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00:00you will take their words seriously and you will start your spiritual practice accordingly.
00:06It is necessary for this.
00:08Sir, what was the level of life when you started classical music?
00:14What was the time?
00:16This time is done with interest.
00:20First you should have interest in yourself.
00:23First you have to do it.
00:26After that, whatever things will be there, we should learn this knowledge well.
00:30Education should come in our necks well.
00:35And after seeing us, it is also very important for us that
00:38the audience and the artist should know that he is an artist of this tradition.
00:43This is the truth of education.
00:47Sir, today is the forty-fifth year of classical music.
00:51Is it forty-five or forty-one?
00:53Forty-five.
00:54Forty-five.
00:55Today you are going to give a presentation.
00:57Sir, what kind of presentation will you give?
00:59First of all, I have come here for the first time.
01:02I have come to Gujarat for the first time.
01:04And I have come to this program for the first time.
01:08So, I am feeling very good here.
01:12And I am a little sad that Manju Mehta is not here.
01:19And so many great artists like Ustad Zakir Hussain.
01:24We thought that if they come here, they will get to listen.
01:28So, all these things remained incomplete.
01:31And now I am feeling very good that we got the opportunity in the forty-fifth year.
01:38For this, I thank Haital Mehta ji and Sandeep ji from the bottom of my heart
01:45that they gave us the opportunity to serve here.
01:48Sir, what will you do in the presentation?
01:50In the presentation, today we will present the Raag Maru Bihag.
01:56We will present two compositions in it.
01:59The first composition is in one taal, Rasiya Ho Naja.
02:02And the second composition is in the third taal.
02:05The words are Parimuri Naav Majhdhara.
02:08All this was sung by my guru Pandit Bhimsen Joshi.
02:12He immortalized this bandish.
02:15And this bandish is sung by him.
02:18He has also sung it with Mannadej in a film.
02:23Basant Bhaar was made in that film.
02:25Ketaki Gulab Johi Champak Ban Phule.
02:28It is composed in one taal.
02:31Ustad had asked me to present it.
02:35So, I will present it.
02:41Sir, what is your name?
02:43I am Vikas Parikh.
02:45I am the singer of Mewati Gharana.
02:49I am a disciple of Pandit Jasraj and my father, Krishnakant Parikh.
02:59I run my Swaralaya Academy here.
03:03And I have been teaching from the Guru Shishya Parampara.
03:09Sir, what do you mean by Guru Shishya Parampara?
03:13Guru Shishya Parampara is taught in the same way in Saptak.
03:19In the earlier times, one had to go to the Guru's house or Gurukul and teach.
03:31One had to not go to the Guru's house or perform outside the Guru's house.
03:41There were certain rules.
03:44There was no exam method.
03:49Guru is the final statement.
03:56Sir, can there be a parallel to Guru Shishya Parampara?
04:02Not in music.
04:03In music, there are examinations.
04:07There are exams for Visharad, Alankar, MA, BA, and PhD.
04:15But in that, only knowledge is given.
04:21If you want to progress in performance,
04:26Guru Shishya Parampara is the best method.
04:31Even today.
04:33Sir, today is Saptak.
04:36In the country, there is a 13-day music festival.
04:40How do you celebrate it?
04:42I am not a Kamdabad citizen.
04:46I am very proud that we have been able to host such a great festival.
04:54I would like to tell everyone,
04:57Watch this 13-day festival.