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Transcript
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00:00:56Here's your boiled mushroom salad, Mrs Swanson.
00:00:58Thank you, dear.
00:01:04Excuse me.
00:01:10This duck's overcooked.
00:01:12Get the chef to start again.
00:01:14Of course, Mrs Swanson.
00:01:22Start again.
00:01:24Come on, guys.
00:01:26Stay in rhythm.
00:01:32You're rushing.
00:01:34You need to find the rhythm.
00:01:36You're losing it.
00:01:38Pick up the york.
00:01:40No, no, no.
00:01:42This is not a day out.
00:01:44You're losing it.
00:01:46You're losing it.
00:01:48You're losing it.
00:01:50You're losing it.
00:01:52This is not a day out.
00:02:04Here, let me help.
00:02:06I'm perfectly capable of walking on my own.
00:02:08Careful.
00:02:10Concentrate.
00:02:12Come on.
00:02:14That is what happens
00:02:16when you let idiots
00:02:18who have never rowed before
00:02:20on the river.
00:02:22They're the people that pay our wages, Sam.
00:02:24That is on you.
00:02:26How many times do I have to complain?
00:02:28I could at least get the food right.
00:02:30I could at least get the food right.
00:02:32I could at least get the food right.
00:02:34I could at least get the food right.
00:02:36I could at least get the food right.
00:02:38Are you at that rowing club?
00:02:40Yes.
00:02:42Why you chose to invest in it,
00:02:44I've no idea.
00:02:46You've no business sense.
00:02:48Did you get the invitation?
00:02:50What invitation?
00:02:52To the ceremony.
00:02:54If you think I'm going to that,
00:02:56you don't know your own mother, Maria.
00:02:58Okay.
00:03:00I suppose these Zoom calls
00:03:02are a good thing.
00:03:04Though it means you don't actually
00:03:06have to visit me so often.
00:03:08Don't think that hasn't occurred to me.
00:03:10Goodbye, dear.
00:03:16Here you go.
00:03:20Yeah.
00:03:22Rowing's been a bit elitist in the past.
00:03:24But what we're trying to do here
00:03:26at Chelsea Oars is to shake things up.
00:03:28Get a wider demographic involved.
00:03:30Get a wider demographic involved.
00:03:32You mean letting in riffraff like me?
00:03:34I wouldn't call you riffraff.
00:03:36I'm just taking advantage of the free trial period, really.
00:03:38I'm off home.
00:03:40Yeah, okay.
00:03:42But I won't be long, darling.
00:03:48Are you sure that you don't want to join
00:03:50as a full member?
00:03:52Maybe you could persuade me.
00:03:56All clear?
00:04:02Oh, I'm so sorry.
00:04:04Can you tell me
00:04:06the way to the cinema room?
00:04:08I'm a bit lost.
00:04:10It's just round the corner on the left, Mr. Swift.
00:04:12Thank you so much.
00:04:14You're welcome.
00:04:18He should be in a home.
00:04:20He is in a home.
00:04:22No, he isn't.
00:04:24He's in a high-end lifestyle choice for discerning seniors
00:04:26who've got shitloads of money.
00:04:32He's got shitloads of money.
00:04:34He's got shitloads of money.
00:04:36He's got shitloads of money.
00:04:38He's got shitloads of money.
00:04:40He's got shitloads of money.
00:04:42He's got shitloads of money.
00:04:44He's got shitloads of money.
00:04:46He's got shitloads of money.
00:04:48He's got shitloads of money.
00:04:50He's got shitloads of money.
00:04:52He's got shitloads of money.
00:04:54He's got shitloads of money.
00:04:56He's got shitloads of money.
00:04:58He's got shitloads of money.
00:05:00He's got shitloads of money.
00:05:02He's got shitloads of money.
00:05:04He's got shitloads of money.
00:05:06He's got shitloads of money.
00:05:08He's got shitloads of money.
00:05:10He's got shitloads of money.
00:05:12He's got shitloads of money.
00:05:14He's got shitloads of money.
00:05:16He's got shitloads of money.
00:05:18He's got shitloads of money.
00:05:20He's got shitloads of money.
00:05:22He's got shitloads of money.
00:05:24He's got shitloads of money.
00:05:26He's got shitloads of money.
00:05:28He's got shitloads of money.
00:05:30He's got shitloads of money.
00:05:32He's got shitloads of money.
00:05:34He's got shitloads of money.
00:05:36He's got shitloads of money.
00:05:38He's got shitloads of money.
00:05:40He's got shitloads of money.
00:05:42He's got shitloads of money.
00:05:44He's got shitloads of money.
00:05:46He's got shitloads of money.
00:05:48He's got shitloads of money.
00:05:50He's got shitloads of money.
00:05:52He's got shitloads of money.
00:05:54He's got shitloads of money.
00:05:56He's got shitloads of money.
00:05:58He's got shitloads of money.
00:06:00He's got shitloads of money.
00:06:02He's got shitloads of money.
00:06:04He's got shitloads of money.
00:06:06He's got shitloads of money.
00:06:08He's got shitloads of money.
00:06:10He's got shitloads of money.
00:06:12He's got shitloads of money.
00:06:14He's got shitloads of money.
00:06:16He's got shitloads of money.
00:06:18He's got shitloads of money.
00:06:20He's got shitloads of money.
00:06:22He's got shitloads of money.
00:06:25Come here Max.
00:06:28I didn't want to make any decisions without talking to
00:06:30you first Asti.
00:06:32Maybe your clubbing days aren't over.
00:06:34I think you know the answer to that Max.
00:06:38The Ting Ting's greatest hits.
00:06:42I could get it valued at that antiques
00:06:44emporium on Locke's road.
00:06:46Haven't you got to get to work Max.
00:06:48I'll tell you what I'll drop him off later
00:06:50at the gallery.
00:06:52I don't want to clutter up my gallery with old CDs.
00:06:54But you don't mind cluttering up my boat?
00:06:56Max.
00:06:58Oh.
00:07:00I gotta go.
00:07:02Oh.
00:07:05Leila?
00:07:08Well...
00:07:11I'm coming.
00:07:42Morning, Max.
00:07:43Morning.
00:07:46Welcome to Greyfriars West, where your golden years are truly golden.
00:07:51I can't wait.
00:07:52An 80-year-old female was found deceased in her bed this morning.
00:07:55Her name is Celia Swanson.
00:07:57The duty doctor has alerted us to the possibility of foul play.
00:08:01Hello, I'm Gillian Compton.
00:08:03I'm the general manager here.
00:08:05Dearly Max Arnold.
00:08:06And dear Leila Walsh.
00:08:07Hello.
00:08:09You will keep this as quiet as possible, won't you?
00:08:11We'll do our best.
00:08:14The purple bruise on the anterior side of the right deltoid.
00:08:19Evidence of subcutaneous hemorrhage.
00:08:23On the inside of the arm, further bruising.
00:08:27Morning.
00:08:29Morning.
00:08:32Give us a minute.
00:08:34The duty doctor did well.
00:08:38The deceased had a progressive neurological disorder
00:08:41and appeared to have died in her sleep.
00:08:46The key, however, is the right upper arm.
00:08:51Bruising and bleeding under the skin.
00:08:53Old people get this pretty easily from an intramuscular injection.
00:08:57But assuming her medical records are up to date,
00:09:01she hasn't had an injection for days.
00:09:06And then there are these bruises on the inner arm.
00:09:12Unusual.
00:09:13And that somebody was holding her down.
00:09:16So you're saying she's been forcibly injected?
00:09:18I'm sorry.
00:09:28Oh, hello, Mrs Swift.
00:09:31Good morning, ladies.
00:09:32Do you mind if we just go back to your rooms for a moment?
00:09:34Right.
00:09:35All right.
00:09:38She ate early.
00:09:39She always did.
00:09:40She didn't finish her food.
00:09:42Who else was in here?
00:09:43Nobody, as far as I remember.
00:09:45I offered to help her back to her apartment,
00:09:47but she wanted to walk on her own.
00:09:49It was painful to watch, to be honest.
00:09:52What time was that?
00:09:53About 7.
00:09:55And how about you?
00:09:56Did you work the rest of the evening shifts?
00:09:58Yeah, but it was pretty quiet.
00:10:00It can get busy at lunchtime.
00:10:01That's when the relatives come to visit,
00:10:03but it's never very full in the evening.
00:10:05So you left at about?
00:10:069.30, I guess.
00:10:09Together?
00:10:10Yeah.
00:10:11We live in Fulham.
00:10:12Allerbourne Gardens.
00:10:14Nice menu.
00:10:15Josh copied it from that place in Knightsbridge, Hartnell's.
00:10:18Yeah, all right.
00:10:20I added a few personal touches.
00:10:22What did you think of Celia Swanson, Hannah?
00:10:24Well, we all made fun of her a bit.
00:10:27Dressing up like she was dining at Claridge's,
00:10:30and she was quite fussy about her food.
00:10:32But, you know.
00:10:33Translation, she was a poisonous old cow,
00:10:35and nobody liked her.
00:10:36Josh.
00:10:37Come on.
00:10:37It doesn't matter what she was like.
00:10:39She was eating here last night, and now she's dead.
00:10:44It's sad.
00:10:47Do come in.
00:10:50Mrs Compton, perhaps you could explain
00:10:52how access to the building is regulated?
00:10:55Well, the staff and residents have folks.
00:10:57What about visitors?
00:10:58Well, we'd like to keep it as informal as possible.
00:11:01It's really important that Greyfriars
00:11:03doesn't have that institutional feel.
00:11:06Stephanie's very clear on that.
00:11:08Stephanie?
00:11:09The owner, Stephanie Lang.
00:11:12What can you tell us of Mrs Swanson's movements last night?
00:11:16Well, from what I understand,
00:11:17she went back to her apartment after eating in the restaurant.
00:11:21She didn't have any visitors after that.
00:11:24One of our residents, Morris Swift,
00:11:26found her body this morning.
00:11:28And is Mr Swift available to talk to us?
00:11:30Yeah, of course.
00:11:32You might find that he gets a bit confused.
00:11:36There is no sign of forced entry,
00:11:38which makes it more likely
00:11:39that the attack was carried out
00:11:41by somebody with access to the building.
00:11:44Oh, I can't believe that could happen.
00:11:48We'll need to see a list of who was on duty last night
00:11:51and Mrs Swanson's next of kin.
00:11:54Yes, of course.
00:11:55She has a daughter, Maria.
00:11:57I'll give you her details.
00:11:59What about your own movements?
00:12:00What time did you leave last night?
00:12:03Usual time.
00:12:05I'm generally on my way by six o'clock.
00:12:08Oh, there's...
00:12:10Hi. Stephanie Lang.
00:12:12Morning. I'm D.I. Arnold.
00:12:13This is D.S. Walsh, Chelsea CID.
00:12:17I do hope you're being looked after properly.
00:12:20Have you been offered to your coffee?
00:12:21Would you...?
00:12:22We're fine.
00:12:25So, you believe there's something untoward
00:12:28about Mrs Swanson's death?
00:12:30We do.
00:12:31Shocking.
00:12:33I assume you have evidence?
00:12:35We're here to gather the evidence.
00:12:38And are all these police in the building strictly necessary?
00:12:43They are.
00:12:49Oh, wow. Look at this.
00:12:53You'd think she went to a different party every night.
00:12:56She's got so many.
00:13:01The old whorehouse.
00:13:04The old hoarding instinct.
00:13:22When my dad died,
00:13:25I went round to clear out his house.
00:13:30Apart from his books and a few paintings,
00:13:34everything else was just junk.
00:13:55Dearest...
00:13:57M?
00:13:59I've come to...
00:14:02A...
00:14:07A firm decision at last.
00:14:09How do you work that out?
00:14:12Sometimes dyslexia helps you see things more clearly.
00:14:22So, the start of a letter that was never finished.
00:14:27Dearest M, I've come to a firm decision at last.
00:14:32Why did you tell the police that we live together?
00:14:35I mean, in your dreams.
00:14:36I was protecting you, OK?
00:14:39I suppose so.
00:14:40And actually, in your dreams.
00:14:43Piss off!
00:14:45Mr Swift, we understand you found Celia Swanson's body.
00:14:49Yes.
00:14:51It was such a shock.
00:14:53We played cards on Tuesday morning, you see.
00:14:58But she was late.
00:15:01So, I went to her apartment.
00:15:05It wasn't locked, so I went in.
00:15:09And there she was.
00:15:12Were you with her yesterday evening?
00:15:15Yesterday, I've let me think.
00:15:17No. No.
00:15:20Are you sure?
00:15:23One evening, let me know.
00:15:25No. That's film club.
00:15:34I liked Celia.
00:15:37We used to make each other laugh.
00:15:41I like your daughter, too.
00:15:43She has such a nice smile.
00:15:45But the Morettas have been waiting for a while.
00:15:48Net worth?
00:15:49About 40 million.
00:15:52Then there's Lord Aldous.
00:15:53He was widowed last year.
00:15:56Does he still live on that huge estate in Devon?
00:15:58Yeah, I believe so, yes.
00:16:01I heard he's not well.
00:16:05The Lord would be good for the Brat.
00:16:11I'm not sure.
00:16:13So, what do you think?
00:16:15I'm thinking, what a way to finish your days
00:16:19in Greyfriars West.
00:16:22Got to end up somewhere.
00:16:28You're looking puzzled.
00:16:30Well, if Celia Swanson was ill anyway
00:16:33and didn't have long to live,
00:16:35why would she be here?
00:16:37I don't know.
00:16:39If Celia Swanson was ill anyway
00:16:41and didn't have long to live,
00:16:43why would somebody kill her now?
00:16:46No, God.
00:16:49They're digging up the embankment again.
00:16:54It'd be quicker on a bike.
00:16:57It would.
00:17:02Miss Swanson, can you think of anyone
00:17:05who might have wanted to harm your mother?
00:17:07Anyone at all?
00:17:09I honestly can't.
00:17:13We found a letter,
00:17:14or rather the beginnings of a letter,
00:17:16which may have been to you.
00:17:22Dearest Em,
00:17:27I've come to a firm decision at last.
00:17:30Could you confirm that that's your mother's writing?
00:17:33Yes.
00:17:34Mum liked to write letters in the old-fashioned way.
00:17:38I never got this one,
00:17:39but I'm guessing it would have been about her diamonds.
00:17:42She'd been talking about selling them for ages.
00:17:44They're just rotting in a bank vault somewhere.
00:17:47She never dared take them out.
00:17:49You don't think it was something more personal?
00:17:53Mum didn't do personal.
00:17:57My God, darling.
00:17:59You're all right.
00:18:01It's okay. It's okay.
00:18:05Hi, I'm Freddie Mercer.
00:18:07I'm Maria's partner.
00:18:09Are you allowed to just turn up here without warning?
00:18:12Maria suffers from anxiety.
00:18:14I'm sure you're aware...
00:18:15No, I know.
00:18:18I'll go and get your meds.
00:18:21Thanks.
00:18:26What do you do professionally, Miss Swanson?
00:18:29I'm a translator.
00:18:31I remove translator documents, textbooks, boring stuff.
00:18:36I speak Afrikaans.
00:18:39Here we go.
00:18:48Well, look, if there's anything else I can do...
00:18:51What were your movements last night, Mr Mercer?
00:18:55I was at the club, entertaining clients.
00:18:58I ran Chelsea Oars.
00:19:00Well, we'll know where to find you.
00:19:17Have these bruises changed colour?
00:19:20The body doesn't stand still when you die, Max.
00:19:24Decomposition, autolysis, self-digestion.
00:19:30All sorts of excitement to look forward to.
00:19:33Eventually worms.
00:19:34Can't wait.
00:19:35So, what do we know?
00:19:37She was injected with dialorphine.
00:19:41It's a morphine derivative.
00:19:44A healthy person in the prime of life might have survived the dose.
00:19:48Whoever planned this knew what they were doing.
00:19:51Which fits with the insider theory.
00:19:53I checked with grapevines.
00:19:55They don't keep any dialorphine on site.
00:19:58It's a pretty obscure drug.
00:20:00Has the advantage a person feels pretty quickly.
00:20:03What about time of death?
00:20:06Not earlier than 9pm, not later than 11.
00:20:09She may have had one last crazy trip.
00:20:12Will die soon after the injection.
00:20:15We'll never know.
00:20:29So.
00:20:32Our victim is Celia Swanson.
00:20:36Widow of Corey Swanson.
00:20:38A well-known South African businessman.
00:20:41We don't have too much on her, but he was quite the figure in the 1980s.
00:20:45Mines, property, pharmaceuticals.
00:20:47It looks like the whole South African establishment went to his funeral.
00:20:51Celia and her daughter Maria came to live in London soon afterwards
00:20:54and they've been here ever since.
00:20:56She had a flat in Eaton Square, but sold it in 2019 when Greyfriars opened.
00:21:01Well, here's what we know about Greyfriars.
00:21:03It's high-end living for people with money to burn,
00:21:06owned and run by Stephanie Lang.
00:21:08We've met her.
00:21:10So, who visited Celia Swanson?
00:21:12Did she have enemies?
00:21:13Was anyone suspicious hanging around Greyfriars yesterday evening?
00:21:16All the usual angles.
00:21:17The late 80s was the era of the anti-apartheid demonstrations
00:21:20in Trafalgar Square.
00:21:22I remember them well.
00:21:23Did you police them?
00:21:25I was on them.
00:21:40Right, this afternoon we're going to concentrate on synchronised rowing.
00:21:44You are not eight individuals doing your best.
00:21:46You are one unit pulling together.
00:21:49A rowing crew is only as good as its weakest link.
00:21:52We are missing someone. Who's that?
00:21:54It's me, sorry.
00:21:55Well, get a move on.
00:21:58You'll, er, you'll jump in and save me if we drown, won't you?
00:22:03I wouldn't have thought so, no.
00:22:06Oh, sorry.
00:22:07I was mistaking you for somebody I was talking to in the bar last night.
00:22:11Hi.
00:22:23I thought you should know.
00:22:25I just hope she didn't suffer.
00:22:28I've got to go now.
00:22:29Sorry I didn't make it last night, by the way.
00:22:37You shouldn't be doing that.
00:22:38I've got to finish it. They want it in the morning.
00:22:40Maria.
00:22:43Take some time.
00:22:48Look.
00:22:50We'll be done here in a little while.
00:22:53Let me go for a walk or something.
00:22:57Okay.
00:23:00I'm so glad you're here for me.
00:23:04Always.
00:23:10I love you.
00:23:41Hi.
00:23:42Hi. Just closing up.
00:23:45Well, don't worry. I'm not here to buy anything.
00:23:47You and the rest of the world.
00:23:49I sometimes wonder whether Chelsea has got all the art it needs.
00:23:54I bought your CDs. A few memories in there.
00:23:57Max, I don't even own a CD player anymore.
00:24:00Haven't you heard of streaming?
00:24:06There's something I need to talk to you about.
00:24:08Go on.
00:24:10It's my mother.
00:24:12She's struggling.
00:24:17She's on her own and she can't get around like she used to.
00:24:23I'm thinking of going back to Germany to look after her.
00:24:27What about your sister? Could she help?
00:24:30When did you ever hear about Brigitte doing anything for anyone other than herself?
00:24:35Would you bring your mum here?
00:24:37She wants to be in Germany. That's where she lives.
00:24:40You live in London.
00:24:42She needs me. I thought you'd understand.
00:24:46I do. I do.
00:24:50I always thought you hated Leipzig.
00:24:53It's changed.
00:24:58I hear they're selling Gucci there now.
00:25:00The very definition of civilisation.
00:25:23Okay, so here's what we know.
00:25:25There are no cameras in the residential parts of Greyfriars.
00:25:29So all we've got is footage from the common areas.
00:25:32At 2114, we see Josh Downing and Hannah Loftus leave the kitchen area,
00:25:36chatting to an elderly resident.
00:25:38Morris Swift, they told us that.
00:25:40Nothing else of interest that we've found yet.
00:25:42To make matters worse, some of the cameras they do have aren't working.
00:25:46Do we get the impression the Greyfriars security system was put in place
00:25:49to protect the residents?
00:25:51It's not working.
00:25:53Do we get the impression the Greyfriars security system was put in on a budget?
00:25:57I'm also trying to source external footage.
00:26:00People coming and going from the building itself.
00:26:03Okay, I've got this.
00:26:05Go on.
00:26:07Found by Max in the bin in Mrs Swanson's room.
00:26:10Always look in the bins.
00:26:12An invitation in memory of the Nelspruit miners
00:26:15who were cordially invited, etc, etc, to a memorial service.
00:26:19Whitewash. Anybody heard of Whitewash?
00:26:22It's run by Bandala Nkosi.
00:26:25According to their website, Whitewash,
00:26:27a campaign run by relatives of the victims of apartheid,
00:26:31dedicated to the memory of those who suffered
00:26:33and to fight for reparations
00:26:35from those whose fortunes are tainted by injustice.
00:26:38Okay, so similar to campaigns about families
00:26:41whose ancestors benefited from the slave trade.
00:26:43Yeah, and those whose fortunes are tainted by injustice.
00:26:47Sounds like a pretty good description of Celia Swanson.
00:26:55And Gillian, of course you know.
00:26:57And this is our Head of Residential Care, Alistair Walker.
00:27:01And here is our award-winning chef, Josh Downing.
00:27:06We offer a range of different cuisines,
00:27:09all cooked fresh to your exact specifications
00:27:11using the finest ingredients.
00:27:13Thanks, Josh. I eat here quite a lot myself.
00:27:17It's all in the brochure.
00:27:19And as we like to say at Greyfriars,
00:27:23you're not just another resident to us.
00:27:26You're a friend.
00:27:32There seem to be all sorts of gaps in the CCTV coverage,
00:27:36Mrs Compton. Why would that be?
00:27:39Well, we've been having trouble with the system.
00:27:42For some reason, it keeps recording over itself.
00:27:46I have mentioned it to Stephanie,
00:27:48but, well, there are other priorities.
00:27:54What sort of person was Celia Swanson?
00:27:57Well, I didn't know her well.
00:27:59I'm not sure that anyone did.
00:28:01I mean, there's all sorts of activities here,
00:28:04but, well, she wasn't the type to join in.
00:28:06Tell us about Mrs Swanson's daughter.
00:28:08Did you see much of her?
00:28:10Relations were strained, I think.
00:28:13Maria's boyfriend visited more often than she did.
00:28:16He used to bring her flowers.
00:28:18Do you mean Freddie Mercer?
00:28:20That's right.
00:28:21So we'd find a record of that in the visitor's book?
00:28:24Well, not necessarily.
00:28:25If somebody's familiar to the staff on reception,
00:28:28they just let them in.
00:28:29Oh, I did look into whether anybody visited her
00:28:32in her apartment after she went to bed,
00:28:34but it seems that nobody did.
00:28:36Apart from whoever murdered her.
00:28:41Well, yes.
00:28:51Hi.
00:28:52Hi.
00:28:53Are you Bandy Lane Coulson?
00:28:55That's right, Banny.
00:28:56Can I help?
00:28:58DC Connor Pollock.
00:29:00DC Jess Lombard.
00:29:02You look busy.
00:29:04Getting ready for the ceremony tomorrow.
00:29:0650 years since the Nelspruit disaster.
00:29:09You know how many people died?
00:29:1182, wasn't it?
00:29:13That's right.
00:29:14One of them was my grandfather.
00:29:17Well, we do this every year.
00:29:19They let us use the memorial,
00:29:20even though it's dedicated to the other side.
00:29:23It's a real-life detective.
00:29:25It's exciting.
00:29:26What can I do for you?
00:29:27We're here in relation to the death of an elderly woman.
00:29:30Celia Swanson.
00:29:31Was she known to you?
00:29:33Not personally, but I know who you mean.
00:29:35She died in suspicious circumstances,
00:29:37and she was invited to your ceremony in her apartment.
00:29:40Would that make any sense?
00:29:42Absolutely.
00:29:44Corey Swanson owned Nelspruit.
00:29:47He sent workers down mines in unimaginable conditions,
00:29:50and she lived the life of luxury in London.
00:29:53Do you know how much compensation he paid out over the years
00:29:55to the families?
00:29:56I'm guessing nothing.
00:29:57No, you got it.
00:29:59We asked Celia Swanson to the ceremony every year,
00:30:01and we didn't expect her to come.
00:30:04So what was the purpose of the invitation?
00:30:06To show contrition.
00:30:08To share the pain.
00:30:10If the word she had to put up with was an annual invitation
00:30:12that she was perfectly free to refuse,
00:30:14then compared to the benefits she enjoyed,
00:30:16it wasn't that much of an inconvenience.
00:30:18Where were you two nights ago, Mr. Nkosi?
00:30:22Choir practice.
00:30:23At church.
00:30:25You're not thinking we might have had something to do with her death?
00:30:28These are just routine inquiries.
00:30:31Listen, Whitewash is a law-abiding organisation.
00:30:34I'm sorry to hear about Celia Swanson.
00:30:36Probably a bit more sorry than she was
00:30:38when the people who worked for her husband died.
00:30:40I'm sorry I can't do dinner tonight, Olivia.
00:31:02You know how it is.
00:31:03Oh, but don't worry.
00:31:05I'm busy with my painting.
00:31:07There's an exhibition at Chelsea Town Hall,
00:31:09I've put a few pieces up for it.
00:31:11The goodness knows if I'll sell anything.
00:31:14It's better than playing bridge or whatever it is people my age are supposed to do now.
00:31:21What I really want is to go to parties and get thrashed.
00:31:25Be young.
00:31:30Are you working on the Celia Swanson case?
00:31:32I read about it in the Chelsea Gazette.
00:31:35I couldn't possibly say.
00:31:38Do you remember those South African friends of your dad's, the Beckers?
00:31:43I remember the Beckers.
00:31:46We used to see them on the anti-apartheid marches.
00:31:50They wouldn't have much in common with the Swansons.
00:31:53So you are working on the case.
00:31:58Anyway, how are you?
00:32:00Oh.
00:32:03Go on, what is it?
00:32:06Astrid has to go back to Germany to look after her mother.
00:32:11Is she ill?
00:32:12No.
00:32:14Just getting older.
00:32:17I mentioned bringing her mum over here,
00:32:20but she didn't seem to think that would work.
00:32:24If Astrid goes,
00:32:27who knows when she might come back.
00:32:38Would you take some advice from a well-meaning aunt?
00:32:42Sounds like I'm about to get some.
00:32:45Don't worry about Astrid going back to Germany.
00:32:49You're separated, Max.
00:32:51She's got her own life to live and besides,
00:32:55it's good that she's looking after her mother.
00:33:00One day, you might have to do the same for me.
00:33:05Many years in the future.
00:33:09Many?
00:33:16Max, take a look at this.
00:33:18Latest financial records for Chelsea Ores.
00:33:21It's very much in what you'd call the investment phase.
00:33:24Meaning they're losing money?
00:33:26Well, lots of it.
00:33:27At this rate, I'd give the business about two months.
00:33:29So if Maria stood to inherit from her mother
00:33:32and the rowing club's burning through cash,
00:33:34that would give Freddie Mercer a motive.
00:33:36You'd think so.
00:33:37What about Maria?
00:33:38She said she was in Cremorne Gardens at the time of the murder.
00:33:41We found footage of her there.
00:33:43There's a printout here somewhere.
00:33:46Here it is.
00:33:55Why don't we see if Freddie Mercer is still at the rowing club?
00:34:16I don't know.
00:34:39You all right there?
00:34:41I'm just working my way through the new contract.
00:34:44Complicated.
00:34:46I'll tell you what.
00:34:48Why don't you get home and I'll finish it?
00:34:51Honestly, I'm fine.
00:34:54It's always upsetting when one of the residents dies,
00:34:56but with all this as well, it's...
00:34:58I know.
00:35:01It's been a difficult couple of days.
00:35:04Get an early night.
00:35:06Go on.
00:35:14Yeah.
00:35:16What price did we decide on?
00:35:18What's there in the agreement?
00:35:22I think we can add a bit to that.
00:35:34That can't be right.
00:35:35I think it is.
00:35:37Max?
00:35:38Yeah?
00:35:39We've been looking at the set-up at Greyfires
00:35:42And?
00:35:43Turns out you don't actually own your apartment.
00:35:46You acquire a lease, and when you sell it on,
00:35:48Greyfriars takes a 20% commission on the sale
00:35:51and has the exclusive right to set the price and choose the buyer.
00:36:06So essentially, the more often Greyfriars residents die...
00:36:10The better for business.
00:36:12Looks like it.
00:36:27Is that Lord Aldous?
00:36:29Stephanie Lang here, from Greyfriars.
00:36:34Yes, it is good news.
00:36:36As long as you're able to move quickly.
00:36:41I'll follow. You check the boathouse.
00:36:43No. Layla, you've no back-up.
00:37:10Layla!
00:37:21Layla!
00:37:31Max!
00:37:32It's fine, it's fine. It's paint.
00:37:35Oh, God.
00:37:41Oh.
00:37:43Oh.
00:38:07We came to see you last night to discuss the state of the club's finances.
00:38:12Look, I'm the victim of a crime.
00:38:15The club's been trashed, so...
00:38:18Do you mind if we just deal with this mess first?
00:38:20Okay.
00:38:21What do you think the words,
00:38:23you had it coming, are referring to?
00:38:26Can we have a word somewhere more discreet? It's all a bit...
00:38:29public.
00:38:30Sure.
00:38:31My job involves a fair amount of entertaining the younger members.
00:38:36It's very important for the business.
00:38:39And?
00:38:40I can't be sure, but...
00:38:42it's possible that...
00:38:44one of them might have misread the signals and...
00:38:47you know.
00:38:49I know what?
00:38:51May have thought it was a good idea to publicly humiliate me.
00:38:56Oh.
00:38:57I get it.
00:38:59Does this person have a name?
00:39:01Zoe Stevens.
00:39:02She was taking part in the free trial period.
00:39:06Well.
00:39:07Thanks, Mr. Mercer.
00:39:09If there are any other younger members who might have also misread the signals,
00:39:14perhaps you could let me know.
00:39:16Of course.
00:39:18This, uh, business with her mother...
00:39:21been a terrible shock to Maria.
00:39:23And I'm sure you're doing all you can to work out what happened, but...
00:39:28what can I say?
00:39:30The sooner you get to the bottom of it,
00:39:32the better.
00:39:35I'll bear that in mind.
00:39:40Thanks.
00:39:51Morning, Max.
00:39:52Morning.
00:39:53So where are we with Freddy Mercer?
00:39:55Well, he didn't want to talk about the finances and...
00:39:58he's a rat.
00:40:00But...
00:40:01is he our man?
00:40:03What does your gut tell you?
00:40:05He's smooth.
00:40:06Good looking, appears to have money.
00:40:09I hate to say it, but there are women who go for that sort of thing.
00:40:13I've been plagued by them all my life.
00:40:18He's given us an alibi, which seems to add up, but...
00:40:22I don't know.
00:40:23Keep digging, I'd say.
00:40:32Connor?
00:40:33Max, I've managed to find some footage from an external camera at the back of Greyfriars.
00:40:37Uh-huh.
00:40:38Turns out Josh Downing and Hannah Loftus haven't been completely truthful with us.
00:40:45Okay, bring them in and make sure we keep them apart.
00:40:48Will do.
00:40:51Yep.
00:40:53So, to conclude, ladies and gentlemen,
00:40:55this is a market that's only going to grow.
00:40:59I wonder how many of you have heard an elderly parent say,
00:41:02whatever happens, don't put me in a home.
00:41:05Well, Greyfriars isn't a home.
00:41:08It is home.
00:41:10Our residents can enjoy a fulfilling retirement
00:41:13before passing on an asset to the next generation,
00:41:15which is almost guaranteed to have risen in value.
00:41:20Well, that's it from me.
00:41:21My colleagues will be happy to answer any questions you may have.
00:41:25And do stay for a glass of champagne.
00:41:34I see you've already found another resident for Mrs Swanson's apartment.
00:41:38Yes, that's right.
00:41:39Lord Alice.
00:41:41I'm sure you've heard of him.
00:41:42That was quick.
00:41:43Oh, we have a long waiting list.
00:41:47We'd like to know a bit more about the way apartments change hands.
00:41:51As we understand it, Greyfriars sets the price and takes commission.
00:41:56And?
00:41:57That's a profitable sideline.
00:42:00I'm running a business here.
00:42:02You're running a business that's currently overshadowed by an unsolved murder.
00:42:07If you want to continue this conversation,
00:42:09I'd be happy to do so in the presence of my lawyer.
00:42:13The very same lawyer who will confirm that our terms of business
00:42:17are entirely legal and above board.
00:42:28Oh, hello.
00:42:30Hello, Mr Swift.
00:42:31I thought you should know I didn't play cards with Celia this morning.
00:42:36She didn't turn up.
00:42:38Right.
00:42:39Today is normally our cribbage day, you see.
00:42:42Mr Swift, Mrs Swanson died three days ago.
00:42:47Did she?
00:42:51There she digs.
00:42:54Sorry.
00:42:56Sorry.
00:43:00I get so confused.
00:43:09You don't think he could have...
00:43:12What?
00:43:13You know, a mercy killing out of kindness?
00:43:18Blimey.
00:43:19No one's safe when Leila Walsh starts investigating.
00:43:22Oh, double check the alibi.
00:43:26So.
00:43:29To recap,
00:43:30you and Josh both left the building and what?
00:43:33Went to the house you both share in Allebone Gardens?
00:43:36That's right.
00:43:37So how do you explain the footage we've got
00:43:39which shows Josh leaving the building on his own?
00:43:43I can't remember.
00:43:45I forgot something.
00:43:46I had to put it back.
00:43:47What did you forget?
00:43:50I'm not sure.
00:43:51Why wouldn't we have footage of you leaving the house?
00:43:54Why wouldn't we have footage of you leaving a few minutes later?
00:43:57Is that because you didn't?
00:43:59That would put you in the building when the murder took place.
00:44:03What this shows is you carrying a box
00:44:06when you left the kitchen with Hannah
00:44:08but left the building alone.
00:44:11Then you came back to Greyfriars
00:44:13carrying something under your coat.
00:44:18And then you left again
00:44:20an hour or so later
00:44:22without whatever it was.
00:44:25Anything to say about that?
00:44:27No.
00:44:28No?
00:44:30I've got nothing to say about it.
00:44:32It's private.
00:44:34And it's got nothing to do with Celia Swanson.
00:44:37That woman.
00:44:38That woman what, Josh?
00:44:42You should have seen the way she treated Hannah.
00:44:45It was shocking.
00:44:46So tell us what you were up to.
00:44:49This is a murder investigation.
00:44:52I don't know whether you're protecting Hannah
00:44:53or if you've got something else to hide.
00:44:56But whatever it is
00:44:58we'll find out.
00:45:04I'm wondering whether you just didn't like Mrs. Swanson, Hannah.
00:45:08What do you mean?
00:45:10What was it, Josh Calder?
00:45:12A poisonous old cow?
00:45:14Did you both decide to do something about it?
00:45:16Did you both decide to do something about it?
00:45:18No, I don't know what you're talking about.
00:45:20She was just an old lady.
00:45:21So why did you lie to us about living in Alabone Gardens?
00:45:24I didn't.
00:45:25It was Josh.
00:45:26He was just trying to protect me.
00:45:27From what?
00:45:31Okay.
00:45:32Okay.
00:45:34It's the truth.
00:45:38I live at Greyfriars.
00:45:42There's a staff flat for management
00:45:44but it never gets used.
00:45:47I can't afford accommodation of my own
00:45:49so I stay there.
00:45:51That's why he covered for me
00:45:52saying that we live in Alabone Gardens
00:45:54but if Gillian found out
00:45:56and then told Stephanie
00:45:57I'd get fired.
00:45:58So
00:46:00it's just something we need to keep quiet about.
00:46:02So when Josh came back into the building
00:46:04he was coming to see you?
00:46:06Yeah.
00:46:11Why?
00:46:15Okay.
00:46:16What this is about is this.
00:46:18The budget for food means we get
00:46:20the best cuts of meat
00:46:21the freshest fish, you name it.
00:46:23Like dining at the Ritz.
00:46:25But half of it goes to waste.
00:46:27So I sell it on to a mate of mine
00:46:29then I buy the stuff from the local supermarket.
00:46:31Simple as that.
00:46:32So you're stealing from your employer?
00:46:34I was doing it so that Hannah could put down a deposit on a flat.
00:46:37How romantic.
00:46:39I was trying to help her.
00:46:41Is there something wrong with that?
00:46:42There is if it involves theft.
00:46:43What did you have under your coat, Josh?
00:46:47It was a bottle of champagne
00:46:49to share with Hannah.
00:46:50I know, I know I shouldn't do it
00:46:52but at least somebody at that bloody morgue is having some fun.
00:46:55High-end lifestyle choice for discerning seniors.
00:46:58It's just God's waiting room.
00:47:00So
00:47:01Josh and Hannah's stories add up.
00:47:03We're agreed on that.
00:47:05Stephanie Lang.
00:47:07Definitely a sharp-elbowed businesswoman.
00:47:10Definitely a sharp-elbowed businesswoman.
00:47:12But is she more than that?
00:47:14Not impossible.
00:47:16Morris Swift.
00:47:17Long odds on him.
00:47:19Leila, you were going to double-check his movements?
00:47:21I did.
00:47:22He was with a half-dozen other residents in the film club.
00:47:24They were watching Kind Hearts and Coronets.
00:47:26Oh, great film.
00:47:29Freddie Mercer.
00:47:30I just spoke to the woman he was entertaining at Chelsea Oars
00:47:33on the night of the murder.
00:47:34Zoe Stevens.
00:47:35Apparently they only had a quick drink.
00:47:37He lost interest when she refused to sign up for membership.
00:47:40So he's lied to us about his alibi
00:47:43and he's got a strong motive if his business is struggling.
00:47:48He's a slippery customer, Freddie Mercer.
00:47:52We need to catch him off his guard.
00:47:57You've got another idea altogether, Leila.
00:47:59I can see it on your face.
00:48:02Keep thinking about the graffiti.
00:48:04The Spurn Lover thing is a convenient explanation.
00:48:07It's certainly not how Zoe Stevens came across to me.
00:48:09What if the graffiti wasn't about that?
00:48:12What if it was actually aimed at the Swanson family?
00:48:17By whom?
00:48:18I don't know.
00:48:19You had it coming.
00:48:20It could mean anything.
00:48:22Don't forget Maria co-owns Chelsea Oars.
00:48:25Aren't the Swansons one of those families that just about everybody hated?
00:48:34I don't know.
00:49:05We gather here on this special day to remember those who have passed on.
00:49:10We remember those who have passed on.
00:49:13We remember those who have passed on.
00:49:16We remember those who have passed on.
00:49:19We remember those who have passed on.
00:49:22We remember those who have passed on.
00:49:25We remember those who have passed on.
00:49:28We remember those who have passed on.
00:49:31We remember those who have passed on.
00:49:34We gather on this day every year to remember the 82 miners that died at Nell's Fruit.
00:49:40Those who were responsible for the safety of the mine weren't underground that day.
00:49:45Nor were the police who rounded up the protesters of the riots that followed.
00:49:50My grandfather was one of those miners.
00:49:53And he died unmourned by the authorities.
00:49:56No compensation has ever been offered.
00:49:59One day that might change.
00:50:01But until then, we're here simply to remember.
00:50:07I'm now going to hand over to Reverend Akabe to say a few prayers.
00:50:21Didn't expect to see you here.
00:50:23Well, thanks for coming.
00:50:25As you can see, all we're trying to do is keep the flame burning.
00:50:27That's not all you're trying to do, is it Bandile?
00:50:29Or should I call you Trevor?
00:50:39What can I say?
00:50:40When my parents came to England, they decided to anglicise their names.
00:50:44Why they chose Trevor Jones, I have no idea.
00:50:47You'd have thought they could have done better.
00:50:49All I'm doing is reclaiming my African heritage.
00:50:51A lot of people are doing that.
00:50:52We appreciate that, but you told us that Whitewash is an entirely law-abiding organisation.
00:50:57You've got a bit of a record, haven't you?
00:51:00An incident outside the South African embassy.
00:51:04Assault. ABH.
00:51:07We checked out your alibi on the night of the murder.
00:51:09Choir practice with the church?
00:51:11It ended at 6.30.
00:51:13Several hours before Mrs. Swanson died.
00:51:17And then I went straight home, as my family will confirm.
00:51:21Look, in the past, Whitewash has, on occasion, chosen direct action as a way of highlighting injustice.
00:51:27Was that wrong?
00:51:29That depends on whether you're on the side of those who exploit, or those who are exploited.
00:51:33We're on the side of the law.
00:51:35That's what the police would have said when they attacked peaceful protesters in Johannesburg with electric bands.
00:51:40That was 50 years ago.
00:51:42Yeah, and you're telling me the police are saints now?
00:51:44I'll tell you what I really think of people like the Swansons.
00:51:47Bad people.
00:51:49People who've lived off the hard labour of my ancestors, our ancestors, for years.
00:51:54Hey, don't.
00:51:56Don't do that.
00:51:58We're talking about murder.
00:52:02Don't point the finger of suspicion at me.
00:52:06We're the victims here.
00:52:12Hi.
00:52:15I know you'll be wondering why I'm here.
00:52:19Tell us.
00:52:23Can I have a glass of water?
00:52:28At the end of last year, Stephanie brought in a new duty doctor.
00:52:33Dr Joukowsky.
00:52:40And?
00:52:42I thought it was odd at the time. I mean, she wouldn't normally bother herself with things like that.
00:52:47Anyway, that's when the rate of deaths among the residents started going up.
00:52:53Four this year alone.
00:52:54But when Celia Swanson died, Dr Joukowsky was on holiday.
00:52:58So I called in a locum.
00:53:01And the locum spotted something was wrong?
00:53:04Exactly.
00:53:06I mean, obviously, it could be a coincidence, but...
00:53:10Well, you will keep this between us, won't you? I don't want to lose my job.
00:53:14I don't want to lose my job.
00:53:20Let's get Ashley to check which duty doctor signed the death certificates.
00:53:24Better go back to the end of last year.
00:53:26Sure.
00:53:29Everything alright?
00:53:31I've got to go out. I won't be long.
00:53:33Having your ex around the corner can be a bit complicated.
00:53:36I keep John down in Exeter.
00:53:38Locum in the cellar. We see each other for occasional weekends.
00:53:41Oh, that sounds perfect.
00:53:45Come in.
00:53:55Did you have to come straight here? I've got customers.
00:53:58You said you needed to talk.
00:54:00I phoned, Max, like normal people.
00:54:02Shall I go around the corner and phone you from there?
00:54:06I talked to Mum. It's all happening quicker than I expected.
00:54:10She can't look after herself and I can't afford to put her in a private home.
00:54:14Is there a Gita?
00:54:16She can't help, or she won't.
00:54:18When will you go?
00:54:20Probably next week.
00:54:23Could you keep an eye on the gallery while I'm away?
00:54:26Yeah, OK.
00:54:28It's my mum.
00:54:30Yeah, no, I'm sorry.
00:54:32I got us tickets to a gig next week.
00:54:35What gig?
00:54:37The Ting Ting's Shepherd's Bush Empire.
00:54:40Max, we're separated.
00:54:43We can't go on dates like a couple of teenagers.
00:54:46We can go on dates like a couple of old friends.
00:54:48When will you be back?
00:54:50I don't know. Does it matter?
00:54:53Yes, it matters.
00:54:57Thank you. Thanks for coming.
00:55:00It matters to me.
00:55:10Oh, this is interesting.
00:55:12What have you got?
00:55:14Some footage from Ranley Gardens.
00:55:16Isn't that just round the corner from Chelsea Ours?
00:55:19It is. Watch out, Leila. You're starting to sound like a real Chelsea girl.
00:55:23Not a chance.
00:55:25About ten minutes after our graffiti artist got away.
00:55:27Here's someone behaving as if he's being followed.
00:55:30Looks like he's been running. Quick look over his shoulder.
00:55:32So, who is it?
00:55:34There.
00:55:36Well, well, well.
00:55:40Don't take your coat off. We're heading back to Chelsea Ours.
00:55:44I still haven't had lunch.
00:56:10If you're looking for Freddy, he's not here.
00:56:13It's not Freddy we're looking for, Sam.
00:56:18So, it seems you were in the vicinity last night.
00:56:23And what? I work here.
00:56:25And shortly before that image was taken,
00:56:27somebody graffitied the boathouse.
00:56:29Have you any idea who did it?
00:56:31Not a clue.
00:56:33What do you think the words you had it coming meant, Sam?
00:56:35I don't know.
00:56:37You'd know if you'd painted them yourself.
00:56:39Oh, and you have evidence.
00:56:42Listen, some of the old Putney clubs have a problem with Freddy.
00:56:45He keeps undercutting their rates,
00:56:47bringing in special offers,
00:56:49freeze trial periods.
00:56:51So, you're suggesting that one of the other rowing clubs
00:56:53vandalised Chelsea Ours?
00:56:55Maybe.
00:56:57How much do you actually know about Freddy, Sam?
00:56:59He would sell his own grandmother to get membership numbers up.
00:57:01I can tell you that.
00:57:04What about Celia Swanson?
00:57:06Have you heard of her?
00:57:07I read the papers.
00:57:09Freddy told us that he was in the club bar
00:57:11entertaining members the night that she died.
00:57:13Entertaining members.
00:57:15Is that how he describes it?
00:57:17Did he ever talk to you about the difference
00:57:19it would make to the business
00:57:21if Maria inherited her mother's fortune?
00:57:23No.
00:57:25Look, I'm not Freddy's keeper, all right?
00:57:27I don't know what he's up to half the time.
00:57:29If you were asking, would he kill his girlfriend's mother
00:57:31to get his hands on her money,
00:57:33I wouldn't put it past him.
00:57:38How's yours?
00:57:40Disgusting.
00:57:43Why'd I let Helen persuade me to become a vegan?
00:57:46To help save the planet.
00:57:48It's a big sacrifice just for that.
00:57:51What a gift for a decent burger.
00:57:53Mmm.
00:57:55Mine's delicious.
00:57:59Oh.
00:58:01What?
00:58:03Oh.
00:58:04No, nothing.
00:58:06You sure?
00:58:08Mmm.
00:58:10Yeah, I thought we made a connection,
00:58:12but maybe not.
00:58:35Right.
00:58:37I'm off.
00:58:39I've got a date.
00:58:41Oh.
00:59:05Olivia!
00:59:07Bad moment?
00:59:09Not at all.
00:59:11What have you got there?
00:59:13You set me thinking.
00:59:15You know your dad was a terrible hoarder.
00:59:19Mmm.
00:59:21One of his qualities I'm working hard to reject.
00:59:23And as Eric Beckers was a journalist,
00:59:25I think he asked your dad
00:59:27to hang on to some of his old files.
00:59:29All sorts of odds and ends.
00:59:31There's even an investigation
00:59:32to his daughter's wedding in there.
00:59:34Interesting.
00:59:36And,
00:59:38there's a piece about Corey Swanson,
00:59:41which I thought might come in useful
00:59:43if you're investigating that murder.
00:59:45Which I can neither confirm nor deny.
00:59:48Would you like a drink?
00:59:50If you're forcing me.
00:59:53I must say,
00:59:55it's rather depressing.
00:59:57Eric Beckers.
00:59:59Yeah.
01:00:00Someone with real integrity.
01:00:03Had nothing more to show for his life
01:00:08than a box full of
01:00:10newspaper articles.
01:00:14Corey Swanson.
01:00:16A total bastard.
01:00:18We practically gave him a state funeral.
01:00:20Oh, I do love you, Max.
01:00:23You've been a detective for 25 years.
01:00:25And you finally worked out a way
01:00:27Oh, here we are.
01:00:33Is this any good?
01:00:35I've a feeling I gave that to you
01:00:38a few Christmases ago.
01:01:27Hi.
01:01:29Hey.
01:01:31Wow.
01:01:33This is a nice surprise.
01:01:35No time like the present.
01:01:37Let's get you something a little stronger than a nap, shall we?
01:01:41Hello, mate.
01:01:42Can I get your phone number?
01:01:43Yeah, sure.
01:01:44Thanks.
01:01:46I've got to go.
01:01:48I've got to go.
01:01:50I've got to go.
01:01:52I've got to go.
01:01:54I've got to go.
01:01:55I've got to go.
01:01:57I've got to go.
01:01:58I've got to go.
01:02:24So, yeah.
01:02:25We're stealing customers from the sleepy rowing clubs in Putney,
01:02:30which they hate.
01:02:32It's a dog-eat-dog world out there.
01:02:34Sounds fascinating.
01:02:37One more tranche of investment and we'll be on our way.
01:02:41But look, what about you?
01:02:43I'm just talking about me here.
01:02:45Nothing as interesting as that.
01:02:47Let me guess.
01:02:49You're a rich heiress.
01:02:52And you don't even need to work.
01:02:53Is that your type?
01:03:12And what's your type, Jess?
01:03:15I'm not sure I really have a type.
01:03:19I like someone with a bit of mystery about them.
01:03:21Guys with secrets.
01:03:26So, tell me more about the growth plan for Chelsea Ours.
01:03:30Do you have the investment lined up or are you hoping for an unexpected windfall?
01:03:41Hi, this is Jess's phone.
01:03:43Please leave a message.
01:03:45Who's Connor?
01:03:46Just a colleague.
01:03:48Not your boyfriend?
01:03:49If I had a boyfriend, why would I be here?
01:03:53Why are you here?
01:03:56Why do you think?
01:03:59That's what I'm trying to work out.
01:04:03Let's have some more wine, shall we?
01:04:05Sure.
01:04:08Didn't you come by scooter?
01:04:10Did I?
01:04:12Well, you don't want to get stopped by the police.
01:04:15Well, it's okay. I can...
01:04:16pick it up in the morning.
01:04:27I'm just going to pop to the loo.
01:04:29Okay.
01:04:47Hi, this is Jess's phone.
01:04:49Please leave a message.
01:05:16Okay.
01:05:47You did what?
01:05:49His profile came up on a dating website I used.
01:05:52You said we needed to catch him off guard.
01:05:54It was a mistake. I can see that now.
01:05:56Please tell me you had nothing to do with this, Connor.
01:05:59It was entirely my initiative. It's nothing to do with Connor.
01:06:02I've actually discovered quite a bit more about Freddie Mercer, Max.
01:06:05There are procedure steps.
01:06:07I don't know what you're talking about.
01:06:09I don't know what you're talking about.
01:06:11I don't know what you're talking about.
01:06:13I don't know what you're talking about.
01:06:14I don't know what you're talking about.
01:06:16There are procedures to follow, Jess.
01:06:18You know that!
01:06:20He never met me. He didn't know I was police.
01:06:22I was just seeing if I could find out something we didn't know.
01:06:24We work as a team!
01:06:31Sorry, has something happened?
01:06:34I found Freddie Mercer on a dating website
01:06:36and thought it would be a good idea to...
01:06:39meet for a drink.
01:06:41Smart!
01:06:44It depends if you think prejudicing the whole investigation is a good move.
01:06:48Connor, tell me what you've found out about Freddie Mercer.
01:06:52I've tracked a complaint from a woman in Italy
01:06:54who tried to pursue a case against Mercer in 2016
01:06:57after she invested more than 80,000 euros in his skiing business
01:07:01and he disappeared with the lot.
01:07:03Apparently there wasn't enough evidence for charges to be brought against him.
01:07:06Right. Bring him in for questioning.
01:07:08You're going to have to stay out of this, Jess.
01:07:11Ashley!
01:07:12Sir, I looked into the previous deaths at Greyfriars,
01:07:15as you asked me to.
01:07:17What we're looking for is a pattern.
01:07:19Ever since Harold Shipman was trained to be suspicious
01:07:22when elderly people die soon after an injection of morphine.
01:07:25Right.
01:07:27In this particular case,
01:07:30there's no pattern.
01:07:32Different causes of death.
01:07:34One, heart attack.
01:07:36Two died after a stroke
01:07:38and the fourth after a long battle with cancer.
01:07:40So Greyfriars are in the clear.
01:07:42I'm not saying they didn't kill Celia Swanson,
01:07:45but they're not systematically killing their elderly residents
01:07:49for commercial gain.
01:07:51Damn.
01:07:53Max!
01:07:55Sorry, no, I don't mean that.
01:07:57I just mean we're no closer to discovering
01:08:00who did kill Celia Swanson.
01:08:07Marcus,
01:08:08Marcus.
01:08:11Max,
01:08:13have you got a minute?
01:08:15Sure.
01:08:17I know the main focus is Freddie Mercer,
01:08:19but I've got another lead.
01:08:21I've been looking at Celia Swanson's appointments diary.
01:08:23The entry for the Monday after she died
01:08:25says 3pm, A and B.
01:08:27We thought it was something Greyfriars related,
01:08:29but we've checked and nothing fits,
01:08:31so I've been looking at other possibilities.
01:08:33Jess, slow down.
01:08:35Sorry.
01:08:36There's a law firm in Lincoln's Inn
01:08:38called Abbott and Blythe.
01:08:40Could that be A and B?
01:08:42Okay.
01:08:44Why don't you pay them a visit?
01:08:46Great.
01:09:07Hi.
01:09:09I'm here to see Patrick Blythe.
01:09:11Yes, he's been expecting you.
01:09:14Straight through there.
01:09:20Who?
01:09:22Who?
01:09:24Who?
01:09:26Who?
01:09:28Who?
01:09:30Who?
01:09:32Who?
01:09:34Who?
01:09:36Please take a seat.
01:09:41You understand I'll have to consider
01:09:43lawyer-client privilege
01:09:45depending on the nature of your questions.
01:09:47It's often best to do these things in writing.
01:09:50Of course.
01:09:52But I'm here now.
01:09:54Can I start by confirming,
01:09:56did Celia Swanson make an appointment
01:09:58to see you at 3pm on the Monday following her death?
01:10:06She did.
01:10:08Can you tell me what the purpose of the meeting was?
01:10:10I can't.
01:10:12Because you don't know
01:10:14or because you're citing lawyer-client privilege?
01:10:16Well, Mrs. Swanson would come and see us from time to time.
01:10:19We've represented the family for decades
01:10:21so we were always at her disposal.
01:10:23The Swanson estate is unusually complex.
01:10:27There's a series of interlocking trusts
01:10:30that you need a degree of technical knowledge to understand.
01:10:33More than that I can't really say.
01:10:36Are you able to tell me what will happen to the estate
01:10:39in light of Mrs. Swanson's death?
01:10:41I'm afraid not.
01:10:46Have you heard of an organisation called Whitewash, Mr. Blythe?
01:10:50Some sort of lobbying group.
01:10:53I seem to remember sending them a letter
01:10:56on Mrs. Swanson's behalf.
01:10:58They were harassing her.
01:11:00But I put a stop to it.
01:11:01But I put a stop to it.
01:11:32PHONE VIBRATES
01:11:38Jess?
01:11:40Max, I'm not sure if this is relevant.
01:11:43I think I just saw Maria Swanson in reception at Abbott & Blythe.
01:11:53Are you there?
01:11:55I'm here.
01:11:58Thanks, Jess.
01:12:01PHONE VIBRATES
01:12:06Is Freddy in?
01:12:08We were hoping to have a word.
01:12:10I don't know where he is.
01:12:12He didn't come home last night and his mobile seems to be switched off.
01:12:15Is that unusual?
01:12:17Very.
01:12:18He's always been so dependable.
01:12:21When did you and Freddy first meet?
01:12:24About a year ago.
01:12:26And you decided to invest in his rowing club soon afterwards?
01:12:29That's right.
01:12:31Why are you asking?
01:12:34We've traced allegations from a previous girlfriend.
01:12:37She reported Freddy after he disappeared with funds she'd invested in his new business venture.
01:12:44Right.
01:12:46Also, there are questions over his alibi for the evening of the murder,
01:12:51which makes him a suspect in our investigation into the death of your mother.
01:12:55He may be banking on you putting your inheritance into Chelsea Ours.
01:13:00Okay.
01:13:04You don't seem surprised.
01:13:08Maybe I was just fooling myself.
01:13:11I'm 55 and a handsome younger man fools me so easily.
01:13:17My mother always said you're too naive.
01:13:22Well,
01:13:24well done for working it all out.
01:13:28If he gets in touch, it's important you contact us right away.
01:13:32Of course.
01:13:35One more thing.
01:13:37I believe you had a meeting earlier with your lawyer, Patrick Blythe?
01:13:41No, I didn't.
01:13:42I've been here all day.
01:13:47Maybe a misunderstanding.
01:13:54How was it?
01:13:56He basically stonewalled me.
01:13:59Lawyers, eh?
01:14:00You gotta love them.
01:14:02I always thought they were slimy creeps.
01:14:06You okay?
01:14:07Yeah, fine.
01:14:08Thanks.
01:14:24What?
01:14:25Freddie's details have disappeared from the dating site.
01:14:30Another slimy creep.
01:14:31Ashley?
01:14:33What's that?
01:14:37We've got a message from Francesca.
01:14:41I can't get through.
01:14:43What?
01:14:44Get her through?
01:14:51What happened?
01:14:53I've been watching TV.
01:14:55Why is she so angry?
01:14:58I don't know.
01:15:00Ashley?
01:15:01Me again, Max.
01:15:02I've managed to find out a bit more about the dialorphin.
01:15:06It's an unusual drug.
01:15:07There aren't many places you can get it.
01:15:09Right.
01:15:10I'm sending a report now.
01:15:13See what you think.
01:15:15Might be significant.
01:15:16Thanks, Ashley.
01:15:29PHONE VIBRATES
01:15:32PHONE VIBRATES
01:15:34PHONE VIBRATES
01:15:36Connor?
01:15:37No sign of Freddie Mercer.
01:15:39I'm wondering whether we should escalate things.
01:15:41Say he's the prime suspect in a murder inquiry.
01:15:47Max?
01:15:49I'm thinking.
01:15:51Should we do that?
01:15:54No.
01:15:56Because?
01:15:57Because I don't think he is.
01:16:27DRAMATIC MUSIC
01:16:41Of course.
01:16:57DRAMATIC MUSIC
01:17:18HE COUGHS
01:17:19So sorry to disturb you, Mr Swift.
01:17:21How are you today?
01:17:22I'm feeling very well.
01:17:24Good.
01:17:25You remember the conversation we had
01:17:27when you said you liked Celia Swanson
01:17:30and you used to play cards with her?
01:17:33Yes, yes, yes, I did.
01:17:35You also mentioned her daughter.
01:17:37You said she had a lovely smile.
01:17:39Did I?
01:17:40Yes.
01:17:44Could you take a look at this photo, Mr Swift?
01:17:46Is that who you meant?
01:17:49Yeah, yes.
01:17:52Yes, that's her.
01:17:55Lovely smile.
01:17:58In this picture from her apartment,
01:18:00Celia is holding a baby.
01:18:03Now, Maria was born in 1967, which makes her 55.
01:18:08But the date on this photo...
01:18:11..is MCM-LXV.
01:18:15Anyone?
01:18:161965?
01:18:18Exactly.
01:18:20So the baby in this photo must now be 58, not 55.
01:18:28This is the CCTV image of Maria the night Celia was murdered,
01:18:32wearing the same distinctive coat that Jess saw her in
01:18:35at Abbott & Blythe.
01:18:36But Maria insists that she was at home all day.
01:18:40Then there's the dearest M letter.
01:18:45What if it wasn't addressed to Maria?
01:18:48So who was it addressed to?
01:18:51Maria has a sister, Marika,
01:18:55brought up at the Ida Cordon Children's Home in Pretoria,
01:18:59and she was born in 1965.
01:19:03This isn't about Freddie Mercer or Stephanie Lange or Greyfriars.
01:19:09This is about family.
01:19:15Mr Blythe, can you confirm that the next appointment you had
01:19:18after our meeting was with Maria Swanson's sister, Marika?
01:19:22I'm afraid I can't divulge confidential information.
01:19:25Look, if you don't want me to slap a warrant on you
01:19:27and search your offices, please just answer the question.
01:19:30No. Yes, yes, it was.
01:19:33What's her address?
01:19:34Let me look it up for you.
01:19:38Marika Swanson lives at Tilson Court, Godwin Road, SW11.
01:19:43Neighbours have reported hearing a disturbance inside her flat.
01:19:45We're trying to get access.
01:19:53They're on the balcony, 7th floor, flat 48.
01:19:57You stay here. OK.
01:20:00You don't get her, do you?
01:20:02Give it to me! Give it to me!
01:20:05Stop! We don't want anyone to get her, let's try and keep calm.
01:20:09Get her off me! Give it to me! Get her off me!
01:20:11It's mine! Give it to me! Get her off me!
01:20:13Layla! Give it to me!
01:20:15It's mine! It's mine! Just step back from the balcony!
01:20:19Step back! No!
01:20:22Police!
01:20:24Go to her, then. Just go!
01:20:26What? No! She killed my mother!
01:20:29Your sister didn't kill your mother, Maria.
01:20:33You did.
01:20:52Oh, sorry.
01:20:56Why?
01:20:57I'd finally found a way to do some good in the world,
01:21:02and then Mum ruined it.
01:21:04That money is poison.
01:21:08It's not your fault. It was Mum and Dad.
01:21:10They destroyed everything they touched.
01:21:14How could I have known?
01:21:16They put me in a children's home.
01:21:21We could have been sisters.
01:21:24We are sisters.
01:21:26Not any more.
01:21:29You mean nothing to me.
01:21:44Well, then, Layla, you kept your cool.
01:21:49You do a lot of up-sailing, you know.
01:21:52Yeah, I'm sorry.
01:21:54I'm just going to keep units down here.
01:21:59It was about six months ago.
01:22:02Mum had a daughter before she got married to Dad.
01:22:05Then they gave her up for adoption.
01:22:10It took Mum years to find her again.
01:22:16Mum cared about Marika more than me.
01:22:19Not that I minded that.
01:22:21But then she decided to change her will.
01:22:25She said that,
01:22:27after all the advantages I'd enjoyed,
01:22:30it was Marika's turn and she was going to leave Dad's fortune to her.
01:22:39But the will was never signed.
01:22:42So why attack Marika?
01:22:44I didn't attack her.
01:22:46I went to get the completed version of that letter.
01:22:48Dearest Em...
01:22:51I needed to get hold of it so that the lawyers didn't use it as evidence.
01:22:56So, in essence,
01:22:58you killed your own mother
01:23:00to prevent her estate going to your sister.
01:23:05And you knew how to do it.
01:23:12The Encyclopaedia of Clinical Pharmacology.
01:23:16In Afrikaans.
01:23:18It was at your flat.
01:23:21You trained as a nurse in South Africa, didn't you?
01:23:24That's where you got the dialorphine from,
01:23:27cos it's not available in the UK.
01:23:31But you'd never have got into Greyfriars Unnoticed that night without help.
01:23:37And that's where Gillian Compton came in.
01:23:40Or should I say Gillian Beckers?
01:23:44Because she's the daughter of the anti-apartheid activist Eric Beckers.
01:23:51What about the CCTV of you in Cremorne Gardens
01:23:54at the time of the murder?
01:23:57I invited Marika to meet me there.
01:23:59I knew she'd look like me from a distance.
01:24:03Gave me my alibi. I'm not stupid, you know.
01:24:06And Freddy?
01:24:13I was stupid enough to tell him that.
01:24:16And you?
01:24:18I was stupid enough to tell him that I was going to give the money away.
01:24:22And I haven't heard from him since.
01:24:29I was going to hand that money straight on to Whitewash.
01:24:34So you did all this for Whitewash?
01:24:39Bandela has got nothing to do with this.
01:24:42We'll be questioning him.
01:24:44He's 100% innocent.
01:24:48I did it for him and the Nelsbrook families.
01:24:59Okay.
01:25:18Uniformer on the way in with Freddy Mercer.
01:25:20Good. Let's see if we can find a way to shut him down.
01:25:24Gillian Compton?
01:25:26Have we brought her in yet?
01:25:28Yes, she's here now.
01:25:30Thanks, Jess.
01:25:34Hello, Astrid.
01:25:36Right away.
01:25:40Done and dusted.
01:25:44I'm leaving for Germany in the morning.
01:25:46And I wanted you to have a set of keys for the gallery.
01:25:56I'm sorry.
01:25:58I'm sorry.
01:26:00I'm sorry.
01:26:02I'm sorry.
01:26:05I won't be able to come to the concert, I'm afraid.
01:26:09Oh, don't worry.
01:26:11I'll put the tickets on eBay, get a few quid for them.
01:26:14Why don't you take someone else?
01:26:16You'll enjoy it.
01:26:18No, I...
01:26:20I'll put them on eBay.
01:26:24So, am I allowed to know what your case was about?
01:26:28Well...
01:26:30Let's just say it was about two sisters
01:26:33and the complicated relationship they had with their mother.
01:26:39Sounds familiar.
01:26:47Come on, I'd better be going.
01:26:52Good luck in Leipzig.
01:26:56Give my love to your mum.
01:26:58Give my love to your mum.
01:27:00I will.
01:27:04Bye.
01:27:08Bye.
01:27:28Bye.
01:27:58Four-letter word just to get me along
01:28:28You
01:28:30You
01:28:32You
01:28:34You
01:28:36You
01:28:38You
01:28:40You
01:28:42You
01:28:44You
01:28:46You
01:28:48You
01:28:50You
01:28:52You
01:28:54You
01:28:56You