Salon De Te La Moderna - Capitulo 335 - video Dailymotion
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00:00:00Subtitulado por Cristina Pérez Cerezo
00:00:30We'll have to wait and see what the authorities say.
00:00:33But the authorities have already said that it will only be 48 hours, right?
00:00:36Prolonged, depending on the assessment they make of our performances.
00:00:40And can they have the hall closed as long as they want?
00:00:43It's not about what they want, Inés.
00:00:46There are a series of technical guidelines that have to be adapted to the current health regulations.
00:00:53Assuming that the closing of the hall can go for a long time, right?
00:00:55It shouldn't, but it's not impossible either.
00:00:58Two days is a long time.
00:01:00How many of these people do you think can handle a business closed without ruining their owner?
00:01:04The only important thing is that Mr. Fermin reacted immediately and showed all the good faith in the world.
00:01:08And the administration should value that.
00:01:10It's better for us.
00:01:11Well, I'm going to see if they've finished with the disinfection and we can go home.
00:01:16Uncle, wait a minute. Why don't you put a complaint to the administration?
00:01:19What do you want me to complain about, daughter?
00:01:21Can't you present a written statement or go to the town hall to protest?
00:01:25As soon as we have medical recognition, of course we will present a written statement saying that we have taken the necessary measures
00:01:31to avoid future contaminations and requesting reopening.
00:01:34And if they don't accept it?
00:01:35Well, if they don't accept it, they'll explain to us why they haven't accepted it.
00:01:40Is it possible that they ask for a new performance?
00:01:42Yes.
00:01:43Replace the worker's machinery or ...?
00:01:45I don't know.
00:01:46Well, that's what was missing.
00:01:48That he has to buy new machinery.
00:01:50I appreciate that you worry, but ...
00:01:53we don't have to get into the worst.
00:01:56Hello, good afternoon.
00:01:58Don FermÃn, what a job.
00:02:00I hope everything will be solved very soon and it will be clarified as soon as possible.
00:02:03Thank you, Paula, thank you very much.
00:02:05By the way, I think you should talk to those ladies over there.
00:02:08Uncle ...
00:02:09No, no, no, you don't have to tell them anything.
00:02:12But what should I ...
00:02:13I don't need any advice, really.
00:02:15And I don't want to be unpleasant, but if what worries you is the future of La Moderna,
00:02:19don't worry, I know perfectly well how I have to run my business.
00:02:24And I assure you that I will not allow anyone to sink my ship.
00:02:28What do you mean by that?
00:02:30Who wants to sink the ship?
00:02:33Well, everything, everything in due time.
00:02:36In due time, everyone will know.
00:02:4675 pesetas, I'm telling you.
00:02:49Listen.
00:02:50Icafono, the indisputable sovereign of portable phonographs.
00:02:54Look, read it yourself.
00:02:56Hear in this wonderful device the new records of great success.
00:02:59The Leandras by Celia Gámez,
00:03:01Las Luces de Buenos Aires, tangos by Carlos Gardel, Blanca Flor,
00:03:04by Imperio Argentina, Cantos Y Bonaire, Rumba, Foxtrot ...
00:03:07Look, look at the price.
00:03:09Las Luces de Buenos Aires, tangos by Carlos Gardel, Blanca Flor,
00:03:12by Imperio Argentina, Cantos Y Bonaire, Rumba, Foxtrot ...
00:03:14Look, look at the price.
00:03:1675 pesetas.
00:03:17Well, if it's cheap to be portable ...
00:03:19We could put music here, in the courtyard.
00:03:21Music?
00:03:22The funeral march would have to be put.
00:03:24Hi, Marcelina.
00:03:25Hi.
00:03:26What's wrong with you?
00:03:27Well, if La Moderna doesn't open in a couple of days,
00:03:29it's over to keep charging.
00:03:30Don FermÃn says that everyone who is not essential will have to go home.
00:03:33Without charging, of course.
00:03:35Man, it's normal.
00:03:36If you don't work, you don't charge.
00:03:38It's normal.
00:03:39It's normal, boss Cañete.
00:03:41Does it seem normal to you that they give me a job
00:03:43and after two days they send me home without earning a real?
00:03:46What bad luck, mine.
00:03:47Well, woman, don't get mad.
00:03:49Besides, all this is in case the closure lasts more than two days.
00:03:53Because I ...
00:03:55essential, essential, well, I don't know ...
00:03:58How are you going to be essential? You just got in.
00:04:01You don't raise the rooster, here we are all colleagues.
00:04:04I have told you a hundred times that the lady is spoken to with respect.
00:04:07It's a joke, man, I can't make a joke to my partner.
00:04:09No, and if it was a joke, I didn't think so.
00:04:13Marcelina, do you want a glass of wine or a soda?
00:04:15No, thank you very much, no.
00:04:17Well, I'm going to pay, I'll lose another day.
00:04:19Very well.
00:04:29Hey, what more lustrous shoes do you always wear?
00:04:33Thanks, mine is hard.
00:04:35I can imagine.
00:04:36And with all the respect in the world,
00:04:38I have to tell you that you shouldn't speak of bad luck,
00:04:41having the job you have, which, to begin with, you shouldn't have given it to yourself.
00:04:45Come on, and why not?
00:04:47Because it's not work for a woman.
00:04:50Throughout God's life, a tea salon has to hire male waiters.
00:04:55I see.
00:04:56Well, I think God is not very interested in deciding these things.
00:05:01And Mr. Fermin, on the other hand, who is the owner of the tea salon,
00:05:05decided that a woman could be a waitress.
00:05:08And as far as I'm concerned, I have nothing more to add.
00:05:12Wow, you're a good answerer.
00:05:14I'm not surprised you're still single.
00:05:16Of course, let's see who's the handsome guy who can stand you, right?
00:05:20Well, maybe I'm still single because I don't feel like getting married.
00:05:23But don't worry, the day I decide to get married,
00:05:26I'll look for a tolerant and respectful man.
00:05:30No, I'm not going to hear anything else.
00:05:32I'm leaving because the atmosphere here is a bit heavy.
00:05:35Bye.
00:05:36Bye.
00:05:43Marcelina?
00:05:45I wanted to take a walk.
00:05:47Well, I'm going home.
00:05:49I'm going with you.
00:06:00Come on.
00:06:17Good evening, Father.
00:06:19Well, here's the prodigal son.
00:06:24How was your day?
00:06:26Come on, have a couple of drinks.
00:06:30No, thanks.
00:06:32What do you mean, no?
00:06:35I want to drink.
00:06:37And I don't like to drink alone.
00:06:40I'll serve you whatever you want.
00:06:42But I prefer not to start tonight.
00:06:44I'll know how to finish later.
00:06:45It would be the first time in your life that you despise an invitation to drink.
00:06:49Maybe the company is not up to you.
00:06:53Father, don't be silly.
00:06:56Okay.
00:06:58We'll drink together.
00:07:07Did you give the envelope to Simon?
00:07:09Yes, of course.
00:07:10I was waiting for him at his house when he came back from work.
00:07:14And? How was it?
00:07:17I could say that he almost got his pants dirty.
00:07:22I like it that way.
00:07:24You didn't have to beat him up.
00:07:26No, I didn't have to.
00:07:28And he won't open his mouth, I can assure you.
00:07:31He was more afraid than eleven women.
00:07:34Very good, son.
00:07:40I want you to leave Mercedes alone.
00:07:43Why is that?
00:07:46I thought everything was clear this morning.
00:07:50What happened?
00:07:56You stayed with her and she was crying.
00:07:58It's that, right?
00:08:00No, she wasn't crying.
00:08:03But I did go to see her.
00:08:05And she told me about the little kiss you gave her.
00:08:08It was very unpleasant for her. I don't want it to happen again.
00:08:11Look how the rooster protects his hen.
00:08:13I'm being very serious.
00:08:16I want you to promise me that you won't go back to Madrid, okay?
00:08:22I promise.
00:08:24Okay?
00:08:26What?
00:08:28You look terrible.
00:08:30You thought there was going to be a fight, right?
00:08:35No, son. I thought that woman was a whim for you.
00:08:38But if you tell me it's important, I respect it.
00:08:44I won't go back to her.
00:08:50You don't have to thank me.
00:08:52You're my son.
00:08:56I passed by in front of La Moderna.
00:08:59So what?
00:09:01Closed in Calicanto, right? I hope so.
00:09:04And with a big sign at the door saying that the closure is by order of the authorities.
00:09:09I've also seen Don Fermin.
00:09:11He was going from top to bottom of the gallery.
00:09:13He looked like a watchman. He just needed a push.
00:09:18What's going on?
00:09:20I've also seen Fermin.
00:09:23Right here. I've been talking to him.
00:09:29He's come to beg, right?
00:09:31No.
00:09:33He's come to give me back his disgusting pride.
00:09:37What? What did he say?
00:09:39I called him to tell him that I kept the price of the shares.
00:09:42That I didn't want to take advantage of his business being in low hours.
00:09:46Because he rejected my money.
00:09:50Again? I can't believe it.
00:09:52He says he has enough to put up with the blow.
00:09:55And what kind of businessman do I think he is?
00:09:57Well, an idiot who obviously doesn't know how to take advantage of opportunities.
00:10:01Right.
00:10:03But you see, everything we've organized has been of no use.
00:10:08On top of that, we've filled his pockets with that cake.
00:10:11Dad, be patient.
00:10:13The closure was today.
00:10:15He'll come begging hard when the clients don't come back.
00:10:18I can't wait, son.
00:10:21The buyers don't wait.
00:10:24I need that 1% now.
00:10:28Do you have any idea how much money those Americans are putting on the table?
00:10:33It's more than I've ever earned in my life.
00:10:36Enough to not have to work again.
00:10:39Neither you nor I.
00:10:42Well, you're going to have to offer more money to Mr. Fermin.
00:10:45We can't let him ruin our business.
00:10:47This is no longer a matter of money.
00:10:51Then?
00:10:53Then maybe it's time for you to earn your own living.
00:10:58Once you told me you were willing to do anything for the family.
00:11:02Of course.
00:11:06Well, if Fermin doesn't come to his senses,
00:11:09we have to get him out of the way.
00:11:11Will you be able to do it?
00:11:17Yes.
00:11:25I thought the boy was crying.
00:11:28Well, no.
00:11:30Aren't you going to bed?
00:11:31Later.
00:11:33I don't know if I should make myself a blanket.
00:11:36I'm sorry, I didn't mean to bother you.
00:11:38If you want to make yourself a blanket, do it.
00:11:40If not, don't.
00:11:41But stop getting dizzy.
00:11:47You can't know what's wrong with me.
00:11:49At dinner, it's the same.
00:11:50You've only told me the word to let me go.
00:11:54And you'd better never speak it out loud,
00:11:56instead of being there with a face of vinegar all day long,
00:11:59to which you jump.
00:12:00That's it.
00:12:01No, you can't.
00:12:02Don't worry.
00:12:04Are you going to leave me with the word in my mouth or what?
00:12:06What do you want to talk about, mom?
00:12:08Well, about you, how you are, why you treat me like that.
00:12:11About what happened yesterday with Marcelina.
00:12:13Ah, that's it.
00:12:14Well, I couldn't spend a minute without talking about Marcelina.
00:12:16Well, daughter, you'll admit that the little scene you set up yesterday,
00:12:18we deserve to talk about it.
00:12:20Don't you think that yesterday I already talked a lot?
00:12:22Yes, you talked too much.
00:12:23Well, that's it, I don't want to talk anymore.
00:12:24Well, I don't think it's good,
00:12:25because poor Marcelina doesn't even know where to get in.
00:12:28Poor Marcelina.
00:12:29Well, I have compassion for her, who is very distressed,
00:12:32who thinks she's going to lose her job.
00:12:33And me too.
00:12:34Me too.
00:12:35Mom?
00:12:37We both work in the same place.
00:12:39And it's your fault, I remind you.
00:12:41Because, of course, you didn't have enough
00:12:43to put her inside my house,
00:12:45that you also had to put her in my work,
00:12:46and the last thing you need is to put her in my room.
00:12:49With respect,
00:12:50let's see if you can know what's going on with that girl.
00:12:52No, what's wrong with you, mom?
00:12:54You're all day,
00:12:55Marcelina up, Marcelina down, man.
00:12:59Are you jealous?
00:13:00Jealous?
00:13:01Look, mom, I'm going to make it very clear to you.
00:13:04Marcelina is not my friend.
00:13:06And I never want her to be my friend.
00:13:08Period.
00:13:09What's wrong?
00:13:11You're outraged, aren't you?
00:13:15Like a damsel.
00:13:20No.
00:13:23But you'll understand that it's striking
00:13:24that you ask me to get rid of Don Fermin.
00:13:27He was your best friend until recently.
00:13:31Is that what you want?
00:13:32Yes.
00:13:35That's what I want.
00:13:37Eliminate Fermin.
00:13:41And you want me to do it?
00:13:43Well,
00:13:45you would have it much easier than me,
00:13:47considering the fragile moment
00:13:49our friendship goes through.
00:13:51Besides,
00:13:54it would be a good way to prove your worth.
00:13:58No?
00:14:00Yeah.
00:14:02I understand all that.
00:14:04And if you want, we can plan how to do it.
00:14:07But I would like to know
00:14:08what you think you're going to achieve by doing this.
00:14:11Because one thing is to bribe a baker
00:14:13to cause an intoxication,
00:14:14and another very different thing is to take a life.
00:14:18And more the life of Don Fermin.
00:14:24You're very young,
00:14:25and I don't want to disillusion you.
00:14:29But you'll see, son.
00:14:31Sit down, sit down.
00:14:34With time you'll learn
00:14:35that it's not good to have too much attachment for nothing,
00:14:38or for no one.
00:14:40Because even the strongest friendships,
00:14:42even those of all life,
00:14:44end up falling apart.
00:14:46Look at what I'm going through.
00:14:48My best friend has betrayed me.
00:14:53Still.
00:14:54Still what?
00:14:57That you don't want to do it?
00:14:59Right?
00:15:01Well,
00:15:03don't worry, man.
00:15:04Nothing happens.
00:15:06What this is all about
00:15:08is to solve the problem without getting caught.
00:15:11As you will understand,
00:15:12I have no intention of tarnishing our reputation,
00:15:14or that we end up between bars.
00:15:16Neither you nor I.
00:15:18So what we have to do is
00:15:21find the right person
00:15:24who is able to do it for us.
00:15:29It won't be easy to find someone
00:15:31who can do something like that.
00:15:34Don't worry.
00:15:35It's not so difficult if you know where to call.
00:15:38Don't worry about that.
00:15:39I have a lot of numbers on my agenda.
00:15:45Dad.
00:15:48I respect that you are very angry with him.
00:15:52That in addition to the negative,
00:15:53selling his tiny part of the business,
00:15:55you are hurt by the support he gives Paula and Rodrigo,
00:15:58but...
00:15:59But what?
00:16:02Okay.
00:16:04Let's say we kill Fermin.
00:16:06If you had to deal with his heirs
00:16:08to get that 1%,
00:16:09the sale of the Americans could be delayed even more.
00:16:12Sooner or later, he will come to his senses.
00:16:14And with the new problems in the modern world,
00:16:16he will need you.
00:16:18He has all the time in the world
00:16:20not to come to his senses.
00:16:22He has plenty of money.
00:16:25But the closure has its effects.
00:16:28And not just the closure.
00:16:29The great blow to the reputation of the modern world.
00:16:32Who is going to take cakes to a place
00:16:34whose sweets have put people on the brink of death?
00:16:37It's true.
00:16:39Although you will recognize that my solution is definitive.
00:16:43Permanent.
00:16:48With all due respect, Dad.
00:16:51It makes no sense to finish off someone who is already dying.
00:16:56And much less when everyone is watching.
00:16:59Everyone is aware of what is happening in the modern world.
00:17:02Especially now that Captain Davila
00:17:03is going around the place
00:17:05trying to find the hooded man at the door of the sun.
00:17:12You're right.
00:17:20You're absolutely right.
00:17:22I admit it.
00:17:25I don't know if you've matured
00:17:26or simply that before you had no intention of helping me.
00:17:36Is that a compliment or a criticism?
00:17:38I say it to defend myself or to thank you.
00:17:44It's neither.
00:17:47You don't have to do anything.
00:17:48I don't have to do anything.
00:17:54I just like being with you in this.
00:18:00We'll wait.
00:18:02But not for long.
00:18:04I have to close that deal, Ivan.
00:18:08And in one way or another, Fermin,
00:18:10it has to stop being a problem.
00:18:14Of course.
00:18:16Good.
00:18:18Good.
00:18:36What's up, Miguel?
00:18:38Since Mr. Fermin hasn't told me anything,
00:18:40I'm bringing the newspapers of the day.
00:18:42Good.
00:18:43So when we finish the job,
00:18:44we can see what's going on in the world.
00:18:46Did they say anything about what happened here in La Moderna?
00:18:49I didn't have time to read.
00:18:50No, I don't know.
00:18:51Really?
00:18:53I think you're hiding some news there.
00:18:56Yes.
00:18:57It's fine.
00:18:58It's fine.
00:19:00They're publishing a lot of news in various media.
00:19:04Every time they show off a little more
00:19:06and they invent more things.
00:19:08Inventions that don't favor us, I suppose.
00:19:10I suppose.
00:19:11And what do they say?
00:19:13Well, a little bit of everything.
00:19:14They talk about...
00:19:16carelessness,
00:19:17jade,
00:19:18negligence.
00:19:19Anyone who has been to La Moderna
00:19:21knows that all this is a lie.
00:19:23All they want is to fill the pages
00:19:25with the first thing that comes to their minds.
00:19:28What a bad faith.
00:19:29Of course.
00:19:31There's a journalist who,
00:19:32at least, has given the right information.
00:19:35He says that,
00:19:36not long ago,
00:19:37the management
00:19:39had replaced the master baker.
00:19:44All this,
00:19:45added to the fact that,
00:19:47apparently,
00:19:48the gallery is the place
00:19:50where the sunroof
00:19:52acts more frequently,
00:19:53well,
00:19:54it doesn't look good for La Moderna
00:19:56or any other gallery.
00:19:59Pietro,
00:20:00listen to me.
00:20:01You don't have to feel guilty.
00:20:03It's not even clear that it's your fault.
00:20:05Cañete is right.
00:20:07All businesses have high and low moments.
00:20:10You can't throw it on your shoulders.
00:20:12He's always behaved like a professional,
00:20:14like the glass of a pinot.
00:20:19Do you want some coffee?
00:20:20Yes,
00:20:21if I don't get intoxicated.
00:20:28I'm coming.
00:20:35Iván?
00:20:36Wow,
00:20:37I woke you up.
00:20:39I saw that you brought churros
00:20:40to surprise you.
00:20:42Well,
00:20:43I work at night,
00:20:44so I try to rest in the mornings.
00:20:48Yes,
00:20:49it makes perfect sense.
00:20:51I'm sorry.
00:20:53No, it's fine.
00:20:54If there's something I like more than sleeping,
00:20:56it's the churros.
00:20:58Come in.
00:21:12I should have thought about it.
00:21:14It was stupid of me to wake you up.
00:21:18No, no, it's fine.
00:21:19The only thing that surprises me
00:21:20is a visit so early in the morning.
00:21:24Well, after waking you up,
00:21:25I think you deserve
00:21:27to be honest with yourself.
00:21:32I'm listening.
00:21:39I know you asked me
00:21:40not to do anything.
00:21:43But my father's visit
00:21:44seemed out of place.
00:21:47So I talked to him
00:21:48and I made sure
00:21:49he wouldn't bother you again.
00:21:53I don't know how you did it,
00:21:54because your father
00:21:55is one of those people
00:21:56who doesn't change his mind easily.
00:21:58He's very stubborn, yes.
00:22:00And I had a hard time dealing with him.
00:22:03But he won't come back to Madrid, will he?
00:22:07I'm very grateful
00:22:08that he stopped bothering me.
00:22:10But it's hard for me to imagine
00:22:11your father listening to you.
00:22:13Our relationship has changed, Mercedes.
00:22:15Before, he didn't give a damn about me.
00:22:17But now he finally takes me into account.
00:22:20You'd be surprised.
00:22:22Now he asks me for advice.
00:22:25Really?
00:22:27Yes.
00:22:28He even dares to tell me
00:22:29that he fully trusts me.
00:22:33Maybe you're right.
00:22:36But let me have my doubts.
00:22:39Look,
00:22:40I'm telling you the truth.
00:22:43I'm going to tell you something
00:22:44that my father didn't do
00:22:45because I told him.
00:22:49I prevented
00:22:50something bad from happening to Mr. Fermin.
00:22:53Something very bad.
00:22:56Bad?
00:22:58What do you mean, bad?
00:22:59Can you tell me what it is?
00:23:00You could say
00:23:01that I saved his life.
00:23:03What are you trying to tell me?
00:23:04That your father tried to get rid of Mr. Fermin?
00:23:07But they're very good friends.
00:23:09Obviously, they're not anymore.
00:23:12Let's see.
00:23:13When you say you saved his life,
00:23:16what do you mean exactly?
00:23:18Literally what you're thinking.
00:23:21But I made him realize
00:23:22that getting rid of Mr. Fermin
00:23:23was a very bad idea.
00:23:25Your father is the devil himself.
00:23:28Mercedes, my father
00:23:29likes to throw stones and hide his hand.
00:23:33I wanted to do it
00:23:34so that neither of us would be suspicious.
00:23:38But well,
00:23:39at least I've earned some time for Mr. Fermin.
00:23:43Although
00:23:44neither he nor his employees
00:23:45are in a too good situation.
00:23:49If all this you're telling me is true,
00:23:51you should go to the police
00:23:53and, most importantly, warn Mr. Fermin.
00:23:55Obviously, I've thought about it, Mercedes.
00:23:57But it would be my word against my father's.
00:23:59With his power and influence,
00:24:01I could end my accusation.
00:24:04Listen to me.
00:24:05My father has to keep trusting me.
00:24:08That way I could control him.
00:24:18Why are you telling me all this?
00:24:23So you'll believe me
00:24:24when I tell you my father
00:24:25will never bother you again.
00:24:28I have influence over him.
00:24:38And now, if you'll excuse me,
00:24:39I have things to do
00:24:40and I need to rest a bit.
00:24:44Thank you very much for the churros.
00:24:46Shall I walk you to the door?
00:24:48Yes, of course.
00:25:01Goodbye.
00:25:06Goodbye.
00:25:12Thank you for taking me to the set by car.
00:25:14No, no, no.
00:25:15Agustin had to leave early
00:25:17and I don't mind.
00:25:19The truth is,
00:25:21I'm dying to shoot today's scenes.
00:25:23It's just that,
00:25:24after seeing what we filmed yesterday,
00:25:26I'm very excited.
00:25:28But it's true that
00:25:29it's difficult to maintain the same level.
00:25:32You should stay focused.
00:25:33You know how to do it.
00:25:35I still don't believe
00:25:36that I'm directing this film.
00:25:38I don't know,
00:25:39maybe I don't see it in an impartial way,
00:25:41but I guess it's a good sign
00:25:42to be so happy, right?
00:25:45You know I don't like
00:25:46dancing in the water to anyone,
00:25:47but I confess
00:25:48that I really liked
00:25:49what I saw yesterday.
00:25:50A lot.
00:25:51I'm glad.
00:25:52The truth is
00:25:53that we're all very motivated.
00:25:54In fact,
00:25:55Laurita has stayed to rehearse
00:25:56and she's preparing
00:25:57the monologue very well.
00:25:58That's perfect.
00:26:00And thank you
00:26:01for helping her
00:26:02with the interrogation scene.
00:26:03No, no,
00:26:04it doesn't matter.
00:26:08You see how life is, huh?
00:26:09It's never a bad idea
00:26:10to have experiences
00:26:11about certain things.
00:26:12It can help you
00:26:13with fun things,
00:26:14like cinema.
00:26:15And anything
00:26:16to save us takes.
00:26:17You know that time is money
00:26:18and the negative is more.
00:26:20Besides,
00:26:21that way
00:26:22we won't have to kill anyone
00:26:24if we exceed our budget, right?
00:26:28It's a joke.
00:26:29It's a joke,
00:26:30but we can't exceed
00:26:31our budget.
00:26:35I'm coming.
00:26:44AgustÃn.
00:26:46What are you doing here?
00:26:49Has something happened?
00:26:53Well, it's happened
00:26:54that we won't be able
00:26:55to shoot
00:26:56in the location
00:26:57of Calle Sin Salida.
00:26:58A pipe broke
00:26:59and everything flooded.
00:27:01But...
00:27:02I still can't believe it.
00:27:03Additional expenses
00:27:04at sight.
00:27:05Well, it doesn't have to be expensive
00:27:06if we find a location.
00:27:08Although it is true
00:27:09that it will take time.
00:27:10And time is money, Comas.
00:27:11In any case,
00:27:12we will have to find
00:27:13a new location
00:27:15and start as soon as possible
00:27:16with the issue
00:27:17of shooting permits, etc.
00:27:19But there is no one
00:27:20fixing the pipe?
00:27:21Yes, yes,
00:27:22there is a brigade
00:27:23of the town hall.
00:27:24We gave the notice right away.
00:27:25And have you been told
00:27:26how long it would take
00:27:27to fix the pipe?
00:27:28Well, I have been told
00:27:29that working at a good pace,
00:27:30four days.
00:27:31Minimum.
00:27:34No, no, no.
00:27:35Maybe I can go
00:27:36and tighten the nuts
00:27:37a little bit
00:27:38so that they go faster.
00:27:39It won't be necessary, Ramallo.
00:27:41I've been thinking
00:27:42of an alternative option.
00:27:44We could shoot
00:27:46in the alley of the gallery.
00:27:50But for that
00:27:51I would have to ask
00:27:52my uncle for permission.
00:27:53And with everything
00:27:54that is happening to him,
00:27:55I don't know
00:27:56if it's a very good idea.
00:27:57I know, Inés,
00:27:58but wouldn't it be better
00:27:59to ask him?
00:28:00We're running out of time.
00:28:01And money.
00:28:13I like the idea, Trini.
00:28:15I find it strange
00:28:16to see the hall so empty.
00:28:17What do you want me to tell you?
00:28:18Let's see if the inspection
00:28:19resolves soon
00:28:21and we lift the closure.
00:28:24Have you ever
00:28:25seen something like this?
00:28:29Maria Trinidad.
00:28:30What?
00:28:32Are we always going to be like this?
00:28:34I don't know.
00:28:36We're working.
00:28:37We really have to
00:28:38have the same conversation
00:28:39from the other day.
00:28:41Look,
00:28:42we're not working
00:28:43right now.
00:28:44And I think we are.
00:28:46We have to have
00:28:47the same conversation
00:28:48from the other day
00:28:49because I'd like to know
00:28:50why you're so tense with me.
00:28:53I can't believe it.
00:28:54What?
00:28:55I can't believe
00:28:56you're asking me
00:28:57for explanations.
00:28:58Really.
00:29:00Have you talked to my mother?
00:29:02About what?
00:29:04That when we were little
00:29:05I was jealous of you
00:29:07because of the relationship
00:29:08she had with you?
00:29:10Or that when we were little
00:29:11you were my only friend?
00:29:14No.
00:29:15Your mother didn't tell me
00:29:16any of that.
00:29:19You know what?
00:29:21I don't care.
00:29:22You can leave me alone
00:29:23or you can leave us alone.
00:29:24I don't care.
00:29:25What's wrong with you?
00:29:26Look, I suppose
00:29:27you can't understand it
00:29:28because you don't want to.
00:29:29But having you in front of me,
00:29:31having you in front of me,
00:29:32seeing you every day,
00:29:34brings me bad memories.
00:29:37But we had a great time together.
00:29:39No!
00:29:40You had a great time.
00:29:41You had a great time.
00:29:42I didn't have a great time.
00:29:44But what did I do to you?
00:29:45Do I really have to tell you?
00:29:48That when we were little
00:29:49and we did anything
00:29:50that was always your fault
00:29:52and always your idea,
00:29:53my mother forgave you
00:29:54with a smile
00:29:55or with good words,
00:29:56always.
00:29:57Instead, she punished me.
00:29:59She put me face to face
00:30:01on my knees for hours.
00:30:04Don't you remember that?
00:30:06That when we showed my mother
00:30:07an essay
00:30:08or we showed her a drawing,
00:30:11she told you how good you were,
00:30:13how perfect you were,
00:30:15how talented you were.
00:30:16Instead,
00:30:17I only found mistakes
00:30:18and more mistakes
00:30:20or I didn't even look
00:30:21at that essay
00:30:22or I saw it.
00:30:24But I don't think
00:30:25it was exactly like that.
00:30:27Your mother was always very affectionate.
00:30:29She was affectionate with you.
00:30:31Not with me.
00:30:32She has been affectionate with me
00:30:34now that I am older
00:30:35and I have a son.
00:30:37But I always got lost
00:30:39in the comparisons
00:30:40between you and me.
00:30:41Always.
00:30:44I'm very sorry
00:30:45that you feel that way,
00:30:46Maria Trinidad.
00:30:47Please, please, please.
00:30:49Can you stop calling me
00:30:50Maria Trinidad?
00:30:51I've asked you a thousand times
00:30:52and it looks like you're doing it
00:30:53on purpose.
00:30:54Please, I'm begging you.
00:30:55Forgive me.
00:30:56It's just that I feel alone.
00:30:57Forgive me.
00:30:59If she treated us so differently,
00:31:01I never realized
00:31:02and I didn't realize
00:31:03how much damage
00:31:04that was doing to you.
00:31:05Of course,
00:31:06you never realize anything.
00:31:07You never realize
00:31:08anything at all.
00:31:09My mother was my best friend
00:31:11before you came.
00:31:13She was the only person
00:31:14I had.
00:31:15The only one
00:31:16who stood by my side.
00:31:18I just don't understand it.
00:31:19I don't understand that she sees you now
00:31:20and that she's seen you all her life.
00:31:21I just don't understand it.
00:31:32What?
00:31:36Satisfied with my explanations?
00:31:49Is something wrong?
00:31:53Isn't it ironic
00:31:54that you raise suspicions
00:31:55while being silent?
00:31:57Emiliano,
00:31:58I don't know where you're going.
00:32:01I feel like a stranger
00:32:02in my own house.
00:32:04Yes,
00:32:05I'm the stranger here.
00:32:08While my dear wife
00:32:10wanders like a soul in pain
00:32:11through the corridors
00:32:12and through the rooms.
00:32:13But of course,
00:32:14she's been with that absurdity
00:32:15for so long
00:32:16that she seems normal to us.
00:32:20Don't you have anything
00:32:21to say about it?
00:32:24After the conversation
00:32:25we had yesterday,
00:32:27I don't think I have anything to say.
00:32:29Come on, woman,
00:32:30you could get involved a little.
00:32:31You could talk to her.
00:32:33Don't look at me like that.
00:32:34You've been
00:32:35fighting a lot lately.
00:32:37She's going to pay more attention
00:32:38to you than to me.
00:32:40Couldn't you tell her
00:32:41that what she's doing
00:32:42doesn't make any sense?
00:32:43And if not,
00:32:44come up with something, Pepita,
00:32:45for God's sake.
00:32:46You're women,
00:32:47right?
00:32:49It's not as easy
00:32:50as you say it is.
00:32:52Look,
00:32:53I'm not telling you to choose.
00:32:55I'm telling you
00:32:56that I can't stand
00:32:57seeing Maruja
00:32:58looking like that
00:32:59around the house.
00:33:00With that hurtful attitude.
00:33:02It makes my guts hurt.
00:33:04Pepita,
00:33:05it makes me want to throw up.
00:33:06So please,
00:33:07for your own good,
00:33:09can you tell her
00:33:10to behave
00:33:11like a normal person?
00:33:12I've really tried,
00:33:14and it's not working.
00:33:15But I'll tell you one thing.
00:33:16If I try again,
00:33:18it won't be because of your threats.
00:33:19It'll be because I really
00:33:20want to help the lady.
00:33:22Iván!
00:33:23Iván, come here.
00:33:24Come on.
00:33:26Hello.
00:33:28Come on.
00:33:29Sit down,
00:33:30Pepita is going to serve us food.
00:33:32I don't think I'm going to eat, Dad.
00:33:34I don't feel well at all.
00:33:35Do you want me to ask
00:33:36them to make you something soft?
00:33:38No, no.
00:33:39I'd rather go to my room
00:33:40and rest.
00:33:41As long as you don't
00:33:42need anything, of course.
00:33:43No.
00:33:44No, no, no.
00:33:45No, no, no.
00:33:47I don't need anything.
00:33:48You can go upstairs and rest.
00:33:49Yes.
00:33:55Do you know
00:33:56where he's from?
00:33:57No, I don't know.
00:33:58Ah.
00:33:59He got up early this morning
00:34:00and left without breakfast.
00:34:03Pepita,
00:34:04please don't put
00:34:05my service on the table.
00:34:07I've come to tell you
00:34:08that I'm not going to eat with you.
00:34:10Yes, ma'am.
00:34:11Maruja!
00:34:16Can you tell me why?
00:34:19Why?
00:34:24I know you don't care,
00:34:26but since you're asking me,
00:34:27I'm going to answer you.
00:34:30Because I don't have
00:34:32the body or the mood to eat.
00:34:34You're never going to get tired
00:34:35of punishing me.
00:34:37If you think I'm like this
00:34:38because of you,
00:34:40it's because you haven't
00:34:41understood anything, Emiliano.
00:34:42Come on, Maruja.
00:34:43Come on.
00:34:44It's obvious that you enjoy
00:34:45annoying me every time
00:34:46you cross paths with me
00:34:47around the house.
00:34:49You've spent your whole life
00:34:50looking for a way
00:34:51to torture me
00:34:52and you've finally found it.
00:34:55And all this
00:34:56because I don't eat with you?
00:34:58As I remember,
00:34:59you preferred other companies.
00:35:01So don't make me talk, Emiliano.
00:35:02No, no, no, no.
00:35:03I'm sorry.
00:35:04Talk.
00:35:05Talk, please, Maruja.
00:35:06Let's see if that way
00:35:07I find out what the hell
00:35:08I've done to deserve
00:35:09this continuous contempt.
00:35:11Enough!
00:35:12Enough!
00:35:14Even if you don't recognize
00:35:15Cesar's death,
00:35:16you're not going to convince me
00:35:17that you had nothing to do with it.
00:35:18Listen to me carefully.
00:35:20I can stand
00:35:21you dressing up as a widow.
00:35:22I can stand you
00:35:23denying me
00:35:24even some of your despises.
00:35:26But what I'm not going to tolerate
00:35:28is you accusing me
00:35:29of such barbarity
00:35:30in my own house.
00:35:32I'm sorry.
00:35:36I'm very sorry, Maruja,
00:35:38to see you like this.
00:35:40Like a ghost
00:35:41throwing accusations
00:35:42against your husband.
00:35:44You should look yourself in the mirror.
00:35:46Maybe that way
00:35:47you'd regain
00:35:48a little bit of dignity.
00:35:50All those insults
00:35:51show that
00:35:52I'm not making anything up.
00:35:54I had nothing to do
00:35:55with the death
00:35:56of that scoundrel.
00:35:57But if I did,
00:35:58which is not the case,
00:36:00the only person
00:36:01to blame for this house
00:36:02would be you.
00:36:04You, Maruja, yes.
00:36:05You, who got into his bed
00:36:06like a nobody.
00:36:08Are you going to reproach me
00:36:09for looking for
00:36:10someone else's bed?
00:36:11Are you going to reproach me?
00:36:12I'm going to reproach you
00:36:13as much as I want
00:36:14as long as I keep you.
00:36:15Yes!
00:36:17And if what you want
00:36:18is to let yourself die,
00:36:19go ahead.
00:36:20Let yourself die.
00:36:21But do me a favor.
00:36:22Do it in your room.
00:36:25That way you'll save me
00:36:26seeing you represent
00:36:27this ridiculous role
00:36:28of a martyr.
00:36:30Don't worry.
00:36:32I'll save it for you.
00:36:41Well.
00:36:43Well, nothing.
00:36:47It seems that in the end
00:36:48I'm going to eat alone.
00:36:51It's no use
00:36:52treating Maruja like that.
00:36:56Don't lecture me, Pepita.
00:36:58I already knew
00:36:59you were going to take his side.
00:37:01It doesn't matter.
00:37:02Can we serve the food now?
00:37:03Yes.
00:37:04Yes, please.
00:37:05Yes.
00:37:06Yes.
00:37:07Can we serve the food now?
00:37:08Yes.
00:37:09Yes, please.
00:37:11By the way,
00:37:12don't expect me to be up tonight.
00:37:15I think I'm going out.
00:37:30I'd like to tell you something
00:37:31that I haven't told anyone.
00:37:35I don't mind
00:37:36if you apologize
00:37:37about what I did
00:37:38or stopped doing.
00:37:40But I don't want you
00:37:41to think badly of your mother.
00:37:44Well, it's a bit difficult
00:37:45for me to change my mind, really.
00:37:49Trini, I'm sure
00:37:50that in your childhood
00:37:51there were good times
00:37:52and bad times.
00:37:54And listening to you
00:37:55it's clear to me.
00:38:00But my childhood
00:38:01was a hell.
00:38:03My...
00:38:10My father hit me.
00:38:15With an excuse
00:38:16or without it.
00:38:19Almost every time
00:38:20he saw me
00:38:21he found a reason
00:38:22to take his belt off.
00:38:29That's why I had to
00:38:30become the perfect daughter.
00:38:33Because if he had reasons
00:38:34to reproach me
00:38:37he hit me more
00:38:40and much harder.
00:38:45It was a matter of survival.
00:38:53But, Marcelina, I...
00:38:56I never saw anything.
00:38:58I know.
00:39:01But your mother did.
00:39:05That's why she treated me
00:39:06with more consideration.
00:39:09And...
00:39:10that's why she was less indulgent
00:39:11with you.
00:39:14Because she knew
00:39:15the nightmare
00:39:16I was living at home.
00:39:19And that's why
00:39:20she hung up on you
00:39:21all the mischief
00:39:22even if sometimes
00:39:23you dropped a coin.
00:39:27Because she knew
00:39:28that at home
00:39:29I received too many.
00:39:35I don't want you to think
00:39:36that your mother didn't love you
00:39:38or that she doesn't love you now
00:39:39with all her heart, Trini.
00:39:42Although she always
00:39:43behaved wonderfully with you,
00:39:44I...
00:39:46I was always jealous
00:39:47to see
00:39:49how she talked about you,
00:39:52the kisses she gave you,
00:39:55how she worried
00:39:56about your things.
00:40:00Your mother made an effort
00:40:01for us to be friends.
00:40:04It's because she knew
00:40:05that spending time with you
00:40:06would make my life
00:40:07less miserable,
00:40:08Trini.
00:40:10Less hard.
00:40:14And because that way,
00:40:17she saved me
00:40:18from some other problem.
00:40:24If she always
00:40:26took me out for a walk
00:40:27or to do things with you,
00:40:28it was to protect me.
00:40:33That's why I always
00:40:35invited you to eat,
00:40:36to have dinner,
00:40:37to sleep,
00:40:38every day.
00:40:41And I accompanied myself
00:40:42to ask my parents for permission.
00:40:48And why didn't you tell me anything?
00:40:53Because I was ashamed.
00:40:59I'm so sorry, Trini.
00:41:00I'm so sorry
00:41:02that you felt so bad.
00:41:06But if I tell you this,
00:41:09it's because your mother
00:41:10is the best person
00:41:11I've ever met in my life.
00:41:16And if it wasn't for her,
00:41:20who knows?
00:41:23I don't know.
00:41:25Who knows?
00:41:30Maybe I wouldn't be here now.
00:41:47So, sir,
00:41:48the suppliers thing
00:41:49was the last thing, right?
00:41:50Yes, yes, the last thing.
00:41:51It took us all day,
00:41:52but in the end
00:41:53we did it.
00:41:54Congratulations, boy.
00:41:56I'm sorry, sir,
00:41:57but the idea of getting ahead
00:41:58of the needs
00:41:59of the next few days
00:42:00has been yours.
00:42:01Well, you've done
00:42:02the hardest part
00:42:03of the job,
00:42:04so we're tied.
00:42:07Thank you, sir.
00:42:09By the way,
00:42:10Rodrigo,
00:42:11about the notification.
00:42:13The permission for the opening?
00:42:14Yes, yes, yes.
00:42:15We haven't received it?
00:42:16No, sir.
00:42:17Well, I hope
00:42:18it's as soon as possible.
00:42:20Tomorrow morning,
00:42:21as late as possible,
00:42:22because then
00:42:23the 48 hours
00:42:24since the closure
00:42:25will have passed.
00:42:26I'm sure it will be then.
00:42:29I'll go, sir.
00:42:34Go ahead.
00:42:36Don FermÃn Villanueva?
00:42:38Yes, yes, yes,
00:42:39it's me.
00:42:40And who are you?
00:42:41Pablo MarÃn,
00:42:42insurance agent.
00:42:43I need to talk to you.
00:42:47Of course, of course.
00:42:48Come with me to the office,
00:42:49please.
00:42:53Let's go.
00:43:01For the first time, Esperanza and I
00:43:02are in the same boat.
00:43:04Yes.
00:43:06Well, honey,
00:43:07we're all in that boat.
00:43:10If something has become clear,
00:43:12it's that Simon
00:43:13can't lift the situation.
00:43:14Well, to begin with,
00:43:15because he hasn't shown up
00:43:16for the salon all day.
00:43:18It's a shame, Antonia.
00:43:20The first time I saw him
00:43:21he gave me a bad feeling.
00:43:23But it's clear
00:43:24that I was wrong.
00:43:26He's a scammer.
00:43:27I don't know, Antonia,
00:43:28I don't know.
00:43:30I might have
00:43:31been part of the blame,
00:43:32but not all of it.
00:43:33And he could be guilty.
00:43:35Of course.
00:43:37Can't we know
00:43:38what ruined
00:43:39the pastry cream?
00:43:40No.
00:43:41I really don't understand it.
00:43:42I don't understand
00:43:43how that man
00:43:44throws the stone,
00:43:45hides his hand
00:43:46and you can't know
00:43:47what happened.
00:43:48And we can't know
00:43:49how it's possible
00:43:50that no one realized
00:43:51that the pastry cream
00:43:52was bad.
00:43:53Come on, Pietro,
00:43:54please.
00:43:55Does Simon get involved
00:43:56in the intoxication?
00:43:57No.
00:43:58Why do you get involved alone?
00:43:59Because these things
00:44:00can happen, Antonia.
00:44:02I've said it a thousand times.
00:44:03Accidents can happen.
00:44:06And this accident
00:44:08is a bit strange
00:44:09because it doesn't make sense.
00:44:10That's it.
00:44:11What doesn't make sense?
00:44:14No, Antonia,
00:44:15I don't want to talk.
00:44:16Please,
00:44:17I'm tired of the subject.
00:44:18Well, I want to know
00:44:19what you think.
00:44:20But
00:44:21what's going to change?
00:44:22What's going to change, Antonia?
00:44:24What does what I think matter?
00:44:26What I think matters to me.
00:44:27But I'm the person
00:44:28I love the most
00:44:29and I don't like seeing you like this.
00:44:31Tell me.
00:44:34Well,
00:44:36what's strange, Antonia,
00:44:37is that I filled
00:44:38the tartlets
00:44:39from the first
00:44:40baking in the morning.
00:44:42Yes.
00:44:43I've left the tartlets
00:44:44ready so you only
00:44:45have to fill them
00:44:46and bake them.
00:44:47There's the first tray.
00:44:50You can pollute it, yes,
00:44:52but there was a second tray
00:44:53in the afternoon.
00:44:55And what's strange
00:44:56is that I didn't do it.
00:44:59And the customers
00:45:00also got intoxicated.
00:45:03You didn't do the second tray
00:45:04in the afternoon?
00:45:06No.
00:45:07Have you told that to anyone?
00:45:09No.
00:45:10You have to tell them,
00:45:11Pietro.
00:45:13Maybe right now
00:45:14to Don FermÃn, no,
00:45:15because of the situation
00:45:16he's in,
00:45:17but Cañete and Teresa
00:45:18have to know.
00:45:19No, Antonia,
00:45:20I'm not going to accuse
00:45:21Simón without evidence.
00:45:22But he accused you.
00:45:23I don't care if he accuses me.
00:45:24I don't care.
00:45:25I'm not like him.
00:45:27I'm not going to get
00:45:28up to his level.
00:45:35We're in contact.
00:45:36Have a good afternoon.
00:45:43Goodbye, Mr. MarÃn.
00:45:44Goodbye.
00:45:47Excuse me, Don FermÃn.
00:45:48Is everything in order?
00:45:51Well,
00:45:52I don't know what to tell you,
00:45:53Rodrigo.
00:45:55I'm a little...
00:46:00Do you mind if we don't talk?
00:46:01No,
00:46:02not at all.
00:46:09You see,
00:46:10that man has come
00:46:11to bring me the documentation
00:46:13of an insurance policy,
00:46:14a policy...
00:46:16a policy that
00:46:17Lázara contracted.
00:46:20But I didn't know about it.
00:46:23It's strange, isn't it?
00:46:25Well,
00:46:26they know
00:46:27from the press
00:46:28that my wife has disappeared
00:46:29and they've come to tell me
00:46:31that without Lázara's body
00:46:33the payment can't be made.
00:46:35It's...
00:46:36well,
00:46:37it's a measure
00:46:38they have to avoid scams.
00:46:40And,
00:46:41as she told me,
00:46:43my wife contracted
00:46:44this policy
00:46:47shortly after
00:46:49the incident she had
00:46:50with that Juana.
00:46:51Are you aware
00:46:52of what happened?
00:46:53Yes, I am.
00:46:54It was a real luck
00:46:55that Mrs. Lázara
00:46:56managed to escape.
00:47:00It can't be.
00:47:03What's wrong, Don FermÃn?
00:47:05Well,
00:47:06people have brought me
00:47:07the documentation
00:47:08saying that
00:47:09I was the beneficiary
00:47:10of the policy,
00:47:11but...
00:47:12but that's not what
00:47:13it says here.
00:47:15Look down there,
00:47:16Rodrigo.
00:47:17Down there.
00:47:18The two initials.
00:47:20Beneficiary
00:47:22C.E.
00:47:25Mail section
00:47:26288.
00:47:27Yes,
00:47:28the mail section
00:47:29is from here,
00:47:30from Madrid.
00:47:31But it's clear
00:47:32that's not me.
00:47:33Those are not
00:47:34my initials.
00:47:36But, sir,
00:47:37don't you have
00:47:38an explanation?
00:47:39Can't anyone
00:47:40come up with
00:47:41those initials?
00:47:47I have no idea
00:47:48who could be
00:47:49the beneficiary
00:47:50of this policy.
00:48:08Reina,
00:48:09I need to talk to you.
00:48:10Yes, but quietly.
00:48:11It's hard for me
00:48:12to sleep with the kid.
00:48:13Yes, quietly,
00:48:14but please leave this
00:48:15for a moment.
00:48:16I need you to take care of me.
00:48:17Please.
00:48:18Sit down.
00:48:19What's wrong?
00:48:26Don't you have
00:48:27anything to tell me
00:48:28that I don't know
00:48:29about when
00:48:30Marcelina and I
00:48:31were little?
00:48:33What do you want me
00:48:34to tell you?
00:48:37Well...
00:48:39About Marcelina's childhood.
00:48:45Did Marcelina
00:48:46tell you anything?
00:48:49Well, she told me
00:48:50that her father
00:48:51hit her
00:48:52all the time
00:48:53and that you knew that.
00:48:55That's why
00:48:56you blamed me
00:48:57for all the things
00:48:58she did.
00:49:01Is that true?
00:49:08Mom...
00:49:11Why didn't you
00:49:12ever tell me?
00:49:15Because...
00:49:17I don't think
00:49:18Marcelina would have
00:49:19liked it,
00:49:20but I thought
00:49:21about doing it
00:49:22more than once
00:49:23and more than twice.
00:49:25I'm so tired
00:49:26of knowing
00:49:27that she knows now.
00:49:29So that she can grow up
00:49:30with her,
00:49:31with what she appreciates.
00:49:32She loves you a lot.
00:49:33I...
00:49:35I don't know,
00:49:36all of this
00:49:37has been a surprise
00:49:38and I couldn't imagine it.
00:49:39I never saw anything
00:49:40when we were little.
00:49:41I didn't know.
00:49:43Well, it's just that...
00:49:45The things that hurt
00:49:46a person
00:49:48don't usually happen.
00:49:49Only if they ask you.
00:49:51Or if the person
00:49:52cares about you.
00:49:57And I blamed her
00:49:58for you and me
00:49:59being alone
00:50:00with Marcelina
00:50:01and Marcelina
00:50:02for you and me
00:50:03always crying.
00:50:12Well, I'd like to know
00:50:15what you thought.
00:50:16About what?
00:50:21That she would blame you
00:50:22for what she did.
00:50:28Well, I was going to think
00:50:29that you loved her
00:50:30more than me.
00:50:32I've always thought that
00:50:33all my life.
00:50:34Didn't you see
00:50:35that I didn't stop doing things
00:50:37to see if you loved me a little
00:50:38and that I've always had a hard time
00:50:39with this issue.
00:50:40Wait a minute, Trini, Trini.
00:50:41But let's see,
00:50:42let's see, Alma de Cántaro.
00:50:43How am I going to love
00:50:44a neighbor more
00:50:45than my own daughter?
00:50:46I don't know.
00:50:54It wasn't right
00:50:55to blame you
00:50:57for things
00:50:58that didn't belong to you.
00:50:59But it's just that...
00:51:01I don't know,
00:51:02between the good girl
00:51:03you've always been
00:51:04and the miscarriage
00:51:05the poor girl had at home,
00:51:06I thought that...
00:51:10Let's see,
00:51:11trying to help her
00:51:13I ended up hurting you.
00:51:17Do you...
00:51:20forgive me?
00:51:22Mom, of course I do.
00:51:23I know that you
00:51:26did the best
00:51:27you could
00:51:28at that moment.
00:51:29I know.
00:51:30The thing is
00:51:31I was a little girl
00:51:32and I...
00:51:33At that moment
00:51:34I didn't understand anything, Mom.
00:51:36And...
00:51:39I don't know.
00:51:40I know it seems silly
00:51:42to think
00:51:43that you loved her
00:51:44more than me,
00:51:45but...
00:51:46That's what I felt
00:51:47at that moment.
00:51:51And I apologize
00:51:53because I know
00:51:54that lately
00:51:55I've been behaving
00:51:56like a little girl.
00:51:57Well, yes.
00:51:58Well,
00:51:59look,
00:52:00let's leave it
00:52:01in the guilt
00:52:02of both of us.
00:52:04One for being silly
00:52:05and the other
00:52:06for being even sillier.
00:52:08I'm sorry.
00:52:11Come on,
00:52:12we both like
00:52:13being silly all the time.
00:52:15You more.
00:52:16No, you more.
00:52:17Hi.
00:52:29Hi.
00:52:31What are you doing here
00:52:32so soon?
00:52:34So soon?
00:52:35It's the usual time.
00:52:36Hey,
00:52:37I was thinking.
00:52:38In the end,
00:52:39what are we going to do
00:52:40with the house
00:52:41that Marcelina
00:52:42has to rent?
00:52:43Eh...
00:52:44What?
00:52:45Don't you remember?
00:52:46We didn't decide
00:52:47what to do with that.
00:52:48If we help her
00:52:49or complicate her life
00:52:50like you said.
00:52:52No, Miguel.
00:52:53We're going to try
00:52:54to help her
00:52:55in everything we can.
00:52:56Ah.
00:52:57And that change
00:52:58is sudden?
00:53:00Nonsense.
00:53:02We've done a lot
00:53:03of nonsense lately
00:53:04and I,
00:53:05above all,
00:53:07and the time has come
00:53:08to do things right.
00:53:12You cook.
00:53:18We wanted to go
00:53:19and see her office
00:53:20but I had
00:53:21a lot of work.
00:53:23You don't worry
00:53:24about me
00:53:25but you do
00:53:26about your business.
00:53:29Why don't you
00:53:30come by tomorrow
00:53:31for the shoot?
00:53:32You'll get distracted
00:53:33and forget about your problems.
00:53:34I wish I could
00:53:35but I'm afraid
00:53:36I'll have to talk
00:53:37to the health department
00:53:38to see if they can
00:53:39speed up the notification
00:53:40process
00:53:41of reopening the salon.
00:53:42They haven't given it to you yet?
00:53:43No.
00:53:44No.
00:53:45Bureaucracy
00:53:46is very complicated
00:53:47and, of course,
00:53:48those officials
00:53:49don't have the rush
00:53:50that I do.
00:53:51And can't you
00:53:52ask a friend for help?
00:53:53I'm not sure
00:53:54he knows
00:53:55he's in charge
00:53:56of the administration
00:53:57and can help.
00:53:58Yes,
00:53:59I have someone
00:54:00to call
00:54:01but right now
00:54:02the situation
00:54:03has changed
00:54:04and no one
00:54:05wants to get involved
00:54:06and I don't want
00:54:07to compromise
00:54:08any friendship.
00:54:09That's normal.
00:54:10I just hope
00:54:11the closure
00:54:12doesn't last
00:54:13much longer
00:54:14because,
00:54:15if it does,
00:54:16my goodness.
00:54:17Everything will be solved,
00:54:18uncle.
00:54:19In a month
00:54:20this will be
00:54:21in a mess.
00:54:22You'll see.
00:54:23I hope you're right.
00:54:24If only that were the case.
00:54:26Is there anything else?
00:54:29Yes, Laurita.
00:54:30There is.
00:54:33This afternoon
00:54:34an insurance agent
00:54:35showed up
00:54:36in my office.
00:54:39An insurance agent?
00:54:40Yes.
00:54:41But why?
00:54:43He wanted to explain
00:54:44to me that Lazar
00:54:45had signed
00:54:46a life insurance policy
00:54:47with them
00:54:48and that policy
00:54:49can't be made effective
00:54:50because no one
00:54:51knows for sure
00:54:52what happened
00:54:53to my wife.
00:54:55Well,
00:54:56your wife was very cautious
00:54:57and I guess
00:54:58she was looking for a beneficiary
00:54:59in case something happened to her.
00:55:01The problem
00:55:03is that the beneficiary
00:55:04of that policy
00:55:06is not me.
00:55:08But
00:55:09who would he leave the money to
00:55:10if not you?
00:55:11We don't know.
00:55:13We only know
00:55:14the initials
00:55:15of the beneficiary.
00:55:16C.E.
00:55:18and an email
00:55:19288.
00:55:21But why would he
00:55:22do something like that?
00:55:23I don't have
00:55:24the slightest idea.
00:55:26And what is he going to do now?
00:55:27He must find out
00:55:28who that person is, right?
00:55:29Of course, of course
00:55:30I have to find out.
00:55:31Of course I do.
00:55:33But that will be
00:55:34after he manages
00:55:35to reopen La Moderna.
00:55:36That is now my priority.
00:55:38Maybe he can find
00:55:39some clue
00:55:40in the email section.
00:55:41It will have to be
00:55:42someone Lazar
00:55:43would appreciate a lot
00:55:44to leave him that money.
00:55:45Yes, but those are all
00:55:46assumptions,
00:55:47conjectures,
00:55:48hypotheses.
00:55:49We don't know anything
00:55:50for sure.
00:55:52Tell us the truth.
00:55:53He hasn't stopped thinking
00:55:54about what happened
00:55:55to his wife, right?
00:55:59That's right, Laurita.
00:56:00That's right.
00:56:02And I'm not going to rest
00:56:03until I know
00:56:04what really happened.
00:56:07Maybe my imagination
00:56:08is wasting me
00:56:09with bad ideas,
00:56:10but it's just that...
00:56:13It's just that it seems
00:56:14very coincidental
00:56:15that the disappearance
00:56:16of Lazar
00:56:17and the disaster
00:56:18of La Moderna
00:56:20happens almost
00:56:21at the same time.
00:56:41Sorry for the delay.
00:56:43Here are your drinks.
00:56:45And now,
00:56:46enjoy the night.
00:56:47It's your home,
00:56:48welcome.
00:56:52Hello, Mercedes.
00:56:57You see,
00:57:00I told my friends
00:57:01that in this place
00:57:02they would treat us
00:57:03with silk gloves.
00:57:05Would you give us
00:57:06a good table?
00:57:09Of course.
00:57:10That table next to the stage.
00:57:11Come, gentlemen.
00:57:13I already warned you
00:57:14that the most interesting
00:57:15thing about the place
00:57:16is the sweetness
00:57:18Let's go.
00:57:26Mr. Pedraza,
00:57:27would you have a moment,
00:57:28please?
00:57:29Of course,
00:57:30if you'll excuse me.
00:57:39I don't put you on the street
00:57:41because of your friends,
00:57:43but you know that here
00:57:44you are not welcome.
00:57:45I don't understand you.
00:57:47We come here
00:57:48to make an important expense.
00:57:49We want to have fun.
00:57:52Aren't you aware
00:57:53of the damage
00:57:54you're doing to me
00:57:55by coming here?
00:57:56Are you going to threaten me again
00:57:57or are you going to keep laughing
00:57:58about my brother's death?
00:57:59You know,
00:58:00to be the owner of a cabaret
00:58:01you're a little depressing.
00:58:05Being in front of the person
00:58:06responsible for what happened
00:58:07to Cesar
00:58:08doesn't make me want
00:58:09to make jokes,
00:58:10precisely.
00:58:11Leave that canteen,
00:58:12Mercedes,
00:58:13you don't convince anyone.
00:58:14I had nothing to do
00:58:15with your brother's death.
00:58:17I just came here
00:58:18to have a drink.
00:58:20Well, there are many places
00:58:21that would be willing
00:58:22to welcome you.
00:58:23Why do you have to come here?
00:58:27Because I've been forbidden
00:58:28to come here.
00:58:32I don't understand you.
00:58:33Yes.
00:58:35You see,
00:58:36to me,
00:58:37actually,
00:58:38this place
00:58:39seems like a real ordinariness.
00:58:41If I wanted to have fun,
00:58:42I can think of
00:58:43many other places
00:58:44with much more class.
00:58:47But it turns out
00:58:48that your dog Faldero
00:58:49warned me
00:58:50not to come here
00:58:52and I had no choice
00:58:53but to disobey him.
00:58:55And here we are.
00:58:59Are you calling
00:59:00dog Faldero Ivan?
00:59:01Yes.
00:59:02Yes.
00:59:03Dog Faldero.
00:59:06The poor thing
00:59:07still hasn't realized
00:59:08that he can't tell me
00:59:09what I should
00:59:10or shouldn't do
00:59:11because I do
00:59:12whatever I want.
00:59:14I think he should
00:59:15treat his son with more respect.
00:59:16I don't know.
00:59:17He deserves it.
00:59:18Do you think so?
00:59:19He's a much better person
00:59:20than you think.
00:59:22In that case,
00:59:23you see in him
00:59:24things that I haven't
00:59:25discovered yet.
00:59:26Maybe that's why
00:59:27he's so obsessed with you.
00:59:29If Ivan comes here,
00:59:30it's because I treat him
00:59:31with respect
00:59:32and sincerity.
00:59:34No.
00:59:35No, Mercedes.
00:59:36No.
00:59:37Don't be fooled.
00:59:38If Ivan spends so much time
00:59:39with you,
00:59:40it's because
00:59:41he needs to be
00:59:42with a lesser being
00:59:43to increase his self-esteem.
00:59:45It's very clear.
00:59:46He doesn't have
00:59:47any interest in you.
00:59:49I'm not going to get
00:59:50into your stupid game.
00:59:51You just want to hurt me.
00:59:53Or
00:59:55protect my son Ivan
00:59:56from a certain kind
00:59:57of gentleman.
01:00:00Don't lie.
01:00:03You only care about
01:00:04one person in the world.
01:00:06Yourself.
01:00:08Okay.
01:00:09Think whatever you want.
01:00:11But in the meantime,
01:00:12could you serve us
01:00:13a bottle of your best champagne?
01:00:15Yes.
01:00:16Make it really cold.
01:00:17Please.
01:00:18Of course, of course.
01:00:20But I demand
01:00:22that they leave
01:00:23when I finish the glasses.
01:00:24Yes, yes.
01:00:25Don't worry.
01:00:26I wasn't planning
01:00:27to spend too much time
01:00:28in this club either.
01:00:29Oh, yes.
01:00:30One more thing.
01:00:32Next time you want
01:00:33something from me,
01:00:35come and get it.
01:00:37No intermediaries.
01:00:39Got it?
01:01:03What are you doing
01:01:04up this late?
01:01:05Having a coffee
01:01:06before going to La Moderna.
01:01:07Why?
01:01:09There's nothing to bake.
01:01:10I know, Antonia, I know.
01:01:11But
01:01:12I want to behave
01:01:13like I always do.
01:01:15To maintain my routine,
01:01:16to not lose my head.
01:01:18Maybe they'll let me
01:01:19go to La Moderna today, right?
01:01:21I don't think so, really.
01:01:22Because I have
01:01:23a bad feeling.
01:01:25And why?
01:01:26It's been two days
01:01:27since the closing.
01:01:28Yes, but yesterday
01:01:29when we left the club
01:01:30there was no news
01:01:31about the reopening.
01:01:33Yes, I know,
01:01:34but don't be so cynical.
01:01:36The closing was temporary.
01:01:38Well, we'll see.
01:01:39Pietro,
01:01:41he's thinking about it a lot.
01:01:42What we talked about yesterday.
01:01:44And I think it's with Don Fermin
01:01:45that you should talk
01:01:46about your suspicions about Simon.
01:01:48Yes, darling.
01:01:50Please.
01:01:53Antonia, I'm going to do
01:01:54what I have to do.
01:01:55That's it.
01:01:56Yes.
01:01:57And what you have to do
01:01:58is talk to Don Fermin.
01:02:00No.
01:02:01I told you yesterday.
01:02:02I'm not going to accuse
01:02:03Simon of anything.
01:02:05In front of no one,
01:02:06without evidence.
01:02:08You're taking too long
01:02:09to say what you're thinking,
01:02:10darling.
01:02:12Especially when that man
01:02:13threw the stone
01:02:14and hid his hand.
01:02:15Don't you forget
01:02:16that man is missing?
01:02:18Of course.
01:02:19Everyone is as they are.
01:02:21This man is over
01:02:22everything we're going through.
01:02:24Oh, poor man.
01:02:25What a bad boss
01:02:26Don Fermin has been looking for.
01:02:28Running away
01:02:29when the hand is so bad.
01:02:30Please.
01:02:31And you there,
01:02:32at the foot of the canyon.
01:02:33The difference is obvious.
01:02:34Of course.
01:02:35And what do I do?
01:02:36I can't hide
01:02:37after what I did.
01:02:38But what have you done?
01:02:39Pietro, you haven't done anything.
01:02:41It's getting less and less clear
01:02:42that you've done something.
01:02:43Look, the only thing
01:02:44you're guilty of
01:02:45is letting Simon
01:02:46convince you
01:02:47that you're responsible
01:02:48for this disaster.
01:02:49That's it.
01:02:50Maybe.
01:02:51We can't be sure
01:02:52of anything, Antonia.
01:02:54Of anything.
01:02:55I'm not going to accuse
01:02:56Simon in front of Don Fermin
01:02:57without evidence.
01:02:58Please.
01:02:59Very good.
01:03:00Very good.
01:03:01Well, if you don't talk to him,
01:03:02I'll do it.
01:03:03No, no, no.
01:03:04Not this.
01:03:05Yes, I'm going to do it
01:03:06because I'm not going to let you
01:03:07carry a responsibility
01:03:08that's not yours.
01:03:09Do you understand?
01:03:11One of us has to do it.
01:03:12I'm sorry.
01:03:13There's no other way.
01:03:14Please, Pietro.
01:03:20Okay.
01:03:21Okay.
01:03:22But I'm not sure
01:03:23we're doing
01:03:24the right thing, Antonia.
01:03:26Well, we'll see.
01:03:27Then you'll be happy
01:03:28to have made this decision.
01:03:29And if we're going to make
01:03:30things more complicated?
01:03:31Make it more complicated?
01:03:32Yes, more.
01:03:33Well, I really doubt it
01:03:34because we're already
01:03:35in deep shit.
01:03:53Ma'am,
01:03:54how are you feeling this morning?
01:03:58Like every morning.
01:04:00Lately, every day
01:04:01it's been like this.
01:04:05Well, I think
01:04:06it's always been like this.
01:04:09Maybe this thing
01:04:10I'm bringing you,
01:04:11the happy one.
01:04:13I'd need all the coffee
01:04:14in Brazil
01:04:15to cheer me up.
01:04:16No.
01:04:17I'm not talking about coffee.
01:04:18I'm talking about that letter
01:04:19the postman brought
01:04:20right now.
01:04:21It came from Argentina.
01:04:22It came from Argentina.
01:04:40Is it good news?
01:04:43Yes.
01:04:44It seems so.
01:04:47One of the guys
01:04:48from the foundation
01:04:49has finished his studies
01:04:50and it seems
01:04:51he's done it
01:04:52with excellent grades.
01:04:55Is it that guy
01:04:56from Santiago de los Esteros
01:04:57who you told me about?
01:04:59Yes, that's right.
01:05:01Raymundo Panco.
01:05:03I'm so glad.
01:05:05I knew that boy
01:05:06was going to go far
01:05:07when I was little.
01:05:10Ma'am,
01:05:12it's the first time
01:05:13I've seen you smile
01:05:15in a long time.
01:05:19Well,
01:05:21lately
01:05:22I haven't had many reasons
01:05:23to do it.
01:05:27Well, if this
01:05:28made you feel better,
01:05:30you should think about it.
01:05:33What do you mean?
01:05:36It's a shame
01:05:37that his work is lost.
01:05:39There are many kids
01:05:40like Raymundo
01:05:41who need an opportunity.
01:05:43But Pepita,
01:05:44will the foundation
01:05:45keep going?
01:05:46Yes,
01:05:47but without his direction,
01:05:49it will end up
01:05:50as a failure.
01:05:53I just...
01:05:54I don't have the strength
01:05:55to keep going.
01:05:58Yes, I understand
01:05:59that he made a pact
01:06:00with his husband
01:06:01and that Mr. Morel's death...
01:06:02His death?
01:06:04No, Pepita, not his death.
01:06:05Cesar Morel's murder.
01:06:08That Cesar Morel's murder
01:06:10is postponed.
01:06:13But those kids need him.
01:06:15I can't leave them
01:06:16at the stake.
01:06:18Yes,
01:06:19I suppose
01:06:20the financial reserves
01:06:21will be running out.
01:06:22I know.
01:06:23I'm sure they're about
01:06:24to go into the red numbers.
01:06:27And if you're not
01:06:28looking for funds
01:06:29or talking to the donors,
01:06:31it won't last long.
01:06:33You're right about that.
01:06:34That's undisputable.
01:06:35I know.
01:06:37And in other circumstances,
01:06:38I'd be doing
01:06:39all kinds of things
01:06:40so that we could get
01:06:41all the necessary funds.
01:06:43I know.
01:06:44And why doesn't he do it?
01:06:45Because I don't have the strength
01:06:47to do such a task.
01:06:48Ma'am,
01:06:49he has to find
01:06:50that strength again,
01:06:51no matter what.
01:06:53The Foundation is
01:06:54the great project of his life.
01:06:56Yes.
01:06:57For many years,
01:06:59it was one of the reasons
01:07:00that kept me going.
01:07:03Then Cesar came
01:07:05and I got excited
01:07:06about everything again.
01:07:11Now there's nothing left.
01:07:12Ma'am, no.
01:07:13You're wrong.
01:07:15There are many families
01:07:16that depend on you
01:07:17so that their children
01:07:18have a future.
01:07:19And that should be enough
01:07:21to get you out
01:07:22of the pit you're in
01:07:23and face life again.
01:07:28Pepita,
01:07:30I have enough
01:07:31with Emiliano
01:07:32not threatening Paula
01:07:33and Rodrigo.
01:07:34Well,
01:07:35you're getting there.
01:07:37So now you can think
01:07:38about getting back to work.
01:07:40Ma'am, please.
01:07:42Ma'am, please.
01:07:44If she stays here,
01:07:45locked up,
01:07:46watching time pass,
01:07:47she'll get sick.
01:07:49Of course.
01:07:50She'll dry up
01:07:51like a sunless plant.
01:07:55Think about it.
01:07:57At least think about it.
01:08:09Where are you going
01:08:10so early in the morning?
01:08:11To see Mr. Fermin.
01:08:12So he can tell me
01:08:13what's going on.
01:08:14Let's see,
01:08:15Mr. Fermin
01:08:16doesn't have the head
01:08:17to give explanations
01:08:18to anyone now, Esperanza.
01:08:19Someone will have to do it.
01:08:20I can't go on
01:08:21with this without Vivi.
01:08:23I'm already cleaning up
01:08:24to keep myself busy.
01:08:26Let's see,
01:08:27I know the same as you
01:08:28and I try to stay calm.
01:08:30It's useless
01:08:31to lose our nerves
01:08:32and much less
01:08:33to make others
01:08:34lose theirs.
01:08:35Yes, yes,
01:08:36that's fine
01:08:37in theory.
01:08:38But are we going to open or not?
01:08:39Esperanza,
01:08:40I already told you
01:08:41that I know the same as you
01:08:42and Mr. Fermin
01:08:43will tell us something
01:08:44when he thinks it's convenient.
01:08:45Okay?
01:08:47Yes,
01:08:48all this sounds terrible to me.
01:08:50I think we're living
01:08:51the end of the modern era.
01:08:53Or not.
01:08:54Esperanza,
01:08:55everything can be fixed.
01:08:57Or we can end up in jail
01:08:59for poisoning
01:09:00half of Madrid.
01:09:01But, well,
01:09:02you're being ridiculous.
01:09:04What fault do we have
01:09:06that they can take us
01:09:07as accomplices
01:09:08of the poisoning?
01:09:10And then you would have
01:09:11more guilt than the others.
01:09:12Because, of course,
01:09:13you have a higher position
01:09:14of responsibility in this company.
01:09:16Esperanza,
01:09:17this has been an accident.
01:09:19And how is it?
01:09:20Does it have to be treated?
01:09:21I'll tell you that
01:09:22when we're in jail
01:09:23there
01:09:24in the gallery in Alcalá.
01:09:25Oh, my God.
01:09:26I hope they put us
01:09:27in the same cell.
01:09:28Come on, come on, come on.
01:09:29You're more exaggerated
01:09:30than I know.
01:09:31None of that is going to happen, man.
01:09:32None at all.
01:09:33Teresa,
01:09:34do you have a moment,
01:09:35please?
01:09:36Yes, of course.
01:09:37Tell us the truth.
01:09:38What's going on?
01:09:40Are we getting out of this
01:09:41or are we going to jail?
01:09:42Because, of course,
01:09:43if I lose my job
01:09:44at my age,
01:09:45who's going to hire me?
01:09:46Look, Esperanza,
01:09:48we're giving away
01:09:49a temporary one
01:09:50as soon as we can.
01:09:51But I hope that
01:09:52we'll be back to normal
01:09:53in a short time.
01:09:54Well, that's the same
01:09:55as not saying anything.
01:09:56Are we going to open or not?
01:09:57Soon, Esperanza, soon.
01:09:58But I still don't have
01:09:59the permission
01:10:00to reopen
01:10:01and I hope
01:10:02we get the notification
01:10:03well, well,
01:10:04in the morning.
01:10:05Well, we're in a hurry.
01:10:06Oh, my God.
01:10:07What are we waiting for?
01:10:08A paper?
01:10:09For a paper.
01:10:10I already read it.
01:10:11It's the competent authorities
01:10:12who have to inform us
01:10:13when...
01:10:15I'm going.
01:10:22Ah, come in.
01:10:23Mr. Fermin.
01:10:24Come in.
01:10:27It's terrible.
01:10:30Tremendous
01:10:31to have to contemplate
01:10:32modernity like this.
01:10:34Without a single client
01:10:35sitting at their tables.
01:10:37Yes, it's devastating.
01:10:39You don't know how much
01:10:40we regret it, Mr. Fermin.
01:10:44Teresa, if you're so kind
01:10:45as to wait for me
01:10:46in the office,
01:10:47I'll be right there.
01:10:48Of course.
01:10:49Esperanza,
01:10:50come with me.
01:10:55And no matter
01:10:56who I consider,
01:10:57I've made a decision
01:10:59and I'm not going
01:11:00to change my mind,
01:11:01even if that means
01:11:03losing my true love
01:11:04or even my life.
01:11:09What do you think?
01:11:11Well, if you do that
01:11:12in front of the camera,
01:11:13the viewers
01:11:14are going to get a nosebleed.
01:11:18Well, I've already got a nosebleed
01:11:19and it's not usual.
01:11:21That's because you're excited.
01:11:22Excited?
01:11:23What nonsense.
01:11:24I'm going to see
01:11:25how the team is doing
01:11:26because if they don't hurry,
01:11:27we'll be late.
01:11:28Well, this is incredible.
01:11:30You've reached Ramallo's heart
01:11:31and look what we thought
01:11:32he didn't have.
01:11:33How's your uncle?
01:11:34When I arrived,
01:11:35I couldn't see him.
01:11:36He was locked up in his office.
01:11:37Well, he came to see us yesterday
01:11:39and the truth is that
01:11:40we were very worried
01:11:41about everything he told us.
01:11:42Yes, he found out
01:11:43that Mrs. Lazara
01:11:44had a life insurance
01:11:46and he wasn't the beneficiary.
01:11:48That's strange, isn't it?
01:11:51That's going to be more weight
01:11:52on his shoulders.
01:11:53I don't know how much pressure
01:11:54he's going to be able to bear
01:11:55the good of Don FermÃn.
01:11:56Well, I don't think it's much more
01:11:57and the truth is that
01:11:58that has us quite worried.
01:12:00Laura,
01:12:01I don't want to sound selfish,
01:12:02but I hope your uncle's case
01:12:03doesn't influence your interpretation.
01:12:05No, no, no.
01:12:06Laurita is going to do a great job.
01:12:07Right?
01:12:08Yes.
01:12:09I'm worried,
01:12:10but I'm going to defend my sentences
01:12:11as if I were the spy herself.
01:12:14AgustÃn,
01:12:15haven't they brought the food yet?
01:12:19La Moderna is closed.
01:12:20They can't serve us.
01:12:22Well, then,
01:12:23order it somewhere else.
01:12:24I was going to order it
01:12:25in a cafe next door,
01:12:26but I haven't closed it yet
01:12:27with Ramallo.
01:12:28He's getting on my nerves.
01:12:29Yeah, but we can't
01:12:30have the team
01:12:31starving.
01:12:33Ramallo,
01:12:34can you come here for a moment, please?
01:12:37Is there a problem
01:12:38with the food?
01:12:40Yes.
01:12:41We won't be able to eat today.
01:12:43AgustÃn has looked for a place
01:12:45where they charge us
01:12:46too much for the service,
01:12:47so for today
01:12:48we'll have to do without that luxury.
01:12:49Yeah,
01:12:50but this team
01:12:51is giving their all
01:12:52to get the job done
01:12:53and we can't mistreat them
01:12:54like this.
01:12:56So I want abundant
01:12:57and tasty food
01:12:58and I want it now.
01:12:59Yes, you're absolutely right.
01:13:00We have to take care of the team,
01:13:01so I'm going to order
01:13:02food and drinks urgently.
01:13:04Very good.
01:13:15I can't believe it.
01:13:18I can't believe
01:13:19they still won't let you
01:13:20open your establishment.
01:13:26It must be terrible for you.
01:13:28Yes, it is.
01:13:29If it continues like this,
01:13:30I'm going to end up in ruin.
01:13:35You can always sell me
01:13:36your 1% of my business.
01:13:38No.
01:13:40I'm not going to do it.
01:13:43Why?
01:13:45Why, FermÃn?
01:13:47It would alleviate
01:13:48your financial situation
01:13:49for a long time.
01:13:50Stop insisting, Emiliano.
01:13:52You know perfectly well
01:13:53what my position
01:13:54is on this matter.
01:13:55All I want
01:13:56is to help you
01:13:57so you can continue
01:13:58fighting for the model.
01:13:59And that's what I'm going to do,
01:14:00but without selling that percentage.
01:14:03And now, if you'll excuse me,
01:14:04I have to take care of matters
01:14:05with my manager.
01:14:06You know the way, right?
01:14:19How did you become such good friends?
01:14:23It's a long story.
01:14:26It's a story
01:14:27that goes back
01:14:28to the days we spent
01:14:29in that boarding school.
01:14:31I don't like to talk about that, Iván.
01:14:34Don't ask me anymore.
01:14:37Now what we have to do
01:14:38is to focus on
01:14:39how to keep pressuring him.
01:14:42Because the alternative,
01:14:44you know what it is,
01:14:46right?
01:14:49I guess you're behind
01:14:50the delay
01:14:51in the reopening permit.
01:14:53Me?
01:14:57What are you saying, Iván?