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00:00A few days later...
00:10Yes? Are you comfortable, honey?
00:13Yes, I'm great.
00:16Please stop bothering yourself so much, Antonio.
00:19I'm not bothering you at all.
00:20In any case, you're the one who needs it.
00:24I can't get out of the decision you've made for me.
00:27You deserve it, honey.
00:30Well, I'm going to start taking things out of the way
00:33so they don't bother you when you walk.
00:36But don't worry, Antonio.
00:38You're going to end up like this.
00:40Oh, yes.
00:42Let's see.
00:45Where are you going? Where are you going?
00:47No, no, no, no, no. Don't move.
00:49Of course not.
00:50I'm going to get a glass of water.
00:52Well, I'll get it for you. I'm here, right?
00:55Yes, please. And...
00:57Can I take a book?
00:59I'll get it for you.
01:04But honestly, I don't think you have your head right now
01:06because you're making a lot of effort.
01:08Do you want me to read it to you?
01:10Antonio, what can I do, then?
01:12Well, to be calm, honey.
01:14What they've done to you is not a small thing.
01:16Come on, I'll leave you the book, okay?
01:18Well, I'm going to prepare the things for the cure
01:21and to settle the house a little bit.
01:22I'm sure you'll start getting visitors.
01:24Yes, and you never stop.
01:28Well, it's better to have the house in a state of emergency.
01:33And what did Dr. Quiroga tell you
01:36when he sent us the final report?
01:38Well, at the beginning of this week.
01:40Oh, well.
01:43Quiet.
01:45Is everything going to be fine?
01:46Yes, yes. I have no doubt.
01:54Come on.
01:59Pietro, please, again.
02:03I have to practice, Antonio.
02:06Please, sit down.
02:07What you have to have is patience.
02:09Didn't the doctor tell you that it's normal
02:11that at first you can't walk well,
02:12but that in a little while you'll do it wonderfully?
02:14Okay, two steps, just two.
02:18Enough to get pregnant.
02:23Come here.
02:52Did something happen to you yesterday with Paula?
02:55Why do you ask?
02:57Because she left very early today,
02:58as if she didn't want to see you.
03:02No, nothing happened to Paula.
03:04Or well, yes.
03:07But in reality, the one who happened to me
03:09is Rodrigo.
03:10And can I know why?
03:13Because he doesn't respect my will, Maruja.
03:16When it comes to him, I don't like him at all.
03:20Because maybe I could expect it from Paula,
03:23but not from Rodrigo.
03:26He's been working with me for many years,
03:28being my right-hand man.
03:30I thought I knew him better.
03:32You mean that...
03:33I mean what I've been saying a thousand times.
03:36That your children are difficult
03:38and disrespectful.
03:40And it's because of your permissiveness
03:42with them since they were born.
03:45Emiliano, I'm tired of that damn canteen.
03:49You seem to forget
03:51that Paula and Rodrigo are no longer two children.
03:54And that the education of children is a matter of two,
03:56especially from a certain age.
03:59Of course, if you hadn't been so busy
04:01with your skirt mess,
04:02maybe things would have been different.
04:04Look, look what I'm telling you.
04:10I didn't expect to see you like this, Dad.
04:12I imagined you jumping with joy.
04:17Jumping with joy?
04:19For what?
04:21The renewal of the patents.
04:23You cared more than your own life.
04:25I guess you've already thanked your friend Fermin.
04:29You have the guts to come with a knife.
04:33You're a useless guy who almost ruins us.
04:36But you don't.
04:37You take it as a joke.
04:40I just wanted to...
04:41You alone, you alone.
04:43You're just a useless guy, Ivan.
04:46You're worthless.
04:48And you have the shame to ask me
04:50to give you more responsibilities in the company.
04:52Listen to what I'm telling you.
04:54Never again.
04:55Do you hear me?
04:56Never again.
04:58Go away, go away, go away.
05:00Oh, poor Ivan.
05:01I'm so sorry.
05:03You're not even able to listen
05:05when the truth is told to you.
05:07Listen to what I'm telling you.
05:08It's the last time you cheat on me.
05:11The last time.
05:12Now go away, go away.
05:14Go to hell.
05:15That's what you're good for.
05:17You can't treat your son like that.
05:19You can't kill him like that.
05:22You'll only lose him.
05:24Lose him?
05:25He's already lost.
05:26But you're going to defend him, right?
05:28Aren't you?
05:29What's wrong with you?
05:30What's wrong with you, Maruja?
05:31Does your conscience bother you?
05:33That's it, right?
05:34Because you know perfectly well
05:36that the only person to blame for Ivan's death
05:38is you.
05:40Me.
05:44Do you know what the real problem is with Ivan?
05:49That he has lost his mother.
05:51What a shame.
06:00Well, yes.
06:11I've told you a thousand times
06:13not to call me Moderna, Juana.
06:15I could fire Fermin.
06:17So what?
06:19I'll tell you again.
06:21Today we'll go to the mayor's office
06:23and I'll pay you.
06:24But I don't like you pressuring me like that.
06:27Yes.
06:29Yes, of course.
06:30Everything is in order.
06:32Thank you very much for calling.
06:34Of course.
06:35See you later.
06:36Is there a problem?
06:37No, not at all.
06:39A payment that we were waiting for, but nothing serious.
06:42Great.
06:44Well, I come from Emiliano's office.
06:48And that?
06:50Emiliano has always been a very grateful guy
06:52and he wanted to show me his gratitude
06:54for helping him with the thorny matter
06:57of the patent renovations.
07:01This gold.
07:04What a detail.
07:05Excessive, I would say.
07:07But I haven't done any repair
07:09because, apart from being a gem,
07:11I've had to swallow my principles
07:13to be able to help him.
07:15You'd do anything for him.
07:17Yes, yes.
07:19The truth is that there are people
07:21with whom, for whatever reason,
07:23you create a bond that lasts
07:25no matter how much time passes.
07:29Speaking of bonds,
07:32I'm going to have to make a little trip
07:34to visit my aunt.
07:36Visit?
07:37I didn't know the existence
07:39of an aunt visiting.
07:41When you told me at the wedding
07:43that you didn't have anyone you wanted to invite.
07:45Well, it's just that we haven't spoken in many years.
07:47We had a meeting,
07:49but now she's very sick.
07:50They just told me.
07:52I thought you were
07:54talking to a supplier.
07:56Yes, yes.
07:57This was before.
07:59Look, Fermín,
08:01my aunt has little time left in life
08:03and she has sent me to call.
08:04I would like to be able to say goodbye to her
08:06and see her for the last time.
08:09Okay, I'll go with you.
08:12You don't have to.
08:14My God, you don't have to.
08:16My aunt lives in Muro de Bellos,
08:18in the Pyrenees,
08:19and she has a very complicated access.
08:21It will also be for you.
08:23Yes, but I don't want you to leave
08:25your obligations in La Moderna.
08:27Besides, between some things and others,
08:29it will take days.
08:30Family is the most important thing, Lázaro.
08:32I insist, I'll go with you.
08:37Well, in this case,
08:39I'd rather not go.
08:41Don't look at me like that.
08:43If anything happened in La Moderna,
08:45I would feel very guilty.
08:47Besides, we just got back from the honeymoon.
08:50No, I'm staying.
08:53Okay, as you wish.
08:55Go alone.
08:58When are you leaving?
09:00This afternoon.
09:01As soon as I finish organizing everything
09:03so that Teresa and Cañete can replace me.
09:05And make the luggage, of course.
09:08Well, if you'll excuse me,
09:10I have a lot of things to do.
09:21I'm going up the walls.
09:23I didn't sleep last night.
09:25Leon, don't shut up.
09:27Leon doesn't shut up, it's true.
09:29I can't stop thinking about the meeting
09:31between Elías and my mother yesterday.
09:33And all this because of you.
09:35Because of us?
09:37Yes, I don't know how you did it.
09:39But I'm sure that you two are behind all this.
09:42That laugh of Elías and my mother,
09:45stuck in my brain all the time.
09:48My God.
09:49Then, to finish it,
09:51they went for a walk.
09:53A walk of hours.
09:54Because when we went to see Pietro,
09:56when we got home,
09:57they were still out.
09:58Come on.
09:59It's not like I'm taking your sleep away.
10:01Of course I'm taking my sleep away.
10:03Of course I am.
10:04Because now,
10:06they have an appointment to go to the retreat.
10:08Come on, they are going out.
10:10I just hope that they spend a lot of time
10:13until they have that appointment.
10:14So that I have time to think about something,
10:16to think about Rosano.
10:18With all this.
10:19And if I don't make it,
10:20you two will find out.
10:22Don't tell me.
10:23If there has been any unworthy management,
10:25I have only been a mere spectator.
10:28Are you okay?
10:29Yes, yes, sorry.
10:30Go on, go on.
10:31The words of Cañete have impressed me.
10:34I think Troutrini would hurry me.
10:36Because, as far as I know,
10:37Elías has planned to visit Leonora this afternoon.
10:40This afternoon?
10:41But if this afternoon is very soon,
10:43I don't have time.
10:44I have to go,
10:45I have to go to the lunchroom,
10:46to go back in,
10:47to go back in something.
10:50Very nice of you, man.
10:51What do you want me to do?
10:52Well, don't drain the bulk
10:54of your responsibility.
10:56I did it for your own good, Miguel.
10:58Haven't you seen the advantages Trini has
10:59when she thinks I'm neutral?
11:01Well, no, I haven't seen them.
11:02Well, she's pretty blind.
11:04I become the voice of prudence.
11:06I set distances,
11:08so Trini won't realize
11:09that we're in a relationship.
11:11She'll even trust me.
11:13I don't know, I don't know.
11:14Yes, Miguel, yes.
11:15Or in the end it won't be worth it
11:17if we manage to get Elías and Leonora intimate
11:19and Trini sends her mother back to Fuencarral
11:21so they don't get back together.
11:22In that case,
11:23anything would have been worth it.
11:25You said it, Miguel.
11:27All in order to get rid of Leonora.
11:29Repeat after me.
11:31All in order to get rid of Leonora.
11:34Do it yourself.
11:35All in order to get rid of Leonora.
11:37That's it, very good.
11:38This is going the right way, Miguel.
11:39All in order to get rid of Leonora.
11:41All in order to get rid of Leonora, of course.
11:43All in order to get rid of Leonora.
11:45All in order to get rid of Leonora.
11:48That's it.
11:50Thank you very much.
11:52I hope to see you again soon.
11:58Have a good day.
12:09Good morning.
12:10Good morning, Mrs. Teresa.
12:12What brings you here?
12:13Well, I was curious.
12:15I wanted to see the news.
12:17They're all at your disposal.
12:19I must tell you that I'm glad to see you so often.
12:22Well, from now on,
12:23I'm going to have to schedule more of my visits.
12:26Does that occur to you?
12:28No, but I'm going to have to take care
12:31of Mrs. Lázara's work
12:33and it's going to take me longer.
12:35Is something wrong with Mrs. Lázara?
12:37No, not her.
12:39Her aunt.
12:40She says she has to go see her.
12:44And is there anything wrong with that?
12:47No, but...
12:49Look, we asked her about something else
12:52and we didn't say she had a family.
12:55I see.
12:56Well, I can't help her much, Mrs. Teresa.
12:59I don't know Mrs. Lázara very well.
13:05Is there a problem?
13:08I don't know if you could call it a problem
13:11or something that has no solution.
13:14A woman, right? Everything has a solution.
13:16Well, except for death, of course.
13:18No, I'm afraid not.
13:20My father has no solution.
13:24He still doesn't accept my relationship with Rodrigo.
13:27Yes.
13:29They had a fight yesterday
13:31and although Rodrigo stood up for him,
13:33I don't know how he would have been encouraged.
13:38And are you waiting for him to arrive to ask him?
13:41For him to arrive, yes.
13:42But he doesn't arrive.
13:43And that scares me.
13:45I don't know if my father had something to do with it.
13:48Do you think he would have forbidden him to come to the gallery?
13:52That or that he has had an affair with him again.
13:55I don't know.
13:57My father is capable of anything.
14:12I can't say anything else.
14:15That's what there is, mother.
14:17I don't like what I hear, Rodrigo.
14:19I don't like anything.
14:20You didn't listen to me.
14:22I told you to apologize, to swallow your pride.
14:25And I did, but in my way.
14:27And I assure you that it didn't go so bad.
14:30Oh, no?
14:31No.
14:32Because I have been able to reaffirm my feelings for Paula
14:34and I have done it publicly.
14:36Son, you are playing with fire.
14:38Don't you realize that you wouldn't have gotten where you are without Mr. Emiliano?
14:42And why do I want to be where I am if I have to give up Paula for that?
14:45You are obsessed.
14:46You don't reason.
14:49What you are doing will have consequences.
14:51I know, mother.
14:52You don't need to remind me.
14:57Well, I, no matter how much Pietro is at home,
14:59I'm not going to take the stamp off here until it's completely healthy.
15:02Because you never know.
15:05Girl!
15:06No, no, no.
15:07Retirement, no, please.
15:08With Elías, no.
15:09What are you doing?
15:10What's wrong with you?
15:12Oh, I had other plans.
15:14Esperanza, I'm sorry.
15:15No, no.
15:16I've already realized.
15:17And what were you saying about retirement?
15:19You were mentioning Elías.
15:20No, I was thinking about what will happen in La Moderna when Elías retires.
15:25Yeah.
15:27But hey, what are those voices?
15:29Hey, you know I'm sometimes a little loud.
15:32Yes, I'm a little loud.
15:34Oh, really.
15:36Well, I was thinking.
15:39How things are, huh?
15:41How much I miss Antonia.
15:43And how little I miss Mrs. Lázara.
15:46And Mrs. Lázara hasn't left yet.
15:48Oh, Antonia.
15:49I hope she comes back soon.
15:50That would be a good sign.
15:51But she now has to be with her husband.
15:54And where is Mrs. Lázara going?
15:56To the Pyrenees.
15:58To see a second or third or fourth aunt.
16:01To the Pyrenees?
16:03Could it be Transylvania?
16:04Like the good vampire she is?
16:06There with her relatives?
16:08And so we lose sight of her for a while.
16:10Because Transylvania is further away than the Pyrenees.
16:12Esperanza, one day you will forget that she is Don Fermín's wife.
16:16No, woman, I don't forget.
16:18And you neither.
16:19Because, of course, with that watch on, all the time remembering it.
16:25What's wrong with my watch?
16:27That it has been bought by the manager.
16:30And I never expected that from you.
16:33I'm sorry, but I haven't let myself be bought by anyone.
16:35I don't know if you know that rejecting a gift is very ugly.
16:39And I don't allow you to talk to me like that.
16:42Sorry.
16:44Let's leave the subject.
16:45What do you know about Pietro and Antonio?
16:48That they don't have a watch either.
16:50Esperanza, don't tell me that I'm going to end up in a contract.
16:53Well, very little is known.
16:55Because the truth is that they don't leave the house much.
16:57And it's true that Pietro, well, he's having a hard time walking.
17:01But he has taken to the letter not to hurry.
17:05The truth is that I was very impressed when I saw him.
17:08I saw him very regular.
17:10Well, but Antonio told us that the doctor had told him that it was normal after such an operation.
17:15Yes, yes, whatever you say.
17:17But come on, I'm not going to stop praying until I'm good at everything.
17:22I think I have the enemy at home.
17:24I mean, Herminia, because ...
17:26Yeah, yeah, yeah.
17:27Yes, tell me Esperanza.
17:29But hey, if you have any complaints, send them to me directly and that's it.
17:32And you, pray whatever you want, no one hurts you.
17:36Ah, one more thing.
17:38I don't want them to tell Antonia how much we miss her, because I don't want to pressure her.
17:43For now, a lot of spirits and a lot of collaboration.
17:47Promise me.
17:49Of course.
17:54I have not forgotten that I continue to work for Don Emiliano
17:57and I confess that I am worried to meet him again, but I am prepared for everything.
18:03So that he fires you even?
18:04Even for that.
18:06And for him to fire me?
18:09You hadn't thought about that, right?
18:11I'm your mother.
18:13Leaving me on the street will be a good punishment for both of us,
18:16because I haven't managed to convince you to forget Paula.
18:19I don't think it gets to that extreme.
18:21Don Emiliano has a lot of consideration for you as a servant and as in charge of the service,
18:26and Madruja would have something to say about it.
18:30Mother, no matter how hard you try, Don Emiliano, the whole world,
18:35I will not regret loving Paula and being honest.
18:38I'm already realizing it.
18:40And it relieves me that you also know the truth, because you have never hidden anything from me.
18:44Don't try to justify yourself, Rodrigo.
18:46I understand that you are angry.
18:48Well, it doesn't seem so.
18:49You don't know what you've done.
18:51You don't know who you're facing.
18:53I think I know.
18:54People like Don Emiliano have many weapons.
18:57You think you know them, but you don't know half of them.
19:00You don't know how it is.
19:02I know better than you think.
19:07Really?
19:11So?
19:14What do we do now, Rodrigo?
19:17What do we do?
19:20What we do?
19:31You look so...
19:33When Ballesteros said cut you were frozen.
19:37Paula wasn't the only one.
19:39Everybody was speechless.
19:40Laurita was great.
19:43You're exaggerating, but I like it.
19:46I love it.
19:47I'm glad you finally decided to come.
19:49I didn't feel like it. I was tired and I had to skip a singing class.
19:54Of course it was hard for you to make a decision.
19:58I'm sorry, I don't want to offend you.
20:01It's what your sister said, that it was hard for you to make a decision.
20:07Yes, it was a long night.
20:10By the way, how's the editing going?
20:12Well, it's very advanced, that's what I understood.
20:16So, we may have a premiere very soon.
20:18And is it true what they say about you having Ballesteros tied up
20:22to direct your next film?
20:24Ballesteros is a vain and unbearable guy,
20:27but he's the fashion director.
20:29In fact, they say that in a short time,
20:31it's possible that he'll jump to Hollywood, so we have to take advantage of it.
20:34In any case, I won't take him to a party.
20:39You have to be brave to work with him again, of course.
20:43Let's say that Ballesteros' presence attracts funding.
20:46I couldn't face it alone after the failure of The Shadow of Love
20:49and the costs of The Clumsy Feet.
20:51With this film, you're going to make money, you'll see.
20:54I'm fine with covering expenses,
20:56although Ballesteros says it's going to be a success.
21:04Man, Mr. Ballesteros, we were talking about you.
21:07We were waiting for you.
21:09Oh, really?
21:11Yes, I told him to take a break and come back
21:15to tell us how everything is going.
21:21I hope everything goes well
21:23and that your aunt's situation doesn't become a false alarm.
21:25And I hope I can come back as soon as possible.
21:28I can imagine, because you're light in luggage.
21:31Oh, no, don't believe you. I have more suitcases in the taxi.
21:34I asked him to stop to leave, to say goodbye to you.
21:37It's going to be hard for me to spend these days without you by my side.
21:41If you don't mind, I'll call you often
21:43to see that everything is going well and to hear your voice.
21:47I'd like nothing more, Cielo, but I don't think it's going to be possible.
21:50I've told you that communications in the Pyrenees are very complicated.
21:54I don't know, I don't think I can even tell you where I'm from.
21:57I'm sure there's a phone line at the station, right?
22:01Yes, I hadn't thought about that.
22:04Well, I'll try from there.
22:06Serena, I know that the trip is long and heavy
22:09and that the reason is not pleasant,
22:11but by making you nervous, you don't gain anything.
22:14Yes, I know, I'm very sorry.
22:16It's just that thinking about my aunt there...
22:19Having such a big heart makes you even more attractive, my eyes.
22:24Wait a moment, please.
22:26I've brought Teresa and Queñete to say goodbye to you
22:29and, above all, to assure you that everything will be fine in your absence.
22:34That's right, I have no doubt.
22:36And we wish you a good trip.
22:40Well, see you soon, dear.
22:43Have a good trip.
22:47Bye.
22:56Bye.
23:08Hey, have you seen that?
23:11What?
23:14Well, Mrs. Lázara went that way and a lady came
23:17and started walking behind her.
23:19Teresa...
23:21No, I say it because it looks like they were together.
23:24It's not your imagination.
23:26Well, yes, it could be.
23:28But it's just that Mrs. Lázara has been walking a lot lately,
23:31so it's hard to imagine.
23:33Don't you remember that yesterday she asked us
23:35where she could get a gun?
23:37But let's see, Teresa, Mrs. Lázara seems dangerous to you.
23:40Well, look, what I think is that she's scared.
23:43She must be worried.
23:46Come on, how would anyone be if they have their aunt on the deathbed?
23:49Sigh...
23:53Well, Mr. Director, I'm at your feet.
23:57And I would like to inform you, if it's not inconvenient,
24:00of a matter that...
24:02I can assure you will be of interest.
24:05Well, then you will say.
24:07Well, I think it will interest you too.
24:10Well, it turns out that here where you see me,
24:13I also made my spirits as an actor in my youth.
24:16For lack of modesty,
24:18but the result was remarkable, extraordinary.
24:21So, well, you know,
24:23if you need a solvent actor, here I am.
24:26But then you have experience.
24:28Yes, yes, a lot.
24:31Yes, yes, very observant.
24:33Yes, sir.
24:35Yes, I was a star in the parish theater group.
24:38I was doing it for many years.
24:40Yes, well, what I mean is that I was playing the star
24:43who guided the wise men.
24:45Extraordinary magic.
24:47And was the paper long?
24:49No, not very long, rather fleeting.
24:51What was intense, very intense.
24:53Listen, I don't want to boast,
24:55but not everyone has the ability
24:57to interpret the star well.
25:00Because it all depends on the brightness,
25:02which has to be just right.
25:04Yes, in the presence and a very fine cadence of movement.
25:07And that's where one really becomes sublime,
25:09reaches the art and the magic.
25:11Sure, that's...
25:13Well, we'll take that into account.
25:16Thank you very much.
25:18Yes, we will speak to you very gratefully.
25:20Likewise, you won't regret it.
25:22Well, if you'll excuse me, excuse me.
25:24Very good.
25:32Did you order the champagne?
25:34Yes, yes, and after this nice interruption, I continue.
25:38As I was saying, it was a great success for me
25:41to give Laura more prominence.
25:43Yes, yes, my sister is worth a lot.
25:46I'm sure the film will improve remarkably,
25:49and that's why I want to propose a toast to her.
25:59Laurita has a depth in her gaze that makes the camera fall in love.
26:02I've rarely seen so much truth in an actress.
26:04Yes, it's something I've never seen, of course.
26:07Yes, Laura, it's something I've never seen,
26:09but what I want to see is the finished film.
26:12When?
26:13Soon, very soon, before you think.
26:15And we have all the elements,
26:17especially one, to make it a success.
26:19Well, two.
26:21Laurita and me.
26:24I've enjoyed filming her last scenes like a child.
26:27I'm not very good at getting excited,
26:30but I have to say that I've even gotten excited.
26:33Yes, that feeling, that tear.
26:36That's...
26:37If you'll excuse me, I have to go.
26:39Why?
26:40Well, I think something has gone wrong.
26:42I'll go with you.
26:43No, no, no, please, don't worry.
26:45You'd better stay with them.
26:47See you later.
26:49Goodbye.
26:50Agustín, I've had an idea.
26:53I can see it, I really can.
26:55Tell me, tell me.
26:56Imagine it.
26:57Let's go.
26:58But everything we touch,
27:01you and I,
27:04unites us like an arc,
27:07that a single voice starts from two strings.
27:10What instrument did they tense us with?
27:13And in what hand does that sound pulsate?
27:23I need that handkerchief, Pepita.
27:25I'm going out and I want to take the bet.
27:27Are you sure it's not in your room?
27:34Mom?
27:36Mom?
27:41What's that?
27:42What?
27:43That book.
27:44And that way of closing it.
27:48It's a poetry book.
27:50I was very focused, I didn't hear you come in,
27:53and you scared me.
27:55Since when is it poetry?
27:58I did it when I was a child.
28:00And now, I haven't done it in a long time.
28:03Yes, I like it, I like it a lot.
28:06Who's the author?
28:10Rilke?
28:11Rainer Maria Rilke.
28:13You've never read it?
28:14You need to look at the cover to know who the author is.
28:19Mr. Duyvan, your handkerchief.
28:22You were right, it wasn't in your room.
28:24If anyone ever listened to me in this house...
28:27Where are you going now?
28:28To a cafe that García Alba organizes in his farm,
28:31outside Madrid.
28:32And you told your godfather, right?
28:34Why should I tell him?
28:36Because after the fight you had with him...
28:38That's not going to change my plans.
28:41Look, Mom, I don't know if Dad has left me for impossible,
28:45but he has.
28:47Pepita, leave us alone.
28:54It's time for the sermon.
28:56Call it whatever you want, but you're going to listen to me.
29:00I'm sorry you had to fight with your father again,
29:04but I know that the contempt you show is nothing more than a facade.
29:10You need his recognition, like everyone else in this house.
29:14And he keeps trying to guide you.
29:17So what you should do is stop going out, spending,
29:20and giving your father reasons to accuse you of being a scoundrel.
29:25That's it.
29:27I don't want to be late for the cafe.
29:29That's it.
29:30Go to that damn cafe,
29:32where there will be wine and liqueurs
29:34so you can keep drinking until you faint.
29:36Aren't you ashamed?
29:37Yes!
29:38Aren't you ashamed?
29:40Because I would be ashamed.
29:42You're trying to teach me how to face something
29:45that you haven't faced in your life.
29:47You, who allow Dad to treat you the way he treats you,
29:50who doesn't let you go to the bar,
29:53who doesn't let you go to the bar,
29:55who doesn't let you go to the bar,
29:57who doesn't let you go to the bar,
29:59who doesn't let you go to the bar.
30:01You, who allow Dad to treat you the way he treats you,
30:04who isn't much better than me.
30:10At least I enjoy life the way I do.
30:15Can you say the same?
30:22Yes.
30:53Oh, sweets!
30:56What are they? Let's see.
31:00Liquor. My favorites.
31:02Don't get upset.
31:03Don't get upset because you have a stomachache.
31:05Don't ruin our trip to the retirement home.
31:07Speak softly. My daughter is sleeping.
31:09I don't think she'll wake up because...
31:11No, she's awake. She was there.
31:13I heard you and I said,
31:15I'm going out to say hello to Elías.
31:18You don't have to. Go to the bedroom.
31:20No, no, no.
31:21I'm here. I'm fine. I'm like a rose.
31:24But we're going out and we're taking Leon.
31:27But pick up a candy, woman.
31:29Elías is going to think you're making him look bad.
31:32Oh, what a clumsy girl.
31:35Oh, please, Elías, hold the boy.
31:37Yes.
31:38Be careful.
31:41Oh, little thing.
31:43Oh, my little thing.
31:45Look at you.
31:47How grumpy the boy is when he picks up someone and with you.
31:50Well, I have a gift for children.
31:53Yes, it's in my personality, in my character, in my magnetism.
31:57It's a special energy
31:59that happens to the people around me.
32:02Even to children.
32:03How wonderful.
32:05I've also been a balm for my grandson, you know?
32:08Well, a balm and a blessing, I'm sure.
32:11What I would say, why would you hold me in your arms?
32:14Well, I mean, like a child, like a baby.
32:17I think it's terrible that you accepted Elías' candy.
32:20It's so good and it's a gift. Shut up, shut up.
32:23Were you saying something?
32:25Nothing, the stain is very stubborn and it doesn't come out.
32:28Come on, look at that sleepy face.
32:32Well, come on, go.
32:34You go for a walk, but short.
32:36Short, I want to put him to sleep very early.
32:39And tonight he's going to sleep, I'm telling you he's going to sleep
32:42like a lion, as my name is Trinidad.
32:44It's that my grandson Elías has gone out to his mother.
32:47Well, well, well, the nights in Vela that I spent because of him.
32:50And not just because of the llantina,
32:52when I was older I had a gas problem.
32:54But some gases, Elías.
32:56Well, that was it, that was it.
32:58Some smells and some thunders that the neighbors said,
33:01what's going on, what's going on?
33:04Well, well, and a girl there, red, red, red, red,
33:07like a tomato, who said something was going to happen to her,
33:10that she was going to give birth soon.
33:12Well, okay, okay.
33:14Man, Elías is not interested in the past.
33:16Of course, I find it very funny, Trini.
33:18Well, are you going to take the walk now?
33:21Come on, and come back soon.
33:23Come on.
33:24Let's see, Elías, do you put it in the car?
33:26Yes. You have such good hands.
33:28What a thing.
33:33Let's see, little one.
33:36Like this, very carefully.
33:38There it is, pink.
33:40Very good.
33:43Let's see, grab it there.
33:45See you later.
33:50When Miguel comes, he's going to find out.
33:52He's going to find out.
34:07Pietro.
34:10Oh, my God.
34:12Antonia.
34:14I've already had a headache.
34:16I'm very happy, but please don't be brave.
34:19Come with me.
34:21Come with me.
34:23I don't pretend to be brave, I really feel better.
34:26I'm very happy, honey, but I'd rather you were sitting.
34:31Leave me alone for a few minutes, please.
34:36I've already had a headache,
34:39my back hurts from being sitting for so long.
34:45I can't wait to go back to the lab.
34:47Oh, my God, there will be time for that.
34:51Time? It seems you don't want me to come back.
34:55What nonsense is that? Of course I want you to come back.
34:58I loved going to see you at the lab,
35:00but I loved our life.
35:03We're going to get it back, Antonia.
35:06Don't worry.
35:08I'll go back to the lab.
35:13I hope so.
35:15That means this nightmare is over.
35:19I promise.
35:22Well, come on, let's stop the drama,
35:24I have a lot to do.
35:27One moment, I want to ask you something, Antonia.
35:30Yes, tell me.
35:32I was thinking...
35:36I should tell Lucia and...
35:38and stop it, right?
35:40No.
35:42Why not?
35:44Because I've already done it.
35:46You wrote me a telegram saying you had surgery and everything was fine.
35:51You're a wonderful woman.
35:54Yes. I'm going to scrub the blankets.
35:56Sit down.
35:58I'll help you, I'll help you.
36:00No, please, sit down, I don't want to say it again.
36:02Don't be so brave, honey.
36:04I don't want to be brave.
36:06I just want to be distracted, Antonia.
36:12I want to help you.
36:14If you really want to help me,
36:16you have to rest and recover as soon as possible.
36:19So please, be patient and calm.
36:21You'll be fine like this.
36:23Okay, okay.
36:28Who could it be at this hour?
36:30I don't know, maybe it's hospital news.
36:34Let's go.
36:42Hello.
36:44Oh, my God.
36:46I almost didn't finish at the bookshop today.
36:51What a mess with the reception of some clients.
36:54A little more...
36:56Hey, I don't hear any of the two beasts.
36:58What happened to them?
37:00Well, they're not here.
37:02They're with the butler you asked for.
37:06The butler? What butler? Trini, I don't understand you.
37:08They're in the retreat with Elías right now.
37:10And this is your fault.
37:12Well, I don't see it that bad either.
37:14Elías and your mother are going out, as you said.
37:18Besides, your mother is fine with going out for a while
37:21and not being locked up here all day.
37:24I don't know, really.
37:26You'll see. She'll be more fierce
37:28and she'll wonder if she fits more into Leon's care.
37:31I don't know, I don't think so.
37:33But I'm very tired tonight and you're going to sleep on the couch.
37:36You're not serious, are you?
37:38Yes, I'm serious.
37:40Because it's easier for Leon to sleep in bed than in the crib.
37:43So, on the couch.
37:45You're not doing this to punish me.
37:49No, honey.
37:51Do you want me to punish you?
37:54Why?
37:57Because I want Elías to be with my mother in the retreat?
38:01How can you think that of me?
38:04Please.
38:06Look, if tonight I have nightmares
38:08about my mother's relationship with Elías
38:10becoming a relationship,
38:12I swear, look,
38:14if I tell the wolf,
38:16I swear, I swear,
38:18I'm going to take measures.
38:20What measures?
38:23I don't know what they are, but measures.
38:25I swear.
38:27Come on, let's see.
38:31Here, take it.
38:37And I'm going to sleep, you know why?
38:39Because I deserve it. Bye.
38:46Everything to free me from the horror.
38:48Everything to free me from the horror.
38:55Marta.
38:57Oh, honey, what a surprise.
39:01What a joy.
39:03Well, are you going to let me in
39:05or do we take a chair and talk here?
39:07Yes, yes, come in, come in.
39:09Pietro.
39:11What a joy to see you so happy.
39:14I didn't expect to see you like this.
39:17Hug me.
39:19But what are you doing here?
39:22My question is how you found out.
39:24Well, one, that you have a sixth sense
39:28and telepathy communicates with you.
39:30Come, sit down.
39:32Be careful.
39:34You didn't tell her, did we agree not to tell her?
39:37No, no, no, it wasn't me.
39:39But it seems to me that she is aware of everything.
39:42And why couldn't you tell me?
39:45Well, honey, because we didn't want to worry you.
39:49I see, and so that I don't go back from Salamanca.
39:52Or am I wrong, Antonia?
39:54There was no need for such a long trip.
39:56You're exaggerating.
39:59If Salamanca is next door, as they say.
40:01I didn't want you to have the obligation.
40:03Obligation, no.
40:05Well, better said, obligations with both of you.
40:07How am I not going to be with you right now?
40:09With everything you've done for me.
40:11I wouldn't forgive myself for that.
40:13Now you're exaggerating.
40:15No, it's true, Antonia, I have to be up to date.
40:17I'm going to cry.
40:19I've missed you.
40:21And I've missed you so much.
40:23And now?
40:26How did you find out?
40:28Telepathy, I told her.
40:30Telepathy.
40:32It couldn't have been Esperanza.
40:34This woman doesn't stop gossiping.
40:36Well, look, even if it seems like a lie,
40:38and without her going first, this time it wasn't her.
40:41And who was it?
40:43You're heavy with the subject, Pietro.
40:46Marta, who?
40:48Okay, fine.
40:50It was Miguel who told Salvita.
40:52And even though he told her not to tell me anything,
40:54he told me right away.
40:56Wow, Salvita.
40:58I've killed you in a heartbeat.
41:00I can imagine.
41:02It's okay, Antonia.
41:04I just hope you're not mad
41:06because we haven't told you.
41:08Me, mad?
41:11Seeing Pietro like this, you're a bull.
41:13How can I be mad, Antonia?
41:15I'm not mad.
41:17Come here, honey.
41:19Oh, yes.
41:24I can imagine how bad it must have been for you.
41:26But now I'm here and I'm going to help you get over it.
41:30I'm so glad you came.
41:46ERRATUM, SPAIN
41:58You don't know how much I wanted to see you.
42:00And I wanted to see you.
42:02You know?
42:04I'm very proud of you.
42:06I'm proud that you were able to tell us the truth.
42:09That you haven't given up our love.
42:12It's the best thing they've ever done for me.
42:14I wouldn't give up your love for anything in the world.
42:17And I wouldn't give up yours.
42:19Are you calmer?
42:21After everything we've been through these days, yes.
42:24I am.
42:25Yes, since your father found out about us,
42:27it's been difficult days.
42:29Yes, but we shouldn't listen to him.
42:32And yes, to our feelings.
42:34Nothing will work with our love.
42:36Nothing or no one?
42:37That's it.
42:38Not my family, not your mother,
42:41nor that we belong to different social classes.
42:44Our love is above those conventions.
42:47I love hearing you say those things.
42:49But Paula, we have to be smart, be prudent.
42:53You need your family, you need your father.
42:58My father and I have more in common than he thinks.
43:01The thing is, we express them in a different way.
43:05I would love for my father to accept ours.
43:08And I would love for my mother to accept it.
43:11She's suffering a lot and is afraid
43:13that there will be reprisals against her.
43:16I think we should talk to them.
43:19Both of them.
43:20Yes, because I can't keep avoiding your father forever.
43:24Tomorrow, when our spirits are calmer,
43:27we'll go and talk to them.
43:31A few months later
43:41You don't have to go through everything again.
43:43It's perfect.
43:44It has to be.
43:45The guests tonight are illustrious.
43:47And composed, I understand.
43:48Because not everyone can close Madrid Cabaret
43:50for their exclusive use.
43:51Some silver weddings deserve that effort.
43:55They don't lack money.
43:56In fact, tonight they're all having dinner
43:57in a restaurant that they've also closed for themselves.
44:00What a level!
44:01And when they get to the Golden Wheels, what are they going to do?
44:03Well, there's still a lot to do,
44:04but I'm going to offer them Madrid Cabaret just in case.
44:08And speaking of eating,
44:10you and I should have dinner.
44:11Tonight is going to be long.
44:13Why don't we go where the employees have dinner?
44:15No.
44:16I prefer a tent standing here
44:18so I can keep going over the things,
44:19so everything is in order.
44:22But you should go have dinner with the employees.
44:27Do you know where the tavern is?
44:28The usual one, I guess.
44:29If not, I'll find it for you.
44:38Good night, Mrs. Maruja.
44:40Good night.
44:53How to hold my soul
44:56so that it doesn't clash with yours?
45:01I don't know how I dared to come here.
45:08I do know,
45:10and I think you do too.
45:15And curiously, you came just tonight
45:17when we can be alone for a couple of hours
45:19without anyone bothering us.
45:23I don't think it's a coincidence.
45:27It's our fate.
45:33I don't believe it.
45:36This situation is very embarrassing.
45:41I've never done anything like this.
45:45I should have never come back.
45:48Well, in that case, blessed madness.
46:18I don't believe it.
46:42Rodrigo and I, and I speak on behalf of both of us,
46:45we are aware that we shouldn't hide our relationship from you.
46:49We regret it with all our hearts.
46:51We ask you,
46:53we beg you to trust us and give us a chance.
46:56I haven't asked you about the shoot.
46:58How are things with Laurita?
47:00Before yesterday, we shot the last scene.
47:02Ah, yes.
47:03Yes, yes, something has come to me.
47:05Esperanza says you approached her.
47:08Paula, what you have to have is patience.
47:11A lot of patience. Let her trust you.
47:13And when she least expects it,
47:16as for Rodrigo...
47:17Please.
47:18I ask you to give him a chance to rectify himself.
47:20Please.
47:21Miguel, I don't know if you're aware,
47:24but if all goes well,
47:27we're going to be relatives.
47:30Relatives of what?
47:31Let's see, if I marry your mother-in-law,
47:33I'll be your father-in-law.
47:35I know you might think
47:37that I'd like Rodrigo to marry Paula
47:39to ensure his future in the Pedraza family.
47:42But nothing further from the truth.
47:44I'm aware that it wouldn't work.
47:46That I wouldn't be able to handle the pressure.
47:48That his spirit is too free to accept...
47:50What?
47:51The fake marriage?
47:53I wonder if she has already arrived
47:55to the little village she was going to.
47:57Don't you think it's strange
47:58that she didn't mention that she had a family?
48:01Teresa, we all have an older relative
48:04that maybe you don't see often, but...
48:07Well, listen,
48:08it's also about that lady.
48:10What lady?
48:11The one who was following her around the gallery.
48:13Ma'am, before you tell me anything,
48:16regarding what happened this morning,
48:19I'm aware that I was expecting something different.
48:22But if I'm forced to make a decision,
48:25my choice will always be your daughter.
48:27It's been a nice experience,
48:29but I don't think I'll do it again.
48:31And what are you going to do
48:32with all that talent that God has given you?
48:34Are you going to throw it away?
48:35Yes, a gift to lose my sister,
48:37that's what I have.
48:38I'm not one to forget.
48:41Nor am I one to forgive.
48:43Paula, I'm just asking you to be brave
48:46and don't let yourself be carried away by euphoria.
48:48Look, in this life,
48:50every decision we make
48:52is another step that takes us
48:54to the place where we deserve to be
48:56or to failure.
48:57So you have to be very careful
48:59with what you dream of.
49:00It was a mistake to kiss her.
49:03Do you know why?
49:04Why?
49:05Because since then
49:07I've only thought of doing it again.
49:09Agustín, what happened?
49:11Third time's the charm.
49:17Agustín, it's me.
49:18I'm sorry, I'm sorry.
49:19But what happened?
49:20Who called you?
49:21And why did you run away?
49:23Ballesteros has decided
49:24that I'm going crazy
49:25and he's getting it.
49:26Don't die.
49:28What took you so long?
49:30I've been looking for Chicory,
49:32and there wasn't any.
49:33You came to see the doctor, right?
49:35They already have the definitive diagnosis.
49:40My bad news, Marta.