• 4 hours ago

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Transcript
00:00Welcome to the Discussion Center!
00:03Tonight, you may be involved in a love legal discussion special!
00:09I was pulled.
00:11I was pulled.
00:12It's rare.
00:13I've never heard such a loud voice.
00:15I was surprised.
00:16I was surprised.
00:17I was surprised that it was such a loud voice.
00:19I was in a hurry.
00:20I heard that there is a lawyer like this.
00:22I heard that there is a lawyer like this.
00:24Anyway, it is said that it is sexual harassment.
00:27It is said that it is sexual harassment.
00:30What should I say?
00:33It's difficult.
00:34I don't think about it and just talk.
00:38Before shooting a movie, I take a lecture.
00:43It's all sexual harassment.
00:45It's all sexual harassment.
00:47For each work?
00:49It's called a respect lecture.
00:51This is sexual harassment.
00:52This is sexual harassment.
00:53I take a lot of lectures.
00:55I'm naked in a drinking party.
00:58This is sexual harassment.
01:00There are people who don't like it, so it's sexual harassment.
01:04I'm kidding.
01:05I was kidding.
01:06But drinking parties where no one is naked are not interesting at all.
01:11What happens if I say it's very useless?
01:14The lawyer said,
01:17Let me think about it for a day.
01:21I'm kidding.
01:24For example, don't say,
01:26What is this?
01:28Don't say,
01:29What is this?
01:33I used to be in a drama called Keiji.
01:36When I found an elementary school girl,
01:40I said,
01:41Who is this?
01:42Don't say,
01:43Who is this?
01:44Don't say,
01:45Who is this?
01:46Who is this?
01:47Who is this?
01:48Who is this?
01:49Who is this?
01:50What is this?
01:51It doesn't make sense.
01:53It's unnatural.
01:54I'm an elementary school student, so when I find her,
01:57I want to say,
01:58Are you okay?
01:59Who is this?
02:02The first thing I say is,
02:03You've lost weight.
02:05I think it's good.
02:07I don't say,
02:08You've gained weight.
02:09I don't say,
02:10You have big breasts.
02:13I don't say,
02:14I don't say,
02:15I don't say,
02:16I don't say,
02:17I don't say,
02:19You have big breasts.
02:20I don't say,
02:22I don't say,
02:23I don't say,
02:25I never say,
02:26you have lost more weight.
02:31Put your weight back in?
02:38he gained weight.
02:39A little fat.
02:40Let's give up that!
02:44You choose the words too much.
02:45You can't speak.
02:47You can't speak.
02:48The word cute is also like sexual harassment.
02:51That's why I thought you were going to say something else.
02:54No, no, no.
02:55I'm not?
02:56Then, if you think that being skinny is sexual harassment, please raise your hand.
03:04Three people.
03:05Three people.
03:06Mori-san.
03:07Yes.
03:08Sexual harassment is a sexual behavior against the will of the other person at work.
03:14This time, being skinny is against the will of the other person at work.
03:18This is a sexual behavior.
03:21To be more specific,
03:23for example, if you say something like that on the spot,
03:27the producer or the station will not call such a talent.
03:32It is now becoming a situation to prepare the work environment.
03:37No, no, no.
03:38It's serious.
03:40It's pretty serious.
03:43No, I'm not always saying that.
03:46Who are you talking to?
03:48Who are you talking to?
03:49It's okay.
03:50Hey, hey, hey.
03:51There are a lot of great people there.
03:53Power, power, power.
03:54Power.
03:55Power.
03:56You just stood up and pointed at the other person.
03:59The other person is scary.
04:01Harassment.
04:02That's completely that.
04:05Harassment.
04:07Of course, all the staff there were laughing,
04:10but there were two people who did this.
04:12They were shaking.
04:13Look, look.
04:14Don't point your finger.
04:15Don't point your finger.
04:17Then let's listen to the previous one.
04:18What, what, chan.
04:19Chanzuke.
04:20If you think chanzuke is sexual harassment, raise your hand.
04:24Please.
04:25One person.
04:26Kitamura-sensei is different.
04:28Kitamura-sensei is different.
04:29Chan is...
04:30I haven't guessed yet.
04:32Don't talk.
04:33Don't talk.
04:34Don't talk.
04:35I can't see.
04:36I haven't guessed.
04:37What is it, Mr. Motomura?
04:39It's okay to say chan to a child.
04:42Because it's a child.
04:43It's okay.
04:44Of course, it doesn't matter if you say chan to an elementary school girl.
04:46Because it's a child.
04:47It's not good to say chan to an adult woman.
04:51It's not good.
04:52In the entertainment industry, Karen-chan may be good.
04:56Everyone in the industry thinks that Karen-chan also wants it.
04:59It's not good to say chan to a female employee at a normal workplace.
05:08It's too easy to think.
05:09It's not too easy to think.
05:11It's not good.
05:12It's too easy to think, Kitamura-sensei.
05:14What are you talking about?
05:15It's a word you use when you call someone in Japanese.
05:21San.
05:22There shouldn't be any honorifics.
05:24It's okay to say san.
05:25Don't decide on your own.
05:27Why?
05:29Would you say son?
05:30The conflict is in commotion.
05:31Why can you say kun?
05:33Is there a reason for that?
05:35If it's giri-kun it's okay.
05:36Not chan.
05:37This is in counselor's office rules.
05:42You can't say chan with this.
05:45Being the counselor makes you be
05:48be considered and renamed by the counselor.
05:52You don't need to be allowed to do that.
05:54It's not fair.
05:55It's not fair.
05:56It's not fair.
05:57It's not fair.
05:58It's not fair.
05:59It's not fair.
06:00It's not fair.
06:01It's not fair.
06:02It's not fair.
06:03It's not fair.
06:04It's not fair.
06:05It's not fair.
06:06It's not fair.
06:07It's not fair.
06:08It's not fair.
06:09It's not fair.
06:10It's not fair.
06:11It's not fair.
06:12It's not fair.
06:13It's not fair.
06:14It's not fair.
06:15It's not fair.
06:16It's not fair.
06:17It's not fair.
06:18It's not fair.
06:19It's not fair.
06:20It's not fair.
06:21It's not fair.
06:22It's not fair.
06:23It's not fair.
06:24It's not fair.
06:25It's not fair.
06:26It's not fair.
06:27It's not fair.
06:28It's not fair.
06:29It's not fair.
06:30It's not fair.
06:31It's not fair.
06:32It's not fair.
06:33It's not fair.
06:34It's not fair.
06:35It's not fair.
06:36It's not fair.
06:37It's not fair.
06:38It's not fair.
06:39It's not fair.
06:40It's not fair.
06:41It's not fair.
06:42It's not fair.
06:43It's not fair.
06:44It's not fair.
06:45It's not fair.
06:46It's not fair.
06:47It's not fair.
06:48It's not fair.
06:49It's not fair.
06:50It's not fair.
06:51It's not fair.
06:52It's not fair.
06:53It's not fair.
06:54It's not fair.
06:55It's not fair.
06:56It's not fair.
06:57It's not fair.
06:58It's not fair.
06:59It's not fair.
07:00It's not fair.
07:01It's not fair.
07:02It's not fair.
07:03It's not fair.
07:04It's not fair.
07:05It's not fair.
07:06It's not fair.
07:07It's not fair.
07:08It's not fair.
07:09It's not fair.
07:10It's not fair.
07:11It's not fair.
07:12It's not fair.
07:13It's not fair.
07:14It's not fair.
07:15It's not fair.
07:16It's not fair.
07:17It's not fair.
07:18It's not fair.
07:19It's not fair.
07:20It's not fair.
07:21It's not fair.
07:22It's not fair.
07:31It's not fair.
07:41It's not fair.
07:45Akizawa-san
07:47I'm sad
07:49Akizawa-san's fan is Koneko-chan
07:53Am I wrong?
07:55Yes, you are
07:57Koneko-chan
07:59Is it okay to call her Koneko-chan?
08:01She is my fan
08:03Koneko-chan
08:05If my fan calls me Koneko-chan
08:07and I get sued
08:09I'm done
08:11I want to be called Koneko-chan
08:13She must be happy
08:15She must be happy
08:17Koneko-chan
08:19I've never seen anyone
08:21calling me Koneko-chan
08:23at my event
08:25I don't listen to that
08:27This time, Oizumi-san
08:29will advertise Eita
08:31Bakarizumu is
08:33a drama starring Suzuki-san
08:35It's a script
08:37I want you to use it
08:39I want you to use it
08:41Shigashiro-san has been saying that
08:43I'll give you a name at the meeting
08:45It's quite funny
08:47It's a joke
08:49It's a joke
08:51For example, in the casting
08:53do you say
08:55I want you to play this role?
08:57At the meeting
08:59I did it with everyone
09:01In the first year
09:03I was told
09:05After I started shooting the show
09:07I got a lot of opinions
09:09Oizumi-san, do you watch
09:11Bakarizumu's works?
09:13Of course, I watch all of them
09:15Of course
09:17Bakarizumu-san is a comedian
09:19Makoto-san and Shigashiro-san
09:21I'm totally different
09:25I'm very important
09:27I'm very important
09:29I won't forgive you
09:31I won't forgive you
09:33He's a comedian
09:35He's a comedian
09:37No, he's not
09:39You guys are so ignorant
09:41I'm not ignorant
09:43You're all like Bakarizumu-san
09:45For example, you watch a lot of movies
09:47You watch a movie
09:49You watch a movie
09:51You watch a movie
09:53You watch a movie
09:55You watch a movie
09:57I'm the type of person
09:59I don't watch those movies
10:01I'm the type of person
10:03I'm the type of person
10:05Sorry
10:10What kind of sakuya you don't call me run this could be me I'm not kidding. I don't mean no, I'm
10:18Hi, do you get it? It's like that. I put them all quiet inside. No money this doesn't
10:24I'm not a mama. Come on. I don't see the night. She kind of trouble
10:28SNS they were died on after which I know don't
10:35I'm gonna see
10:43No
10:44You know what I say?
11:05No, I'm not
11:13Sorry
11:20Yes
11:24You said you should send in the chicken can cook and sugar
11:272254 can so no cheese. Oh, yes. Oh, I'm gonna dance. I don't like it
11:31No, it's the most common the mondaiga
11:35Juice can't give us a
11:40Panzer no Mikhail to Oga Taga wakate jidai just I need I can start a key go to
11:45live sake a denture they don't you
11:48Oga Taga door Gawa senpai futari Oh hasami Mukai got kono ichi ni suwatte. Ita
11:54Sulu to
11:57Hey
12:01Konoha
12:03What's up?
12:06Look I was a pretty night on you. What's in this?
12:11You know you can do it. Oh, yeah
12:16See myself
12:21So no go Mukai. Oh, it's a slur moose. It's a live kaijo. No, I don't
12:27She can't see so cool
12:37So this
12:38Condo another car. Oh my god. Oh, she can you go?
12:42Sawadee. Okay. Okay. It's good. I can't meet or you're sorry. Let's go. Thank you. It's there. Oh, honor. She'll come
12:48Oh, yeah, I got a young
12:49tonight
12:52Okay, it's a little so quick
12:54Shut the water, Kudasai
12:57Boko, not you didn't say it's to meet it on this guy. Oh, I see. I mean, we'll see myself. Oh, no, just a little bit
13:04Oh, yes
13:08Oh, hey, thank you
13:15Nantoka kiki wada shitaga
13:17They know she's gonna know me that's a
13:20Sky, we'll say I don't know you must get out of it. I don't know. What's that? I know the show. I don't know
13:24Hey, I didn't buy no pink. I am
13:28That's a little bit
13:31Tonight, you must get some of this. Hey, I'm Tony. I think I know I already bought that. It's a remote
13:35Do you have a typhus? I don't mind you
13:38There's a little bit
13:41Yamashii tokuro got out of color. Nigga. No, they're not in this
13:44You must even know me free kakaroto still don't demo nice. I know I'm gonna need it
13:49Oh, yeah, I didn't buy it. I thought you said I got all cut down. I can die. What is a nice note?
13:54You've got a nigga doga. Oh, come on. Let's go. I know
13:59Thank you. No, thank you. Oh, she ate it more. I must
14:03Well, you're gonna hold my little girl. I'm not sure
14:06What the fuck I did I didn't shut it. I'll tell you don't give me mine
14:09I'm gonna cut it. I'll tell you they did it. I'm gonna see you in a high school. I'm gonna see you in a high school
14:13No, they know it's all the go-meta. We're gonna have to go to the cat. I need to come
14:20He got she looked to quote
14:24You didn't do it
14:30I'm gonna go to the air. You don't have to do it. I'm gonna get the night
14:34No, they said I'm gonna be not a little shit
14:37The Korea
14:43Do you have to do it again?
14:49Oh, this is karma and I don't know how to tell you I don't have to be more than a gene
14:52You see a little time to come to Canada. I know she's not much on day. I know what I thought
14:58I'm gonna say
15:00No, I'm not going to hate you. I'm just kidding. Oh, you're okay. What's that?
15:04Okay, what can I tell my knee?
15:06Oh, she's hung up. Yes. Oh, you say good. I know she's hung up. I'm gonna suck you. I get on this. I turn this
15:11You're home. What can I do? I'm gonna take it. What's the bus? You don't do it
15:16I don't know. What's that? I don't know. Yeah, I just don't want to do it
15:21I'm gonna give him a hug. Yeah, I get it. What's that?
15:24Yeah
15:26I don't know. I'm not sure. I'm not going to say that. You don't want to do it. You got your money
15:30I'm not gonna get it. I thought I saw some of them. I don't know. I'm not doing it
15:35That's me. I'll get it
15:37Yeah, I don't get it
15:42Yeah, oh my god, you got you
15:45Don't know what I'm going to do. I don't get it. I don't get it. I don't get it
15:50I don't know
15:57I'm sure
16:19I don't like to talk about young idols.
16:23You're holding back?
16:24I'm holding back!
16:26Even if I want to touch them, I'm holding back.
16:29You want to touch them?
16:30I want to touch them!
16:31I wonder if it's a segwara to say that they're cool.
16:35I think it's logical.
16:37It is?
16:38I think it's a segwara to say that a woman's boss is cool.
16:45What?
16:49You can't say they're cool.
16:51I can't?
16:52In this boring world!
16:54What's that?
16:55It's boring.
16:56It's boring.
16:57It's not cool.
16:58It's not cool.
16:59Now, the question from earlier.
17:01What should I do if I'm mistaken for a segwara?
17:06It's hard to run away.
17:09I don't think I can run away.
17:12And when I'm caught, I feel really bad.
17:15I see.
17:16I think it's normal to say,
17:18I was saying it in a segwara!
17:21Maybe you should call a lawyer.
17:23A lawyer wouldn't say anything like that.
17:25I see.
17:26What should I do?
17:28What do you think, Bakawarizumo?
17:30I just thought of it.
17:32It's the order of the people around you, right?
17:34Yes.
17:35The people around you are on your side,
17:37so in order to be equal,
17:38you say,
17:39I was touched, too.
17:41You touched them, didn't you?
17:44It's the impression of the victim and the perpetrator.
17:47If it's the victim and the perpetrator...
17:50Why do you think I was touched?
17:53Because I'm a man,
17:54I have a sense of intrusion,
17:55so I think I was touched by the man.
17:57Can't I say that?
17:59Be equal.
18:00I think I can do it now.
18:03Let's hear it.
18:04What is the opinion of the strongest lawyer in history?
18:07What is your truth?
18:10Give me a truth.
18:14It's the same.
18:15So, the opinion of the strongest lawyer has changed.
18:20Let's hear it later.
18:22Lawyer Mori.
18:23Currently, the case of intrusion is
18:25based on the testimony of the victim.
18:27I see.
18:28So, if you are arrested in the second half of the year,
18:30you will be arrested for 72 hours,
18:32and you will be detained for 20 days.
18:34And if you deny it,
18:36it will take a year to go to court,
18:38and you may not be able to go out for a long time.
18:40No, no, wait a minute.
18:41Then you will lose your trust and your job,
18:44so it's hard to deny it.
18:46So I think it's most important to leave.
18:49Lawyer Otomura.
18:50The most common mistake that people make
18:53is that they stay on the scene
18:55and spend time trying to make themselves known
18:58that they didn't do it,
19:00and they get involved in the case more and more.
19:04This is the scariest thing.
19:06Escaping is not a bad thing.
19:09You don't escape because you have something to hide.
19:12You escape because you are in a terrible disaster
19:14that is about to hit you.
19:16What should I do if I get caught?
19:18If you get caught, you will be in a big trouble.
19:20No, no, wait a minute.
19:22What are you talking about?
19:24What's wrong with you?
19:26You should have said that.
19:28You have to escape so that it doesn't happen.
19:30The behavior of the person who really denies it
19:32is probably the same as that of the person who denies it.
19:34The person who really denies it will probably run away, right?
19:36No matter what you do, just run away.
19:40There is no other way.
19:43Can't I call a lawyer?
19:45Can't I call Mr. Otomura?
19:47Mr. Otomura, I've been told that I didn't do this.
19:49What will happen if I call him?
19:50It will get worse and worse,
19:52so please get out of there as soon as possible.
19:54That's what I'll say.
19:57After this, Hashimoto will teach you
19:59how to avoid denial of a phone call.
20:02I think it's very effective to get a physical examination.
20:07I can't get through!
20:10Wait a minute!
20:13I'm very sorry.
20:18This person is a spy!
20:20In order to avoid the accusation of being a spy,
20:23Hashimoto Kitamura will teach you how to deal with
20:27Mr. Motomura Mori, who says,
20:30Mr. Hashimoto,
20:32while shooting a video,
20:34run away.
20:35The case of being a spy is important
20:37because it is important to make sure
20:40that you do not disadvantage yourself
20:43when you are in court.
20:45So, there is a smartphone
20:47that can take a video of the situation on the spot,
20:50so turn on the video right away
20:52and run away.
20:54However, it is important
20:56not to disadvantage yourself,
20:58such as running away or rampaging.
21:01Anyway, I think it's better to think hard
21:03not to disadvantage yourself.
21:05And Mr. Kitamura will ask for a physical examination.
21:09Unlike 10 years ago,
21:11when more than 90% of people around
21:13had smartphones,
21:15there were quite a few people
21:17who started shooting the moment they said,
21:19I'm a spy.
21:20So, there is a question
21:22whether running away works effectively.
21:25If so, ask for a physical examination.
21:27When you touch a woman's clothes
21:29or underwear,
21:31a small fragment of her genitals
21:33sticks to your hand.
21:35Ask for a physical examination.
21:37As Mr. Wakarizumi said earlier,
21:39I think it's very interesting,
21:41but if a person who is said to be a spy
21:43says,
21:44no, no,
21:45you'll know if you get a checkup.
21:47When you look around,
21:49you may think,
21:50oh, is this a story about a thief?
21:52I see.
21:53I don't go to the opposite side,
21:55but I can go to 50-50.
21:57I see.
21:58I think it's better to make such a claim
22:00in this day and age.
22:01I see.
22:02Physical examination.
22:03Certainly,
22:04there was a time when I got a checkup.
22:06However,
22:07in recent years,
22:08in a crowded train,
22:10a fragment of a victim's woman's clothes
22:12happens to be in the hands of
22:14an unrelated person.
22:16That's one thing.
22:18However,
22:19I think it's very effective
22:21to make a claim that
22:23it's a crime.
22:24I think that's big.
22:25If you can escape,
22:26you can escape.
22:27However,
22:28there are times when you can't
22:30think that it's easy.
22:31I see.
22:32And the railway side,
22:33as much as possible,
22:34I want security cameras
22:35to be installed in the car.
22:37I see.
22:38So,
22:39when you're on the train,
22:40you can film yourself all the time.
22:42That's weird.
22:43That's weird.
22:44No, but,
22:45no, no,
22:46even in a time like that,
22:48if it's self-defense,
22:49it's like taking a video.
22:51You can't get close to people like that.
22:54There are dangerous people.
22:56Dangerous, dangerous.
22:57Dangerous, dangerous.
22:58Now, let's move on.
22:59Next,
23:00it's a hidden trouble.
23:03Every Sunday,
23:05a single mother meets an alien.
23:08It's a local alien-human comedy.
23:10It's a hot-spot script.
23:12It's a hot-spot script.
23:13It's a hot-spot script.
23:14It's a hot-spot script.
23:15I heard it's an alien.
23:16It's a hot-spot script.
23:17It's a hot-spot script.
23:18It's a hot-spot script.
23:19It's a hot-spot script.
23:20It's a hot-spot script.
23:21It's a hot-spot script.
23:22It's a hot-spot script.
23:23It's a hot-spot script.
23:24It's a hot-spot script.
23:25It's a hot-spot script.
23:26It's a hot-spot script.
23:27It's a hot-spot script.
23:28It's a hot-spot script.
23:29It's a hot-spot script.
23:30It's a hot-spot script.
23:31It's a hot-spot script.
23:32It's a hot-spot script.
23:33It's a hot-spot script.
23:34It's a hot-spot script.
23:35It's a hot-spot script.
23:36It's a hot-spot script.
23:37It's a hot-spot script.
23:38It's a hot-spot script.
23:40It's a hot-spot script.
23:41It's a hot-spot script.
23:42It's a hot-spot script.
23:43It's a hot-spot script.
23:44It's a hot-spot script.
23:45It's a hot-spot script.
23:46It's a hot-spot script.
23:47It's a hot-spot script.
23:48It's a hot-spot script.
23:49It's a hot-spot script.
23:50It's a hot-spot script.
23:51It's a hot-spot script.
23:52It's a hot-spot script.
23:53It's a hot-spot script.
23:54It's a hot-spot script.
23:55It's a hot-spot script.
23:56It's a hot-spot script.
23:57It's a hot-spot script.
23:58It's a hot-spot script.
23:59It's a hot-spot script.
24:00Welcome home.
24:01Yooichi is the only companion.
24:02You look great again.
24:07Thank you for coming.
24:08You said it.
24:11Having a happy marriage,
24:16Yooichi kept thinking…
24:18What is it?
24:19One day before he left,
24:21Oh, Yooichi!
24:23Long time no see!
24:25an unexpected friend showed up.
24:29Oh my God.
24:30Is she your new wife?
24:32Yeah.
24:33Yoichi, don't you ever lay a hand on your wife again.
24:37Don't be as violent as you used to be.
24:40That's the worst.
24:41Violence?
24:42What's that?
24:43That's terrible.
24:44Actually, Yoichi had a crush on his ex-wife.
24:47You ate curry for lunch.
24:49Why did you hate it so much?
24:51I have my reasons.
24:53If you keep standing there,
24:55I'll kick your ass!
24:58Oh my God.
24:59He was a violent husband.
25:04What do you mean?
25:06You didn't say anything about it.
25:09Before marriage.
25:11Why did you break up with your ex-wife?
25:14I didn't like her personality.
25:16Oh, you're lying.
25:17He divorced because of violence.
25:19Yeah.
25:20He remarried because he didn't like her personality.
25:25I can't believe you're lying.
25:27That's a long time ago.
25:29You've changed your mind.
25:31Calm down.
25:32Don't get close to me.
25:33You're going to get angry and hit me again.
25:35I won't hit you.
25:37Stop it.
25:38You can't live without violence.
25:41That's right.
25:42Let's get a divorce.
25:45Will she be able to get a divorce with her ex-husband?
25:50Isumi-san, do you have a family?
25:54I don't have a family.
25:55I know.
25:57I know.
25:58You're lying.
26:00You're lying.
26:02Why are you doubting me?
26:04What are you trying to confess?
26:06You don't talk about your recent DV.
26:09Calm down.
26:10You didn't say you hit me last week.
26:15Wakarizumu-san is very kind.
26:17He's a comedian.
26:19He talks about his wife's scary episodes.
26:23Wakarizumu-san doesn't talk about that.
26:28I don't talk about my family.
26:30I don't talk about my family when I'm a comedian.
26:34I'm sorry. I don't have a family.
26:38Miyasako Ichimon is...
26:41I know Miyasako Ichimon.
26:43I didn't say that.
26:44Miyasako Ichimon is Miyasako Ichimon.
26:46Miyasako?
26:47He's a comedian.
26:49He's a comedian.
26:51I'm Miyasako Ichimon.
26:53He's the only comedian who is busy with his script.
26:56He has a separate office and house.
26:59He eats at night.
27:01He wants to go to the theater early.
27:03But he has to make people excited by talking.
27:07He has to do two things.
27:09It's a duty.
27:14He has to do two things to make people laugh.
27:17It's a duty.
27:19He has to do two things to make people laugh.
27:21He's a great comedian.
27:23When he eats, he treats it like a restaurant.
27:28He treats it like a restaurant.
27:30He doesn't talk about his family.
27:32He doesn't talk about his family.
27:34He doesn't talk about his family.
27:35I don't talk about my family at all.
27:37That's a lie.
27:40My wife hates it when I make a lot of noise.
27:47Why?
27:48I had a hard time this morning.
27:50She asked me what I was doing today.
27:52I told her that I was in a line.
27:54She said,
27:55Be elegant.
27:59I thought,
28:01Can you be elegant in a line?
28:04Did you say that?
28:06I used to be in a line.
28:09I told her to be elegant.
28:11I told her,
28:12You don't have to be angry.
28:14How can I be angry with that person?
28:17How?
28:18I went to a terrible battlefield in a line.
28:22I went to a terrible battlefield in a line.
28:25I thought I would be killed if I brought a weapon.
28:30When I came back,
28:32I sometimes go to a battlefield in a line.
28:34When I came back,
28:35I asked if there was anything to eat.
28:37She said,
28:39You talk too loud.
28:41You talk too loud.
28:43I'll come back without eating.
28:44I'll come back without eating.
28:45I'll come back without eating.
28:47That's embarrassing.
28:48I'll come back without eating.
28:49I understand.
28:51You'll come back early, right?
28:53You should have come back to your room a little earlier.
29:00I heard you'll come back to your room.
29:02I'll come back to my room in 20 minutes.
29:05We'll be home in 10 minutes!
29:07That's too early!
29:09There's still time left.
29:11So, can you divorce your husband who used to be a DV?
29:17My wife is feeling the danger of being a DV.
29:22She's feeling the stress.
29:24I think that's one of the reasons for divorce.
29:30How about you, Izumi-san?
29:32In this case, he lied to her.
29:35If he lied to her, he can divorce her.
29:41What is he doing now?
29:45He should have explained it to the next person.
29:50I see.
29:51So, he can divorce her.
29:54How about you, Karen-chan?
29:55I can't divorce him.
29:57I can't tell my friend not to be violent to a real DV.
30:05Even to your friend?
30:06So, what is the opinion of the strongest lawyer in the world?
30:10What is your truth?
30:16So, it's 3 to 1.
30:20Lawyer Kitamura.
30:22I can't divorce him.
30:23Of course, humans grow.
30:26There are many people who are not a DV.
30:31He lied to her.
30:35He lied to her.
30:36He said,
30:37Do you really get married when you get married?
30:41I see.
30:42Did he lie to her?
30:44Did he reveal everything?
30:46No, he didn't.
30:48He said,
30:49If you reveal everything, you can't get married.
30:53I don't get it.
30:54He said it with Lawyer Kitamura.
30:56You said so, too.
30:57I said so, too.
30:58You said so, too.
30:59It's different.
31:01Lawyer Mori.
31:02I can't divorce him.
31:04It's true that if you get married by fraud,
31:06you can cancel the marriage.
31:08But when you get married,
31:10you try to be liked by the person you like,
31:12and you exaggerate the fact.
31:15So, you can cancel the fraud unless it's a very important lie.
31:18Isn't DV an important lie?
31:20I think it's an important fact if you hide the fraud.
31:24But I don't think you can get divorced
31:27because of the uncertainty of DV.
31:29I see.
31:30Lawyer Hajimoto.
31:31I look at the current situation of the couple.
31:35If the current situation is good,
31:37you can't get divorced.
31:39If you really don't get along,
31:41you can get divorced after a certain period of separation.
31:44You can't get divorced right away.
31:47Lawyer Motomura.
31:50You can get divorced.
31:52If the wife has a fear,
31:55if she can't believe her husband is violent,
31:57if she is afraid to live with her husband,
32:00the court can't force her to continue the marriage.
32:07There's nothing.
32:08There's nothing now.
32:10There's nothing now.
32:12You're happy, right?
32:13There's nothing now.
32:15She's changed.
32:18She hasn't got divorced yet.
32:20No.
32:21In the future,
32:24she won't be violent in the future.
32:27She's not blogging.
32:29She's just got divorced.
32:31She's not blogging.
32:33At least, she isn't blogging at this time.
32:37I think it's good now.
32:38She's not blogging.
32:40She's not blogging.
32:42You're the only one who wants to stand out for saying a different opinion!
32:45What are you saying?
32:46What?
32:47You said it was red!
32:48I didn't!
32:49You said it was red!
32:50You didn't say anything!
32:51You said, Ima-wa!
32:52Don't say things like, Ima-desho-no-atarashii-yatsu!
32:56I don't know!
32:57Ima-wa!
32:58But you're not agitated!
33:00Ima-wa!
33:01Ima-wa!
33:02That's enough!
33:03Ima-wa!
33:04There's a difference in opinions.
33:07Let's move on.
33:08Next, we have a trouble that happened during a meal.
33:12Oh, I'm surprised!
33:13This is a movie that's currently being released.
33:16It's called Urobuchi Burai.
33:18The main character, Oizumi Yo, is going to challenge himself in a real battle.
33:22Wow, that's amazing!
33:23I'm going to eat you up!
33:25He's looking forward to it.
33:27It's so good!
33:28He's going to eat out.
33:30If he has a 30 minute break, he'll go out to eat.
33:34When he goes out to eat with the staff, he orders a lot.
33:38When I was in the campaign, the stylist, Meg, was eating next to Oizumi.
33:44But he ordered more than the number of people.
33:47He had a gloomy face and said,
33:49It's good.
33:50It's good.
33:51It's good.
33:52It's good, right?
33:53He's happy.
33:54If he didn't say it's good, he'd go back to Hokkaido.
33:56He wouldn't say it.
33:57He wouldn't say it.
33:58He wouldn't say it.
33:59Oizumi, who loves eating out, may be involved in this problem.
34:03He has dealt with this in the past.
34:07The consultant is Yumi Igarashi, who loves eating out.
34:11One day, she went to a restaurant with her colleagues for lunch.
34:18The atmosphere in the restaurant is calm.
34:20They can look forward to the food.
34:22I'd like a beef stew, please.
34:24Me, too.
34:25All three of them ordered the beef stew that the chef recommended.
34:29A few minutes later.
34:31It looks delicious!
34:33It looks delicious!
34:34Itadakimasu!
34:37It's delicious!
34:39But there was an incident.
34:43What happened?
34:46She ordered a beef stew at a restaurant.
34:49Then, a customer next to her...
34:54Hey, waitress! There's a bug!
34:56There's a bug in the food!
34:58Oh, no.
34:59A bug was in the food of a customer next to her.
35:04Oh, I'm terribly sorry.
35:07I'll pay for it.
35:10Yumi and her colleagues were watching it.
35:12We should go to bed, too.
35:15Then, the manager said something surprising.
35:18Welcome back.
35:19It'll be 1,000 yen for one person.
35:22What? Are you going to charge us?
35:24We're in a bad mood, so we can't eat anymore.
35:27But you didn't eat the food of a customer.
35:31And you ate something different from the food of a customer next to you.
35:37The food of a customer next to her was curry.
35:40But Yumi and her colleagues ate beef stew.
35:44We didn't make it in the same pot.
35:47So, we can't pay for it.
35:50You don't have to show it in front of us.
35:53Please pay for our food, too.
35:57Can they pay for it?
35:59It's difficult.
36:00What did the lawyers think 19 years ago?
36:0319 years ago.
36:05They can't pay for it.
36:07They can't pay for it.
36:08For example, if it's a high-class restaurant,
36:11the service is included in the money.
36:13But if it's a junk food restaurant,
36:15I don't think it's necessary to pay for it.
36:18They can pay for it.
36:20It's a typical example that some customers' dishes affect the whole restaurant.
36:26What did the lawyers think 19 years ago?
36:29Mr. Oizumi, do you treat everyone to a meal?
36:33Yes, I do.
36:35Because I'm the star of the show.
36:37Can I ask you to practice?
36:39No, you can't.
36:42Mom, how can I be elegant?
36:48I'll ask you to practice.
36:51You don't have to tell me everything.
36:53Mom, how can I be elegant?
36:59You don't have to tell me everything.
37:02I want to ask you a lot of questions.
37:04Tell me where you live.
37:06You don't have to tell me.
37:08You don't have to tell me.
37:09Then I'll tell you everything.
37:11You don't have to tell me where you live.
37:14You don't have to tell me where you drive.
37:16You don't have to tell me.
37:18I'm in the dressing room.
37:20Why do I have to tell you everything?
37:24What's your favorite food?
37:26Sushi.
37:29Sushi is good.
37:31That's good.
37:33Let's go with that.
37:35What country do you live in?
37:36I won't tell you.
37:38What's your favorite color?
37:40Yellow.
37:42You'll tell me that, right?
37:44How much do you practice?
37:45I won't tell you.
37:47I don't want you to tell me everything.
37:51I'm not a fool.
37:53I'm a person who has a strong will.
37:56I give my best to the actors.
37:59I go to a restaurant.
38:01I go to a restaurant with the actors.
38:05There is Mr. Tanaka in the restaurant.
38:08He pays for me.
38:11He pays for you?
38:13Yes, he is a comedian.
38:15What about you?
38:17I don't go to a restaurant with my friends.
38:21I go to a restaurant with Kaho.
38:25You may be similar to Karen.
38:28Karen doesn't go to a restaurant.
38:30I started going to a restaurant recently.
38:33Let's go together.
38:36That's a different story.
38:39When did you start going to a restaurant?
38:41I promised myself not to refuse what I was invited to.
38:44I want to make more friends.
38:47Let's go together.
38:48I won't go.
38:50I'm glad to hear that.
38:53I want to go with you.
38:55I don't want to go at all.
39:01I don't want to go at all.
39:04It's a strong denial from Mr. Goto and Mr. Kigashima.
39:08I'm too nervous.
39:11I don't want to go at all.
39:14I don't want to go at all.
39:17I don't want to go at all.
39:19I'm nervous.
39:22What about you?
39:24I won't go at all.
39:27You won't go at all?
39:30I won't go at all.
39:33I won't go at all.
39:35If I go, I can hear a great story.
39:38You can hear a great story.
39:40I want to go with more than five people.
39:42What do you do with a small number of people?
39:45What about Mr. Hashimoto?
39:49What about Mr. Hashimoto?
39:52I don't think I can talk to him.
39:55That's right.
39:57Can you make the food for the next customer for free?
40:01I don't think I can make it for free.
40:04I think it depends on the management of the restaurant.
40:11Mr. Oizumi.
40:13I don't know.
40:16I don't know.
40:18I don't know the answer.
40:20I don't know the most important thing.
40:22I want to help the restaurant.
40:24If it's me, I'll pay for it.
40:27Congratulations.
40:29If it's me, I'll leave it.
40:32It's a different story.
40:35What do you think of the strongest defense team?
40:39What is your truth?
40:42Are you serious about cooking?
40:45You don't seem to understand at all.
40:46I don't understand at all.
40:48Listen to me until the end.
40:49No.
40:50Listen to me until the end.
40:51No.
40:52No.
40:53No.
40:54No.
40:55No.
40:56No.
40:57No.
40:58No.
40:592 weeks later.
41:01There's a bug in the dish.
41:04If there's a bug in the curry, will he pay for the beef stew?
41:16We divided the two teams.
41:19The defense team in KITAMURA will not get free food.
41:24There are some bugs in the house.
41:27Yes, there are.
41:28There are times when bugs get in while you're away from them.
41:31And if you say that you're going to eat the beef stew for free,
41:35in the end, you have to throw away all the food you made in this restaurant.
41:40In a popular restaurant, that's going to happen no matter what.
41:46The restaurant has a duty to provide safe food,
41:50but this time, the restaurant is providing safe food,
41:54so it's fulfilling its duty.
41:56It's not that you can't eat it because it's disgusting when you see all the bugs in it,
42:00but that has nothing to do with the law,
42:03so I don't think you can get it for free.
42:06I see.
42:07On the other hand, Mr. Motomura,
42:09you can get it for free.
42:11You're eating at a restaurant,
42:12so at least until you finish eating,
42:14you have a duty to maintain the minimum sanitary environment in the restaurant.
42:20It doesn't matter if it's the next table or this table.
42:24You don't have to pay for it.
42:25The contract of a restaurant is legally a food supply contract,
42:29and it's not just about serving food.
42:32It's a food supply contract that includes the space of the restaurant,
42:38as well as the service of eating there.
42:40I see.
42:41Do you know the minimum tax rate for consumption tax?
42:45In a restaurant,
42:46if you eat in the restaurant,
42:49it's 10%.
42:51But if you take out at a restaurant, it's 8%.
42:54A restaurant provides a service,
42:57so it's 80%.
42:58So there is a debate that consumption tax should be 10%.
43:02Restaurants have such service.
43:04That's why consumption tax is 10%.
43:05Consumption tax is not related in this case.
43:08It has nothing to do with it.
43:09It's not about consumption tax.
43:10It's about whether it's a high-end restaurant or a public restaurant.
43:14No.
43:15It's not about being a high-end restaurant or a public restaurant,
43:17it's about a restaurant or take-out.
43:20Then the consumption tax has nothing to do with it.
43:21This is not a section of the law.
43:23This is not a public dining room!
43:25You can't call a restaurant that costs 1,000 yen for lunch a public dining room!
43:28That's true, that's true.
43:29What do you mean by a public dining room?!
43:31What do you mean by a public dining room?!
43:32What do you mean by a public dining room?!
43:33Mr. Motomura!
43:34Please don't try to take back what you just said!
43:37That's not the problem!
43:39A restaurant that costs 1,000 yen for lunch is a restaurant that is run at the very end of the line.
43:44If a restaurant like that enters this pot,
43:47the problem with this pot is that it can't be solved.
43:50It's a huge loss.
43:51What does the cost of consumption have to do with this?
43:53It's not about whether it's a public dining room or a luxury villa.
43:55It has to do with this?
43:56It's not about the cost of consumption!
43:58What does it have to do with that?
43:59It's not about the cost of consumption!
44:00Not like a restaurant...
44:01It's not a problem that the cost of consumption is 1,000 yen!
44:02It's important to figure out whether it's a restaurant or a restaurant that takes out the food.
44:05It seems that he doesn't understand you at all.
44:06I don't understand, Mr. Kitamura!
44:07I think the cost of consumption and the take out are different.
44:09It's not about the cost of consumption!
44:10You better listen to me carefully!
44:12There's a different line for 1,000 yen!
44:15It has nothing to do with that.
44:16The most important thing is whether or not it's the last show.
44:18It has nothing to do with that.
44:19It has nothing to do with that.
44:21It has nothing to do with that.
44:22It has nothing to do with that.
44:27Lastly, we have a notice.
44:29Mr. Oizumi, please.
44:31The movie I'm starring in,
44:33Muromachi Burai, is being released.
44:35The man named Hatsuda Hyoe, who has only appeared once in history,
44:39has caused a great uproar in Japan in the past.
44:45It's an action-adventure based on a true story.
44:47Please watch it at the theater.
44:49Please watch it at the theater.
44:51It's a true story.
44:52It's interesting.
44:53Next, we have Bakarizm and Suzuki.
44:56The Sunday drama, Hotspot,
44:58is starring Bakarizm and Ichikawa Mikako.
45:01It's a local alien-human comedy.
45:04It's an amazing genre.
45:05In the second episode of tonight's show,
45:07Mr. Ichikawa and his childhood friend, Mr. Suzuki,
45:09will ask an alien for a favor.
45:11The second episode will feature an alien's big jump.
45:14Tonight at 11.30 p.m.
45:16I can't tell the difference.
45:18Please watch it.
45:19Please watch it.
45:20Mr. Suzuki's big jump.
45:22It's an open-air property special.
45:24Even though it's in Harajuku, the rent is 60,000 yen.
45:26It's so nice.
45:27Even though it's in Daikan-yama, the rent is 43,000 yen.
45:29In addition,
45:30it's supposed to take three minutes from the station,
45:32but if it takes more than 10 minutes,
45:34can you get compensation?
45:36The problem is the real estate company.
45:38Everyone knows that.
45:39I think Mr. Hashimoto's opinion is wrong.
45:41We'll see it next week.
45:42You guys are insects.
45:44If you want to watch this show again,
45:46go to TVer.

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