• 3 weeks ago
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At the International Contemporary Furniture Fair, NYC designer Laurence Carr hosts a lively discussion about sustainable and healthy materials in home design and creative ways to approach circularity.

About Chez Laurence:
Designer Laurence Carr meets manufacturers and brands who are employing circular, regenerative, and sustainable practices. See how they're seeking to change the end-of-life concept with eco-friendly techniques.

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Transcript
00:00🎵
00:31Consumers today are more informed than ever
00:35and the demand for healthy materials and interiors that support wellness is reaching new heights.
00:42But how does the industry adapt to this growing demand?
00:46I'm going to the Javits Conference Center in New York City
00:50where the International Contemporary Furniture Fair
00:53North America's leading platform for contemporary furniture design is taking place.
01:00And I'm excited to host an expert panel as part of ICFF's partnership with Wanted Design Manhattan 2021
01:08on the topic of wellness and healthy materials
01:11and speak to some other industry pros about their approach to health and well-being.
01:20So I think it's fair to say that the majority of the materials we use in the home are still traditional
01:26and in many cases toxic.
01:29So the question is, what do you see as the biggest challenge in getting more people to shift towards
01:34and adopt healthier materials and more sustainable products
01:39produced while striving for aesthetics and creating spaces?
01:44We look towards price very quickly and I think that you can go online and find anything.
01:49It's very hard to judge what you're looking at.
01:52A recent grad from our MFA Industrial Design program
01:55worked with a company as a consultant to rethink a take-back policy for couches
02:01much like Bell Telephone or these older companies that had a service product-service system model
02:06incentive for the company to make really well-made things which they can then repair.
02:11So I think that that's going to be the future for a lot of product is really a take-back policy.
02:16I think there is a growing movement of, shall we call it, conscious consumerism today
02:21where people are waking up and starting to really consider what they're buying.
02:28The notion that you can make a sofa or buy a sofa today anywhere in the globe for $1,000.
02:34Well, in America, if you're buying that sofa, it didn't come from America.
02:38It obviously had to come from overseas.
02:41You know, everyone is familiar, I think, with fast fashion as a slogan.
02:46Well, there's also something called fast furniture.
02:49I think in the absence of regulation, really it comes down to the maker and the consumer to educate themselves.
02:56My fundamental belief is that we cannot keep making things the way we've been making them.
03:03And if you want to take the example of wool, that's, you know, going back to a fiber
03:08that was a circular material perfected thousands of years ago.
03:12It has an incredible array of properties.
03:15It's one of the only fibers on the planet that has a natural flame retardants.
03:19Now, flame retardants in terms of sustainability standards is a very noxious chemical process.
03:26So wool as a fiber can bypass that process.
03:30It has incredible acoustic properties, sound absorbing.
03:34If you put it on walls, it really has a wonderful impact on the sound.
03:39And the one I like the most is probably the fact that it's actually air purifying.
03:45So it will filter the air.
03:48In a way, it's a perfect circular economy fabric.
03:51And it was something that was perfected thousands of years ago by nature, basically.
03:57So the animal, the sheep, has to be sheared.
04:00It grows back, it's renewable.
04:03If you don't do anything with the fleece, it will biodegrade.
04:06And it's now really forsaken.
04:09To a certain extent, the Irish wool market collapsed officially in 2020.
04:13It's not the first time it happened.
04:15Back in medieval times, it was probably one of the most prized commodities for trading.
04:20Cut to today, I think it accounts for barely 2% of the global market fiber share.
04:26So around about 1960, nylon was invented.
04:30New York, London, nylon.
04:32That was the major step forward in synthetic innovation.
04:35I think today, now two-thirds of the global market for fibers are dominated by synthetics,
04:41which is a petrochemical-based fossil fuel dependent.
04:46So often, people don't inquire.
04:48They don't care. They have to buy.
04:50And to your point, they will buy online, and it will show up on their doorstep the next day.
04:57Out of all the amazing furniture and textile vendors here at the Javits Center,
05:02one in particular, Jessica Switzer, knows wool very well.
05:07Her Northern California sheep produce mountains of fluffy organic wool no less than twice a year,
05:13which she uses to create decadent blankets and luxurious furniture.
05:19J.G. Switzer is an artisan manufacturer of felted wool,
05:23and we source wool from within a 100-mile radius of our workshop.
05:27We're trying to keep fiber and the production of fiber localized.
05:31And in effect, we think of it like painting with wool.
05:34So the wool is my oil paint, and I'll create paintings of wool on a canvas.
05:40I really can nerd out on wool.
05:42Wool is just a magical fiber, absolutely magical.
05:46And I'll tell you why.
05:47It's antimicrobial. It's antibacterial.
05:51Wool is a natural flame retardant. It's flame resistant.
05:56And it's also a wonderful natural sound barrier.
05:59One of the many extraordinary things that we do here at the Javits Center
06:02is that we have a lot of people who come to us and say,
06:06And it's also a wonderful natural sound barrier.
06:08One of the many extraordinary characteristics of wool as a fiber
06:12is that it really doesn't need chemical treatment.
06:16Each fiber of wool, if you look at it under a microscope, it has scales.
06:21So it'll actually pull in water, and the process is known as wicking,
06:25and then water will evaporate back into the atmosphere.
06:28Because if you think of sheep out on the field,
06:30they're carrying around 8 to 10 pounds of fleece on average before shearing.
06:36And if you think of them on a rainy day, that's going to be a lot of soggy wool.
06:40So nature's figured out a way to pull the water into the fibers and release it.
06:44So there's so many different incredible qualities to it.
06:47We think of it as a magic ingredient.
06:49Our felting process started with me actually getting some sheep.
06:53I wanted to do something with their wool.
06:55They were giving this incredible, you know, about 8 to 10 pounds of wool
06:59each time we sheared them, and I didn't want to use it as compost.
07:03And so I thought, well, maybe I should felt it.
07:05And then from that, it's just really been a journey of creating our own fabric
07:09made out of felted wool.
07:11I can't think of a better fabric than wool to bring into your home.
07:15Wool will regulate your body heat.
07:17It protects you from the sun.
07:19The blankets help protect you and keep you warm at night,
07:21and will also regulate your body heat.
07:23Some people think wool is scratchy,
07:25and I just have to say a word to those scratchy judgers,
07:29that we're not your grandma's wool anymore.
07:32Humans have bred sheep to be extraordinarily fine in fiber,
07:36and there are some, like Sussex Merinos,
07:39that rival cashmere in diameter of the fiber in terms of softness.
07:46We actually have some of our fabrics that we've named after the Shetland sheep.
07:51We have a Shetland Gray. We have a Shetland Brown.
07:54And we do this to help bring an awareness about Shetland fleeces,
07:59and thereby, we'd like to promote the sheep farmers,
08:03because without a pathway to commerce,
08:06these sheep farmers really, other than just love of sheep,
08:09don't have an incentive to continue to breed and nurture
08:13different flocks of exceptional sheep.
08:16And I think it's one of the most absolutely natural and healthy forms of textiles
08:21that we can bring into our homes without wondering what's on it.
08:32ICFF has long been an established trade show
08:35for leading architects, designers, developers, and suppliers of furnishings.
08:40But almost 10 years ago, my fellow Francophone, Odile Henault,
08:44noticed a gap in the conversation
08:46around emerging international designers and sustainability.
08:50So she started Wanted Design,
08:52a platform dedicated to promoting design
08:55and fostering the local and international creative community throughout the year
09:00to inspire a new breed of designers,
09:03young startups who are experimenting with manufacturing and materials
09:07to not only create beautiful furnishings and products,
09:10but also solve some of the world's most pressing issues.
09:14This year, Wanted Design is co-located with ICFF,
09:19bringing the old and new guard together
09:22in the interest of a more progressive and sustainable approach to design.
09:38We always say Wanted Design is a destination for discoveries,
09:41to expect the unexpected,
09:44and to put a spotlight on what we think is the next generation of designers.
09:49When we started Wanted Design 10 years ago,
09:51it became something essential.
09:53When people asked us,
09:55so what about the theme of sustainable design,
09:58and quickly we said it's not a theme,
10:00it's really an action,
10:02and it's an essential notion that everyone needs to embrace and think about.
10:07Do ICFF and Wanted Design Manhattan
10:10contribute to changing the way designers, retailers, manufacturers and the media
10:14think about sustainability?
10:16That's an important part of the programming,
10:19so it has to be a conversation, a tool and a resource
10:23for our participants, for our visitors.
10:25So we hope that it doesn't stay a nice conversation here,
10:28on the floor of the show,
10:30but it has an impact on the way interior designers, architects and manufacturers
10:35are going to move forward with their practice.
10:37It's become not just a theme that we want to talk about,
10:40but it's an essential part of the industry,
10:43and it's an emergency.
10:45So we are at this stage.
10:47We want to be more activists in a sense with Wanted Design,
10:51and I think we can do that,
10:53especially having in our network all those young companies, designers, studios,
10:59and that's a conversation I think we love having with them.
11:02That's the next generation you want to speak with,
11:04and that you want to encourage,
11:06to actually embrace this notion of responsibility as a designer.
11:10If people visit the show, they will see that many of those studios
11:14are really putting a lot of effort in the way they are conceiving,
11:19designing their product to make them sustainable,
11:22and also circularity, working with what is available in terms of materials.
11:29The studios are looking for materials that actually are available locally.
11:35On the Pennsylvania or upstate New York area,
11:39you will see a lot of wood.
11:41On some areas like Detroit, you will see a lot of metal.
11:44So I think there is this notion of,
11:46I need to work with what is available around me.
11:50I think that's interesting, this notion of locally,
11:53working from the beginning with the materials,
11:57with the craftsmen that are around you.
12:00I feel our industry should be much more pioneering,
12:04and not using the word sustainable design as,
12:07okay, I have to talk about that, but really addressing that.
12:11I think everyone on the old chain, from designers to manufacturers,
12:16to consumers, to architects and interior designers,
12:19it's a global conversation.
12:21And it's just like that that we can make the change, right?
12:24That's right.
12:25So we as organizers, as a platform that communicates all year long,
12:29and I hope it has an impact for the future.
12:34The average American moves about seven times in their lifetime.
12:38And moving furniture can be labor-intensive and pricey.
12:42But Jennifer June seeks to address this issue
12:45with her interlocking modular system
12:48that can be used to create chairs, desks, shelves, and other items
12:53using small wood pieces that are frequently discarded from wood mills.
13:02So Loose Parts is a modular furniture system,
13:06and it's really a pretty simple system made up of solid wood rails,
13:10metal panels, and fasteners.
13:13And the idea for it was to be able to recombine these parts
13:17into different configurations.
13:19Using the same parts, a shelving unit can be disassembled
13:23and reassembled into a table.
13:25A chair can be disassembled and reassembled.
13:29We are changeable creatures,
13:31and so I think our furniture should also be changeable with us.
13:36It's a water-based lacquer, totally VOC-free,
13:40and the metal panels are bent aluminum and steel
13:44made with recycled content, and they're powder-coated.
13:47And the idea for using powder coating
13:50was that it's safe for the applicators
13:53and those that bring the product into their home.
13:56And it's changeable so that you can, if you get tired of a color,
14:00you can refinish and recoat it and sort of revive your furniture piece.
14:05And then the fasteners are important in that I don't want to use any adhesives.
14:10Metal fasteners allow you to be able to take it apart,
14:13put it back together, and there's no weakening of the product.
14:17So I can have a table, a display rack, shelving, wall-mounted rack,
14:23and that's just from those combinations.
14:26The thing with loose parts, though,
14:28is that my entire collection is interchangeable.
14:31It's all based on this simple grid of holes and spacing.
14:35It taps into something that we're all sort of familiar with
14:39and that we have this memory of as kids,
14:43this idea of, like, building our interiors.
14:50When I began sourcing the wood for my furniture,
14:53I was working with a mill,
14:55but I didn't really understand where that wood was coming from.
14:58During the pandemic, it was a huge point of growth for me
15:02because I really started to ask more questions
15:05about where my materials are sourced.
15:07And it's actually this past year
15:09that I've dug deep into the process of clear-cutting
15:14and the species development and supporting undergrowth.
15:18And so I think even from the ecology
15:21of the farms that the trees are raised on
15:24to the mills that cut them down
15:27to the transportation into a fabricator's hands,
15:32it's important for designers
15:34to see where their raw materials,
15:36where their products are sourced.
15:38One of the problems I saw in design school
15:42was just this emphasis on new trends
15:46and new kind of new products
15:48always sort of coming onto the market.
15:50Designers are leaving design school
15:52without really understanding the kind of whole process
15:56that their products and their designs live in.
15:59So designers should be asking more questions
16:02and should be questioning,
16:04where is this finish coming from?
16:06How does it affect my health?
16:09What's in this?
16:10What chemicals are in this finish?
16:12Where is this wood being sourced?
16:15From the sourcing to the manufacturing
16:17to the design process,
16:18a lot of these industries are actually in silos
16:21and they're not talking to each other.
16:23I would just encourage designers to just be more curious
16:26about how they're sourcing and where they're sourcing
16:29their materials and the products that they use.
16:42At my panel on wellness and healthy materials
16:45at ICFF and Wanted Design Manhattan,
16:48I invited forward-thinking experts
16:50in eco-friendly furniture and textiles
16:53to join the conversation
16:55and share their professional insights.
16:58It is our responsibility as designers
17:01to disrupt traditional models
17:04and actively encourage eco-conscious decisions
17:08for healthy living and push secular design to a new level.
17:14We have a chance of being one of the greatest contributors
17:18to the well-being of the planet in the coming decades.
17:22It turns out that our industry's evolution
17:25to more sustainable solutions
17:27for the planet completely intersects
17:30with greater well-being for consumers.
17:33And I think we would all agree
17:35that the key to more sustainable
17:37and well-being enhancing solutions for both
17:40resides in the materials we choose in our homes,
17:44hospitality, and commercial environments.
17:48The newest product that I like in the building world
17:51is a solar shingle.
17:53Imagine, though, if you had a Powerwall
17:55and the sun's energy was being collected onto a battery,
17:58the power goes out and then your house just gets powered up
18:02because the battery is ever recharging.
18:05I think that could be a new solution
18:07that we're going to see in building.
18:09And I think that we are going to see
18:11more modular building tech in the future
18:13and it's going to be energy efficient
18:15and it's going to be eco-conscious with shingles.
18:18So I think that's the newest cool thing that I'm watching.
18:21So let's touch now on how you distinguish
18:25between healthy versus unhealthy materials.
18:28What do you look for?
18:30And also, what innovations do you see?
18:33What is the cutting edge
18:35in healthy material design and development?
18:38It's all about supply chain
18:40and many of us, myself included, are getting that online.
18:44And we're further and further from the product
18:47and from the source of the product.
18:49But really, in the end,
18:51it comes down to what a company's intentions are.
18:54For me, it really deals with intentionality
18:57and for consumers to get more involved
18:59with the supply chains in which their products are coming from.
19:03You ever see Supima cotton?
19:05It comes from Texas and California.
19:07It's the long-strand cotton.
19:09And if it comes from Austin in particular,
19:11I don't know if you know this,
19:13you've probably in Austin heard about the bats
19:15that fly out from under the Congress Avenue Bridge.
19:17They fly out to the cotton fields
19:18and they eat the bugs off the cotton.
19:20So that's pretty organic
19:22because you can't really pesticide or you'll kill the bats.
19:24So that's a little circular ecosystem in Austin.
19:28There is a group called Lensing Group
19:31who creates a circular product called the Tencel Fibers.
19:35They are 100% circular.
19:37They're made of tree pulp and I think it's fantastic.
19:40And these are some of the new products
19:42that are really worth exploring.
19:48During this COVID lockdown,
19:51I decided to do my first DIY project.
19:56And I now have a philosophy of buy brown.
19:59And what that means is buy old wooden furniture
20:02that you're going to see at a vintage market
20:04or an antiques market.
20:06And many people don't want brown furniture,
20:09but they don't realize you can paint it,
20:11you can stain it, you can make it darker,
20:14you can, you know, reimagine it.
20:17Put some new knobs on an old brown bookcase
20:20or something like that.
20:22I was able to get a 10-foot long, 9-foot tall
20:26wooden bookcase that was brown for $300.
20:31So now when people walk into my house,
20:33they're like, oh, I love your built-in bookcase.
20:35And I'm like, ha, ha, ha, it's $300.
20:38And so you need to go to antique shops.
20:40It's off-gassed.
20:42It's probably 40 years old.
20:43There's no anything in it.
20:45And paint it or stain it
20:48using the low-to-no VOC paints that we have today.
20:52Make something new and create your own sustainability.
20:55And if you can't do it, drop it at a carpenter's shop
20:59and you know what you're doing.
21:00You're actually probably training the next generation
21:03to know how to work with wood and how to stain things
21:06so that we stop the disposable economy.
21:09And so it's really aligning business.
21:11And the designer's role is to be part of that
21:13but also to create an aesthetic around it.
21:16The issue is a circular, closed-loop economy.
21:19And how do we create a world where there's no waste
21:22and there's no toxicity?
21:24I think the question is,
21:25we have to ask ourselves as designers and as companies
21:29is how do we create systems which keep lasting?
21:32These will be the answer,
21:34but I don't think from a consumer perspective.
21:36I think it will be the answer from a business perspective.
21:42The future of design is ever-evolving.
21:46And as designers, we still need to put more attention
21:50on how we design for sustainability and healthy materials.
21:54Reimagining old processes of a lifecycle assessment
21:58of a product from beginning to end
22:01and making space for progress and innovation
22:04to replace limited and outdated models.
22:07We have to partner with architects, builders,
22:10brands, artisans, and producers
22:14who join us on the quest for responsible,
22:17eco-conscious spaces and products.
22:20Trade shows like ICFF and Wanted Design
22:23are wonderful assets in helping to educate the industry
22:27about what's new and what's next.
22:30But it's incumbent on the professionals attending
22:33to use events like this as a jumping-off point
22:36for what's possible.
22:38The future is bright,
22:40but it requires each of us to step up
22:43and make changes that will improve the industry,
22:46the environments we design,
22:48and therefore the earth we inhabit.
22:51Until next time,
22:53I am Laurence Gare, designing for a more circular future.

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