ザ・カセットテープ・ミュージック 2025年1月26日 2025音楽トレンド予測・その2_1
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00Oku-san, it's time for HUB.
00:04Yay!
00:06HUB. HUB. HUB.
00:08This time, we have HUB from Shibuya.
00:14How about you, Sokaccho?
00:16Today, I'm going to...
00:18I'm going to change my mind.
00:19Oh, Suzy-san.
00:20This is...
00:21I named it.
00:22Yes.
00:23Wind-Colored Cola.
00:24Oh!
00:25It reminds me of the cola I used to drink when I was a kid.
00:28By squeezing in a little sweet cola lemon,
00:31it makes it easier to drink.
00:33Oh, that's good.
00:34A breeze is blowing in your heart.
00:37Oh, that's good.
00:39What is this?
00:40Please try it.
00:41This is still a first touch.
00:44Here I go.
00:48How easy it is to drink.
00:50This is a beer cocktail.
00:52What's the name of this?
00:53Nagisa no Beer Monogatari.
00:57Nagisa no Beer Monogatari.
00:59It's a beer cocktail that reminds you of a beer cocktail you drink on a beach at night.
01:05Oh, no. A beach at night.
01:07Nagisa no Beer Monogatari.
01:12Only you.
01:14It contains lime, pineapple juice, and peach liqueur.
01:19Isn't it delicious?
01:21That's why I think it's quite fruity.
01:23Yes.
01:24Between January 20th and February 11th,
01:28it will be sold at Shibuya in HUB in Tokyo,
01:30and Umeda Chayamachi in HUB in Osaka.
01:33Chayamachi.
01:34Five kinds of collaboration drinks will be sold.
01:37If you drink this,
01:38you may be able to see the existence of this program while whispering.
01:42Whisper.
01:43This is important.
01:44Sakachi, how many times do you want me to drink?
01:47I think it's better to taste all kinds of flavors for the cassetters.
01:52Thank you, everyone.
01:54Please drink five cups.
01:55Please.
01:56Five cups are empty.
01:57It's empty.
02:09Kuchibiru tsumuto to narasete
02:18Daitan Yoso.
02:19In 2025, the music trend of this year is
02:22the second one.
02:24Let's start.
02:26It's the same as the last time.
02:29Let's start with Suzy.
02:31I checked the love trend of young people.
02:33In 2025, there will be a hit boom.
02:37A hit boom.
02:38A hit boom.
02:39No one can make a voice now.
02:42That's true.
02:43SNS is so popular.
02:45Matching apps are also popular.
02:47Now, people want to meet people in person.
02:51I think this hit song will be a boom.
03:14Hey, do you want to go for a cup of tea?
03:18The girl in the yellow sweater.
03:22She looks like a Viking.
03:25It's hurtful.
03:26Oh, my God.
03:32I don't know.
03:33It's like a fool's memory.
03:35I don't know if I should say the same lines.
03:38I don't know if I should say the same lines.
03:42Well, there may be a trend.
03:48Let's change it.
03:49Don't you want to fly?
03:53Highway to the port.
03:57If you hold on to your waist,
04:02I'm not afraid.
04:04The wind is in the middle.
04:08When it turns into a sea breeze,
04:12Let's come back.
04:17The Alice in this town.
04:22A little bit of city city glow.
04:26I'm copying a fashion magazine.
04:31A little bit of city city glow.
04:39Nishiwa Osaka.
04:41Nanba Street.
04:44This is Harajuku.
04:46Omotesando.
04:48Nanba Street.
04:53Did you know?
04:55To be honest, I don't know.
04:57Mizutani Yutaka.
05:01It used to be popular.
05:04Mizutani Yutaka released it in 1978.
05:07Omotesando.
05:08Nanba Street.
05:10This is it.
05:12The chorus is Nishiwa Osaka.
05:14Nanba Street.
05:15It's near Umeda Chayamachi in HUB.
05:18Near Nishiwa Osaka.
05:19Nanba Street.
05:20Umeda Chayamachi in HUB.
05:22And this is Harajuku.
05:23Omotesando.
05:24Nanba Street.
05:25This is Shibuya in HUB.
05:28He's so dramatic.
05:32He's a dramatic lemon.
05:33But, Suzy, when I was in my early 20s,
05:38I was in this area.
05:41I was like, oh my god.
05:43Really?
05:45I was so excited.
05:49I was so excited.
05:50I wanted to come to HUB with you.
05:54I was so excited.
05:56Have you ever been to HUB?
05:58No, I haven't.
05:59That's too bad.
06:00No, I haven't.
06:01Mizutani Yutaka is like my partner.
06:03He's so cool.
06:04He's so cool.
06:05He's stylish and cool.
06:07When I was a kid,
06:09Mizutani Yutaka was like this.
06:11But, how can I say this?
06:13He was like a pure young man.
06:18An angel with scars.
06:19A traveler with only men.
06:21He was the representative of young people in the late 70s.
06:25He was pale and a little down.
06:28A little down.
06:29He was like a down-and-out.
06:34I watched a lot of movies and dramas.
06:36I didn't know how dramatic it was.
06:40But, he was so young.
06:42He talked like a normal person.
06:44Really?
06:46But, when I saw his reaction,
06:48I thought he was going to hit on me.
06:49But, he didn't.
06:51He didn't.
06:52He didn't hit on you while waiting for you.
06:54He didn't, right?
06:55No, he didn't.
06:56He's on social media now.
06:58Even if he doesn't talk to me,
07:00I can talk to him.
07:02He uses a tool.
07:03I see.
07:04I like the ending.
07:06In the end, Mizutani Yutaka failed to hit on me twice.
07:10Really?
07:11He said this at the end.
07:24He hit on me for three times.
07:31Not good.
07:33I will go home.
07:35It's over.
07:37Unfortunately, he didn't.
07:38He's the old version of his.
07:40Not good.
07:41You can't say that.
07:43Is he a dead man?
07:44He's a dead man.
07:46I saw him a lot in my childhood.
07:48When I was young.
07:50When you're feeling down, you can do this.
07:52Is that a 4?
07:53It's a 4!
07:54It's a 4!
07:55Do you want me to call her and ask her to come over for a cup of tea?
08:00I'm in a bit of a hurry.
08:01That's mean!
08:05So, we're not going to have a pickup boom!
08:08We're not?
08:09I don't think so.
08:12Now it's my turn.
08:13I'm going to play Heisei Classics.
08:17Heisei Classics.
08:19The CD sales were at their peak in 1998.
08:23In other words, it was Heisei 10.
08:26Because it was so popular until Heisei 10,
08:29I think the artists had an advantage.
08:32So, there were a lot of features.
08:34The length of the song and the intro were long.
08:37Nowadays, there are guitar solos that are not necessary.
08:41The tie-up was a trend.
08:43It became a theme song for TV commercials, dramas, and anime.
08:47It became very popular.
08:50I think that was one of the features of this era.
08:53Another thing is the songs that everyone wants to sing in karaoke.
08:58In the CD singles, there's karaoke included.
09:03There was.
09:05So, everyone would dub it, practice it, and perform it in karaoke.
09:11It was included.
09:12I'm glad.
09:13It was included.
09:14It was.
09:16Because it has a sense of antiquity,
09:19it's worth using as it's interesting.
09:25First, let's listen to this song.
10:41I love it.
11:12Fall for your lovin'
11:14In a little heaven
11:16Climb into the chaos
11:19I'm about to stop breathing
11:23Give me, give me, kiss to me
11:25Bumper car
11:27Yeah!
11:30It's so hot.
11:31It's so hot.
11:32The temperature and humidity are both high.
11:35It's a song by Kondo Usazuke and Oda Tetsuro.
11:39It's about being.
11:41In 1992, there's still the influence of Odoru Ponpokorin.
11:45Yes, there is.
11:46Kondo Usazuke.
11:47Yes, yes, yes.
11:48You know Odoru Ponpokorin, right?
11:49There was a mysterious monster in Odoru Ponpokorin.
11:51He was wearing sunglasses, a hat, and a guitar.
11:55He was saying,
11:56Yeah!
11:58That's when he got serious.
12:00What?
12:02The same person?
12:03Yes, the same person.
12:05Wow!
12:06Oda Tetsuro sang,
12:07It won't change forever.
12:11Oda Tetsuro sang in a combined unit.
12:15The singer was Bomber Girl.
12:17Anyway, in the Reiwa era,
12:19he was a heavy and macho man.
12:22Macho?
12:23That rock tune.
12:24He was macho.
12:25He was macho.
12:26He was very macho.
12:27That's why I like it.
12:29I really like this song.
12:30Really?
12:31Because you like macho?
12:32Because I like macho.
12:33You like macho.
12:34It's echoing a lot now.
12:35Your husband is also a macho man.
12:37I think this song is very valuable for the Reiwa era.
12:42I see.
12:43At the part of,
12:44Give me, give me, kiss to me, Bomber Girl,
12:46there is a punch line.
12:48It's coming.
12:49If there is a choreography,
12:54I think it will be popular on TikTok.
12:57If high school girls gather in a classroom,
13:05and suddenly decide to dance,
13:07I think it will be popular like Megumi.
13:13Can you think of a pose?
13:17It's an ad-lib.
13:18Suzy and I will do it.
13:21We will do it.
13:22The purpose is to be popular on TikTok.
13:24Can you do anything?
13:25Of course.
13:26But it's a macho feeling,
13:28so I want to add a sense of training.
13:32I see.
13:33You want to add a sense of training.
13:36I want you to train this part of men.
13:39I see.
13:40At the part of Bomber Girl,
13:42Give me, give me, kiss to me, Bomber Girl.
13:45It's a very powerful feeling.
13:47Open your legs to the shape of a frog.
13:50Bend your knees outward.
13:51Squat.
13:52Squat.
13:53Squat.
13:54Squat and then,
13:55bang!
13:58I also want to train the inner thighs.
14:00Squat.
14:01I want to train the inner thighs,
14:02and add sexiness.
14:03Suzy, add sexiness and muscles to the inner thighs.
14:06Make sure your knees don't go out before your toes.
14:09I will train it properly.
14:11I'm coming.
14:12I'm coming.
14:23Suzy, it's a little hard to see.
14:25It's hard to see.
14:27I can't see it myself,
14:28but it's hard to see.
14:31I can't do it.
14:32Master,
14:33I want to train other muscles.
14:35Other muscles?
14:36Don't you have any?
14:37Let's use a chair.
14:39Focus on the gluteus maximus.
14:43It's around the gluteus maximus.
14:45Bomber Girl.
14:46I see.
14:47I see.
14:53It's cool.
14:54It's cool.
15:10It's beautiful.
15:12I felt it was coming.
15:13I think you enjoyed it with the inner thigh sound.
15:20I think this song will be played a lot in videos.
15:27Let's listen to the commercial song of that time.
15:32This is the song.
15:39Let's listen to it.
16:09Ito nami ga afurete
16:13Nagai kami wo nabikaze
16:17Kimi ga aruite yuku
16:21Hanenaru ujun no wari
16:25Abukenai shibusa de
16:29Kubi ni sagaru kurosu wo
16:33Motte asondeiru ne
16:37Moeru hitomi de mitsume kaesare
16:41Omoazu shisei wo hazushita
16:45Hageshisugite ai no mame
16:49Wasurerarenai
16:52Kiken na megami wo aishite
16:56Yagetsuku you na koi
17:00Itsu ni nareba kimi wa boku wo
17:04Terashite kureru
17:13It's like Camellia Diamond.
17:17That commercial song.
17:19This commercial song was played a lot in heavy rotation at midnight.
17:24This song has a lot of elements of Heisei Classic.
17:29The intro was long.
17:34TDS's one-chorus is over.
17:36If it was Heisei Classic,
17:38even if there was a little bit of that part,
17:41I think it would start with the chorus.
17:43Yes, I'm happy.
17:44That's right.
17:45It's a classic Heisei Classic song.
17:48But from the long intro to the A melody,
17:51to the B melody,
17:52to the chorus.
17:54After that, there's a guitar solo.
17:57And I think this song is a masterpiece of Heisei Digital Latin.
18:02It's a Latin song.
18:03There's a Latin-flavored guitar.
18:05This is also Heisei Classic.
18:06Let's listen to it.
18:09Oh, that's cool.
18:25This is Heisei.
18:28I think the amount of luxury is Heisei.
18:31Including the sound pressure.
18:33This part is the best for me.
18:35I think it's going to be a hit in Reiwa.
18:37There's a climax.
18:42This part.
18:43This is good.
18:54It's coming.
18:58It's coming.
19:06This feeling of determination.
19:08It's cool when you finish it off.
19:10After the JKs came out of the class,
19:21There are so many people coming from all over the country.
19:24We'll finish it all together at the end.
19:28Tatatata Tatatata
19:35You know, we're all dancing together.
19:39We're all dancing and dancing in diversity.
19:42But in the end, we're going to decide where we're going to decide.
19:44Everyone loves it.
19:48I feel good.
19:49If we pick up this part in a short video,
19:53I think it's going to be a big hit, and I think it's going to be a big hit, including Megami-Kan.
19:59I want you to do it in the middle, like Ihara Rikka.
20:01Like Ihara Rikka!
20:03I'm following you.
20:04There are a lot of people like Ihara Rikka.
20:08There are a lot of people in the world of video.
20:11Then, if there is Ihara Rikka, there are also people who are the main characters of BOOGIE WOOGIE, right?
20:24Megami-Kan, right?
20:25I'm sorry for pulling you into my favorite place.
20:29I'm sorry I'm getting away from the music.
20:31It doesn't matter.
20:32Please put it out in the order of Nizutani Yutaka.
20:35I forgot.
20:40Tenbyoushi Enka is coming.
20:42Tenbyoushi Enka?
20:44It's Enka, but the rhythm changes from 3 to 4 seconds in the middle.
20:48Another name is Progre Enka.
20:50In the first place, this program has been pushing the pentatonic waltz.
20:55Pentatonic waltz.
20:56Pentatonic waltz changes to 4 seconds at the chorus.
20:59If it was 3 seconds, it would be waltz.
21:02From now on, when I say 3 seconds, it's 1, 2, 3, 1, 2, 3.
21:08If it's 4 seconds, it's 1, 2, 3, 4.
21:11It's a square.
21:12The moment I say it, it changes from 3 to 4.
21:16First, I'll show you two.
21:18Please watch the music.
21:43What?
21:54Wait a minute.
21:55The intro is in 4 seconds.
21:57What?
21:58It's the last one.
22:00Let's put this story aside.
22:03Let's put it aside.
22:04But I didn't have an intro.
22:06It's confusing, so let's continue.
22:10Hey.
22:11I was surprised.
22:12I was surprised.
22:13That's true.
22:24Everyone, together.
22:26It's not time yet.
22:39It's not time yet.
22:41It's not time yet.
22:43It's Pentatonic.
22:46It's almost time.
22:533, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4.
23:10There was a little bit of a trap.
23:12How was it?
23:13It changed from 3 to 4.
23:15I didn't realize it at all.
23:17Really?
23:18You didn't realize it, right?
23:19I didn't realize it at all.
23:20You listened to it so much.
23:22I listened to it a lot.
23:23It's so magical.
23:24It's the ES of Pentatonic.
23:26ES?
23:28No way.
23:29It's the ES of Pentatonic.
23:31I don't know why.
23:32I don't know why, but I don't feel anything when it changes from 3 to 4.
23:37I don't feel anything.
23:38I don't feel anything at all.
23:40Anyway, the surprising thing is...
23:42We talked about Progre earlier.
23:44In classical music, it's like a tree is shining.
23:48It's complicated, and it's hard to show the ability to play.
23:52But this is natural.
23:54It's natural.
23:55That's why...
23:56I don't know at all.
23:57That's why it went up to 980,000.
23:59I see.
24:01In folk music, there are times when 3 and 4 beats suddenly change.
24:10But it may be the case in Japanese dojyaku rhythm.
24:16But in this relaxing waltz tempo, it changes in the chorus.
24:22It's amazing that you don't know this.
24:24I think this is also in Enka.
24:27Is there?
24:28You just didn't notice?
24:29As I said, I listen to folk songs and old songs.
24:32In the first place, 3 and 4 beats are the rules of Western music.
24:36I see.
24:37That's why part 1 and part 4 are included.
24:39The same goes for the intro.
24:41Western music keeps 3 beats according to the rules.
24:46It's not progressive.
24:49It's a vague sense of rhythm for Japanese people.
24:52I see.
24:54If I had studied more, I could have said more.
24:58It came out.
24:59It came out.
25:00It's convenient.
25:06How do you feel?
25:08Which one should I wear?
25:10Which one should I wear?
25:12Which one should I wear?
25:13Let's decide.
25:14Let's decide.
25:15But I can't pick up girls.
25:20You can't pick up girls.
25:21I can't pick up girls.
25:22How about Bomber Girl?
25:24Bomber Girl is...
25:25How about Dangerous Goddess?
25:26Bomber Girl came to me a lot.
25:28You only have Bomber Girl.
25:31You are Bomber Girl.
25:33I really like that song.
25:35You are Bomber Girl on the inside.
25:38And you like macho.
25:39I like macho.
25:42I think one of them will be popular.
25:44I go to Shibuya branch of HUB and Umeda Chayamachi branch of HUB.
25:49I check which one will be popular.
25:50I check which one will be popular.
25:52I drink more than three times.
25:54I collect stickers.
25:55I collected stickers.
25:56I was right.
25:57I want you to do this.
25:59Thank you very much.
26:00Thank you very much.
26:01See you.
26:02Bye-bye.
26:03You will be popular again.
26:05Give it more freedom.
26:07BS12 Duel Beats