• 4 days ago
Nina De Azúcar Capítulo 22 Completo
Nina De Azúcar Capítulo 22 Completo
Nina De Azúcar Capítulo 22 Completo
Nina De Azúcar Capítulo 22 Completo
Transcript
00:00Well, that's what it looks like.
00:01No, no, look, you had an excellent childhood, everything spectacular.
00:05Teenager, very loved, I mean, the girls came, they threw themselves at me, I stopped, stopped, stopped.
00:09And as an adult, you already know me, I'm the most coveted.
00:12Yes, but you are talking to me about passion.
00:14I'm talking to you about something else.
00:15Yes, about love. No, it's not my house, I'm not interested.
00:18You know what? Why don't you get your head on a new date for the wedding,
00:22your new dress and the new living room, because the one we had in exchange is no longer available.
00:30Sorry.
00:31Sorry, but I'm very distracted because I'm thinking what song I'm going to sing for the cake festival
00:37and in Ignacio de la Torre.
00:40In Ignacio de la Torre? But you are not well. What happened?
00:43It's my dad.
00:48What?
01:01There is no case, little angel. The maid does not answer.
01:05Mr. Leandro, Miss Glovo is a very busy person.
01:10In fact, I had to suspend my dance classes due to her work commitments.
01:14I understand, but I think I exceeded the information I gave you about a delicate issue.
01:18So much so that she doesn't want to talk to you?
01:20I don't know, people in general don't talk much with me.
01:23I think you're a little sensitive, Mr. Leandro.
01:26Look, angel, I appreciate your words, but I feel like I was very abrupt.
01:32Maybe like with the leather, as Valentina says.
01:35I make too big jumps.
01:37Because I think you're taking risks, Mr. Leandro.
01:40I like that point of view.
01:42But here it has to do with the intimacy of someone else.
01:45I wish I could tell you.
01:47Sorry.
01:49Ignacio.
01:50Answer it calmly, sir.
01:52No, park and answer it yourself.
01:54Me?
01:55Yes, park.
01:56Okay.
02:01Look, if he's angry, you'll know how to handle it.
02:04But with a lot of tact, please.
02:10Good morning, Mr. Ignacio.
02:11I greet you, angel.
02:13Yes, Mr. Leandro is very busy doing some procedures.
02:18How are you?
02:20What a nice day, right?
02:22One question, are you angry?
02:24Why would I be angry?
02:26No, well, I see that the world is upside down.
02:29And well, you know how that is.
02:31Not like everyone stops angry.
02:33In fact, Mrs. Ema, my mother-in-law, says it's because of Mercury retrograde.
02:38The truth is that I'm fine, angel.
02:40Thank you very much for your concern.
02:42You're welcome.
02:43Sometimes I feel like I'm serving the community.
02:45Now that you say it, I'm here at Leandro's house.
02:49And I wanted to ask you a question about a safe.
02:51I'm sorry, Mr. Ignacio, I don't handle that issue.
02:54Yes, I assumed, calm.
02:57I rather wanted to give you an order.
02:59Sure, of course, whatever you say, Mr. Ignacio.
03:02What's more, the least Mr. Leandro wants is for you to get angry.
03:07I mean, I don't want you to get angry.
03:11Thank you both.
03:17Mr. Ignacio is impeccable.
03:19Of excellent humor.
03:21Then Sheila hasn't said anything.
03:24Sheila?
03:26You mean the issue of the mermaid and you involve Mr. Ignacio?
03:31I'm sorry, angel.
03:32I must keep the truth.
03:34But when I say it, there will be signs.
03:41What happened, Valentina? What happened to you?
03:43I can't, I can't, I can't concentrate, I can't think.
03:46Why?
03:47I can't concentrate.
03:49You know what, Bruno, stay with her.
03:51Don't leave her alone, call me if anything.
03:53Come, Valentina, come.
03:54Sit down, sit down.
03:56I'm shaking, you see?
03:57Now, calm down, relax and breathe.
03:59I'm going to pull, Bruno.
04:00Inhale and exhale.
04:03Inhale, deeper.
04:08Good afternoon.
04:09How are you?
04:11Look, we're doing a survey.
04:14Do you usually go to my networks?
04:16Listen to my podcast?
04:18I've heard of him, yes.
04:19Well, now it doesn't seem like it, right?
04:21But I'm the arch-famous Emma the witch.
04:27Well, excuse me.
04:28It's just that my mom loves to talk to the clientele.
04:32Come here, Mom.
04:33Well, excuse me.
04:35Come, thank you very much.
04:36Mom, what are you doing?
04:38Well, you've told me.
04:40Socialize with the clientele.
04:42You make them nervous, which is different.
04:45Oh, but what do you want?
04:46What do you want? If they like it, daughter.
04:49Oh, Mom, no.
04:50You're not going to go around the same thing, please.
04:53Look, don't even dream about it.
04:55I'm going to find out who my admirer is.
04:57A generous person who gave you and Dayana a gift.
05:01No, no, no.
05:02It's a person who wanted to get closer to me
05:04through the gift she gave my friend.
05:06Mrs. Emma, I've been thinking
05:08and I already have two possible candidates.
05:10Oh no, Guille, you too with that?
05:12Let him tell me.
05:14Tell me, tell me, tell me.
05:15Look, I've been thinking about the blacksmith.
05:17That big guy, you know, the one who has a big hand.
05:19Oh, yes.
05:21That's why I'm going to lend him the microphone.
05:23And you also know who, Mrs. Emma?
05:25The man who sells you the newspapers.
05:27Because for some reason he lends you that magazine every day, right?
05:30How does he lend you the magazines?
05:31No, well, it's just that he...
05:34He didn't know he was lending me the magazine, right?
05:38But when he goes, I'm going to pay him.
05:42Of course, I'm going to pay him.
05:44Oh, my holy virgin.
05:47Why is this girl crying?
05:49Hey, Grandma, don't lie to me.
05:51Hey, don't you value honesty?
05:53Yes, we value it, Grandma, but you have to save the girl.
05:56Let's see, rather.
05:57Since you're here, please, could you get me this?
05:59Yes, daughter, daughter, I'll do it, but please
06:02take her to the bathroom, because here the toilet is flooding me.
06:05Yes, yes, calm down, don't worry.
06:06I'm going to sweeten it.
06:08Come on, come on, come on.
06:09Calm down, calm down, breathe.
06:11Take me with you, take me with you.
06:16I don't understand anything, I don't understand, I can't study.
06:19Valentina, doing this is going to be much worse.
06:21But it's that you don't understand that I can't, I don't get the information.
06:26Now, are you more relaxed?
06:28I don't know what's wrong with me.
06:30I can't concentrate, I can't study, I feel like I'm going to pull.
06:33You are very pressured, Valentina.
06:34That's the story of my life.
06:36Well, change it.
06:38As if it were so simple.
06:39Of course, since you don't have any more aspirations in life.
06:44Sorry.
06:47Sorry, sorry, I really didn't mean to say that.
06:49No, no.
06:50No, no, don't offend me, don't offend me.
06:52Maybe in a way you're right.
06:57Eh, Valentina.
06:58If it helps you to calm down with me, do it.
07:01And if you want me to help you read something, I can do it too.
07:03But that's not going to solve your problem.
07:06You need to relax.
07:07How about we go get some air?
07:11Why don't you leave me alone?
07:13Just because I pay you?
07:16No.
07:18Because I want to do it.
07:21And do you do that with everyone?
07:23With everyone I care about?
07:26With them, yes.
07:33Mom, I'm going out, okay?
07:35Can you bring me my wallet?
07:37Go ahead, daughter.
07:38Mommy has arrived at her temple of peace.
07:42To my new home.
07:46Bye, mom.
07:47Bye.
07:48Goodbye.
07:51I can't stand being here anymore, really.
07:53Valentina, the screams.
07:55But that's a scandal.
07:57She's just like her dad.
07:58No, and I also need space.
08:00I don't know where to put my watches.
08:02I know, honey.
08:03Have you tried meditating?
08:05Meditation doesn't buy you space.
08:07And it doesn't make you a dad.
08:12I'm sorry.
08:16That's it.
08:18I don't think I'll be able to be at peace
08:21if I don't tell my daughter that I'm her father.
08:31Oh, no, thank you.
08:33The waitress is not hungry.
08:34I'm very sad and I don't feel like eating.
08:37I understand.
08:38But thank you anyway.
08:42Um, look.
08:44Well, the question is why Mr. Montes
08:46would lie to you about something like this.
08:48Because he's telling you the truth, right?
08:55Get out, get out.
08:57I haven't forgiven you since the last time you spied on me.
09:02You don't learn from a young age.
09:04I don't know, Nina, but
09:05forgiving my father is hard.
09:08But not knowing anything about him is worse.
09:10Believe me.
09:11Oh, no, no, no, no.
09:12I understand you.
09:14I really understand you.
09:18I wouldn't forgive my biological father either.
09:21But luckily I've had Angel as a dad.
09:24At least you had someone.
09:26Oh, yes.
09:27Me, no one.
09:28I understand you.
09:29I understand.
09:31But look.
09:32Look at it as an area of opportunity.
09:34What do you think if now that he appears,
09:37you give him a chance?
09:44And I've already got everything you asked me, Nina.
09:46Carlitos is waiting outside.
09:48Oh, I'm going, I'll take care of it.
09:49Rather...
09:50What?
09:53Okay, okay, okay.
09:57I don't know why, but
09:59I'm going to hug you.
10:00Oh, thank you.
10:01Calm down.
10:02Stronger.
10:03Stronger.
10:05There's more of you.
10:16Serve yourself, Cecita.
10:21You know I have a secret admirer?
10:23Wow.
10:24Who gave me a beautiful dress.
10:25Me and Diana.
10:27Oh, yeah?
10:28And who is that admirer?
10:31I don't know.
10:32But he gave me his nickname in a broadcast.
10:35Arroba Perdado Truco.
10:38I understand.
10:40Give me a second.
10:41I have to send an audio to a representative.
10:43Yes, yes, follow me.
10:48Ramiro.
10:49There is a liar who has made Emma believe
10:51that he has given the dress to her and Diana.
10:54How do we proceed?
10:59Wait.
11:04Did you bring this for yourself?
11:08Thank you, Anita.
11:09Excuse me.
11:28I'll wait for you in the park with that cap
11:30so that no one recognizes us.
11:32It's time to relive our Ramiro.
11:34Oh!
11:57A party is a party, woman.
11:59Error, error, because it is in the field.
12:01If it were in a living room,
12:03I could go with a long-tailed dress.
12:05Why not, mom?
12:07Because it is in the field.
12:08And in the field, what is there, love?
12:10There are cows and cows poop.
12:12Imagine me with a designer dress
12:15dragging the silk tail of India
12:18through the grass, through the poop.
12:20No, mom.
12:21But it's a party in a farmhouse.
12:22There are no cows there.
12:23Oh, yeah?
12:24And who told you there are no cows?
12:25Oh, no.
12:26Oh, what an excuse this boy.
12:27Look at your son.
12:29Ramiro.
12:30There is a liar who made Ema believe
12:32that he gave her and Dayana the dress.
12:35How do we proceed?
12:39Okay.
12:41Don't tell her anything.
12:42Yes?
12:43Let's be careful.
12:44I don't like to be cheated.
12:46Who is cheating who?
12:48I'm not talking about cheating.
12:50Oh, no?
12:51I just heard you.
12:52No.
12:53I heard the doorbell.
12:54No, come here, come here.
12:55No, I'm going to open.
12:56Come here.
12:58Who are you going to cheat?
12:59That's how you talk to your little son.
13:03Oh, no.
13:04Don't make me a pig, my love.
13:05My baby jaguar.
13:06Don't make me a pig.
13:07That's how you talk to him?
13:08No, forgive me.
13:09I know you're unable to cheat.
13:11Forgive me.
13:12Excuse me.
13:13I'll make you a mate.
13:15Son.
13:17This is for you.
13:20Can you make me a mate too?
13:22Oh, my God.
13:27I'll wait for you in the park with that hat so that no one recognizes us.
13:31It's time for us to meet.
13:33It's Sandra.
13:40Your stepmother is the worst.
13:42I've never burned her hair.
13:44She's not my stepmother.
13:45Oh, no?
13:46Then why don't you deny that I've burned her hair?
13:48Because now you feel like she's your family.
13:50So you defend her?
13:51Does the devil want war?
13:53Yes.
13:54How many cars will she have?
13:56Shh.
13:57The enemy is coming.
13:59Lean, I think you arrived in a very bad way.
14:01No, no, no, no, no.
14:03Just arrived.
14:05To receive a warning.
14:07Ladies, I don't understand you.
14:09What warning?
14:10Tell your ex.
14:11The one with the hairy hair.
14:13That she's burying her own grave.
14:22I have no idea what happened.
14:23What has Alessandra done now?
14:24Lean, I don't want to talk about your ex.
14:26As you understand, the mermaid is very embarrassed.
14:29And I just want to talk about me.
14:31Yes.
14:32And I am very relieved that you have finally appeared.
14:36I feel like I was very abrupt with the news I gave you.
14:41Well, yes.
14:42A little bit, yes.
14:43But I've thought about it.
14:45And I think you can help me with something very personal.
14:51Me?
14:52Yes.
14:53Yes, you.
14:55Because, let's see, let's say I'm a strong woman.
15:04Turned.
15:08Brilliant and intelligent.
15:11But.
15:14There's something I can't do alone.
15:16And it's facing Don Ignacio.
15:19And I was wondering if you.
15:23You wanted to accompany me.
15:45And we've gone a thousand times.
15:47What if we have a coffee?
15:49I already feel better.
15:50I think we can go home and keep studying.
15:52A coffee, I ask you.
15:53A coffee, a breath.
15:54Only as friends.
15:55Something informal.
15:56What do you say?
16:00Okay.
16:01I think it's better to be with you all day today.
16:08Thanks, Garay.
16:10Hey, hey, hey, hey, hey, hey, hey.
16:11Bruno, leave him, leave him, leave him, leave him.
16:13Leave him.
16:15Joaquin.
16:17Valentina.
16:19Oh, my.
16:20Oh, my.
16:50Oh, my.
16:52Oh, my.
16:54Oh, my.
16:56Oh, my.
16:58Oh, my.
17:00Oh, my.
17:02Oh, my.
17:04Oh, my.
17:06Oh, my.
17:08Oh, my.
17:10Oh, my.
17:12Oh, my.
17:14Oh, my.
17:16Oh, my.
17:18Oh, my.
17:20Oh, my.
17:22Oh, my.
17:24Oh, my.
17:26Oh, my.
17:28Oh, my.
17:30Oh, my.
17:32Oh, my.
17:34Oh, my.
17:36Oh, my.
17:38Oh, my.
17:40Oh, my.
17:42Oh, my.
17:44Oh, my.
17:46Oh, my.
17:48Oh, my.
17:50Oh, my.
17:52Oh, my.
17:54Oh, my.
17:56Oh, my.
17:58Oh, my.
18:00Oh, my.
18:02Oh, my.
18:04Oh, my.
18:06Oh, my.
18:08Oh, my.
18:10Oh, my.
18:12Oh, my.
18:14Oh, my.
18:16Oh, my.
18:18Oh, my.
18:20Oh, my.
18:22Oh, my.
18:24Oh, my.
18:26Oh, my.
18:28Oh, my.
18:30Oh, my.
18:32Oh, my.
18:34Oh, my.
18:36Oh, my.
18:38Oh, my.
18:40Oh, my.
18:42Oh, my.
18:44Oh, my.
18:46Oh, my.
18:48Oh, my.
18:50Oh, my.
18:52Oh, my.
18:54Oh, my.
18:56Oh, my.
18:58Oh, my.
19:00Oh, my.
19:02Oh, my.
19:04Oh, my.
19:06Oh, my.
19:08Oh, my.
19:10Oh, my.
19:12Oh, my.
19:14Oh, my.
19:16Oh, my.
19:18Oh, my.
19:20Oh, my.
19:22Oh, my.
19:24Oh, my.
19:26Oh, my.
19:28Oh, my.
19:30Oh, my.
19:32Oh, my.
19:34Oh, my.
19:36Oh, my.
19:38Oh, my.
19:40Oh, my.
19:42Oh, my.
19:44Oh, my.
19:46Oh, my.
19:48Oh, my.
19:50Thank you very much for coming.
19:55Daughter.
19:56What's wrong?
19:57What's wrong?
19:58Why are you coming like this?
20:01I want to be alone.
20:02What?
20:03Have you been crying?
20:04Oh my God.
20:05This man again.
20:06What?
20:07Has he moved in?
20:08This time it wasn't my idea.
20:09It was mine.
20:10You?
20:11You?
20:12I told him to come.
20:13Can I talk to him alone?
20:15Are you okay?
20:16Do you need anything?
20:17I want to talk about...
20:18The cake festival.
20:19I don't want to talk to him as a political authority.
20:21I understand.
20:22You want to talk to him as Alessandra's husband.
20:24No.
20:25Me neither.
20:26So, Nina?
20:27I want to talk to him as a father.
20:30I'm sorry.
20:31I'm sorry.
20:32I'm sorry.
20:33I'm sorry.
20:34I'm sorry.
20:35I'm sorry.
20:36I'm sorry.
20:37I'm sorry.
20:38I'm sorry.
20:39I'm sorry.
20:40I'm sorry.
20:41I'm sorry.
20:42I'm sorry.
20:43I know everything.
20:48Everything about my paternity.
20:53The insistence of these politicians is incredible.
20:58And all for a cake festival.
21:01I give you my word, I did not expect something like this.
21:05Me neither.
21:07It surprises me that you take it so calmly.
21:10I have thought about it.
21:12Cristina, first allow me to explain.
21:15I...
21:16One moment.
21:21Oh, my ring.
21:22My ring has been lost and it was very important.
21:25It's a legal one, my aunt from the royalty.
21:28Oh no, your grandmother has lost the ring.
21:31The one of the tigress, right?
21:37We are not alone, okay?
21:40Okay.
21:41We are in another place.
21:44I understand.
21:45You know it, but she doesn't.
21:47Exactly.
21:48Follow me.
21:49I follow you.
21:50We have to look for the ring.
21:51We have to look for the ring, right?
21:52Where did it fall?
21:53Let's look for the ring.
21:54Yes, yes, yes.
22:00Hello?
22:01Mr. Leanne agreed to accompany me.
22:03Yes, he is here with me.
22:05See you at my house.
22:06Don't worry, stay calm.
22:08If Ignacio is there, we won't take long.
22:10Angel!
22:13I love a fire.
22:15Do you think?
22:17I love a fire too.
22:19I feel, I feel.
22:22Were you looking for me, Mr. Leandro?
22:23Yes.
22:24Angel, prepare the car, we're leaving.
22:26Destination, sir?
22:28The truth.
22:29The truth first of all.
22:31I don't understand, sir.
22:33Where are we going?
22:34We're going to your house, Angel.
22:35My house, sir?
22:36Sorry, I don't understand.
22:39You just trust.
22:41The new Leandro was born to do good.
22:46Whatever you say, sir.
22:49Please.
22:51My wallet and my cell phone.
23:09I love you.
23:21Lemon delight.
23:23Your favorite dessert.
23:24And the first one my mom taught me.
23:26Yes?
23:27I'll help you.
23:28Good.
23:33Oh, excuse me.
23:34I'm going to get the sugar because I need it for the coffee.
23:36And Nina without sugar is not Nina.
23:42I knew you were there.
23:43No, no, no, no.
23:44It was Mrs. Ema.
23:45No, no, no.
23:46Of course not.
23:47Enough, enough.
23:48Stop using Guille.
23:55I'm the victim.
23:56I'm always the victim.
24:07I don't feel comfortable, Vale.
24:09It doesn't bother me to be here at all.
24:11No, no.
24:12Yes, it shows.
24:13I loved the kiss.
24:16You just like cakes, I see.
24:18I loved it.
24:19Can I try a bit?
24:20Let's see.
24:21No.
24:22Only on my eyelashes.
24:24That's terrible.
24:27Look, Vale.
24:28I want to do things right.
24:30I want to marry Nina.
24:32I want to finish the season in the club calm.
24:35I want to go to Europe.
24:37I want to get along with the Europeans.
24:39I have dreams.
24:40I would like to be nominated for the Golden Ball.
24:43Play a World Cup.
24:45Obviously be the face of a fashion house.
24:48Dreams.
24:50And this, the truth, is not helping me.
24:53But Nina insists, insists.
24:56I know she wants the best for both of us, but ...
24:58You love me.
24:59I am irresistible.
25:00And you don't want to hurt Nina.
25:01I understand it perfectly.
25:05No.
25:07I would like us not to see each other anymore.
25:10No.
25:12This seems like a nice ending to me.
25:15That's it, let's leave it here.
25:25Eat quietly, eat quietly.
25:27I'm going to eat.
25:29Go ahead.
25:32I guess you missed me when we finished.
25:36Paris helped me forget you.
25:39I can't be jealous of Paris.
25:41It's a good competition.
25:45And a great motivation.
25:47I've started taking painting classes.
25:50Very good.
25:53I thought I'd call you to come with me.
25:58It wouldn't be a bad idea.
26:00Sorry, sorry.
26:01What's wrong?
26:03There is a strange movement.
26:06Is the boy dangerous?
26:08I don't see anyone else.
26:10That's what it's about.
26:12That I see what the others don't.
26:15Let's see, that's it.
26:16Let's go back to where we were.
26:17And look, I have to take one last exam.
26:19And then I could go with you.
26:21That's a great idea.
26:23Exams stress you too much.
26:26I could take you to Provence.
26:29Let's go, let's go, let's go.
26:30What's going on?
26:31It's confidence, princess, confidence.
26:33I'll call you when I'm done.
26:38The mermaid never thought of meeting her father.
26:41Ignacio is a good person.
26:42Mr. Ignacio is Miss Sheila's father?
26:44Oh, Angel.
26:45The stars have many secrets.
26:48Sorry, it's not my thing.
26:50But I couldn't help but listen and be surprised.
26:53You know I respect you, Sheila.
26:55We trust your discretion, Angel.
26:57The truth is, lately it's been hard for me to understand.
27:00But are we going to my house?
27:01Don't worry.
27:02I know I have a more intellectual profile, more profound,
27:05but I'll put it in plain.
27:07Nina is with Ignacio at your house,
27:09managing the meeting between father and daughter.
27:11Nina?
27:12My daughter?
27:15She is always willing to give her heart to whoever needs it.
27:27Bruno!
27:28Dad!
27:31My son, Bruno.
27:32Nina and Bruno, my two pride.
27:36Mermaid, what are you doing?
27:41What are you doing, Sheila?
27:46What's up, Sheila?
27:47My love, everyone to their car.
27:49It's not the same with you, Foxy.
27:51Don't worry.
27:52I'm going to meet my dad again.
27:54Your dad?
27:55Did he finally show up?
27:56Yes, and with everything.
27:57It's Ignacio de la Torre.
27:58What?
27:59Oh, give me vibes, please.
28:01Vibes, vibes.
28:02Oh, Mr. Dale, for God's sake.
28:27I swear I had dreamed of this moment,
28:31but I never imagined it would be like this.
28:36So magical.
28:40The most beautiful things come from the hands of surprises.
28:45And speaking of that, does your wife know?
28:49Yes, yes, she is aware.
28:52She is supporting me.
28:54But I think she should apologize.
29:00Grandpa, here is not your tiger ring, okay?
29:03No, no, no, this is important, little girl.
29:06Look, looking and looking, what did I find on the networks?
29:10I don't know, but we're not going to talk about your secret admirer this time.
29:13No, no, little girl, about your future husband.
29:16And his current wife.
29:19My number one enemy.
29:21That one is bad.
29:22She has been caught and a fragment.
29:25With the jaguar Moran in a park.
29:27What are you saying?
29:28What is that?
29:29No, grandmother.
29:30Grandmother.
29:31No, no, they are virals.
29:32Memes.
29:33Memes.
29:34The networks lie.
29:37Moran and de la Torre very close and on a picnic in a park.
29:41Oh, look, how romantic, right?
29:44They wore hats so as not to be discovered.
29:46Oh, how nice.
29:49Now from the cancellation of the wedding with Nina Garay.
29:53What are these two figures hiding?
29:56There are photos.
30:00Alessandra and Ramiro?
30:19They say there are no coincidences.
30:24Everything is written and you know it.
30:28And that love comes.
30:31We are watching Nina de Azúcar.
30:34Thanks to.
30:36New liquid flour 400 milliliters.
30:39Find it from 9 soles.
30:43Change to the fastest mobile network in Peru.
30:48Atrevia.
30:49Pet lovers like you.
30:53Celebrate this 2025 with TOTUS.
31:18Speed ​​with Claro TV.
31:19Plus 67 soles 50 a month.
31:22What are you waiting for?
31:23Change to 0800-00200 or in Claro.pe.
31:28If the most awaited week of the year ends.
31:30Use your vouchers in Ripple.
31:31It is December 31st.
31:32For every 100 soles of purchase.
31:34Exchange for a voucher of 50 or 40 soles in thousands of brands.
31:37Look at your vouchers at usatuvale.ripple.com.pe
31:42From Monday to Friday at one in the afternoon.
31:45The show that Atalia consecrated.
31:48In his first leading performance.
31:50Maria Mercedes.
31:52Share with her your illusions and disappointments.
31:55In this successful story.
31:57Next to great stars.
32:00Maria Mercedes.
32:02From Monday to Friday at one in the afternoon.
32:04In America.
32:08Thanks to.
32:10Pantene.
32:14Emilia was not crazy.
32:16I went to the clinic.
32:17I checked it.
32:18Your mother always hated Emilia.
32:20That's a lie, Sebastian.
32:22No, it's not a lie, Leonardo.
32:24You are a poor guy.
32:25Manipulated by your mother.
32:28You killed her.
32:29Right now I would give my life.
32:31In order to have her here.
32:32Yes?
32:33Prove it.
32:34And how do you want me to do that if she is not?
32:36Prove it!
32:37Here I am.
32:39Passion.
32:41This Tuesday at 4 and 15.
32:43In America.
33:10Look at me.
33:12With painter's eyes.
33:14Because you have to live.
33:16Your life.
33:18And many more.
33:21Do you know what is my Cabala?
33:22Which one?
33:23At two at night I will go to visit my children.
33:25But that my wife does not know.
33:27Laughs and surprises with the best New Year's party in your house.
33:31Here is someone.
33:32I need a lift.
33:33To me, to me, please.
33:34It would be a corpse lift.
33:37This Tuesday at 9 and 50 at night.
33:40In Redentonazo de Año Nuevo.
33:43And for America.
34:06And where are the blondes?
34:08This Wednesday, January 1 at 7 and 30 at night.
34:12In America.
34:36And for America.
34:37And where are the blondes?
34:38This Wednesday, January 1 at 7 and 30 at night.
34:39In America.
34:40And where are the blondes?
34:41This Wednesday, January 1 at 7 and 30 at night.
34:42In America.
34:43And where are the blondes?
34:44This Wednesday, January 1 at 7 and 30 at night.
34:45In America.
34:46And where are the blondes?
34:47This Wednesday, January 1 at 7 and 30 at night.
34:48In America.
34:49And where are the blondes?
34:50This Wednesday, January 1 at 7 and 30 at night.
34:51In America.
34:52And where are the blondes?
34:53This Wednesday, January 1 at 7 and 30 at night.
34:54In America.
34:55And where are the blondes?
34:56This Wednesday, January 1 at 7 and 30 at night.
34:57In America.
34:58And where are the blondes?
35:00In America.
35:06And where are the blondes?
35:15This Wednesday, January 1 at 7 and 30 at night.
35:23In America.
35:25You love Alessandra a lot, don't you?
35:28Well, she's my wife and...
35:31It's a little complicated to talk about this with you, but...
35:36Now that we're getting closer and my feelings are affecting you...
35:43What I want is for you not to worry, Mr. Ignacio.
35:47Look, sometimes love doesn't come out the way we think.
35:50And sometimes it's not reciprocal. Do you understand me?
35:52Yes, do you say it for me or for you?
35:55No, I say it in general.
35:57Here the most important thing is to let go and move forward.
36:02Yes?
36:15What are you doing here?
36:17I didn't want to predispose you or scare you.
36:19The time has come, dear friend.
36:22Uh-huh. I'm very excited about this.
36:26Me too, dad.
36:28Dad?
36:30I need you to explain to me why you left me.
36:43Ale, please, I need you to move your contacts.
36:46I don't want this mess to grow. Please.
36:47In Europe they want me married and clean of sins.
36:50Make yourself famous.
36:56Ramiro Morán, you're sinking us, champ.
36:59They're calling me from Europe.
37:01Your image is falling, the transfer is falling. Do you hear me?
37:03I want you far from the scandals. Far.
37:06You're a soccer player's baby.
37:08My manager wants to kill me.
37:10What do we do?
37:11Hello?
37:16Hello, at this time I'm not for claims.
37:18Now yes.
37:20Sorry, yes.
37:22Did you know that your husband has a daughter?
37:24Yes, of course, I know everything.
37:26Ah, then I guess you know who it is.
37:28Unfortunately.
37:30Ah.
37:32And can I know why you didn't tell me?
37:34Professional secret.
37:36Mom, no one has professional secrets anymore.
37:38I mean, hello.
37:39And the social networks, do they ring you?
37:41Yes, they ring me because I'm part of them.
37:43And if you keep annoying me, I'm going to be forced
37:45to post photos of when you were a little girl
37:47and you had braids and curls.
37:49OK? Bye.
37:51Dare you.
37:53Ready. Can all this acting be finished?
37:55Martin, acting, no, no.
37:57I'm sensing danger.
37:59Liar. Why don't you tell me you did it to get away from Joaquín?
38:01What? No, this is my job.
38:03And the guy we were with was dangerous.
38:05He looked very strange. Very strange.
38:06Very dangerous, yes.
38:08Excuse me, I'm going to change.
38:10Or are you going to follow me there too?
38:12No.
38:14Why don't you ask me about Joaquín?
38:16Directly.
38:18Joaquín? I don't care about Joaquín.
38:20I don't care about Joaquín.
38:22Ah.
38:29Joaquín.
38:31Joaquín.
38:33Daniel, Sandra, please tell me what's going on.
38:34Do you want revenge?
38:36Are you going to review my taxes, my legal declarations?
38:38Do you have something to hide?
38:40No, never, never, never.
38:42But to know, if not, that's how I spend the day.
38:44You'll find out.
38:46No, don't do this to me, the jabot has a curious spirit.
38:51Wait, wait, wait, I'm counting.
38:53A little while.
38:55What's going on?
38:57A little while.
38:59OK.
39:01Thank you, thank you.
39:02This is my order.
39:04It's true.
39:06The order of today.
39:08Thank you very much.
39:12Angel, for God's sake, what can be so urgent that we are in full attention?
39:15Sorry, sorry, sorry.
39:17But I have a hot spark.
39:19Ah, well, that's another thing.
39:21At last, something interesting in this cage.
39:23I'll tell you, Mrs. Emma, but I can't publish it online this time.
39:25But then what's the grace?
39:27No.
39:29Either you promise it or I won't tell you anything.
39:30Promised.
39:32Mr. Ignacio de la Torre is in the house talking about his paternity.
39:34What?
39:36No.
39:38What?
39:40There's a kiss?
39:42No.
39:49Ready?
39:51The time has come.
39:53The time has come, friend.
39:55They are finally together again.
39:57The mermaid, your daughter, and her father.
39:58I mean, you.
40:00Let's see, I think I'm not understanding well.
40:02I thought this conversation was between you and me.
40:04The mermaid doesn't want more intermediaries.
40:06I want you to tell me what was the story of our relationship.
40:09Sorry, miss, but I think it's a mistake.
40:11Am I a mistake?
40:13No, you're not a mistake.
40:15I didn't mean to say that.
40:17Serial abandoner.
40:19What?
40:21That's what you are.
40:23No, no.
40:25You are a serial abandoner.
40:27Mr. Ignacio.
40:29Nina, Nina.
40:31No, no.
40:33Nina!
40:35Nina!
40:37What a disappointment.
40:39Serial abandoner.
40:41You too.
40:43Leandro!
40:45He should never have come.
40:47Don't say that.
40:49Men never apologize.
40:51What happened?
40:53Mr. Ignacio didn't recognize him as his father.
40:54Sheila?
40:56Excuse me, but have you seen Sheila?
40:58Miss Sheila is very bad, Mr. Leandro.
41:00Nina went after her.
41:02Let's look for her, Angel.
41:04A good soldier never abandons a mission.
41:06Let's go.
41:10Hey, that Leandro has changed from blonde and haired to look younger.
41:15Or am I the one who has to change my glasses?
41:24Let's go.
41:32Wow, I see you have good technique.
41:34I don't know, maybe I can help you with what you need, right?
41:39Armand, the rope.
41:41The rope is back there.
41:43Yes, over there.
41:54Bye.
42:18Look, you dropped this. Did it help you?
42:21Please, thank you. Thank you for giving it back.
42:24Can you close it for me?
42:26Of course.
42:28Shouldn't you be teaching me?
42:30And don't you respect me?
42:32Oh, Bruno, stop it, really.
42:34Stop acting like an offended boy.
42:36Okay, we agreed to have coffee and my ex showed up, which is not my fault.
42:39And of course, you didn't like him because he's a handsome boy, he's a cult boy,
42:43he's a boy with Parisian vibes.
42:46He's a boring boy, maybe.
42:48Oh, of course, and since you're the king of fun.
42:51Well, paint in Paris or box, what do you prefer?
42:55You heard me.
42:57Are you jealous?
42:59Bruno is jealous, he's jealous, he's jealous, Bruno is jealous.
43:04I have a reputation to take care of, please.
43:07Then box.
43:09I also need to release the tensions.
43:11Me too.
43:13What? What happened?
43:15Has the news made you a little tense that the daughter of my mother's husband
43:20is your little mermaid?
43:21Your shiny woman, a lot of glow.
43:24What about you?
43:27Hey, maybe they're going to share a room, can you imagine?
43:34Excuse me.
43:36That was a lot of motivation.
43:38And well, maybe, maybe what I need is not boxing, but a little kiss.
43:45Oh yeah?
43:47Take it from your ex.
43:48Come on.
43:50Come on.
43:52Come on.
44:19Can you tell me what's going on?
44:22Mirta, I swear I have nothing to do with this.
44:25That's your favorite phrase, isn't it?
44:27Mirta, please.
44:29Nina called me, she told me she wanted to talk to me as a father.
44:33So I thought she had already found out the whole truth.
44:36And suddenly Leandro appears with this girl.
44:39Very picturesque, voluptuous.
44:41Sheila, the tropical mermaid.
44:43That one.
44:45She told me she was my daughter.
44:46I wanted to explain the truth to them.
44:48And suddenly they got upset with me, they left and ...
44:51Oh, thank God.
44:53And so it will be.
44:55What?
44:57What are you asking me, Mirta?
44:59Do you want me to go on with this lie?
45:01That girl is not my daughter and you know it better than anyone.
45:04I'm very sorry.
45:06For you and for her.
45:08But my daughter comes first.
45:10So shut up.
45:12You're not going to say a word until after the wedding as we have agreed, Ignacio.
45:14Because I swear that if you do, for all my ancestors, which are many,
45:19that Nina will never want to know about you.
45:21Never.
45:23Mirta, are you threatening me?
45:25With all my desire.
45:27And I don't care how you're going to get out of this.
45:29Look for them as a good politician you are.
45:31But with the truth, no.
45:44I don't know how to hide it.
45:47My heart hurts for you.
45:51Because you are no longer.
45:56I feel.
46:14Plaza Bea, don't wait any longer.
46:16Here are low prices every day so you can buy when you need.
46:19Check your ticket.
46:21Green grape without pepper per kilo at 10 soles 90.
46:23Special taverner sparkling bottle at 13 soles 90 each.
46:26Check.
46:28Find this and more at Plaza Bea and also at plazabea.com.p
46:31From Monday to Friday, your favorite band arrives.
46:35Very good night, let's go with this joy and start today's edition.
46:39With many novelties, funny notes, guests and big surprises.
46:44Chino's band.
46:46Chino's band.
46:48Because the base is very boring.
46:50It's spectacular.
46:52Here's Chino's band.
46:54From Monday to Friday, immediately after the Central Edition of America News.
46:59For America.
47:01Thanks to Sabital.
47:04The new year's blast awaits you with La Única Tropical.
47:09And La Bella Luz.
47:12And together we say...
47:14Happy New Year!
47:18Receive the new year with Daniela Tercourt.
47:22Armonía 10.
47:26Los Mirros.
47:30Amaranta.
47:33Clavito y su Chela.
47:36And many more.
47:41Juan.
47:45Risas y sorpresas con la mejor fiesta de año nuevo en tu casa.
47:49Aquí hay alguien.
47:51Necesito un levante.
47:53Haceré un levantamiento de cadáver.
47:55Este martes 31 desde las 9 y 50 de la noche.
47:59El reventonazo de año nuevo.
48:01Y por América.
48:03Este primero de enero.
48:05Sí, acepto.
48:06Ella juraba que esa noche por fin pasaba a la fila de las casadas.
48:11Necesito un tiempo para mí.
48:13Pero la pasaron a la fila de las solteronas.
48:16Y lo peor que por culpa de otra.
48:19Regé a la maldita.
48:21Imagínate lo que es empezar de cero a los 34.
48:25Bueno, casi 35.
48:27Olvídate ya, tu flaco te dejó.
48:29Ya fue, bye bye.
48:31Un super elenco.
48:33¿Agarraste el ramo?
48:34No, se me pasó.
48:36Lo que a ti se te está pasando es el tren.
48:38En una exitosa película peruana.
48:41¿Estás pensando en los huevos del gallo?
48:43Te dejó tu marido.
48:45¡Arranca!
48:47No me digas solterona.
48:49Este miércoles de año nuevo a las 9 y 30 de la noche.
48:53En América.
49:05Llévame contigo, que es lo único que quiero.
49:08Y la sorpresa, mis emalóveres.
49:13Si han leído bien.
49:15Una dulce recompensa.
49:17Quienes me ayuden a descubrir el verdadero nombre
49:20de arroba verdadotruco
49:22se ganarán un pastel de naranja.
49:25Especialidad de la pastelería Nina de Azúcar.
49:32Bueno, aguardo sus datos.
49:34Y no lo olviden.
49:36Emma y las naranjas están de moda.
49:47Buenas, caballero.
49:50¿No desea pasar a la pastelería?
49:52Mira, mira, lo que guste es cortesía de la casa.
49:55O digamos, un canje.
49:58Bueno, yo sé que usted es periodista.
50:01Y yo una influencer famosa.
50:04Mucho asegurado.
50:06Gracias, pero estoy esperando a alguien.
50:11Comprendo la cita.
50:14Pero no está siendo nada ilegal aquí en el barrio, ¿no?
50:18Por supuesto. Se trata de un informante.
50:21Ok, ok.
50:23Bueno, pero por las dudas, usted y yo nunca hemos hablado.
50:28Boquita cerrada.
50:35Gracias por contactarme.
50:37Como verás, no hablo de más.
50:39Así que espero que tú también me hayas guardado la primicia.
50:42Tengo palabra. Espero que tú también.
50:45Por supuesto. Es un trato.
50:48Anda, te escucho.
50:53Ignacio de la Torre.
50:56El político famoso ese.
50:58Tiene una hija no reconocida.
51:01Tiene una hija no reconocida.
51:05¡No!
51:07¡Qué gran noticia!
51:10¿Cómo se llama?
51:16Sheila.
51:18La sirena tropical es su hija no reconocida.
51:21Quédate conmigo que vivir sin ti no puedo.
51:25Llévame contigo que es lo único que quiero.
51:29¿Aló?
51:30Mi, para mi casa ya, por favor. Tenemos que hablar.
51:32Ante tremendo embrollo.
51:34¿Qué hay acerca de que es usted hija de Ignacio de la Torre?
51:37La sirena no da más declaraciones. Gracias.
51:40¿No me has preguntado por la hija de Ignacio?
51:42¿Verdad, Sheila?
51:44¿Pero qué delirios tiene esa mujer?
51:46¡Explotará la verdadera bomba!
51:48Como andas inventándome hijas,
51:50¿No te has enterado del rumor de que Alessandra tiene un romance con el jaguar Morán?
51:55Dulcifica tus noches con...
51:57¡Niña de azúcar!
51:59Pero todo este quilombo que armaste es por tu culpa.
52:02Y el besazo que se dieron en el parque, también es mi culpa.
52:05Besazo.
52:06Jueves 9 y 40 de la noche, por América.
52:11¡Rechaza Colombia! ¡Otra vez Perú! ¡Ríbala!