En un tenso intercambio, Eliana Guercio y Beto Casella protagonizan una acalorada discusión sobre su relación con Edith Hermida en Bendita. Guercio acusa a Hermida de ser controladora y despectiva, mientras que Beto defiende su compañera. La conversación se intensifica cuando se mencionan incidentes pasados, como el famoso cachetazo de Guercio a Marcelo Polino.
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00:00Why do all the ones who have a bad time end up having a bad time with Edith?
00:04Or do they say they have a bad time with her because Edith is the one who handles absolutely everything?
00:10No, the truth is that the one who hits her, I tell you, having worked with her for 18 years,
00:16because she left a little later, and I know her well, she has to have bad milk.
00:21And also, she says, all of them.
00:23The truth is that the ones who have had a bad time lately, or had something to say,
00:27are Eliana Gercio, who we don't recognize, let's say, we don't know how she is in the media.
00:32It doesn't matter, but it was a bad time.
00:35You want me to get up and leave, Beto?
00:37That's how you make yourself happy?
00:38Eliana is here, Beto.
00:39No, no, no, but no.
00:41No, what I'm saying is that it was a bad time.
00:43It doesn't matter, because I could be here since yesterday, but the truth is that it was a bad time.
00:46No, no, it wasn't a bad time.
00:48I'm going to tell you why, if you'll allow me, Beto.
00:50Because it's been almost a year since you've been telling the story that Edith Hermida told you.
00:56Well, tell it.
00:57And it has nothing to do with reality.
00:59Tell it calmly, come on.
01:04I'll tell it calmly, because it's been more than a year since you've been telling it, Beto.
01:09Every month and a half, more or less, every time someone comes out who has a problem with Edith Hermida,
01:14tell the story of why I left the radio.
01:17But wait, did I give you the reason or not, when I said, she got into trouble?
01:21It's that, beyond the fact that she got into trouble for being misplaced, for being rude,
01:26and because I had already told her, I'm talking to Santi,
01:29a person who is already telling her, is in a talk that had nothing to do,
01:34as you say, that she was teaching me how to do radio,
01:38because I started working yesterday, who knows me,
01:41a lot of people know me, I have a lot of work,
01:44I worked in the two programs of Major Rating.
01:46Well, you don't have a year of radio, dear Eliana.
01:49Sorry, no radio, but I listened to the program every day of my life for ten years,
01:53so I knew the times...
01:55But you can't get into trouble, Santi.
01:57But wait, I don't want to get into trouble.
01:59Santi marked me all the time, the only thing I want to clarify...
02:01Tell the story.
02:02The only thing I want to clarify...
02:03Clarify, but don't get into trouble, because I'm interested in what you're saying.
02:06No, I don't get into trouble, but now that I have the opportunity,
02:08I tell Beto that if he is going to tell the story that he told you...
02:11You are here, Beto.
02:12Tell the story.
02:13What's her name?
02:14Edith, Edith.
02:16Tell the story.
02:17Edith is not the reality.
02:19Tell the story, damn it!
02:21No, because I'm not going to tell it, because I'm disrespectful.
02:26But the story he tells is not.
02:28And I don't know, Beto, where did you get that I got angry...
02:31Don't play the mysterious, because...
02:33No, but I'm disrespectful, I have a code.
02:39I think you're angry with me and I don't know why.
02:42Because you also said that maybe I got angry because they didn't give me a job in Bendita.
02:46When I was fired from Onda, the day before, there was controversy at the bar,
02:52and I told you, they're going to kill me for being here, but I love your show,
02:56and I came and I told you before the show started, and when the show ended,
03:00I thanked you.
03:01If you misunderstood, I had a bad time.
03:04I have to apologize and tell you that I had an excellent time.
03:09Ani is a divine...
03:11I'm talking to Tamara Petinato from Maternity.
03:14Really, I had a great time on the show.
03:16The only thing that happened on the show is that as soon as you introduced me,
03:19there was a person, who was Edith, who said, well, bring beauty.
03:22That was coming from another moment, in which the only thing I could bring was beauty,
03:28already at 48, no beauty, I would tell you.
03:30But there is also a question of saying this, that, well, when one leaves,
03:36or when you have money, nothing happens.
03:38Sometimes you don't just work for the money, Beto, I want you to know.
03:42It has done me a lot of good in my mental health, and in my emotional health,
03:46to work every day.
03:48That's why I got up at 4 in the morning to go to the radio.
03:53With great pleasure to go to the radio.
03:55Well, very good, very good.
03:56My version, my version is that Santi was telling her something minor, Eliana,
04:01nothing, a nonsense.
04:02No, you want me to tell you, I'm going to tell you.
04:04Edith Meterete says, Santi tells you because...
04:07And Eliana tells her, stop a little.
04:09No, stop a little, no, no, I didn't tell her to stop a little, I told her...
04:13Something like that, well...
04:14I don't understand what she's telling me.
04:15No, but you said that I told her, no, stop, I don't argue with people,
04:20I get up and leave.
04:21I'm not going to argue with Edith Hermida, with all my love, I tell you.
04:25Well, that's it.
04:26And you said several things, like I was disrespectful to her,
04:29and look how disrespectful I was, that when I saw that she put me for the second time in a row,
04:35here, because it was here, because they also minimize that, I understand that it was...
04:40But because she throws herself.
04:41Why?
04:42She throws herself like that with the shoes.
04:44No, but she can't put her feet in her face twice in a row when you tell her,
04:47crazy, have your feet next to my face.
04:49I look at how disrespectful I was that I got up and went to my house,
04:53so as not to have a problem.
04:54Well, it's okay, guys.
04:55So it seems to me that it is unworthy for a person to lose their job,
04:59because you like it, the one who stays at work is not good.
05:03No, no.
05:04You didn't lose your job because we weren't going to call you, Eliana,
05:07but I'm not saying it in a disrespectful way.
05:09You were as a guest because we like you, and you are a figure.
05:13I've known Diego Toni for 20 years.
05:15Well, that's it.
05:16No, let me say this.
05:17Well, guys, it's okay.
05:18If at any time I wanted to be part of Betita, I would have called Diego Toni,
05:23I know him, I've worked with him all my life.
05:25No, no, Diego Toni doesn't do anything if he doesn't ask me.
05:27If you have a chair, give it to me.
05:29You talk to the dog.
05:30But no, no.
05:32I don't like you calling me a thousand times on your show.
05:35That's it, Eliana, that's it.
05:37They don't call you if they don't ask me.
05:39Because it's been 15 years since you've been on TV.
05:41It's good that we can talk, because I like it.
05:43That's why.
05:44It's not noticeable.
05:47Oh, my God.
05:52Thank goodness that Georgina didn't want to discuss it.
05:54That vibe, that vibe.
05:55There's a band over there.
05:56The discussion was cut off quickly.
05:57It was.
05:58This lasted eight minutes.
06:00Several things.
06:01Eliana is wrong.
06:02Obviously, if she calls Toni...
06:04Who can she call?
06:05At 9 o'clock, Rome, whoever.
06:07If Beto doesn't want to, he won't be on the show.
06:10It's ridiculous.
06:14It's terrible.
06:15They're squeezing with that.
06:16I call and they get me in.
06:17It's horrible.
06:18It sounded very strange.
06:19Horrible.
06:20It sounded like a duet.
06:23In the world of theater, it's easier.
06:25No, but it's still a disaster.
06:27In the company, in the theater, or the producer of the show,
06:29they don't want you on the show.
06:30And it's wrong to say that.
06:31It's very wrong.
06:32Of course.
06:33In the theater.
06:34You call America and say,
06:35I want to be on the show of La Pegüe.
06:37I want to be on Intruso.
06:38I love it, because Diego Toni must have loved it.
06:40Lose those contacts and be quiet.
06:42Yes, of course.
06:43Don't get nervous.
06:44Don't get nervous.
06:45Come on, Pedro Toni.
06:46Diego Toni must have loved it.
06:48Beto was about to destroy it,
06:49until they said Eliana was here, and Eliana started.
06:51Yes, yes.
06:52With the rap that never ended.
06:53No, never.
06:54Now, does Edith have dirty feet?
06:57She put her feet on top of the table.
07:00How ordinary.
07:01Wait, wait, wait.
07:02Then the ningunea.
07:03What's her name?
07:04I saw that the ningunea.
07:05You on the radio put your feet on top of the table.
07:07No.
07:08I never put my feet on top of the table.
07:09What's her name?
07:10He said.
07:11It's kind of weird.
07:12Yes, I mean, what Berto feels about what Edith has done,
07:15has nothing to do with whether it's a figure or not,
07:18whether they call her.
07:19I mean, because in fact,
07:20she's not the only one who had that experience.
07:22Romy told her.
07:23And not because she's a listener to the show.
07:25You don't know about the radio.
07:26You don't know about the radio.
07:27No, of course not.
07:28She can't be a great panelist.
07:29They're different things.
07:30But that's a personal assessment, ultimately.
07:32No, but that's Eliana's argument.
07:34I listened to the show 10 years ago, and well.
07:36What does it have to do with it?
07:37It's fine.
07:38I see 20 years of dancing and I don't dance like a dancer.
07:40Yes, it's true that there was harmony, happiness,
07:42and that Eli was on the show until Edith left.
07:44They had a month and...
07:45Why did they call her Eli?
07:46Yes, a little.
07:47No, well, that's all.
07:48It means that something happened.
07:49But Eli, because we never know.
07:50Why don't you know her?
07:51Is she a good co-worker at work?
07:53I don't have a problem with her.
07:55Eliana?
07:56Eliana fought with everyone everywhere.
07:58No, no, but I mean, as a panelist.
07:59I got stuck for years in skating.
08:01And more.
08:02And more.
08:03Now it's true.
08:04But Eliana has the character that she has shown all her life.
08:06She has fought with everyone everywhere.
08:08And also for some panels it's functional, what she does.
08:11That doesn't matter.
08:12As it is also functional what Edith does.
08:14Maybe we have to see how long it lasts.
08:16No, no, no.
08:17But the slap and everything that happened with Polino is no less.
08:19It's not less than that.
08:21There are many people who know her for that.
08:23Not for other things.
08:24No, no, no.
08:25The slap was horrible.
08:27But I've known her since she started her career.
08:30But there are people who know her for that.
08:32No, no, no.
08:33I'm old.
08:34I'm a journalist, I tell you.
08:36You, because you are a journalist, you dedicate yourself to this.
08:38It's true.
08:39It was in Bake Off that everyone saw it.
08:41People already know her for other things.
08:42And what bothers her is that there was always no one in her place.
08:44No, but the slap was very strong.
08:46It was very important.
08:47But I mean, today, having been a great brother, which is the most seen program.
08:49No, but at that time, no one hit her.
08:51Well, what does it have to do with it?
08:52No, it's okay.
08:53Edith has been working for 20 years.
08:55Okay, but wait.
08:56But I don't know what her name is.
08:58Boss, does Eliana analyze the game well?
09:00I think she has improved a lot.
09:01I like her more now than last year.
09:03But last year she was a great protagonist.
09:05Yes, but she got that protagonism at the risk of what for me was sometimes analysis as very poor,
09:10but because it was more for the discussion.
09:12I like her more now.
09:15Well, everything is learned.
09:18I was just telling Laurita that today Payare destroyed her.
09:21Yes.
09:22She was a bad companion, she was unbearable.
09:23Well, because Adrián was the administrator of the theaters in Rotterdam.
09:26Ah, of course.
09:27And then there was the time of Nota Santa.
09:29Ah, the question of the sand house.
09:31No, the sand house.
09:32So Adrián, the truth is that in the air, no, barbarities.
09:35Yes, I think so too.
09:36And then Eliana communicated with Taboada and kind of threatened Adrián with, I'm not telling you a trial, but as you say.
09:44No, no, wait, it came out in the air.
09:45It ended up coming out in the air, Eliana.
09:46No, no, on the phone with Taboada.
09:48No, but it came out in the air.
09:49Then Eliana came out in the air.
09:50Ah, that part I didn't understand.
09:51I mean, Payare doesn't smoke it, Eliana Garcia, at least.
09:53No, and Eliana told him, I understand everything you're saying, but explain to me when you,
09:58who was the administrator of a theater, which you managed, but you weren't,
10:01you can talk about me from the place you're talking about.
10:03Ah, but you find out everything.
10:04But it's what Eliana understands.
10:06Wait, Payare regulated, Eliana told him.
10:08And she's a journalist.
10:09Eliana told him.
10:10But Eliana, when she gets angry with me, she recriminates me for saying that they didn't want her in the ballroom.
10:14They didn't want her in the ballroom.
10:15They didn't want her in the ballroom.
10:16But wait.
10:17Taking what Laura was saying.
10:18She has a huge storm in front of her.
10:20Eliana's problem is that she's arrogant.
10:21She always has something to be arrogant about.
10:22Now a contact, after she has money to buy clothes.
10:25It's that, she has that problem.
10:27Eliana, telling what Laura was saying, told him, for many years I thought I was going to do a trial,
10:30but I'm not going to do it.
10:31And they call her Edith Hermida.
10:33Live.
10:34Oh yeah?
10:35Yes.
10:36Oh yeah?
10:37I was at home watching.
10:38Everything in the middle of the blackout.
10:39Everything in the middle of the blackout.
10:40And it was coming out like this.
10:41And in the middle, Eliana says that Edith Hermida called her on her cell phone.
10:46And they talked about the subject.
10:48And Edith came out.
10:49Two beings of light.
10:50They called her.
10:51They called her.
10:52I liked Capristo's theory.
10:55That Eliana Garcia became famous for this slap to our dear Marcelo Poli.
10:59Remember this.
11:00There are models, there are actresses.
11:02We all know that.
11:03In fact, here, and you will remember it, in the summer, one of the participants,
11:10one of the people who was participating, accused another on my cell phone,
11:13and we all saw it, of prostitution, of prostitution.
11:16In this one, dancing for a dream, there are two.
11:18Let's see.
11:19A blonde and a brunette.
11:20Yes.
11:21One accused another of prostitution on my cell phone,
11:24but they don't take out the phone.
11:25Remember?
11:26There was a blonde sitting here, crying inconsolably.
11:29Yes.
11:30That's ugly.
11:31Today they don't talk at all, but it's true.
11:32They cried inconsolably.
11:33Wait, those who don't talk are...
11:35No, let's not say it, let's not say it.
11:37No problem.
11:39The defamed woman waited until she was in the air with him,
11:41and executed justice live by her own hand.
11:44Almost 1.80 meters of bataclana fury.
11:47If you allow me, Jorge, first of all, I want...
11:51No, no, no, no.
11:52Nobody calls me a whore.
11:54No, no, no.
11:55Nobody calls me a whore.
11:56No, no, no.
11:57That, that, no.
11:58No, my love.
12:00Do you know what happens?
12:01I am fed up with this rude man disrespecting me.
12:06And I didn't see in this program that nobody stops the car.
12:10So if there is someone who has to stop the car, I will do it.
12:14This way he will learn, this asshole,
12:16not to mess with people who don't have to mess with them.
12:19Because I, a whore, never went.
12:21Not for money, not for a gift, not for a magazine cover, not for a job.
12:26And I won't allow it anymore.
12:28I'm fed up.
12:30The message he showed here in the summer said,
12:33Giercio, ask Giercio about the 10 expenses that are made at night.
12:37The 10 expenses that are being...
12:39Oh, he doesn't say.
12:40Neither who writes it, nor who he refers to.
12:43Yes.
12:44That, that disgusts me.
12:46It disgusts me.
12:47And it makes me sad, Poli, no.
12:48Do you know what?
12:49It makes me sad.
12:50Because making money like this, making money like this is the least.
12:54But wait, surely, surely you will have the recording where I treated you like a whore.
12:58Of course, I have the recording and I have everything.
13:00Because I never named you Jamesa Terebos.
13:02You don't need to name me.
13:04You just need to say my blood type.
13:06You didn't name me.
13:07But you talked about me.
13:08I just talked to Dr. Pierri.
13:09You will go to justice to prove everything.
13:11If I accuse you of something, you will have to prove it.
13:13Yes, you accused me.
13:14Perfect.
13:15You accused me.
13:16And you said, Clarito.
13:17What did I say, Clarito?
13:18Clarito, that the members of Belmondo Por Un Sueño, El Arma y La Marcha, are fighting.
13:21Do you feel better now?
13:22Yes.
13:23Juliana, thank you for today.
13:24No, thank you.
13:25Sorry again.
13:26Sorry to the people who didn't like it.
13:28But there are a lot of people who liked it very well.
13:31Well, I'm lucky that I apologized before going.
13:34They became friends, Polino.
13:35They became friends, but a long time ago.
13:37Many years ago.
13:38It was terrible.
13:39And who was the blonde?
13:40I don't know.
13:41You?
13:42No, no.
13:43They talked about me, of course.
13:44The blonde, the blonde who fought.
13:45You scared us.
13:46It was you.
13:47But you accused her of being a whore on Polino's phone.
13:50I never sent him any message.
13:52Ask Polino, please.
13:53He never named her friend.
13:55Oh, Polino.
13:56Polino.
13:57Polino.
13:58Polino.
13:59Polino.
14:00Polino.
14:01Polino.
14:02Polino.
14:03Polino.
14:04Polino.
14:05Polino.
14:06Polino.
14:07Polino.
14:08Polino.
14:09Polino.
14:10Polino.
14:11Polino.
14:12Polino.
14:13I was called to this situation, and I was not the one who sent that message.
14:14Tell us, who was it?
14:15Let's see, I did fight with her, but I was not the only one who didn't like her.
14:16There were a lot of people who didn't like her.
14:17I explained this to her a lot of times.
14:18Oh, you have to ask Polino.
14:19No, no, no.
14:20At least Polino is quiet.
14:21I'm just the same.
14:22If at that moment Polino said, look, look ...
14:23For Amorochas at that time was Bali.
14:24Yes, yes.
14:25Marixa?
14:26Oh, she was fighting with her.
14:27No, no, but I'm telling you.
14:28She was dancing.
14:29Oh, you're dancing.
14:30Dancing.
14:31Marixa, don't name names.
14:32I'm sorry.
14:33Dancing was in 2006.
14:34It was before.
14:35Dancing 2006.
14:36When I was in school.
14:37A short dance.
14:38A short dance.
14:39No, but I never danced any message of occupying anyone or anything.
14:40But she was in a short dance, you mean?
14:41I was in a dance too with, and she also was in a short dance.
14:42In 2006.
14:43No, it was the first.
14:44The first was the chorus.
14:45The first was the chorus.
14:46The second was the detective.
14:47The first was the second.
14:48No, the first was not.
14:49The first was the second.
14:51The first was Carmen.
14:52No, the first was not.
14:53The first was Carmen, Daddy, Pamela.
14:54I think there was another one.
14:55But there were three.
14:56Yes, there were three in the first year.
14:57I don't remember.
14:58I don't remember.
14:592006.
15:00You were in the third, which is the one that Carla Conte won.
15:01Oh, it was Carla Conte.
15:02And Eliana Garcio was the ninth eliminated couple.
15:03And you went to the semifinal.
15:04I got to the semifinal.
15:05Very bad.
15:06And what else did Carla Conte have?
15:07I'll read the cast.
15:08Let's see.
15:09Carla Conte, Maria Valdés.
15:10Eliana Garcio.
15:11Eliana Garcio.
15:12Eliana Garcio.
15:13Eliana Garcio.
15:14Eliana Garcio.
15:16Eliana Garcio.
15:17Eliana Garcio.
15:18Eliana Garcio.
15:19Eliana Garcio.
15:20Eliana Garcio.
15:26Karrizo.
15:27Karrizo.
15:28No.
15:29Evangelina.
15:30It was Carla Conte.
15:31Karrizo.
15:32It was Carla Conte.
15:33I didn't know who was Angelina Garcío is.
15:34Karrizo.
15:35She's the one who hasn't participated in the show yet.
15:36Karrizo.
15:37Karrizo.
15:38Karrizo.
15:39Karrizo.
15:40Karrizo.
15:41Karrizo.
15:42Karrizo.
15:43Karrizo.
15:44I think that I will not accuse anyone of anything.
15:48She's all blonde.
15:50She can't say anything.
15:51She would be incapable, she's good.
15:53Of course, she can't say anything because she's a very calm girl.
15:55They are all blonde, who is Morocha?
15:57Her!
15:58That's why.
15:59No, wait a second.
16:01I have never sent a message to Marcela.
16:04Well, she was against it.
16:05No, no, no, I want to clarify because I have never accused anyone of anything.
16:10You are angry, you are angry.
16:12You hate each other.
16:13No, but we don't hate each other for that.
16:15We hate each other for something else.
16:16Why?
16:17Did she kick you like that?
16:18No, no, no.
16:19We want to know why you hate each other.
16:21It was in 2006.
16:22That's why, tell us, it's over.
16:23We fought in 2006.
16:24You were in first grade.
16:25Of course.
16:2619 years old.
16:27Why did you fight?
16:28You were young.
16:29We fought in a play.
16:30Ah, look.
16:31What was it called?
16:32I was right to pass this.
16:33In a play we fought in Mar del Plata because, I never told this, because a person was missing,
16:39a girl was missing.
16:41We didn't know who was going to be there.
16:43And we were called.
16:44I was one of the girls.
16:46Then there was Natalia Fava and, well, at that time I don't remember who else was there.
16:53We were several.
16:54What was her name?
16:55Her name was, I don't know, I don't know.
16:58She was called a thousand years ago.
17:00Well, I tell Mónica, I tell her, look, who was the producer, I tell her, look, why don't you call her
17:05such and such who is unemployed?
17:07She called her and she fought my poster.
17:11Ah, you recommended her.
17:13Then I say, stop, you are fighting my poster because I am telling you, you are unemployed.
17:18Terrible.
17:19Yes, it was like that.
17:20And I get angry there, of course, how am I not going to get angry?
17:23If we were friends too.
17:24But the first time I was with you.
17:26Capriccio, poor but almost honest.
17:28No, no, that was.
17:29That was Gerardo, right?
17:30No, but of course, how are you not going to get angry?
17:32Well, nothing.
17:33And then everything happened there, let's say.
17:36Who was it?
17:37No, no, no.
17:41I'm going to continue.
17:42I saw them.
17:43But it wasn't Gerardo's.
17:44No, it wasn't Mónica Corona's.
17:45Mónica Corona.
17:46At that time, Corona was filling the Tronador.
17:49I broke it.
17:50There it is, look for Tronador, Capriccio.
17:53I think 2004.
17:54Tronador, Passageros de la Risa.
17:55Ah, it can be that.
17:56Passageros de la Risa, Teatro, Tronador.
17:57Yes, you have the only one you did there.
17:59And the poster was Capriccio.
18:00Here it says, Jorge Corona, Las Trompadas.
18:02No, Passageros de la Risa.
18:042006.
18:05All the seasons were like that with Corona.
18:07February 2006, my loves.
18:09How beautiful were the seasons.
18:11You were Elena's friend before that.
18:14We were friends and we had a great time, but well, nothing.
18:19Then this happened.
18:20But she still entered.
18:22Here it is, I found it.
18:24Yes, it is this one.
18:25Look at this photo.
18:26And who stayed in the poster?
18:27No, no, well, one stayed with the most important poster
18:32and the other stayed with the final exit.
18:34Then they end up kicking her out of the play.
18:37Ah yes?
18:38Why did she do that?
18:39I don't remember well.
18:40To pass someone?
18:41No, I don't remember well.
18:42Listen, listen.
18:43She ends up leaving like a month earlier.
18:44Sorry, what?
18:45She ends up leaving like a month earlier.
18:46And Adabel Guerrero, who was the first dancer at that time
18:49and was the producer's girlfriend, stays in her place.
18:52Listen.
18:53It's tremendous, huh?
18:54You can't put a dancer in there.
18:56It's tremendous.
18:57Angel.
18:58Marcelo Durán.
18:59What's wrong with that?
19:00Marcelo Durán.
19:01That's right, we remember Marcelo Durán.
19:02But that was 20 years ago.
19:03No, no, no.
19:04Who is Marcelo Durán?
19:05The producer...
19:06A dancer...
19:07An actor, Anis Guzman.
19:09An actor, yes.
19:18That was 20 years ago...
19:19Yes, let's go with that.
19:22We all had our moments.
19:23What do you two remember?
19:24But it was 20 years ago.
19:25Angel.
19:26No, no, no...
19:27Who is Marcelo Durán?
19:28He was the producer.
19:29The director.