船越英一郎の昭和再生ファクトリー 2024年10月10日 【#23 久保田磨希の亡き義父のカメラを再生】
船越英一郎の昭和再生ファクトリー 2024年10月10日 【#23 久保田磨希の亡き義父のカメラを再生】
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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Short filmTranscript
00:00What kind of era was Showa for everyone?
00:06This program is a program that looks back on Showa items, Showa places, and Showa people.
00:17It is a program that brings back memories of the good old Showa era.
00:26Ichiro Funakoshi's Showa Play Factory
00:34Good evening, I'm Ichiro Funakoshi.
00:36I'm Marin Sakata.
00:37This time, I heard that a certain celebrity requested a play.
00:44A celebrity?
00:45You've been waiting for this style, haven't you?
00:47I've been looking for people from the entertainment world and viewers to play this.
00:54I've been looking for it for a long time, and I finally got it from the entertainment world.
00:58And you yourself requested a play for this program.
01:03The actress is Kubota Maki.
01:08She became very popular for her role in the O-OKU drama.
01:12Actually, I've been around a lot of dramas.
01:16What did Kubota Maki want to play?
01:22I'm curious.
01:23And what kind of memories did she have?
01:26Let's go.
01:28Showa Play Factory
01:31Kubota Maki's Showa Play Factory
01:34Kubota-san came to hear the story of the staff who received the request to play.
01:42In fact, Kubota-san requested a play as one of the viewers of the Showa Play Factory.
01:49I really like Showa stuff.
01:52I really like the things that were made with the soul of each one, such as playing the futon that my mother-in-law gave me.
02:07What Kubota-san wants to play this time is...
02:11It seems that she was sleeping in her husband's house next door.
02:15She was sleeping there.
02:18When I opened the box, I didn't know what it was at first.
02:23But I thought it might be a camera.
02:26At first glance, I don't know if it's a camera or not.
02:30I heard that she was sleeping without being used for many years because of the white dirt everywhere.
02:37I didn't touch it because I thought it would break it even more if I touched it.
02:42When I asked my mother, she said it was about 50 years old.
02:46So I said,
02:48By the way, what kind of memories does Tatsuya-san, the husband of this camera found at his parent's house, have?
02:56I don't remember much.
02:59I've never seen it before.
03:02I was so surprised.
03:04When I asked my mother, she said she used it a lot.
03:09We lost it in the second year of our marriage.
03:14The camera used by Akira-san, the late father.
03:18There are a lot of photos taken with this camera.
03:22When I was a kid, I was taken to the park.
03:25I went to the campsite and gathered with the children and took pictures.
03:29At that time, the camera was precious, and I don't think I took pictures that often.
03:33Now that I think about it, it was rare.
03:36He was married in 2018 and had a daughter in the first year of junior high school.
03:43Mr. Kuboto saw his husband and daughter and felt the shadow of his father.
03:49I've been going to the countryside for work since I was a kid.
03:54At that time, I was alone with my daughter.
03:58We went to a lot of places together.
04:03I felt like I was pouring in the love I received from my father.
04:11I've never been anywhere with my father alone.
04:15I was so envious.
04:17Kuboto-san, who longed for family love.
04:20It is said that Kuboto-san was loved by his father for several years before he died.
04:27I don't know what it's like for an actress to be a wife.
04:34I've never been criticized for being busy at work, including my mother.
04:41Not even once.
04:43Rather, people who tell me to do my best.
04:48Even now, I think they support me.
04:54Akira-san, the father who was full of love.
04:57There's a little bit of a strange thing going on between his father and Kuboto-san.
05:02I'm going to say something weird.
05:04He came to my bedside on the night of the day he died.
05:10I said, Takeya, nice to meet you.
05:12It's true.
05:14I thought he was really loved.
05:20Anna-san and Kuboto-san's beloved father, Akira-san's camera.
05:25Will it be able to play?
05:31Was the memory camera able to play?
05:35Kuboto-san reported to his father.
05:38It's the camera I borrowed the other day.
05:42There's a lot going on.
05:44I've put it all together in a video.
05:48I'm going to play the memory camera.
05:50First, let's investigate the camera.
05:53At the auction site, the same camera is on display.
05:58There's a Polaroid and a 120 on it.
06:04I'm going to investigate the camera shop that supports me with these two pieces of information.
06:09Unfortunately, I can't help you.
06:13I haven't been able to repair the Polaroid camera.
06:17It's hard to investigate.
06:21This camera I borrowed this time.
06:23The Polaroid camera that was released in 1936.
06:27It's a camera called Polaroid Land 120.
06:30It's a different structure from the general camera and the Polaroid camera at the time.
06:35It's hard to get a hold of it.
06:38I started looking for it in the Kanto area.
06:41Gradually expanding the area.
06:43The number of camera shops I asked for was 200.
06:49In the meantime, finally.
06:51We're mainly repairing the Polaroid camera.
06:54You can repair the Land 120.
06:59The reply was that it could be repaired.
07:02Immediately to the person who sent the mail.
07:06I went to...
07:09Nara Prefecture.
07:11Nara Prefecture?
07:12Excuse me.
07:13I'm a reporter.
07:15Nice to meet you.
07:17It's been 50 years since I fell in love with the Polaroid camera.
07:21Mr. Hirano, a Polaroid mania who can even play it himself.
07:27Let's take a look at the state of the camera you borrowed from Fusai Kubota.
07:35It's beautiful.
07:39It's a Yashica lens.
07:43It's a Seiko shutter.
07:47It says Yashica here.
07:50It says Seiko here.
07:52It was a very expensive camera at the time.
07:54This is the shutter speed.
08:00It's open.
08:01He also has a Polaroid camera of the same age.
08:05This is a roll film.
08:07Roll film?
08:08Yes.
08:09The oldest film.
08:10That's what a Polaroid is.
08:12You put a roll in here.
08:15It's like an instant film.
08:18You close it like this and pull it out from here.
08:21Next is this type.
08:22This type is called a pack film.
08:24It's a film like this.
08:26There are 10 pieces in here.
08:29It comes out like this.
08:31It comes out right away.
08:32When you take it out, it's starting to develop.
08:37There's a development liquid in here.
08:40When you move it, it goes through the roller and extends the development liquid.
08:46When you pull it out.
08:47It's starting to develop as a whole.
08:50If you look at the time and open it like this, an image comes out.
08:55When you get to this age, you don't need to measure or turn the time.
09:01You focus on this and shutter.
09:04Then it comes out like this.
09:06It comes out like this.
09:09You don't have to touch anything.
09:11If you look at it, an image comes out.
09:13It's like a cheki.
09:15If you are so familiar with the Polaroid camera, you can play it with confidence.
09:21That's what he thought.
09:23Do you think you can play this camera?
09:27It's a little difficult.
09:30Even Mr. Hirano, who has loved Polaroids for 50 years, can't repair this camera.
09:36I thought he was looking for a professional to play from scratch.
09:41There is a building called the Photography Museum in Osaka.
09:47There is also a special camera called Suzuki Special Camera.
09:52He couldn't ask Mr. Hirano to play the Polaroid camera.
09:57But he went to the Osaka Photography Museum to get the information he got.
10:03It was built in 1938.
10:06In the past, there were many camera-related tenants.
10:10It's a camera-loving sacred place, the Osaka Photography Museum.
10:14Let's go to the store that Mr. Hirano told us about.
10:18Excuse me.
10:21Nice to meet you.
10:23This is Suzuki Special Camera, which has been in operation for 54 years at the Osaka Photography Museum.
10:30It is a classic camera that has been repaired and sold.
10:33There are many old-fashioned items in the store.
10:37Mr. Yoshioka, the owner of such a camera goods warehouse, is a great veteran of 34 years of camera play.
10:46There is a lot of mold.
10:50There is a lot of mold.
10:55Why is there mold on the camera?
10:58I think it's the humidity.
11:00If you don't use the camera, it will be left as it is.
11:05Is this dirty mold?
11:08It's probably mold.
11:10Can you repair it?
11:14I think I can repair it if I can disassemble the cleaning.
11:18Can I ask you to play this?
11:22I'll do my best.
11:25Really?
11:26Yes.
11:29First, disassemble the camera to clean it.
11:35Start work immediately.
11:37First, remove the mold.
11:40It seems that you can remove the mold.
11:43If you wipe the mold, it will be very beautiful.
11:49Is the structure of the old camera complicated?
11:53No, it's simple because it's made with a lot of thought.
11:57All cameras have a meaningful structure.
12:00There is nothing useless.
12:02All cameras work together.
12:05This is a remote control knife.
12:09Every time I disassemble the camera, I think it's amazing.
12:13It has become very beautiful.
12:16Even if you wipe it a little, it will be so beautiful that you can't see it.
12:21It seems that you can clean it.
12:24Is it so beautiful?
12:27I didn't look at this Polaroid camera.
12:29I often saw it when I bought it in the United States in the 90s.
12:33At that time, the camera was already broken.
12:36This is a rare case.
12:39Thanks to his father's good condition, the camera repair seems to be going well.
12:47Finally, adjust the shutter speed.
12:49Polaroid cameras, which have been rejected by many cameramen, are well reproduced.
12:55It's beautiful.
12:56However.
12:58Again, however.
13:00Does it actually shoot?
13:02That's right.
13:03It shoots.
13:05This is rare.
13:07Is it a film?
13:09What is it?
13:10It's not a normal film.
13:11It's a Polaroid instant film.
13:13I don't have it.
13:14You don't have it?
13:15I've never seen it.
13:16I've never seen it.
13:18There is no film.
13:20In fact, when I asked the Polaroid enthusiast Mr. Hirano about it.
13:25When I took this, it was 1954.
13:29After that, I couldn't get it anymore.
13:32This film, which was not available more than 40 years ago.
13:37Even though I tried to reproduce it,
13:41Is there no possibility of being able to shoot?
13:44I don't think it's zero.
13:46Even if I get it, it depends on when I made the film.
13:50If it's 10 years ago, the film will be bad.
13:54That's right.
13:55The film has a expiration date.
13:57If you go beyond that, the photos you created will be faded.
14:01It will be a rough finish.
14:04So even if it's found, there's a possibility that it won't be shown?
14:07If it takes a long time to make it,
14:10It may be impossible to store it carefully.
14:15With a slight possibility,
14:17The staff again conducted a large-scale survey of camera shops nationwide.
14:22However!
14:24A film more than 40 years ago.
14:26After all, it is not handled anywhere.
14:30At that time, I was about to give up.
14:36A foreign site?
14:38I found a film on an overseas auction site.
14:41Wow!
14:42I got the film in a hurry.
14:45Wow!
14:47Will the photo be shown in this film?
14:51Wow!
14:53I can't wait to see the result.
14:56I'm so grateful.
14:59This is the camera I borrowed from you last time.
15:03Thank you very much.
15:05I get more and more nervous when I listen to various stories.
15:10That's right.
15:12The moment I saw it, I knew it was beautiful.
15:17It's amazing.
15:19I don't want to touch it.
15:22I can touch it.
15:28It's beautiful.
15:30His father's camera, which was rejected more than 200 times, was played.
15:34I was able to play my father's camera.
15:38I'm glad.
15:40Will it really be shown in that film?
15:46I'm so excited.
15:48I'm so excited.
15:50I hope it will be shown in the film.
15:51I hope it will be shown in the film.
15:52After this, he went to his father's memory.
15:56It's a thoughtful story.
15:58And he was saved by his father's unknown feelings.
16:02He was saved by his father's unknown feelings.
16:08It's really long.
16:10You can see it even if you look at it like this.
16:12Even the rough skin is visible.
16:17Mr. Kubota's camera was played.
16:20What kind of pictures will be taken?
16:22What is the destination he is looking forward to?
16:25What do you remember when you come here?
16:29It's changed a lot.
16:31I don't remember much.
16:33But when I see the park, I remember it.
16:36The place where they were brought here is...
16:40Nishi-Rokugo Park in Ota-ku, Tokyo.
16:43It's called Taiya Park.
16:45There are monuments and Taiya toys using full tires here.
16:49It seems that there are people not only from all over Japan, but also from overseas who come to play.
16:55In fact, Mr. Kubota says that there is a picture that he wants to take with his father's camera in this place.
17:02Tetsu-chan!
17:03Tetsu-chan?
17:05That's right.
17:06He is my older brother.
17:08He is my older brother.
17:09He is my older brother.
17:12Mr. Kubota's older brother, Mr. Tetsuya, was waiting in the park.
17:17Actually...
17:18When he showed me the album,
17:21there was a picture of a husband and his older brother peeking out of a big tire.
17:30I really want to take a picture of that with this camera.
17:37I really want to take a picture of that with this camera.
17:41In response to Mr. Kubota's request,
17:43Mr. Kubota came to Taiya Park from overseas.
17:49His job is to fly around the world.
17:53In fact, he is influenced by his father.
17:56I'm a cameraman.
17:58My father had a lot of cameras.
18:01I was able to use one of the cameras when I was in junior high school.
18:05That's how I became interested in photography.
18:07That's how I became interested in photography.
18:10Then, let's go take a picture.
18:12Let's go.
18:15Actually...
18:17There seems to be another shooting in the park on this day.
18:20The staff was refused to shoot.
18:24So...
18:26Let's go.
18:27Photography with only Mr. Kubota.
18:31It's small.
18:32Can I fit in here?
18:34From here, it's only a hot spring.
18:36From here, it's only a hot spring.
18:37From here, it's only a hot spring.
18:38It's amazing.
18:40It's okay.
18:41It's a big responsibility, but I'll try it.
18:44Cheese!
18:50I can't see it.
18:51I can't see it.
18:55I'm scared.
18:57I'm scared.
18:58I'm scared.
19:00I was surprised when I looked around.
19:03It's the same as the picture, isn't it?
19:06The building in the picture.
19:08It's 50 years ago.
19:11It's impressive.
19:13So it means that my father was standing where Maki was standing.
19:16Oh, really?
19:17It's the same 50 years later.
19:18The person who is taking the picture.
19:19It's the same 50 years later.
19:20It's amazing.
19:21It's amazing.
19:22It's impressive.
19:23It's impressive.
19:25Then, we headed to relive the memories with my father.
19:30This is the Zama Shrine of Ujigami.
19:34Zama Shrine.
19:35It's a very nice shrine.
19:39The place to remember is not the main shrine, but over there.
19:43After the prayer, I went home.
19:47I heard that there was a hot spring.
19:50I went out in the conversation.
19:52I love that kind of thing.
19:54I said, I want to go to Kumi.
19:56Only my father said, let's go.
19:58He followed me.
20:00There was a place where we took a bath together.
20:02It's quiet here.
20:05It's unexpected, isn't it?
20:06My father didn't take me to an amusement park like my father in Kakitani.
20:13He said he would follow me to the shrine.
20:17When I say travel, I mean going around the shrine.
20:21So I was excited, but it was hard to say.
20:24My father was the only one who followed me.
20:27Kubota's father was a Buddhist monk.
20:32In fact, he has something in common with Giri's father.
20:36This is a lie.
20:39My father and my father in Kakitani look exactly the same.
20:45When I met my mother, my younger sister and my younger brother,
20:51I was surprised.
20:54When people are surprised, they say,
20:56Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
20:58They look exactly the same.
21:00I remember that we sometimes came to the shrine together to get water.
21:06I thought, oh, my father?
21:08No, no, it's not.
21:10It's definitely different.
21:11I'm a little confused.
21:14Mr. Kubota says that his father and his father are surprisingly similar.
21:19While remembering various things about his father,
21:22Mr. Kubota, who has revived even the memories of his real father.
21:26My father passed away when I was 29 years old.
21:32I knew he loved me very much,
21:37but I couldn't communicate well.
21:42My father was born in the Showa era, so I thought I couldn't communicate well.
21:49On the contrary, I thought my father was good at communicating.
21:55When I met my father for the last time,
22:01I had to wash the pot.
22:04I said, yes, and I put my hand out.
22:07I thought I couldn't put it on because of my father's relationship with my father.
22:14I was reluctant.
22:16I said, no, no, yes, yes, yes.
22:18My father put the freshly removed pot here.
22:22I can't forget my father's surprised and happy face at that time.
22:31I'm glad I was able to do that at the end.
22:34That's the only thing that saved me in my relationship with my father.
22:44But my father didn't stand by my pillow.
22:48My father really came to me.
22:51I thought he loved me very much.
22:54I just accepted it.
22:59It's thoughtful.
23:01It means that your father was standing where you were standing.
23:04Oh, I see.
23:06Photos taken around various places of memories all day today.
23:11Are the memories reflected in the film, which was imported from overseas about 40 years ago?
23:20Oh, my eyes are rolling.
23:22One, two.
23:24Oh, no.
23:28Is it no good?
23:29It's a shame.
23:30It's no good, isn't it?
23:31As I said, it's deteriorating.
23:36After all, it was not able to withstand the deterioration of the memory.
23:39The development in the film more than 40 years ago did not succeed.
23:44Well, it's a shame.
23:46I was nervous about what would happen to each and every one of these.
23:51I can't take a picture while holding my breath.
23:53I see.
23:54I don't have it anymore.
23:55I'm sure I won't have it anymore.
23:57I had a good experience.
23:59I'm curious about how it was reflected.
24:02Here are the photos taken with other cameras just in case.
24:06Oh, good picture.
24:07Oh, good picture.
24:10I got a picture taken right after this girl took it.
24:13I think it's a picture of enthusiasm.
24:17The tires are the best.
24:19The tires are the best.
24:21Thank you very much.
24:23When I was preparing for this, I remembered a lot about my father and mother.
24:35I was really happy when I thought that the camera connected us.
24:39I was really happy when I thought that the camera connected us.
24:49Mr. Tatsuya, the shy husband, had a thought throughout the day.
24:54I remembered that I had forgotten a lot of things through this camera.
25:02I didn't say my proposal properly.
25:09Really?
25:10I think I said it at the time that I would do it someday.
25:13It's okay.
25:16I'm not that old.
25:18I'm not that old.
25:19I like the way Maki works hard as an actress and is recognized by many people.
25:27I like the way she faces her daughter as a mother.
25:37I think I'm not taking pictures with my daughter anymore.
25:43I think I remembered through the camera that I didn't have time to be a couple.
25:52I want to be a wife who can be a couple.
25:57You're a good husband.
25:59I want you to be my wife forever.
26:07I want you to be with me forever.
26:10I didn't know you were such a woman.
26:13Will you be with me?
26:16That's wonderful.
26:18I was a little surprised.
26:21We are a couple and a family.
26:25Ever since my daughter was born, I felt like a cheerleader for my daughter.
26:31I'm more happy to be a mother than a wife.
26:37I tend to forget that I am a wife.
26:43Thanks to the strength of my husband's support, I can be an actress and a mother.
26:50I really think so from the bottom of my heart.
27:01Please continue to support me.
27:07He couldn't take a picture with his father's camera.
27:11On the day of the re-confirmation of the bond between the couple,
27:17Akira, the father of heaven, must be happy.
27:22It was wonderful.
27:27My father, who stood by my pillow,
27:30told me that he would give me a wonderful time when I was a junior high school student.
27:38I thought so.
27:42From heaven.
27:44I felt that the woman, Maki Kubota, had everything in this VTR.
27:54She had a great kindness and deep love.
27:59It was a performance in which her humanity itself was blurred.
28:07It's a heartwarming VTR.
28:10I was warmed up.
28:12It was a wonderful Kubota Family.
28:15Thank you very much.
28:17Next is the popular segment of this program.
28:20It's the Showa rice cooking of Kenichi Nagira.
28:22It's the Kitasenju episode.
28:24Surprised by the unexpected history of Kitasenju,
28:26Nagira's highly recommended Showa rice is also served.
28:33Hello, I'm Kenichi Nagira.
28:35It's fashionable today.
28:37This is Kitasenju.
28:39Kitasenju.
28:40There is a place called Shukubamachi.
28:41Yes, it is.
28:42It is the first Shukuba in Nikko Kaido, one of the five Kaido.
28:46This is Shukubamachi.
28:49Senju Shuku was born in the second year of the Kanye period.
28:53It was built as a shrine of the Shogun family,
28:56which connects Edo and Nikko Toshogu.
28:59Due to the bridge over the Senju Bridge,
29:01it was a significant point of reference for carrying supplies to Edo.
29:06This was quite big.
29:08It was 5km between Kitasenju and Minamisenju.
29:11This was Shukuba all the way.
29:14It is different from the image of Kitasenju when I was a child.
29:18Now, it is ranked as the city of Sugetai.
29:20It is the city of Anaba.
29:23It has been No. 1 for 7 consecutive years.
29:25Really?
29:26The number of universities has increased.
29:29The atmosphere of the city has changed.
29:31It has become a city for young people.
29:32They want to live there.
29:34In the past, it was Shibokita.
29:36There are many people who say Kitamachi,
29:39but it is not Kitamachi.
29:41It is Shukuba.
29:42The atmosphere of Kitamachi
29:44and the passion are reflected here.
29:46It remains here.
29:48It is a place that makes you feel the Showa era.
29:51I think so.
29:55It is hot.
29:58I'm sorry. It is hot.
30:00The first place we went to was a place
30:03where we could know the origin of Senju by crossing the street in front of the station.
30:06There are many temples in this city.
30:10I can see it.
30:13It is red.
30:15It is said that it is a red temple from the main gate.
30:20I can't see it now.
30:22It is a brick wall.
30:25I don't think people know this.
30:27It is dangerous for people to cross the wall.
30:29It is made of glass.
30:32This wall has been filled with broken bottles
30:35since the early days of the Taisho era.
30:38It is still here.
30:40Let's go.
30:42It is a red gate.
30:44It is not a lighthouse.
30:48It is the Five Gates of Aoi.
30:50It is the Five Gates of Aoi.
30:52Since the two generals Tokugawa Hidetada
30:54and the three generals Iemitsu
30:56came here as a resting place,
30:58the Five Gates of Aoi can be seen
31:00everywhere in Kitamachi.
31:02It is Shosenji.
31:04Hello.
31:06Excuse me.
31:08I would like to ask you some questions.
31:12Are you Mr. Tada?
31:14Are you from Kudo?
31:16Yes, I am.
31:18Which way should I go?
31:20Go straight ahead.
31:25Inside the temple,
31:28it is here.
31:30It is Kannon-sama.
31:32It is true that the Shosenji temple
31:34was built on a net.
31:36It is recorded in history.
31:38I see.
31:40It is said that Masatsugu Arai
31:42built the temple on the Arakawa River
31:44and brought the Shosenji Kannon up
31:46and worshipped it.
31:48That is why it is called Shosenji.
31:50There is such a thing
31:52in the town of Shosenji.
31:54You don't know about it, do you?
31:56No, I don't.
31:58I heard that there is Shosenji-sama.
32:00I heard about it.
32:02I am grateful.
32:04I didn't know about it.
32:06Next, we go north
32:08along the old Nikko Kaido
32:10and go to Shikubamachi-dori.
32:12Yacchaba is famous.
32:14It is over there.
32:16The street continues from there.
32:18This is the old Nikko Kaido.
32:20It will be 400 years old
32:22next year.
32:26The width of the road
32:28is the same as that of the Edo period.
32:30However,
32:32the appearance has changed.
32:34There are no buildings like this.
32:36The width of the road is the same.
32:38It is really long.
32:40You can see the Arakawa River.
32:42You are right.
32:44It is a straight line.
32:46There is a shop I want to introduce.
32:48What?
32:50Why is there a shop
32:52I want to introduce everywhere?
32:54He is a strange person.
32:56What's wrong?
32:58Hello.
33:00Long time no see.
33:02What happened to you?
33:04I quit my job 9 years ago.
33:069 years ago?
33:08I haven't been here for 9 years.
33:10I see.
33:12The shop was closed
33:14due to the lack of successors
33:16in the 8th year of the Showa period.
33:18There is a picture
33:20of that time.
33:22Look at this.
33:24In the old days,
33:26people used to make
33:28nostalgic candy here.
33:30It is gone.
33:32It is a pity.
33:34It is a candy from the old days.
33:36It is good for the throat.
33:38It tastes different
33:40from what it is now.
33:42At that time,
33:44there were handmade candy
33:46such as kinako candy and umeboshi candy
33:48in a wooden frame.
33:50It is hard because it is an old candy.
33:52I see.
33:54It is a pity.
33:56It is gone.
33:58However,
34:00it was a historical candy shop.
34:02It is a pity.
34:04I will show you
34:06when I come here again.
34:08Nagira's Showa Dango continues.
34:10Please enjoy
34:12the delicious Showa food.
34:18Next, we went to
34:20Shinise Dango shop.
34:22We are going to
34:24this shop.
34:26It is called Kadoya's Yarikake Dango.
34:28It was established in the 23rd year of the Showa period.
34:30It is called Kadoya's Yarikake Dango.
34:32The name of the shop
34:34seems to have an origin.
34:36It is clean now.
34:38The old pictures
34:40look good.
34:42Hello.
34:46Yarikake Dango.
34:48There used to be a
34:50Yarikake Matsu.
34:52Many people came to Edo
34:54to make Yarikake Dango.
34:56At that time,
34:58there was a problem that
35:00Yarikake Matsu would get in the way.
35:02So, they took a break here.
35:04At that time,
35:06Yarikake Dango was named
35:08because they put a spear on Yarikake Matsu.
35:10Kadoya's Yarikake Dango
35:12became the name
35:14of the Dango shop.
35:16This is it.
35:18Yaki Dango.
35:20Recently,
35:22people call it Mitarashi Dango.
35:24It is a mistake.
35:26It is a name of Kansai.
35:28It is not used in Tokyo.
35:30It is called Yaki Dango soy sauce flavor.
35:32This is the name of the old Dango shop.
35:34It is good.
35:36Don't call it Mitarashi.
35:38Let's try it one by one.
35:40There are only Yaki Dango and
35:42An Dango in Ishagi.
35:44It looks good.
35:46First of all,
35:48I will try
35:50soy sauce flavor.
35:52It is Yaki Dango.
35:54The Yaki Dango.
35:58It is good.
36:00It is good.
36:02The dough is good.
36:04It is soy sauce flavor.
36:06It is good.
36:08It is good.
36:10It is good.
36:12I am often asked
36:14if I make a food report.
36:16I don't do it.
36:18It is good.
36:20That's all.
36:22I will try An Dango.
36:24An Dango.
36:28It is refreshing.
36:30It is not bitter.
36:32It is refreshing.
36:34It is good.
36:36I can drink Japanese sake with it.
36:38I can drink it.
36:40It is really good.
36:42Nagira-san.
36:44Let's buy it for
36:46two people in the studio.
36:48Really?
36:50Don't you need it?
36:52I need it.
36:54I will buy it.
36:56Nagira-san
36:58buys a Dango for
37:00Marin-chan.
37:02This is
37:04Yaki Dango.
37:06Let's taste it.
37:12It is good.
37:14The soy sauce flavor
37:16and Zaname
37:18and other ingredients
37:20are good.
37:22The burnt flavor
37:24spreads
37:26in my mouth.
37:28It is good.
37:30Dango is chewy.
37:32It is good.
37:36An Dango is good.
37:38It took a long time
37:40to make it.
37:42I like Koshi-an.
37:46I like Koshi-an, too.
37:48I like
37:50Funakoshi-an.
37:52Please give me
37:54100 points.
37:56Nagira-san
37:58goes to Dote.
38:00This is the place
38:02I want to introduce.
38:04What?
38:06Earlier,
38:08I heard
38:10about this place.
38:12It is amazing.
38:16Actually,
38:18there was
38:20a bathhouse
38:22called King of Sento
38:24in Kusasenju.
38:26It was gone
38:28and it was called
38:30Daikoku-yu.
38:32A part of it
38:34was built here.
38:36This is
38:38a roof called
38:40Karahafu.
38:42There is
38:44the King of Sento.
38:46It is called Daikoku-yu.
38:48It has been
38:50washed away
38:52from people's sweat
38:54for 90 years
38:56and the roof of Karahafu
38:58has been restored
39:00and preserved.
39:02This is a shoebox.
39:04This is a
39:06bathhouse.
39:08This is a
39:10umbrella stand.
39:16The painting
39:18on the ceiling
39:20is also famous.
39:22There are
39:24about 104
39:26paintings of Kachofugetsu on the ceiling,
39:28but now
39:30there are paintings of artists
39:32and celebrations
39:34on the ceiling.
39:36What?
39:38These people
39:40put their names
39:42on the ceiling
39:44because they wanted to
39:46get rid of it.
39:48Next,
39:50Mr. Nagira went to
39:52Kasenjiki,
39:54Arakawa.
39:56Actually,
39:58there was something
40:00in this direction.
40:02Do you have a pen?
40:04Do you have a marker?
40:06Let's reproduce it with this.
40:08Please wait for a while.
40:103 minutes later.
40:12Is it like this?
40:14It's done.
40:16What is this?
40:18It's heavy, isn't it?
40:20This is a fire extinguisher.
40:22There are 4 chimneys like this.
40:24This is called a ghost chimney.
40:26Why is it called a ghost chimney?
40:28There is a novel,
40:30but if you look at it like this,
40:32there are 4 chimneys.
40:34If you look at it like this,
40:36it looks like 3 chimneys.
40:40If you change the direction,
40:42there are 2 chimneys.
40:46There are 3 types so far.
40:48One chimney is
40:50a little far away.
40:52It's funny.
40:54It's funny, isn't it?
40:56Look, one chimney.
40:58Can't you see it?
41:00If you look at it from a distance,
41:02it overlaps and looks like one chimney.
41:04Because of this,
41:06the number of chimneys changed.
41:08It was a specialty around here.
41:10It was called a ghost chimney.
41:12Actually,
41:14there is a different theory.
41:16At that time, there was a surplus of firepower.
41:18So there was a time when it wasn't established.
41:20It was established once every three days.
41:22Then,
41:24there are times when smoke comes out of the chimney
41:26and there are times when it doesn't come out.
41:28Then,
41:30it reminds me of a fire place.
41:32Then,
41:34there is a theory that
41:36it is a ghost chimney.
41:38It's been a while since the fire extinguisher was gone.
41:40Actually,
41:42some of it is left.
41:44It was left as a monument.
41:46The chimney that was actually used
41:48was left as a slide
41:50in elementary school,
41:52but now
41:54it is left as a monument
41:56in front of Teikyo Science University.
41:58In addition,
42:00there are monuments
42:02based on ghost chimneys
42:04such as the playground of the park
42:06and the roof of the shop.
42:08And finally,
42:10Mr. Nagira,
42:12who knows all about Japanese food,
42:14came to the shop.
42:24Mr. Nagira went to the shop
42:26in front of the station
42:28from Arakawa-no-Dote.
42:30The station is in the back.
42:32As soon as you get off the station,
42:34you will see this street.
42:36It is called Nomiya Yokocho.
42:38Actually, this street is called Tokiwa Street.
42:40The rest is Nomiya Street.
42:42It changes completely at night.
42:44When the sun goes down,
42:46it calls me.
42:48This is Toraya.
42:50I often come here.
42:52I drew this.
42:54Did I draw this?
42:56Please take a look.
42:58Toraya was established
43:00in the 16th year of the Heisei era.
43:02Is this still here?
43:04Yes, it has been here for a long time.
43:06Mr. Nagira seasoned it.
43:08At first,
43:10it was no good.
43:12The taste was not like
43:14the taste of Tokyo.
43:16Then...
43:22It's good.
43:24Is it raw beer?
43:26I want to drink it.
43:28I can't drink it at the station.
43:30What are you talking about?
43:32The beer is cold.
43:34It can't be bad for the body.
43:36It can't be bad for the body.
43:38Hello.
43:40Well,
43:42I'm not good at it.
43:44If you're not good at it,
43:46you don't have to drink it.
43:50If you're not good at it,
43:52you don't have to drink it.
43:54Let's eat the dumplings.
43:56I'm kidding.
43:58Oden is good,
44:00but
44:02I heard that
44:04there is a dish called
44:06Showa rice.
44:08Please make something like that.
44:10I'll make a whale bacon.
44:12Not many young people know
44:14about whale bacon.
44:16Why?
44:18What does it mean?
44:20When we were young,
44:22we didn't have money.
44:24Now, we have a lot of money.
44:26There are tens of thousands of whales.
44:28I can't get it.
44:30The first dish is
44:32whale bacon.
44:36Like this.
44:38It's only when you put it in the rice.
44:40It's only when you put it in the rice.
44:42It's only when you put it in the rice.
44:44How does it taste?
44:46Let's eat.
44:48Do you put mustard on it?
44:50Yes, it's mustard.
44:52It's mustard.
44:54It's good without mustard.
44:58It's been a long time since I ate normal food.
45:00It tastes like Showa.
45:02It's hard for kids to eat.
45:04My father ate it
45:06when he was a student.
45:08It tastes like Showa.
45:10Excuse me.
45:12Then,
45:14he ordered a fish cake he made.
45:16It's not Kansai,
45:18it's Chikuwa.
45:20Chikuwa is good.
45:22I made a mistake when I was a kid.
45:24Chikuwa is
45:26fish fillet.
45:28Is this Udon?
45:30Yes, it is.
45:32It's good.
45:34It's good.
45:36People in the downtown area love it.
45:38The last dish is
45:40Showa.
45:42It's corned beef and cabbage.
45:44Young people know corned beef.
45:48Show me the can.
45:52It's corned beef.
45:54Did you make it?
45:56It was a little bigger than this.
45:58It was a little reddish.
46:00But, it looks like this.
46:02Originally,
46:04he made corned beef by hand.
46:06If there is a gap,
46:08it will oxidize and change color.
46:10In order to prevent it,
46:12he made it easy to pack.
46:16Finally,
46:18Nagira recommends
46:20Showa-style corned beef and cabbage.
46:22I'm looking forward to it.
46:24Here it is.
46:26This is corned beef.
46:28This is
46:30mustard mayonnaise.
46:32It's good.
46:34I love mustard mayonnaise.
46:36It's good.
46:42It's the best.
46:44It kills the taste of ingredients.
46:46It's good.
46:48It's good.
46:50It's a junk food.
46:52It's a junk food.
46:56It's corned beef.
47:00It's like a comic book.
47:02It's like a comic book.
47:04It's like a comic book.
47:06Kitazenju is not a town
47:08where people come to play.
47:10However,
47:12there are a lot of things
47:14that you can see
47:16when you walk in the garden
47:18to find Showa and Kitazenju.
47:20When I walked today,
47:22the river was different
47:24from the river at night.
47:26I thought it was interesting.
47:28It was interesting
47:30because I concentrated
47:32all of them.
47:34Walking in the afternoon
47:36is also good.
47:38That's all for
47:40Kitazenju,
47:42a Showa-style rice field
47:44run by Mr. Genichi Nagira.
47:46Mr. Nagira's walking
47:48is a new discovery
47:50for those who haven't been there.
47:52Have you been there?
47:54No, I haven't.
47:56I have to go there
47:58after watching this video.
48:00I want to go to the last shop
48:02and eat
48:04Mr. Nagira's
48:06Tokyo Den.
48:08The whale bacon was also delicious.
48:10Moreover,
48:12if you eat it with
48:14the townscape of Kitazenju
48:16you can enjoy
48:18the taste of Kitazenju
48:20even more.
48:22It was a new Showa rice field
48:24in Kitazenju.
48:26It was fun.
48:28This is where I won
48:30the Japanese Record Award.
48:32Next time,
48:34Ms. Julian will travel
48:36around the land of Yukari
48:38to make memories.
48:40In addition,
48:42it's a very difficult song
48:44to sing.
48:46Let's meet again with
48:48the recording director of
48:50Miserarete.
48:52I was sure that
48:54this would sell.
48:56I was glad
48:58to record
49:00at the end.
49:02Look forward to it.
49:04Miserarete is
49:06Ms. Julian.
49:08Will this be
49:10included in the platform?