所さんの目がテン！2024年11月3日 かがくの里秋収穫祭!隈研吾さんと見る母屋の現状と大工さんの技
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00I feel like a parallel line is coming out.
00:02But this one is more...
00:03This one is more appealing.
00:05It's exciting.
00:06This is really moving.
00:09Looking at the flat surface of the Omoya,
00:11it's a complex multilayered shape with asymmetrical left and right.
00:15This shape...
00:17It's not a square.
00:19The shape is slowly collapsing.
00:22And the soft curved roof is covering it.
00:26It's like an extension of a vertical hole-type residential building.
00:34The vertical hole-type residential building
00:36has a soft curved roof
00:39from the middle pillar.
00:42It's a modern version of that.
00:44The sun-lit roof is streamlined
00:47and the whole thing is rounded.
00:50It's a unique bear architecture.
00:56Looking at this design,
00:58this person is...
01:00To be honest, I was surprised.
01:02Mr. Kanazawa, the owner of the house,
01:05who actually does construction.
01:07It's been 42 years since it was established.
01:09The Eiwa Home Store,
01:11the house of the owner,
01:13is good at handling wood,
01:15and has built many beautiful wooden houses.
01:20It's a multilayered house,
01:22and it's the first time
01:24I've seen a house like this.
01:26He's a professional woodworker,
01:28but it's the first time he's built
01:30such a complicated multilayered house.
01:35While cutting out the wood
01:37that will be the material around the village,
01:41they start talking about how to build it.
01:47Mr. Kusagaya and Mr. Hirabayashi,
01:49the architects of the bear office,
01:51have a plan.
01:54First, they build a pillar of wood
01:56to make a wall around the house.
02:00Next, they build a log
02:02that is about 8 meters high.
02:06On top of that,
02:08they put a thick log called munagi
02:10to make a bird-like shape.
02:13Here, they put 28 logs
02:15that are called taruki
02:17and are the bones of the roof
02:19and connect them together.
02:21But...
02:24I think it's difficult.
02:26Oh, I see.
02:29The reason why he thinks it's difficult
02:32is because of
02:34the way the taruki and munagi
02:36are connected.
02:38On the roof of a house,
02:40both taruki and munagi
02:42are made of this kind of timber.
02:44He was worried
02:46that all the taruki and munagi
02:48would be made of logs.
02:51This time,
02:53the taruki is about 7 meters long
02:55and weighs about
02:57215 kilograms.
03:00It is said that
03:02building a very heavy taruki
03:04and munagi
03:06on the spot
03:08is a difficult task.
03:10Furthermore...
03:12It's hard to get the hang of it.
03:14You have to scrape off
03:16all the taruki and munagi.
03:18You scrape off
03:20the taruki and munagi
03:22so that they fit
03:24perfectly into the roof.
03:26Yes.
03:28There's a risk
03:30that the taruki and munagi
03:32will fall off
03:34when we scrape off
03:36the taruki and munagi.
03:38The shakuri is a tool
03:40that can be used
03:42to scrape off
03:44the taruki and munagi
03:46according to the shape of the roof.
03:48It's difficult to carve a chestnut so that the logs, which are heavy and have different shapes, fit perfectly.
03:58Mr. Hirabayashi came up with a solution to this problem.
04:03It's a method of reproducing the dents in the shakuri in 3D from the data of chestnuts and taluki.
04:11You can make the dents in the shakuri like this.
04:18It's going to be like this.
04:21It's a flat sheet.
04:26You print this out on paper and stick it on the tree?
04:30That's right.
04:31That's what I'm thinking right now.
04:34And you're going to cut this hole?
04:36That's right.
04:37By doing this, you can accurately put the shakuri in the factory even if the logs are heavy and have different shapes.
04:46That's amazing, Mr. Hirabayashi.
04:49That's great.
04:53Remember this much.
04:55There's not much difference between what you say and what you do.
04:59That's right.
05:00For the time being, the anxiety is resolved.
05:04In addition, there is one more thing that Mr. Kuma is particular about the cut wood.
05:10That is to leave the bark of the tree.
05:14Normally, you peel off all the skin with a machine.
05:18In order to leave the bark of the tree, not only the mansion, but also the staff,
05:23only the outer skin was peeled off by hand.
05:28And these logs were dried in a way that Mr. Murata took into account the natural environment.
05:36We asked the local Nakano Mining Company to lend us a place to install a farmhouse and dry the logs there.
05:48In a farmhouse, the temperature of the room is properly raised by solar heat,
05:54so it seems that the drying will proceed faster than the natural drying that is dried indoors.
06:00What's the difference between a finished room and a machine-dried room?
06:03I think that the stickiness remains only as long as the heat is not applied.
06:07That's great.
06:09The stickiness of the tree is that it is hard to break and flexible.
06:13Unlike artificially adding heat to make it dry,
06:17drying at a natural temperature makes it difficult for the original stickiness of the tree to be lost.
06:23It's great that everyone can do this kind of natural drying luxuriously in the era of machine drying in a hurry.
06:33After 11 months from the start of drying,
06:37the logs have been dried to a suitable amount of water.
06:42And this summer, the basic construction will finally begin.
06:48Good morning.
06:50Mr. Miura, a new member.
06:53In fact, he is the son of a milling craftsman.
06:56I'll do it.
06:58He helps with the basic construction with his familiar skills.
07:07Unexpectedly, he is good at it.
07:12I want to quit being an entertainer.
07:15I'll hire you.
07:17As expected, he is the son of a milling craftsman.
07:19Thank you very much.
07:20When I gave up being an entertainer, it was my company.
07:23Mr. Miura has been helping his father's work since he was 21 years old.
07:29He is a man of strategy.
07:33And after 10 days, the foundation is completed.
07:39After this, the skill of a carpenter from Omoya Construction.
07:48After finishing the basic construction of Omoya,
07:51Mr. Miura goes to the factory in Dekamoku to help with the next work.
07:56After the foundation is finished, it is in the stage of cutting.
08:03In this case, I will leave only this part and remove the rest.
08:15Mr. Miura marks the wood on the foundation of Omoya.
08:23He cuts the wood as it is marked.
08:30This is the part that fits here.
08:35This is what I'm going to make from now on.
08:38I want you to make it so that it fits here.
08:44I want you to leave a little bit of this line.
08:47I got it.
08:49Mr. Miura is going to experience woodworking.
08:53Mr. Miura took a lecture from Mr. Miura.
08:58It's amazing.
09:00Thank you very much.
09:03It's difficult. I can't do it at all.
09:06This is 50 points.
09:10It's difficult.
09:12At the end, the craftsman, Mr. Daito, will fix it.
09:24He also processed this part.
09:38Then, he assembles the processed wood on the foundation.
09:53He assembles the processed wood.
09:56This is called woodworking.
09:59The wood that was cut with a saw and a chisel fits perfectly.
10:06In fact, there is a difficult point in this woodworking.
10:10It's not 90 degrees.
10:12The angle of this deformation is difficult.
10:16The strength drops depending on the angle of the wood.
10:21That's what happens.
10:23It's a little difficult to have an angle like this.
10:27There are three overlapping places.
10:31This is amazing.
10:35Any angle fits perfectly.
10:39It's a craftsman's skill.
10:43Next, he assembles the pillars and beams.
10:47All of these are woodworking.
10:59In just two days, the bones were assembled.
11:07And finally,
11:09I will make the tree.
11:11The so-called tree part.
11:14The plan is to carve out the chestnut that the mansion was concerned about.
11:19It looks like this.
11:22It's one piece.
11:27That's what I was talking about.
11:29This is it.
11:34He draws the edges with a pen.
11:37After taking out the wood,
11:40he cuts it along the shape.
11:46In this way, the construction of the chestnut that the mansion was concerned about is completed.
11:53He puts this chestnut on a 8-meter-tall pillar.
11:58How does he assemble it?
12:01If this is the pillar,
12:05this is the beam.
12:07I'm going to make a large beam of this.
12:12He makes a protrusion called a beam on two pillars.
12:16He makes a hole in the chestnut and carves it out so that it fits perfectly.
12:23Usually, the plan is decided on the shape and dimensions.
12:27He often uses a chisel that has been precisely machined with a machine.
12:33But this time, everything is out of the plan.
12:37He makes a large beam and carves it out by hand.
12:43First, he makes a hole in the chestnut.
12:46He carves out the five pillars of the pillar to fit it.
12:51First, he puts the charcoal in the pillar.
12:55He cuts it roughly with a chisel.
13:01He cuts it with a saw while adjusting it in millimeters so that there are no gaps in the hole.
13:12Wow!
13:14It's straight!
13:16Wow!
13:18I'm so happy!
13:21He also cuts the support part of the pillar so that it fits the shape of the chestnut.
13:30He makes fine adjustments with a chisel.
13:37Finally, the craftsman, Mr. Shiro, finishes it.
13:44It takes about four hours to process the other one in the same process.
13:50The large support part that connects to the chestnut is completed.
13:55He assembles it on the spot.
13:59After this, he assembles the tree.
14:01Will it work?
14:07He assembles the frame on the base of the tree.
14:12Next, he assembles the tree part.
14:14It's a very difficult task to assemble the pillar and the chestnut.
14:19First, he lifts a huge log of about 600 kilograms from the 8-meter pillar with a crane.
14:28Wow!
14:33He puts the support part on the base of the tree.
14:36You can lower it a little.
14:38There?
14:39Yes, it's OK.
14:42Yes, it's OK.
14:44OK.
14:46Wow!
14:48He assembles another one.
15:00The two pillars stand firmly.
15:07Finally, he assembles the chestnut on the pillar.
15:13He lifts the chestnut on the 8-meter pillar with a crane.
15:18Wow!
15:21He puts the support part of the pillar on the support hole of the heavy chestnut.
15:30He controls the crane with a remote control.
15:36A little more.
15:37A little more.
15:40On top of that, he uses his right arm.
15:43Mr. Shiro has 50 years of experience.
15:46He has a rope on both ends of the chestnut.
15:49He adjusts the position of the rope.
15:51It's not tight.
15:53A little more.
16:00On the other hand, Nobuyuki, who is a carpenter in Fukushima, adjusts the position of the rope.
16:07He runs from far away.
16:10It's moving.
16:11The three people move the chestnut together so that the chestnut and the new pillar fit.
16:21Remember this.
16:23It's different from what you say.
16:31He adjusts the millimeter unit on the 8-meter pillar.
16:34Again.
16:39One pillar fits.
16:43A little more.
16:48And finally.
16:51This is amazing.
17:14The 8-meter pillar and the chestnut fit perfectly.
17:22He will continue to work on this in the future.
17:29This is amazing.
17:35Mr. Kuma, how was it?
17:39It's different from what you say.
17:43But it's a modern technology to flatten the chestnut with a computer.
17:50It's because of the cutting-edge technology of computers.
17:55That's why we can treat the chestnut as a living creature.
17:58That's right.
18:00We have to flatten the chestnut.
18:05If it's slanted, it won't fit.
18:07We have to flatten it.
18:09You were doing it.
18:10You know it.
18:12You were doing it.
18:15Mr. Ejiri, how is the work going?
18:20It's a series of zigzags that can't be called smooth.
18:27Mr. Ejiri is a structural calculator.
18:31He is trying to figure out how to realize complex multi-dimensional architecture.
18:36Mr. Ejiri and Mr. Kuma have discussed many times about how to build.
18:41They have come up with the best way.
18:45Is this right?
18:49Yes, it is.
18:51You made it well.
18:53We have to decide whether to round it or flatten it.
19:02If you don't do it, it will roll.
19:05I have discussed with Mr. Kuma many times.
19:10We have discussed a lot.
19:14We have had a lot of difficulties.
19:17We have measured the dimensions of each chestnut.
19:21It is expressed on the computer.
19:24Many people have had a hard time.
19:27It's a series of difficulties that can't be called smooth.
19:33That's right.
19:35You were doing your best.
19:37Yes, I was doing my best.
19:39You are a mushroom.
19:41My father is a carpenter.
19:43You were doing the work of a carpenter.
19:45Yes, I was doing it.
19:47It's amazing that you can make a structure with a diagonal thing.
19:50It's amazing.
19:52The carpenter is really amazing.
19:54He teaches me various techniques.
19:57Mr. Taniguchi, how does the interior look like?
20:02With this powerful wooden space,
20:05the place where we are sitting now is a large space of clay.
20:09The heat capacity of the soil plays a very important role in the interior of the house.
20:18I'm looking forward to the space of clay here.
20:21That's right.
20:22It seems that you can make a structure with natural materials.
20:26Thank you for your continued support.
20:31Thank you very much.
20:33I'm looking forward to the completion of the Omoya project.
20:38Next time, it's the harvest festival special.
20:42What is the mysterious breathing method of the comet insect that surprised Mr. Kuma?
20:47And what is the taste of this year's honey?
20:52It's delicious.
20:54Please look forward to the next time.
20:57This program is brought to you by TVER. Please subscribe to this channel.