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00:00If you go to see it like this, you can't find it anywhere else.
00:06I haven't heard of any music festival for 13 days.
00:10We are very fortunate that such great artists have participated in it.
00:19We get the opportunity to sit in front of them and listen to them.
00:24We are very fortunate.
00:30Sir, what is your name and occupation?
00:32I play the basuri of Ronu Majumdar.
00:38You all know it.
00:40I have come to Saptak.
00:42Sir, you have come to Saptak and played the basuri of Hariprasad Chaurasia two days ago.
00:50Will you play it today?
00:52I haven't been playing it since today.
00:54I have been playing it for 35 years.
00:56The only difference is that Manju sister is not here this time.
00:58I have been playing it since 1991.
01:03I have been playing it since the time of Nandan Bhai.
01:06Earlier I used to play it in Kashi Ram Hall.
01:08Now I play it here.
01:10That is the only difference.
01:12I have played a lot of items here.
01:14I have also brought Mr. Kadri Gopalanath here.
01:16I have also introduced a lot of artists here who had not come before.
01:22Saptak is a great yagya in which everyone offers their aahuti.
01:31Our Guruji Bharat Ratna Pandit Ravishankar ji has also come to Saptak.
01:41Ustad Ali Akbar Khan sahib, Bheeshma Pitamah people who are no longer with us,
01:46these people also used to come here.
01:49Ustad Zakir Hussain is also no longer with us physically.
01:59He had played two CDs with me.
02:03Heart to Heart and Ethereal Rhythms.
02:06He had played these two CDs with me.
02:08The third CD's planning was going on.
02:11This time my composition, with your blessings, is called Samvet.
02:19It is called Samvet to play together.
02:22The song that is sung together is called Samvet.
02:25My name has been recorded in the Guinness Book of World Records just a week ago.
02:31So I am sharing this news with you, with the audience of Ahmedabad.
02:38This is Guru Kripa.
02:40The special thing was that I conducted and composed the largest Indian orchestra.
02:46But the special thing was that I had combined the three rags made by Sangeet Samrat Tansen.
02:53One is Mia Malhar, one is Mia Ki Todi and Darwari Kanada.
02:59Darwari was brought from Adana.
03:06So I am sharing this big news with you.
03:18Sir, tell us about your performance today.
03:21In the beginning, we have not seen a tabla like this.
03:25You have played the tabla with your mouth.
03:28We should do something new.
03:30We do a lot of performances.
03:34We should do something new in which the audience feels that something is new.
03:38Like you said, we have not seen anything like this.
03:40So we were having a conversation with the syllables of the tabla.
03:45Between me, Naveen and Shridhar.
03:48We were showing our playfulness and artistry.
03:54We were showing our playfulness and artistry.
03:57We were showing our playfulness and artistry.
04:02We did not decide anything.
04:05This was happening on the spot.
04:07This is the speciality of our music.
04:1295% of classical music is improvised.
04:175% is rag, which is fixed and taal.
04:22The rest is on the spot.
04:26Sir, can you give us a name for your performance today?
04:31Or did you just like it?
04:35No, nothing like that.
04:37We just wanted to do something new.
04:39There is no specific name for it.
04:41We say that rap is new these days.
04:45This has been going on for thousands of years.
04:49This is the gift of Indian classical music.
04:54Whatever you are playing, you are saying it.
04:57Whatever is played in Pakhawaj, you can say it.