Salón de té La Moderna - Ep 252
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00:00A few hours later...
00:08Of course, of course, we all want him to recover as soon as possible.
00:12Yes, and if there is any news, please, doctor, let me know, if you are so kind.
00:17And thank you for attending me, Ramiro, thank you very much.
00:21Well...
00:23According to what he just told me, Dr. Quiroga Pietro remains stable.
00:27But under observation.
00:30Let's see if he gets out of this soon.
00:33Very well, yes.
00:37Any problem with the accounting, dear?
00:40Well, yes, the truth is that yes.
00:42Honestly, I don't know what I'm doing wrong, but the accounts don't fit.
00:46Well, if you want, I'll help you, four eyes see more than two.
00:50Do you think I'm unable to do a simple task?
00:53Of course not, dear.
00:56I was simply offering to help you.
01:00I'm sorry, Fermin.
01:02I know you do it with good intentions, but it annoys me to have to do the same task over and over again.
01:08Eh, Lázara, you're a little upset.
01:10Yesterday you didn't pay attention all night.
01:13It's true that lately I haven't been resting very well.
01:17And can I know the reason?
01:19I'm perfectly fine.
01:21I just caught a cold.
01:23Sometimes it happens to me.
01:26Of course.
01:27Well, today the Pedrazas have invited us to dinner.
01:31It will be good to distract you, you work too much.
01:34I don't feel like going to the Pedraza's house.
01:37I prefer to stay here and finish the job.
01:39Well, you can finish it later, you're not in a hurry.
01:42Well, but I'll stay calmer if I finish it.
01:45Can't you go?
01:46No, no, I don't like to go to our friends' house without you accompanying me.
01:49I'll call him right now and postpone it for another day.
01:53No, don't do it.
01:54I'll go with you.
01:58Yes?
02:00Mrs. Lázara, I brought you the invoices for today.
02:05You can't work like this.
02:08Can you tell me why you brought all the invoices together?
02:13The suppliers brought them this morning.
02:16Couldn't I have brought them to you before?
02:18Well, you know what I think?
02:20That you prefer to bring them all together to drive me crazy.
02:23Because here all you think about is how to annoy me.
02:25It's okay, Teresa. Thank you. You can go back to your work.
02:32It's incredible.
02:35Well, we've come this far, Lázara.
02:37You're going to explain to me right now what's going on with you.
02:40It's not normal for you to treat the employees with such disregard.
02:44I'm fine.
02:45I just need some time to be able to work.
02:48I don't know. I don't think it's a big deal to ask.
02:56I don't think it's a big deal to ask.
03:08Hello. How are you, Sagrario?
03:10Herminia.
03:11Oh, Herminia. It's true.
03:13I came for the sweets for the living room.
03:15You have them, but let them air for a moment.
03:18I just took them out of the oven.
03:20They smell great.
03:22Where is San Peregrino?
03:25Well, I have no idea.
03:27Maybe he has honored his name and has gone to Santiago de Compostela.
03:32With religion? Are you kidding?
03:34Of course.
03:35I had put him on that shelf and now it turns out that he is not there.
03:39Maybe because I was nervous to see him there.
03:42Well, if you put it like that, to see a saint,
03:45I'm sure he doesn't have a very calm conscience.
03:48Or maybe I don't believe in those things.
03:49Because I don't understand what that man of the crown does
03:52in the middle of the work utensils.
03:54Put it somewhere else, woman.
03:56It is where it has to be.
03:58In the workshop, in the domains of Pietro.
04:01Is it true or not, Elías?
04:03Yes, Esperanza, that's true.
04:05Because Pietro spends most of the time here in the workshop.
04:08Yeah, but now I'm the one who spends most of the time in the workshop.
04:12And I have the right to decide what to put on and what to take off, I say.
04:16Well, Herminia, you are absolutely right.
04:18Esperanza, it seems to me that you are tied.
04:21Not at all. It is a case of extreme need and I have to put the saint.
04:26Lady, to put those saints, look for a chapel.
04:31Well, you know that I traveled half of Madrid to find a Saint Peregrino.
04:35Well, what a stupid step.
04:37And it was not worth another saint because, come on,
04:39heaven has to be full of them.
04:41Well, I have already told you a lot of times
04:43that it has to be Saint Peregrino and that he has to be here
04:45to intercede for Pietro and heal soon.
04:48But do you really believe that by putting Saint Peregrino,
04:51Pietro is going to heal right away?
04:53Well, of course I believe it, and on foot.
04:56Well, tell me where you are, huh?
04:58Or I'll report you for thief and atheist.
05:02What? Are you going to report me for atheist?
05:05But hey, the Inquisition is back.
05:07You're going to hell, come on.
05:09You tell me that in the alley.
05:12Let's see, ladies, ladies, ladies.
05:14Peace and good food, don't fight.
05:16Do the favor of getting along,
05:18at least in honor of our pastry teacher,
05:21here in his sacrosanct worker.
05:23Let's see, Herminia,
05:25I don't know if Saint Peregrino is going to work the miracle or not,
05:28but what I do know is that our friend Pietro
05:30needs all the help we can get him.
05:32And Esperanza, respect the opinion of the baker,
05:36after all, this is your workplace.
05:38It's okay.
05:42Take your saint.
05:46But put it in a place where you can't see much, please.
05:51Here.
05:53Sorry I was locked up.
05:55It gives you the air.
06:01Anyway, yes, excuse me.
06:22I knew my father was going to react badly,
06:25but I'm surprised what your mother told you.
06:27I didn't expect it either.
06:29I don't know, I thought your mother was a very sensible woman.
06:32I was hoping she would help us, really.
06:35I'm sure that's what she would like to do,
06:37but she's conditioned by the power your father has,
06:40and she's afraid of what he can do to us.
06:42She's convinced
06:44that he would never allow you to be with a man
06:46who doesn't belong to your social class.
06:48We're in the 20th century.
06:50Those reasons are beyond me.
06:53Besides, love should be above everything else.
06:56Don't you think the same?
06:58Of course I do, but all this makes me doubt.
07:01You're falling behind.
07:03Paula, you know I love you with all my heart,
07:06but what I feel for you is not a guarantee
07:08that we can be together.
07:10But I don't conceive a life if it's not by your side, Rodrigo.
07:14If we go on,
07:16we have to be very aware of the problems
07:18we're going to have to face.
07:20But we've always known that, haven't we?
07:23We've always known they wouldn't make it easy for us.
07:26But before it was a suspicion and now it's a reality.
07:29Your father is going to be very attentive
07:31to what we say.
07:33He has a lot of weapons to dissuade us.
07:35We'll face him.
07:37After all, my mother and I are his employees.
07:40Would you like to be on my side
07:42if I lose my job and my money?
07:44Do you have any doubt about that?
07:46I would live with you
07:48even if it was in a house made of cans.
07:50Paula, I'm worried about what I can do to you.
07:53And if you leave your family,
07:55you can ruin your projects, your career.
07:57You even legally depend on him.
07:59I'm not scared of anything.
08:01One way or another, we'll get through this.
08:04Or are you going to give in to the first setback?
08:07Not at all,
08:09much less seeing how determined you are.
08:11Then don't think so much.
08:14Trust our love.
08:16It's what we have to do, don't you think?
08:19Yes.
08:21But I wanted to share with you
08:23what this decision might imply.
08:25It implies that I don't know what you're waiting for to tell me.
08:32Yes.
08:45From now on, we'll have to be much more discreet.
08:49We'll find opportunities to be together.
08:52Don't worry.
09:02It took me a long time,
09:04but in the end, I answered all of them.
09:06Although there was a strange question,
09:08like, what's your favorite noise?
09:11I hope this helps.
09:15Thank you very much, honey.
09:17By the way,
09:19what time did you arrive from Madrid-Cabaret yesterday?
09:21I didn't see you come in.
09:23I tried to make as little noise as possible.
09:25It was a bit loud.
09:27Well, my mother...
09:28It was a bit loud.
09:30Well, my mother had to try to worry me.
09:33It's obvious that when a woman has a child,
09:37the husband starts to lose interest
09:39and starts to run away from the nest.
09:41Come on, you're looking for someone else.
09:43But don't worry.
09:45I already told her that I know you very well
09:47and that you respect me.
09:49Don't be ridiculous.
09:51Your mother thinks like that.
09:53Well, yes.
09:55You're not going anywhere, are you?
09:57Let's see, as I tell you,
09:59I'm more and more in love with you every day.
10:01Whatever your mother says,
10:03don't listen to half of it
10:05and don't listen to the other half.
10:07This woman doesn't stop messing with you.
10:09Yes, goodbye.
10:12Well, how are you, Romeo?
10:15Willing to conquer your Juliet?
10:17Let's see, Miguel, I've been thinking about it
10:20and knowing that Leonora is interested in me
10:23is a double-edged sword.
10:24It will always be better than knowing
10:26that she doesn't want to see you in paint.
10:28Yes, of course.
10:30But on the one hand, I feel like going on the attack
10:33and on the other hand,
10:35I feel a kind of sazon, a very great pressure here,
10:38just thinking that I'm going to hit her.
10:40Well, you don't have to think about that.
10:42Yes, but I wish, I would like,
10:44but I can't stop thinking
10:46that the first moment I get close to her,
10:48I'm going to kick her in the leg.
10:50I think it would have been better
10:52if you hadn't told me anything.
10:54That way it's impossible for you to cry.
10:56Here is everything that Leonora likes and dislikes,
10:58from her hobbies to her manias.
11:00And do you think this will be enough?
11:03Of course. You now have to study these papers by heart
11:07and then engineer an attack strategy.
11:10It can't be easier for you.
11:12My God, Miguel, I have no answers,
11:14this is like making an opposition.
11:17Here, I'm not going to do it.
11:19If you want, I can help you study it
11:21if you see it too complicated.
11:23No, no, I don't want you to have problems
11:25in learning the answers.
11:27Miguel, I'm not going to try to seduce Leonora.
11:30It's going to be my platonic love and that's it.
11:32Elias, wait a minute.
11:34Leave the platonism for the ugly and for the ancient Greeks.
11:36You have to take action.
11:38Don't talk anymore, I'm not going to do it.
11:40Wait a minute.
11:42Imagine yourself dancing a chotis with Leonora.
11:44You there, all stiff,
11:46like a man nailed to the spot,
11:49with his eyes on his forehead.
11:50And her, looking around you,
11:52looking ecstatic.
11:54How do you feel?
11:56Dizzy, Miguel, dizzy.
12:10I remind you that Fermín and Lázaro
12:12are coming to eat today.
12:14Don't worry, I'll be ready when they arrive.
12:17Emiliano, if you're not in the mood,
12:20or you're too busy,
12:22we can leave it for another day.
12:24I'm still in time to give them notice.
12:27No.
12:29No, it won't be necessary.
12:32I'll be fine talking to my friend.
12:37I thought you'd be more affected
12:39by Paula and Rodrigo.
12:41Because I don't get it out of my head.
12:44Yes, well, I think that shouldn't change
12:46our plans, Maruja.
12:50I've got it under control.
12:52Really?
12:54You seem very confident.
12:56You know, yesterday I spoke to Paula.
13:00And I think I made it very clear to her.
13:04She's very smart.
13:06And she understands that this adventure
13:08is over forever.
13:10Because she knows that I won't let her
13:12grow up for anything in the world.
13:14Yes, but she's also very passionate
13:16and very stubborn.
13:17So she won't be in this case.
13:21She knows what I'm capable of.
13:24She knows that I'm capable of putting
13:26Rodrigo in jail, if necessary.
13:28With any charge. I'd make it up.
13:30And she, to disinherit her.
13:32Look, Emiliano, you don't have to get to
13:34those extremes, so...
13:36let sensitivity prevail.
13:38And let's hope everything ends
13:40in a simple anecdote.
13:42And so it will be, dear.
13:44You'll see.
13:46Don't worry.
13:50Has Iván got up?
13:52Of course he has.
13:56It wouldn't be bad if you gave him a job.
14:01You know, yesterday I asked him
14:03to take a document to the registry office.
14:06At the first hour.
14:08Look at the time.
14:10And I haven't seen him around here yet.
14:13Emiliano, that's a low-paying job.
14:17I think he wants to feel useful.
14:20And that you give him another chance.
14:22I think I've given him many chances.
14:24And we both know how that ended.
14:26Right, Maruja?
14:28But now it's different.
14:30It's changing.
14:32So I don't think he'll take advantage of it.
14:34It's changing. I don't know what to tell you.
14:36Do you know that I offered him
14:38to start in the company recently?
14:40From the bottom, of course, like me.
14:42Well, he said no.
14:43Don't worry, Emiliano.
14:49Tell him to come.
14:51Tell him to come. I want to talk to him.
15:02I yearn for justice,
15:05to live in a free world.
15:09But above all,
15:11to avenge the death of the person
15:13I've loved the most in this world.
15:16My brother.
15:22Cut!
15:24We've got it.
15:26But it was great. How do you cry like that?
15:29I don't know. I cry by myself.
15:31We've finally finished the shoot.
15:33Have you noticed Laura's ability
15:35to get into character?
15:37She's had the whole team on her shoulders.
15:39Yes, it wasn't bad.
15:41She's been superb.
15:43This film will cause so much excitement
15:45that we'll have to hand out handkerchiefs at the cinema.
15:48I hope so, because we need it to be a success.
15:50It won't be. We've got a diamond in the rough,
15:53and we have to give it our all.
15:55Ballesteros, whatever you're thinking,
15:58you're scaring me.
16:00Seeing how well Laura does,
16:02I've thought of adding a few more sequences
16:04so that she can shine
16:06and the audience can better understand her character.
16:08More sequences? Don't even dream about it.
16:09I promise you, what I want to add
16:11will spur the success of the film.
16:13We can't afford one more minute of shooting.
16:16Have you forgotten we've spent a week on the set?
16:19Is that your last word?
16:21Nothing you say will convince me.
16:23There's no money, Ballesteros.
16:26What if I tell you that the expenses
16:28for the extra day of shooting
16:30can be deducted from my weekly salary?
16:33Has everything gone well?
16:37It's been perfect.
16:40Is there a problem?
16:42No, Ballesteros and I are considering
16:44adding a few more sequences
16:46so that the film's plot can shine even more.
16:48There's no problem with us.
16:50We can shoot all the sequences you want.
16:52Yes, of course.
16:54I'm going to see the screenwriter.
17:06Mom told me you needed me.
17:10What did I need you for?
17:13I wanted to remind you
17:15that you have to take to Mr. Cuadrado's office
17:17a copy of the patents for his renovation.
17:20Yes, don't worry.
17:22As soon as I have a gap, I'll take them.
17:24What?
17:26What did you say, Ivan?
17:28A gap? No.
17:31No, Ivan, no gaps.
17:33We have to deliver this documentation today.
17:36As soon as possible.
17:38You'll do better. Come on.
17:40Come on!
17:48Hey, I have a question.
17:50Where is Rodrigo?
17:52I suppose you must have re-trained him
17:55and that you won't take long to get him out of the company.
17:58It won't be necessary.
18:00That matter is resolved.
18:02Rodrigo will continue to perform
18:04the work he has done so far.
18:06I don't understand how you can trust him
18:08after what he's done to your daughter.
18:10Because I need him at my service.
18:12Period. I have no reason to explain.
18:14Today he has to wait for the reception
18:16of a new machinery for the factory.
18:19I could take care of that matter
18:21and let him take the documents to the registry.
18:25Son,
18:27you're not trained for something so complex.
18:31Look at me, Ivan. Look at me.
18:33Do what I've told you to do.
18:35Do it right.
18:37And little by little you'll earn my trust.
18:40I won't give you anything
18:42just because you're my son.
18:45Come on.
18:47To the registry.
18:50To the registry.
18:58We have the new handkerchiefs for the factory.
19:01We have the new handkerchiefs here.
19:03Would you like to see them?
19:08Hi.
19:10I brought you the shoes I borrowed to try them on.
19:13I've finally decided to go for the others.
19:15Yes, I also think they'll fit you better.
19:18I'll take this to the storeroom later.
19:25I'm sorry for my boldness,
19:27but are you okay?
19:29I say that because you're always so happy,
19:32and now I see you a little down.
19:35You could say I'm not having the best days of my life.
19:39Wow.
19:44Are you in a bad mood?
19:47I say that because I saw you earlier in the alley
19:50talking to your father's employee.
19:54Are you thinking that between Rodrigo and me
19:57there's something more than a friendship?
19:59No, no, no. I only saw you for a few seconds talking.
20:02Nothing more.
20:04Please don't say anything.
20:09What made you think that?
20:12The way you looked at each other.
20:15There are looks that can't hide what's behind.
20:18And yours was quite eloquent.
20:20Is it that obvious?
20:23Well, in the end we're all more alike than we think.
20:28I lived a similar situation.
20:31And I also had to hide my feelings from others.
20:35I know what that is.
20:38Don't tell anyone.
20:41But it's clear that we can't hide it from you.
20:45Rodrigo and I have kept our relationship a secret.
20:49But everything has gone to hell.
20:51My father saw us kissing
20:54and he took it very badly.
20:57And he's opposed to your relationship.
20:59Totally.
21:01His mentality is more appropriate than last century.
21:04The fact that he's your employee is an impediment.
21:07That's right.
21:09He has always trusted him to give him responsibilities,
21:12to take care of his work,
21:14but that he's with his daughter,
21:16that's another matter.
21:18That's not included in his plans.
21:21I see.
21:23Well, I'm sorry.
21:24I'd like to help you somehow.
21:27I hope so, but my problem has a difficult solution.
21:32If you ever need to vent with someone,
21:36you can count on me.
21:38And also with Trini, Antonia, Esperanza...
21:41Well, not so much Esperanza.
21:43She's a good woman, but it all goes to hell.
21:45Thank you, Mrs. Teresa.
21:47By the way, how is Antonia?
21:50I've heard that her husband has been operated on.
21:53Has it gone well?
21:55Yes, at first, yes, but it's still early.
21:58He's under observation.
22:00Please tell Antonia
22:03to keep me informed of any news.
22:06Of course, count on it.
22:08And if you need to talk to someone, look for me.
22:14I have to go.
22:16Goodbye, beautiful.
22:18Goodbye.
22:29Francisco.
22:31I won't be able to have a drink with you like we agreed.
22:34My mother-in-law has told me
22:36that I have to give the bottle to the child
22:38while she irons and Trini rests.
22:40Come on, you're punished.
22:42For me, who wants to make up
22:44for the little trip I made to Madrid yesterday.
22:46But Miguel, to that extent
22:48you let your mother-in-law organize your house?
22:49It's worse than a sergeant
22:51I had in the military service.
22:55I see you're very bad, Miguel.
22:57Well, I don't know how much longer I'll be able to hold on.
23:00And on top of that, Elias is not in the mood
23:02to finish the job with my mother-in-law.
23:04I've spoken to him today
23:06and he's told me that he's afraid
23:08to be rejected.
23:10What has that man been and what has he been?
23:13Well, it's just that my mother-in-law
23:15doesn't like to be rejected.
23:18Well, it's just that my mother-in-law
23:20is a stepmother
23:22and a moral failure of everyone who crosses paths with her.
23:25And that's not much, I'm telling you.
23:27So you're talking bad about my mother again, aren't you?
23:30But weren't you resting?
23:33Come on, go give the bottle to your son
23:36before my mother notices.
23:38Let's go.
23:44It seems that things are not going very well at home.
23:47There are places at war
23:49that are quieter than my house.
23:51I don't know how Leon has asked us for another family.
23:54Well, yes, because he doesn't know how to speak.
23:57I swear I can't take it anymore.
23:59Neither can Miguel.
24:01It seems that he has surrendered to Leonora
24:03because he is defeated.
24:05Yes, well, I could do a little more for him,
24:07because he's not doing anything
24:09to get along better with my mother.
24:13Maybe what your mother needs is to distract herself.
24:15I don't know.
24:17Look for someone to go for a walk with.
24:20That would relax her.
24:22I can think of a candidate.
24:24Me too.
24:26Of course, what I have to do is convince Miguel
24:28to go for a walk with my mother.
24:30Well, the other day I tried, more or less, you saw it.
24:33And look how he reacted.
24:35No, I'd better look for another one.
24:37I don't know, someone modern,
24:39who at some point...
24:41No, no, no, no, no, no.
24:43Okay, that's it.
24:45Miguel is very fond of your mother.
24:47You'd better look for another one.
24:49I said no.
24:51Really, that's it.
24:53If Miguel goes for a walk with my mother,
24:55they will get to know each other better.
25:02Antonia, how are you?
25:03How are you?
25:11Delicious the feast you have prepared for us.
25:14Dear Fermin, it is the least I can do.
25:17I have to thank you for your friendship
25:20and everything you have helped us install here.
25:22I have done it with pleasure, Emiliano.
25:24You know that I have always considered you as my brother.
25:27I also have to thank you for trusting me
25:29to invest your capital in my business.
25:31That has no merit.
25:33I have followed your career with interest
25:35and I know the smell you have to move the money.
25:39We also have to thank Lázaro
25:41for the cordial welcome he has given us.
25:45By the way, dear,
25:48I was thinking that maybe Lázaro could help us
25:51so that Paula
25:53can get along with the best of Madrid society.
25:56Our daughter needs to relate to people her age
26:00and her social class.
26:02Yes, it would not hurt her to find a good suitor.
26:07Paula is a beauty, for God's sake.
26:09She will not have any problem finding a partner.
26:11In addition to being charming and very intelligent.
26:13As soon as we present her in society,
26:15the lovers will rain on her.
26:18There is no doubt about that.
26:20Because our daughter lately
26:23has shown little tino when it comes to choosing a partner.
26:29What's wrong with you, Maruja? Why are you looking at me like that?
26:32Well, there are no secrets here.
26:34You see, we have discovered that Paula
26:37has a sentimental relationship with Rodrigo.
26:40With the maid's son?
26:42But that's nonsense.
26:44That's what we think.
26:46Fortunately, I cut him off
26:49and I have forbidden him to continue with that affair.
26:52I'm very sorry, Maruja.
26:54You have to be very upset.
26:56No, no, it's not that bad.
26:58She's a little girl who has fortunately finished.
27:00So you don't have to take things out of context.
27:03No, right?
27:05This, this is what happens in this house.
27:08Maruja always ends up finding
27:10the way to justify and consent to her children.
27:13That's how it goes.
27:16I don't think in this case
27:18I am the only one to blame for what has happened.
27:20Ah, I'm not right.
27:22Dear, I refer to the facts.
27:24Iván has turned out to be a vagrant and a peddler.
27:27And Paula, a rebel.
27:31You're going to excuse me.
27:33I've got a terrible headache.
27:36Ah, no, no, no, you're not leaving.
27:39We're not going to make our guests look bad.
27:46Lázaro Fermín.
27:50You see, dear friend, what I have to deal with.
27:54It doesn't matter, Emiliano.
27:57Anyone can get a headache.
28:00Besides, as you yourself said,
28:02we're among friends, right?
28:05Well, if you'll excuse me,
28:07I'm going to leave too.
28:09I'll let you have the drink quietly.
28:11In that case, I'll go with you.
28:13No, it's not necessary, dear. I'll take a taxi.
28:15Yes, yes, yes, no, no, I wouldn't be calm.
28:17We'll put the drink for another time.
28:19Okay, okay, Fermín.
28:21As you wish, and I'm sorry.
28:31Excuse me.
28:33What happened? Has everyone left?
28:36It seems so.
28:38My wife's hysterics
28:40has made me do another one of her tricks.
28:43It's clear that my family
28:45won't give me a second of peace.
28:48And you?
28:50Have you managed to talk to your son?
28:52Yes, I made him come this morning.
28:55I hope you've made it clear to him
28:57that he can't do anything to you.
29:00If I see them together again, Pepita,
29:03I won't answer for what may happen.
29:06Don't worry.
29:08Rodrigo is very aware of it.
29:10And I pray that he doesn't make the same mistake
29:12that I made when I was young.
29:18So Pietro is still under observation?
29:21Yes, yes.
29:23In fact, I've come to pick up some of his shoes
29:25that he had forgotten.
29:27So if there's no worsening,
29:29that's good news.
29:32I don't know.
29:34I really don't know.
29:37And I don't know what he's thinking.
29:39Well, go get the shoes.
29:42And take the opportunity to rest a little.
29:44I'm going to talk to my mother
29:46to make him some broth
29:48and we'll bring it to him later.
29:50Antonia, eat something and rest
29:52before you go back to the hospital.
29:56You're very good to me.
29:58I'm sorry.
30:00I'm sorry.
30:02I don't know why I can't believe this.
30:05Just when we were starting to be happy,
30:07we had this misfortune.
30:09I don't understand.
30:11Antonia, life is like that.
30:13Most of the time it doesn't turn out
30:15the way we expect it to.
30:17Yes, but I didn't ask for much either.
30:19A house, a job
30:21and some friends to enjoy it together.
30:24And they're going to have them?
30:26You'll see.
30:28What he can't do
30:30is become pessimistic
30:32and lose hope.
30:34Yes, it's true.
30:36I can't let him down
30:38because of Pietro or me.
30:40And if I want to ask him to be strong,
30:42I have to be strong, right?
30:44Of course.
30:46That's what I like to hear.
30:48He's not my nanny.
30:50And if he needs to cry,
30:52let me know and we'll cry together
30:53because it's easier to cry with friends.
30:56And with friends.
30:58I'll cry for you, Antonia,
31:00whatever it takes.
31:23You barely spoke in Pedraza's house.
31:26We left running,
31:28almost rudely, I'd say.
31:30And you didn't say a word on the way.
31:34What are you up to, Lazara?
31:36Don't be mean, Fermin.
31:38I appreciate your interest,
31:40but it's a headache
31:42that's been coming up
31:44as the meal went on.
31:46A headache? Is that all?
31:49I wanted to give you this.
31:51They brought it for you.
31:53Who brought it?
31:55I don't know.
31:57They left it in the display room
31:59and the girls don't know who it is.
32:01And since there's no remittance...
32:03The person who brought it
32:05made sure not to reveal his identity.
32:08Get back to work.
32:11Of course.
32:13And close when you leave.
32:24It's time to face the past.
32:28I'm finally close to you.
32:32Don't worry.
32:34Just the thought of me going to work
32:36makes me forget the pain.
32:42It's been a relief
32:44to leave that house
32:46because, no doubt,
32:48Maruja and Emiliano
32:50gave us the most tense meal.
32:52I told you.
32:54Yes, yes.
32:56And it hurts to see my friend
32:58having a hard time at home.
33:00Maybe it's related.
33:02Yes.
33:04Yes, yes.
33:06It has your name on it.
33:08Sorry for opening it.
33:10It's nothing important.
33:22Were you expecting news from a relative?
33:25Yes.
33:27From my cousin Rosita.
33:29Has she told your cousin?
33:31The usual.
33:33Complaining about the bad harvest this year.
33:37If you don't mind,
33:39I'm going out for an infusion.
33:41Of course, why would I mind?
34:01What giants,
34:03said Sancho Panza.
34:05Those you see there,
34:07said his master.
34:09Look at your mercy,
34:11said Sancho.
34:13Those who seem to be there
34:15are windmills.
34:17Can't you think of anything better
34:19than reading the kid a quixote?
34:21The sooner he gets used to literature,
34:23the more excited he'll be tomorrow.
34:25You'll only scare him
34:27with the giants.
34:28Now I can only understand
34:30the five little wolves.
34:32I'll take care of my son's education.
34:34If he doesn't like it, he'll put up with it.
34:36When he finishes the quixote,
34:38we'll start with the national episodes.
34:40You'll drive him crazy
34:42with so much reading.
34:44Yes, that's my business.
34:46Where were we?
34:48Those who seem to be there
34:50are windmills.
34:52And those who seem to be arms
34:54are the blades that, turned by the wind,
34:56make the millstone move.
34:58He has to put up with this father.
35:00He won't shut up. He'll lose his temper.
35:03I'll lose my temper with you.
35:09Bon appetit.
35:11Hello.
35:13Why don't you read
35:15the kid a quixote?
35:17It's the story of Pulgarcito.
35:19How can I tell my son
35:21to read whatever I want?
35:23That's enough.
35:25Take him to his room.
35:27Don't make fun of me, please.
35:29Ala, with Grandma.
35:32Yes.
35:34Take him.
35:36Hello, handsome.
35:42Come here.
35:44You and I have to talk
35:46because this has to be solved now.
35:48Cianuro's use is contemplated.
35:50Very funny. I'm serious.
35:52Cañete had a very good idea.
35:54I've been talking to him.
35:55My mother just needs some fresh air.
35:58That's why she should go to the Pyrenees.
36:00She'll have plenty of fresh air.
36:02I'll pay for the trip.
36:04I was thinking of something smaller and closer.
36:06Something that entertains her.
36:08I can't think of anything better.
36:10I've been thinking of...
36:14Why don't you take her out for a walk?
36:17Who? Your mother?
36:19Who else?
36:21Is that your idea?
36:24Cañete proposed that to you?
36:26No, he said my mother just needs to go for a walk.
36:31Of all the people in Madrid,
36:33I have to be the one?
36:35Think about it.
36:37We'll kill two birds with one stone.
36:39She'll get some fresh air
36:41and you'll have time to be alone.
36:43You'll get to know each other better.
36:45What do you say?
36:47Fine.
36:49I'll take my mother-in-law out for a walk.
36:51You're the best!
36:53Come here.
36:58Fermin, I think I'll go home.
37:02It'll be the only way to get rid of the headache.
37:05Your cousin's letter has made you even worse.
37:08Is the harvest so bad?
37:10No, not at all.
37:12It has nothing to do with that.
37:14That worries me even more.
37:17Why?
37:19Something's wrong with you and I don't know what it is.
37:22Nothing that can't be solved with a little rest.
37:26I'll walk you home.
37:28As you wish.
37:30Teresa!
37:32Come here for a moment, please.
37:34Is something wrong?
37:36Yes, lately you've been very distracted.
37:40Is it because of something in particular
37:42or in general?
37:43I hope that the next time you distribute the mail,
37:46each letter reaches its recipient.
37:48We can't tolerate this kind of negligence.
37:51Lazaro, a small mistake can happen to anyone.
37:54A letter that came to me belonged to my wife.
37:57No, no.
37:59Small mistakes can ruin a big company.
38:02It seems a lie, Fermin.
38:04You should be the first to ask your employees for forgiveness.
38:08I think we should go home now.
38:10You don't have to go with me.
38:12I'd rather go alone.
38:14I'll walk. I'll feel better if I get some fresh air.
38:18I'm sorry if I'm the cause of this discomfort.
38:21No, no, don't worry, Teresa.
38:23Mrs. Lazaro has had a bad day
38:25and she has to pay for it with someone.
38:27I'm used to the manager's blows.
38:31I remind you that you're talking about my wife.
38:34I'm sorry I said it without thinking.
38:37I'm behaving with her like a bad woman,
38:39as I promised.
38:40I need to trust her blindly, Teresa.
38:43Especially now that Mrs. Lazaro is affected by something
38:46and I don't know why.
39:05Come here, beautiful.
39:07Have a drink with us.
39:09Don't be afraid. You'll see how well we have fun.
39:12How did work go?
39:15Work, you say?
39:17Who wants to talk about work?
39:19But since you ask,
39:21I'll tell you that my father has done one of his things for me.
39:24He sent me to seal a document
39:26to a man's office who hasn't even gone to work.
39:29An impossible task.
39:31But tomorrow will be another day.
39:34Mercedes, take care of the bar, please.
39:37I'll take care of this table.
39:40What would you like to drink, gentlemen?
39:44No, no, no, let him take care of us again.
39:47You're not good enough for us.
39:49I'm afraid that won't be possible.
39:51In that case, you'd have to leave
39:53because the lady is very busy.
39:55I don't see him doing anything.
39:57He's not a preferred client.
40:00Are you going to tell me what I want to drink
40:02or should I guess?
40:06You don't understand me.
40:07Welcome.
40:09Mercedes is going to treat us like my name is Ivan Pedraza.
40:12That's not going to happen.
40:14I recommend you sit down again
40:16and enjoy the bar with your friends.
40:18Neither of us would like to repeat
40:20a situation we already had.
40:22That sounds like a threat.
40:24Deep down, I'm doing you a favor.
40:27How much attention will Mercedes pay you
40:29in the state you're in?
40:32I'm sure that you and I
40:34are going to end up very badly.
40:37I'm sure we won't.
40:41Because deep down, you're very smart
40:43and you know you'd end up losing.
40:48I'm bored of this conversation.
40:50Bring us a bottle of whiskey.
40:53And make it good.
40:55Not that crap you put on the panolis.
40:57And Cesar?
40:58Hurry up.
41:00We're going to drink all you've got tonight.
41:03Of course.
41:21Miss.
41:23I'm sorry, Pepita,
41:25but I haven't been able to come in all day.
41:27Yes, I know the store is doing great for you.
41:30Yes, yes, I keep selling genre
41:32and I don't even have time to put it back together.
41:35I'm very happy for you.
41:37Pepita, I know you found out what happened
41:40and that you spoke to Rodrigo this morning.
41:42That's right.
41:44And I've made it very clear what I think.
41:46Yes, I'm also aware of that.
41:48But I need to give you an explanation.
41:51I don't think it's necessary.
41:53This matter is very clear
41:55and we all know what we have to do.
41:57The only thing we're going to achieve with this conversation
42:00is to waste time.
42:02Please, let me explain myself.
42:08Sit down.
42:12Sit down.
42:21I want you to know
42:23that neither Rodrigo nor I have sought this out.
42:26We just went from being good friends
42:29to feeling something else every time.
42:31Something you should have repressed, don't you think?
42:35We never thought
42:37we were doing something wrong.
42:39And the attraction we had for each other
42:42couldn't be stopped since I came back from England.
42:45Yes, I understand that the passion of youth
42:47will take you to that point,
42:49but what you've done is foolishness.
42:51I'm surprised by your attitude, Pepita.
42:53I speak for myself and for Rodrigo.
42:55It was logical to think
42:57that my father would get angry if he found out, but you...
43:00I didn't expect you to go against us.
43:03It's best for all of us, believe me.
43:06For me, for Rodrigo, no, Pepita.
43:08I love your son with all my heart.
43:12Well, if you love him so much,
43:14the best thing you can do is stay away from him.
43:17It's a shame your sister isn't here,
43:19because I would have liked to talk to both of you.
43:22She's gone to dinner with Agustín.
43:24What are we going to do? I'll talk to her later.
43:27Tell me, how's the shoot going?
43:30It's going wonderfully.
43:32The director is so happy
43:34that he decided to write more scenes for my character.
43:37Come on, it won't be too much pressure for you.
43:40You're not even an actress.
43:42It's true that I'm not an actress,
43:44but when I'm in front of the camera,
43:46it's not hard for me to become another person.
43:49Let's see if we're going to have blood of actors in the family
43:52and we didn't know.
43:54Maybe, because when I act,
43:56I go from being Laurita to being Eugenia.
43:59I'm unable to pretend
44:01that I'm one of those who are hiding in the background.
44:04Doesn't it seem strange to you?
44:06No, it's a wonderful feeling.
44:09I love being so free.
44:11That's right.
44:12It's been a long time since your eyes shone like that.
44:15When you came back from Berlin, you weren't the same.
44:18It's true. I was a bit down.
44:21I'm not going to lie.
44:23But making this film has changed my mood completely.
44:26Well, how's Inés doing?
44:29They're giving you more roles.
44:31Isn't she a bit jealous?
44:34No.
44:36Why do you say that?
44:38Because yesterday I was worried about the reaction
44:41your sister had when Agustín told her
44:44that the director wanted to make you a movie star.
44:48I don't want the film to become a dispute between you two.
44:52No, there won't be any problem.
44:54We've talked about it.
44:56We won't let anything else separate us.
44:58Yes, but receiving so many compliments
45:01makes her think that you cast a shadow on her.
45:05That's the director's nonsense.
45:07I don't want to be a movie star and she knows that.
45:09Thank you for reassuring me, Laurita.
45:12When you two fought, I had a really bad time.
45:16I don't want to go through that again.
45:19I'm not going home.
45:21I don't know if Lázaro needs anything.
45:24Did I say that for a reason?
45:26My wife was a bit upset this morning.
45:29Nothing important. I'm leaving.
45:33Goodbye.
45:40Laura Balbuena. Who is it?
45:43Elia.
45:45Yes, I'm very excited to receive your call, but are you okay?
45:49I'm sure it's not dangerous for you to call me.
45:53Okay, I'll wait for your call that day.
45:56Of course I'll remember. I'll write it down on my agenda.
46:02I miss you a lot too.
46:05I miss you a lot too.
46:11Goodbye and take care.
46:20Don't insist anymore, Miss Paula.
46:23Rodrigo is not for you. Forget him.
46:26You can aspire to anyone you want.
46:29I can only love him.
46:31I don't understand how you can be so capricious about my son.
46:35Please, I beg you. Leave him alone.
46:38Rodrigo is not capricious for me, Pepita.
46:41I want a life with him. A future with him.
46:47You're right, please.
46:50I love you as if you were my daughter.
46:53I've had you in my arms since you were a newborn.
46:56And I've taken care of you with so much jealousy as if you were my own son.
47:00You've spent more time with me than with your mother.
47:03That's why I'm here. Because of the respect and affection I have for you.
47:08Then listen to me.
47:10All I want is to save you from suffering.
47:14Your father can be a...
47:17...implacable person.
47:19But it's not fair that he doesn't let me live my love with Rodrigo.
47:22Justice, she says.
47:25The world is not as you imagine it, Miss Paula.
47:27But we can fight to change it.
47:30I know you have a good heart.
47:32And I've always admired you.
47:34For your courage. For your intelligence.
47:38But right now, you're behaving like a real selfish person.
47:43How can you say that to me?
47:45If you insist on going on with this madness,
47:48you'll ruin their lives.
47:50And then not even all the love in the world will be enough for you to be happy.
47:55And you'll be able to go home.
47:58But Rodrigo will have lost everything.
48:01Everything.
48:03Is that what you want?
48:06To ruin my son's future?
48:17No matter what my mother says,
48:19we manage our destiny and make our own decisions.
48:21I'm very angry at my father's reaction.
48:23It's clear that right now he's willing to do anything
48:26to break our relationship.
48:28You know what's best for them? To leave the relationship.
48:30And I think they're both sensible people.
48:32It's just that your daughter...
48:34Oh, of course. It's just that when Paula does something wrong,
48:36then she's my daughter.
48:38Do you know what everyone is going to think?
48:40That you took advantage of the generosity of the gentlemen
48:42to conquer her.
48:44I love Paula.
48:46Would you like to go for a walk this afternoon with me?
48:48You and me alone.
48:50When Leonora comes, I'll tell her I can't go with her.
48:52At that moment, Elias will appear
48:54because I have a date with him when he finishes his shift.
48:56And I'll tell her that since he's here,
48:58why don't you both go for a walk?
49:00What a way to heal. What a way to handle the situation.
49:02I don't know how to tell you, Juana.
49:04We have no liquidity.
49:06So give me time.
49:08Give me a figure first.
49:11Murderer.
49:13I don't want to scare you, Fermín,
49:15but I'm pretty sure we have no liquidity.
49:17Is it really because of the state of the accounts
49:18or is it because of what you're worried about?
49:20That's why.
49:22I understand that it would bother you if the shoot was extended
49:24and that it was partly my fault.
49:26No, it's not your fault.
49:28No, I think it's great that Ballesteros
49:30is excited about you.
49:32If there's no problem, what has given you more text?
49:34The other day a friend came with a liquidity problem
49:36and I couldn't even help her.
49:38What kind of problem?
49:40Well, she needed immediate liquidity
49:42for a matter that, well,
49:44I couldn't tell her husband anything.
49:46It's falsifying her husband's signature.
49:49What do you think of the text, honestly?
49:52It's very good.
49:54It's a very simple text.
49:56I'd like us to forget what happened.
49:59So there's something to forget.
50:01I won't say another word, not even mention it.
50:03I'll take your inconvenience
50:05as the best of awards, sister.
50:07I still don't understand you.
50:09Something's going to happen between that woman and me.
50:11I don't know what, but whatever it is, it will be.
50:13It must have been Mr. Cuadrado's office
50:15Yes, I went, but he wasn't there.
50:17What do you mean he wasn't there?
50:19There was no one there.
50:21They told me they wouldn't be back for a few days.
50:23What are you saying?
50:25We don't have the documents sealed.
50:27Don't tell me now.
50:29It doesn't matter, does it?
50:31I'll be back.
50:33You don't know what you're talking about.
50:35The deadline ended yesterday.
50:37Did you lose the text?
50:39No, I have a dry throat.
50:41A glass of water for the artist, please.
50:44Come on, focus.
50:47Come on, engine.
50:51Do you have any idea what it means
50:53not to have renewed that patent?
50:55Do you know the word ruin?
50:59Ruin.
51:02Because if that was your purpose, congratulations.
51:05You got it.
51:07Ruin.
51:13Ruin.