Follow the adventures of guests and employees at this seaside hotel in Denmark, between the years 1928-1946. EXCELLENT comedy drama series from Denmark, with English subtitles. One of the highest rated shows in Denmark. You will enjoy this series.
This is the final tenth season, with nine episodes. Expect new episodes about every 2 weeks. Each episode is in two individual parts.
Starring Ole Thestrup, Bodil Jørgensen, Cecilie Stenspil, Peter Hesse Overgaard, Mads Wille, Sigurd Holmen le Dous, Morten Hemmingsen, Birthe Neumann, Anette Støvelbæk, Bjarne Henriksen, Ulla Vejby, Rosalinde Mynster, Kristian Halken, Amalie Dollerup, Lars Ranthe, Anne Louise Hassing, Ena Spottag, Merete Mærkedahl, Sonja Oppenhagen, Jens Jacob
This is the final tenth season, with nine episodes. Expect new episodes about every 2 weeks. Each episode is in two individual parts.
Starring Ole Thestrup, Bodil Jørgensen, Cecilie Stenspil, Peter Hesse Overgaard, Mads Wille, Sigurd Holmen le Dous, Morten Hemmingsen, Birthe Neumann, Anette Støvelbæk, Bjarne Henriksen, Ulla Vejby, Rosalinde Mynster, Kristian Halken, Amalie Dollerup, Lars Ranthe, Anne Louise Hassing, Ena Spottag, Merete Mærkedahl, Sonja Oppenhagen, Jens Jacob
Category
📺
TVTranscript
00:00Good day.
00:04They don't know me.
00:07Kitty. Hansen.
00:10Oh, Mrs. Hansen, is that them?
00:13I didn't know they were here.
00:15We came today. I have to practice with Mr. Weisse.
00:17I just wanted to get some fresh air.
00:20I'm really sorry about what happened that time.
00:23With me and their husband.
00:28It's been so many years.
00:30And you're not here anymore.
00:32I've heard.
00:33I had a hard time at that time. I wasn't completely sane.
00:37I'm glad they're better.
00:39I've really thought a lot about how it must have been for them.
00:42They don't need to worry about that.
00:44Something happens to older men when they meet young women.
00:48All the things they've missed in their marriage,
00:50when they're suddenly lying there with a paid girl with young breasts.
00:54No, sorry. That's going to sound completely wrong.
00:57But that's just what I wanted to apologize for.
00:59Well, they've done that.
01:01And now I'm much better.
01:03Thank you, Mrs. Fried.
01:06They're stealing my dress.
01:08No, I'm sorry.
01:10There.
01:11I won't take them off.
01:13Why would I do that?
01:20Rollercoaster sugar.
01:23She won't get that.
01:28It's a little wet, Tulle.
01:30Did you get some sugar with you?
01:32Unfortunately, I only have some for the guests.
01:34Yes, but that's also important.
01:37Good day, Tulle.
01:39Good day, Edith.
01:40Is Tøger at sea?
01:42No, he came in here this morning.
01:44Well, I'm sure you've heard what happened in the sleep council.
01:47Yes, of course he has.
01:51That's what they called first.
01:54But it's only natural when Tøger is the new foreman.
01:59Why would he do that?
02:01He's the next foreman, Edith.
02:04So it's him who's in charge.
02:07Well, I don't have time to sit here and grumble.
02:14Thanks for the ride.
02:15I'll hide behind a cake so Tøger can bring it to the meeting tomorrow.
02:25Trine, come here.
02:27What is it?
02:28Mrs. Fjeldsø's cards.
02:29What about them?
02:30I opened the window when I moved into the bed, and then it got pulled through, and then they flew out.
02:34Some of them.
02:36Trine, you have to help me.
02:38They're down in the attic.
02:40Let's see where Bær has come back.
02:43He's not going to do anything about it until we get together.
02:46I've got a game at the bridge.
02:49She's got a lot of other games.
02:51Shhh.
02:52She's got a lot of other games.
02:54She'll never find out.
02:57Did they tell you who they took down here?
02:59My mother and the others. I think they're at the hospital.
03:06I really appreciate your help, Mr. Søgaard.
03:09I'll wait for you out here.
03:12Where are we going, Mom?
03:14We're going right in here.
03:21Come on.
03:32Good day, Frida.
03:36I'm Uwe.
03:38How nice to meet you.
03:41Thank you for the nice stone.
03:43It was Uwe who found the stone you found.
03:46My father loved it so much.
03:52Uwe is your father, Frida.
04:02My mother is also Frida.
04:05You know that, don't you?
04:09I understand.
04:10There must be something for her.
04:13Who is she, Grandma?
04:16She's her.
04:18You're the sweetest girl I've ever met.
04:26Oh, Mr. Søgaard.
04:28I found the local newspaper down there.
04:31It turns out that there are some properties that might interest you.
04:35Is that true?
04:36Yes.
04:37Come on in.
04:42We could go out and look at the properties tomorrow, if you'd like.
04:45I'm so grateful for their initiative, Mr. Madsen.
04:47Far more than they are.
04:49My wife has just informed me that she's moving here.
04:52Oh, then we'll just have to wait and see.
04:54Yes, I managed to get a telephone connection.
04:57And when I told her that I wanted to stay a little longer to find a property,
05:01she was not in doubt that she had to come.
05:04The property and furnishings are Elinor's great passion.
05:08She has chosen all our houses.
05:10So her father got it better?
05:13My father-in-law has been dead for the last ten years.
05:16It's not easy when you have a brain tumor.
05:22That was a bit indescribable. Sorry.
05:25Well, let's see what they've found.
05:27Let's see.
05:33Do you mind if I open a window?
05:43Yes.
05:49Have you read the play, Edvard?
05:52Have you?
05:54A dog.
05:55A dog? How? Against whom?
05:58Against me.
05:59The Henrik Ibsen's probably had you in his thoughts.
06:02No, but the director has.
06:07It's his infamous way of getting on,
06:10a bit controversial with Mr. Båne Rose.
06:12I don't think I understand, Edvard.
06:14Do you know what the play is about?
06:15No.
06:16A burned-out painter who is on vacation with his miserable wife.
06:19And then he runs into his former model,
06:22whom he probably had an affair with,
06:24and then they die together.
06:26That's too sad.
06:27You can't say that!
06:28That's what the director looks at me,
06:30as a burned-out artist who has gone completely mad.
06:33That's when you imagine it, Edvard.
06:35I imagine it?
06:36The play takes place at a beach hotel.
06:39And the former model, where do you think she comes from?
06:42She has just been expelled from the state of Torshavn.
06:45That's why I've been exiled with Kiki Hansen.
06:48But there's one thing in the story that doesn't fit.
06:50You don't have a miserable wife.
06:52It's a background.
06:53It's a dog. It's a dog.
06:54I've only got this play so that the audience can sit and say,
06:57what's so funny?
06:58What's so funny?
06:59He's just playing himself.
07:01I'm not going to be on stage or perform in this masterpiece.
07:06Let's go down and eat, and then you'll think about it.
07:09I don't need to think.
07:11I've made my decision, Helene.
07:29When I hear that they're going to buy property over here...
07:32That's correct.
07:34At Mr. Madsen's suggestion.
07:36He's been so kind to offer his help.
07:39Does that mean they're moving back to Denmark?
07:42Mr. Seerup's important work is in America.
07:45This is just a holiday property.
07:48I'm reading at the moment about the violent crimes against humanity
07:53that are revealed here during the Nuremberg trial.
07:56Yes, it was good that we got rid of the Germans' one-way.
08:00How do you characterize the two atomic bombs
08:04the Americans threw over Japan?
08:06Let's not let Mr. Seerup enjoy his evening coffee in peace
08:10without taking responsibility for the whole world situation,
08:13Mr. Averland.
08:20Ladies and gentlemen, I've come with a little tribute
08:24to the Zen art.
08:28You never get bored.
08:30Wait a minute, Olga. We have to hear you.
08:57Yesterday they told you you would not go far
09:00That night you coped and that there you are
09:03Next day on your dressing room they harmed the star
09:06Let's go on with this, you
09:09The costumes, the scenery, the make-up, the props
09:13The audience that lifts you when you're down
09:16The headaches, the heartaches, the backaches, the flops
09:20The sheriff who'll escort you out of town
09:23The opening when your heart beats like a drum
09:26The closing when the customers don't come
09:30There's no business like show business
09:35Like no business, I know
09:38Still you wouldn't change it for a sack of gold
09:41Let's go on with the show
09:44Let's go on with the show
09:50Let's go on with the show
10:00Ms. Hansen, go and pack this suitcase.
10:03They're leaving tomorrow. There won't be any shows.
10:10And then I might get legal...
10:13Yes, yes, Olga.
10:14Was it because I sang? You weren't trying to ruin anything.
10:17No, it wasn't that, Ms. Hansen. It was really nice.
10:20I just think you were a bit too bold to instruct.
10:24Too bold?
10:25Yes.
10:31What?
10:33You might have given the wrong order.
10:35No, not at all. There were two chords missing.
10:38Wait a minute.
10:40When we came back from the coffee, everything was on white paper.
10:44Was it them who were at our place changing the curtains today?
10:48No, it was me.
10:51So it was them?
10:53We opened the window and let the door open.
10:56I might have noticed that.
10:58It's quite thoughtless when there's a set of cards in the window frame.
11:05I'm sorry about that.
11:07I think I have an old game up there.
11:09No, thank you. I don't play with a fat card.
11:14And Ms. Frick, do you have a fresh set of cards?
11:18What?
11:20No, I'm actually a bit tired.
11:23I think I'm going to rest.
11:25Yes, that would be nice.
11:30It was so embarrassing. I completely ruined it for them.
11:33Now they can't play.
11:35Now there are only three of them.
11:37So there's no need for so many cards.
11:47That was incredible. Thanks for the help.
12:05Sigh.
12:36That was a pleasant surprise.
12:40I have a question for you.
12:42Yes?
12:43Are my breasts too old?
12:47Your breasts too old? What do you mean?
12:50It's a very simple question.
12:52Are my breasts too old?
12:56Your breasts, Alice.
12:59They are completely white.
13:02And if it's not because you always throw up when I call you,
13:06then I'll touch them right now.
13:09Then do it.
13:12Edvard?
13:14Can I say something?
13:16Why don't you do like in the song?
13:19I mean, the show must go on.
13:23Why don't you just show them that you can make a fantastic show?
13:27You sound like something from a mailbox.
13:30Good night.
13:33Good night, Edvard.
13:45Good morning.
13:47Good morning.
13:48Your father is looking for property with Mr. Seerup,
13:51so I would like to know if Frida would like to go to the beach with Grandma.
13:54She has already gone there with Utilie.
13:56How did it go yesterday? Did you get home late?
13:59Yes, it was a long drive, Mom.
14:06Come in.
14:15It was a really nice trip.
14:18But it was so touching to see Uwe and Frida together.
14:23Yes, one would almost think they just knew each other forever.
14:28It just felt...
14:31It felt so right.
14:33And Mr. Søgaard gave us permission to be together for an entire hour.
14:37I'm looking forward to hearing about you.
14:39I've also found out who I'm going to write to.
14:41His name is Johannes Kærbøl. He's the leader of all the refugee camps.
14:46Mr. Søgaard thinks there are so many things that make Uwe able to stay in Denmark.
14:53You don't believe that, do you?
14:55I'm not saying that.
14:57Uwe is learning Danish.
14:59He's a speaker in the camp.
15:01He has a child here, and he's never been a Nazi.
15:05On the contrary, he's fighting Hitler.
15:07He's trying.
15:09Yes, I've thought about that too.
15:13What if it works?
15:15What do you think the guests and the girls will say?
15:18They don't know he's Frida's father.
15:20They'll find out.
15:23But I'm taking one thing at a time.
15:25You can relax.
15:27Frida won't say anything. I've talked to her.
15:37Are you leaving already?
15:39I have to go home and get some breakfast.
15:41Yes, but you can get that here.
15:43No, thank you.
15:45It was incredibly nice last night.
15:48We'll see each other again, right?
15:50I don't think so.
15:51You can't just leave like that. I'm going crazy.
15:54I'll see you when you've talked to your wife.
16:03Yes?
16:07I'm ready to go.
16:09Can I come in for a moment?
16:11Of course.
16:16We're going to have to postpone our trip.
16:19I'm going to Copenhagen to pick up my wife.
16:22I thought she was coming later.
16:25She's flying to London and from there to Copenhagen.
16:28I'm looking forward to meeting her.
16:30Me too.
16:31Also in connection with our collaboration.
16:34The company was started by her father.
16:37I didn't know that.
16:40I thought you were leaving.
16:42Yes, but I'm going to Copenhagen to pick up my wife.
16:46We'll go and see the others when they get back.
16:50I couldn't let them go first.
16:53What about Liz?
16:55They know what we're looking for.
16:57Did they have the opportunity to go around and sort out the worst?
17:04Yes, of course.
17:06I'm very grateful.
17:08We just missed that.
17:10My wife gets tired so quickly.
17:12It would be a great help if she didn't have to go through all that.
17:17Morning, Madden.
17:19Goodbye, Mrs. Madsen.
17:22Goodbye.
17:26This is great.
17:27You're his city boy while he picks up his wife.
17:31Shut up, Theresa.
17:40Look at that.
17:43Hello, Amanda.
17:45It's great that you're here.
17:47Is Philip with you?
17:49No, I just wanted to take a walk.
17:53How are you?
17:55I'm fine.
17:57What about you?
17:59Yes, yes.
18:01I'm fine.
18:04Come in.
18:07I'll get you some coffee.
18:09No, you don't have to, Amanda.
18:19Have you heard from Philip?
18:21No, isn't he at your place in Friesenholm?
18:25He left a week ago.
18:28Where to?
18:30I don't know.
18:32He just left.
18:34Did something happen to him?
18:36I hope not.
18:38I just can't take it anymore.
18:41I can't think of him.
18:43We're not the best of friends.
18:45Me and my mother.
18:48I thought he might have left.
18:50No, I haven't talked to him in a long time.
18:54I'll just drive again.
18:56No, you won't.
18:58You just got here.
19:00Your apartment is ready.
19:02Is it?
19:03Yes, it is.
19:05You're not going anywhere.
19:07You're staying here tonight.
19:15What did Valter say?
19:17Valter? Who are you talking about?
19:19Didn't you talk to him?
19:21No, I didn't.
19:23Did you see him?
19:25No, I was on the terrace.
19:27I thought you were upstairs.
19:29Yes, he was a bit late.
19:31But I don't have to tell the ladies.
19:34I thought I'd go down to the beach and see the bunkers.
19:38It was the so-called good peasants who built them.
19:41In my opinion, you should slow down and let them take over.
19:46That could be something, ma'am.
19:48Oh, there's your husband.
19:51It's nice to meet your husband.
19:55We didn't expect him to be in the sleeping area.
19:59No, we're not going to disturb you anymore.
20:03Yes, we're going for a walk.
20:05Well, I wish the ladies a good trip.
20:08Thank you very much.
20:12Good morning.
20:19You really made an impression, didn't you?
20:21Oh yes, they're some nice ladies.
20:23And how did the meeting go?
20:25Was Tør glad to be the boss?
20:27Did Tulle bake a cake?
20:29Oh, I just can't stand cakes.
20:31Yes, but Tør has a problem with the neighbor.
20:34Why is that?
20:35Because there were more of them than all the fish he had sold to the Germans.
20:39So they didn't want him.
20:41Wasn't it him?
20:42Who was it then?
20:44Well, you can guess.
20:46Edith.
20:51Oh, my head.
20:52Oh, my head.
20:54Then Edith will soon give up.
20:56Now her husband has become a sleepwalker foreman.
20:58No.
20:59No, you can't say that, Lyta.
21:01Then we only have the two young people who go and throw our things out the window.
21:20What are you doing?
21:22I'm not touching it.
21:24What are you doing here?
21:26Why did you wake Larsen up?
21:28Why would I wake him up?
21:30But you said in the afternoon...
21:32I'm sorry, Mr. Weisse.
21:34That it didn't work out.
21:36It must be a misunderstanding.
21:40Take their little suitcase.
21:42Go up to their apartment and take their clothes off.
21:45Then I'll come.
21:47Do I have to take my clothes off?
21:49Their clothes.
21:51We have to get to work, right?
21:56Yes.
22:04There's a phone call, Mr. Weisse.
22:06Who is it?
22:07Director Conradsen from the theater.
22:09Should I say they're not here?
22:11No, no, no, no.
22:12Put it up.
22:14Yes, good morning, Director Conradsen.
22:17What can I do for you?
22:19Well, as far as I know, it's them who have made various reports that I should call back.
22:24But that wasn't hard.
22:26So it's no longer relevant?
22:28I just want to congratulate them.
22:30It's well done, but...
22:32I'll take my glove off.
22:34All they talk about is tears.
22:36I told them that the tears are wet in my head.
22:39I'm going to make the most humiliating performance,
22:42which will probably wake the dead.
22:48But if it wasn't for the will of Director Conradsen,
22:51the little Fringe Hansen would be waiting.
22:54We have to get to work.
22:55Goodbye, goodbye.
23:06You're going to do it anyway?
23:08Yes, it's incredible.
23:10I woke up this morning and thought,
23:12I'm going to make the most amazing performance.
23:15And it just came to you.
23:17That's how it is.
23:18And we have an artist, Bille Helene.
23:21That's how it is.
23:22And we have an artist.
23:33Look what I found.
23:35I found a stone with a dog in it.
23:37How beautiful.
23:39I love my dad when I see him again.
23:43Your dad?
23:45Yes.
23:46When did you see him?
23:48I can't believe it.