coach,
10:25and we, you know, do right by this, that show,
10:29and that Stephen Schwartz song that I get to do.
10:31Well, no, maybe The Wizard,
10:32maybe my version of The Wizard has something.
10:35You know, I tap dance.
10:36That tap dance wasn't that I do it for a second,
10:40wasn't part of it.
10:42That's a little jazzy.
10:43A little jazzy, yes.
10:44I was pals with Gregory Hines at one point.
10:45Did a play with him, did a movie with him.
10:47So, you know, yeah, I, you know,
10:49I don't know that, no, I didn't,
10:50I don't know that I snuck that much in.
10:53I'm really curious,
10:54because I think we all obviously know
10:55how and why you got into acting,
10:57but where did the musical journey start for you?
10:59Like, at what age did you discover that you loved jazz?
11:03Around 10-ish.
11:05I'd already taken part in a camp of one kind or another,
11:08and got the idea.
11:10My dad said, if you find something you love to do,
11:12that maybe is a career choice.
11:14One thing led to another,
11:15and I decided around that time, I want to be an actor.
11:19My parents gave us music lessons,
11:22along with dance lessons and some other things,
11:24and took us to see shows and museums and ballet,
11:28and they were great that way.
11:30I took up the piano along with my sister,
11:33and I was okay.
11:34I had some facility at it,
11:36I guess I learned how to read,
11:37and could kind of put it together,
11:39but I had no discipline, I had no,
11:41and in between lessons, he would come once a week,
11:43and my parents didn't make me,
11:45they tried, I remember, a little,
11:46oh, come on, let's do this,
11:48but not much like I'm doing now with our kids.
11:51And so, a week would go by,
11:53for the first couple of years, I think,
11:55and Tommy Emel in Pittsburgh would come and go,
11:59see what I'd done, and I'd be dreading it.
12:01You know, I'd do something, he'd go,
12:04how much did you practice?
12:06And anyway, then he gave me an arrangement,
12:09or two, of some jazzy kind of things.
12:11The first of which was Alley Cat, as I remember,
12:14ba-da-da-da-da-da-da, had some syncopation in it,
12:17and that just appealed to me,
12:19something in me, mysteriously.
12:21I liked it, I don't know what I'd heard,
12:23or what I was made of, but I liked it.
12:25And at that point, I went,
12:26I'm gonna sit here and play until I know how to do this.
12:31That's when I started to really engage with the instrument,
12:35and get a little bit better,
12:36and then he'd give me something else,
12:38Stairway to the Stars, with some chords
12:41that were interesting to me, I don't know why.
12:44You know, da-da-da, stairway to the stars.
12:47And then they sent me to Frank Conamondo,
12:49who's still around, who I saw recently,
12:51who's in Pittsburgh, who's a jazz player,
12:53who had gigs then, was recording then.
12:56I saw him, and we played together recently.
12:58And I went over to his house,
12:59and he showed me how to read harmony, and chords,
13:03and how to maybe improvise on top of those.
13:06I started to do that, started to go through the fake book.
13:08I went and got the telephone book,
13:09and called cocktail lounges, and said,
13:11hey, I hear you need a piano player,
13:13I was trying to get a job.
13:14How old were you at this point?
13:1515, 14, 15, something like that.
13:18And most of them said, no, who's this,
13:20we don't have a piano here, okay, nevermind.
13:22And I thought I was being clever,
13:24and a couple people said, yeah, we got a piano,
13:26nobody's playing it right now, who's this, how old are you?
13:29Okay, come over, let's see what you can do.
13:30My parents drove me, and I got a couple of jobs that way.
13:34That's when I started, just as a lark,
13:37and that kind of continued.
13:38I snuck it in to The Fly, David Cromer.
13:42My character came to play the piano at one point,
13:45he allowed me to do that.
13:46And in another movie, I think Earth Girls are Easy,
13:48I play the piano.
13:49So I did that a couple times, I did it on stage
13:51in a couple of shows in New York that I got in.
13:54And then, 30 years ago or so, 35 years ago,
13:59I was with Peter Weller, we'd just done Buckaroo Buns,
14:01he used to play his horn, he used to come over to my house,
14:04we'd go through the books and play,
14:06and then he said, you know, we should play out and about.
14:09I know a guy who, on Sunset Plaza,
14:11who has a restaurant on Sundays we can set up at brunch,
14:16and he says we can come over and play.
14:17We started to do that, he knew another musician,
14:20there was a guitarist involved,
14:21and it kind of evolved, whenever I wasn't acting,
14:23we found a place here or there that kept changing.
14:28Where is the weirdest place, or most unusual,
14:31that you have hopped on the keys?
14:32Okay, off the top, I didn't know you were gonna ask that.
14:35Off the top of my head, well, like I say, I'm disciplined,
14:39so I like to play every day, go through my homework.
14:41So when I'm on the road, sometimes I get a chance
14:44to have a piano in the room,
14:46but sometimes I go down to the lobby.
14:48So I've played in lobbies, and people say,
14:50oh, look who it is, playing on the piano.
14:52I say, da-da-da-da.
14:53So there's that, that isn't as weird as,
14:56sort of weird and unexpected,
14:58but Aerosmith, who I met when I hosted Saturday Night Live,
15:02one of the two times I did, was the guest.
15:04We got palsy, I played a little bit with them
15:07when they're just, you know, in rehearsal.
15:10Then they were doing a big show outdoors,
15:12I was on the side of the stage,
15:14Steven Tyler says, hey Jeff, are you gonna play with us,
15:16or what, come on Jeff, let's play.
15:18And I said, sure, I hopped out,
15:21the piano player said, I said, what are you playing?
15:23He said, here's the key.
15:24I said, okay, and I played with them.
15:26That's kind of weird.
15:27That's pretty awesome.
15:28Ah, and awesome, that's the word I was looking for.
15:30♪ She don't know, but we don't ask ♪
15:33♪ Bring it on my baby, I'm yours ♪
15:38If I see a piano, I'll start to plunk it.
15:41Hey, we were getting a tour,
15:43a little private tour of the White House.
15:44On one occasion, we were there while
15:46the great President Obama was there,
15:49and sure enough, there was, I said,
15:51wow, look at that, that's been the piano since,
15:54you know, I think George Washington
15:56or somebody brought that in.
15:57There was a, hey, do you ever let anybody play?
16:00Well, not usually, but if you wanted to play, yes.
16:04And I played something, how about that?
16:06I knew that you would have some answers.
16:08Yeah.
16:09For a fan who has never had the opportunity
16:12to see you live with the band,
16:14what can they expect from a show?
16:16They're always different, spontaneous,
16:19and fun things seem to happen.
16:21You'll see this band, which is great.
16:24I play with, I'm keeping up, as I've told you,
16:28but the players are great,
16:29and so they'll see some great players,
16:31and they'll see something and other things
16:34in the vein of what you may find on this album,
16:37you know, classic standards from the American Songbook,
16:39and this and that, and our own special arrangements of them,
16:42and then improvisation, and as jazz players do,
16:46we almost always have a guest singer,
16:52and we've been joined by great people.
16:54You know, on the albums, we've had Fiona Apple,
16:56and Kelly Clarkson, and Miley Cyrus, and Gregory Porter,
16:58and live, we've had some great, great people,
17:01so we'll have some surprise singers with us, and like that.
17:04It's pretty amazing, the people that you get to work with.
17:07You're telling me, I'm very, very lucky,
17:10and I'm never not grateful, I'm always aware of it.
17:12Do you ever bust out a tap move on stage?
17:15I have.
17:17Oh, you know, I'm in the show business,
17:18and I'm an old cornball, and here and there,
17:22and just for the fun of it, yes,
17:23if I feel like I'll tap for a moment,
17:24and I can bring out my rope tricks,
17:27don't be surprised if I bring out my rope tricks
17:29here and there, and you know.
17:30I've been told you scat a little bit too sometimes.
17:32Kiddley biddley beepy, yeah, sure.
17:36This might be a hard or impossible question.
17:39Of the Wicked songs, which is most scat-able?
17:42Gee, you know, Stephen Schwartz,
17:44are there any things that are kind of jazzy?
17:49You know, I mean, I've spent most of the time
17:50with my little couple of songs that I do.
17:53Yes.
17:54So I'm a sentimental man.
17:55Oh, I'm sure in kind of trying
17:57to explore every possibility,
18:00yeah, I am a sentimental man.
18:02Tap out all the little boop-waits,
18:04that's the date, you know, whatever I did, yeah.
18:06So I want to touch on your Billboard chart history.
18:08Okay, this may be new to me, but this could be fun.
18:12It is fun, it's all good things.
18:14Your debut album topped our jazz albums chart,
18:17went number one with your debut,
18:19and then last year, you debuted on our Hot 100 chart,
18:23which is for songs with the Wicked cast.
18:25Do you celebrate these milestones?
18:27Maybe you don't pay attention to these milestones?
18:29You know, as you can tell,
18:32it's always surprising when I hear about it again.
18:34It's not as if I, you know.
18:36You're not sitting there looking.
18:37It's not my main focus, I must say,
18:40but it's delightful.
18:41Now that you've mentioned it again,
18:42here on our show, if that's what this is,
18:46I celebrate it right now, yeah.
18:48What's a song that's most, that can be a most, you know?
18:51A celebratory song?
18:52A celebratory song.
18:53Alex Frank will know one, but I'll think of it.
18:55Before you do, I'm gonna think of one.
18:56Let me see.
18:57♪ I got the music in me, I got the music in me. ♪
18:59Or,
19:00♪ For once I can say this is mine, you can't take it. ♪
19:03Or, ah!
19:04Oh, what musical is this from?
19:06Um,
19:07♪ Just once in a lifetime, a man knows a moment. ♪
19:11One wonderful moment when fate takes his hand,
19:14and this is my moment.
19:16What show is that from?
19:19You're like a jukebox.
19:19Someone, I'm a good jukebox, but I don't know everything,
19:22but someone may know that.
19:23You really have accomplished a lot of impressive things.
19:26Is there one that stands out that you're particularly
19:29proud of in your life and career?
19:31Well, that's a deep and interesting
19:35and provocative question, but off the top of my head,
19:38you know, marrying Emily Goldblum
19:41and having River and Charlie Goldblum.
19:44Future piano stars?
19:45Well, who knows?
19:47But just whoever they are, it's a kind of fantastic,
19:51as you may know, you know?
19:52That's, there ain't nothing like that.
19:56Ain't nothing like the real thing, baby.
19:59Just the fact that I've been able to stay involved
20:03and kind of feel like, at this point,
20:07the opportunities I'm getting are more luscious
20:10and nutritious and nourishing.
20:12That kind of was my focus from the start.
20:14Gee, can I, this is a creative adventure.
20:17A wild-hearted adventure, and that's really what I'm after.
20:21And to the extent that it has, you know, unexpectedly,
20:25really kind of been marvelous.
20:28Yeah.
20:29Besides all the things that I enjoy, you know,
20:31Wicked and, I mean, that's a,
20:32hey, there are good actors who have big careers,
20:35but they never get to be in a movie
20:37that rings the bell with a crowd like that seemed to
20:40in Jurassic Park and a couple other things, you know?
20:43So I'm a lucky, I'm a lucky guy.
20:45I want to end by asking you,
20:47because we started talking about Still Blooming.
20:49The best is yet to come.
20:51This album is about to come out.
20:52Wicked Part II is coming.
20:54What else are you dreaming about?
20:56What else do you kind of want to grow and see bloom?
20:59I'm of two minds.
21:02One is that if nothing were to happen,
21:06there's a word for this.
21:07Oh, I know what it is.
21:10Diana, you know what that means?
21:11You do? Of course I do.
21:12Oh, you do? Yes.
21:13Well, that means, Diana, for those who don't speak French,
21:17it means if nothing were to happen after this,
21:20I'd be satisfied.
21:22That's a kind of wise aspiration to have, I think.
21:27I like what I have.
21:29This is my favorite thing to do.
21:32We're trying to teach our kids that,
21:33and I'm trying to employ that every day myself.
21:36So there's that.
21:37Having said that,
21:38because I certainly had a full plate
21:41that I couldn't squawk about.
21:42Having said that,
21:44I've never had as sharp an appetite to do more.
21:48And what specifically would that be?
21:50Well, there's tons more music
21:52that I can imagine tons of people that I would work on.
21:55Hey, for instance,
21:57what if we were to sing with Billie Eilish?
21:59We were talking about it the other day.
22:00You know who I met at the premiere of Wicked
22:02in Los Angeles was Lavey.
22:04I mean, she's a perfect fit to work with.
22:06I think so too.
22:06And if you think so, that's encouraging.
22:09Well, who knows?
22:11There's a world of possibility, possibilities,
22:13and it would all be just delicious.
22:16You've mentioned Billie before.
22:18Is there any movement?
22:19Have you gotten any closer to working together?
22:21Well, no, we haven't.
22:22No, I've only, you know,
22:24yapped about it on a couple of occasions,
22:27spontaneously without any strategy.
22:29And I don't think we have in any way,
22:31you know, we got to talking.
22:33I adored her and we got to talking.
22:35I ran into her at one of these events
22:37and it was fun, fun, fun.
22:40So no, I haven't, we haven't done anything.
22:43But there's a lot to look forward to.
22:45The album is so fantastic.
22:47I'm so-
22:48I feel very honored to have heard it
22:50and I can't wait for everyone else to.
22:51I so appreciate you saying.
22:52Thank you very, very much.