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Category
🎥
Short filmTranscript
00:00:00We're going to get the money out of anywhere, I don't care, because I'm not going to leave my son with a problem that I know can be solved.
00:00:11I don't know, I'm with you.
00:00:12As a mother, I'm very sorry I wasn't there when the news arrived.
00:00:15I'm very disgusted, Maruja, I'm disgusted that lately you only think about yourself.
00:00:20He even told me that if he ceased to exist, he wouldn't care about anyone.
00:00:24And you know what? I can't stop thinking that this accident wasn't such an accident.
00:00:29Canales has sent me a note to apologize for yesterday's show.
00:00:32I don't know, it's a little strange that he doesn't show up after offering him a project.
00:00:36It's very strange, and I have a bad feeling.
00:00:40This is burning me inside, Lazara. I can't stand it.
00:00:44That's why I need that Morel to disappear from the face of the earth and to be as cruel and painful as possible.
00:00:51I really don't want to pressure you, but I wouldn't like you to get off the boat either.
00:00:56Mrs. Inés, what do you want me to do? If we don't even have a director, don't leave him right now, please.
00:01:02It's the last thing we need.
00:01:04But that's a mineral.
00:01:06Yeah, there's so much of it. But we'll get it out of you anyway.
00:01:09My grandson can be half deaf for the rest.
00:01:12I haven't done anything to locate the documentation you asked me for.
00:01:15Why?
00:01:16Because I feel like a traitor.
00:01:18No excuses, no doubts, no questions, no lies.
00:01:23Answers, Rodrigo.
00:01:26And let them be satisfactory, please.
00:01:30Because if you don't know very well who's going to pay for all this.
00:01:33Your friend.
00:01:35You sent her to Giancarlo, so he could meet his son.
00:01:39Well, if he read the letter, he'll know that my life is going down different paths.
00:01:43So please leave, and don't come back here.
00:01:47Are you going to teach me morality lessons?
00:01:51I'm sorry, but I can't accept them.
00:01:53We're not together to annoy you.
00:01:56We're together out of love.
00:01:58Because we love each other.
00:02:01How nice.
00:02:03How nice.
00:02:04I love it.
00:02:05It moves me to know your noble feelings.
00:02:09And that's why I suppose I have no choice but to resign myself to you being together.
00:02:13That's it.
00:02:15But I warn you.
00:02:16Wait a minute.
00:02:18Didn't you say you didn't threaten?
00:02:21Well, I warn you.
00:02:24If you try to take something from my family, something that doesn't belong to you,
00:02:28my lawyers are going to destroy you.
00:02:31How little do you know your wife if you think she's the only thing she cares about?
00:02:35No, I know her perfectly.
00:02:37Better than you.
00:02:40The one I don't know you so well is you.
00:02:42But well, I'm getting to know you.
00:02:44I'll be watching you.
00:02:46No, no, I'm not going down to your level.
00:02:48But that doesn't mean you're not going to defend me.
00:02:50To defend the interests of my children.
00:02:52This is understood, right?
00:02:54Well, please.
00:02:56Don't abuse my patience.
00:03:00You see, Mercedes?
00:03:02You see how I'm not the man you thought I was?
00:03:05Because you came to my house to confront me with that tone of arrogance.
00:03:10Thinking I'm what?
00:03:12A despicable man?
00:03:14A greedy man?
00:03:17And I'm not.
00:03:21I'm a victim.
00:03:24Anyway, I hope I don't have to see you again in a long time.
00:03:29It's been a pleasure.
00:03:44Our love poem.
00:03:50There are places that are never forgotten.
00:03:54Mine is in your heart.
00:03:58Like in a chess game, you and I without knowing.
00:04:02We are playing love.
00:04:06There are dreams that are for life.
00:04:10And they are always an eraser.
00:04:13You and I are more.
00:04:16We want to fly.
00:04:18Our thing is a trip to the sun.
00:04:23Forever you and I.
00:04:27Dreaming in a living room.
00:04:31We are seagulls that stop us.
00:04:35In the modern exposition of love.
00:04:39Forever you and I.
00:04:43A single heart.
00:04:47We are brave.
00:04:49If you don't understand it.
00:04:51In the modern there is a better world.
00:04:55The modern wrote our love poem.
00:05:10A few days later.
00:05:24Mr. Carlos!
00:05:26Mr. Carlos, wake up!
00:05:30Mr. Carlos, please help us.
00:05:32Antonio, Antonio, Antonio, please.
00:05:36Tell him.
00:05:37We have a lot to do, Antonio, please.
00:05:40Antonio, please, Antonio.
00:05:42Antonio, help me.
00:05:44Help me, Antonio, please!
00:05:47Mr. Carlos!
00:05:49Mr. Carlos!
00:05:51Mr. Carlos!
00:06:06Iván is having a hard time.
00:06:08He can't control himself.
00:06:09This time he got rid of it.
00:06:10But who knows if the next time he'll have the same luck.
00:06:12I'm not surprised that he's worried.
00:06:14We have to keep an eye on him.
00:06:16To prevent him from getting into situations like this.
00:06:18Pepita, will you let me know if you see him in a worrying situation?
00:06:21Of course I will.
00:06:23We have to protect him until he feels better.
00:06:37I want them dead.
00:06:39Dead!
00:06:40Do you understand?
00:06:42Find them.
00:06:44Find them and see if you're going to be the dead ones.
00:06:49I don't want any trace of this village left.
00:06:53I swear I'll kill Emiliano Pedraza.
00:06:56For your memory.
00:07:00I'm going to give you another extension.
00:07:03The last one.
00:07:04For the day after tomorrow I want answers.
00:07:06No excuses.
00:07:08No doubts.
00:07:09No questions.
00:07:10No lies.
00:07:12Answers, Rodrigo.
00:07:14And I want them to be satisfactory, please.
00:07:18Because if you don't, you don't know who's going to pay for all this.
00:07:22Your friend.
00:07:24Paula.
00:07:27Rodrigo.
00:07:29Rodrigo.
00:07:30Rodrigo.
00:07:34Are you listening to me?
00:07:36Yes, yes, and I agree.
00:07:40I see you're still distracted.
00:07:42Can I help you with something?
00:07:45If it's because of that thing you don't want to talk about,
00:07:47sometimes saying it out loud and sharing it with others helps you find solutions.
00:07:53Thank you, but I wouldn't want to steal your time.
00:07:56No, I don't care.
00:07:58That's what I'm here for.
00:08:00You have a difficult solution and I'd rather not bore you with the details.
00:08:05It sounds like you're thinking too much.
00:08:08Maybe.
00:08:10Maybe I'm giving too many turns to a situation that simply has no way out.
00:08:16I insist that you can tell me.
00:08:18It's me.
00:08:21At another time.
00:08:23Now it's not worth it.
00:08:26Son, you talk as if you had all the time in the world.
00:08:29And it's not like that.
00:08:30Time rewards.
00:08:32Every minute you spend here, the risk you take is greater.
00:08:37Your mother is right.
00:08:39You're lucky that Emiliano hasn't found out that you're back together.
00:08:43And of course, that you're not his son.
00:08:48We have to go, Rodrigo.
00:08:49We can't delay our departure any longer.
00:08:52Every second that passes, my father is closer to finding out about either of these things.
00:08:59All right.
00:09:01I'm going to solve this matter in the next few hours.
00:09:04And we can go.
00:09:17Good morning, my favorite boss.
00:09:19Good morning, what a good mood.
00:09:21It seems that you are the same again.
00:09:22Something that has good and not so good.
00:09:24Let's see, I've been thinking, boss.
00:09:26Montero, I'm going through the papers.
00:09:28Without going through, yes, so as not to hurt me.
00:09:30And I'm much calmer.
00:09:32Well, you're not much of a thinker without anyone forcing you.
00:09:34Well, let's see, Cañete, that anyone who has you would think ...
00:09:36Let's see, tell me who made you reason that we know each other.
00:09:39Ah, okay.
00:09:41Teresa, who came to see me and made me reconsider.
00:09:43Let's finish.
00:09:44But let's see, if I'm honest with you ...
00:09:46Let's see where you get me.
00:09:47Let's see, if I'm honest with you, what happens to me is that I have a little anxiety.
00:09:50Because you have to divide your attention and your affection between your nephew and me here in the living room.
00:09:54Let's see, I must be sentimental, what am I going to do?
00:09:57My mother.
00:10:00Good morning.
00:10:01Good morning, Miguel.
00:10:02How are you?
00:10:03Better.
00:10:04More or less.
00:10:05I had a great idea.
00:10:06To get money for Leon's operation.
00:10:07Well, look at what a coincidence.
00:10:08That I too have had an extraordinary idea.
00:10:10Yes, yes, yes, but let me tell you mine first.
00:10:12Yeah, but Miguel, let's ...
00:10:14Shut up and let him talk, please, we already know how your plans come out.
00:10:17Well, what a reputation I have.
00:10:18What you have is a lot of prejudice.
00:10:20My idea is to sell books signed by the authors.
00:10:24Very good, Miguel.
00:10:26Of course, that type of book may interest collectors.
00:10:30Of course, to ...
00:10:32To collectors.
00:10:33Collectors.
00:10:34Already.
00:10:35Look, we'll start with this one, which is a wonderful book.
00:10:38Cane and mud by Vicente Blasco Ibáñez.
00:10:41Salvita sent it to me, I had it at home.
00:10:43Salvita?
00:10:44Yes, yes, yes, yes.
00:10:45Apparently he found out about Leon's problem and the need we have to have money for surgery.
00:10:50And he thought that this signed copy could help us.
00:10:54Well, what a good idea, Miguel.
00:10:56Don't you want me to tell you mine?
00:10:58And Salvita's father thought it was good.
00:11:00Well, not only has he not put a hit, but he has told me that he will try to contact some of the writers ...
00:11:05Well, you don't want to listen to it, do you?
00:11:07Well, nothing happens because you already know that I will end up doing it.
00:11:10I'm leaving.
00:11:11Well, he has contacted some of the writers who have come here to the library.
00:11:14And he will try to get us to sign his copies.
00:11:17And how much do you think we can ask for a book like that?
00:11:20I don't know.
00:11:26I was finally able to interview with Canales.
00:11:30But I had to work hard to understand what had happened and why he didn't give us the job.
00:11:35And what excuse did he give you?
00:11:37First he told me that he was feeling bad.
00:11:42Then he told me that he had another appointment very far away.
00:11:46And he was fed up with insisting that no one had pressured him not to attend the appointment.
00:11:53But ...
00:11:54But I discovered, and it was not a big surprise either, that Ballesteros had spoken very badly of us.
00:12:03Of course, Ballesteros has not yet received any offer to direct a great super production,
00:12:07and Chaplin has not called him either.
00:12:09The truth is that you have to be Ballesteros to believe that Chaplin will be interested in you.
00:12:17In any case, I think he already suspects that the offer is false and that someone has tried to annoy him.
00:12:23And surely in his head that someone is us.
00:12:26Yes, but it is impossible for him to know where the rumor comes from.
00:12:29Although taking into account all the deep sea that we bring with Ballesteros,
00:12:33surely he already suspects something.
00:12:35And that is why he is acting against us.
00:12:37Well, it is not good for us to have an enemy who tries to sabotage the team for the next film.
00:12:42In fairness, it must be said that he has not told the press anything,
00:12:46although he has not refused to speak very badly of us to his colleagues in the profession.
00:12:51And what did he say?
00:12:53Well, I don't know if he contributes much to knowing what he has commented on us.
00:12:59He messes with me, doesn't he?
00:13:01Let's say that he has not stopped saying that you are the capricious promised by the producer
00:13:08and that I am a scoundrel who lets himself be manipulated in everything.
00:13:11Which does not surprise me either.
00:13:14And Canales, what does he think about it?
00:13:16Well, after yesterday's outburst, he has shown himself quite regretful
00:13:22and is willing to make the film.
00:13:25Oh yeah?
00:13:27From good to first?
00:13:28Well, he asked me to read the script, think about it a bit,
00:13:31but I doubt that he will back out because it is a very big commitment.
00:13:36And you gave him the script, right?
00:13:37Yes, yes. He has taken it with the condition that tomorrow he tells me something.
00:13:41Well, I don't think it's good.
00:13:43But why not?
00:13:45If we have very good references.
00:13:48Well, because Canales has already left AgustÃn once.
00:13:51Who tells us that the same thing will not happen during the shoot, that Ballesteros is going to pressure him and ...
00:13:55Goodbye.
00:13:56No, I'm sorry, but for the film to work,
00:13:59we have to find someone who is committed from the beginning.
00:14:02Yes, yes, I completely agree with that. It would be perfect, yes.
00:14:05Well, I'm sure that person exists.
00:14:08Someone who doesn't have to think about whether he wants to join or not,
00:14:10let him do it immediately.
00:14:12The shoot is now.
00:14:14I completely agree with you on that, Laura, but it sounds like a letter to the wise men.
00:14:18We need a good director, immune to criticism and the influence of Ballesteros, and we need it now.
00:14:27I need more information.
00:14:30And what are you going to do?
00:14:32I'm going to see a friend we have in common,
00:14:35to see if he knows if Canales is really interested in the project and if we can trust his word.
00:14:51Can I ask you a question?
00:14:53Yes, of course.
00:14:54Why?
00:14:55Because you talked behind my back with Elias.
00:14:59Oh, I hope I haven't bothered you.
00:15:02No, no, you're the woman who hasn't bothered me.
00:15:04I know you did it to make it easier for my nephew Kiko to arrive.
00:15:07Well, and to take away a bit of work from Elias.
00:15:10That's why you're a charm.
00:15:12And I wanted to thank you.
00:15:14Well, if that's the case, I'm glad, because it's what I wanted.
00:15:19I like it because you think the same as me, but you take the trouble to act before.
00:15:23You're the first woman who takes so many efforts for me.
00:15:27You're wonderful.
00:15:30Shut up, they're going to see us.
00:15:33Let them not see?
00:15:35I can't think of so many better things than being here working.
00:15:39Well, I hope you count on me.
00:15:43For all of them.
00:15:45Oh, don't look at me like that.
00:15:47Like what?
00:15:50Like this.
00:15:52So the ice cream melts.
00:15:55With this other look, the coffees get cold.
00:15:57But if you prefer it...
00:16:00Hey, I wanted to tell you something else.
00:16:02Yes, tell me.
00:16:03Don't you know a Postin client who's interested in Don Vicente Blasco Ibáñez?
00:16:07The author of Cañas y Barro.
00:16:10Well, don't get so upset all of a sudden.
00:16:12Why?
00:16:13Sorry, I just thought of a way to get some money.
00:16:17Does it have to do with Cañas y Barro?
00:16:18Yes.
00:16:19He's started selling books signed by his authors.
00:16:22So he can make a good profit.
00:16:24And he already has this book signed?
00:16:26Yes, he already has it.
00:16:28And I'd like to help him find a buyer.
00:16:30So if you find out about a client...
00:16:34Well, those who come to the parties...
00:16:36Maybe we can let him fall so subtly.
00:16:48TELEMUNDO PRESENTS
00:16:51Oh, excuse me.
00:16:57Modern TV Salon, tell me.
00:16:59Teresa, it's Antonia.
00:17:02I owe you an explanation.
00:17:04Yes, Antonia, yes.
00:17:05You owe me an explanation.
00:17:08Adult life is full of setbacks that seem insurmountable.
00:17:11But deep down, they contain a learning.
00:17:14Thank you, uncle.
00:17:15The truth is that cinema is much more complicated than it seems.
00:17:19You have to deal with a lot of ego.
00:17:21The processes are very slow.
00:17:22It's all very expensive.
00:17:23You have to have a vocation.
00:17:25Yes, I understand.
00:17:26But don't give up, please.
00:17:28Please, I'm asking you.
00:17:29If not, look around you.
00:17:31How many people go through life without fulfilling their dream.
00:17:35Like you.
00:17:38Well, I just wanted to cheer you up.
00:17:40And tell AgustÃn.
00:17:42That's how we'll do it.
00:17:44On his behalf.
00:17:45You're so affectionate.
00:17:47We have the best uncle in the world.
00:17:49Yes, it is.
00:17:50No doubt.
00:17:51I'm happy to be among the top five.
00:17:55Well, now seriously.
00:17:57I'm very sorry that AgustÃn has so many problems to find a director.
00:18:01I hope the film doesn't go to waste.
00:18:03My God, this world of seven deaths is complicated.
00:18:08Yes.
00:18:09And when you think that everything has been solved, there is a chasco waiting in the corner.
00:18:13In addition, La EspÃa Intrépida has not yet been released.
00:18:16When will it be?
00:18:17Well, we still can't tell you a specific date.
00:18:20Well, nothing.
00:18:21We'll have to be patient.
00:18:24The good rewards are made to wait.
00:18:28In this, the hostel is not so different from the cinema.
00:18:34All right in La Moderna?
00:18:36Yes, yes, yes.
00:18:38In general, yes.
00:18:39Yesterday and today, it's the same way.
00:18:42It was long and complicated.
00:18:45Pietro and Antonia were absent from work.
00:18:48And Pietro is fine? Has he had a relapse?
00:18:51No, no, no.
00:18:52His absence is for a personal reason, but of another nature.
00:18:57And I understand those reasons.
00:18:59But of course, whenever he is absent, a small chaos is caused.
00:19:05You already know how essential it is for the operator to operate for the departure of the hall.
00:19:10Well, but Pietro and Antonia are very responsible.
00:19:13If they have left, they will have valued the need well, right?
00:19:16And they will know that their colleagues are giving their all so that their absence is less noticeable.
00:19:20Yes, yes, yes, yes.
00:19:21And I appreciate them very much, you already know.
00:19:23And I have always been on their side.
00:19:26Always.
00:19:28As long as it has been possible, of course.
00:19:32Well, I'll leave you.
00:19:34Pass my regards to AgustÃn, please.
00:19:37And inform me of any news.
00:19:40We will do so.
00:19:43Have a good trip.
00:19:48Goodbye, niece.
00:19:49Goodbye.
00:19:57I'm worried about what Mrs. Blázaro has to say to Mr. FermÃn, but ...
00:20:00But there was no other choice.
00:20:02Pietro had to make this trip.
00:20:04After everything that has happened, I had to accompany him.
00:20:07Well, yes, Mrs. Blázaro also has a thing with Pietro.
00:20:11But hey, as far as we go, have you been able to see Pietro?
00:20:14No, Teresa, we are having a lot of problems.
00:20:17The mother has not wanted us to meet the child.
00:20:20But why?
00:20:22Well, she is a distrustful woman, I understand her, but ...
00:20:25She thinks we have come to her life to take the child away from her.
00:20:28Anyway ...
00:20:30I think we'll be back today.
00:20:32Well, I'm sorry, Antonia.
00:20:34And there is no way to convince her, I don't know, something you can do?
00:20:40Yes.
00:20:41Very good.
00:20:42Very good, thank you very much.
00:20:44Goodbye, goodbye.
00:20:45Teresa?
00:20:55Don't pretend, Teresa.
00:20:56I know all your faces and I know you were talking to Antonia.
00:20:59Well?
00:21:01What does your friend say?
00:21:03Well, they haven't been able to meet Pietro's grandson.
00:21:06For me, it's as if they have a hail on them.
00:21:08What I want to know is when they return to their job.
00:21:12Well, from what they have told me, they are embarking on their return trip today.
00:21:16I see.
00:21:17If he calls again, tell him that as soon as he arrives, I want to talk to her.
00:21:21And also tell him that I don't like his informality at all.
00:21:24Are we clear?
00:21:26Of course.
00:21:28By the way, is there anything I should tell Herminia about when she stops replacing Pietro in the lab?
00:21:35I don't have anything clear on that subject.
00:21:37I...
00:21:38Well, I now have more important things to think about, Teresa.
00:21:45Well, I don't know what would be more important to think about.
00:21:51No, no, Laurita, don't insist, I know where you're going.
00:21:53Inés, I think it's the best time to apply to be a director.
00:21:56Yeah, but it's not that easy.
00:21:58There are barely any female directors.
00:22:00It's a bit hard for me to be the producer's fiancée because I don't know if I'm up to it.
00:22:04But do you think Canales will consider if he's up to it?
00:22:07No.
00:22:08Men don't consider anything, they accept it and that's it.
00:22:10Yeah, but if the film doesn't go well, I might have problems with AgustÃn and I don't know if I'll be able to...
00:22:15Inés, if Canales accepts to direct this project, he'll do it reluctantly.
00:22:19No one will give him the same enthusiasm as you.
00:22:21Besides, you have a lot of work to do.
00:22:23AgustÃn trusts you and you communicate very well.
00:22:26AgustÃn trusts me, but not as a director.
00:22:28I assure you.
00:22:29AgustÃn won't propose to you, especially if you don't trust yourself.
00:22:32But if you apply as a director, maybe he'll accept.
00:22:37And if he doesn't, you already have him.
00:22:46Hello and goodbye.
00:22:47Is that all?
00:22:50Did they let you leave the hospital last night?
00:22:52You haven't come back home yet and you're going to pick up at Villadeo's again?
00:22:57No, no, I'm going to stay here for a while.
00:22:59As long as it's necessary to change my clothes.
00:23:01Iván, where are you going?
00:23:05Look how worried she is.
00:23:07Now? Because when I was in the hospital, she didn't seem so worried.
00:23:12You can't go out when you're sick.
00:23:14You need to sleep and recover.
00:23:16No.
00:23:17What I need is to celebrate, because I could have died.
00:23:20And now, if you don't mind, I'm leaving, my friends are waiting for me.
00:23:23You see?
00:23:25Iván, you have to rest.
00:23:27Impossible.
00:23:29When we found out that our partner won't have any sequelae left,
00:23:33that he'll be able to walk again,
00:23:35we've decided to have a historical funeral.
00:23:38Very logical, very logical.
00:23:40If you don't rest, your wounds can open again.
00:23:43Let the wounds open, I don't care.
00:23:45And leave me alone, I've already told you.
00:23:47My friends are waiting for me, with whom I can count on at any time,
00:23:50not like with you.
00:23:51Oh, look, I didn't know that you valued your friends more than your family.
00:23:54Well, if I consider them more, it's because they've shown to be my real family,
00:23:57not like you, Mom.
00:23:59Or are you not going to admit that even for you I'm a left cell?
00:24:02What are you saying? I've never said that.
00:24:04I care a lot.
00:24:06It's always been like this, it always will be.
00:24:08Yes, yes, yes, you care a lot, of course.
00:24:10Especially my father.
00:24:11I imagine that he was already drinking champagne with my new little brother
00:24:14before the idea of ​​my death.
00:24:17I hope that if one day you have children,
00:24:20you understand what it means for a mother to have someone joke about something like that.
00:24:27Yeah.
00:24:29I imagine you must be tired of pretending for so many years.
00:24:33Maybe the one who should rest is you.
00:24:36You don't realize what could have happened.
00:24:39That's my problem, and more when you scare me.
00:24:42We don't turn our backs on you, we've never done it.
00:24:44Don't say that, it's not true!
00:24:45Of course, Mom, of course it's true!
00:24:47All your attention is on César Morel, am I wrong?
00:24:50Very good, Mom.
00:24:52You have deceived Dad with a younger and more vigorous man.
00:24:55I can congratulate you, but I don't plan to receive your lessons.
00:24:59Iván.
00:25:00Don't call him your mother, for God's sake.
00:25:03You know what he has suffered with his accident.
00:25:06But this house is full of crazy people.
00:25:08The maid giving me orders.
00:25:11Now you're going to worry about her, Pepita?
00:25:14After spending years sleeping with her husband?
00:25:17After having enlightened a son of hers in front of his noses?
00:25:21Get out of my sight because I can't stand it anymore!
00:25:23I can't believe it.
00:25:34Look, Mr. FermÃn, if I don't get it, the neighborhood won't sell so much.
00:25:38Well, I'm glad that the sale of shares is working so well.
00:25:42Good job, Elias.
00:25:43Well, good job to you, that you were good at letting us sell in the living room.
00:25:46Well, all I've done is trust your intuition, and I see that I'm not wrong.
00:25:51Do you trust me, Mr. FermÃn?
00:25:53Of course I trust you.
00:25:55I just told you that...
00:25:56Well, I have a much better intuition.
00:25:59Do you have any appointments today?
00:26:01Any post-team meeting?
00:26:03I don't know, any meeting with big guys from Spain?
00:26:05Well, excuse me, but I don't see the relationship between that and my trust in you.
00:26:11Well, look, I'm going to leave you some shares,
00:26:14to see if you can give them to your friends, the businessmen.
00:26:17If we get into that market, we're going to sell until we get fed up, but without stopping.
00:26:24Do you want me to sell shares at my work meetings?
00:26:28Of course, what a great idea, right, Mr. FermÃn?
00:26:30Well, we, me and my people, like to share enthusiasm instead of selling shares.
00:26:35It's better, right?
00:26:36Yes.
00:26:37Look, I don't think it's appropriate.
00:26:40No, we'd better leave the logistics as it is, which is very good.
00:26:45Well, and now, if you'll excuse me.
00:26:47Yes, of course. Excuse me, Mr. FermÃn.
00:26:54Cañete, if you have a moment, close the door.
00:26:59Sit down, please.
00:27:02Vera, I wanted to consult you.
00:27:06How do you see the operation of the salon lately?
00:27:09Like a clock, as always?
00:27:11No, as always, no.
00:27:13I don't understand what you mean.
00:27:15It's a matter of concept.
00:27:16The Moderna can't function as always if several of its employees are missing from all life.
00:27:22If you mean Pietro and Antonia, she called today and said they'll be back tomorrow.
00:27:27Yes, yes, yes, Mrs. Lázara told me, but still, I'm worried, Cañete.
00:27:33Well, think that they'll be here tomorrow.
00:27:35They had to make this trip sooner or later.
00:27:37It's better that they have already taken it.
00:27:39Yes, yes, yes, I understand perfectly the reasons for that trip.
00:27:45It's Pietro.
00:27:47Do you know how many families live in this salon, Cañete?
00:27:52Well, I can't tell you by memory, but many.
00:27:55Many, yes, many. And they all depend on a fundamental piece.
00:27:59Our pastry chef.
00:28:01And if he's missing, even if it's for a few days, and even if we have spare time,
00:28:04the results can't be the same.
00:28:08I would say that the pastries his replacement makes are almost as good.
00:28:13Herminia is making an effort, and I value it, but the satisfaction of the client is not the same.
00:28:18And that affects both the functioning of the worker and the rest of the salon.
00:28:25And what surprises me the most is that Pietro doesn't seem to care.
00:28:32Eh, Cañete, do you share my impression, or maybe I'm very susceptible?
00:28:39Don Fermin, Pietro is one of the colleagues who lives for and for the salon, like Teresa.
00:28:44You think so? Because Teresa, Teresa are bigger words.
00:28:48I have no doubt. Pietro is a serious and reliable man, and very responsible.
00:28:53Very good. Very good.
00:28:56Eh, by the way, when does your nephew join?
00:29:00Yes, in the next reinforcement shift.
00:29:02You don't have to worry about anything because we have everything tied up and well tied up.
00:29:05I don't worry about anything because I trust you completely.
00:29:10Thank you, Cañete.
00:29:11Excuse me.
00:29:28I know you're closed, but I'm a regular customer.
00:29:30I spend more time here than in my own house. Make an exception, come on.
00:29:33Come on, we're going to give you a good tip.
00:29:35Exactly, we know you like tips.
00:29:37Please, please.
00:29:39We haven't opened yet.
00:29:41But sit down and we'll take care of you.
00:29:43And you, wait a moment.
00:29:50You know perfectly well that the cabaret is closed until now.
00:29:53Yeah, but I thought that, being friends, maybe you could make an exception.
00:29:58As always, we plan to leave a good amount of money.
00:30:02By the way, I'm fine, thank you.
00:30:06I don't understand you, Iván.
00:30:08How can you be here, partying, knowing that someone could have been paralytic because of you?
00:30:15You said it. He could.
00:30:17But he won't stay. Life goes on, for him and for me.
00:30:22And have you thought about how you could live knowing that you left someone tied to a wheelchair?
00:30:26Look, I wouldn't have left anyone in any way.
00:30:29I don't know if you know what accidents are, Mercedes.
00:30:31Sometimes there are accidents, things happen.
00:30:34A horrible thing could happen to us just going out on the street.
00:30:37We should, I don't know, take advantage of the moment.
00:30:41You should be much more careful.
00:30:43Not only for the others, but also for yourself.
00:30:45Look, my friend had bad luck, but he also had good luck.
00:30:48Being with me, he received the best attention possible.
00:30:51And we also know that he's going to recover.
00:30:53Don't worry that you get ugly with so much complaint and so much reproach.
00:30:59And if your friend sues you?
00:31:01After all, you were the one driving.
00:31:05I know him, and he won't dare to face a pedraza.
00:31:08He knows he has to lose.
00:31:12If you keep playing with your life and the lives of others, you're looking for ruin.
00:31:16You should realize it before killing yourself or killing someone who's close to you.
00:31:21You have to stop this madness before it's too late.
00:31:25Stop, you say? Not even to get momentum?
00:31:29I'm tired of telling you and you not listening to me.
00:31:33I don't want to say goodbye to you, but you're still determined to act like a madman.
00:31:39I'm tired.
00:31:40Hey, let's get out of here. This place is too boring.
00:31:52And how did the meeting with that acquaintance of yours go?
00:31:56Well, there's not much to tell, Inés.
00:31:59But that person was supposed to know if Canales was trustworthy or not.
00:32:03You said it yourself.
00:32:05He was supposed to tell me if Canales was trustworthy, but he wasn't.
00:32:10So we can't trust each other?
00:32:13No, no, no. He told me he doesn't know what to tell me.
00:32:16In any case, it doesn't matter because he's talked to Canales.
00:32:19AgustÃn, I don't like that tone at all.
00:32:22Canales told me he doesn't want to direct the film.
00:32:25What?
00:32:27He told me he thinks the script is very good,
00:32:30but he has another project that he prefers to direct.
00:32:34Don't you think it's too much of a coincidence?
00:32:37Yes, it is, but calm down.
00:32:39Maybe Canales would be more interested in the other project.
00:32:43These are things that happen.
00:32:44No, Inés.
00:32:45I bet that Ballesteros is behind all this.
00:32:48If not, I'm to blame for all this.
00:32:50No, all this is my fault.
00:32:52I'm very sorry.
00:32:53What are you saying, Inés? You haven't done anything.
00:32:55No, but Ballesteros might be right about me.
00:32:58Inés, please.
00:32:59No, but it's true.
00:33:00I've behaved like the producer's capricious girlfriend and I've taken charge of the project.
00:33:04I think you're forgetting that here the producer is the one who makes the decisions.
00:33:08And I've taken them very convincingly.
00:33:11Are you serious?
00:33:12Of course.
00:33:13The only culprit here is Ballesteros' evil shadow.
00:33:16And if I'm not the culprit, I insist,
00:33:18damn the time I looked at Ballesteros as the solution to my career taking off.
00:33:23Don't say that, AgustÃn.
00:33:25Your career has just begun.
00:33:27And it has just ended, Inés.
00:33:28No.
00:33:29Yes, it's the truth.
00:33:30What do you want me to do?
00:33:31Ballesteros is unpredictable, but he has a lot of contacts.
00:33:34He's capable of making all the directors in Spain reject me,
00:33:38just to get revenge.
00:33:41How am I going to make movies without a director?
00:33:47Well, with a director.
00:33:50What do you mean with a director?
00:33:53AgustÃn, I can direct this movie.
00:33:58Something tells me it's my time.
00:34:00I don't know if it's the guilt, the desperation or my desire to make movies,
00:34:04but I've worked on the movie with Ballesteros from the beginning.
00:34:09I've seen him direct in front and behind the camera and I really think I can do it.
00:34:14Inés, we're talking about directing your first movie.
00:34:21I know.
00:34:22I know.
00:34:23Nobody is born knowing.
00:34:25Even Elena Cortesina had to fight to get her to direct her first movie.
00:34:29But look at her now.
00:34:31She's an example to follow.
00:34:33And I'm not saying she's going to be just as successful, obviously,
00:34:36but I think I can do it, AgustÃn.
00:34:39And maybe I'll fail, but at least I've tried with all my strength.
00:34:44Inés, really...
00:34:45Look, I know it's not easy for you and you have to make the best decision for the movie,
00:34:51but at least I ask you to take my proposal seriously and think about it.
00:34:57Please.
00:35:04Cañete, I need you to solve a doubt for me.
00:35:08I'm afraid of you, Esperanza, when you're not around.
00:35:11I'm not afraid of anyone.
00:35:13I was talking to ElÃas yesterday and I told him about your nephew.
00:35:17He didn't want to talk about the boy.
00:35:19It was very painful for him.
00:35:21Do you know why?
00:35:22What hurts you the most or doesn't hurt you, ElÃas?
00:35:25Because I worry about my colleagues.
00:35:28I tried to console him, but he didn't say a word.
00:35:32And since I don't tell you anything, you're going to be giving me the stick all afternoon, right?
00:35:36Sure. Well, I also worry a lot about him.
00:35:42Well, I would say that because before I was worried that my nephew would cast a shadow on him in the living room.
00:35:46But don't worry, we've already talked about it and it's all fixed. Happy?
00:35:50There's no way to get that.
00:35:52Tell me the truth.
00:35:53I've already told you the truth, woman.
00:35:55But if you don't like it...
00:35:56No, you're lying to me.
00:35:58Besides, if the explanation were so easy, ElÃas would have told me.
00:36:03It seems a lie that you don't know ElÃas anymore.
00:36:05ElÃas is unpredictable. He can go anywhere.
00:36:09I don't know.
00:36:10Oh, have you heard about Pietro?
00:36:13You have for everyone.
00:36:16Come on, man.
00:36:17Because it turns out that he has a grandson.
00:36:19There, suddenly.
00:36:20Aren't you interested?
00:36:21I don't get in there, Esperanza.
00:36:22If he's happy and happy.
00:36:25Oh, don't get in there.
00:36:26Well, then I won't tell you what I was going to tell you.
00:36:28That Antonia has told us that he is very happy.
00:36:31Happier than a peacock.
00:36:32I was going to tell you, but I won't tell you anymore.
00:36:34Oh, I'm angry.
00:36:55Well, it's clean.
00:36:58How is my little lion?
00:37:01Have you noticed any discomfort in his ear while you were cleaning him?
00:37:04Well, the usual.
00:37:05I don't know, it's like sometimes he resents and does like this with his little hand.
00:37:08Like to take away what he has inside.
00:37:13And how are you?
00:37:15Me? I'm fine, as always. Don't you see me?
00:37:17No, I mean how you are with all this.
00:37:20Because of the conversation we had about how to face things.
00:37:23Well, look, I'm not going to lie to you.
00:37:25I'm having a hard time.
00:37:27Well, it's normal, mom.
00:37:28But I think that to face things, the best way is to be positive.
00:37:33I know it's hard, because we have money to pay, but...
00:37:37What, my love? What, my love?
00:37:39I just think that my child can stay with a bad little lion all his life while he feels bad.
00:37:44Yes, yes, it's true. It's better not to think about it.
00:37:46That's how I like it, mom, you see?
00:37:48It's that good thoughts bring good things.
00:37:51Yes, yes.
00:37:52I already noticed yesterday what you told me.
00:37:54And what your husband told me.
00:37:55That from time to time he says something with meaning.
00:37:57Well, you see, in the end it's going to work that good thoughts bring good things.
00:38:01Because not even one day practicing and you already recognize things, my love.
00:38:05Very well.
00:38:06Here I am. Here I am. Here I am.
00:38:10Very good, family.
00:38:12Why don't you know one thing?
00:38:18Hello.
00:38:19Hello.
00:38:20I had an idea to get extra money.
00:38:23The plan is as follows.
00:38:25Cañete and I are going to find a client from the bookstore or the living room who is a great reader.
00:38:30Even a writer or a journalist could be useful.
00:38:33And why is it important that he reads a lot?
00:38:35Because if so, he will not be able to resist paying a generous donation for this.
00:38:41A copy of Cañas y Barro, signed by its author, Blas Pibáñez.
00:38:45Hello.
00:38:48What do you think?
00:38:50Very good.
00:38:51Oh, what a good idea.
00:38:52Very good, very good, really, Tri, very good.
00:38:54Yes, I already knew that some sarcasm of yours was going to fall on me.
00:38:57No, no, I really think so.
00:38:59If I were a great reader, well, well, well, I would pay anything for a book signed by its author, right?
00:39:05Sure.
00:39:06Thank you. And that change?
00:39:07Well, because you had an incredible idea.
00:39:09Incredible.
00:39:10To try, I don't know, to earn extra money to pay for the operation, very well.
00:39:14Well, I think that taking a little bit from here, a little bit from there, adjusting the belt, well ...
00:39:20But the same, son-in-law.
00:39:21You don't have to give so much, because I also came up with an idea to get some good coins.
00:39:28Oh yeah?
00:39:29Yes, look, we take the shops in the neighborhood, which many have already offered me,
00:39:33and we ask them to donate some little thing from their store, huh?
00:39:36To help us with the lion's cause.
00:39:38We take it all and organize a post-it raffle.
00:39:41Well, it's an incredible idea.
00:39:43Really, yes, I think we can make a lot of money with the raffle.
00:39:45Well, more than with a little book, no matter how signed it is.
00:39:48It's a great idea, mother-in-law.
00:39:50But don't forget that we are not talking about a little book, as you say,
00:39:54but of a copy signed by Blasco Ibáñez himself.
00:39:57Yeah, but don't forget that among the things of the raffle there will be material from Don Perico's stock.
00:40:02Or you won't tell me that Don Perico doesn't bargain.
00:40:04You won't be comparing Don Perico's stock with a world-class writer.
00:40:08Oh, world-class, he says, world-class.
00:40:10But that poor man is only known for the film by Rodolfo Valentino.
00:40:14Well, there's peace, please, you're giving me a headache.
00:40:17Could you put a little common sense, please?
00:40:20Yes, put it yourself, because your husband has no knowledge at all.
00:40:23Enough, enough, enough.
00:40:26Are you really going to compete now as if you were ElÃas and JeremÃas
00:40:30to see who has a better idea?
00:40:33I like it that way, because you are already of an age, huh?
00:40:36I'm going with the boy.
00:40:37We're leaving.
00:40:38Here people are very negative and they scream too much.
00:40:42Goodbye.
00:40:48Cañete, come, I have to tell you something important.
00:40:51Do you have news of Pietro?
00:40:52No.
00:40:53Isn't he Miguel's son? Did something happen to him?
00:40:55No, listen to me, it has to do with Mrs. Lázara.
00:40:59Let's see, I've been doing as if nothing had happened...
00:41:02And back to the wheat.
00:41:04Teresa, are you obsessed?
00:41:07No, you're not obsessed.
00:41:09Well, no, I'm not obsessed.
00:41:12Let's see, listen to me.
00:41:14Let's see, listen to me.
00:41:15Mrs. Lázara is saving a lot of cash in the safe without telling anyone.
00:41:21Come on, are you still thinking about that?
00:41:24But well, if instead of entering the money she accumulates it,
00:41:26of course it catches my attention.
00:41:28Come on, to me or anyone.
00:41:29Don't you see that it's not normal?
00:41:31I don't know.
00:41:32Maybe she and Don FermÃn have to buy water for your house.
00:41:35Well, that's another one.
00:41:36I don't know if Don FermÃn is aware of this woman's tissues.
00:41:40And I think he's doing it in secret.
00:41:42Are you trying to tell me that you think the vampire is stealing?
00:41:47Well, of course.
00:41:49Let's see, you know she's capable of anything.
00:41:51You know it as much as I do.
00:41:53So stop talking to me as if I were making things up.
00:41:56Please.
00:41:57Yeah, but Teresa, the living room is hers.
00:42:00How could she be stealing herself?
00:42:02That doesn't make sense.
00:42:03Well, because she's very twisted.
00:42:05I don't know.
00:42:08Look, please, leave me alone with theories and conspiracies.
00:42:11I told you, you have a fried brain.
00:42:14Hey, have you thought about what we can do when the shift is over?
00:42:17Well, I have nothing to do with you.
00:42:19Don't you say you have a fried brain?
00:42:21Because you get cold.
00:42:42I'm sorry I ruined your plans to go back to Madrid.
00:42:45But I had to go through the boarding school before they left.
00:42:48No, no, you didn't ruin anything. On the contrary.
00:42:50Yes, yes, of course.
00:42:51It's an honor that you didn't ask me to come back here to talk calmly.
00:42:56Well, neither the house nor I are from the other world.
00:42:59So I appreciate your good disposition.
00:43:02Yes.
00:43:05But you are special to us.
00:43:08Although we don't know you.
00:43:11We have traveled practically all over Spain to meet your son and you.
00:43:17I know.
00:43:18That's why I asked them to come with me.
00:43:22Well, you tell me.
00:43:26I'll be honest with you.
00:43:28This night hasn't hit the eye.
00:43:30I've been all night thinking about what happened yesterday and I've felt bad.
00:43:37I shouldn't have been so dodgy with you.
00:43:40So first I beg you to forgive me.
00:43:42No, no, no. No need to apologize.
00:43:44We understand it very well.
00:43:46It's too much information in a short time.
00:43:48Yes.
00:43:49It's just that both of them appear here,
00:43:51they tell me that Giancarlo has died and...
00:43:54And the way you referred to my Pedrito as his grandson.
00:43:59Much to assimilate suddenly.
00:44:02Today, as soon as I woke up, I saw everything much clearer.
00:44:06I'm not someone to deny him to meet his grandson.
00:44:11This makes me very happy.
00:44:15We already gave everything for lost.
00:44:19And when can I see her?
00:44:21Soon.
00:44:22But before looking for a day, I would like us to agree on a couple of things.
00:44:26Of course.
00:44:28Of course, if you mean that your husband will not like the situation, we understand.
00:44:32No, no, no.
00:44:33Florencio will never be a problem.
00:44:35My husband is a good person.
00:44:37He is raising the boy as if he were his son,
00:44:40working hard.
00:44:42Now he is on the boat fishing,
00:44:44with the sea as it is.
00:44:50Maybe what you want is to prepare the child...
00:44:53No.
00:44:54No, Pedrito, you know something.
00:44:57Before Giancarlo gave signs of life,
00:44:59I told him that his father had died.
00:45:02It was so long since I heard from him,
00:45:04that I thought something had happened to him.
00:45:08I understand him very well.
00:45:11Really.
00:45:14I don't know if you know, but when Giancarlo was little,
00:45:19his mother had to leave for America.
00:45:22And she disappeared.
00:45:24Many years.
00:45:26And?
00:45:28And I had to tell Giancarlo that his mother had died.
00:45:33But a few months ago, she appeared.
00:45:36And it was a big gift.
00:45:39Very big for him.
00:45:46The difference between you and me is that
00:45:48Pedrito will never be able to recover his father.
00:45:53That's what I wanted to talk to you about, Pietro.
00:45:57When he meets my little one,
00:45:59he will be able to introduce himself as what he is,
00:46:01his grandfather.
00:46:03But please don't tell him that his father died recently,
00:46:07or how it happened.
00:46:08No, no, I won't tell him anything.
00:46:10The less I know, the better.
00:46:12Good.
00:46:14So as not to delay his return to Madrid any longer,
00:46:17what do you think if I meet him there tomorrow?
00:46:22Tomorrow?
00:46:25Yes, that's perfect.
00:46:33It would make him smarter.
00:46:36Like going to look for a fight in Madrid Cabaret.
00:46:39Look for a fight?
00:46:41Is that what that coward with Pajarita told you?
00:46:45Cesar.
00:46:46His name is Cesar.
00:46:48And I would appreciate a little respect.
00:46:51A little respect? You ask me and I don't take it.
00:46:53You weren't here when Pepita came to tell us about Ivan's accident.
00:46:57I already told you that I felt very bad not being there when it all happened.
00:47:00But that's not a reason to go to Madrid Cabaret to face Cesar.
00:47:05It's a ridiculous excuse, Emiliano.
00:47:08As far as I know, anyone can go to that club.
00:47:10Why won't I go?
00:47:12Ah, well, maybe because I could find the owner with my wife
00:47:16under a crumpled table, right?
00:47:18Enough already, Emiliano.
00:47:20That's what I say, that's what I say, enough already.
00:47:23You promised in front of Pepita and FermÃn
00:47:26that you would look for a good way out for us.
00:47:28Especially for Cesar and for me.
00:47:31And it hasn't been a week and you've already forgotten your word.
00:47:33No, no, no, no, no, I haven't forgotten anything.
00:47:35That's not how it is, don't get melodramatic.
00:47:37No, I'm not getting melodramatic.
00:47:40I'm just telling you that you can't break your promises at will.
00:47:44You asked us for calm and no scandal.
00:47:47And you go two days later to look for problems.
00:47:49It's incredible.
00:47:51I'm being quite civilized for the joke
00:47:53in which you have become our marriage.
00:47:55Maybe if I were more expeditious, I would do much better.
00:47:59Emiliano, you'd better not do or say anything
00:48:02that you might regret.
00:48:05Tell that to your boyfriend's sister.
00:48:08Or we're going to let all the Morels
00:48:10come by the house to scream.
00:48:11Because Miss Mercedes
00:48:13showed up at my house to ridicule me.
00:48:16And I can't go to her bar to make things clear.
00:48:20Are you talking about Mercedes Morel?
00:48:22Paula, give us a moment.
00:48:24I'm talking to your father.
00:48:26I just want to know if you're talking about her.
00:48:29Why, daughter?
00:48:31Because yesterday she came to the store asking about Ivan,
00:48:33but she told me something very strange.
00:48:36She told me that when she found out about the accident,
00:48:38she was here at your house.
00:48:40And that she misses you.
00:48:42Because she got very nervous.
00:48:44As if she regretted at that moment
00:48:46what she was saying.
00:48:48Then, when I asked her,
00:48:50why she had come,
00:48:52she told me it was to discuss a matter
00:48:54of the patronage with you.
00:48:56But you weren't at home.
00:48:58What are you talking about, daughter?
00:49:02I think she's hiding something.
00:49:04How was she going to come for the patronage
00:49:06if you weren't here, mother?
00:49:12Mercedes has helped me
00:49:14in some matters of the foundation.
00:49:16You know that, daughter.
00:49:17But then, why did she get so nervous
00:49:19when I asked her?
00:49:21She barely knew how to justify
00:49:22the reason for her visit.
00:49:24I'm sorry, darling.
00:49:25I don't know her that well.
00:49:26I wouldn't know how to tell you.
00:49:28Yeah, but don't you think it's strange
00:49:29that she was so tense
00:49:31if the reason for her visit
00:49:32was something so simple?
00:49:34Maruja,
00:49:36don't you think the boys deserve to know the truth?
00:49:40What truth?
00:49:41What are you talking about?
00:49:43Emiliano, please.
00:49:44Mercedes came here for your mother.
00:49:46But not for her institution.
00:49:49She came to threaten me.
00:49:51Threaten you? Why?
00:49:53Because your mother,
00:49:54here where you see her,
00:49:56has an adult relationship
00:49:58with Cesar Morel.
00:50:01So Mercedes came here
00:50:03to demand that I don't take reprisals
00:50:05against her little brother.
00:50:09As if her relationship with your mother
00:50:10was normal.
00:50:11What do you think?
00:50:12As if her relationship with your mother
00:50:13was normal.
00:50:14What do you think?
00:50:15Stop it, Emiliano, please.
00:50:17Did I tell a lie?
00:50:20Is that true, mother?
00:50:21You and Cesar Morel?
00:50:25It's hard.
00:50:27Yes.
00:50:30It's very hard.
00:50:33But it's the truth.
00:50:35And I think you and your brothers
00:50:38have to know it.
00:50:40Your mother is an adulteress.
00:50:43What are you afraid of?
00:50:45I'm not afraid of anything.
00:50:47Why is that?
00:50:49Because you're going too far.
00:50:51You're afraid of something
00:50:53or you're hiding something from me.
00:50:56Neither.
00:50:59Then why don't I have
00:51:00the damn documentation yet?
00:51:03Because I'm not going to risk
00:51:04for something that's not worth it.
00:51:06I'm the one who decides
00:51:07what's worth it.
00:51:09Amalia, please, listen to reasons.
00:51:12We can't do anything against Emiliano.
00:51:14Think about it.
00:51:16He has money, power, influence.
00:51:19It's practically impossible to beat him.
00:51:21You just realized
00:51:22that the rat is a millionaire
00:51:23and powerful.
00:51:26You can't come down now.
00:51:28We're about to teach him
00:51:29the lesson of his life.
00:51:31Before the sale of the business,
00:51:33there were opportunities
00:51:34to make life bitter.
00:51:36But now he has invested
00:51:37a lot of money in that operation.
00:51:39It's almost impossible to ruin it.
00:51:41I only hear excuses,
00:51:43I hear complaints,
00:51:45and they don't help me.
00:51:47I want the documentation.
00:51:49I'm sorry, but I won't do it.
00:51:51Although I hate Emiliano,
00:51:52it's not fair for the family
00:51:53to pay for his actions.
00:51:56They let you lick their plate
00:51:58and you already think
00:51:59you're part of one of them.
00:52:01It doesn't make sense to continue with this.
00:52:03We've tried and failed.
00:52:06Emiliano is untouchable.
00:52:08It's better to get the idea.
00:52:11And if he's so untouchable,
00:52:15why do you want to get off the boat?
00:52:18I mean, because on the one hand
00:52:20you tell me we can't even touch him,
00:52:22but on the other hand
00:52:23you don't want to hurt his family,
00:52:25so...
00:52:27Or am I going completely crazy
00:52:29or is there something wrong here?
00:52:32Maybe you don't understand it,
00:52:34but for me they are
00:52:35the closest thing I have to a family.
00:52:37Yes, and I betrayed them once
00:52:38and I don't want to do it again.
00:52:41Don't be ridiculous, Rodrigo.
00:52:44Get me the documentation
00:52:45of Pedraza's companies, please.
00:52:47We'll talk later.
00:52:49No.
00:52:55I have the documentation
00:52:56and I'm not going to give it to you.
00:52:58Are you testing me?
00:53:01Are you going to betray me
00:53:02because of Emiliano's monster?
00:53:04I'm not betraying you.
00:53:06What would our friends think?
00:53:08The ones you swore to avenge?
00:53:11What would my brother think?
00:53:13Are you really going to be Pedraza's accomplice?
00:53:17The only thing I don't want to be an accomplice
00:53:20is to ruin an entire family
00:53:21for the sins of a single man.
00:53:25Think about it.
00:53:27Rodrigo, think about it very well.
00:53:29Because you are going to pay for this betrayal
00:53:31with interest.
00:53:33You and your little friend.
00:53:36Amaya, you are not a murderer.
00:53:38And I know you won't hurt
00:53:39any innocent person,
00:53:40let alone Paula.
00:53:42I know you very well.
00:54:10Tell me something, Paula.
00:54:13Anything.
00:54:15So I know you're okay
00:54:17and that I don't have to call the doctor.
00:54:25Mother, what I said was right.
00:54:29I just found out you have a lover.
00:54:34Why?
00:54:36For love.
00:54:40Mother, but you have a husband.
00:54:43Yes.
00:54:46A dry husband
00:54:50with whom I only share a roof
00:54:54and two wonderful children.
00:54:58But there is no love.
00:55:01And I'm sure there has never been.
00:55:06I still don't understand.
00:55:10Well, it's the truth, daughter.
00:55:13If your father had loved me,
00:55:16even if it had been a little,
00:55:19I would not have lacked the respect
00:55:21by keeping his beloved
00:55:23at our service and in our house.
00:55:25Don't you think?
00:55:28So,
00:55:30this is a rage
00:55:31because of Father and Pepita?
00:55:33That relationship made me suffer for many years,
00:55:35more than you can imagine.
00:55:38And that alone would have been a reason
00:55:40for me to pay him with the same currency.
00:55:44But no,
00:55:46that's not the cause.
00:55:50Or at least it's not the only one.
00:55:54I fell in love with Cesar without intending it.
00:55:58I wasn't even looking for him.
00:56:00It just happened.
00:56:03And I don't regret it.
00:56:06The love I feel for him
00:56:08is pure, it's beautiful.
00:56:11There is no barrier
00:56:13that can get in the way of something like this.
00:56:16And I thought
00:56:18you would be the only one to understand it.
00:56:23Cesar
00:56:25has given me back the desire to live.
00:56:27He has given me back the desire to live.
00:56:30And I don't say it just to say it, Paula.
00:56:32It's been too many years
00:56:34since I've felt a death in my life.
00:56:37But,
00:56:39I don't know, when you started with Father,
00:56:41would there be some love?
00:56:43Did you marry him?
00:56:45Because they fixed everything.
00:56:48But I couldn't decide.
00:56:50When I wanted to realize it,
00:56:52I was already in front of the altar.
00:56:54And not even with time.
00:56:56With time.
00:56:58With time, your father,
00:57:00the only thing he did was to keep me away from his life.
00:57:03As if I were an old junk.
00:57:06If it weren't for you and your brother,
00:57:08I would have gone mad.
00:57:12But I stayed in my place
00:57:14as God's law dictates.
00:57:17And what did you do?
00:57:19You became adults.
00:57:20You became adults
00:57:22until I met my loneliness.
00:57:25And I sustained a farce
00:57:27of a marriage without love.
00:57:32What's going to happen now?
00:57:35Your father and I have reached an agreement
00:57:37to separate in a civilized way.
00:57:41Despite what it seems,
00:57:43your father has reacted well.
00:57:47That's why I didn't tell you anything, Paula.
00:57:49So as not to tighten the rope anymore.
00:57:52Are you going to tell Ivan?
00:57:55Your brother discovered my relationship with César
00:57:57and threatened us
00:57:59to tell your father if we didn't give him what he wanted.
00:58:02What did he do?
00:58:04Be miserable?
00:58:06Threaten his own mother?
00:58:08Your brother is the weakest of the two.
00:58:10He has never found his place.
00:58:12And he has a lot of anger inside.
00:58:15Your father doesn't help either
00:58:16by despising him so much.
00:58:18And my love,
00:58:20it is clear that it is not enough.
00:58:22No, mother.
00:58:24Nothing justifies what he has done.
00:58:26Nothing.
00:58:28Good evening.
00:58:30Hello.
00:58:32May I interrupt, Mrs. Maruja?
00:58:34No, no, Rodrigo.
00:58:36I was leaving.
00:58:39Paula has many things to think about.
00:58:40Paula has many things to think about.
00:59:11I'm glad to find you at home.
00:59:13I was worried.
00:59:15Worried about what?
00:59:17Have you seen the masked woman again?
00:59:19No.
00:59:21And I hope not to see her again.
00:59:23I hope so too.
00:59:25Although, my love, if she comes to listen,
00:59:27you have to promise me
00:59:29that you will stay away from her.
00:59:31Rodrigo, you're scaring me.
00:59:33I'm not telling you to scare you, Paula.
00:59:35But I need you to be warned.
00:59:37My love, I just want to protect you.
00:59:44I just wanted to make sure
00:59:46that the waiter who has come to Mas
00:59:48is aware of his situation.
00:59:51And what is it?
00:59:53That I have spared his life.
00:59:55That he does not forget to give me
00:59:57the money for the collection in hand
00:59:59before starting to collect for the closure.
01:00:01Has he spoken to Mr. Fermin?
01:00:03I trust that you will stay with me all your life.
01:00:05I'm not going anywhere.
01:00:07But this is not the time or place
01:00:09to get affectionate.
01:00:11The same respect that you ask for you,
01:00:13I also deserve it.
01:00:15My love, this is your grandfather,
01:00:17Piedro,
01:00:19the person for whom you bear the name,
01:00:21the father of Dad.
01:00:23Even so,
01:00:25Lady Alhazar is the lady consort of all this.
01:00:27And it is impossible that he is stealing the modern woman
01:00:29because it would be like stealing himself.
01:00:31Well, himself and Mr. Fermin too.
01:00:32He has my blood running through his veins.
01:00:35Not like Ivan, who seems to have horchata.
01:00:38When my time comes,
01:00:40which we hope will be within a long time,
01:00:42I know I can go quietly.
01:00:44I got a buyer for the book.
01:00:46How do you say?
01:00:48A client of the modern woman
01:00:50that whenever he comes, he brings a book under his arm.
01:00:52And as soon as I saw him, I knew he was going to be interested.
01:00:54Well, it is a shame that he did not show up
01:00:56a couple of days before the salon.
01:00:58I just closed the sale with Mr. Sanchis,
01:01:00who is from Valencia, like Blasco and Báñez.
01:01:02And I'm sure that with my mediation or without it,
01:01:04Cañete would have realized that you deserve it.
01:01:07Take it.
01:01:09You read it quietly
01:01:11and when you sign it, you take it to the register box
01:01:13that I will be there.
01:01:15He has no experience as a director.
01:01:17If at least he had some experience.
01:01:19Really, it is very risky.
01:01:21AgustÃn, if no one gives him an opportunity,
01:01:23he will never be able to have that experience you are talking about.
01:01:25I'm just telling you that I was much more sorry than afraid.
01:01:28Well, I hope he doesn't notice it.
01:01:29Clara.
01:01:31Meet Emiliano.
01:01:33And that sorrow is precisely the last thing I would like to receive from you.
01:01:37For God's sake, Emiliano.
01:01:39Are you really going to kill him?
01:01:41A childhood friend.
01:01:44You know, a man never knows what he is capable of
01:01:47until he is put to the test.
01:01:49Very soon you will see how far I can go.