そ～だったのかンパニー 2024年11月17日 年間100万人の魅了するサーカスの秘密
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TVTranscript
00:00A new episode of Kawaii Pony!
00:05The zoo and the lion's zookeeper
00:10And the acrobat who takes a breath
00:15The scenery that can be seen in the tent
00:18The circus, a world of dreams that makes you forget reality
00:25It was fun
00:27I was so impressed by the power of the stage
00:29I was surprised
00:30It was fun
00:31It became a great memory
00:33Kinoshita Circus continues to fascinate the audience all over the country
00:38In fact, the location is in Kayama City
00:42Its history goes back to 122 years
00:46Over the waves of the times, it has always created new spectacles
00:50It has come along with the evolution of entertainment
00:56I think it was in the 1930s
01:00Kinoshita Circus was established as a joint venture
01:05Behind the gorgeous stage
01:08There was a trial because it had accumulated a long history
01:12The 4th president was waiting for a huge subsidy of 100 million yen
01:17It's a start from minus
01:21The young president faces this adversity and swears to revive
01:27How did he revive Kinoshita Circus
01:30And make it grow into a circus that attracts 1 million spectators a year?
01:36The story of the power and challenge hidden behind the stage
01:40I'm getting tired
01:43Kinoshita Circus
02:01It's like a dream that spreads in the tent
02:04The moment when both adults and children are taken away
02:09Kinoshita Circus
02:12The performance that can be said to be the masterpiece of such a company
02:20A huge iron sphere that protrudes in the center of the stage
02:24Among them, three motorcycles rush in
02:27It's a powerful motorcycle show
02:31It's a show where you can't put on safety equipment such as life support
02:38If you make a mistake, it will lead to the danger of your life
02:43It's a show that doesn't change
02:47This powerful performance
02:49In fact, in 1945, the company was the fastest in the country
02:56Until then, it was a motorcycle about 10 meters long
03:03It's a big one
03:08That's why my first generation made it into a sphere
03:12If you have a patent, you can go all over the world
03:17Kinoshita Circus attracts 1 million spectators a year
03:21This is the 122nd year of the oldest circus in Japan
03:27It started in 1902
03:30The first generation, Kinoshita Tadasuke, worked in China
03:35He returned from the war in Japan and restarted his business in Okayama
03:39Since then, he has been operating as the head of Okayama Nihonsha
03:44The history of the company is the history of Japanese circus
03:49In the Meiji era, an air blank was introduced from Russia
03:53In the early days of Japan, elephants and deers were introduced
03:56New challenges have always followed
04:02Behind this growth, there was a long history as a company
04:07The second president, Mitsudo Kinoshita, made a big change in the organization after the war
04:15In the 1930s, Kinoshita Circus was established as a company
04:27I joined the company in 1949
04:30There was no break
04:32Since then, the company has changed
04:34Now, we have 2 days a week
04:362 days a week every week
04:39We used to have 3 shows on weekdays
04:42Now, we have 2 days a week
04:45Actually, all the Japanese performers in the company are employees
04:50The second generation improved the working environment and created an easy-to-work workplace
04:57Due to this organizational reform, there was a big change in the inheritance of traditional techniques
05:03In the past, there were teachers and students, so it was a system
05:10Now, we try to do what we like
05:14In this respect, it is easier for female members to join the company
05:22In the past, I thought that I would not give up my stage to anyone
05:30Now, I want to create a circus as an organization
05:36If I don't do that, I don't think the performance will continue
05:41The inheritance of traditional techniques is also an important mission of the company
05:46This is Kuzunoha, which continues from Hataage in 1902
05:52Kuzunoha, the Kuzunoha of grudges
05:58She stopped performing once, but she is still performing on stage
06:05It's a great performance
06:09This is a very unique performance
06:12I want to understand it well and perform
06:15I want to aim for a style that can be accepted by modern people
06:21As long as Kuzunoha continues, I think we have to inherit it
06:26Kuzunoha is the only classic Japanese performance
06:30There is no Kuzunoha in the world
06:35It is important to revive the tradition
06:41As an employee, the performers have a safe environment to work
06:47Even if you get injured and can't perform, there are places where you can perform outside the stage
06:57I fell down in the air bag
07:00I've been living in Tokyo for three years
07:02I had nothing to live on
07:05I have a mission to make it a company that can support it
07:14There were 40 circus groups in Japan before the war
07:18Only Kinoshita Circus continues
07:21The key to its survival was the publicity strategy that cooperated with newspapers
07:27At the time, innovative publicity strategies such as giving tickets to newspapers supported its success
07:37In 1981, it was a company that was so popular that it mobilized 1.6 million people at the Port Island Expo in Kobe
07:46Several years later, there was a big crisis
07:52Mr. Mitsunori Kinoshita, the third generation, suddenly fell ill
07:57Mr. Tadashi Kinoshita, the current president, was the fourth generation
08:03However, the shocking fact was revealed immediately after his inauguration
08:08The company had a deficit of 1 billion yen
08:13I've heard and seen Kinoshita Circus
08:18I feel like everyone has someone in their memory
08:22It's a little shocking that the VTR is over
08:25I'm nervous
08:27Mr. Tadashi Kinoshita, the fourth generation president of Kinoshita Circus, came to the studio
08:32Thank you
08:35How many performances does Kinoshita Circus hold a year?
08:39Four to five places a year
08:42The stage is 500 to 600
08:46It's not just one performance a day
08:48Two on weekdays and three on Sundays
08:52It's a shocking number for a person who does the same stage
08:57I think so
08:58Everyone's physical strength is low
09:00We did about 1,000 a year
09:04That's right
09:05It was seven performances a day
09:09I did the airbag
09:11I did it
09:13Were you on the airbag?
09:15I was on the stage
09:17I don't know if I haven't heard of it
09:19How many people are active at Kinoshita Circus?
09:26About 100 people
09:29There are so many
09:31What is the balance?
09:3340 to 50 performers
09:35Plus performers from overseas
09:37About 20
09:39There are also people from the backyard
09:42There is also a business promotion relationship
09:44About 100 to 120 people
09:46Plus animals
09:48Of course
09:49One elephant eats 50 people
09:52If there are two elephants, there are 100 people
09:55The more I hear, the more difficult it seems
09:57How do you sleep?
09:59There is a sea container in the backyard of the tent
10:04I remodeled it
10:05It has a radiator and a bath
10:08It's a business hotel
10:10It's a truck
10:12Is it a private room?
10:14The family is in one room
10:16It's not a private room
10:17It's a private room
10:19It's a different era
10:21It's a working environment
10:23That's right
10:24It's a working environment
10:26At the end of the shocking VTR
10:29When you were appointed president
10:31If you open the lid
10:32There was a debt of 100 million yen
10:34Was it a state you didn't understand at all?
10:36Because I am
10:37It's just for business
10:40I didn't think there was such a debt
10:43I see
10:44How did the company pay off the debt of 100 million yen?
10:54Mr. Tadashi Kinoshita, who was appointed president at the age of 40
10:58Right after the appointment
11:00The company has a debt of 100 million yen
11:03I found out
11:05It costs 30 million to 50 million yen to move from one floor
11:09In addition to the transportation cost
11:11The park in Hakuran-kai, which used to be a factory,
11:13Declining in number
11:15The company's fortune was rapidly deteriorating
11:19Even if it's a teacher in my tax office
11:22Even if it's my sister, the vice president
11:25There is a debt of about 100 million yen
11:28More than this
11:29100 million yen, 200 million yen every year
11:31If the debt of 100 million yen increases every year
11:37Even if it's the Kinoshita family
11:39Everything will be gone
11:41It was a story like that
11:44A huge debt of 100 million yen
11:47However, there is only a circus on the way to repayment
11:50The fourth president, Mr. Kinoshita, who was put in the biggest crisis of his life
11:55What I remembered at that time was the words of my second father
12:02The key to the success of the circus is
12:04One place, two marriage, three stories
12:07A good place, a strong business, and an attractive performance
12:12Only with these three things together
12:14You can make the audience happy
12:17The fourth generation has made up its mind to return to this origin
12:24The first is to choose a place with a topic
12:29For example, Himeji Castle, which will later become a world heritage site
12:33If you perform in front of the castle, the topic is excellent
12:40In addition, Nagoya Stadium and Tsukusano Green Dome in Sapporo
12:45I was particular about the place where the audience can expect
12:49The second marriage is a strong business
12:53I continued my steady business activities
12:57Kindergarten, nursery school, elementary school, junior high school, high school, vocational school, university
13:02Of course, it's all
13:05I have no choice but to do it
13:09And the third story is the transformation of the circus
13:13The fourth generation aimed for the world's best performance
13:17For that reason, I traveled abroad
13:19I discovered and contracted talented performers one after another
13:25One of them is Andre Saikan, who has an amazing physical ability
13:31He was born in a circus family and has been performing since he was 3 years old
13:37By welcoming such a world-class person to the company
13:42He further evolved the circus
13:47I'm putting it through an agent, so it's expensive
13:52If I go and negotiate directly
13:56It will be about half or one-third
14:00So I went directly to put in something good while reducing the cost
14:09In addition, I made a reform aiming for the world's best
14:15I invited professionals who worked on the famous theme park
14:18I changed the production so that I could continue to perform the performances I had shown one by one
14:26I aimed to attract the audience and make them absorbed
14:32With the teaching of one place, two marriages, three stories
14:35The company has evolved further and has recovered its business
14:40The line of business returned to the front of the tent again
14:43The payment of 1 billion yen was completed in 10 years
14:46It has grown into a world-class circus with 1 million spectators a year
14:55There was another important factor behind this recovery
15:01I was a little surprised
15:03With great momentum, the payment of 1 billion yen was made
15:07I can see that you really worked hard
15:13First of all, I would like to ask you one by one
15:16How many foreign performers have you contracted?
15:21Currently, there are about 20
15:24There is a world circus festival in Monaco every year
15:31It will be held at the end of January
15:33Every year I go, I become very close to people
15:37I have a great relationship with people
15:39It will lead to a strong business
15:43How long is the contract period?
15:47Basically, for example, half a year, one year, two years
15:52There is also a chance to meet the person himself
15:56So there are artists who have been around for more than 10 years
16:01That's a family
16:04It's more than a family
16:06When I was in elementary school, my children came
16:09Now I'm about 20 years old and I'm on stage
16:13It's a good cycle
16:15It's a point of recovery
16:17One place, two, three stories
16:19Which one is the most difficult?
16:22After all, the location is important
16:24If the location is good, it will come further
16:27You need a fairly large land
16:29That's right
16:30100m x 150m
16:3430,000 square meters for parking
16:37It's near the station
16:39The company's tent is also very large
16:41How many people can fit in there?
16:43About 2,000 people
16:45The theater we often go to
16:472,000 people is a pretty big theater
16:52When a typhoon comes, you have to lower the tent
16:55It's not a building
16:56There is also a problem with the weather
16:59It was difficult when there was a typhoon the other day
17:02Where are you performing now?
17:04I'm in Miyazaki after the Hiroshima concert
17:07Where in Miyazaki?
17:09Ion Mall
17:10I see
17:11It's the No. 1 place in Kyushu
17:14That's great
17:16I'll do it there
17:18Eat, shop, see the circus
17:20It's really fun every day
17:22It's a collaboration
17:23I see
17:24What is another factor that the company has restored its business?
17:33Performers shine on a gorgeous stage
17:36Their work does not end only on the stage
17:41After the performance, they change clothes immediately
17:43Set up the venue and prepare the equipment
17:46Support as a backer
17:50Even the sign at the entrance of the tent
17:53They make it by themselves
17:57We do everything by ourselves
18:02We get a license and go to the circus
18:05We take photos at the circus
18:10From the entrance reception to the sale at the store
18:13They do everything related to the circus by themselves
18:16It's like a city where everyone has their own job
18:22Like a real city, there is a performer who lives with her family
18:27Jin-ryu Wasada is in charge of making the sign
18:30She is a star who is active in aerobics and acrobatics
18:36And her wife Sumire is a dancer on the stage
18:41Two years ago, her daughter Yua was born
18:44The three families continue to live around the country
18:51Everyone takes care of us
18:56If we do something, someone will help us
18:59If we don't take a bath, someone will take care of us
19:02We get along with many people
19:07It's a good environment
19:09We are helped by people around us
19:12They take good care of us
19:16The children born here are raised by all members of the circus
19:22Such a warm atmosphere and strong bond
19:25It is a great power that continues to support the company
19:32And the training of new employees is also an important role
19:37After the performance, each one practices to improve their skills
19:44This is Rian Sakamoto, her first year
19:48She is working on a play called Akashiruku
19:53I get time from my seniors
19:56There are a lot of people I want to work with
19:59I want to make good use of this time
20:06This is her second time practicing on stage
20:10She is taught how to take a posture
20:22It's different from gymnastics
20:25I've been doing gymnastics for 15 years
20:28I'm not good at it
20:30But the stage is like ballet
20:33I think it's more beautiful with soft hands
20:36I want her to do gymnastics
20:39It's a little different
20:44Sakamoto is only dancing in the opening
20:49She continues to practice to get a new role
20:53I'm impressed by this play
20:57I want to be encouraged
21:00I'm practicing hard
21:03Behind the gorgeous show
21:05There was invisible effort and sweat
21:09When I was a kid, I saw this play
21:13I remember it
21:15When I see children with bright eyes
21:20I remember myself at that time
21:22I want to make a show that the children will not forget
21:27Not only the performers
21:29If the audience doesn't ride
21:32We'll be like, oh, no
21:36If we can liven up together
21:39That's the circus
21:43It has a long history of 122 years
21:46The bond like a family
21:49Endless challenge as a company
21:52And the deep love for the circus
21:56That love is the stage of this dream
21:59It continues to shine
22:03Wonderful
22:05I'm still in my theater
22:08I make children's clothes
22:11I sell goods
22:14I understand the feeling
22:18Everyone has to prepare
22:22I thought I had to do it with everyone
22:27What do you do on your days off?
22:30For example, in Hiroshima and Miyazaki
22:33There is a sea nearby
22:35Of course, I go fishing and sightseeing
22:38I go back to my family
22:41I call my family
22:43There are various things
22:46The president used to do空地ブランコ
22:50What is the most important thing as a performer in the circus?
22:57The most important thing is modesty
23:00Everyone is in a team
23:02I like this team
23:04Creating an atmosphere
23:06It may be my big mission
23:09The charm of people doing something in front of you
23:15I don't think it will disappear no matter what happens
23:19No matter what happens in the world
23:21Finally, what are your future goals?
23:24I want to make it the biggest circus in the world
23:29I want to be a company that can pursue the happiness of the members
23:36I think that what Yasubashi is saying is transmitted to many people in today's VTR
23:43Mr. Yashima, please tell us today's lesson
23:47I understand
23:49This time
23:52To show people a dream
23:55I have a dream
23:57What is the most important thing as a performer in the circus?
23:59Everyone goes to Kinoshita Dai Circus once
24:04I think it's amazing
24:07To convey it properly
24:11If the performer is depressed
24:14It's not a story
24:16It will be exposed
24:18Creating an atmosphere
24:20I'm looking forward to it
24:22Thank you very much for today