素っ頓狂な夜 2024年10月30日 笑福亭鶴瓶とリリー・フランキーによる台本なしのフリートーク番組！#1
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00Everyone's a monkey!
00:16Nikumikirenai
00:19Roku de nashi
00:30Thank you very much.
00:32Hello, hello.
00:33I'm sorry.
00:34We're starting from today.
00:35It's called Stonky Night.
00:37I got involved because I wanted to do it with someone.
00:42I'd like to confirm this with Mr. Be.
00:46Confirm, confirm.
00:47Usually, when I'm doing this kind of work,
00:51the producer says,
00:53Tsurube-san, I really want to see Lily-san.
00:56I get a proposal like that.
00:57I can't get that kind of thing on screen.
01:01If we say the same thing to each other,
01:04we'll get it.
01:07And I've known this producer for a long time.
01:11He used to be the drummer of a band called Ginnan Boys.
01:17Everyone knows that.
01:18That's right.
01:19When he was the drummer of that band,
01:23he was the vocalist of Mineta.
01:24It's still Ginnan Boys.
01:26Before Mineta came out,
01:28the three of us were playing drums, bass, and guitar.
01:31Everyone was waiting for the vocalist to come out.
01:34But that producer said,
01:36before Mineta came out,
01:38he was playing drums with just his pants on.
01:40Before he came out, he was a drummer,
01:42but when he came out, he was diving.
01:46I didn't know that.
01:47Really?
01:48That's what he said.
01:49When Mineta came out, there was no drummer.
01:52I really don't trust him.
01:56No, no.
01:57No one trusts him at first.
02:00He's not a bad guy.
02:04He's not a good guy.
02:06But I really asked him.
02:09Really?
02:10Of course.
02:11So when I met you the other day,
02:15I didn't know much about it,
02:16so maybe you don't know that yet.
02:18Maybe you don't know that yet.
02:19I was eating at A-Studio Plus.
02:22But in the case of Lily,
02:24she comes out when I'm not paying attention,
02:26even in the movies.
02:29No, no, no.
02:30I'm just saying that because I was called.
02:33I'm saying,
02:34she's Lily.
02:36She has a face like a lawyer.
02:38She has a lot of different faces.
02:40So I thought it would be nice to have a face like that.
02:42I used to talk to her for about an hour and a half
02:46at my father's house called Mugaku.
02:48At that time, she said,
02:50I want to do something you've never done before.
02:53So I went to the dressing room,
02:55and there was a gold and blue glitter jacket
02:57and a tie like this.
02:59It was a manzai performance for two people.
03:01It was a completely old manzai performance,
03:05but it didn't go well with anything.
03:08It wasn't weird at all.
03:10It just melted away.
03:12It didn't go well with anything.
03:14What is that?
03:15What kind of technique is that?
03:17What are you drinking?
03:19That's weird.
03:20Well, I didn't think it was enough to meet you,
03:23but if you do this, I can meet you.
03:25I want to meet you, too.
03:27It's not like I'm going out for a drink.
03:29It's like this.
03:31It's a lot of fun.
03:32It's a lot of fun to meet you.
03:35The other day, when I was shooting a movie,
03:38there was Mr. Davis in the mahjong scene.
03:40Mr. Davis was really late.
03:43That's right.
03:44The first scene of Takumi Saito,
03:47the first cut,
03:48was the scene where I, Mr. Davis,
03:50and J. Taro Suisaku were playing mahjong.
03:52At that time, I felt suspicious about Takumi Saito.
03:55It's normal to shoot from here.
03:58How late was that?
03:59Mr. Davis was two hours late.
04:01He was two hours late?
04:02No matter how much Mr. Davis is,
04:04he's a senior in the subculture,
04:06but this is Takumi's first movie,
04:08the first cut, and I thought it was terrible,
04:10so I scolded him.
04:12Mr. Davis was scolded by Mr. Davis.
04:15That's what happened.
04:17Mr. Davis said,
04:18I don't have this.
04:19What were you doing?
04:21He said,
04:22I was on a trip to Bashu.
04:24When?
04:25Because it was around 11 a.m.
04:28He said,
04:29It was yesterday.
04:31What?
04:32Where did you get off?
04:33He said,
04:34I don't know that.
04:38What is the broadcast code of BS Telecom?
04:42BS Telecom has no broadcast code.
04:46It's the same.
04:47If I and Mr. Davis were hired,
04:49I wouldn't be able to do that.
04:51I've been doing it for a long time,
04:53so I've been holding it down.
04:55I've been held down for a long time.
04:57But if I and Mr. Davis were hired,
05:00Telecom would be out of the game.
05:03I thought it was okay.
05:04Compliance.
05:06Then you two would be out of the game.
05:09This is amazing.
05:11It's up there, too.
05:13It's up there, too.
05:15It's here, too.
05:16There are about 20 people in a seat.
05:17Yes, yes.
05:19I'm sitting next to you now.
05:22I've been drinking barley tea for a long time.
05:28It's like I'm making it.
05:30I didn't make it.
05:32Every time I drink that,
05:34I think it's my job.
05:36That's what you mean.
05:37I think everyone is drinking that barley tea.
05:40There's a picture of Mr. Davis on that label.
05:43It's about this big.
05:45It's about this big.
05:47That's how much I get a year's contract.
05:50It's the least conspicuous.
05:55But that doesn't mean it's not conspicuous.
05:59That's right.
06:00It's not conspicuous.
06:02If you come to the mountains, it's over.
06:04It's like you're not coming to the mountains.
06:07If you hold it down with your fingers, it's like you're hiding.
06:11It's the most stable income.
06:17And the other day,
06:20the people around Mr. Davis are kind to Mr. Davis.
06:26Mr. Yoshinaga's brother,
06:30Mr. Ryoho Yoshioka, Mr. Nakanoi,
06:34and recently, Mr. Ayami Nakajo.
06:36I was the boss.
06:38Isn't that a little too much?
06:42And this time, I was surprised.
06:45Mr. Tomoya Harada's boss.
06:48Did you put out the proposal yourself?
06:50Do you want me to put it out?
06:53I put it out.
06:55I went to eat with Mr. Tomoya Harada.
06:59It's beautiful as it is.
07:02I'm happy with this.
07:05That's why I think it's good.
07:09It's all about the wheat tea theory.
07:14Everyone says it's good.
07:17But it's the same with Mr. Sayo Yoshinaga.
07:19They're still connected.
07:21I'm worried about my sister.
07:23Because he's my brother.
07:25I get emails from my sister.
07:27Who's your sister?
07:29It's worth being busy, isn't it?
07:33It looks fun every day.
07:35If you do that, it's double the fun.
07:38Nagi is always loose.
07:44It's like this.
07:46It's loose.
07:48I can't speak.
07:50I can't speak.
07:52I've never seen him yell so much.
07:55What did he do when he was angry with Ebisu?
07:58I think it was the loudest voice in 20 years.
08:03I'm going to do a drama.
08:08When did you do the drama first?
08:11The first time I acted was when I was 35 years old.
08:16When I was 35 years old.
08:18I was in a movie called King of Cults.
08:25It was the first time I was in that person's movie.
08:30Did you know that director Ishii was in the movie?
08:34At that time, I didn't care who I was.
08:39The first movie I was in at that time was the main character.
08:44I was the main character, and Tetsuro Tanba was the main character.
08:49It was so sudden that I wasn't nervous.
08:52What do you mean?
08:54It's a story about a blind murderer and a very small murderer.
09:01I'm neither.
09:04You're not the main character?
09:06The main character is a three-question novelist who is looking for those two.
09:11When you read the script, did you want to be in the movie?
09:14I wanted to see how Ishii was shooting the movie.
09:19At that time, I had never said a line.
09:22But even if I hadn't said a line, I was told to be the main character.
09:27It was Ishii's responsibility.
09:31When did you first act?
09:35When I was in the movie, I was in Tokyo.
09:39Director Somai Shinji.
09:42I was the main character.
09:45But I was getting smaller and smaller.
09:48At the end, I wasn't a frog.
09:51I acted with Somai Shinji.
09:54Have you met Somai Shinji?
09:55No, I haven't met him.
09:57You must have met him.
10:00Somai Shinji is a great director.
10:02In my image, he was wearing a geta even in winter.
10:05Yes, he was wearing a geta.
10:08He was holding a stick like this.
10:11He was always putting his tongue in his mouth.
10:14Because his tongue would come out.
10:17Is there a better episode of the director?
10:20There is a scene where he puts the stick in his ass.
10:23I was very shocked.
10:25I wanted to play golf.
10:27So I stayed at my house and played golf.
10:30There was a set.
10:31There was a new set.
10:32The director told me to use it.
10:34Every time I used it, I went to the next hole.
10:37I slept and put my tongue in my mouth.
10:40What are you doing?
10:41My tongue would come out.
10:43Stop it!
10:44It's my new golf stick.
10:49I put my tongue in my mouth.
10:51I don't need it anymore.
10:53I put my tongue in my mouth every time.
10:56Then we got along.
10:58Then you got along.
11:01It was a good relationship.
11:03At that time, Kichi Nakai, Yasuda Shinda, and I got along very well.
11:11He was a famous director.
11:14He was a famous director.
11:16Even now, when other directors come, they ask me,
11:19What kind of person is Mr. Somai?
11:22I'm sure everyone will watch the movie of Mr. Somai again.
11:27I remembered this story.
11:31The movie is not included in the movie.
11:33But there was a group of fishermen.
11:37I think so.
11:38Sailor suit and machine gun.
11:39Sailor suit and machine gun.
11:41I still follow them.
11:45I can't remember their names.
11:50Who do you think can't remember their names?
11:56The hint is Mr. Somai and the golf club.
12:01No, no, no.
12:03It's a girl.
12:05Makise.
12:12That's amazing.
12:15She is the main actress of Mr. Somai's movie.
12:18I see.
12:19I thought you wouldn't answer.
12:21But you answered, so I was surprised.
12:24That's Makise Ryo.
12:26Makise Ryo and the scene of the attack.
12:29I'm doing this for real.
12:31My father said,
12:33Don't touch me.
12:35It's from above.
12:36Don't touch me with your own will.
12:38Wait a minute.
12:40Don't touch me. It's from above.
12:43It's a common logic.
12:46It's from above.
12:48It's from above my clothes.
12:50I didn't touch it.
12:52I have to touch it a little.
12:56If you look at my face now,
12:59you'll regret it later,
13:01but if you look at my face, you'll be scared.
13:04I look like my father.
13:07I talked to my friend the other day.
13:11There is a scene where handsome people fall in love.
13:16What do you do when we fall in love?
13:21What do I do?
13:23I take care of my partner.
13:25You take care of your partner, right?
13:26Yes.
13:27Usually, handsome people fall in love.
13:29I still love Jun Fubuki.
13:32Do you love him?
13:33I love Jun Fubuki.
13:35Isn't Jun Fubuki's hair too much?
13:38The amount of hair is too much.
13:40I was surprised.
13:43I was surprised.
13:46I thought it was BoBo.
13:50If you're in the same frame, I'll be in the same frame.
13:55Don't say that.
13:57I'm talking about the bed scene.
13:59I'm talking about the bed scene.
14:01I'm talking about the bed scene.
14:05I'm naked in the bed scene.
14:09He's not naked.
14:12I hide Jun Fubuki so that he looks naked.
14:15I'm naked.
14:17I'm naked.
14:20I didn't touch Jun Fubuki at all.
14:24I'm naked.
14:27I didn't touch Jun Fubuki at all.
14:29That's right.
14:31At that time, Ken Ogata and I were detectives.
14:38Jun Fubuki was the criminal.
14:41Jun Fubuki was the criminal.
14:43Jun Fubuki was the criminal.
14:45You wrote the script yourself.
14:48You did what you wanted to do.
14:51I didn't write what I wanted to do.
14:54I didn't write what I wanted to do.
14:57You have a movement that all the roles are like that.
15:00You have a movement that all the roles are like that.
15:02Ken Ogata was funny.
15:05I was nervous at first.
15:09I was eating a small piece of Daifuku.
15:14I was eating a small piece of Daifuku.
15:17You were eating it for yourself.
15:21You were eating it for yourself.
15:24I was eating it for myself.
15:29I was told to go to the cafeteria.
15:33I was told to go to the cafeteria.
15:35I was told not to leave any Daifuku.
15:38I ate three pieces.
15:40I was told,
15:41I was told,
15:44I was told,
15:47I was told,
15:50I was told,
15:52I was told,
15:54I was told,
15:56I was told,
15:58I was told,
16:02That's a funny way of putting it.
16:05I didn't mean to put it that way.
16:07I just wanted to scold Ebisu-san.
16:09Wait a minute.
16:10Ebisu-san?
16:12I have to tell you this.
16:14I went to a restaurant earlier.
16:16It's strange to talk about this suddenly.
16:19I ate grilled rice and cold noodles.
16:22That's a strange combination.
16:25It's a strange season.
16:28You still have cold noodles.
16:30It's like the beginning of ham.
16:36That's not what I mean.
16:37You keep talking about it.
16:39I can't talk about it.
16:41I can't talk about it.
16:43I can't talk about it on TV.
16:46I can't talk about it.
16:48I don't want you to talk about it when you're eating.
16:50You can't talk about it that much.
16:52But you don't talk about it in Tokyo.
16:55I talk about it everywhere in Tokyo and Osaka.
16:57It doesn't matter.
16:59I went to Yokohama.
17:01I saw a beautiful woman.
17:03She wasn't there.
17:05She wasn't there.
17:07She wasn't there.
17:08I saw her.
17:09I saw her.
17:11But I wasn't there.
17:14I don't think there are many people in Japan who don't know about Tsurume-san.
17:18I don't know much about him at the station.
17:23The other day, at Kyoto Station,
17:27a tall man said,
17:29I'm a big fan.
17:31He came to shake my hand.
17:33But there was a screen that searched for me.
17:38I said, there's no way he's a big fan.
17:41You said it.
17:43You said it.
17:45At Shinagawa Station,
17:47there's a man who's a fan of autographs.
17:49He's waiting for you.
17:51He's waiting for you everywhere in Nagoya.
17:53He said, please sign my autograph.
17:55He said, you're Mr. Kotaro Yoshida, right?
17:57That's a common pattern.
17:59You're Mr. Kotaro Yoshida, right?
18:01I was in a hurry,
18:03so I wrote Mr. Kotaro Yoshida.
18:09Then, the man said,
18:11please take another picture of Mr. Kotaro and put it here.
18:15I don't think it's here.
18:17I wrote Lily Frank there.
18:20I don't know what it is.
18:22You wrote Mr. Kotaro Yoshida on the autograph.
18:24You wrote Lily Frank on the picture of Mr. Kotaro Yoshida.
18:28You're crazy.
18:30I'm not sure.
18:32I'm not Mr. Bessan.
18:34I think he's a thief.
18:36I think he's a thief.
18:40If you can tell the difference between things,
18:42you can do this.
18:45I'm a thief.
18:51I did it for the first time today.
18:53He's a terrible person.
18:55No, no.
18:57Sometimes he says something sarcastic.
18:59No, I'm not.
19:01If you look back at the recording, you'll see.
19:03I say everything,
19:05but he says everything in a perverted way.
19:07He says everything in a perverted way.
19:08He says everything in a perverted way.
19:10He says everything in a perverted way.
19:11He says everything in a perverted way.
19:13I was a virgin until I was 19.
19:15We're the same age.
19:17I came to Tokyo when I was 18.
19:20It's refreshing to go back to the countryside.
19:22It's been a long time since I've had a physical relationship.
19:24It's been a long time since I've had a physical relationship.
19:26If I had an ex-boyfriend, I wouldn't do that.
19:28If I had an ex-boyfriend, I wouldn't do that.
19:30When I was 19,
19:32When I was 19,
19:34my wife was a virgin,
19:36and I was a virgin.
19:38and I was a virgin.
19:40That's why we're the same age.
19:42It's like a fairy tale.
19:44It's like a fairy tale,
19:46but I'm getting to like her more and more.
19:48But I don't have time.
19:50You've been traveling with your wife a lot.
19:52You've been traveling with your wife a lot.
19:54That's right.
19:56I used to be a virgin.
19:58I used to be a virgin.
20:00I couldn't go home.
20:02I couldn't go home.
20:04There's a graffiti corner.
20:06It's a background graffiti.
20:08It's a graffiti corner.
20:10It's a graffiti corner.
20:12It's a graffiti corner.
20:14It's a graffiti corner.
20:16It's a graffiti corner.
20:18It's a graffiti corner.
20:20It's a graffiti corner.
20:22It's a graffiti corner.
20:24It's a graffiti corner.
20:26It's a graffiti corner.
20:28It's a graffiti corner.
20:30It's a graffiti corner.
20:32It's a graffiti corner.
20:34It's a graffiti corner.
20:36It's a graffiti corner.
20:38I was the busiest and I was always in Tokyo.
20:40I was the busiest and I was always in Tokyo.
20:42I was making 17 sheets of regular.
20:44I was making 17 sheets of regular.
20:46I hardly ever go home.
20:48Every time you go home, you grow up.
20:50Every time you go home, you grow up.
20:52Every time you go home, you grow up.
20:54I'm going to see her face,
20:56and it will be bigger in bed.
20:58When I see her sleeping face.
21:00I'm going to see her sleeping face.
21:02I grew up well.
21:04It's because of my wife.
21:06It's tough for my wife, it's tough for my kids, it's tough for me too.
21:11But I'm free. I don't ask her why she's not coming home or what she's been up to.
21:19It's been like that for a long time.
21:21I guess it depends on the occupation, but it's a job that doesn't have a fixed time.
21:26Your wife is in the same circle as you, so you have no choice but to give up.
21:32Well, I'm giving up.
21:34It doesn't seem to be the case for you, but you're busy with work.
21:39That's why I tell my wife to wait for me.
21:44If I wait for her, there will come a time when I think it would be easier if I stayed with her.
21:53But on the other hand, it's because you don't spend much time with her that you're able to live with her.
22:00That's not true.
22:02But I know that.
22:05I know it while I'm worried, but I've been told,
22:09I've been told,
22:12I've been told,
22:14I've been told,
22:17I've been told,
22:20I've been told,
22:22I've been told,
22:26I've been told,
22:28I've been told,
22:30I've been told,
22:32I've been told,
22:34I've been told,
22:36I've been told,
22:38I've been told,
22:40I've been told,
22:42I've been told,
22:44I've been told,
22:46I've been told,
22:48I've been told,
22:50I've been told,
22:52I've been told,
22:54Please stamp it.
22:56What do you mean?
22:57For every stamp you receive,
22:59for every stamp you receive,
23:01for every stamp you receive,
23:03you will transform with this?
23:05That's right.
23:06I'm definitely bad at this.
23:08What should I do?
23:10Please wait a moment.
23:11Here I go.
23:17Oh, it's beautiful.
23:18If you scratch this with a back and forth,
23:20I'll return it to you.
23:24I can't believe how happy I am.
23:54For more information, please visit the program's website.