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00:00新日本で大阪お散歩 先週に引き続き2024年の話題のドラマ
00:10地面主たちをはじめ数々の作品に出演している俳優松尾悟さんをゲストに迎え
00:18今回は野田尾、お散歩
00:22さあお散歩ちょっと移動してね
00:26Yes, I know.
00:28Have you been here before?
00:30No, I haven't.
00:32It's been a while since I've been here.
00:34How did you know there was a Chuo Ichiba?
00:36Chuo Ichiba is like a kitchen.
00:38I didn't know that.
00:40Chuo Ichiba and Chuo Ichiba.
00:42Chuo Ichiba is open now,
00:44so you can go shopping with other people.
00:46Really?
00:48There's a sushi restaurant.
00:50I happened to want to eat sushi
00:52around Fukushima.
00:54Then I found a sushi restaurant
00:56with a high rating.
00:58So you went to Chuo Ichiba.
01:00Yes, I did.
01:02It was too early to go there.
01:04I've never been there.
01:06There are a lot of people
01:08who are inbound now.
01:10I see.
01:12Chuo Oroshuri Market
01:14has been supporting the food culture
01:16of Osaka for a long time.
01:18The area is about
01:209 square meters.
01:22The sushi is sold
01:24in 8 different stores.
01:26The amount of sushi
01:28is second in the country
01:30compared to
01:32Tokyo and Toyosu.
01:36The characteristic of
01:38the sushi that Mr. Matsuo wants to eat
01:40is that it's not
01:42a sushi that you hold the rice
01:44firmly, but a sushi
01:46that you grab and make.
01:48It's a sushi that you can
01:50eat and eat
01:52and eat.
01:54It's a popular place
01:56where many people visit.
01:58There are a lot of cheap
02:00sushi restaurants in Osaka.
02:02Tokyo is expensive.
02:04There are a lot of delicious
02:06sushi restaurants in Tokyo,
02:08but you have to pay.
02:10There are 10 expensive
02:12sushi restaurants in Osaka.
02:14That's right.
02:16You have to pay a lot.
02:18It's like you're asking
02:20me to show my tits.
02:22It's like I'm a man.
02:24What is this?
02:26Okonomiyaki is expensive, too.
02:28It's only about 1,500 yen.
02:30I can't think of anything.
02:32What are you talking about?
02:34I can't find a parking lot
02:36in this forest.
02:38I'm going around.
02:40All three of them
02:42have allergies to Tokyo.
02:44He's saying something.
02:46Then?
02:48This place is old.
02:50It's nice.
02:52Is it okay to get off?
02:54It's nostalgic.
02:56The bike is really good.
02:58It's a good bike, but it's a waste.
03:00It's a village.
03:02It's a wasteland.
03:04There were plants
03:06at the end of the road.
03:08My mother used to plant them, too.
03:11It's nice.
03:13It's nostalgic.
03:15It reminds me of my hometown.
03:17Do you all come from Nagaya?
03:19I'm from Nagaya, too.
03:21I'm from Nagaya, too.
03:23I'm from Nagaya, too.
03:25I'm from Nagaya, too.
03:27You look like you were born in Nagaya.
03:29It's the color of Nagaya.
03:31No matter how much you grow up in Tokyo,
03:33it's the color of Nagaya.
03:35It's the color of Nagaya.
03:37I can't show this on my computer.
03:40I can't show this on my computer.
03:42What's the color of Nagaya?
03:44What's the color of Nagaya?
03:46I thought they looked similar,
03:48but they were all born in Nagaya.
03:50I thought they looked similar,
03:52but they were all born in Nagaya.
03:54These are the three boys' childhood.
03:56These are the three boys' childhood.
03:58They were all cute.
04:00They were all cute.
04:04It's nice.
04:06It's nostalgic.
04:08So many vacuum cleaners.
04:10So many vacuum cleaners.
04:12There are a lot of people who are surprised
04:14by the three or four wheelers.
04:16They must have thought it was bad.
04:18There are people who open the front door
04:20and think it was completely torn.
04:22and think it was completely torn.
04:26It's fun to get into Nagaya.
04:28It's fun to get into Nagaya.
04:34There's a red light.
04:36I'm with you. I'm with you.
04:38Oh, my god.
04:40Wow, this is amazing.
04:42Isn't this amazing?
04:44That's kind of you.
04:46This is great.
04:48You shouldn't underestimate the old man.
04:50There are a lot of old men watching.
04:54I've only seen erotic men.
04:56So cute.
04:58Watch the show.
05:02Old man. Old man.
05:04I'm hungry, too.
05:06I'm hungry, too.
05:08If I didn't have this, I'd have nothing to do.
05:14This is the life.
05:16No, it's not.
05:18My life was like that.
05:20Where did you get it?
05:22It's you.
05:24I can borrow it right away, but I can't return it.
05:26That's right.
05:30It's brighter than I thought.
05:34It's like hell.
05:36I'm sure you're trapped.
05:38This is amazing.
05:40Osaka Osanpo
05:42Osaka Osanpo
05:46No choice.
05:48You can do whatever you want.
05:50This time, it's Noda.
05:54It's close to Umeda.
05:56JR Hanshin subway
05:58It's a convenient area.
06:00It's a convenient area.
06:02Osaka air end
06:04Osaka air end
06:06The lives in Osaka are in danger.
06:08The lives in Osaka are in danger.
06:12It's a miraculously safe area.
06:18To avoid that,
06:20to avoid that,
06:22There is a beautiful cityscape left.
06:27It really looks like a suburb.
06:29I've never been here.
06:31Me neither.
06:33There is a park.
06:38Konnichiwa.
06:39Konnichiwa.
06:40Konnichiwa.
06:41Oh, you're wearing gloves.
06:42Do you need some?
06:43Uh-huh.
06:44Uh-huh.
06:45Uh-huh.
06:47He is so cute.
06:53He is cute.
06:54Do you watch TV programs?
06:56Yes, I do.
06:57Really?
06:58The program is called, Ossanpon.
07:00You don't watch it?
07:01The program is called, Ossanpon.
07:02Really?
07:03Do you know it?
07:04Oh, really?
07:05So cute.
07:06I can't believe that this is the age of Showa.
07:08There are so many energetic children.
07:10I've never heard of Tokyo.
07:14Bye-bye.
07:15Don't play around too much. Bye-bye.
07:17Bye-bye.
07:19He's not home yet.
07:21It's like a dream.
07:23All of a sudden.
07:25Why?
07:27Who left this here?
07:29It's not a shop.
07:31It's not a shop.
07:33It's under the sign of the earthquake and typhoon.
07:35It's under the sign of the earthquake and typhoon.
07:37I want people to look at the bulletin board.
07:39Slowly?
07:41Really?
07:43People don't look at the bulletin board.
07:45That's right.
07:47I want people to look at the bulletin board.
07:49Who left this here?
07:51It's expensive.
07:53I'm sure it's expensive.
07:55It's really expensive.
07:57Where did you get it?
07:59Excuse me.
08:01Excuse me.
08:03Let's ask the confectioner.
08:05What kind of question is this?
08:07Excuse me.
08:09I have a question.
08:11I have a question.
08:13There's an ashtray over there.
08:15Who left it there?
08:17There's a person sitting there.
08:19Kato-san was taking care of it.
08:21Kato-san was taking care of it.
08:23The owner of this house?
08:25Yes.
08:27The owner of this house?
08:29He's a good man.
08:31He's a good man.
08:33He's a good man.
08:35He's a good man.
08:37He's a good man.
08:45He's a good man.
08:47He's a good man.
08:49He's a good man.
08:51He's a good man.
08:53He's a good man.
08:55He's a good man.
08:57By the way,
08:59By the way,
09:01In January,
09:03In January,
09:05the concrete mill is banned on all roads in Osaka.
09:07It's a little lonely from the Aien River, which has cooled down a bit.
09:19Wow, it's such an old town.
09:21It really is.
09:22It used to be like this.
09:24People used to hang out on the walls of houses like this.
09:28Oh, that's right.
09:29But they were patient.
09:31What kind of shop is this?
09:33It's a footbath.
09:34It's a footbath to warm up your feet.
09:37Everything starts with your feet.
09:39Oh, is that so?
09:40They say that fashion starts with your feet, right?
09:42They do.
09:43Health starts with your feet, too.
09:44Your back starts with your feet, too.
09:46I don't know if it's a punishment game or something.
09:51I'm training my toes right now.
09:53Why?
09:54You're training a lot.
09:57I like rugby.
10:00I'm a big fan of Horie Shota.
10:02Oh, that's amazing.
10:03I go to Horie Shota's gym.
10:08The most important thing for him is to train his toes.
10:13Oh, his toes.
10:14Yes.
10:15I don't train my toes.
10:16When he becomes an old man, his toes become weak.
10:19Matsuo trains his toes every day so that he doesn't trip.
10:25It's important.
10:26Yes, it is.
10:27Please give me permission to film.
10:29Okay.
10:31Hello.
10:34He's asking for permission to film.
10:37I'd like to do it.
10:39Can I?
10:40There are two old men.
10:42Can you do it?
10:43Yes, I can.
10:44Hello.
10:45Hello.
10:47Excuse me.
10:48Hello.
10:49Are you a foot massage therapist?
10:52Yes, I'm a foot massage therapist.
10:54A foot massage therapist?
10:55What's a foot massage therapist?
10:56You're a foot massage therapist, right?
10:57That's right.
10:58You massage the back of my feet.
10:59What?
11:00That's...
11:01I don't like that.
11:07The old men came to...
11:12...this shop.
11:18Before massaging the soles of the feet,
11:21the service looks at the soles of the feet.
11:26I've heard of a foot massage therapist,
11:28but what's a foot massage therapist?
11:32Is there a foot massage therapist?
11:34Yes, there is.
11:35It's a new brand.
11:36Does a foot massage therapist get a massage?
11:39No, they don't get a massage.
11:41It's a form of personal information.
11:44I don't know that.
11:45What do you mean?
11:46That's right.
11:47I don't know their contact number.
11:49Of course not.
11:50You don't have to tell me.
11:52It's okay.
11:53Okay, I'll do it.
11:54The direction of the toes of the feet
11:57and the shape of the toes of the toes
12:00determine the type of person you are.
12:02You can be a free-spirited person, and so on.
12:07Instead of looking at the wrinkles,
12:09you look at the shape of the soles of the feet.
12:12There are 20 types of toes,
12:15with the combination of the shape of the toes and the shape of the toes.
12:19For example,
12:20if all the gaps in the toes are open
12:22and the index finger is out,
12:24you are a free-spirited artist.
12:28If all the toes are pointed at one point,
12:31and the index finger is square,
12:34you are a leader type.
12:38What type of person is Matsuo?
12:42What do you think?
12:47I think he's a serious person.
12:49Matsuo is a calm person,
12:51because he's been acting for a long time.
12:53He's a calm person.
12:55He doesn't quarrel with anyone?
12:57No, he doesn't.
12:58He's always angry.
12:59He's always angry.
13:00So he's a calm person.
13:02He's a stable employee type.
13:04He has his own job and private life.
13:06He has his own job and private life.
13:09Is it okay to say he's a stable employee type?
13:12I think it's a good thing.
13:15But I'm not really happy about it.
13:18I see.
13:19I think he's more of a creator type.
13:21He's more of an announcer type.
13:23I see.
13:24I think it's better not to add any ad-libs to his acting.
13:29I don't want people to think I'm not listening to him.
13:34Next up is Banya from Yoshida.
13:40He's very serious.
13:42Yes, he is.
13:43He's very serious about what he does and what he does not do.
13:47He's very serious about what he does and what he does not do.
13:49Even in X-Men, I don't touch the results of martial arts.
13:55What are you talking about?
13:57Are there people like that?
13:59People like that?
14:00Yes, there are.
14:02Even the people who recorded the show thought I was done.
14:07That was amazing.
14:08Are you serious?
14:09Yes, I'm serious.
14:11His neck is very clean.
14:14Yes.
14:15I think he's a very focused type.
14:19A very focused type?
14:20Yes.
14:21I'll do it until I achieve my goal.
14:23I'll do it until I get it back.
14:25How is it?
14:26You got it right.
14:28You're very TV-like.
14:31What is that?
14:32Are you serious?
14:33Yes.
14:35Is that so?
14:36You got it right.
14:37Are you serious?
14:38That's right.
14:39You've grown up.
14:43The last one is black.
14:48What's that face?
14:49Are you nervous?
14:50You don't look like a celebrity.
14:54You're very serious.
14:57You're very serious.
14:58Is that so?
15:00The direction of his toes.
15:02I think he looks like Yoshida-san.
15:06I think so too.
15:07I see.
15:09When I met Jishin at X-TOKA,
15:13he said,
15:14Be careful, everyone.
15:15The woman was so surprised.
15:18I understand what you mean.
15:20That happens a lot in talent shows.
15:21I understand what you mean.
15:23I know it's not true.
15:24But Jishin said,
15:25Don't say it.
15:26I asked if he used a radio there.
15:28He's the same type.
15:29He's a very focused type.
15:32Are you sure?
15:33Are you sure?
15:34Are you sure?
15:35He has beautiful feet.
15:36He's like Yoshida.
15:38It's not good for TV.
15:41Are you sure?
15:42Are you sure?
15:43Are you sure he's like Yoshida?
15:44I'm not saying that.
15:46He's like Yoshida now.
15:47I see.
15:48I heard that you look like Aihara-san.
15:53You mean you have the same character?
15:55No, I don't.
15:56No, I don't.
15:57It's not good for TV.
15:59What should I do?
16:00I want all the actors to do this.
16:01That's right.
16:02Please do this.
16:03Can you do it?
16:04Can you do it?
16:05With a QR code?
16:06I'm glad I'm here.
16:08He's the last one.
16:10I've been saying that for a long time.
16:11It's not real.
16:12Oh, it's not real.
16:13I see.
16:27It's getting dark.
16:28It is.
16:30It's 6pm.
16:32Are you hungry?
16:33Yes, I am.
16:34It's unusual for three old men to eat like this.
16:38I don't know why, but I was eaten a lot last time.
16:43I was eaten a lot by Ozawa-san.
16:45I was told that three old men can't eat like this.
16:48I was told that three old men can't eat like this.
16:51I want to eat properly.
16:54I see.
16:55I want to eat properly.
16:58You're hungry, aren't you?
16:59Yes, I am.
17:00You're hungry, aren't you?
17:01I'm hungry, aren't I?
17:02I'm really hungry.
17:03I can't speak.
17:06There are many complaints about being hungry or over-feeding.
17:13Three old men are looking for a restaurant in front of Noda Hanshin station.
17:25Let's have some rice.
17:26I agree.
17:27I want to eat rice.
17:28The price of land has gone up in this area as well, hasn't it?
17:31Oh, you mean the land?
17:33Yes, the land.
17:34Oh, the land?
17:35But it's close to Umeda, isn't it?
17:37Fukushima is full of land, and it's straight ahead, so the price of land has gone up.
17:43It's a little cheaper than Fukushima.
17:46It's already expensive.
17:50Around Noda Hanshin Station, where many apartments and commercial facilities continue to be built,
17:58the price of land has gone up about twice as much as it did 10 years ago.
18:06In addition, the famous shops in Fukushima, where rents have gone up too much,
18:11are moving to Noda one after another in search of new routes.
18:15More and more people are coming.
18:20This is a good place.
18:22Let's look for a house here.
18:24Isn't this a good place?
18:25Right?
18:28It's definitely easy to live here.
18:30If there was a royal palace next to the Kentucky Fried Chicken, it would be great.
18:34It would be great.
18:35If there was a royal palace, it would be great.
18:40The hungry old men came to the Noda Shimbashisuji Shopping Street in front of the station.
18:48I've never been to a shopping street around here.
18:51I've been interested in it for a long time.
18:53It's a little narrow shopping street.
18:55But it doesn't change much.
18:57Have you been here before?
18:58Yes, I have.
18:59Then I'll leave it to you.
19:00Actually, I knew there was a shopping street around here, but I haven't been here for a long time.
19:05The destination that Mr. Matsuo, who was entrusted with the shop, guided...
19:13Here it is.
19:14This is the shop I was talking about.
19:17Is it here?
19:18It's too narrow, isn't it?
19:19Yes, it is.
19:21It's too narrow.
19:22Itachi will come out.
19:25This is too narrow.
19:28The place Mr. Matsuo is looking for is at the end of this narrow alley.
19:35It's so narrow that people who don't know can't enter.
19:37That's right.
19:38Mr. Matsuo, can you go there?
19:39I'll go there.
19:41It's too narrow.
19:42He's rubbing his sleeves.
19:44It's too narrow.
19:45He's rubbing his sleeves a lot.
19:46I can't go there.
19:49I wonder what's going on ahead.
19:53I'm scared.
19:58People who don't know can't enter.
20:00I think it's a dead end.
20:07It's amazing here.
20:12I don't know this place.
20:15There was a shop like this.
20:16Is this also a shop?
20:17I don't know where to go when I come here for the first time.
20:21It's impossible now.
20:23Firetrucks can't enter.
20:26It was still legal at that time.
20:29It's a bucket, isn't it?
20:30It's 10% soba.
20:31It's really a shop.
20:33What does it say?
20:34Soba triangle.
20:37The soba is closed.
20:39It's true.
20:41Isn't this the best location?
20:44It's the best.
20:45In Showa era.
20:46It's rare to find a place like this.
20:48There are many places that are closed.
20:50I think it will be open from now on.
20:51Is that so?
20:52It's still before 6 o'clock.
20:53Is that so?
20:54I think this place will be open until 9 o'clock in the morning.
20:56That's possible.
20:59It's interesting. I've never been here before.
21:11This area flourished as a night market around the end of the war.
21:16It gradually developed into a bar and became popular.
21:22Now, about 30 shops are concentrated in narrow alleys.
21:27That's hell.
21:33Snacks from the old days.
21:37Taishu Sakaba.
21:41Recently, there is a fashionable bar.
21:51It's interesting.
21:52There is a fashionable place like this.
21:54It's true.
21:55Isn't it Italian?
21:57It's Aikidashita.
21:58There are many natural wines.
22:00Hello.
22:01It's fashionable.
22:03Oden, Kushi-katsu.
22:05Snacks.
22:06Snacks.
22:07I'll sing a song to express my feelings.
22:10I like this kind of place.
22:12It's a good atmosphere.
22:13With customers.
22:18Hello.
22:19I'm watching your videos.
22:20Oh, you're watching my videos?
22:21This is a restaurant.
22:22I'm watching your videos.
22:24Even women are watching my videos.
22:25The owner of this restaurant is Ms. Nagomi.
22:26I'm watching your videos.
22:28Hello.
22:29I'm watching your videos.
22:32Nagomi is a very good cook.
22:36You're drawing Maki very thick.
22:42It's a new Mii.
22:44He is attractive.
22:47Charm is not attractive.
22:49I can't express my feeling.
22:52Right?
22:53Is the opening time short?
22:54Is it already open?
22:55It opens from 8 p.m. to 11 p.m.
22:57It's very short.
22:58Really?
22:5911 p.m. to 10 p.m.
23:0011 p.m. to 10 p.m.?
23:01That means soup.
23:02In the opening time, it opens from 9 p.m. to 11 p.m.
23:04It's amazing.
23:05It's interesting.
23:06It's a great hobby.
23:10When I came here, there were a lot of shops closed because of COVID-19.
23:13There is a dumpling shop.
23:14Dumplings are good.
23:15Dumplings.
23:16It's open.
23:17But people around here are too clear as a shop.
23:20Why?
23:21Well, that's right.
23:23It's a big shop.
23:24Let's eat dumplings.
23:25Isn't it good?
23:26At the counter.
23:27There seems to be only dumplings.
23:28Is it okay?
23:29It's a young girl.
23:30Why?
23:31Then let's go in.
23:32Really?
23:33I imagined a dirty old man, but it was a very beautiful girl.
23:37It's amazing.
23:38Hello.
23:39Can I come in?
23:40Is it okay if the camera comes in?
23:42The camera will come in.
23:43Is it okay?
23:44I'm sorry.
23:45Somehow.
23:46It's good.
23:47It's good.
23:48I'm sorry to say this, but the distance is good.
23:50The distance is good.
23:51It's too close.
23:52It's a little close.
23:53I'm sorry.
23:54Is it okay?
23:56Is this a grilled dumpling shop?
23:58Yes, it's a dumpling shop.
23:59But there are also fried dumplings.
24:02How many dumplings are there?
24:04I don't know.
24:06This is about two tatami mats.
24:10Two tatami mats?
24:11Of course there are more.
24:12I think it's about six tatami mats.
24:14Six tatami mats?
24:15I don't know.
24:16Six tatami mats are two and a half tatami mats.
24:19Is this a set of Konohosuido?
24:22It's like a sign of the Silvania family.
24:26I'm doing this.
24:28Are you doing it alone?
24:29Yes, I'm doing it alone.
24:30Really?
24:31Yes.
24:32Why are you doing it alone?
24:33I invited a friend of mine.
24:36I met him by chance.
24:37Then I found out about Jigokudani.
24:39You're a man.
24:40No, I'm not.
24:41You have a wife.
24:43I have a wife.
24:44Really?
24:45Yes.
24:46You're suspicious.
24:47No, I'm not.
24:48Kuroda is so curious.
24:52She likes him.
24:56This is where the hungry men enter.
25:01It looks like this.
25:04It's a gyoza shop with six counters.
25:10Excuse me.
25:11This is grilled gyoza.
25:12It's early.
25:14Here you go.
25:15Is it grilled?
25:16It's grilled.
25:17Really?
25:18Yes.
25:19The seeds are seasoned well, so you can eat it as it is.
25:21I'm confident.
25:23Here you go.
25:24This is more like minmin.
25:26Minmin is good.
25:28It's delicious.
25:29Thank you very much.
25:33How many pieces of gyoza do you eat?
25:37I eat a lot.
25:39The skin is delicious.
25:40Thank you very much.
25:42It's very delicious.
25:43It's delicious.
25:44It's delicious.
25:48I don't want to eat anymore.
25:49It's so delicious.
25:52It's delicious.
25:55I don't think I can eat anymore.
25:57Is the grilled gyoza ready?
25:59Yes.
26:00It looks delicious.
26:02It's a gyoza made with pork bone soup.
26:05It's delicious.
26:06Yes.
26:08The gyoza is grilled, so please eat it gently.
26:11I want to eat this more.
26:14Please drink the soup.
26:19You are kind.
26:21This is good.
26:23Thank you very much.
26:24It looks thick.
26:26It's not thick at all.
26:31This is delicious.
26:33The soup of the gyoza comes out, so please eat it deliciously.
26:39This is delicious.
26:40This is good for your health.
26:43This is good for your health.
26:47This is good.
26:49This is the soup of the gyoza.
26:52This is a dish called SHANMEN.
26:54I'm good at cooking.
26:56I'm good at cooking.
27:00SHANMEN is very delicious.
27:02What is SHANMEN?
27:04SHANMEN is a dish of white fish.
27:10This is black.
27:11This is SHANTAN.
27:13This is a dish of fish.
27:15I respect the knowledge of cooking.
27:21This is SAKI.
27:22She just became the manager six months ago.
27:28Excuse me.
27:29How old are you?
27:31I'm 33 years old.
27:32You look young.
27:34Thank you very much.
27:35This is a dish of fish.
27:38I'm about half that age.
27:40I think many people have just started cooking.
27:44Are you okay to say that?
27:46This is a TV program.
27:51If you say that, I'll come back.
27:54I will come back.
27:55I'm sorry.
27:57I don't like old people.
27:59I only look at the old man.
28:03I only look at the old man.
28:07Are you okay?
28:09There is no old man who is surprised to say that.
28:15I'm a drinker.
28:19I'm sure you're a drinker.
28:21If you say that, I won't say it.
28:25I'm calm.
28:27I'm glad I came here.
28:31Thank you very much.
28:33Kuroda is calm.
28:35Let's ask him what he is interested in here.
28:41Is this a crown?
28:44Isn't this hard?
28:46What can I put in here?
28:48I think the rotation rate is bad.
28:51I want to stay here for a long time.
28:53There is a second floor.
28:56Is that a staircase?
28:58Don't do anything strange.
29:03Don't say bad things.
29:06This is fun.
29:09There is a second floor.
29:13Look at this.
29:25What do you think?
29:27There is a table and a chair.
29:29If you don't have this, there is only one thing to do.
29:34There is a table and a chair.
29:36There were eight small chairs.
29:39I want to have a drink like that.
29:42I think we will get along with each other.
29:44I want to get along with you.
29:50The atmosphere of this hideout is very popular with young people.
29:55It looks interesting.
30:00By the way, it's a hideout for young people.
30:05Why is it called a hideout?
30:11It's called a hideout, right?
30:13Yes.
30:14It says Triangle Gyoza Hideout.
30:17Do you know the origin of this hideout?
30:20There are many theories.
30:24It's a place with a lot of drunken people.
30:27If you drink alcohol, you can't get out.
30:31You get lost.
30:33If you get lost, you can't get out, so you go to hell.
30:36That's what it says.
30:39There are quite a few people who are really lost.
30:45In the old days, drunk people drank so much that they drank.
30:49They can't get out of the hideout.
30:51They are exhausted.
30:53They sleep well in the hideout.
30:55Or they don't sleep at all.
31:01Before we get drunk, let's have a meeting.
31:08Are you okay?
31:10There are a lot of drunk people.
31:12If you drink alcohol now, you'll be fine.
31:16Is there such a person in the audience?
31:1980%
31:2080%?
31:21I've seen people like that on TV Osaka.
31:24Thank you very much.
31:25It's 3,650 yen.
31:26It's cheap.
31:28I feel good.
31:30I haven't paid yet.
31:32Let's go.
31:33Mr. Matsuo has already paid more than 10,000 yen on his own.
31:40Let's go.
31:41Rock-paper-scissors.
31:44Rock-paper-scissors.
31:48Rock-paper-scissors.
31:50I won.
31:51You are perfect today.
31:53You are perfect today.
31:56Rock-paper-scissors.
31:58I won.
32:00Mr. Matsuo has been losing all the time.
32:02Are you okay?
32:03If you win by rock-paper-scissors, I'll pay you.
32:05What are you talking about?
32:07If you lose, I'll pay you double.
32:09That's good.
32:10I'll pay you back.
32:12That's good.
32:13I'll pay you back.
32:14It's okay.
32:15It's okay.
32:16It's okay.
32:19Although he lost, Mr. Matsuo looks happy.
32:32He is taking a walk in hell again.
32:37This is very thin.
32:40Here.
32:43It's amazing.
32:44Is there a house here?
32:46Is this all a shop?
32:47It looks like a house.
32:50I think so.
32:51This area was not sold in the Showa era.
32:54There was a house.
32:55What does this mean?
32:59It seems that there are not only shops in hell, but also dead people.
33:06There is a Okonomiyaki shop.
33:09Mr. Kofuku.
33:12Is Yoshitaka here?
33:14Is he a comedian?
33:15Yes, he is a comedian.
33:18Excuse me.
33:19Hello.
33:20Hello.
33:21Excuse me.
33:22I'm wandering around here.
33:25Is this Okonomiyaki shop?
33:27Yes, it is.
33:28Is there anyone who lives around here?
33:30Welcome.
33:32Where do you live?
33:33Here.
33:35Really?
33:36Ms. Matsuzaka?
33:38She is an old lady.
33:40Is this a rental house?
33:43I think so.
33:45I think so.
33:47It's bad weather here.
33:49You have grown up.
33:52It's black.
33:53It's rude.
33:55I'm going to hell.
33:58How old are you?
33:59I'm 80 years old.
34:01Really?
34:02Are you a regular here?
34:03No.
34:04Are you okay?
34:05The lights are on.
34:08Yes, the lights are on.
34:10I thought you were a member of NHK.
34:14Have you paid yet?
34:15Yes, I have.
34:20You can take a bath here.
34:28Excuse me.
34:29Good evening.
34:31How old are you?
34:32I'm 40 years old.
34:33Oh, I see.
34:34I'm Yoshimoto.
34:35I'm an actor.
34:37You are brighter than I thought.
34:41Nice to meet you.
34:42Are you Ms. Matsuzaka?
34:44Yes, I am.
34:45How long have you lived here?
34:48I'm 86 years old.
34:52Is this a rental house?
34:53Yes, it is.
34:55Ms. Matsuzaka has lived here for more than 40 years.
35:03Is there anyone who lives here normally?
35:05Yes, there is.
35:07Everyone used to live here.
35:10I made a lot of money here.
35:12So everyone moved out.
35:14This place is so popular.
35:18I made a lot of money and bought a house.
35:21I see.
35:22This place is called Jigokudani.
35:24Jigokudani used to be called Haguromo Yokocho.
35:29What did you say?
35:30Haguromo Yokocho.
35:31You said Haguromo Yokocho.
35:33But now it's called Jigokudani.
35:35Jigokudani came from Haguromocho.
35:39You should have said something more serious.
35:43When Ms. Matsuzaka was alive,
35:46Noda was a lively town that flourished early in Osaka.
35:55Jigokudani was called Haguromo Yokocho.
35:59It was a popular town for the Akacho people.
36:05Thank you for coming so late.
36:07Don't mention it.
36:09Do you eat Okonomiyaki here?
36:13Yes, it's delicious.
36:15Really?
36:16Yes, it's delicious.
36:17You must be a woman.
36:19I understand.
36:21Let's go inside.
36:22Thank you very much, Ms. Matsuzaka.
36:25Let's go inside.
36:27There is only one table.
36:29The atmosphere of the restaurant is great.
36:31There is only one table.
36:34There is only one table.
36:35That's right.
36:36It's nice to have a large table.
36:40How long have you been doing this?
36:4212 years.
36:44You've been doing this for 12 years.
36:46You've been doing this for 12 years.
36:49The person in front of you.
36:51This is a tobacco grill and an oil.
36:54That's a great idea.
36:57I'll serve you, so please do it.
37:00I'll have a beer.
37:04Thank you very much.
37:10Thank you very much.
37:13This is a porumonyaki udon.
37:16Are you doing this alone?
37:17Yes, I'm doing this alone.
37:19This is a difficult dish.
37:20This is a difficult dish.
37:22This is a difficult dish.
37:26This is interesting.
37:27I've never seen this before.
37:29This is a good size.
37:31I've never seen this size before.
37:35This is a restaurant with only one room.
37:37That's right.
37:40Is this a large restaurant around here?
37:42Yes, this is a small restaurant.
37:45There is no toilet here, is there?
37:47Yes, there is.
37:48Is there a toilet on the second floor?
37:49There is a toilet on the second floor and a toilet on the third floor.
37:50There is a toilet on the third floor?
37:52It's a monokini.
37:53Can you drink on the second floor?
37:55I used to drink on the first floor, but I'm a little old.
37:58You have a strong back.
38:00I drink on the first floor.
38:02Is the second floor a monokini?
38:03Yes, it's a monokini.
38:05Why are you doing this alone?
38:07I think it's easier to do this alone.
38:12Did you work here before?
38:14No, this is my first time.
38:16You can do it.
38:17It smelled like gas all the time.
38:19Are you okay?
38:20I stepped on it.
38:22It smelled like gas.
38:23Are you okay?
38:24I stepped on it.
38:25I'm going to blow off my breath.
38:27So I'm going to blow off my breath, too.
38:34He stepped on the gas hose.
38:36I'm sorry.
38:40By the way, this is the toilet.
38:48Please drink what you like.
38:50Please drink what you like.
38:52Thank you for your work.
38:55Oh
38:59Hey now
39:01Now I buy now
39:03Kansai dianka Osaka, no, I'm gonna say no Koyanka Yoshinomu Kyoto. Yanka
39:07Nambo Tokyo, itaka. They call you know, I'm not y'all
39:11Koi no, no, no, no, no, no, no, no, no, no, no
39:14Chichi I did
39:15Awana, I'm gonna make a book. Y'all can you know, I'm gonna call Osaka kid. Oh, so that's good
39:19So do you be part of it? I don't want to show my hair. I don't know. You don't know. I don't know
39:25You know, I don't know. I don't need him. Oh, so do you okay?
39:29Osaka, no, no, no
39:31Tottenham
39:32Don't you go you don't say no
39:34I thought that you got to go to jail. You didn't get it. It's a mechakuchakima. You got to do my own
39:40Naka, so Nakanishi
39:41Pick the coach. I'm to heat it. Yeah, now
39:43I
40:13Thomas Amaya keep it up
40:22You know
40:29No, the jiko Kudani near Okonomiyaki, Assa
40:34It by each my dad you know, coach Rana omit a detour monster
40:38Come on
40:41Come on, come on, I keep it up
40:43Don't know come on go to come on. Go. Don't fall. Mother. I said there come on. Go. Don't you make a metaphor?
40:49Russia, sorry
40:53Come on, go don't put the tomahawk on my dad. I said I could use your yakudake. No, come on. Come on. Yaki
41:00Come on, go don't need us. You got to eat a little bit
41:03I do I do I do
41:07None of us got one of our korea tomahawk. Oh my goodness. Oh, yes. Oh, yes. Oh, yeah, I'm kind of it. That's what you do
41:17One more time
41:20It's a fun time
41:26Yes, I see I did it. Yeah, come on. I know I saw it
41:29I
41:59I
42:09Was good big you know, I do
42:14Mama
42:16Big you know, I don't know. That's right. You know, I know that big you know, I don't know
42:22Who's a concern?
42:29What was the matcha? Yeah, what did you think about it?
42:35Mato-kun, no
42:41Tony Sunday, he's you know, no, not so sad. Coco. They don't go stucco. No, that's me. Did I know how nice
42:51They you don't know don't go
42:54I'm a human. I can't even get it. I
42:57Couldn't stop him. I'm not talking. Yeah, I'm a sad dog. I thought I was on the usual young boy
43:01He's you know, I'm the joke. I'm not more. Coco. I'm more easy
43:05Easy to cook. I got my voice. Yeah, they were a party by tossing a gun. I got that
43:10Then we'll do it again. I can't use a good gram. I might do it. I'm sorry
43:15I saw a tire in a bite. Yeah, they are a little bit. I don't know. Yeah, they're there. I'm gonna get them
43:20You know, I've seen don't see
43:22That's got a tickle. You may have come out. I don't come on, but I don't know. Yeah, I got a call
43:27But I can't know what it is. I didn't get it all
43:30Take you could I got a more sake
43:33No, meet up to the sake. How come I'm not good at it. I think I'm a big night. I'm gonna touch it. So no, no
43:38No, I'm sure he's a king. Yes. Oh, yeah. I'm gonna have to order one. So I didn't have a gym
43:43Oh, yeah, I think I'll eat them up today. Oh, yeah. Oh, yeah. Okay. I could go do
43:46Thanks, that's it. How could you know mama?
43:49Okay, I still get my hair done. I had it. So it's on the 28 part of it. I just don't need you
43:54How do you buy a day? I don't see
43:57That's a great name. Oh, man
44:00Fuck man, Carita. I need you Hachiman. So I did it. You know, I don't know
44:04I'm not gonna have to get older. Oh, yeah, I'll see. Oh, yeah
44:10Yeah, I'm a
44:13Part of it
44:15Yeah, no monkey. No, so young keep it. I'm not gonna show you
44:19You don't know
44:21No, I don't know
44:25Nani stand there already. Yeah, don't shut up on Joe Joe that I didn't give him a car nice
44:32Hi, you don't stand up. I'm not gonna make a this shark in the book. So I'm not Matthew
44:38So I was good to get out. I do on jinto
44:42Don't know
44:58No, that's go could I need a Mazda no shitazumi jidai no hanashi ni
45:04Shakin jikoku kara skutte kureta on jinto
45:07I
45:37a little bit of it, and he took me to his house.
45:39He's a really nice man.
45:41He's such a nice man.
45:43Don't say bad things about Tokyo.
45:45He's from Tokyo.
45:46I'm from Kagoshima.
45:47Ah, I see.
45:48And you're from Imanaki?
45:49I'm from Imanaki.
45:50Hey, why don't we take a walk and go to a special place?
45:55Let's go.
45:56Let's look for it.
45:59You want to practice, don't you?
46:00Yeah, I do.
46:01It's embarrassing, right?
46:03I want to practice, but...
46:05It's really important for people to practice.
46:11I'm sorry to say this after such a good story, but...
46:16It's cheap. It's 6,890 yen.
46:18This is nothing.
46:20All right, let's go.
46:22If I lose this, it's a total of 25,000 yen.
46:24I want you to aim for it.
46:26I'm going to win, so I'm not going to lose.
46:28You can lose.
46:29Let's do it.
46:30Rock, paper, scissors.
46:32I lost again.
46:34Rock, paper, scissors.
46:37It's this pattern again.
46:40Rock, paper, scissors.
46:44I'm so happy.
46:45This is a good show.
46:48I wanted to win at the end.
46:53It feels so good.
46:55It's really going to be like this.
47:03Wow.
47:05I'm getting hungry.
47:06I'm getting hungry.
47:07I'm getting hungry.
47:08It's normal to get hungry, eat okonomiyaki, and pay for it.
47:14What is that?
47:17That's all for today's walk.
47:21Thank you for the meal.
47:23Thank you for the meal.
47:25I lost at the end.
47:28It was fun.
47:32I've never been to a city like this before.
47:36You should go back to Osaka.
47:42I'll go back.
47:44It's decided.
47:46My life is decided.
47:48It's still early, so the three of us...
47:50Let's do it one more time.
47:51This is the real deal.
47:52This is the real deal.
47:53I can't go back to hell.
47:56I can't go back to hell.
47:59Everyone, thank you for the walk.