Follow the adventures of guests and employees at this seaside hotel in Denmark, between the years 1928-1946. EXCELLENT comedy drama series from Denmark, with English subtitles. One of the highest rated shows in Denmark. You will enjoy this series.
This is the final tenth season, with nine episodes. Expect new episodes about every 2 weeks. Each episode is in two individual parts.
Starring Ole Thestrup, Bodil Jørgensen, Cecilie Stenspil, Peter Hesse Overgaard, Mads Wille, Sigurd Holmen le Dous, Morten Hemmingsen, Birthe Neumann, Anette Støvelbæk, Bjarne Henriksen, Ulla Vejby, Rosalinde Mynster, Kristian Halken, Amalie Dollerup, Lars Ranthe, Anne Louise Hassing, Ena Spottag, Merete Mærkedahl, Sonja Oppenhagen, Jens Jacob
This is the final tenth season, with nine episodes. Expect new episodes about every 2 weeks. Each episode is in two individual parts.
Starring Ole Thestrup, Bodil Jørgensen, Cecilie Stenspil, Peter Hesse Overgaard, Mads Wille, Sigurd Holmen le Dous, Morten Hemmingsen, Birthe Neumann, Anette Støvelbæk, Bjarne Henriksen, Ulla Vejby, Rosalinde Mynster, Kristian Halken, Amalie Dollerup, Lars Ranthe, Anne Louise Hassing, Ena Spottag, Merete Mærkedahl, Sonja Oppenhagen, Jens Jacob
Category
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TVTranscript
00:00🎵
00:30🎵
01:01The big one you didn't finish, I'll get it tomorrow.
01:04I hope it's not as bad as the guest's.
01:06You've probably been young once.
01:08Sit down, there's coffee on the edge.
01:09Thanks.
01:11How's it going at home?
01:12He's at sea.
01:14He came in here this morning, and then he left again with the same.
01:17It's a good catch today.
01:18He must have gotten a little more time.
01:20What do you mean?
01:21Since he didn't sleep with the foreman.
01:25No, he didn't.
01:26And do I have to tell you why?
01:28Because he sold a small amount of fish to the Germans.
01:31Everyone sold to him when they could afford it.
01:33Even the very lucky ones in Sognerode.
01:36And I don't know if Valder was the pure angel.
01:39Well, that's a shame.
01:44What about Valder?
01:47I just wish him good luck with becoming the foreman of Sognerode.
01:50That's the way he got the others on board.
01:52That was really great.
01:54Were you at the meeting, Tulle?
01:56No, of course I wasn't. I'm not in Sognerode.
01:58Then you probably don't know what happened either, do you?
02:00I'm just saying.
02:02Let those who have never had a German foreman throw the first stone.
02:12What do you have there?
02:13Nothing.
02:18Do you want to see it again?
02:20Yes.
02:21How soon are we going to visit dad again?
02:24I don't know, Frida.
02:26It'll probably be sooner when there's more work down at the farm.
02:30Now we'll put it right here.
02:34Yes?
02:36Well?
02:37You're here.
02:38Yes.
02:39Well, we were on our way down, but we just had a long morning.
02:43There was something I wanted to talk to you about.
02:45Yes?
02:47She has four eyes.
02:50Frida, if you go down, mom will come.
02:52Yes, mom.
03:00You know Mrs. Weiss's mailbox?
03:02She sometimes shows Frida and me in some of the letters.
03:05Yesterday, a woman was sad that she never saw her family in Sweden.
03:10She asked Frida how it was with us, if we saw Frida's Swedish father.
03:15What did you say?
03:16I said that we saw him once in a while, and that he was really cute.
03:19It would be strange if I said that we didn't have any contracts.
03:23They also asked what his name was and what he did.
03:26And you figured that out right away?
03:27I had to, Amanda.
03:29I said his name was Jørgen, and that he was a doctor in Landskrona.
03:33You can't even remember your own lie story when you found out that he lived in Gothenburg, mom.
03:36The others probably forgot that.
03:38I'm so sick of this.
03:41I know, Amanda.
03:42But the hateful talk about the Germans right now...
03:45I think it's best if we keep it to ourselves.
03:50How far did you get?
03:52Unfortunately, only to the middle of the first act.
03:54The middle of the first act?
03:56But you promised to read the whole play.
03:58I know that, Edvard, but I'm so tired in the evening.
04:02I'm reading the letters.
04:04If I'm being honest, I'm getting sick of the responsibility I've been given.
04:07Then you have to say no.
04:08But I can't do that now.
04:09I'm trying to read some of the women's stories.
04:11Otherwise, thank you.
04:12I can tell you some sad stories.
04:14And they're all waiting for me to say something smart.
04:17We don't need that letterbox.
04:19We didn't have time for this, Delene.
04:21I'm debuting as a stage actor.
04:23I need to discuss this with you.
04:25Can't you use Frank Hansen?
04:26Frank Hansen?
04:27The only thing she can figure out is asking questions.
04:29Why do I want to play this role?
04:31That's your job, too.
04:33As a stage actor, I mean.
04:35Isn't it?
04:43I was just on my way down to find them.
04:45There may have been a few more questions.
04:48No, it's not that.
04:50I just don't know about that part.
04:51What don't you know, Frank Hansen?
04:53I think it's a very strange character to play.
04:55Yes, exactly.
04:56Why do you think they were chosen for the role?
04:59She's both dead and not dead.
05:01And her relationship to the picture hookers is very strange.
05:03I'm not sure I can figure it out.
05:04It would have been better if they had chosen one of them.
05:06Chose one of them?
05:07No, no, no.
05:08We can't do that.
05:10We haven't even started working yet.
05:12We'll find it, Frank Hansen.
05:14Vilber, they're coming to me after breakfast.
05:17And then we'll get serious.
05:19They'll see, it'll be fine.
05:21Yes, but...
05:22With their talent and mine in stage acting.
05:25Yes, but...
05:27They'll get their life's success.
05:30Why don't you go down to the bench and read the play again?
05:33Then I'm sure it all makes sense.
05:36Yes, but...
05:37Bye, bye.
05:40And I'll see you after breakfast.
05:45I thought you wanted to break up with Frykken Hansen.
05:47It was sweet of you to encourage her.
05:49It was by no means sweet.
05:51It's a bittersweet girl.
05:53It's just something Director Connorsen has found a way to...
05:56Yes, to test me.
05:57He's just waiting for me to give up.
05:59Yes, I don't think so.
06:00Yes, yes, yes, yes, yes.
06:02But he won't get that satisfaction.
06:10So I told Amanda.
06:12You're not cheerful and happy.
06:13About what?
06:14It's about Frida's Swedish father.
06:16Oh.
06:17It's important that you remember that, Geo.
06:19His name is Jørgen and he lives in Landskrona.
06:21Yes, yes, that dentist.
06:23I'm not an idiot, Therese.
06:25Not a dentist, Geo. A doctor.
06:26A doctor?
06:27Yes, a doctor.
06:28Why not a super-doctor while you're at it?
06:30Then he'll sound too old.
06:31I'd rather have Frida's father.
06:33He was an old super-doctor from Landskrona.
06:35What's that?
06:36It's my language course.
06:38Language course?
06:39If I'm going to build in America, then I have to remember the language.
06:42You can understand that.
06:43I'll go up and borrow Amanda's gramophone.
06:45Shouldn't we go down for a swim?
06:47Swim? No, I don't have time for that, Therese.
06:49Serop will come with his wife later in the afternoon.
06:51Then I'd like to be able to say some American stuff, right?
06:58We're done inside.
07:02You've begun to speak to the guests in a completely different way.
07:05Shut up.
07:07Oh, oh, oh, Mrs. Frick.
07:08We were just talking about Græv-Ditmer and Mr. DuPont.
07:11Yes, yes, you're right.
07:13Do you know why Græv-Ditmer is alone this year?
07:16Well, now that you mention it.
07:17It's strange, isn't it?
07:19A cow on a leash.
07:20It's not very welcoming.
07:24Oh, Græv-Ditmer.
07:26Isn't it nice that they've come back to us?
07:29Yes, but it's also nice to be here.
07:30What about Mr. DuPont?
07:32Isn't he coming this year?
07:33I can't tell you that.
07:34Martha is back in the kitchen now.
07:36Yes, she is.
07:38Doesn't he live with them at Friesenholm?
07:41Yes, yes, he did.
07:43For a while, when he was away.
07:45As far as I understand, he moved to Copenhagen.
07:54That relationship is over.
07:56The more, the better.
07:58It's sad, though.
07:59They've been so good to each other.
08:01Yes.
08:07Yes?
08:16I knew I would find them with that horrible book.
08:18The things that are happening down in Nuremberg, while we're sitting here, are so horrible.
08:23That they should take a break from it.
08:26And here I have the right cure.
08:31Selma Lagerløf.
08:33Selma Lagerløf.
08:37Isn't that a children's book?
08:38It's a book for children, and for the poetic soul.
08:42It's about the naughty boy, Nils, who is turned into a little boy,
08:46and travels through all of Sweden on the back of a goose.
08:49I read it aloud to my students last year.
08:51It's a nice book.
08:52I thought it might be good to wonder a little,
08:55before being tortured all the time.
08:58Utilia!
08:59Aiden is here to take care of the kids.
09:02It's a bit like a biological sensation.
09:04We have to see them.
09:06Yes, we have to.
09:09What do you have there?
09:10Nothing. Just come.
09:12Yes, yes, I'm coming.
09:18Wait a minute, Frida.
09:20You can't just walk in.
09:21We have to knock first, right?
09:25The door is open.
09:28I thought so, too.
09:30Did Edith tell you about the kittens?
09:32Yes.
09:33Can we see them?
09:34Yes, they're in the stable.
09:36I have to go.
09:37I have to leave the door open, so I can hear the phone.
09:40I'm waiting for a call from England.
09:42I have to hear if Morten has arrived.
09:44The girls and the kids are looking forward to seeing him again.
09:47Come now.
09:49I'm coming.
09:50I think the kittens are looking forward to seeing you, too.
09:55Yes, they're right in here.
09:58Oh, they're so cute.
10:01Is this Morten?
10:02Yes, it is.
10:05Where's his dad?
10:06He doesn't live here.
10:07I don't know who he is, but on the poster it could be Gert and Svensson.
10:11Can I hold one?
10:12Yes, that's fine.
10:15There you are.
10:17Yes.
10:18Can you look up?
10:24He's so good.
10:28Do you think the kittens miss their dad?
10:31No, I don't think so.
10:33Do you miss your dad?
10:34Yes.
10:35I'm sure he's cute when he's your dad.
10:38Do you want to see a picture of him?
10:40Do you have a picture of him?
10:41Yes.
10:42Do you want to see?
10:43I'd love to.
10:44Here.
10:46Hmm.
10:52BELL RINGS
10:55Lansdins Badehotel.
10:57On Frick.
10:59I'll go see if she's here.
11:07Mom, we saw the kittens.
11:09Were they cute?
11:10Yes.
11:11Did you have breakfast?
11:12No.
11:13Do you want to see if Marta has anything for us?
11:15Yes.
11:18Mrs. Berggren, do you have time?
11:20Yes.
11:21It's best if you close the door.
11:28Frida just showed me a picture and said it was her dad.
11:33Did she?
11:34Could it be?
11:35It's a picture of the German lieutenant who was here during the war.
11:40Yes, it could be.
11:43What if she hadn't taken it?
11:45We saw it in the morgue.
11:49Yes, I can see that you're shocked, but that's the way it is.
11:52Uwe Kiesling is Frida's father.
11:56I know.
11:57It may be hard to understand.
12:01But Uwe Kiesling is a completely different person than the lieutenant they met that time.
12:07What do you mean?
12:08He's not a Nazi.
12:09He's never been one.
12:11He didn't want to become a soldier.
12:13He was studying geology when he was called in.
12:16He was a sergeant at the Eastern Front.
12:18He was one of the officers in the attack on Adolf Hitler.
12:23Was he?
12:25When it didn't work out, he had to flee and hide in the mountains in Harz.
12:31Now he's interned in the refugee camp in Grove, but he's learning Danish.
12:36We hope that he can come up here and live with us.
12:46It's only my parents who believe in me.
12:49Neither the guests nor the girls.
12:51I'll tell them at some point, but until then, I hope they'll keep it to themselves.
12:58Can I ask you about that?
13:01Yes.
13:03What about the photograph?
13:05Hi.
13:12Sorry to keep you waiting, but I managed to find Miss Frick.
13:15She's on the phone.
13:20Alice Frick.
13:21Yes, hello.
13:22How's it going at your little hotel?
13:24Great.
13:25What did I tell you again and again?
13:27That we should call each other every day, express our love and longing, and decide when you're coming.
13:32That won't happen until you've done that with your wife.
13:35Darling Alice, this is something really small-town.
13:38The only excuse is that you grew up in Rungsted.
13:41You're from Gentofte.
13:43Originally I'm from Vandløse.
13:44Vandløse? You've never told me that.
13:47Vandløse is not something you talk about.
13:49Alice, listen to me.
13:50Aren't we free people who can just enjoy each other?
13:53I've been with, let's say, a few women, but no one like you.
13:58It can't be right. It has to be over.
14:00Because of a ridiculous little formality like I'm married.
14:02It's not a ridiculous formality.
14:04And not a little one at all.
14:06It's nothing compared to what I've just heard about a lot of women.
14:09What have you heard about her?
14:10While I was waiting for you, I overheard a conversation in the office.
14:13About what?
14:24Do you have a moment?
14:25Yes, of course.
14:31I've just heard some terrible rumors about Amanda.
14:35And who is Frida's father.
14:37His lover.
14:38No, no, no.
14:39It's much worse.
14:41Do you remember the lieutenant who was out here under the occupation?
14:44Yes, I never forget him.
14:49You can't be serious.
14:51Where did you hear that?
14:52From one of the factories.
14:55While he was waiting for the phone, there was smoke down there.
14:58Where he heard Amanda tell it to Utilia.
15:00But that's almost unbelievable.
15:02No.
15:03What?
15:04How can Amanda find out?
15:06A German.
15:08A Nazi.
15:09Amanda said he wasn't a Nazi.
15:11And it was against his will.
15:12He became a soldier.
15:13He was shot on the eastern front.
15:15And was part of that attempt to kill Hitler.
15:18Why then the story with the Swedes?
15:20We would have told you if they were your daughters.
15:25I think I heard them in here.
15:27They couldn't have killed them.
15:28What do we have?
15:29It's so exciting with the letters.
15:32What?
15:33The letters.
15:34Maybe that's not it.
15:36Yes, yes.
15:39Well, it's already breakfast.
15:41I think we should leave the breakfast table.
15:43Let's see if Geo has heard the clock.
15:45He's starting a language course.
15:47Well.
15:51Mom, shouldn't we keep that story about Amanda
15:54to ourselves?
15:55To him and Mrs. Madsen.
15:57Yes, they're right.
15:58But what about the person who heard it on the phone?
16:01Are they sure it's someone they trust and don't tell?
16:04No.
16:05I'd rather have a careful conversation with him.
16:20Come in, come in.
16:21Oh, they have rolled up their sleeves.
16:23Lovely, darling.
16:24I'm really sorry to disappoint you in this way, Edgard.
16:27Now that you've gotten me all the way over here,
16:29but I'd most like to be able to call Director Conradsen
16:32and tell him that it won't happen.
16:34There is absolutely no reason to involve
16:36Director Conradsen in this.
16:38You'll find it.
16:39We'll find it together.
16:41The role is as far south as it gets, darling.
16:44It's really sweet of you to say that.
16:46I'm sorry.
16:47The role is as far south as it gets, darling.
16:50It's really sweet of you to say that.
16:52I'm sorry.
16:53Well, let me hear.
16:55Tell me, what's your problem?
16:57The old picture of Hooker and his model
16:59is now being met several years after he made
17:01the famous sculpture of her.
17:03Yes.
17:04And the agreement is to go up the mountain together,
17:06where they then, because of Tove, die.
17:08Yes.
17:09Ibsen obviously thought that was a really good idea.
17:12But you say that they didn't,
17:14when she was his model,
17:16in a romantic relationship.
17:17Is that right?
17:18Yes.
17:19If they had had it,
17:21Ibsen would have written it.
17:23I just can't understand that.
17:25When someone is ready to do all this with him.
17:27And she says here that you,
17:29that is, the picture of Hooker,
17:30carefree,
17:31took a blood-hot doctor,
17:32a young human life,
17:33and tore the soul out of it,
17:35because you needed it to create a work of art.
17:38So I think she has been abused.
17:39Both mentally and sexually.
17:41Yes, yes.
17:42Then we'll say that.
17:43Is that right, Edvard?
17:44Yes.
17:45To help someone.
17:46Then I think I can find one myself.
17:48Lovely, lovely.
17:49Then I just have to think about
17:50how you abused me in your time.
17:51What kind of scene should we do?
17:54What did you say?
17:55What kind of scene should we do?
17:56No, what you said before.
17:59That I abused you?
18:01Yes, Edvard, at school.
18:03You were my teacher,
18:04which I looked up to,
18:05and you took advantage of that.
18:06But I don't blame you for anything.
18:08Now I can use it,
18:09when I have to play the role of Irene.
18:10Yes, it's a story
18:12that you go and tell everyone,
18:14Yes, it's important, Edvard.
18:15Shouldn't we stop you?
18:16Yes, I can tell you,
18:18that it's important.
18:20If you go and spread this
18:22lie story that I...
18:24I...
18:25I can tell you
18:27that what happened
18:29many, many years ago
18:31and that will never happen again,
18:33it was something that we both
18:35were just as good at.
18:36You came running
18:38with all your little tricks and...
18:41And what, Edvard?
18:43And...
18:44I don't think you're aware
18:46of what effect you have on men.
18:49Or rather, I think you're aware of that.
18:52If anyone here thinks
18:53that I was abused,
18:55then it's me.
18:58Now I'm confused, Edvard.
19:00How do you suggest
19:01that I find myself in the role?
19:03By just playing it.
19:05Should we try that?
19:07Huh?
19:09How do you do?
19:11That means good day to the Americans.
19:13I think I'm getting ready
19:14to see Rob's wife.
19:16She's not coming today.
19:17What does that mean?
19:18There was a message from Mr. Seo.
19:20His wife's plane was delayed.
19:21She hasn't arrived in Copenhagen yet.
19:23Oh, my God.
19:24Then we might be able
19:25to take a vacation together.
19:27And, for example,
19:28go swimming.
19:30We did that once.
19:31I don't know if you remember.
19:32We could also jump in the pool
19:34and lie down a bit.
19:38Seriously, Edvard?
19:40I don't know if you haven't realized
19:41how important this is.
19:43Yes.
19:44You're going to do big deals
19:45with Mr. Seo in America.
19:47Yes.
19:48That went really well
19:49last time you invested there.
19:50Oh, my God.
19:51Those were stocks.
19:52This is construction.
19:53It's something else.
19:54And in addition,
19:55we need it.
19:56I talked to the company yesterday.
19:57The project in Valby
19:58didn't go through either.
19:59It didn't?
20:00No.
20:01It was easier to build
20:02during the war.
20:03So if you don't mind,
20:04I'd like to be ready
20:05to see Rob come with his wife.
20:06She's also in the deal.
20:07And I'd like to talk to her.
20:10Lesson two.
20:11Repeat after me.
20:13Is this the way
20:14to the post office?
20:39Because of Vilhelm.
20:41The only thing I could figure out
20:42was to let it go over to Philip.
20:44How?
20:48It made me think.
20:50Why don't we go to Florence?
20:52We can do that now.
20:54Why would we do that?
20:55Wouldn't it be nice
20:56to say something new?
20:58Comradeship.
20:59What do you mean?
21:00I think that DuPont
21:01is thinking about Vilhelm.
21:04It must be difficult
21:06when you don't have any children
21:08to look at someone
21:10and understand
21:11what it means
21:12to lose your only son.
21:14We can understand,
21:15Mrs. Greve.
21:18It's been over a year
21:19since Vilhelm died.
21:21It would never have happened
21:22if he and Mitzi
21:23had stayed here in Friesenholm.
21:24Wasn't it her own wish
21:25to move to Germany
21:26so Vilhelm could join Hitlerjugend?
21:28It's very possible
21:29that it's easier
21:30than we thought, Mr. DuPont,
21:31with that explanation.
21:32But they know as well as I do
21:33that Mitzi was murdered
21:34because my son
21:35let them seduce them
21:36for a moment.
21:38My mother was right.
21:40It would never have happened
21:41if I had been married.
21:43Vilhelm would have been here
21:44with us today.
21:45It was my selfishness.
21:46It was me
21:47who put myself first.
21:48It cost my son.
21:59I'm sorry.
22:01I know what you think of me.
22:04There's no apology.
22:05I dreamed he was taken out of here.
22:07But apparently he wasn't.
22:14Alice!
22:15I was just thinking about you
22:17and then you showed up.
22:18I'll only stay for a short while.
22:20But long enough to put your clothes on.
22:21I just want to tell you
22:22that what you overheard
22:23on the phone
22:24about Amanda
22:25and her child's father
22:26shouldn't go on
22:27to anyone.
22:28Otherwise it's a story.
22:30Mr. Madsen's daughter
22:31and a German officer.
22:32Bent!
22:33Don't worry, Alice.
22:34I won't tell anyone.
22:35But I'm glad you showed up
22:37to ask me about it
22:38when you could have just called.
22:39I wanted to make sure
22:40you understood.
22:41Sweetheart.
22:42Don't you want to sit down?
22:43No, thank you.
22:44Come on, Alice.
22:45Just for a moment.
22:49Why are we embarrassing ourselves
22:50like this?
22:51You know that.
22:52I can't live with
22:53secret relationships anymore.
22:54It's disgusting.
22:55It destroys me.
22:57I have to have clean lines.
22:59And that's why
23:00you came all the way up here?
23:02To ask me
23:03to keep a secret.
23:09This is a call
23:10from Newcastle.
23:11Go ahead.
23:12Yes, hello?
23:13Hello?
23:15Molly, can you hear me?
23:17Yes, I can hear you
23:18much better now.
23:19I can hear you so well.
23:21Hello, Fie.
23:22Hello, Molly.
23:24How are you?
23:25We're fine.
23:27Peter is looking forward
23:28to starting school.
23:30He's already sitting
23:31with his books
23:32as if he's reading.
23:34I'm sure he'll find out
23:35that Signe also wants
23:36to start school
23:37at the same time.
23:38But we'll talk
23:39about that later.
23:40How's Morten?
23:41Has he made it?
23:42No, he hasn't.
23:44Wasn't he supposed
23:45to be here yesterday?
23:46He's decided
23:47to continue
23:48the refugee camp.
23:49Didn't you talk to him?
23:50Yes.
23:52But I thought
23:53he would say no.
23:54He would take you home.
23:56He said yes.
23:59He said they couldn't
24:00find each other.
24:02What did the kids say?
24:04They're sad,
24:05but I told them
24:06their father has something
24:07important to do.
24:09What about you, Fie?
24:12I don't know
24:13what to say, Molly.
24:16I miss him so much,
24:18but Morten is Morten.
24:21Nothing good
24:22comes out of pushing him.