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कन्यादान : वर में आते श्वसुर के प्राण

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00:00Namaskar, let me tell you the story of Dr. Gulab Kothari who is the chief reporter of Rajasthan
00:08Patrika.
00:09His body was published in the world's magazine called Brahmanda Shrinkhna, whose editor is
00:14Kanya Daan, the death of his father-in-law.
00:17Our life is both visual and invisible.
00:20The vision is three-fourths, the vision is one-fourth.
00:24This is the reason that the invisible is always out of the discussion.
00:31We consider the body as a complete entity.
00:34Life runs in subtleties.
00:36Jeevatma, Prana, etc. are the parts of life.
00:39Due to being away from the scale of this science, matter and energy have become the means of
00:46life.
00:47They are constantly changing.
00:48They are solid and can be caught in the grip of objects.
00:51Due to the subtlety of both men and nature, their discrimination should also be considered
00:56as a visual factor.
00:57A man's representation is in accordance with his nature.
01:00The basis of the entire age-old creation is the male body, whether it is of the mortal
01:06world, the heaven world or the father world.
01:09The bodies of both are different.
01:11The principles are different.
01:14The age-old element is found in all the seven worlds.
01:17In every man's body, the seed is the same Brahma.
01:20Then is the Maya also the same?
01:22Otherwise, the creation cannot be in the opposite direction.
01:25When there is the presence of Soma in the fire, it does not burn in the Soma yajna.
01:30It becomes a new element.
01:32In the heaven world, the presence of Soma increases the reflection of Soma on the other
01:38life.
01:39In the fire, the presence of Soma increases the reflection of Soma on the other life.
01:44In the fire, the solid part of Soma comes to work.
01:47The motherly air itself takes Soma to the other life.
01:52This other life itself takes the form of Jeevatma.
01:56Brahma resides in the male heart.
01:59In all three letters, Brahma, Vishnu and Indra keep this reputation.
02:04All three powers are determined by Mahakali, Mahalakshmi and Mahasaraswati.
02:09Brahma becomes the reputation of Brahma Prana.
02:12In the heaven world, in the womb of the Prana, Brahma comes towards this solid part.
02:18In the creation of the body, the mother's role is the main role.
02:23The mother's Prana keeps the circulation of the body according to the age and situation.
02:29The father's Prana remains in the seed form throughout the body.
02:33The Prana of the father's seven generations remains in the child.
02:37In the process of marriage, the Prana of the bride's father is also attached to the Prana of the groom.
02:44The Prana of their seven generations also become one.
02:48Now the seed of the bride's father has also been found in the seed of the groom.
02:53The Prana of the bride's mother is also attached to the Prana of the groom.
02:58Now the seed of the bride's father has also been found in the seed of the groom.
03:02The part of the bride's mother is the body of the bride.
03:06The body of the groom is manifested by his mother.
03:10In the process of creation, the sand of the father of both sides,
03:14in the original, the mother of the bride is manifested in the sand.
03:20In the subtle sense, the power is transmitted from front to front.
03:25From one body to the other, the journey of the Brahman seed is based on the Prana power.
03:31The mother itself creates the seed form in the womb.
03:36The seed has an extra Prana.
03:39There is no Karta Bhava in the Brahman.
03:41The complete process and the creation of the form is controlled by nature at a subtle level.
03:48The nourishment of the mind and Prana on all three bodies is equally important.
03:56All three create the Ashram of Brahma.
03:59His life is run by Pranas.
04:02The most important among them is the nourishment of the mind.
04:05The mind is the reflection of the self-dependent mind.
04:08It is the center of desire.
04:10And it is constantly disturbed by the sensory Prana.
04:13chanchalam hi manah krishna brahmati dalva dridham
04:17tasyaham nigraham manye vayodin sudhushkaram
04:20Gita 6.34
04:22The mind is Brahman.
04:24Desire is Maya.
04:26The male mind is female desire.
04:28Desire is life.
04:30Therefore, the mind is called a friend and an enemy.
04:33Desire as a whole makes the example of Vasudhaiva Kutumbakam a target.
04:38Life becomes divine.
04:41Vyashti roopme sankuchit hokal svayam ko hi karta maan baithta hai.
04:46Man ko prem ka mandir kaha jaata hai jahaan Ishwar pratishthit rahta hai.
04:51Ishwarah sarva-purtanaam hrityeshe arjun tishthati Gita.
04:55Man madhurya ka mandal ban sakta hai.
04:58Is prem ki predhna kuthri pehen roopi maya se prapt roop.
05:02Matrityu bhaav strend man ka mool swaroop hai.
05:06Har umr me iska sakshat kiya jaa sakta hai.
05:09Maa roopme vatsalya deti hai.
05:11Vah bhi man ka hi poshan hai.
05:13Ma ke paas jao ya putri ke saath khelo.
05:16Man hi zript kota hai.
05:18Mithas aur anand milta hai.
05:20Buddhi jeevi purush akela jeeta hai.
05:23Toosre uske ahankar ko chote lagte hai.
05:25Man niras kota hai uska.
05:27Tab usko mithas kaun dega.
05:29Ya to maa ya putri.
05:31Patni hi maya ka hi shakti roop hai.
05:33Vah to ardhangini hai.
05:35Maa to pati ke praan ke saath pati ke hiday mein pratishthit hote hai.
05:39Yaha maa ki sooksh praan janam se hi pravahit rehte hai.
05:43Aaj gandharva vibha ka yudh aaramb ho chuka hai.
05:46Kanyadharan kod mein hota hi nahi hai.
05:48Patni ke pita ke praan pati tak mahochte hi nahi.
05:52Pihar mein hi chhut jate hai.
05:54Puri umr pihar se judhi rehte hai.
05:56Pati ke paas keval maa ka vatsalya rehte hai.
05:59Shraddha, sneha chhute rehte hai.
06:02Yahi isthiti tab bhi hoti hai.
06:04Jab patni bhi buddhi jeevi hoti hai.
06:07Tab dono ke buddhi ka dharadhar prabhavi rehte hai.
06:10Shraddha, vatsalya, prema ka abhav rehte hai.
06:13Achche kshanon mein sneha mil jata hai.
06:15Prakrati roop mein patishthit patni ka shraddha, prema, vatsalya aur sneha
06:20maa ke vatsalya mein lean ho jata hai.
06:23Maa ne jeevatma ka ek swaroop nirmaan garbh mein kiya.
06:26Vartamaan mein jeene ke liye.
06:28Patni bhavishya ka nirmaan haath mein le reti hai.
06:31Usi anuroop purush ka moorta roop tayyaar karne lagti hai.
06:35Yeh bhoomika itni sookshna hoti hai ki swayam pati ko bhi dikhai nahi padti.
06:40Uska saara karm sookshna istar ka hota hai.
06:43Doosri aur stool istar par pati ke karmon mein bhaagidari bhi karti hai.
06:48Karmon ka aakalan bhi karti hai.
06:50Usi ko aadhar bana kar pati ki moorti karti hai.
06:53Shayadhya karya vishwa karma bhi nahi kar sakte.
06:57Beej shunya hone se bah brahm ka ansh nahi ho pati.
07:00Kintu pati roopi brahm ki ardhangini hone se bah pravesh sambhav ho jata hai.
07:06Athah brahm ke mann mein virakti peyda karti hai.
07:09Pehle swayam prajnan karm se mukta hokar vanprastha mein pravesh leti hai.
07:14Pati ko saumya bhaag ka poshan karke bhakti seva mein pravritt karti hai.
07:19Vairagya aur aishwarya ke shetra ka prasar karti hai.
07:22Ant mein pati ke saath swayam bhi mukta ho jati hai.
07:27Brahm swayam nishkaam hai.
07:29Maya hi kaamana hai.
07:30Asakti hai.
07:31Maya hi virakti ban jati hai.

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