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00:00Genul programului reality show
00:03Urmatorul program poate fi vizionat de copii in varsta de pana la 12 ani numai cu acordul sau impreuna cu parintii or familia
00:11Programul poate contine climbat licentios
00:17Traieste aventura fresh aceasta emisiune este oferita de Kaufland
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01:16Zayn deschid zarile incepe asia express
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28:40No, no, no, no.
28:41Without the skin.
28:43So I was saying, no, you can't bite that.
28:46You can't bite it.
28:48You'd have teeth.
28:51Let's get out of here.
28:57Hello, sir. Do you speak English?
28:59Please, help us. We are in a reality show and we are in a race.
29:02We need to get in this place. Please, you can help us.
29:04Can you put on GPS and go with you?
29:06I don't know. Let's go. Come on, let's go.
29:08Come on, let's get out of here.
29:10I think we got it pretty quickly.
29:12We asked for a car or two and we already got it.
29:14He was Chinese and he had a nice car.
29:17Thank you. Thank you so much, sir.
29:19Are we taking you to that side?
29:21Yes, yes.
29:22Wait, it's opening on its own.
29:31Oh, f**k.
29:32Put your hand in your stomach.
29:33Is this how you do it in my stomach?
29:35That's vomit. Please, eat faster.
29:37I'm trying.
29:38Wait a minute.
29:41We were already in despair mode because we wanted to leave as soon as possible.
29:45Please, help us to get to Complex Cravjalan online with your car.
29:49We are in a race.
29:50We are in a TV show.
29:51It was no longer a race for amulets.
29:53It was not a race for amulets.
29:54It was not the last chance.
29:56And our spirit has already changed completely.
29:58It was for the first time when we activated despair in this competition.
30:02Please, sir. It's a big, big race.
30:04We need this so much. Please.
30:06We are begging you. It's the last chance.
30:08We don't want to die.
30:09We don't want to leave home.
30:11We are begging you.
30:12We almost had tears of despair.
30:14Get us out of here, please.
30:16Ok. Ok.
30:17Thank you so much.
30:18Let's go to the right.
30:19You go up there.
30:20The distance was about 10 km.
30:22I didn't see my sisters coming out.
30:24They didn't finish.
30:25Who knows?
30:26Gustav Fugler or something.
30:27I don't know what that food was.
30:29I don't even want to know what it was.
30:30I don't even want to know what I ate.
30:32Once in the stomach, the dilemma is partially justified.
30:35But to elucidate the mystery, we come up with some sublines.
30:39It was about the famous stinky tofu.
30:41As they guessed well.
30:43Then, pork trotters and soup.
30:45And spicy chicken.
30:46Returning to the route, we head to the next destination a few kilometers away.
30:50But, in the conditions of the traffic of Kuala Lumpur,
30:53you can't make predictions.
30:58The last part was the hardest.
31:00You came.
31:01Yes, everything came back to me.
31:03A few times.
31:04And to Carmen.
31:05Yes.
31:06Oh my God.
31:07So it seemed to me that it didn't end.
31:09What is the pain without end?
31:10I was doing a stomach wash.
31:12Please, put it in and that's it.
31:14I ate enough.
31:15I don't want it anymore.
31:16It was something terrible.
31:17It was a supernatural effort.
31:19To finish eating what I had there.
31:21I ran away.
31:24Oh my God.
31:25From that card, my soul was crushed.
31:27And now I'm hungry.
31:28Are you hungry?
31:30My mouth, my face, everything.
31:33Stop, stop.
31:35The first hitchhiking in the race for the last chance.
31:37And Carmen was half dead.
31:39But even at that moment, she wouldn't let me go and talk to people in the car.
31:44We are in a reality show, sir.
31:45And it's a huge race.
31:46And if we lose, we are going home.
31:48So, to understand how crazy the race is,
31:51you feel bad, but you don't want to stop.
31:53You can go on your knees and still go.
31:55I mean, this is the start.
32:00We have to take that bridge.
32:03No, we don't have to take that bridge.
32:05We didn't do it right.
32:07I think it's left here.
32:09On the map, it showed us to take the left.
32:11Why did it show us to take the left?
32:13Because the boulevard we entered was crowded.
32:15But instead of taking the left,
32:17to cut, let's say, a quarter of the boulevard,
32:19we went like this.
32:20And we entered in a crowded way.
32:22Yes, she didn't see.
32:23She said, ah, ah.
32:24She made a gesture like this, ah.
32:26In 3.9 kilometers,
32:28please stay on the left lane
32:30and drive to Jolantar Roadside.
32:32I hit the traffic, dude.
32:34And it's...
32:35I don't know how to explain it.
32:37It's bar to bar.
32:38When we get back to Bucharest,
32:40and we leave at 5 or 8 p.m.,
32:42it's like a perfume in Bucharest.
32:44It's beautiful.
32:45What a joke.
32:47Yes, it's a joke, but it's nothing.
32:49It's a joke for us and for the others.
32:51But I know, I know.
32:54How beautiful is Kuala Lumpur.
32:57It's splendid.
32:58We look around and say,
33:00oh, boy, where are we?
33:02And a feeling of joy enters me.
33:05Somehow I start to say,
33:07oh, it's beautiful at the last chance.
33:10It's really beautiful.
33:11I'm glad I live here.
33:13Kuala Lumpur.
33:16How you can get used to these sights,
33:19to these tall buildings,
33:21it's amazing.
33:22It's like a jungle of buildings.
33:24This city is crazy.
33:26Huge buildings,
33:28150 floors,
33:30it's fascinating.
33:32I mean, we enjoyed the scenery.
33:34What's here is like in the movies.
33:36A lot of technology,
33:37everything at a high level,
33:39but a warmth and a warmth
33:41that you've never felt before.
33:43You've never been anywhere else.
33:45What an emotion.
33:46Oh, man, what an emotion.
33:49Let's go.
33:50Let's go and see the most beautiful things.
33:52Let's move quickly.
33:53We go, we go,
33:54and when we get closer,
33:55we start to look at the flag,
33:57and we see it,
33:58we jump out of the car.
33:59One team just arrived.
34:00Wow.
34:01Two teams.
34:02Oh, my God.
34:03But where did they get us?
34:06Guys, one of the bowls you're going to eat
34:08represents the Malaysian culture and heritage.
34:10You'll get to know the Batik art.
34:11The artist will take you to the workstation
34:13where you'll get a click from me.
34:14Good luck.
34:15Hello.
34:16Let's go.
34:17Man, how did they get here?
34:18Come on, come here.
34:19The only explanation was our Chinese
34:22who left and blocked the road.
34:24He didn't really block it,
34:25but he did,
34:26and he was about ten minutes late.
34:29So we need to learn how to make the Batik?
34:31Yes.
34:32Okay.
34:33Guys,
34:34on the table you have a canvas
34:35with the image of a tiger.
34:36You'll see white spaces
34:37that need to be filled with color.
34:38One of you will stay here
34:39to paint while the partner
34:40will go outside
34:41to see the finished painting
34:42and commemorate the missing colors.
34:44You think this is easy
34:45because I didn't tell you everything.
34:46One of you will have to wear glasses
34:47with a reverse effect.
34:48The one who will make the way
34:49to see the models
34:50will go through some obstacles
34:51and tests on the way to the partner
34:52in order to develop the color
34:53of each empty space.
34:55It looks like it's going to be a mission
34:57that will give us a headache
34:58and eye boogers.
34:59The obstacles are going to be
35:00picking up a lychee
35:01using the sticks,
35:02going over the rubber
35:03holding the lychee with the sticks,
35:04eating the lychee
35:05and pouring water in two glasses
35:06up to the mark,
35:07looking at the finished canvas
35:08with the tiger,
35:09going back to the partner
35:10to tell him the colors
35:11without entering the work area.
35:13For us, it wasn't that easy
35:16without the glasses.
35:20He didn't even hear about the glasses.
35:22He said,
35:23Oh, man!
35:24So, only the iris
35:25and the white of the eyes,
35:27everything that's round on the front,
35:28and the beard,
35:29ok?
35:30And the ears.
35:31We get to the yard,
35:32we see some...
35:34Kneepads.
35:35We've only seen kneepads.
35:36The boy with the boots.
35:38For what?
35:39What?
35:40We have to equip ourselves.
35:42Only one of us has to wear it.
35:44Why kneepads?
35:46And now you know why.
35:48Because the moment you put on the glasses,
35:51the world turns upside down.
35:53It's the opposite.
35:54For me, it doesn't come out.
35:55Wow!
35:56That's what I'm saying.
35:57The image turns.
35:59We've reached the age of the elderly.
36:01The world turned upside down.
36:03It's very hard to understand something.
36:05Try to put your finger on
36:07Life is Life.
36:08Look at me.
36:09Where is Life is Life?
36:10Put your finger.
36:11If you see that you put your hand in front,
36:14on the glasses,
36:15the hand goes upside down.
36:16If you want to put it like this,
36:18in your head,
36:19you put your hand like this,
36:20that's why it goes upside down.
36:21You have to go upside down, you know?
36:22Exactly.
36:23That's what you have to do.
36:24I saw a flag over there.
36:25Look.
36:26The flag.
36:27The red flag.
36:28I can see how the glasses are.
36:30Come on,
36:31put it down.
36:33Bro, I feel bad.
36:34You're crazy.
36:35But I can't see the obstacle of the rubber.
36:38I knew there had to be some rubber.
36:40And I didn't know when I was coming.
36:42You had to go to them.
36:43Because at some point,
36:44I had the impression that if you look up,
36:46you see better.
36:47Then I had the impression that if you look down,
36:49you see better.
36:50Then I said,
36:51stay like this,
36:52that if you stay with your head aside,
36:53you see better.
36:54And you have to find the position of the head,
36:56so that you have the rubber in those glasses,
36:59in the glasses.
37:00Because there are many glasses in the glasses.
37:02And the moment you have established,
37:03ok,
37:04you raise your left foot,
37:05you know where to step,
37:06but where you want to step,
37:07it's just in the opposite direction.
37:09And you think,
37:10tomorrow.
37:11We still have work to do.
37:13So it gives you a reset in your mind,
37:15and you can't realize,
37:16you don't have a reference anymore.
37:18God forbid.
37:19I'm bad at moving.
37:20And with those glasses,
37:21upside down,
37:22I had the impression that everything was spinning.
37:24I was like on a boat.
37:25Like this.
37:26If I didn't throw up,
37:27now is the moment.
37:28You saw in front,
37:29you saw in the bottom,
37:30somehow, for the painting.
37:31Yes, yes.
37:32But somehow,
37:33the vision was the same.
37:34My God.
37:36What a cow.
37:37You have to start pouring water into the glasses.
37:39Up to a mark.
37:41And I start pouring,
37:42and you automatically.
37:45Like I did with the tea.
37:50What a beautiful water.
37:52Mane, you see,
37:53you're pouring next to it.
37:54But I can't see.
37:55Come on,
37:56let me take my glasses off.
37:57It will be a broken glass.
37:58Since you received me.
37:59At home.
38:00After that,
38:01I realize,
38:02I'm pouring next to it here.
38:04I filled it,
38:05it's safe up to the mark.
38:06I wait here, right?
38:07Yes, yes,
38:08I'm here,
38:09next to the mark.
38:10After that,
38:11you had to go to a chevalet,
38:12where the face of the bull
38:14had all the colors.
38:15The other way, man.
38:16Wait,
38:17I realized.
38:18I get to the painting,
38:19and I see a crocodile
38:21on my family.
38:25The other way,
38:26I put my foot here.
38:27Long jump.
38:28Long jump, right?
38:35I look at my hands.
38:36So, left.
38:37I see it.
38:38Right.
38:39I see it.
38:40So, it's good.
38:41This has to be it.
38:42So, left is left,
38:43right is right.
38:44I take my hands from there,
38:45and I say,
38:46sure, it's left, left,
38:47and right, right,
38:48because I don't rush you.
38:49The left ear is green,
38:50the right ear,
38:51the inner ear.
38:53Do you want to say something
38:54after my voice?
38:55No, no.
38:56Come on, focus.
38:57Remember, Tigru!
38:58Remember, everyone!
38:59What the one looking at Tigru
39:00had to do
39:01was to turn around,
39:02to look at the other one,
39:03and he had to go
39:04and paint the empty places.
39:08Like this, like this, like this.
39:09Exactly.
39:10It's good.
39:12In the first round,
39:13I didn't know how to look,
39:14how to look,
39:15how to understand,
39:16how to position myself
39:17in front of each obstacle.
39:19I went in all directions.
39:21In your back, now.
39:23How is my back, bro?
39:24You didn't know how to look at me,
39:25because you could see
39:26the other way around.
39:27Exactly.
39:29Come on.
39:30You were driving your car
39:31to Iurea,
39:32because you were going
39:33to the other end
39:34of the tires.
39:35But the table was
39:36on the other side.
39:37Exactly.
39:38And then I realized
39:39that I had to turn around
39:40to take it the other way around.
39:41Do I have to go again?
39:42Yes, go there, yes, exactly.
39:43Hello!
39:44Wait, can you hear me?
39:45Yes, I can hear you.
39:46That's it, I saw you.
39:47Where are you?
39:48Yes, here he is,
39:49after he asked me
39:50to go into the pot
39:51with the cow,
39:52and he says,
39:53Mane,
39:54the left ear
39:55is green,
39:56the right ear
39:57is purple,
39:58the beard,
39:59the neck
40:00is green,
40:01blue,
40:02white,
40:03purple,
40:04so green,
40:05and purple,
40:06right?
40:07And I was going
40:08slowly, slowly,
40:09and I was like,
40:10God, where am I?
40:11On what planet?
40:12I couldn't take it anymore,
40:13I was afraid,
40:14I couldn't see him,
40:15I was trying,
40:16that's what I was doing
40:17with my head.
40:18That's what I was doing,
40:19I was trying to get
40:20that boy
40:21who was waiting for me,
40:22the artist.
40:23God, I'm so hungry.
40:24There were some
40:25lentils,
40:26some things,
40:27I was like,
40:28God,
40:29where did you get
40:30a soup?
40:31What the hell,
40:32I'm so hungry.
40:33A soup,
40:34I was full too,
40:35because I was eating
40:36with an appetite,
40:37I was cold,
40:38and my stomach
40:39was still hot.
40:40Ok.
40:41Andreea,
40:42are you with him?
40:43Should I eat him?
40:44I can't see him.
40:45Ok, I'll eat him,
40:46I left the sticks there.
40:47You see,
40:48Mane came
40:49next to you.
40:50No, no,
40:51that's not your table,
40:52Carmen,
40:53you're guiding me,
40:54you can't.
40:55Yes, yes,
40:56there, there.
40:57And now,
40:58what am I doing?
40:59There,
41:00next to the table,
41:01in front of you.
41:02Go on the table.
41:03Where is it?
41:04What are you doing?
41:05On a bottle.
41:06You have to put it
41:07on a bottle,
41:08I remember
41:09I flew it from there.
41:10Tell me what you're doing there.
41:11I'm trying to
41:12put my head
41:13in the water.
41:14Can you see me?
41:15Yes.
41:16I was watching him
41:17coming towards me
41:18like a robot,
41:19with his arms outstretched,
41:20and he was
41:21right.
41:22The whole circumference,
41:23the whole circle of his head
41:24is yellow,
41:25the nose is purple,
41:26the beard is purple.
41:27Ok,
41:28this is the cheek,
41:29my leg here.
41:30I was afraid
41:31that I would fall
41:32over that cheek,
41:33that I would
41:34go into the puddle,
41:35that I wouldn't
41:36restore the colors.
41:37So,
41:38no,
41:39it's clearly higher.
41:40And I was trying
41:41to figure out
41:42where the ears are,
41:43which is up,
41:44which is down.
41:45Where is it?
41:46Is it good here?
41:47Come on.
41:48I held on somehow,
41:49I looked at the road
41:50to the left
41:51and then to the left,
41:52but with these glasses
41:53on my head,
41:54I turned right.
41:55Isn't it here?
41:56No.
42:00Man,
42:01I can't believe it.
42:02Do I see you in front of me
42:03or where do I see you?
42:04Have you arrived, Ioana?
42:05I feel like
42:06I'm going to the club
42:07with Trigla.
42:08Go after
42:09Mane's voice over there.
42:10But where do I go?
42:11To your left,
42:12to the other left
42:13is Mane.
42:14No, the other way,
42:15the other way.
42:16Where do I go?
42:17Where do I go to paint?
42:18What?
42:21I don't know where to go
42:22to paint, bro.
42:24And where do I go?
42:25To Mane.
42:26To what?
42:28It's here?
42:29No.
42:30Wrong?
42:32Come on, Adi!
42:33Yes!
42:34I don't know where to go
42:35to paint, bro.
42:36It's the cabin
42:37in the back.
42:39Look what she's doing
42:40with her hand, ma'am.
42:42To the other side,
42:43to Andreea.
42:44I can't see.
42:45Oh, my God.
42:46Man,
42:47maybe I'll break my neck
42:48or something.
42:49Come on,
42:50take it by the hand.
42:51Do something.
42:52Put your hand on the furniture.
42:53So it was horror.
42:54I felt like
42:55I was going to throw up.
42:57Where do I paint?
42:58It's like
42:59you're going
43:00to go
43:01drunk
43:02on the street
43:03and you have to paint.
43:04And what do I do, bro?
43:05Yes, drunk, drunk.
43:06Oh, my God,
43:07I feel sick.
43:08I'll break my leg
43:09if I throw up.
43:10I feel sick.
43:11I feel sick.
43:12From the glasses,
43:13you feel sick.
43:16I wanted to put my hand
43:17to the left,
43:18but I was like,
43:19what the hell am I saying?
43:20I don't get it.
43:21Cut.
43:22Something's wrong.
43:23Something's not right.
43:24The brain was trying
43:25to do this with the hand,
43:26and the hand was going here.
43:29Calm down, Cosmin.
43:30Calm down.
43:31The problem is
43:32that from here,
43:33the way you're standing straight,
43:34here,
43:35there's a world
43:36with these glasses
43:37that Adi could see,
43:38too,
43:39from the bottom up.
43:40But when you put
43:41your head on the board,
43:43it was something else, bro.
43:46I could see here.
43:47The beard.
43:48I see the other way around.
43:50The other way around.
43:51I have to concentrate
43:52very well
43:53so that I don't
43:54get the hang of it.
43:55I shake,
43:56I shake,
43:57I put my hand
43:58to the left
43:59to take it to the right,
44:00I put my beard down,
44:01I put my finger on it
44:02to see where to put
44:03my right hand
44:04with the pencil.
44:05That's it, Ioanu.
44:06That's it, Ioanu.
44:07That's it, Ioanu.
44:08You're smart, Ioanu.
44:09Adi!
44:10Yes?
44:11The beard and the soft nose.
44:12Say that again.
44:13The beard and the soft nose.
44:15I didn't hear you.
44:16The beard and the soft nose.
44:20Yes!
44:21Andreea!
44:22What do you want?
44:23Do you know what you have to do?
44:24Yes, I know.
44:25Good.
44:26I was like,
44:27how do I explain
44:28to Carmen
44:29that it was clear
44:30that now
44:31the right was actually
44:32the left,
44:33if you saw it like that.
44:34Did you see that
44:35above his eye
44:36there were two dots,
44:37a big one up
44:38and a small one down?
44:39Yes, yes.
44:40The big one is red,
44:41the small one is orange.
44:42Remember,
44:43the right and the left,
44:44don't reverse them.
44:45The big one is red,
44:46the small one is yellow.
44:47I colored her eyes,
44:48bang, bang, bang, bang,
44:49and colored two more dots,
44:50as he told me,
44:51and this outline
44:52stuck in my head.
44:53What outline,
44:54Adi?
44:55What outline,
44:56Adi?
44:57There is no
44:58outline.
44:59Right, right,
45:00it's a boy
45:01doing his hair.
45:02I saw him,
45:03I saw him.
45:04Go to him.
45:05I saw a boy
45:06in the distance
45:07doing his hair
45:08with his head down
45:09and his legs up.
45:10I knew
45:11that was the point
45:12I had to get to.
45:14Where?
45:16Inverse.
45:39Adi, it's wrong.
45:43He has a green beard,
45:44he has green ears.
45:46What did I do wrong?
45:47I don't understand
45:48what he sees.
45:49Does he see differently?
45:50Come on, Ioana.
45:51Leave me alone,
45:52you told me it's wrong.
45:53God,
45:54forgive me.
45:56Adi!
45:58Adi!
45:59Adi!
46:01Adi!
46:02Yes,
46:03you can't yell.
46:04Listen to me.
46:05Do I have to do
46:06all my white hair
46:07with yellow?
46:08Yes.
46:09Get out of my head,
46:10I have an hour and a half,
46:11two at least.
46:12And I said,
46:13let's do it.
46:15Let's do it.
46:18Come on, Ioana,
46:19what the hell are you doing?
46:21It's wrong.
46:23Again?
46:24Yes.
46:25Wrong color.
46:26At that moment,
46:27I felt
46:28something was wrong.
46:29I said,
46:30what the hell do you see there?
46:31What colors?
46:32You're driving me crazy.
46:33I can't take it anymore.
46:34Ah, fuck,
46:35inverse.
46:37I was trying
46:38to get those dots
46:39on the board
46:40and they were running away from me.
46:41At that moment,
46:42I realized,
46:43put your finger here
46:44on it
46:45and with the other one
46:46that I was doing
46:47left-right,
46:48I managed to get it
46:49at the same point.
46:50So this is purple,
46:51this one here is purple,
46:52this one above is purple,
46:53but I made a mistake.
46:54Come on, Google,
46:55come on, Google,
46:56come on.
46:57Bye-bye.
46:58Bye-bye.
46:59I painted,
47:00I painted
47:01around the tiger,
47:02from there to there,
47:03all the white part.
47:04I gave it,
47:05it's over,
47:06it was still a little
47:07on the bottom of the orange.
47:08Give, give, give, give,
47:09give, give, give.
47:10And look,
47:11this is how I did
47:12half of the background
47:13close to the tiger
47:14and,
47:15Mr. Judge,
47:16from there,
47:18it's all wrong.
47:21How wrong?
47:22I mean,
47:23you don't even leave
47:24a little dot there
47:25that I painted,
47:26maybe correctly.
47:27Don't you know what's wrong?
47:28Or,
47:29that's it,
47:30I'm sorry, brothers,
47:31I'm sorry from the glasses.
47:32I'm serious,
47:33I'm sorry from the glasses.
47:34I can't, I'm sorry.
47:35It's okay, I'm going to throw up.
47:36Manete,
47:37clench your teeth.
47:38Who clenches his right,
47:39this is
47:40my left.
47:41Andreea, where are you?
47:42But what are you doing there?
47:43Mom,
47:44mom, mom, mom.
47:45And I have more of them.
47:46Don't let it spit on you.
47:47It burns badly.
47:48Come here.
47:49Let me be,
47:50I'm stressing out
47:51in the last half.
47:52Did that hit you?
47:53No, it didn't.
47:54What are you doing, mom?
47:55Take it, you catch it.
47:56Don't do that.
47:57Don't do that.
47:58That's it,
47:59I'm not doing anything.