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00:00I'm gonna have to hit you before you're talking. Let me go, motherfucker. It hurts.
00:05Look, if you have a problem with me, let's solve it right now.
00:10Here, man to man.
00:12You don't need to send people to do what you don't dare.
00:16And why would I send someone to hit you, you piece of shit?
00:19I don't know, man.
00:20You tell me.
00:22I have no idea.
00:24Explain yourself, you piece of shit.
00:26Why would I be worried about a piece of shit like you?
00:29I'm not one of those idiots you sent to hit me.
00:32You told me.
00:34Armento, what the fuck is going on here?
00:59Hello, Roberto.
01:11Sorry to bother you on a Saturday, but you told me that if it was urgent, I could do it.
01:17And I think I'm in a very complicated moment.
01:20So I'm taking that right.
01:24I need to resume therapy.
01:28Please, schedule me an hour as soon as possible.
01:34Bye.
01:45No, yes, I remember her.
01:47I saw her when you had the panic attack.
01:50At the clinic.
01:51Nice.
01:53Nice.
01:56Much more than nice.
01:58I won the lottery with her.
02:01She won everyone's trust.
02:03My children's.
02:04It's not easy.
02:05Oh yeah?
02:06Yeah.
02:07Martina in particular.
02:10She has a lot of affection for Martina.
02:12Well, it's no wonder.
02:13She's extraordinary.
02:15She's smart, kind.
02:18I love it.
02:19I love being with her.
02:22Chuta, I've never heard you talk like that about one of your assistants.
02:28Are you having an affair?
02:30No, no.
02:31Don't be ridiculous.
02:33No, that's ridiculous from any point of view.
02:36Look, ridiculous or not, I've known you for many years.
02:41And I've never heard you talk like that about a woman since Carla.
02:45Tell me the truth.
02:47Are you having an affair with her or not?
02:56Hi.
02:58I've missed you.
02:59Yes, I've already missed you.
03:01But you've been very good to me today.
03:03I studied your brother's business all morning.
03:06So I'm ready for the interview, whenever it is.
03:10Hey, look.
03:13I'm making lunch.
03:16So I'm waiting for you now.
03:19Did I tell you today that I love you?
03:22It seems not.
03:24I love you.
03:37Ivan, excuse me.
03:39There's a lady who wants to talk to you and it's urgent.
03:43No, Isabela, I'm not for anyone.
03:45Tell her to leave.
03:46Yes, but the thing is that...
03:47She'll just have to be there, Mr. Ivan.
03:51Genoveva, dear, what a surprise.
03:54Thank you, Isabela.
03:55Don't worry.
03:56I'll let you know if anything happens.
03:59Oh, old lady.
04:02You don't know how much I've missed you.
04:05I imagine you missed me too.
04:07Give me a hug.
04:08No, no, no.
04:09Don't be nice to me.
04:11I simply didn't come to socialize with you.
04:16I want to ask you why you keep hurting your brother.
04:22No, no, Genoveva, dear.
04:24Did you come to talk about Raymundo?
04:26No, please.
04:27Why don't we talk about us?
04:29About our story?
04:30Tell me, who made you laugh the most?
04:33Me, right?
04:34Do you want a drink?
04:36Do you think so?
04:37No, no, I didn't come to have a drink here.
04:39No.
04:40I came to tell you that if you still have some heart left,
04:46that you should convince Juanacito to come back home.
04:50But I'm the only one who's kept him in check.
04:54Why would I keep him away from me, Genoveva?
04:56Why?
04:57Because I'm asking you.
05:00I know you.
05:02I know the damage you can do.
05:04I saw it in Mrs. Carla.
05:06And I don't want Juanacito to go through the same thing.
05:09That boy is fragile like his mother.
05:13He doesn't have to be with you.
05:19But what is that nonsense that he doesn't have to be with me?
05:22We are family.
05:23He feels that I am the only one who understands him.
05:26He feels good with me and I feel very good with him.
05:29Oh yeah?
05:30Don't tell me.
05:31Yes, I feel that I have a kind of special connection with Jonas.
05:36What connection?
05:37Yes, connection.
05:38Connection.
05:39It is not necessary for him to tell me a lot for me to understand what he is thinking,
05:43what is happening to him.
05:45I don't know.
05:46Sometimes I feel that I feel reflected in him when he was his age.
05:50What are you saying?
05:51That.
05:52That I look a lot like him when I was younger.
05:55I look like him.
05:57But Jonas has nothing to do with you.
06:00Absolutely nothing.
06:03Look, it is better that you retire, that you move away, please.
06:06Because if it doesn't work out, nothing good will continue to live with you.
06:11Do you understand me?
06:12Nothing.
06:19No, no, Angel, no.
06:21You are seeing things that don't exist.
06:23Miranda is an excellent assistant and that's it.
06:26Well, King Mundo, I don't know.
06:29I listen to you talk and butterflies come out of your mouth when you talk about her.
06:33Hey, did you see how they looked at her at lunch?
06:36Yes.
06:38I think, forgive me to meddle, but they would make a very nice couple.
06:43Well, I'm not asking for your opinion.
06:46Well, but I'm going to give it to you anyway.
06:48Look, hey, give yourself a chance.
06:51Why not?
06:52Are you crazy?
06:53Why not?
06:54What's the problem?
06:55Well, because it doesn't correspond.
06:57What doesn't correspond?
06:58Why?
06:59Well, because it doesn't correspond.
07:01Because I'm employed?
07:02That's why?
07:03Among other things.
07:04Well, I fired her and that's it.
07:06How do you think I'm going to fire Miranda if you need this job?
07:10Ah, King Mundo, really.
07:11Let's not get lucky between gypsies.
07:13You know that this is solved like this.
07:17Hey.
07:19You have the right to be happy.
07:20To rebuild your life.
07:23Change the terrain.
07:25Give yourself a chance.
07:26Go ahead.
07:32You are very good.
07:33Cheers.
07:43But old lady, why do you get like this?
07:45Because you make me nervous.
07:47Well, calm down.
07:49Sorry, I haven't said anything bad.
07:52Oh no, King Mundo, you got ideas in your head about me.
07:55That's true.
07:56Yes, that's true.
07:57No, no, really, Mr. King Mundo in this dance.
08:00I know you.
08:02You are capable of hurting all the people who live around you.
08:06And if you have a little decency left.
08:10Ah, please.
08:12Please tell Juanacito to come back with his dad.
08:16But woman, you are shaking, my love.
08:19What's wrong with you?
08:20I have a very high temperature.
08:22I don't know, I can't spend bad times.
08:24Calm down.
08:26Look, let's have a drink.
08:29No, no, no, thank you.
08:30No, no, no.
08:31I have to go back home.
08:34Because they don't know I'm here.
08:36But please convince Juanacito to come back with his dad.
08:41Because if not, what?
08:42Because if not, what?
08:43Something bad is going to happen to him if he's still here.
08:47Why do you say that?
08:48I don't understand.
08:49No, I already told him everything I had to say.
08:51No, no, no, wait a minute.
08:52Let's see.
08:55You're hiding something from me.
08:57Hiding what?
09:00I don't know.
09:02I don't know, some secret from the past.
09:04You were very close, Carla.
09:06I told you everything, right?
09:08Yes, that's true.
09:10Yes.
09:12May God have her in his holy kingdom, Carla.
09:16But...
09:18But you know she trusted me.
09:22But I always go with the clear things.
09:28You're not hiding anything from me, are you?
09:30No, no.
09:32Well, I'm not so sure.
09:34I don't think your son thinks the same.
09:37Have you heard from him?
09:39I don't think so, right?
09:45You were right, Don Raymundo.
09:47You're a snake.
09:49That's it.
10:04We have to kick that guy out immediately.
10:06Did you see how he treated me?
10:07Who does he think he is?
10:09He called me with the horse and when I got there, he grabbed me and attacked me.
10:14And why did he do that?
10:16What am I going to do?
10:17Because he was a resentful son of a bitch.
10:19Let's see, when I passed by, he said it was you who told them to hit him.
10:23Can you believe it?
10:26Tomás, I need you to be honest with me.
10:28Was it you?
10:29What?
10:30If it was you who told them to hit him,
10:32it's all going to stay here.
10:34How can you think that I've given him everything,
10:36now for blaming me for that bestiality?
10:38How am I going to be able to do something like that?
10:40First the peddler and now you.
10:42What reason would I have to do something stupid like that?
10:45Well, you had something against the wall, didn't you?
10:47Well, if you want to know why, ask for an explanation to that spicy shit, but not to me.
10:51Well, that's what I'm going to do, but first I want to hear your version.
10:54My version?
10:55Yes.
10:56My version is that he's a broken piece of shit, starving to death,
10:58that he went up to the attic.
11:00He was late for work.
11:02And since I'm tough with him, I'm demanding with him,
11:04there's nothing better than getting rid of me and being very macho.
11:08I'll tell you one thing.
11:10Either that broken piece of shit apologizes to me as it should,
11:13or we have to kick him out.
11:33I feel like I'm reflected in him when he was your age.
11:36What are you saying?
11:38That I look a lot like him when I was younger.
11:42I look like him.
11:43But Jonasito has nothing to do with you.
11:46Absolutely nothing.
11:49Look, it's better if you retire, please.
11:52Because if it doesn't work out, nothing good will happen to you.
11:57Do you understand me? Nothing.
12:02I love you.
12:32I love you.
13:02I love you.
13:32I love you.
13:41Doctor.
13:43Yes, Mrs. Denny.
13:45Come in here with Lenita.
13:47Thank you, Jonasito.
13:48I'm going to do the treatment the next time I come.
13:51Take it.
13:57Hi, nephew. How are you?
14:03Let's just say I've had better days.
14:09Shit.
14:11Why?
14:15The lunch was terrible, and the bet here worse.
14:23Oh, that's bad.
14:26I'll be here at the hotel in case you want us to have a drink when I finish the bet.
14:32Okay.
14:46Bye.
15:02Bye.
15:33Tomás is with you?
15:36He told me you had described him.
15:47Oh, who are you talking to, sister-in-law?
15:50With a worse snack you have out there?
15:53Sorry?
15:55Oh, Alexandra, please. It's a joke.
15:58The bad joke, Juan Pablo.
16:00Where do you get that I could be with someone?
16:04Alexandra, it's a joke.
16:06How I caught you there, hiding, talking like a teenager.
16:10How do you think I'm going to think you had a lover, please?
16:13Obviously not.
16:15Obviously not.
16:16You and Tomás are such a nice couple.
16:18Besides, when could you have a lover with everything you work on?
16:22Exactly.
16:24Hey, about work.
16:27Samuel told me that your dad is going to decide who is going to be in charge of the vineyard branch in California.
16:34Yes.
16:36He's going to choose you, of course.
16:38You're older, you have more experience.
16:40He'll be sure with you.
16:41And that's the most logical thing, right?
16:43I opened the branch in Argentina, in Brazil.
16:47Although the gringos are more formal, I have a lot of contacts there that can facilitate the whole issue of bureaucracy.
16:53Well, but you, Juan Pablo, made a lot of progress when you went there for your honeymoon.
16:57Are you going to take care of the Linares project?
16:59Ah, of course, of course, yes, I'm happy with that.
17:02Although opening a branch abroad, big words, right?
17:06Of course.
17:07California, Linares.
17:09There is no comparison, yes.
17:12Alice, you're here.
17:14Can we go?
17:16Of course.
17:17All good?
17:19Let's eat at the house.
17:21Quiet, quiet.
17:44Who is it?
17:46It's me, Samuel.
17:52What do you want?
17:56Give me one reason not to kick you out of here.
18:00His brother-in-law was the one who had me beaten.
18:03Where did you get that from?
18:04The police station recognized one of those who hit me.
18:07And he himself told me that it was Don Tomás who sent him.
18:12When was that?
18:14Today.
18:15But don't worry, I withdrew the complaint as you asked me.
18:20I interrogated the Chinese myself at the police station.
18:23The Chinese?
18:24Sorry, who is the Chinese?
18:27You know what? I don't want any explanations or entanglement.
18:30You are going to apologize now to my brother-in-law for attacking him
18:33if you don't want this to happen again, you hear me?
18:37And if I don't, what happens?
18:39The door is wide open.
18:42Excuse me.
18:49Excuse me.
18:59Can you imagine?
19:00The imbecile grabs me and throws me against a wall.
19:03He grabs an orchestra to threaten me.
19:05Do you know how dangerous something like this can be?
19:08What?
19:09And he's alone.
19:10Although he did it where the cameras couldn't record him, the very coward.
19:13No, it's hard for me to believe that Tormento could do something like this to you.
19:16There you have it, there you have it.
19:17The petitioner who defends so much, accusing me, the imbecile,
19:20of having been the one who ordered him to be beaten.
19:22Please.
19:24I can't believe it.
19:25And Samuel also asked me if it had been me.
19:27Can you explain that to me?
19:29Why the imbecile of Tormento, your brother and you,
19:32believe that I can be a thug?
19:35Did you tell them that I was jealous of Tormento
19:37that day we argued in Santiago's office?
19:39Me?
19:40But why would he do something like that?
19:42I don't know, but the curious thing is that you and your brother
19:45question me because of that imbecile.
19:47And the spicy shit has the luxury of coming to attack me
19:50in my own absence, for fuck's sake.
19:55I'm not going to let this pass. I already talked to Samuel.
19:58If that spicy shit doesn't apologize to me,
20:00I already told Samuel that he has to kick the shit out of Laras.
20:04What are you going to do? Where are you going?
20:07Tomas!
20:08I'm going to get some air. Can I or can't I?
20:10Motherfucker.
20:16Sigh.
20:27One after another.
20:28How dare you say you married me for money?
20:31I mean, you have a tremendous ordinariness, really.
20:33Martina, I agree with you,
20:35but your sister wants you to step on the stick,
20:37so don't step on the stick.
20:39I can't stand her. I find her unbearable.
20:41I really hate her.
20:42And she's always been like that. A sack of lead.
20:44If they told you...
20:45Well, I think your sister was nervous.
20:47She's so nervous, Alexander. She doesn't have feelings.
20:50She's like dead inside.
20:52I think she was nervous.
20:54Why?
20:55Because maybe your dad is going to choose me
20:57to open the vineyard branch in California, and not her.
21:00Fuck, I didn't know that was so advanced.
21:02Uh-huh.
21:03Yeah? And would you like it?
21:06I mean, it would be a half-baked goulash for me.
21:09Do you want me to talk to my dad?
21:11About what?
21:13I don't know, because maybe I can help him lean on you.
21:15No, Martina, no.
21:17No, for no reason.
21:18If I'm in the place where I am in this company,
21:20it's because of my talent.
21:21Yeah, I know.
21:22If your dad is considering me, it's because of my job,
21:24not because I'm your husband.
21:25Yeah, my love.
21:26Okay, don't get mad.
21:28No, I'm not mad, but I want you to be clear.
21:30I'm clear.
21:31Yeah.
21:33You know what? Let's stop talking about California and stuff.
21:37You know what I was thinking?
21:38What?
21:39That maybe I could help your brother get married.
21:42Why?
21:44Because I think that woman, Luciana,
21:47doesn't have many fingers for the piano or for that.
21:49Can you imagine her choosing her dress?
21:51No.
21:52Can you imagine her choosing the decoration?
21:54No.
21:55If the only thing she does is do her job, my love.
21:57I got it.
21:58Samuel told you to tell me, didn't he?
22:01I swear to God, no.
22:03But how would our marriage turn out?
22:05Beautiful or ugly.
22:06Yeah.
22:07Wouldn't it be nice if your brother's marriage turned out just as beautiful?
22:12Yeah.
22:23Oh, look at you.
22:25I thought you were coming back tomorrow.
22:27Me too.
22:28But a couple of days was more than enough.
22:32Besides, you know how I am.
22:33Work animal.
22:35So I'm super good here.
22:37That's good.
22:39I saw Jonathan here.
22:41I didn't know you had reintegrated the post office.
22:44Yes, yes.
22:45Well, the truth is that he asked me to reintegrate.
22:47I didn't find any good reason to say no.
22:50Do you think it's bad?
22:52No, not at all.
22:53On the contrary.
22:54He's super good at what he does.
22:57Besides, well, I already talked to him.
22:58And I told him that if we're going to work together,
23:01there can't be anything between us.
23:04What I need the least right now are complications.
23:07Well, I'm glad to hear that.
23:09Super good.
23:10Why?
23:11Yes, because...
23:14No.
23:15It's been difficult for you.
23:16It's been a little complicated.
23:18And that's going to make you much better.
23:22Yes, I think it's best for everyone.
23:24Yes, yes.
23:26Well, it's probably going to be difficult for him.
23:28But with time, a couple of weeks will pass.
23:30We'll see.
23:32Yes.
23:33We'll see.
23:41Hello.
23:45It's late. Where are you?
23:55Brother.
23:56Another one, please.
23:57One.
24:01That's it.
24:05And you, what's up?
24:06Are you going to leave me stranded?
24:07No.
24:09I've been in this bar for a long time and I can't find you anywhere.
24:18Hi.
24:19How are you?
24:20How are you?
24:21I'm fine, you?
24:22I'm fine too.
24:23I'm glad you came.
24:24I thought you weren't coming anymore.
24:25Why?
24:26I don't know.
24:29Tomas, please, I want to know if you're okay.
24:33What, I'm not going to answer?
24:34No, no, it's not important.
24:37Hey, what do you want to drink?
24:45Let's see, what would you choose for me, for Tomas?
24:50London Mule?
24:52No?
24:53Chuta, Ramazotti.
24:56Do you know what a Negroni would be good for you?
24:58Negroni?
24:59Yes.
25:00No?
25:01Let's see, brother.
25:02Hello, how are you?
25:03For me, the same as being in the bar, please.
25:06For Tomas and for her, a Negroni, a London Mule and a Ramazotti.
25:10All?
25:11Okay, yes.
25:26Who is it?
25:27It's me.
25:28Hello.
25:35What are you doing here? Come in, come in.
25:37How could you, Tormento?
25:39Why did you do it?
25:41Why don't you ask yourself better why your husband sent me to hit?
25:44You're wrong, I already told you, it wasn't him.
25:46He would be unable to do something like that.
25:48We both talked about it and you believed me.
25:50Well, yes, because at that moment I had no proof.
25:52And now you have proof?
25:54Yes.
25:55What is it?
25:57Someone, someone told me.
25:58Someone?
25:59Who?
26:01Well, that someone is lying to you.
26:04How are you so sure?
26:07Because I know my husband.
26:09And he could do many things, have many defects, but he's not a thug.
26:14Besides, he doesn't know about us, so ...
26:17Well, but maybe he does know.
26:19Or at least he suspects and the one who hasn't realized it is you.
26:22No.
26:24It's not like that.
26:25He would have told me, he would have confronted me.
26:28This was a robbery, Tormento.
26:30People are killing for stealing a phone.
26:34Let it be investigated.
26:35Don't draw ridiculous conclusions.
26:36In the end, the only one here with thug attitudes is you.
26:42That's what you think of me.
26:45And what do you want me to believe?
26:48Are you going to deny that you sent me to call Tomás to the hairdressers to get his head?
26:52Look, you know what?
26:53If you have nothing else to tell me, please.
26:58Tormento, we are ...
26:59Alexandra, you know I've had enough for today.
27:22I don't understand.
27:23I just don't understand why the doctor doesn't want to be with you.
27:26I don't understand.
27:27The truth is that I don't understand her either.
27:29Supposedly she wanted the same as me, what we felt was reciprocal.
27:33And for a while this part just doesn't want the same.
27:37Anyway.
27:39I don't understand her.
27:40Who understands women?
27:42In any case, I'm like this just because the baby doesn't want anything with me.
27:48Also because of the lunch we had with my brothers, which was terrible.
27:51Today has been a day to forget.
27:54In relation to Samuel and Luciana.
27:57Yes, Samuel and Luciana.
27:59Do you know what the real problem is?
28:01That in my family I am the only one who says things as they really are.
28:05Because everyone else stays quiet.
28:07And that's my big problem.
28:08That I say things and I fall like a kick in the face.
28:11That's the story I live.
28:12Why?
28:13Why?
28:14Because my brothers are like everyone else, well behaved.
28:17And they all take my father's side.
28:19On the other hand, I don't.
28:20I mean, I've never cared about what my father thinks.
28:23Imagine, he just wanted engineers, lawyers,
28:26who could work with him there, in the company.
28:29Or in some of his companies.
28:31Or in the vineyard.
28:32Or with the horses.
28:33Anyway.
28:34And I, on the other hand, came out tense.
28:37Imagine, from the health area.
28:39I mean, health official.
28:41And that word, my father carries it.
28:44Anyway, cheers.
28:45Cheers.
28:46Well, I was the same.
28:48I imagine you never liked school.
28:50I carried it.
28:51And on top of that, I had to go to school with my brother,
28:53who was more or less like my father.
28:55So, everyone wanted to behave well
28:58and get nominated in some of the awards
29:00so that my father could talk to him.
29:02And I, on the other hand, was a shot in the air.
29:04The only thing I like was the cart.
29:08Maybe that's why he loves me less.
29:12Do you think your father loves you less than your brother?
29:19I mean, he's never going to say it.
29:23But yes, I think he loves me less.
29:27Well, I don't know if it's useful,
29:29but it's good to know that among all my nephews,
29:32you are the one I love more.
29:36Well, thanks.
29:39I don't know if it's useful,
29:41but it's good to know that among all my nephews,
29:45you are the one I love more.
29:48That's good.
29:49And you're the one I like best.
29:51Although you're the only uncle I have,
29:53so I don't see much competition.
30:01How do I get rid of this shitty feeling I have?
30:08Do this.
30:09Talk.
30:11And be drinking here with your favorite uncle.
30:13That's what you have to do.
30:18Cheers.
30:19Cheers.
30:31Very good.
30:35I'm going to the bathroom.
30:38Don't move.
30:39There are still many things I want to talk to you about.
30:42Here I am.
30:43Don't move, love.
31:08Gabriel.
31:09Yes, tell me.
31:10Bring me another one.
31:11Right away.