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00:008 Jam
00:05Tonight's 8 Jam is...
00:08If you make a mistake, you won't be forgiven.
00:10That's what I love about it.
00:13The 25th Anniversary of Perfume's Formation
00:18Speaking of Perfume's live performances...
00:21Wow! This is amazing!
00:26The combination of technology and synchro dance...
00:29The most advanced live performance is just amazing!
00:33And the person who made it is...
00:37Manabe Daito of Light-O-Matics, who supports Perfume's live performance with the latest technology.
00:47At this time, there are more than 40 or 50 cameras on the ceiling.
00:53And the one who is in charge of the live performance is...
00:58Mikiko, the choreographer representing Japan.
01:04This time, there are two people behind Perfume and Chou Urekko.
01:11Let's reveal the backstage of the live performance with the latest technology.
01:17Let's go!
01:21As a result, I think it's human.
01:26Once again, today's guests are Perfume.
01:30And the first guest is...
01:32Manabe Daito of Light-O-Matics.
01:34Nice to meet you!
01:37I'd like to hear more about the technology of Light-O-Matics.
01:45First of all, the live performance in 2021.
01:48Can Perfume control the shadows?
01:53Three years ago.
01:55It was a live performance with the full capacity of one audience.
02:05Pay attention to the shadows on the stage.
02:15They are now in the center of the stage.
02:26Perfume is the center of the stage.
02:33Perfume is the center of the stage.
02:38Huh?
02:39Wait a minute!
02:41I'm scared!
02:43I'm not a ghost!
02:45I'm not a ghost!
02:47You should know that!
02:49It's not the time to be dancing!
02:54The live performance was held in 2021.
02:57Pay attention to the three shadows on the stage.
03:12The live performance was held in 2021.
03:17What?
03:18Wait a minute!
03:20I'm scared!
03:21I'm not a ghost!
03:23You should know that!
03:25It's not the time to be dancing!
03:27It's not the time to be dancing!
03:30The shadows are dancing without the perfume.
03:36What's going on?
03:38What's going on?
03:44What's this?
03:46What's going on?
03:48I was surprised.
03:50I thought it was a natural phenomenon.
03:53What is this system?
03:55The floor and the wall are LED.
03:58The floor and the wall are LED.
04:00The floor and the wall are LED.
04:02The floor and the wall are LED.
04:04It's a scenario made by the Three Shadows.
04:06It looks like it's the beginning.
04:08It's a scenario made by the Three Shadows.
04:09It's a scenario made by the Three Shadows.
04:12I see.
04:14In order to perform this,
04:16In order to perform this,
04:18The Three shadows will be filmed in a special studio.
04:21They're dancing?
04:23With the technique of volumetric,
04:25With the technique of volumetric,
04:27They shot the 360-degree camera.
04:29What is volumetric?
04:32The technology to create 3D data by shooting a subject moving 360 degrees from all directions using multiple cameras.
04:42This is the actual studio, right?
04:44Yes, yes.
04:45It's amazing.
04:46It looks like it's dancing 360 degrees.
04:47This is the data.
04:48Wow, that's cool.
04:49A lot of data has been taken.
04:50A lot of data has been taken.
04:52It's amazing.
04:53A lot of data has been taken.
04:54A lot of data has been taken.
04:55Is it okay?
04:56Everything has been taken.
04:58It's a shadow created by using CG volumetric data from start to finish.
05:04The real shadow hasn't come out at all.
05:07Does that mean that this shadow was also taken at the beginning?
05:11That's right.
05:12That's great.
05:14Yes, about four minutes from the beginning of the song to the end.
05:19The three were showing a spectacular performance of reproducing the exact same movement as the shadow of the CG that was taken in advance.
05:31You were deceived all the time.
05:32I thought it was a cow.
05:33I thought it was a cow.
05:34I thought it was a cow.
05:35It's a cow.
05:36Certainly, when I left, Aoi was laughing a lot.
05:39Like a cat.
05:40It's like a cat.
05:41It's like a cat.
05:42It's like a cat.
05:43But when I took the volumetric and 3D data, I was dancing alone in a 360 degree green bag.
05:51I see.
05:52I see.
05:53So I couldn't feel it at all.
05:55That's right.
05:56That's right.
05:57Because there are no people.
05:58For example, there is a front like a studio or a live house.
06:02The camera is here and the audience is here.
06:04Once you turn around, you can't see where the front is.
06:08It's difficult.
06:09It's all green.
06:11Also, I couldn't make everything green.
06:15So I made the movement a little narrower.
06:17It's so limited.
06:18I made the width narrower.
06:20In the real video, the width is narrowed.
06:24So I learned how to make the width narrower.
06:27I see.
06:28I see.
06:29If you take the foot width separately, you have to match the width of the person who took it first, right?
06:35That's right.
06:36The basic foot width is 55 cm.
06:39Wow.
06:40That's amazing.
06:41Do you understand?
06:42It's amazing.
06:43It's impossible.
06:44But you don't like it, do you?
06:45You have a habit of making your own movements.
06:47I'm very satisfied with that.
06:50This is a professional.
06:51That's a perfume.
06:52That's a perfume.
06:53You can't do everything like us.
06:56It's not a nori.
06:57Everyone has too much originality, isn't it?
07:02Basically, if you take it, it will match that.
07:05It will match the data.
07:07In the video, I made a mistake when I finished it.
07:13The shadow.
07:14Yes.
07:15But it's very expensive to rent a 360 degree camera.
07:20So I couldn't match the shadow.
07:23So I made a mistake and didn't dance in the real thing.
07:27That's amazing.
07:29That's amazing.
07:30The heel is the position of the heel and toe.
07:34That's right.
07:35You have to match that.
07:37And you can't look at the shadow all the time.
07:40You have to look at the shadow as it comes into your sight.
07:45You can see it up to here.
07:47Your eyes are wide open.
07:53Let's take a look at the foot again.
08:00Let's take a look at the foot again.
08:20You can see the front.
08:26That's amazing.
08:31That's a perfect shadow.
08:35That's a great idea.
08:37That's amazing.
08:39That's amazing.
08:41That's great.
08:43That's a great idea.
08:45That's great.
08:47That's great.
08:48Everyone is free.
08:50Everyone is free.
08:51That's great.
08:52I'm happy.
08:53Everyone is free from the shadow.
08:55Everyone is free from the shadow and their faces are soft.
08:59That's great.
09:04As you can see, you can see the width of the foot.
09:07As you can see, you can see the width of the foot.
09:09You can see the width of the foot.
09:10You can only feel the tension.
09:12You can only feel the tension.
09:13Mikiko-san commented.
09:16Mikiko-san commented.
09:17Mikiko-san commented.
09:18She danced as hard as she could to match the shadow to the swing of her ponytail hair.
09:24Really?
09:25When I was dancing, my head was like this, and it was shaking like this.
09:29I could see the shadow from here.
09:32If I went too far, it would look like this, and it wouldn't match the shadow.
09:36So I had to fix the angle and dance.
09:39The moment I thought it was a little different,
09:42the magic was released.
09:44It cools you down.
09:45Manabe, can't you do something about that later?
09:48No, I can't.
09:51Can't you add it to the safety?
09:54I'll do it next year.
09:57But I can do it.
09:58I'll challenge you.
10:00Such volumetric technology was used all over the world, including in 2015.
10:08Let's move to the new era of real and virtual.
10:14In 2015, Perfume appeared at a festival held in Texas, USA.
10:20The audience is enjoying the video production of Perfume using a special panel in front of them.
10:33The pattern was delivered live to Japan.
10:38It was a tremendous attempt to fuse the American live house with the virtual space in the air.
10:47Let's take a look at the live video.
10:54Wow!
10:55Wow!
10:56What's this?
10:57What's going on?
10:58Wow!
10:59It's out!
11:00Every time the perspective changes, the CG and live house images are synchronized in an instant.
11:07That's amazing.
11:11What's going on?
11:13How far is the live?
11:175, 4, 3, 2, 1
11:22Wow!
11:40The data of Perfume, which was shot with volumetric technology, is also used here.
11:48It was a very revolutionary attempt at that time.
11:52Let's take a look at the screen again.
11:54Yes, please.
11:58Wait a minute.
11:59This is the CG screen when the morphing is displayed at the bottom.
12:05All the cameras are set at a fixed point.
12:10The images between the cameras are morphed and generated in CG.
12:18I see.
12:19I see.
12:20That's why it looks like it's on the screen.
12:23In other words, when you switch the camera you're shooting with to another camera,
12:28you can insert the CG images in an instant,
12:32making it look like you're moving through a virtual space.
12:38And the three people who move from the real live house to the virtual space
12:42are shooting the CG images that were shot in advance.
12:50By inserting the CG Perfume while the camera is moving,
12:54it creates a special image that makes it look like the real and virtual are synchronized.
13:00But in order to do this,
13:02we have to move the CG Perfume and the real Perfume seamlessly.
13:09It's exactly the same as when the three of us were shooting.
13:13That's right.
13:14It's impossible to do hard live.
13:15No, no.
13:16Because it's a performance that can only be done with Perfume,
13:21I can't do it.
13:22I can't do it.
13:23I'll do hard live.
13:24I can't do it.
13:25I can't do it.
13:26I can't do it.
13:27I can't do it.
13:28I can't do it.
13:29I can't do it.
13:31At this time, there are 40 or 50 cameras on the ceiling.
13:35What?
13:3740 cameras on the ceiling?
13:39We're working on one late-night drama now.
13:42Because there's no budget.
13:43The camera is our main road,
13:45so we're right there with a small family under our feet.
13:50The angle is...
13:51If it's not here, everything will be blurred.
13:53Can you see it? It's so dark.
13:55Even in the dark, the lighting is intense.
13:59It's the same speed.
14:01It goes down behind.
14:03Is that part of the choreography?
14:04That's right.
14:05Oh, I see.
14:08Perfume uses technology like this
14:10to spread live performances that go to the tip of the times.
14:16In addition to volumetric,
14:18various technologies were incorporated as soon as possible.
14:22Let's take a look at some of them from past live performances.
14:27On the American tour in 2016,
14:32Light objects fly around Perfume.
14:42As if synchronized with the dance of three people,
14:45the stage is gracefully floating.
14:52Oh, the sea breeze
14:57This is a performance where the drone moves to the dance of Perfume.
15:04At that time, some people enjoyed aerial photography outdoors.
15:11But not only did RIZOMA and Perfume
15:13introduce drones to indoor live performances as soon as possible,
15:16but they also programmed a wonderful movement that syncs with the dance
15:21and made it a hot topic.
15:26This is something that fans should see every time.
15:30Next, a live performance that changed the common sense of projection mapping.
15:37After this, pay attention to the costumes of the dancing Perfume.
15:40I love you, I love you
15:43What is it?
15:44Oh, it's cool.
15:45What is it?
15:46What?
15:47Is it a video?
15:48Is it a video?
15:49It's only for three people.
15:51But it's moving, so how does it work?
15:55Projection mapping is a technology that transmits images to non-moving objects,
15:59such as buildings and walls.
16:03In this live performance, the image follows Perfume and becomes a hot topic.
16:10Wow, that's amazing.
16:12In addition, pay attention to the appearance scene wearing a novel costume.
16:19The shape of the skirt changes automatically.
16:22What?
16:23Automatically?
16:25That's amazing.
16:32Experience RIZOMA's latest technology in the studio.
16:36What?
16:37There is!
16:38Wow, that's amazing.
16:39That's amazing.
16:40That's cool.
16:41That's amazing.
16:42It's like a museum.
16:44Okay, Mr. Manobu, please.
16:46You saw it in the VTR earlier.
16:48You got this costume.
16:51It's cute.
16:52Please turn off the lights and start the projection again.
16:57It's reflected here.
16:59Oh, it's coming.
17:00Wow, that's amazing.
17:01That's amazing.
17:03When the projector is projected from a distance of about 5 meters,
17:09What you see on the computer screen now is a special camera attached to the projector.
17:15You can see the difference between the yellow part and the green part.
17:20Oh, that's right.
17:21It's like the back of the Shikigamishimo.
17:23In addition,
17:25Wow, that's amazing.
17:27What does that mean?
17:28A special camera attached to the projector detects the subject.
17:33It's a mechanism that transmits the image to the right place according to the movement.
17:41This is a special experience for Zakiyama.
17:45It's reflected on the shirt.
17:46It's outside and inside.
17:47That's right.
17:48The pattern is different.
17:50It's cute.
17:51Wow, that's amazing.
17:52Wow, that's amazing.
17:54It's cute.
17:55That's amazing.
17:56It's amazing.
17:58Zakiyama style.
18:00Zakiyama style.
18:01Zakiyama style.
18:02Zakiyama style
18:03Zakiyama style
18:04Take it off and
18:05He's doing it.
18:06He's doing it.
18:07What if I put the jacket sideways?
18:11Oh, that's right.
18:12Wow.
18:15At that time, it was really heavy.
18:18I see.
18:19It's not a performance, so we thought it would be easier to show the performance of the new technology, so we went to DEN.
18:29To show this technology, the sword is very heavy.
18:35It's not suitable for dancing anymore.
18:37It's heavy and the material is hard.
18:39There's a battery in here.
18:41There's a motor.
18:43The reason why it's heavy is probably because the costume is transformed.
18:47It's like an origami, so you can't sit down and wait.
18:51That's true.
18:52The stylist made a lot of holes to make it lighter.
18:56I see.
18:57It really feels good.
18:59That's right.
19:00But it's a little different, right?
19:02The posture changes, too.
19:04The way you look at the live performance changes, too.
19:06That's right.
19:07So I wanted to see the live performance again.
19:11And 5G, a high-speed, large-capacity communication technology that has become commonplace now.
19:17This was also adopted early in 2017.
19:22Three people in a place 10,000 kilometers away will synchronize and dance.
19:26That's impossible.
19:27I don't know what you're talking about.
19:28Ah-chan, Tokyo, Kashiyuka, London.
19:33This is New York, divided into three places.
19:37We're going to gather London and New York images in Tokyo, synthesize them, and show them dancing in one place.
19:44Why?
19:45What was the technology?
19:475G, which NTT has.
19:50In 2017.
19:51In 2017.
19:52Even if the time zone is completely different from the time zone you used for the first time,
19:58if you use 5G, you can synchronize.
20:03If you can do that, 5G is amazing.
20:06That's right.
20:07You can use it for entertainment, too.
20:09It's a familiar 5G now, but it became practical in 2020.
20:15Three years before that, Perfume was entrusted with proving the evolution of technology.
20:24Tokyo, London, New York.
20:28They're dancing in a place about 10,000 kilometers apart.
20:32It's all over the place.
20:33That's amazing.
20:35What's going on?
20:36They're going to synthesize it in real time and broadcast it live.
20:41That's scary.
20:55Wow.
20:57They're switching places.
20:59Wow.
21:01Wow.
21:06By showing the three of them dancing in sync,
21:10when you watch the video over and over again, it's as if they're one person.
21:15That's amazing.
21:16I don't think it's a human technique.
21:19That's amazing.
21:28Wow.
21:30That's amazing.
21:31That's cool.
21:32And this dance.
21:35The position is very strict.
21:39In fact, by following the position decided by each of the triangles,
21:46the performance is well-established without overlapping the three of them.
21:54This is a live broadcast, right?
21:56It's live.
21:57It's amazing that it's live.
21:59It would be nice if this was recorded.
22:02That's right.
22:03It's all live.
22:04It's live.
22:05We practiced a lot, but we were told that we would switch like this on the day.
22:12Wow.
22:13This synchronization when moving positions.
22:19That's amazing.
22:21How well do they move?
22:38That's cool.
22:45Wow.
22:46That's amazing.
22:47That's amazing.
22:49By following the position decided by each of the triangles,
22:52the performance is well-established without overlapping the three of them.
22:57That's amazing.
22:59The connection of the hands is amazing.
23:01Hey, hey, hey.
23:02If it's a little off, only the upper body will be off, right?
23:06This performance is amazing.
23:08Yukiko is in charge of the overall production of Perfume's live performance.
23:14The finished video is already perfect.
23:19I think you can see it easily.
23:22If the angle is different or the position is different, it will definitely shift.
23:26That's why it fits perfectly.
23:28It's amazing that it's live.
23:30That's right.
23:31It's amazing.
23:32Each of them is changing their formation while they are not there, so if they collide, it will be penetrated.
23:38But it's amazing that they can do it while feeling this little gap.
23:45Until the last minute, the three of them connected their locations and cameras.
23:51I've been doing the final adjustments for three years.
23:58That's why it's amazing.
24:02That's amazing.
24:04I can't do it without the trust of the people around me.
24:10Why are you doing something reckless?
24:13It hurts my heart.
24:15I can't help it.
24:16When you edit the video, do you think,
24:22Does it fit like this?
24:25Yes, it does.
24:26Only the viewers know that.
24:28I didn't know they would dance exactly like that.
24:32We really love this kind of challenge.
24:36I'm glad that people trust us and look forward to what we've never seen before.
24:43In order to show 100% of our skills, we can't be forgiven if we make a mistake.
24:51You're a craftsman.
24:53I really like that.
24:55I'm nervous, but I'm glad I did it.
25:01That's what makes an adult go crazy.
25:05It's more than that.
25:06I wonder if I can do it.
25:08I was wondering,
25:10There was a great side, but when the three of them became one,
25:14The front and back were also great.
25:16It's a little different in size.
25:20There are some parts that shouldn't overlap.
25:23There are some parts that shouldn't overlap.
25:25I'm going to adjust the width of my body.
25:27I'm not next to him, but I'm going to keep dancing.
25:30You're always thinking about the other two.
25:34I've never felt the feelings or breath of the other person on stage.
25:38You're a fast veteran.
25:41By the way, when you dance,
25:44The mark of the position called Bamiiri is used on the stage.
25:49Normally, it's often attached at a 90-centimeter interval.
25:54In the case of Atium, the number of Bamiiri is not real.
25:59I'd like to borrow that photo.
26:02Let's take a look.
26:04This is the one from Fusion.
26:06This is a Bamiiri for one song of Fusion.
26:1017 Bamiiri are spread out in a narrow triangle.
26:16That triangle is the shining water I saw in the video.
26:21The three of us will dance in turns.
26:24I've decided the position of the tip of my feet.
26:26The position of the tip of your feet?
26:28Yes.
26:29While dancing to the music.
26:31That's right.
26:32The lighting is dark.
26:36How amazing is this?
26:38This time, I'm going to show you how to do it.
26:44What?
26:45Don't overdo it.
26:48Atium is 10,000 kilometers away.
26:51I'll show you a live dance.
26:54There was a particularly difficult point in the dance in this triangle.
26:59The standing position is surprisingly small.
27:03I'm dancing in a narrow place.
27:06The other party goes to my position.
27:10There's only one count of movement.
27:14I'm going to start from the beginning.
27:17Of course.
27:21I'm breathing here.
27:27Even if you change your standing position in an instant, you must not bump into each other.
27:33I'll show you again.
27:41I'll be right back.
27:43It's narrow.
27:44I'll move here.
27:50In an instant.
27:53It's narrow, but you can't hit your butt.
27:58It's amazing to talk while dancing.
28:01I'm not bumping into anything.
28:04You're not bumping into anything.
28:09Thank you very much.
28:13You're moving with each other's trust.
28:17What happened in the live broadcast of this one-count movement?
28:31I'll show you a live dance.
28:44Each of them kept their standing position and didn't overlap with the other party.
28:48Even if the video was synthesized, a wonderful synchro dance was realized.
29:02There's one more difficult part in this live broadcast.
29:11The three of them slowly move back while punching.
29:16It's a dance that overlaps vertically and shakes your body.
29:21And then...
29:22It's a dance that overlaps vertically and shakes your body.
29:27This is the scene where everyone becomes one person.
29:33Each of us is in charge of the surface of the triangle.
29:42I'm scared.
29:47It's amazing.
29:49I'm attacking the edge of the triangle.
29:56It's like a chicken race.
29:59It's like the top of the mountain.
30:01I'm going to line up like this again.
30:04It's the part where the body becomes one.
30:12The angle of the arm and the angle of the fingertips are very difficult.
30:19I've been practicing this for the rest of my life.
30:23There are only two counts and one count.
30:26It's the shortest.
30:30I'm going to step back and suddenly turn around.
30:33I have to practice the sense of distance that the three of us practiced.
30:38At first, it's going to be clean.
30:43But when I turn around, it's all the same.
30:47I was in the same position as Yuka-chan.
30:49But when I turned around, I had to step back with Yuka-chan.
30:55I felt it from behind.
30:58I felt it from here.
31:01It's a triangle that overlaps vertically and shakes your body.
31:05I've bumped into you in private.
31:07I've bumped into you in private.
31:09I've bumped into you in private.
31:12Perfume continues to deliver amazing performances by incorporating cutting-edge technology one after another.
31:20Why did RIZOMA and Perfume decide to form a tag team in the first place?
31:28It's not from the very beginning, is it?
31:30No, it's from the middle.
31:33It's from the Tokyo Dome in 2010.
31:3714 years ago.
31:40It was the first time I went to the Tokyo Dome.
31:44What made you decide to form a tag team?
31:46I've always been a fan of Perfume.
31:51You're a fan of Perfume?
31:53You're just a fan?
31:54Yes, I'm just a fan.
31:56Did you meet them on the street?
31:59You were in a fan club, too.
32:01Yes, I was in a fan club.
32:03Really?
32:04I went to their live performances.
32:06What did you do after that?
32:08I've been working with Mr. Seki since 2008.
32:12I've been working with Mr. Seki since 2008.
32:14I've been presenting various projects to him.
32:18I couldn't get through to him at all.
32:21By the way, do you remember what he gave you?
32:24If you put a CD jacket on your computer,
32:27Perfume will start dancing on the CD jacket.
32:31It's like AR.
32:33He also sold a shiny T-shirt.
32:38That was too soon.
32:42Did you hear that from Perfume?
32:44No, I haven't heard from them yet.
32:46You didn't go that far?
32:50When I first met Mr. Daito,
32:52I was having a meal with Mr. Seki and his ex-manager.
32:56Mr. Daito, who was very drunk, came to me.
33:00He showed me a video of him dancing on the street.
33:04He said, I'm doing this. Isn't it amazing?
33:08To him?
33:09Isn't it amazing?
33:11It's amazing, isn't it?
33:12It's difficult.
33:13He said, I want to work with Perfume.
33:15Would you like to work with me?
33:17He borrowed the power of alcohol.
33:19He said, if you go directly, you can do it.
33:21That was the first impression I had of him.
33:24I didn't know he said that behind my back.
33:30With such passion,
33:32RIZOMA has participated as a technical support since 2010.
33:37Actually, for Mikiko, who has been directing Perfume since her debut,
33:41the Tokyo Dome performance was a big challenge.
33:46When Perfume had their first Tokyo Dome performance,
33:49they performed at the Budokan.
33:51After that, they performed at the Arena.
33:53Even so, the Tokyo Dome was a huge difference.
33:57But we decided to do it with only three people,
34:01including the back dancers and the back band.
34:04It was a secret agreement.
34:06Only three people?
34:07At that time, we needed to add one more person to the team,
34:11whether it was lighting or video,
34:14so we needed to expand the team.
34:18We went there to get ideas.
34:22Suddenly, the live performance changed.
34:25That's right.
34:28The Tokyo Dome with only three people.
34:30RIZOMA's video technology was adopted to attract 50,000 spectators.
34:39After this, pay attention to Koho's huge screen.
34:45It's amazing.
34:46The back dancers are themselves.
34:48I see.
34:49There are 10 back dancers.
34:52There are only back dancers in real and virtual images.
34:58We had to dance exactly the same dance as ourselves in the video we shot before.
35:05We can't make a mistake.
35:07That's right.
35:10By the way, the RIZOMA team, which started to support the dream of Perfume,
35:15started to do something to make a better performance.
35:21They did a lot of research on dance.
35:24They made a performance where lights and lasers dance together to match the dance.
35:31The dance is programmed.
35:34It's like a laser comes on when you put your hand out.
35:37It's like a dream.
35:38It's like a laser comes on when you put your hand out.
35:41It's like a magician.
35:43You have to understand the choreography to do that.
35:46I see.
35:47Perfume studied it.
35:49I thought it would be better to learn the choreography by myself.
35:55So I took a dance lesson.
35:57You can dance?
35:59Can Perfume dance?
36:00It's Perfume.
36:01I can dance.
36:02Are there four of you?
36:04There's a song I remember.
36:06I performed it at the 5th anniversary party.
36:11When the dance contest was held,
36:14he silently applied for it.
36:18Silently?
36:19Silently.
36:20Secretly?
36:21Yes.
36:22Amabe posted a precious dance video that she applied for the contest.
36:28It's a great change.
36:30I always get the impression that humans are amazing.
36:37This is the precious video that Amabe applied for the contest.
36:44Where?
36:45In the middle?
36:46Which one?
36:47Which one?
36:48Which one?
36:49It's amazing.
36:50Is this a real costume?
36:53Yes.
36:54I got it.
36:55It's amazing.
36:56It's like a real idol.
36:58Is this Amabe?
37:00It's in the middle.
37:02It's amazing.
37:03It's amazing.
37:04Finally, it's the third one.
37:06I was surprised.
37:08It's amazing.
37:09She's trying her best.
37:10It's not interesting at all.
37:11It's amazing.
37:12It was so authentic that I didn't notice it at all.
37:15I passed the first screening.
37:17I thought it would be difficult to pass the second screening.
37:23You didn't notice it and you were dropped.
37:27You didn't notice it and you were dropped.
37:30You're right.
37:31It's a very special contest.
37:33I felt how difficult it was.
37:37It's amazing to make a video.
37:39It's amazing.
37:40Team Perfume is amazing.
37:42It's amazing.
37:44Perfume has been fascinating the world with their latest technology and synchro dance.
37:50Next, Mikiko, who has been watching them for 25 years, will talk about the greatness of dance again.
37:58First of all, the synchro dance highlights their individuality.
38:03I think the three of them have the image of being in sync.
38:07As far as I'm concerned, as far as the three of them understand,
38:10I think they can see the individuality of each person for the first time when they dance together.
38:16A-chan is very good at groove and rhythm.
38:20It's like dancing from the heart.
38:24Kashiyuka has a great proportion of style.
38:31I'm very good at taking corners and angles.
38:38Mochiwa has a smoothness.
38:41I feel like humans are dancing.
38:46I want the three of them to have the impression that they are playing a song as a band.
38:54It's the same choreography.
38:55It's not like someone is in the center.
38:58When I want to emphasize the beat, A-chan is in front of me.
39:06I want to show the line here.
39:09I'm going to try to make Kashiyuka stand out.
39:15Melodious is like this.
39:18I always try to make a scene where each person comes to the center.
39:24I'm trying to change the quality of the song, the image of the lyrics, and the strength of the sound.
39:35What kind of sound does Perfume use to express the dance?
39:41It's too detailed.
39:50When we make Perfume's choreography, it's like singing with our bodies.
39:55Sometimes the three of us use our bodies to pick up the meaning of the words.
40:02Sometimes we pick up the drums.
40:04Sometimes we play the synth.
40:06We play a number of instruments.
40:13To convey the greatness of Perfume visually,
40:19We borrowed the analysis video made by Manabe.
40:25Let's take a look at what kind of sound we're picking up now.
40:32Pay attention to the waveform below.
40:34On the far left is when you're dancing to the song.
40:39In the middle is when you're dancing to the sound of the drums.
40:44And on the far right is when you're dancing to the sound of the synthesizer.
40:52Not only that,
40:54When you're dancing to the meaning of the lyrics, the color changes.
41:02Based on this, please take a look at the chorus part of the laser beam.
41:08Pay attention to what kind of sound you're picking up in an instant.
41:20Wow, it's so detailed.
41:22The arrangement is amazing.
41:28It's true.
41:32Wow, it's so cool.
41:34Let's watch it again.
41:36The arrangement is amazing.
41:38It's true.
41:45It's so detailed.
41:52It's changing more and more.
41:54It's changing more and more.
41:57While expressing the meaning of the lyrics with choreography,
42:00The song and the rhythm change in a dizzying way.
42:06Even with just one chorus phrase,
42:08This is how much advanced technology is packed into it.
42:14The amazing thing about the three of us is that
42:16Pick up to the end of the sound and go to the next one.
42:20I'm picking this up, but I'm picking this up clearly and going here.
42:25I thought I couldn't do it without a clear body.
42:30I think that's one of the good things about Perfume.
42:35And the amazing thing about Perfume, which dances in the latest technology.
42:42When you're working with technology,
42:44Everything other than Perfume is data.
42:47I'm sure it's going to work.
42:51There's a possibility that only the three of us in Perfume can make a mistake.
42:56It's very important to be a human being with a little bit of fluctuation.
43:02It's a little bit of fluctuation, it's a little bit of emotion.
43:06It's like a strong feeling.
43:08It's more prominent when you're in the right place.
43:12It's a great trio.
43:14I feel like the three of us are more passionate about it.
43:22I always get the impression that humans are amazing.
43:32That's great.
43:37It's analog after all.
43:39There's a production by Mikiko.
43:42There's a technology by Manabe.
43:45As a result, the three of them stand in the same position.
43:49By putting your hand out in the same place and bowing your head,
43:53Manabe's video comes in here.
43:56As Mikiko said at the end,
43:59As a result, humans are amazing.
44:03It's a great trio.
44:06As a technician and an artist,
44:09I think Perfume is great today.
44:24It's small, but it doesn't hit my butt.
44:26This week, it's broadcast on TVer.
44:29It's amazing to talk while dancing.
44:31The top players are gathered.
44:35Behind the production of King Gnu and Hakujitsu...
44:38I thought only me and Sekiyu were funk.
44:42Boundy, Kenshi Yonezu.
44:44What's the secret of the popular song?
44:46I'm the one who's the worst at it.
44:51And there's a gorgeous session.
44:58I'm usually told I'm annoying.
45:01I'm usually told I'm annoying.
45:03I'm usually told I'm annoying.
45:05I'm usually told I'm annoying.
45:07I'm usually told I'm annoying.
45:09I'm usually told I'm annoying.
45:11I'm usually told I'm annoying.
45:13I'm usually told I'm annoying.
45:15I'm usually told I'm annoying.
45:17I'm usually told I'm annoying.
45:19I'm usually told I'm annoying.
45:21I'm usually told I'm annoying.
45:23I'm usually told I'm annoying.
45:25I'm usually told I'm annoying.
45:27I'm usually told I'm annoying.