Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00You're not gonna get away with this.
00:05Now I've found you.
00:12Here, here. He left this here.
00:14He didn't even take the gas. He's thoughtless.
00:17Where are you? Where are you?
00:19Tuna!
00:20Don't hide!
00:22Don't hide!
00:25Why are you afraid of the roach?
00:28I'm going.
00:29I'll find him.
00:30As soon as I find him, I'll...
00:32I'll find him.
00:35What's up, guys?
00:37There's this tall boy.
00:39His name is Tuna.
00:40Did you see him, brother?
00:41He's gone, that crazy boy.
00:43He's gone to the woods.
00:44He's gone to the woods?
00:46Why? Is he going to collect wood? Why?
00:48What's going to happen?
00:49He's thirsty.
00:50Why is he thirsty?
00:51Uncle, what are you talking about?
00:52Water is flowing everywhere.
00:54The woods are not safe.
00:56Uncle, why are you saying such things?
00:58Do you think you're in a horror movie?
01:00This forest is cursed.
01:01If you're going to say things like that,
01:03let's get out of here.
01:04The woods are very dangerous.
01:06Those who enter the woods are thoughtless.
01:08Those who are right, lose their mind there.
01:10Uncle is right.
01:11Uncle went into the woods and came out.
01:14He's thoughtless.
01:15I'm going.
01:16I'm not afraid of anything.
01:17I'm thoughtless anyway.
01:18He's thoughtless.
01:19No one is thoughtless.
01:20I have nothing to lose.
01:21Deniz, where are you going?
01:22The woods are not safe.
01:24I'm going.
01:25Don't be afraid.
01:26We can line up the bread crumbs if necessary.
01:28Maybe we can find that cream chantilly house.
01:32Anyway, I'm going.
01:33Deniz!
01:34Don't be ridiculous.
01:35You can't go alone.
01:36He's right.
01:37Don't be ridiculous, please, Deniz.
01:38Let's call Tuna first.
01:40Uncle, does he answer the phone here?
01:43Not Orman Tekin.
01:45So he doesn't answer.
01:46A wonderful conversation is going on between you.
01:48I wish you a good conversation.
01:50I guess we're losing our mind as we take steps.
01:52I'm going.
01:53Wait a minute.
01:54I'm coming with you.
01:56Deniz, take the key.
01:58Sit in the car and lock yourself up, please.
02:00Okay?
02:01We're going.
02:03Wait a minute.
02:04Are you two going to the woods alone?
02:06This is the woods.
02:08We're not in Istanbul.
02:10There are only two people here.
02:12Deniz!
02:17Love in the woods.
02:19I'm not Tekin.
02:21Hey!
02:22Wait for me!
02:27I'm not Orman Tekin!
02:30Tuna!
02:31Tuna!
02:33Tuna!
02:34Tuna!
02:37Deniz, are you okay?
02:38What's going on?
02:39You're shouting like a boar snake.
02:41Something's wrong with my foot.
02:43Why are you trying to scare me by saying boar snake, Deniz?
02:47Are we going to deal with you?
02:48Are we going to call Tuna?
02:49For God's sake.
02:50I wish you were with Uncle Tekin.
02:52Oh, I'm sorry.
02:53Uncle Tekin?
02:54I'm not Orman Tekin.
02:58Okay, I'm sorry.
03:01Deniz.
03:02For God's sake, what is this?
03:04It's full of rags.
03:05Everything gets in it.
03:06Even the acrylic.
03:07Don't wear such things in the woods.
03:09You're making fun of me.
03:11But I think Uncle Tekin knows something.
03:13He's not talking for nothing.
03:15He says he's not Tekin.
03:16But we're here like spectators.
03:18What does that man know, for God's sake?
03:20He's crazy.
03:22And he found us in the city and made fun of us.
03:25It's like we're in Africa.
03:26It's like we're in the rainforest.
03:28These forests are not Tekin's.
03:30The natives can come and go at any time.
03:32Now?
03:33Now it's Indiana Jones.
03:34I'm doing something.
03:35I'm getting into the air.
03:37Deniz, don't come to me, please.
03:39What a beautiful movie, isn't it?
03:40Do you want the arrows to come, Mr. Ziyit?
03:45They hang us from our feet like this.
03:47No, honey, it's impossible.
03:49The natives.
03:51It's so nice.
03:52You two are a team.
03:53You're scaring me.
03:54You're really great.
03:55It's a joke.
03:56It's not possible.
04:07What's going on?
04:09Girls, calm down.
04:10There must be a logical explanation.
04:12I think so.
04:13Calm down.
04:14Calm down.
04:17Calm down.
04:23The forest is not Tekin's.
04:26If you love your life, run away.
04:37Be careful.
04:38Be careful where you step.
04:39Deniz.
04:40Deniz, stop.
04:41Deniz.
04:45Stop.
04:46Stop, Deniz.
04:47Calm down.
04:49Girls.
04:51Deniz.
04:52Calm down.
04:53Calm down, girls.
04:54Okay?
04:55Okay?
04:56Look, we shouldn't break up.
04:57Okay?
04:58Yes.
04:59If we get close together, nothing will happen to us.
05:01Yes.
05:06What the hell is this?
05:07Don't shoot.
05:09Don't shoot.
05:11Are we close enough, Deniz?
05:13I can't move.
05:16I'm stuck.
05:18Help.
05:19Help.
05:20Don't shoot, please.
05:22Don't defend yourselves.
05:23Stop.
05:24Stop.
05:25We are friends.
05:26Help.
05:27Help.
05:28Help.
05:29Stop.
05:30Stop.
05:31I have a stomachache.
05:32Can you stop it?
05:33I'm trying to stop it, Deniz.
05:35I'm trying to stop it.
05:46Stop it.
06:06Welcome to Ghazi and the Hour of ruling of Qod.
06:09So, honey.
06:11Before getting to know you,
06:14What does GoFlamingo mean to you?
06:17GoFlamingo.
06:19GoFlamingo means comfort to me.
06:22Because the most comfortable game is played here.
06:26It's very comfortable.
06:28Look.
06:30Where will you find this comfort?
06:32So you're playing a game.
06:33You're confessing right now.
06:36It's not recorded, is it?
06:37No, it's not, dear.
06:38I'm playing a little, dear.
06:39I'm playing a little.
06:41GoFlamingo has only one meaning to me.
06:44Career.
06:45Let's say we have a full-fledged city,
06:48a full-fledged female tiger in front of us.
06:51Of course.
06:52Also, working in the fashion world is very advantageous.
06:55For example, my friend who started working at the Kolkola magazine
06:58found his life partner in just three months.
07:01Moreover, the man is very rich.
07:03Really?
07:04He's an Arab sheikh.
07:05He's also a partner in the movie.
07:07Of course, ours cut it off from the first day.
07:11You know what's next.
07:13Moreover, as a wedding gift,
07:16the man bought a baby cheetah for the girl.
07:18So can we understand this from here?
07:20Your career goal is wealth and a baby cheetah.
07:24So you're keeping your cheetah high.
07:27I keep it much higher.
07:28Then you need a gorilla.
07:31Okay, Gazi.
07:32Don't be stubborn, if you want.
07:33Cut it, cut it.
07:34Okay, okay.
07:35I'm not doing an interview with you.
07:36I really like giving people what to wear.
07:38I'm very happy that I'm working in this magazine.
07:41This way, I can follow fashion closely
07:43and catch the most trendy pieces.
07:45The way the photos you take reach people
07:47and the way they see fashion from my eyes
07:50is incredible.
07:51I hope you become a director like Mr. Yiğit.
07:53What else?
07:54Do you have tea, Gazi?
07:55You make good tea.
07:57You understand the spirit of coffee very well.
08:00Not everyone understands.
08:02You're good at your job.
08:04Is that all?
08:05Are you sure you're asking the right questions, Gazi?
08:07Yes, what am I saying for you?
08:12Can you get out of the recording?
08:29Don't move.
08:31This is the truth.
08:33Oh.
08:36Oh.
08:40Oh, oh, oh.
08:41Are we safe?
08:45How are we going to get out of that hole?
08:48I've been working at Go Flamingo for five years.
08:51We can say it's my second home.
08:53I spend more time in the office than in my own home.
08:56That's why this magazine is very important to me.
09:02Why did you get out of the recording?
09:04Your life has always been a job.
09:06So?
09:07Don't you have a dream of your own?
09:14I dream from time to time, of course.
09:18What, for example?
09:20Sunday breakfast.
09:23The fresh smell of nicely brewed tea.
09:26The rustle of the newspaper.
09:28The taste of the omelet.
09:31The slippers that keep your feet warm.
09:35Alone time.
09:40With my family.
09:44Family is very important to me, too.
09:46But I don't know.
09:48It's very difficult to find someone to build such an easy family with.
09:54I mean, someone you can trust.
09:56Trust is important.
10:01But it's much more important to be compatible.
10:04For example, I could never be with a man who was a problem for me.
10:09I agree with you.
10:11First of all, I don't know.
10:13He should understand your stress.
10:15He should know your passion for working.
10:17He should know you.
10:19I'm even going further.
10:20He should work in the same place as you.
10:24You have someone in mind.
10:26I do.
10:27And I think I know who that person is very well.
10:34Don't bother.
10:36Come on, I hope.
10:38Mrs. Nazan.
10:40Our floor manager.
10:42I was very sure of this.
10:43I was right, wasn't I?
10:44Gazi.
10:47I was absolutely right.
10:48My feelings never let me down anyway.
10:51Mashallah.
10:52I mean, it's a matter of fate.
10:54What do we say?
10:55Good luck.
10:58I have a meeting on the second floor now.
11:01Sure.
11:02Good luck.
11:06Mrs. Nazan.
11:08Mrs. Nazan has a grandson your age.
11:11Mrs. Nazan.
11:18This is not going to happen.
11:28It's not picking up.
11:30Of course the phone won't pick up here.
11:32The man told us, warned us.
11:34He said it's not Orman Tekin.
11:36Why didn't we listen to him?
11:38Deniz, can you please calm down?
11:40Calm down.
11:44Deniz.
11:46Deniz.
11:47Deniz!
11:48I'm coming.
11:50Don't scare me!
11:52Friend!
11:53Friend!
11:54Friend!
11:55What did you do? Did you sleep?
11:57I feel...
11:58I feel so bad.
12:00I've never felt so bad in my life.
12:02I can't believe it.
12:03How can you sleep?
12:04We're in this situation because of you.
12:06What should I do?
12:07Should I beg?
12:08Should I live in fear?
12:10I slept like a log.
12:11What should I do?
12:12There's clean air.
12:13We're here.
12:14What should I do?
12:15Should I feed myself to you?
12:16Should I starve to death?
12:17Or should I eat my boobs?
12:18Eat my boobs.
12:19Mr. Yigit.
12:20Would you like to add salt?
12:21There's no need for me to add salt, Deniz.
12:23Because I'm solving the problem.
12:24Listen.
12:26When you cut one of these fins,
12:28the others will come to you like socks.
12:30When I was in America,
12:32I was trained in tracking and outdoor.
12:34Oh my God!
12:35Now be careful.
12:36Protect your heads.
12:37Because soon...
12:38Soon...
12:53Are you okay?
13:01The world is so small, isn't it?
13:05Tuna.
13:06Tuna.
13:08Tuna.
13:09Tuna.
13:10Tuna.
13:11Tuna.
13:12Now he's out of the ocean.
13:14What are you doing?
13:16What are you doing?
13:17Sit down, you ugly ox!
13:18One second.
13:22Humm.
13:23Sualuk, Deniz and Çatal.
13:24Here.
13:25Do you know my red crazy nickname?
13:26You don't.
13:27Uçansı ekme.
13:28Okay.
13:29What else do you do?
13:31Come on, let's go now.
13:33All these get under your head, right?
13:35Did you set up these ridiculous traps to hunt animals?
13:38I'm against animal hunting and I didn't set up these traps.
13:42Oh my God, then who set them up?
13:53Hands up!
13:54What?
13:55I said hands up!
14:02Who are they?
14:03Thieves.
14:05Are you the one who set up our traps?
14:12The expected move has come.
14:18Come on, let's go.
14:31Come on, come on.
14:34You will stay here until we die.
14:37Don't be ridiculous, my friend. This is a real trap.
14:40No way.
14:41A few hours of hunting.
14:43Let's call it a guesthouse.
14:45Okay?
14:47If you want to trap us in those cages, you must be crazy.
14:50I'm not going in there.
14:52We are taking precautions for the safety of both sides.
14:54Brother, leave the girls alone. What does it have to do with girls?
14:57Don't be ridiculous.
14:58Okay, honey. Okay, we'll let them go.
15:04Let's go back to the hunt.
15:05We'll let you all go.
15:07None of you are going anywhere.
15:08Come on, guys, come on.
15:11Look, my friend.
15:12I didn't like the way you and these weirdos behaved,
15:16the way you moved, the way you talked.
15:19Just so you know.
15:20First, put your hands up in the air.
15:22Okay.
15:23Don't worry, we're not getting married anyway.
15:25Go to that cage with that curly girl.
15:30Mr. Hunter.
15:31Mr. Hunter.
15:32Can I ask you a favor?
15:34Please.
15:36I'm curly.
15:37She's curly, too.
15:40Let's go for two curls.
15:41It's better.
15:42That makes sense.
15:44No, no.
15:46You look better.
15:55Brother, this guesthouse is a must-visit.
15:58It's a shame to send you away empty-handed.
16:00Come on, my friend.
16:01Come on.
16:03Don't make me walk.
16:04Don't make me walk.
16:05Don't make me walk.
16:06Come on.
16:07Okay.
16:08Come on.