Scara B – Sezonul 1 Episodul 6 online 14 - NEDIFUZAT LA TV- Octombrie 2024

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00:00Shut up!
00:02Come on!
00:03Fuck you!
00:05What the fuck?
00:06Just to make sure you're not dreaming.
00:07Couldn't you just shoot me in the face or something?
00:09Ok, I get it, I'm not dreaming.
00:11Jesus Christ.
00:12In the name of the Skara B owners' association
00:15and mandated by the owners' associations
00:17of the blocks L1, L5, L6 transversal and Block 0,
00:21the stairs from A to E,
00:23I order you to stop the operation of the gambling machine
00:26that you're gambling on,
00:28in the name of the NoStop store,
00:29which is under your supervision.
00:31No.
00:32How do you do it?
00:35So, you know how?
00:36No!
00:37No, no, no.
00:38I can't do it anymore.
00:39I'm done. I'm at work.
00:40Everybody's at work. I'm done.
00:41I'm done.
00:42Ok, kiss me.
00:44I'm kidding.
00:46Or...
00:48Kiss my hand.
00:49Ok, see you in the morning at practice.
00:51Yeah, yeah.
00:52Fuck you, don't come.
00:56I love you.
01:07Hey, girl!
01:08God, you scared me.
01:09Do you know any NoStop open solar?
01:11What?
01:12No.
01:13Why?
01:14Come on, girl, you always know these NoStop open ones.
01:16Yeah, girl, the pharmacies, not the solar ones.
01:19But tell me why.
01:21It doesn't matter.
01:23I need it for a...
01:25Amazon outfit.
01:27For what?
01:28For the Amazon.
01:30For what?
01:32For a...
01:33Tourist promo.
01:35In the Amazon.
01:37And what do you do with that frisbee?
01:40Xena!
01:43It's mine.
01:44I know, but we manage with what we have.
01:45We improvise from the...
01:46Existence.
01:48See, you said it doesn't help us to make a future like this,
01:51and now I'm fed up with promos.
01:53I have to convince you to use words with less...
01:56R.
01:58Tell me, do you want me to help you?
01:59No.
02:00Come on, can I film you?
02:02No, but I said no, I said no.
02:03Why?
02:04Because, first of all, I don't film anything
02:06until I fix this fat skin of mine.
02:09Anyway, you know it's not a good idea, the solar one.
02:11It's super-smart.
02:13I told you about the bad ones.
02:14It's your business.
02:16Let me see.
02:18You won't find anything at this time.
02:19It's open.
02:20I'm sure.
02:21I said I'll take care of it.
02:23Listen, go to bed and we'll go together in the morning.
02:26Do you want to?
02:28Come on.
02:30Fine.
02:48You guys are unbelievable, you should never do this.
02:51Listen, when is the meeting?
02:52Did you notice?
02:53What?
02:54I never give you a raise.
02:55I don't know, I pay with my card.
02:57You never get a raise.
02:59Never, but never.
03:01I don't know, bro.
03:02How do you pay cash in 2024?
03:04It's not about that, it's about the principle.
03:06Come on, I'll give you 50 bucks.
03:07It doesn't even say anything.
03:08It assumes it's ok.
03:10Oh, so it really says something.
03:12What?
03:13That you actors are a pain in the ass.
03:14Shut up, shut up.
03:15Hello, hello.
03:16Hello.
03:17Actors, actors, actors.
03:19He doesn't even know he's an actor.
03:20Does anyone know?
03:22Wow, thank you very much.
03:24A true friend.
03:26But are you really an actor?
03:29What do you mean?
03:30Well, you have studies, school, a license.
03:32Yeah, but are you insensitive?
03:33I don't know, I don't know anything.
03:34But maybe you won't get away with this,
03:35because after that I won't get away with it.
03:36Yeah, man.
03:37So you're an actor, huh?
03:38Shut up.
03:39Come on, I can't hear you.
03:40Hello.
03:41See, he's old.
03:42Bye.
03:44Tell me, boss, when is the meeting?
03:45What meeting?
03:46About the apartment.
03:47Oh, I didn't hear.
03:50Be careful not to get sunburned.
03:54At least he'll get sunburned, right?
03:59Hello.
04:00Hello.
04:01Hello.
04:02Come on.
04:06Hello.
04:07Are you coming to the meeting?
04:08What meeting?
04:09It's the apartment meeting.
04:10Yes.
04:11No.
04:12Why yes?
04:13Listen, are you paid?
04:14What?
04:15To give us this meeting,
04:16this shitty meeting.
04:19Bye.
04:20Bye.
04:21See you downstairs.
04:23See you downstairs.
04:24See you...
04:26downstairs.
04:27That's what Naspa said, right?
04:29See you downstairs.
04:31I yelled after her.
04:34If you're playing with a singer,
04:35I understand why no one knows you.
04:36No, no one knows me.
04:37Vlaga doesn't know me.
04:38Vlaga is no one, right?
04:39And anyway, you see, be careful.
04:41Don't spit where you eat.
04:43Why should I spit where I eat?
04:45I mean, in the same workplace
04:46and in the same block,
04:47all at the same time.
04:48Why should I spit at the workplace?
04:49I mean, only if you're a football player, maybe, but...
04:51Sometimes you surprise me.
04:53In a stupid way.
04:54So be careful.
04:55Don't get involved with a girl
04:56who is in the same environment as you,
04:58in the same workplace as you,
05:00or in the same block as you.
05:03Or in the same family as you.
05:06Yeah, I think you're the one
05:07who didn't realize this last time.
05:11Bye.
05:12Bye.
05:13Bye.
05:17Bye.
05:34You're very beautiful.
05:39Your laugh is so beautiful.
05:42And your skin, so white.
05:45Your skin is so white.
05:50So white.
05:56You are beautiful.
05:57No, wait.
05:58Wait, wait.
05:59What are you doing?
06:01Wait.
06:12Good.
06:13Well, first of all,
06:14thank you for...
06:17Ah.
06:18Good evening.
06:19Excuse me, excuse me.
06:20It seems we have artists among us.
06:24What the hell?
06:25Is this an artist?
06:27I think so.
06:29What artist? An actor?
06:31I think so.
06:33Is this fridge an actor?
06:35I think so.
06:36What a joke.
06:37I think so.
06:38I think so.
06:39What a joke.
06:41And the throne?
06:43I think so.
06:45I saw you recently in...
06:48in the beer commercial with Drumeția.
06:51Ah.
06:52With Drumeția, yes.
06:53Yes, with Drumeția. Very beautiful.
06:55Remarkable role.
06:57Listen, didn't you get drunk while filming?
06:59Because I think there were more takes.
07:01Yes, during training.
07:02Stop it.
07:03It's not a beer with alcohol.
07:05It's without alcohol.
07:06Ah, without alcohol.
07:07Listen, how was the foam of two fingers in the glass all the time?
07:11I was really wondering how the foam was.
07:14Really, maestro.
07:15Tell us, how do you do it?
07:18Well, it's still a beer, right?
07:19And that one without alcohol, you do it.
07:20And anyway, you put some glycerin in it.
07:22He put glycerin in the beer?
07:23Yes, and that one stays tight.
07:25Incredible.
07:26Anyway, you interpreted it extraordinarily.
07:28Very, very true.
07:31Sir, can we move on to the subject?
07:32Because some of us still have work to do.
07:34Don't rush it, it's getting stuck.
07:36Come on, say it.
07:37Yes.
07:38Of course, as far as I'm concerned, and my program is very busy,
07:42that's why I wrote down a few things to be a little more efficient.
07:46I called the meeting,
07:48because after a financial and budget analysis of the funding fund,
07:53referring to the location units where we are located,
07:56we came to the conclusion that the budget is insufficiently secured
08:02to ensure a decent subsistence condition
08:09for the winter period that will follow.
08:12What do you want?
08:13That we don't have money.
08:15Affirmative, we don't have it.
08:19Analyzing the financial recovery options...
08:22Because it's intersecting.
08:25It's intersecting in essential points of need to have a decent living.
08:30He's shy.
08:32With shyness?
08:34I'm starving in this job.
08:36You deserve this humiliation.
08:39To tell me that there is no destiny.
08:41Keep up the good work.
08:44We have come to the conclusion that the best option for the block where we are located...
08:48Be serious for a moment.
08:50Do you know what this job is like?
08:52The hat of love.
08:53Steal it if you want.
08:56Tell me, what do you want?
08:59He has a new project.
09:02Yes, the hat of love.
09:04Taking into account, as I said,
09:07that in our community we enjoy a cultural diversity.
09:12He sounds familiar, but I don't know where to get him from.
09:16Well, he's practically the hat of love,
09:18but he lives in the countryside.
09:21Interesting.
09:22And who are they?
09:24Him.
09:25Him, the hat of love.
09:27Really?
09:28Yes.
09:29They are people with different needs,
09:32which are not, however, so different.
09:37Then...
09:39Then...
09:41It's hard.
09:42It's hard.
09:43Because they intersect.
09:46They intersect in the essential points of the need to have a decent life.
09:51Look how we do it.
09:52He comes to me with the text, we talk to him,
09:55and after 50 years, I think I have a word to say, right?
09:58Fuck you!
09:59I even saw a hamlet, a frisian, a hotel.
10:02Oh, what a costume I had.
10:04Thank you very much.
10:05Well, be serious.
10:06Chance.
10:07These vocational studies, these jobs,
10:10don't they matter to me?
10:11By the way, do you want a patio?
10:13Yes.
10:14Perfect.
10:15Keep it, it's good for the pension.
10:16This is not what matters, but the opera.
10:21The opera of an artist matters.
10:23The value doesn't come from the number of years.
10:33Show me the diploma.
10:34I'll show you.
10:37Anyway, short 2.
10:39The solution I thought of is the installation of photovoltaic panels on the roof of the block.
10:45Panels that, of course, will exert an additional pressure
10:49on the fund and the total budget on a short-term basis,
10:53but on a medium-long and very long-term basis,
10:56it would lead to a decrease, if not a drastic decrease,
11:00of the expenses, of course, after the amortization of the initial investment.
11:05How long would it take?
11:07It's hard to make an estimate considering the number of variables.
11:11How long, dear?
11:1230 years.
11:14It's good, it's cool.
11:15What?
11:16We'll catch them.
11:17From the pit.
11:18It's a bad idea. We won't do it.
11:21Something else.
11:22I welcome this initiative.
11:24Don't start with your welcomes.
11:26Did you forget how you greeted the foresters on the roof of the block?
11:29It wasn't me.
11:30Sir, don't we have a functional intercom at the door of the block
11:32and we want photovoltaic panels?
11:34What?
11:35Solar panels, I mean.
11:37Who wants solar panels? What do we do? Do we install solar panels?
11:39Do we want solar panels?
11:40Yes, yes, yes.
11:41We want solar panels.
11:42We want solar panels.
11:43Let's vote.
11:44No, no, no.
11:45One, two, three.
11:47Are you sleeping?
11:48No, no.
11:49Four, five.
11:53No.
11:54Six.
11:55Ha!
11:56Ready?
11:57Voted?
11:59You're all crazy.
12:00I don't pay for such things.
12:02The mayor voted.
12:04Be careful.
12:05You're alone.
12:06It's my park.
12:07You can't...
12:10He voted.
12:12You're special.
12:14But stupid.
12:17You're stupid.
12:41Boss, there are three of them.
12:43So?
12:44Isn't the barista coming out of the cafe?
12:46No.
12:47I don't like her anymore.
12:48Why?
12:50She's got something weird on her nail.
12:52Come on, you found it by accident.
12:56What is it?
12:57She's got something weird on her big finger nail.
13:00I think it's a mushroom or something.
13:02On her foot?
13:03Yes.
13:04Because she's making coffee with her foot.
13:07Maybe she's wearing sandals, that's what you saw.
13:09No, on her hands.
13:10She's got something weird on both of her big fingers.
13:12Ah.
13:16Maybe she hit her with the hammer.
13:18With...
13:20The hammer, I mean the knife.
13:22With the hammer.
13:23Come on, man!
13:24I got it.
13:25She hit both of them?
13:27You're an odious man.
13:28Not as odious as those nails.
13:31Hm.
13:41Oh!
13:43Good day, Mr. Vlaga.
13:46The actor next door.
13:50Hey, what are you doing?
13:53Look at the tablecloth.
13:55Holy reading.
13:57I don't have a tablecloth anymore.
13:58Forgotten for a long time.
14:02Hey!
14:04Thank you, thank you.
14:05I don't have a tablecloth.
14:06No, no, no.
14:07I'm not staying, I'm not staying, I'm not staying.
14:11Bravo, my love.
14:13My love, I'm sorry.
14:14I got carried away.
14:16Why did I bother you?
14:18Now that I heard that we're...
14:20How do you say...
14:21Dan.
14:22Danuts!
14:24Danuts sounds good to me.
14:25Now that...
14:26Dan, the captain of the ship.
14:27Now that I heard that we're...
14:28Colleagues, right?
14:30Yes.
14:33Oscar!
14:34Congratulations!
14:35It would be hard, but beautiful.
14:38I have a...
14:39I wanted to...
14:40I'm sorry for bothering you.
14:41I was just wondering...
14:42If it's possible for you to...
14:43You know...
14:44You hear...
14:45Occasionally...
14:47About this...
14:48Casting.
14:49I prayed a lot for you, my love.
14:51My dear.
14:52I have a more free time now.
14:55And if somehow...
14:56Wait a minute.
14:57Let me give you something.
14:59Look at this.
15:00Dracula, the sorcerer...
15:03Next to the bear.
15:05Please.
15:06Dracula, the sorcerer next to the bear.
15:07You see?
15:08A more free time.
15:09And if somehow...
15:10You hear?
15:11I'd like to go on a show in the ring.
15:12To...
15:13Take them all.
15:14To...
15:15To flex...
15:16The muscles with the young man.
15:17With...
15:18That 50-year-old talk.
15:19You realize what a costume I had.
15:21You know?
15:22In the end.
15:23If somehow it's heard, in the end, right?
15:24Yes, of course.
15:25Don't worry.
15:27Thank you very much.
15:29Siphon.
15:30Wrong.
15:31Filled.
15:32Yes?
15:33I kiss you and let's hear...
15:34Only from me.
15:36It's filled.
15:37Yes?
15:38Yes.
15:39Hey!
15:41Cheers.
15:42Cheers.
15:43Cheers.
15:54The gates of hell are open to you, Dan.
15:56Oh, that one from a long time ago.
15:57You know who's waiting for you there, right?
15:59No.
16:00Dracula.
16:01Oh, God bless you.
16:02But how do you do it?
16:04What?
16:05Why are you so nervous?
16:06Do you have a job?
16:07A show in the ring?
16:09Casting.
16:10Oh, so you could really help him.
16:12Of course.
16:14Well, take those two business cards with you.
16:16What's wrong with you?
16:24Oh, man.
16:41Oh, God.
16:54Pussy.
16:55Bandit.
17:10Pussy.
17:11Bandit.
17:18Pussy.
17:19Bandit.
17:26Hello, Mom.
17:29I'm sorry.
17:34What's wrong, Mom?
17:41What are you doing, Mom?
17:42Taking pictures?
17:43I'm trying.
17:44But I can't.
17:47Let me help you.
17:48Really?
17:50You're so sweet.
17:52Thank you, darling.
18:03Mom, why aren't you smoking?
18:06I'm making a fool of myself.
18:08I made a fool of myself at the wedding.
18:10Why?
18:11And what's with that doll?
18:13And what's on her face?
18:15Mom, what's with the pictures?
18:19Who are these pictures for?
18:21It's for Nayan.
18:27Nayan?
18:29Nayan?
18:30Yes, Nayan.
18:35Nayan?
18:36Nayan, my Indian friend.
18:41Of course.
18:42For Nayan, your Indian friend.
18:45Mom, do you think we should start taking those pills again?
18:50No, no, no.
18:51You should know that last night I ate very little.
18:54Almost nothing.
18:55Not those pills.
18:56The other ones.
18:58There's no need.
19:00Nayan is a very nice man from India.
19:04I've known him for a while.
19:06He's very nice and he asked me to send him some pictures.
19:10And where did you meet him?
19:12On Instagram.
19:14Instagram?
19:15Yes.
19:16Mom, you don't have Instagram.
19:17Yes, I do.
19:19You gave him a gift.
19:21Your phone.
19:22Here you go.
19:42Dani!
19:44Lucian!
19:48What are you doing?
19:49Still on the phone?
19:50Yes, you?
19:53Still on the phone, still on the phone.
19:55Yes, yes, yes.
19:57Are you coming in?
19:58We're almost done.
19:59We were waiting for you.
20:02Come in, Maestro.
20:04Thank you very much, Maestro.
20:06All the best.
20:07See you.
20:11Hello.
20:15Drink, baby.
20:21Hello.
20:22Hello.
20:23Here are your papers.
20:24Yes, thank you.
20:25But you see, the director is shorter, like this.
20:28Without the mustache, more on the nose, more on the mouth, right?
20:30Listen, but who am I talking to?
20:35Hello.
20:37Hello.
20:38Hello.
20:48The butcher next door!
20:57Or I should say...
20:59The son.
21:03Here you go, for you.
21:08No, no, no, no.
21:10No, no, no, no.
21:39That's right, Mom.
21:49Who needs money?
22:05Mom, are you crazy?
22:07What in God's name?
22:08Did you even think about the kids?
22:10They even went to the news.
22:12It's the classic scheme.
22:13They ask you for money and you don't give a damn.
22:16At least a penny.
22:17What in God's name?
22:18You're not a kid.
22:22I'm sorry.
22:24You don't have to be sorry, Mom.
22:25I'm sorry I yelled at you.
22:28I'm sorry you're so cynical.
22:32You're too young to enjoy life.
22:36That's what upsets me.
22:38Mom...
22:39Naiana exists.
22:40Believe me.
22:41And she'll come.
22:42Because I believe her.
22:44Please.
22:45Don't tell me that.
22:49And if you want to know,
22:51I already bought her a ticket.
22:53And she's coming.
22:55On the 27th.
22:58Today is the 27th?
23:00Yes.
23:05She's bringing me the year, she's bringing me the hour.
23:09Look, my dear.
23:11Do you know...
23:12What's up with this director?
23:14He's like...
23:15What artistic coordinates does he have?
23:17Of course.
23:18For me to know how to read,
23:19I didn't have time to look at my text.
23:21I was like...
23:22I can't type.
23:24I heard he worked at the Globus Circus for many years.
23:30What?
23:31Yes.
23:33At Globus?
23:35You know what I did?
23:36I worked...
23:37For 6 years I was the director at the Stockholm Circus.
23:39After the revolution, of course.
23:41I had a number with...
23:44You said it like that.
23:45I had a number with a bear.
23:46A big one.
23:48A big bear.
23:49On his arms, on his eyes.
23:51A big one.
23:52Sensational.
23:53The world was crazy.
23:56The poor thing.
23:58It's not good.
23:59He likes more flamboyant interpretations.
24:03Look.
24:04Who told you it's all on the street?
24:07I'm glad.
24:08I'm glad.
24:09And I'd like to...
24:10You know, we'll make a lot of movies together.
24:13You know how we do it?
24:14We split the money.
24:15We make a lot of money.
24:17Bob the Soap.
24:18Bob the Best.
24:19One hand washes the other.
24:20Bob washes both of us.
24:24Solar is here.
24:25Come on, beauties.
24:26Come on, come on.
24:27Come on, beauties.
24:28Jane.
24:29Let him down.
24:30He's cutting my hair.
24:31Come on, let him.
24:33Oh, no.
24:35Come on, let him down.
24:36Come on.
24:37It's better this way.
24:43Who died?
24:44Olive again?
24:45Come on, no one died here.
24:47Opportunism died.
24:49I mean, the elitists.
24:52Open the door.
24:53Don't stand there like an idiot.
24:57Come on.
24:59Come on.
25:00Hello.
25:01Yes, yes, yes.
25:02Hello, darling.
25:03No, no, please.
25:05At the circus, everything is attitude.
25:08Attitude, attitude.
25:09Smile.
25:10Smile.
25:13Come on, sit here.
25:14Please.
25:15Let's have a drink.
25:16Let's be friends.
25:17But over there, I don't have a mom, I don't have a dad.
25:20Arena, dad.
25:22Get on your feet.
25:24Come on.
25:25Okay?
25:27Come on.
25:31Gentlemen.
25:33Come on.
25:34Let's...
25:38Oh, my God.
25:43It seems that my fears have come true.
25:48What's wrong with him?
25:49It's been a long time.
25:51Gentlemen.
25:52We'll have to take Hardu Ghia to the stairs.
25:54What?
25:57No, no, no.
25:58No, no, no, no, no.
25:59Only me and Jean.
26:00No excuses.
26:01It's not even possible.
26:02I think I'll leave you here and you'll figure it out.
26:04I'll go to the bathroom and...
26:05Jean, he's the father of the star.
26:07It's not possible.
26:08He didn't leave until yesterday.
26:09Wait, wait, wait.
26:10Wait a minute.
26:11But...
26:12What if we call more people?
26:15Exactly.
26:18Hello?
26:20Family BEM?
26:22I'm calling from the administration.
26:24French.
26:27Do you want some milk?
26:28I brought you some milk.
26:29Hello.
26:31Hello, gentlemen.
26:32Good day.
26:33Good day.
26:34Long live.
26:35Here you go.
26:36Good day.
26:39If I can't put this on?
26:42Yes.
26:43Please show it to me again.
26:47Welcome to Circus Stockholm.
26:54I'm Alassad Dina.
26:56Phone guy.
26:58Artist.
27:02Welcome to Circus Stockholm.
27:05Please put your phones down.
27:08Silence.
27:12I've been a director at the circus for 6 years.
27:14Wow.
27:15Very nice.
27:17Can you please stand next to each other?
27:20Us?
27:21Yes, us.
27:22Hello, Dragos.
27:23We know each other.
27:24Long live.
27:28Yes, right?
27:29Yes, yes.
27:30It could work.
27:32Yes.
27:34If you want...
27:36Yes, yes.
27:37They really look alike.
27:38Perfect. We look very much alike.
27:42Even the hair looks alike.
27:43Yes, yes. They all look alike.
27:45Let's do a filmed rehearsal.
27:47I didn't understand. Filmed?
27:49Yes, yes. We're rehearsing. We're not stressing out.
27:51We're not stressing out.
27:53We're not stressing out.
27:55We're not stressing out.
27:59We're not stressing out.
28:03Let's go.
28:05Yes, yes, yes.
28:06Yes, yes, yes.
28:08Perfect.
28:10Come on, brother.
28:11With talent.
28:12We're going to lose that one at the wedding.
28:15Sister,
28:16I have the impression that you didn't understand
28:18exactly how the camera works.
28:20It's...
28:21No.
28:24Look at him. He's waiting for the train at 14.
28:27We're waiting for the meeting.
28:28Yes.
28:29The meeting.
28:31And how long are we waiting for you to...
28:33Susu!
28:34You're talking to me.
28:35Yes, ma'am.
28:36Remember that at the beginning of the meeting,
28:38you have a maximum of 4 minutes.
28:39Otherwise, you'll end up like Jeanne here.
28:42Tell me, Jeanne.
28:43What?
28:44Tell me, how much did you put in?
28:46Ah, at the liver?
28:48At the solar, man.
28:495 minutes.
28:51Is he here?
28:52So, where are you taking him?
28:53Be smart, my daughter.
28:55Ladies first.
28:56Bitches after.
28:57But it's not right.
28:58Yes, we're late for college.
28:59And so are we.
29:00Hey, wait in line.
29:01We're the first ones in.
29:02Hello, hello.
29:03Are you talking about solar?
29:04Yes.
29:05Families have priority.
29:07Oh, come on.
29:08When will this beauty get used to it?
29:09At the pool, that's how it is.
29:10Well, go to the pool then.
29:12And leave us alone.
29:13Listen, I want solar.
29:14It's like you're against it.
29:15Do you want solar?
29:16I paid for it.
29:17I'm using it.
29:18I'm using it.
29:19I'm using it with everyone.
29:20Listen, don't get mad.
29:21If you're still fighting,
29:22don't let us be the first ones in.
29:24No one can see each other.
29:31Do you really believe in this solar thing?
29:33Yes.
29:34Suria!
29:37The sun
29:38is the only one
29:40that wants to control us.
29:43What are you doing at the meeting, sir?
29:44You're saying hello to the initiative.
29:46Are you mad?
29:47I never said anything like that.
29:49Did you forget?
29:50Did you forget?
29:51Gentlemen, let's not argue.
29:52I propose we put the number in the garage
29:54and I promise I'll take care of it personally.
29:56Let's organize it.
29:57What do you mean?
29:58After I paid for it,
29:59the garage will be gone?
30:00Come on, enough, enough, enough.
30:01Yes, take it.
30:02Come on.
30:03I got the idea.
30:04Hop, up with him.
30:05Up.
30:06Come on.
30:07You needed solar.
30:08I have a Scolioza Galopante
30:09on the brother line
30:10and I'm not allowed to get close to it.
30:12Scolioza, huh?
30:13We're getting up without it.
30:14But you're not using it.
30:15I don't even want it.
30:16Come on, come on.
30:17On three.
30:18One, two, three.
30:19And...
30:20Come on, come on.
30:21Wait, wait, wait.
30:22Wait, wait, wait.
30:23Come on.
30:24Come on.
30:25Come on.
30:26Come on.
30:27Come on.
30:28Come on.
30:29Come on.
30:30Come on.
30:31Come on.
30:32And we're off.
30:38Dad?
30:39Yes, son?
30:41Stop, stop, stop, stop.
30:42Don't forget to answer.
30:44Hold on to the text.
30:45I'm begging you.
30:47I thought if you told me to sit down,
30:49I should tell him, son.
30:50He took a break.
30:51That's it.
30:52That's it, forgive him.
30:53Let's do another one.
30:54Sorry, sorry, sorry.
30:55No problem.
30:56And we're getting ready?
30:58That's it.
30:59Let's go.
31:04Dad?
31:06Your mom's in jail.
31:08Hey!
31:11You're kidding!
31:14No, I'm not kidding.
31:15It's true.
31:18Open your mouth.
31:20Bite your tongue.
31:24You just got a pig.
31:32Dad, I'm not kidding.
31:34It's true.
31:35I saw her with my own eyes.
31:37You're lying.
31:38You're lying because you're jealous of my happiness.
31:42This is my happiness.
31:45And I don't give it to anyone.
31:47Stop, stop, stop.
31:48And I don't give it to anyone.
31:49Stop, stop, stop.
31:53So,
31:55in this sequence, you find out that your wife is cheating on you.
32:03And this bothers you.
32:06It's bad.
32:07It's bad.
32:09And if possible, with less circus.
32:13I got it.
32:15It's a serious sequence.
32:17Drama.
32:18Drama.
32:19I got it now.
32:20I got it.
32:21And if possible, a little more natural, please.
32:23100% natural.
32:25And more relaxed.
32:26Colombia.
32:30Watch me.
32:31We're sending this to Venice.
32:32Directly with the condola.
32:34On Canal Grande.
32:38We'll get ready and go.
32:43What the hell?
32:44What the hell did they do to you?
32:465G.
32:47Excuse me, but how many floors do you have here?
32:50Floor-to-ceiling or floor-to-ceiling?
32:52We're afraid of mistakes, kids.
32:54Okay, guys.
32:55Don't you want us to help you?
32:57It's easier that way.
32:58It doesn't cost anything.
32:59And maybe I'll take the stairs to guide you.
33:01Hey, girl.
33:02Why are you walking like that?
33:04Haven't you heard that old people have priorities?
33:07That's for the R.A.T.B., Mom.
33:09What are you doing, Mom?
33:11Wait, girl.
33:12Do you know how long I've been living in this block?
33:15How long?
33:16A hundred years.
33:17A hundred times what I'm giving you now.
33:19Look, the Kurds came to make us the new law in the block.
33:23Sir, wait a minute.
33:24How dare you talk to us like that?
33:26If you really want to know, we're students and we work in tourism.
33:29In tourism.
33:30Hello, hello.
33:31No insults, please.
33:33Silence!
33:34Silence, please!
33:36How can we organize a functioning program for this tanning station
33:40so that everyone can enjoy this artificial tanning installation equally?
33:46Here we go again.
33:48So that the old people, for example...
33:50But you're making fun of us, aren't you?
33:52...can tan every day between 12 and 14 o'clock...
33:55Just like during the pandemic!
33:57...so that the kids can tan together for a better efficiency of their services...
34:03We pay four for the maintenance!
34:05Enough with this communism!
34:07Are you fed up with everything?
34:09Who pays, gets tanned!
34:11Capitalism!
34:13What a mess!
34:14Bill Gates, Serash...
34:16Goddamn it!
34:17What do you mean?
34:18We pay to tan?
34:19Didn't we buy it?
34:21How else can we get our money back?
34:24What do you mean?
34:25But...
34:26The lady has the right.
34:28Excuse me.
34:30Guys, please, help us out!
34:36Yes!
34:37Joanne, let's go!
34:38The tanning station has chosen you!
34:41Come on, let's go!
34:43Come on, let's go!
34:44I have to stay here a little longer, so that I can guide you!
34:50Dad...
34:52Mom...
34:53is mad at you.
34:56You're kidding.
34:58I'm not kidding.
34:59It's true.
35:04You're lying!
35:07You're lying!
35:09Dad, I saw it with my own eyes!
35:11You're lying!
35:12You're lying!
35:13You're lying!
35:14You're lying!
35:15You're lying!
35:16How can you lie, you gold digger?
35:18You're envious of my talent!
35:23I kick you out of the building!
35:26I kick you out of a new building!
35:29You're lying!
35:31You're lying!
35:32Stop, stop, stop!
35:36Stop.
35:41It was very, very good.
35:43It was very good.
35:46Very good.
35:47I've never seen Dan so good.
35:49Well done, Dan.
35:51It was very good, Dan.
35:52Well done.
35:53It was very good, the experiment that lifts you up.
35:57It was for you, Nelu Dracula, and...
36:01the sorcerer next to Oz.
36:08Come on, please.
36:09Did he call you for the money?
36:11Yes.
36:13Phone number?
36:14Thank you, thank you.
36:15Venice, on the channel.
36:16Perfect.
36:19I have the gondola.
36:21Does it take much longer?
36:22I've put some candles on the fire.
36:25Come on, let's go, boy.
36:28Come on, come on.
36:31Faster.
36:38Finally.
36:39Yes, God.
36:40Come on, faster.
36:42Look at those beautiful cables.
36:45Red, yellow and blue, like in Romania.
36:48Take my hand, take my hand.
36:49Good people.
36:52I will be the sacrificial lamb
36:55that will pass the fire test.
36:58And if the shepherd supports me...
37:00Get out of here, sir.
37:01No, no, no.
37:02I propose we organize ourselves on the floors.
37:05Where are you going, sir?
37:06Where are you going?
37:07Get out of the way, or I'll hit you hard.
37:09Please, leave him alone, dear.
37:10But we can...
37:11we can offer education for the children.
37:14Shut up, I've seen what you're made of.
37:16Calm down, Vera.
37:18What did you say?
37:19What did you say?
37:20Honey pancakes.
37:21You're lying.
37:22That's not what he said.
37:23Ilie, please.
37:24Did he say everything against me?
37:26Including my family?
37:27See? He started.
37:28They started to control him.
37:29He took her away.
37:30He attacked his own family.
37:31Should I start again?
37:32Should I start again?
37:33It's not enough for you?
37:34Do you want more?
37:35I don't understand what they need.
37:37Maybe it's better to...
37:38But I don't think I really need them.
37:39Really.
37:40You just make them blacker.
37:41Not more beautiful.
37:43What did you say?
37:45David, shut up.
37:46David, shut up.
37:47David, shut up.
37:48David, shut up.
37:49David, shut up.
37:50I'll make a chain around him.
37:51Get out of here.
37:52Get out of here.
37:53I want my money.
37:54Get out of here.
37:55Get out of here.
37:56Get out of here.
37:57Get out of here.
37:58Hello.
38:00Is it free at the cell?
38:01Get out of here.
38:02He's got money.
38:03He's got money?
38:04Yes.
38:08How much is it?
38:11Good job.
38:18Oh my God, it's as small as a finger.
38:22Naian!
38:26Naian, my dear.
38:28But you're so black.
38:31What did he say?
38:32He says she's black.
38:34Bravo.
38:35Oh my goodness.
38:36This is exactly like in India.
38:38Dear God, it's exactly like in India.
38:40Carmen, you lied to me.
38:41Carmen, you lied to me.
38:43No, my dear.
38:44How could you?
38:45How could you?
38:46How could you?
38:47No, Naian.
38:48No, Naian.
38:49We know that too.
38:50Tell him.
38:51My son was right.
38:52My son was right.
38:54No, Naian.
38:55You only tried to trick me.
38:57You only tried to...
39:00Sorry, what did you say?
39:01Trick.
39:02Trick me.
39:03Ah, trick like...
39:05Yeah.
39:07You only tried to trick me.
39:09No, Naian.
39:10It's not true.
39:11It's not true.
39:12No.
39:13Goodbye.
39:14Bye.
39:16What did he say?
39:19He said you should let me go first at the solar.
39:22He's exaggerating.
39:23He's playing with us.
39:24We're not stupid, you know?
39:25No, no, no.
39:26No, no, no.
39:27Go away.
39:28Gentlemen.
39:29Quiet.
39:30Quiet.
39:33You'll thank me later.
39:35He's ruined it.
39:36Oh, boy.
39:37Oh, boy.
39:38Oh, boy.
39:39Oh, boy.
39:40Oh, boy.
39:41And now, ladies and gentlemen.
39:42Hey.
39:43Quiet, please.
39:44The Trescar Award for the best main act...
39:47is awarded...
39:48immediately, immediately...
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