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Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo Los Casablanca Capítulo 49 en HD Completo
Los Casablanca Capítulo 49 en HD Completo
Transcript
00:00I'm looking for insumes for the horses.
00:03And you bring them directly here?
00:06The roads here are very narrow for the trucks, so they left them at the entrance.
00:09And how long did it take?
00:12Well, you have to see that all the insumes were there.
00:15To see the box, I hid behind other orders.
00:21I needed to see something else, boss.
00:23Yes, for you to work here.
00:25That's exactly what I was looking for.
00:27The next time they bring insumes, send someone else to look for them.
00:30Or take them directly to the office, but don't go through the tunnel.
00:33Go around the corner.
00:35Yes, boss.
00:36That's what I was going to tell you.
00:51I think the insumes worked.
00:57But Martina, why did you call her?
00:59I called her and I sent a message to Dad.
01:01I asked him if he was okay and he said yes.
01:04But why did you do that?
01:06What's wrong?
01:07To get out of the doubt.
01:08Imagine something serious had happened to her.
01:10What a shame.
01:11Now she's going to think we're chasing her.
01:13She's not going to think that, Dad.
01:14She's going to think that we love her, that we care about her.
01:17That we love her.
01:18That we love her.
01:19That we love her.
01:20That we love her.
01:21That we love her.
01:22That we love her.
01:23That we love her.
01:24That we love her.
01:25That we love her.
01:26That we love her.
01:27That we care about her.
01:28That we value her.
01:29That's what she's going to think.
01:30No, what's going to happen is that I sent you to write to her.
01:33You shouldn't have done that.
01:34It didn't correspond.
01:35Dad, he took it well, okay?
01:37Miranda makes you very nervous.
01:40Of course.
01:41With all the numbers we've sent her, she's going to think that this family is a...
01:45I don't know, a shit, a circus.
01:47Come on, Dad.
01:48How exaggerated.
01:50Calm down.
01:51Miranda is not stupid.
01:53We're going to work now because I've been chasing you for about eight centuries
01:56to have this conversation and show you the numbers.
01:59What do you think, Mr. Raymond?
02:02What do you think, Miss Martina?
02:09Mr. Tomás, the lady went to a meeting, I already told you.
02:12Where?
02:14Come with me.
02:19There she is.
02:21Hello.
02:22Alexandra.
02:25Can I know where you've been?
02:27But if we meet on the way out.
02:29A meeting with Meltonado, I told you.
02:32Why, what's wrong?
02:33The thing is that I needed you for the distribution of the Carmeneros.
02:36What distribution?
02:37Which one?
02:38Carmeneros in Patagonia, Argentina, last month.
02:41I left you an audio message.
02:42Yes, yes, sorry, I stayed late for the meeting.
02:45No, no, that's so funny.
02:47Let's see.
02:49Where is the phone?
02:52Of course, here is your message.
02:55Sorry, I lost it.
02:58Who?
02:59The distribution of the Carmeneros in Patagonia, Argentina.
03:02Meltonado.
03:03Yes, yes.
03:04Okay.
03:07The princess put on her boots.
03:11Who wrote you?
03:12No, in the school chat, nothing.
03:14No, it's a very good joke.
03:15Let's see it.
03:16No, I don't like it.
03:17The school chat, locate yourself.
03:19I just want to hear the joke, nothing more.
03:21Well, if you're interested, I'll send it to you later.
03:28Hello.
03:29Hello, hello.
03:30How are you?
03:31How are you?
03:32Fine, and you?
03:33Fine, how are you?
03:34Fine.
03:35Why?
03:36I'm asking you because I saw your car in the middle of the road and I thought something had happened to you.
03:40Ah, yes, yes.
03:41It's just that I stumbled and I thought I was going to be able to drive.
03:45My foot started to hurt too much and I asked for a taxi.
03:47Alex, you can't use your foot.
03:50Okay.
03:51You can't use your foot.
03:52Sorry, Mr. Teso, I didn't mean to tell you.
03:54Did you put the boot on well?
03:56Yes.
03:57That boot is wrong.
03:58It's not tight.
03:59Who taught me how to put it on?
04:00Let's go to the office.
04:01And check it for me, because you know what?
04:03The truth is that it hurts a lot.
04:05But it looks good on me.
04:19God is faithful to you, ma'am.
04:20For me?
04:21Yes.
04:22Thank you very much.
04:23Bye.
04:24Bye.
04:37I'm sorry. I was a fool. I love you.
05:07I love you.
05:14I love you.
05:18Boss, the hotel is in a bad shape.
05:20Tell them to come tomorrow.
05:22Okay, thanks.
05:23Hey, Tormento.
05:25Yes, boss?
05:27I want you to let me know the next time you have to leave.
05:30Why would I do that?
05:33Wait, Tormento.
05:35Why do I have to let you know every time I leave?
05:37Did something happen?
05:38Because I can't let the employees disappear during working hours without anyone knowing where they are.
05:44So, from now on, if you have to know who's at the back door,
05:48looking for the juice,
05:49or if it's raining two meters over there, let me know.
05:52Okay?
05:54Okay, boss.
05:55And one more thing.
05:59I'd rather you didn't look at your phone so much during working hours.
06:03I'd rather you didn't look at your phone so much during working hours.
06:07Yes, boss, but I need to be connected to be able to work.
06:11Okay.
06:13But let the use of the phone during working hours be for that.
06:17To work.
06:19We don't pay employees to watch TV like millennials.
07:02They're beautiful.
07:08Did you like them?
07:13A lot.
07:24Can we see each other?
07:26I'd love for us to talk.
07:28Only if you want.
07:54And with everything that's happened in the vineyard,
07:56the extreme bad vibes from Alex,
07:58I got even more stressed about the bill and...
08:01And well, that was what played against me.
08:03Yes, but you didn't have to argue with me that week.
08:06Yes, you're absolutely right.
08:08I was an idiot.
08:09I made a mistake and...
08:11And that's why I want to apologize to you.
08:13Because I acted like an idiot.
08:15Yes, you were.
08:17But...
08:18I took notes on the matter.
08:22I brought...
08:24This.
08:26You want to buy me?
08:28Yes, but if you look closely, they're real truffles.
08:32And you think I'm going to get angry with a box of truffles?
08:35They're not stuffed chocolates.
08:37They're your favorites.
08:38At least I'm not going to get angry with a box of Kaluga.
08:41But this gift...
08:44You have to complement it with something else.
08:47With what?
08:48I don't know.
08:49With you.
08:54Goya.
08:56I'm sorry.
08:57I swear I'll take care of you.
08:59I love you.
09:17I love you.
09:38Miranda, what are you doing?
09:40Hi.
09:41I'm sorry I came like this.
09:43It was an impulse.
09:44No, don't apologize.
09:46It's okay.
09:47You surprised me.
09:49I didn't expect you.
09:50Can I come in?
09:52Yes, of course.
09:54Come in.
09:56This is your house.
09:57No, this is your house.
10:07Well, you could have told me you were coming.
10:10I would have prepared something.
10:12Do you have ham?
10:13No.
10:14I'm not here to eat or drink.
10:16I want to talk to you in peace.
10:20Can you?
10:32My mom is so beautiful in this picture.
10:37Iván says I look like her.
10:39But I don't find her that much.
10:42Do you think I look like her?
10:45What do you mean?
10:46Do you think I look like my mom?
10:50Yes, you look like her.
10:52Really?
11:13Congratulations, my love.
11:18I'm the winner of the day.
11:21It was obvious it was going to work out.
11:24No, it wasn't as crazy as Ale saying no all day.
11:27That I had to buy new eggs.
11:29Well, enough reasons to celebrate then.
11:32That's it.
11:33Hey, do you think I can play some more music?
11:35Go ahead.
11:36Where was the room?
11:38There at the table.
11:40At the table?
11:42I'm so glad it worked out.
11:44Are you stressed about that?
11:48Hi, are you alone?
11:50Who is this Andres Calvo?
11:55Are you wondering if you're alone?
12:04I know I'm an idiot.
12:06I've been an idiot with you.
12:08And I'm sorry.
12:10I apologize.
12:12You know I'm not like that.
12:15No, I don't.
12:16That's the problem.
12:18I don't know if you're not like that.
12:22What do you mean?
12:24I don't understand.
12:26I'll explain.
12:28Since we started working with your brother...
12:32...all I've done is hate you.
12:34And everything revolves around your brother.
12:36Everything.
12:38And I feel like we're losing track.
12:40Why?
12:42Because I don't know where Ivan is, the one I fell in love with.
12:45The one I laughed and cried with.
12:47The one I went to the beach with.
12:49Yes, Miranda, but you know we can't go out right now.
12:52Yes, I know, but I'm not asking you to go to a bar.
12:55But even on the weekends when we're alone...
12:58...the only thing we do is talk about your brother and his kids.
13:02I know.
13:03But that can change.
13:05It can change?
13:06Yes.
13:07Yes, it can change.
13:10Look, don't take what I'm about to say the wrong way...
13:13...but I want to be honest with you.
13:16I feel like your love for me has changed.
13:20I feel used.
13:22No, no, no.
13:23Yes?
13:24No, Miranda.
13:25Miranda, no, no, no.
13:26Please don't think that.
13:28Look at me.
13:29Look at how I am.
13:31I can't lose you.
13:33I can't stand it.
13:35I can't stand it.
13:37Much less if it's because of him.
13:44That was a mistake, Ernesto.
13:46No, no, no, no, Miranda.
13:48I'm sorry.
13:49Look, listen.
13:51I promise you.
13:55I promise you that I will like you.
13:57That I will love you as always.
14:01I promise.
14:03I promise.
14:24Andres Calvo.
14:26Yes.
14:27Andres Calvo.
14:28Excuse me, Samuel.
14:29I need to check my phone.
14:31He went to change the music and he left a message.
14:34What's up, Samuel? Are you cheating on me?
14:36No.
14:37He's cheating on me.
14:38He's a colleague.
14:39A student in practice.
14:40And I'm his tutor.
14:41That's all.
14:42And because you're his tutor,
14:43he feels he has the right to write your message
14:45and he still trusts you?
14:46Until now?
14:47No.
14:49He's right.
14:50You know?
14:51I saw him.
14:52Maybe I confused the chat.
14:54I don't know.
14:58Hi, Andres.
15:01I'm not alone.
15:02I'm with my psychologist.
15:05I don't know if you saw the time or you confused the chat.
15:08Maybe.
15:10But I'm Luciana,
15:11from Conexión 360.
15:16Let's see what he says.
15:28Hi, Andres.
15:30I'm not alone.
15:31I'm with my psychologist.
15:33I don't know if you saw the time or you confused the chat.
15:36Maybe.
15:37But I'm Luciana,
15:39from Conexión 360.
15:50What's this, Luciana?
15:52I'm sorry.
15:53What a shame.
15:54It wasn't for you.
15:55See?
15:57He confused the chat.
16:01Are you coming?
16:03Yes.
16:23What's up, honey?
16:24Who are you with?
16:27With myself.
16:29Why is it so important that you have to talk to yourself?
16:32I have a chat where I write down the things I have pending
16:36so that it's not a good day.
16:38You're so mature.
16:44Excuse me.
16:45Is the food ready?
16:47Can I help you?
16:48Look, Mechi.
16:49I'm the pretty one.
16:51Oh, how pretty.
16:53So pink.
16:54You look like a country girl.
16:57Can I help you?
16:58Yes, please.
16:59Very well, excuse me.
17:12Give her time, she'll get used to it.
17:14I don't know if she'll get used to it.
17:16Well, I do.
17:17You'll see now.
17:19Let's see.
17:20Tell me, what can I do to make you feel better?
17:24A hug.
17:25Please.
17:31Julio.
17:32I'll see you in a minute.
17:36Hi, Juanma.
17:37Hi.
17:38What are you doing here?
17:40Nothing, I was looking for you to see how you were.
17:42In fact, I went to your house, I couldn't find you
17:44and I came home a long time ago to find you.
17:46But...
17:47I think so.
17:49Well, I'll leave you.
17:51If you need anything, I'm in the office.
17:55Have a nice day.
18:05What did you want to talk about when you got here?
18:07What?
18:09A good friend giving a hug to a friend who's having a really bad time?
18:13That?
18:15Did you talk to her?
18:17I saw her a while ago and...
18:19it was devastating.
18:21That your own daughter looks at you the way she looked at me and Gaby
18:25was...
18:26I don't know, it made me sad.
18:29I'm sorry.
18:35Doctor?
18:36Hi, Jonas.
18:37They need her in box 3.
18:40Okay, thank you.
18:51A FEW HOURS LATER
18:56Do you have a minute?
19:02It hurts!
19:03It's a piece of shit!
19:08But, honey...
19:11Please, it won't hurt.
19:12If you were driving, would you have called me?
19:14For what, Tomás?
19:16What do you mean, for what?
19:17To go to your meeting?
19:18For what?
19:19You have to go to your business meeting.
19:21What a pain, right?
19:22You have a car, it's done.
19:23Problem solved.
19:26Are you okay?
19:27I'm fine.
19:29Except for this pain, but I'm fine.
19:33I don't know, you seem to be in a good mood.
19:36Do you prefer me to cry?
19:37I don't know.
19:38To be honest, I would have expected that
19:40after what happened with the vineyards.
19:43What do you want me to do?
19:45My dad is so overwhelmed by that asshole
19:48that he's able to applaud him standing up
19:50and he brings a shaman to improve the quality of the grape.
19:54Shaman?
19:55And it doesn't bother you?
19:56It bothers me, of course it bothers me.
19:58But what?
19:59It won't ruin my life for what I do or don't do.
20:01My dad is my brother, Tomás.
20:09Tomás, I...
20:11My love, I...
20:13I...
20:15I brought you a little something.
20:20Leave it.
20:21I'm going to my house.
20:44I can't stop thinking about you.
20:52Me neither.
20:57Everything is fine.
21:14Yes, why?
21:21Your husband is asking me questions.
21:28He may suspect something.
21:33I even think he entered my cabin.
21:36Okay, now I can't talk much.
21:40But I'm going to plan something different for tomorrow.
21:44Someone's at the gate.
22:09That's what they're asking for.
22:11Jonas, you have your whole life ahead of you.
22:14You're going to have a lot of opportunities with other girls and...
22:18Look, the baby is confused.
22:21She's been alone for a long time and...
22:24The baby hasn't been alone for a long time.
22:26The baby has been with me for a long time.
22:28They see each other secretly, Jonas.
22:30What do you do in those relationships?
22:34Look, before I met you...
22:39I was happy, I was happy to work here.
22:42I had a beautiful relationship with Gaby.
22:44And besides, I lent you my shoulder every time you wanted...
22:46...to give the poor man's letter to the woman with Alzheimer's.
22:51No, don't get involved. We're not talking about me.
22:56Oh, no? We're not talking about you?
23:00Are you sure?
23:02Do you think I don't realize how you look at her every time you meet?
23:06Is it hard for you to recognize what's really going on with you, Sergio?
23:09And what's going on with me, according to you?
23:11That you're in love with Libet.
23:13And you can't stand the idea that Libet is with me.
23:15What I can't stand is that she's with someone...
23:18...who is doing her a terrible harm.
23:21What I can't stand is that she's with a man who could be her son.
23:25And what I can't stand is that you got involved in her relationship with her daughter...
23:29...and did her a great harm.
23:30It's your fault.
23:32It's your fault.
23:33Don't get things mixed up, okay?
23:37Look, if you love Salomé because you love her, right?
23:42Stay away from her.
23:44You're doing her a terrible harm.
23:47Your relationship with her has no destiny.
23:53Are you done?
23:55Come here.
23:57Well, I'm sorry, Angel, but no.
24:02I'm not going to break up with Libet for no reason.
24:05Because unlike you, when I like someone, I'm willing to do anything...
24:09...to be with that person.
24:12Even if it's in a disgusting world.
24:31I love you.
24:48I love you like this, Alex.
24:51Like this, how?
24:53Like this. Relaxed.
24:55With a good mood.
24:57I already told you that I'm not going to ruin my life...
25:00...because Samuel was fine once with my dad.
25:03Yes, but I still lost this point.
25:05And I'm still going to see how you misjudge me.
25:09I'm used to taking all my life.
25:12My dad celebrated my brother's achievements, no matter how minimal they are.
25:16And I have to force myself twice to get his attention.
25:21I don't want to talk about work, not now.
25:25You're absolutely right.
25:27Let's not talk about work.
25:36Here.
25:51I can't stop thinking about you.
25:57I love you.
26:03I love you, Alex.
26:10I love you.
26:12I love you.
26:27Being together today was the best gift.
26:57I love you.
27:01I love you.
27:04I love you.
27:06I love you.
27:08I love you.
27:10I love you.
27:13Hi.
27:17You're late for lunch.
27:20Where's the other girl?
27:21She's out doing something.
27:24Hot lasagna, if you want.
27:25No, thank you.
27:26I'm not hungry.
27:30How are you?
27:31Fine.
27:34Did you get mad at me?
27:35No.
27:38And at your mom?
27:39Not at me.
27:42Gabi, you have to understand that your mom is not okay with this situation.
27:46No, no, no.
27:48You don't have to get involved, Gabi.
27:50No.
27:55Do you know what bothers me, Juna?
27:57That you lied to my mom and that you saw my face.
28:00That's ugly.
28:01It hurt me.
28:02Gabi, you're wrong.
28:03That's not ugly.
28:04Look, you don't have to feel bad, okay?
28:07I thought we were real friends.
28:10But sometimes I think you were with me just to get close to her.
28:14I'm wrong.
28:17Juna, don't think I lied to my mom.
28:19They're lovers, Juna.
28:22I'm sorry.
28:25What did Gabi say?
28:28They're her mom's lovers.

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