3つ星エンタメガイド ミテラン 2024年10月9日 創立25周年のKバレエトウキョウを深掘りSP
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00:003-star Entame Guide, Miteran!
00:05Here we go, 3-star Entame Guide, Miteran!
00:08Tonight, we'll be introducing only the top 3 Entames we've selected.
00:12In this show, we've talked about various Entame works,
00:15and the specialists who have spread their charms
00:17have analyzed the Entames we're paying attention to from their own perspectives.
00:20If you listen to their passionate commentary,
00:22there's no doubt that you'll want to go see them even tomorrow.
00:25Today's Miteran is the 25th anniversary special of K-Ballet.
00:33Miteran started in October last year,
00:35and it's already been a year!
00:37Thank you very much!
00:39I'm so grateful.
00:41It's like a TV commercial.
00:43Yes, it is.
00:44I'd love to be a part of it.
00:47We'll be introducing these two works.
00:52K-Ballet Tokyo celebrates its 25th anniversary,
00:56and presents Kumakawa Tetsuya's K-Ballet Tokyo Winter 2024,
01:01and Kumakawa Tetsuya's K-Ballet Tokyo Winter 2025, Cinderella.
01:12K-Ballet Tokyo has gained a lot of fans
01:15thanks to its unique performance.
01:19With that in mind, Miteran is going to get on board
01:22and aim to become an even more loved show.
01:27The presenter is the editor-in-chief of the Ballet Channel,
01:31Ms. Sayako Abe, who conveys the charm of ballet with her deep knowledge and love.
01:35Ms. Abe, what is the position of these two works in K-Ballet?
01:41These are two works from the international Setsuna Repertory.
01:45K-Ballet was first performed in 2005,
01:49so it's been 20 years.
01:51Every year, it's performed during the Christmas season.
01:55It's a very popular work.
02:00Speaking of the Christmas season's classic,
02:03K-Ballet.
02:05The world of gold where the stars of powder snow dance,
02:08and the world of dolls where colorful dances unfold,
02:12and the stage where they change one after another,
02:15it's a gorgeous spectacle.
02:17A special season has been colored by the gorgeous world view.
02:21There are many ways to spend Christmas.
02:25It's wonderful to spend Christmas with ballet.
02:29I just thought of it.
02:31Cinderella was also performed in 2012.
02:36Mr. Tetsuya Kumakawa, the art director of Orchard Hall,
02:40made this work in commemoration of his inauguration.
02:44This is also a great hit work with a great heart.
02:48The romanticism is Cinderella, which is called the best of K-Ballet.
02:53There are many magic in front of you.
02:56The brilliant idea of Mr. Tetsuya Kumakawa
02:59invites you to the world of dreams beyond fairy tales.
03:02It's a fantasy work suitable for the bright new year.
03:07Kurumiwari Ningyo and Cinderella are original works of fairy tales, right?
03:14Just looking at the theme,
03:16I feel like it's aimed at children.
03:20What do you think about that?
03:22It's great that adults can enjoy it enough.
03:26Even for those who see ballet for the first time,
03:29I recommend it.
03:31It's a work I want to recommend at first.
03:33And the other person who presents the charm of ballet
03:37is Ms. Emiko Hirano of Senzoku Gakuen Music University.
03:42She is an expert in Russian ballet history.
03:45She talks about the interesting history of ballet and its deep charm.
03:51Ms. Hirano, Kurumiwari Ningyo and Cinderella are both Russian ballet.
03:57Why did ballet develop in Russia?
04:00Originally, ballet was born in Italy during the Renaissance.
04:05At the beginning of the 20th century, Russia had a strong imperial power until the Russian Revolution.
04:13It is said that the richest man in the world was the Russian emperor.
04:18The emperor liked ballet, so he protected it a lot.
04:21He invited very famous choreographers and ballet dancers from Europe.
04:28It is thought that it developed a lot in Russia.
04:31I see.
04:33That alone changes the way you see it.
04:35That's right.
04:36I want to tell people who go with you.
04:38The background was not connected at all.
04:41Especially, Kurumiwari Ningyo is a ballet that can be enjoyed only by music,
04:48which was created by the Soviet Union after the Russian Revolution.
04:52What about Cinderella?
04:54Cinderella is a ballet created in the Soviet Union after the Russian Revolution.
05:00Cinderella was created in a more dramatic way so that ordinary people could enjoy ballet more.
05:07I see.
05:09There is a part that overlaps with the social situation.
05:14Ballet is a work of art that includes the social situation and historical background.
05:19I see.
05:20As we know, Cinderella is a story,
05:24but I think many people don't know the story of Kurumiwari Ningyo.
05:30I know the title and the music is famous,
05:33but if you ask me to tell a story, it's similar to Kintaro.
05:38Katsuya Masakari knows Kintaro, but if you ask me what the story is,
05:42it's similar to Katsuya Masakari.
05:44Then, I will introduce the story of Kurumiwari Ningyo.
05:48It is a masterpiece that has been loved for a long time,
05:51but the K-Ballet version with Tetsuya Kumakawa's imagination is a different world view.
06:00In the land of dolls, there was a land dispute with the mice.
06:04One day, the king of mice cast a spell on the land of dolls,
06:09and turned the princess Marie into a mouse,
06:11and the translator Konoe Heitaichou into a Kurumiwari Ningyo.
06:18The only way to break the spell is to break the world's hardest walnut.
06:23To do that, you need the power of a human with a pure heart,
06:28and that's where Shirahanoya came from.
06:33What kind of adventure will Kurara, who traveled to the land of dolls, go on?
06:40Now, let's talk about the points that have been loved for a long time,
06:44Kurumiwari Ningyo and Cinderella.
06:48The first point is the scene change, which is like turning a picture book that is stuck in the world of dreams.
06:55It's a really gorgeous stage setup, and it's dynamic.
07:00The fact that the scene changes itself is already a performance.
07:05It shows the process.
07:08Here is such a dynamic scene change.
07:12The scene where the protagonist heads to the land of dolls.
07:15In the real world, the Christmas tree, which used to be a lighthouse, is gradually getting bigger,
07:20and Kurara expresses how it is shrinking.
07:25The tree is getting bigger and bigger.
07:27Kurumiwari Ningyo always does that.
07:32In the case of Kumakawa's production,
07:35he shows the process of shrinking and changing itself dramatically.
07:44It's like magic.
07:46It's like the person I'm looking at is getting smaller and smaller.
07:50That's right. When I first saw it, I felt that way.
07:53I was so big that I thought I was getting smaller.
07:58If I were to describe it in a normal way,
08:00it's like lowering your head once,
08:02and then two sub-characters come out,
08:05and you have a conversation with the sub-string,
08:08and you have a little chat,
08:10and you're like, what's going on?
08:12And when you run up, the scene changes.
08:16It's amazing that you're showing this in a dynamic way.
08:19That's right.
08:21Next is Cinderella.
08:23The scene of riding on a pumpkin carriage to the castle
08:26is also shown in a stable manner.
08:30It's a little hard to see in the video,
08:32but it really feels like you're riding on a starry sky.
08:35And then a big gate comes out like that,
08:39and when you open it, the castle rises.
08:43That's amazing.
08:45The silhouette gives it a sense of perspective.
08:47That's right. It's a great scene.
08:49That's amazing.
08:51It's amazing to see it in the video,
08:53but when you see it live, it makes you cry.
08:56That's right.
08:57It's powerful.
08:58I really cry.
08:59It's a fast-paced scene, isn't it?
09:02Behind the scenes, the staff is really
09:05working on every detail.
09:08It fits perfectly with the music,
09:11and it's a big deal if it doesn't fit perfectly with the dancer's movement and music.
09:16The fact that it's done is actually magic.
09:19I see.
09:20It's like magic.
09:22It fits perfectly with the live performance,
09:25and it draws in what you see into the world of the story.
09:28It's a magical scene where advanced technology is incorporated.
09:32It's a blink of an eye.
09:35The second point to be loved is
09:38the skillful character creation that you can always push.
09:42After watching it, I'm going to push this girl.
09:46I think it's good to show the characters clearly.
09:56For example,
09:58Cinderella.
09:59It's a scene where the Giri sisters and the mother are bullied.
10:05In the case of Kumakawa,
10:07it's a mother who passed away.
10:10It's very important to have only one picture of her mother left.
10:14However, the mother got angry and took the picture.
10:21She put it on the tree.
10:27In an era where there is no data storage.
10:29That's right.
10:30There's only one picture left.
10:32I think it's terrible,
10:34but I don't hate this Cinderella.
10:37She was bullied so much,
10:39but she's such a good girl.
10:43Everyone will love her.
10:45That's how I picture it.
10:47Are you jealous of her?
10:50But in that way,
10:52I want to make it vivid with light and shadow.
10:57It's just one picture,
10:58but whether you burn it or not,
11:01the feelings for this scene
11:03and the feelings for the actions of Cinderella after that
11:06will be completely different.
11:08That's right.
11:09Also, not only the leading role,
11:12but also the supporting role
11:16are really interesting.
11:20For example, in this scene,
11:22it's a battle between a mouse and a doll.
11:29This scene is the highlight.
11:32The mice are scary here,
11:36but they show their love for the character.
11:40They come to you like this.
11:42But the defeated mouse is carried by a doll.
11:45It's a comical feeling.
11:47I don't hate it.
11:49At the end of the right,
11:50there's a spoon.
11:52It's a cheese bomb.
11:54It hits the spoon and kills the doll.
11:58I'm afraid of that kind of production,
12:01but it's interesting.
12:03You were collecting the cheese you threw away.
12:06It's a little comical.
12:08I can spit it out properly.
12:11I have the impression that
12:13this kind of classic is hard to shoot.
12:17But there are also scenes
12:19where children can laugh together.
12:22That's right.
12:23It's fun at any moment,
12:25without any gaps.
12:27Ms. Hirano,
12:28how did you make the character of Mr. Kumakawa?
12:30Looking at the doll,
12:32the character is much more detailed
12:35than a standard doll.
12:38I think it reflects the original character.
12:43Does it reflect the original character?
12:46Yes.
12:47The original story is a novel by E.T.A. Hoffman,
12:50a German novelist.
12:52It's about a brave Clara
12:54who tries to save the doll many times.
12:58In the original story,
13:00it's important to break the shell of the doll.
13:03I think that's also included in the story.
13:06In the story,
13:08there are some scenes
13:10that are simplified.
13:13Did you express those details in detail?
13:17That's right.
13:18I think the details are more detailed
13:20than other standard things.
13:23It's like a big change in the original story.
13:27Mr. Abe,
13:28what's the next point of the Kumakawa production?
13:31It's a surprise beyond imagination.
13:33A surprise?
13:34Yes.
13:35I think the snow scene
13:37is one of the surprise scenes.
13:40After this,
13:41Ms. Hirako can't hide her surprise.
13:43What is the surprise beyond imagination?
13:46It's very fantastic.
13:48That's right.
13:51K-Ballet presents
13:53the Kurumiwari doll and Cinderella.
13:56The third point is
13:59a surprise beyond imagination
14:01that will surprise everyone.
14:04This is the scene that Mr. Abe recommends.
14:07It's a military dance with the sound of powder snow.
14:10It's a breathtakingly beautiful scene,
14:13but I think it's Mr. Kumakawa's specialty
14:16that the choreography is very difficult.
14:19There are a lot of dancers like this.
14:22As you can see,
14:24there are a lot of choreographies.
14:27It's really difficult.
14:30The choreography is perfect
14:33in the snow.
14:36It's like a wave.
14:39It's the first time
14:41that the production and technology
14:44are so fantastic.
14:46It's like watching a snow globe.
14:49When the scene is over,
14:51the floor turns white.
14:54It's really realistic.
14:56What is Mr. Kumakawa's surprise?
14:59Mr. Abe, what else is there?
15:02Costumes?
15:03There's nothing out of the ordinary.
15:06For example,
15:07Mr. Drosselmeyer's coat.
15:10It's very heavy.
15:13There's a beautiful embroidery
15:16on the back of the coat.
15:19I can see the back of the coat
15:22when I turn around.
15:24Of course,
15:25it's better to wear light clothes when dancing,
15:28but when you turn around like that,
15:31the way you turn around
15:33gives you a heavy feeling.
15:35The drape feels completely different.
15:37For that drape feeling,
15:39I calculated and stuck to it.
15:42It's a very heavy coat.
15:44And the Cinderella.
15:46This is also a dreamlike costume.
15:49When Cinderella came out
15:52as a princess,
15:55the audience had to feel like they were dreaming.
15:59There's a golden cape
16:01on top of the dress.
16:03It's beautiful.
16:04It's a cape with a lot of fabric.
16:08The body is also very beautiful.
16:10It's embroidered with thread.
16:13I've heard that
16:15it's made of thread
16:18because it's heavy
16:20when you wear a costume.
16:23If you don't see it at this distance,
16:26you can't see it so close to the stage.
16:29That's why I'm so particular about it.
16:31The accumulation of details
16:33is what makes a dream come true.
16:35When I read the pamphlet,
16:37I thought,
16:39who is it this time?
16:41It's Iyo-Iyo.
16:43It's Iyo-Iyo.
16:44It's Iyo-Iyo.
16:45The fashion leader, Inako,
16:47is going to give a speech.
16:49Ms. Hirano,
16:50what was the costume like
16:52when the doll and Cinderella came out?
16:55At first,
16:57it was a very heavy dress.
17:00The shoes were high heels.
17:02The wig was made of stone.
17:04It was very heavy.
17:06At the end of the 19th century,
17:08when the dance skills
17:10like the doll and Cinderella
17:12were almost the same as now,
17:15the costumes became shorter
17:17and easier to dance.
17:20What about men's costumes?
17:23At the time of the doll and Cinderella,
17:25women played the leading role,
17:27so men often supported them.
17:30So it was very important to support them.
17:32There were a lot of people
17:34who played the leading role,
17:36but they couldn't dance,
17:38so another person
17:40supported the women.
17:42Was there a person
17:44who played the leading role?
17:46Yes.
17:48Was there a person
17:50who played the leading role?
17:52Yes, there was.
17:54I see.
17:56It's very popular now.
17:58It's very popular now.
18:00It's very popular now.
18:02I heard that there is a reason
18:04why people can't miss
18:06this performance.
18:08The prince of both works,
18:10the prince of the new era.
18:12Are they both actors?
18:14Both.
18:16The guest is Julian Mackey.
18:18Julian.
18:20Julian Mackey.
18:22After this,
18:24let's meet the handsome dancer
18:26who plays the prince.
18:28Julian Mackey
18:32This time, Julian Mackey plays
18:34the role of a prince
18:36with a stuffed doll and Cinderella.
18:38He is known as the prince of the new era
18:40because of his high ability
18:42and good looks.
18:44Julian Mackey.
18:46Julian Mackey.
18:48Julian Mackey.
18:50Julian Mackey.
18:52Julian Mackey.
18:54Julian Mackey.
18:56As a foreigner,
18:58he is the youngest.
19:00He is 11 years old.
19:02He studied at the famous
19:04Bolshoi Ballet Academy in Russia.
19:06He graduated from the academy
19:08as the principal.
19:10He is a very talented dancer.
19:12He plays the role of a prince.
19:14He is perfect for the role of a prince.
19:16He is perfect for the role of a prince.
19:18The role of a prince is
19:20to choose a dancer to dance.
19:22Not everyone can dance.
19:24He is perfect for the role of a prince.
19:26How do you feel, Mr. Hirako?
19:28You are very handsome.
19:30But I think I look like a prince.
19:34I can hear the footsteps on my back.
19:36Julian.
19:38Mr. Abe,
19:40at the end of the year,
19:42you will see the stuffed doll
19:44and Cinderella.
19:46It's a good time.
19:48I think so, too.
19:50I'm looking forward to
19:52the stuffed doll.
19:54It's a perfect time
19:56for the stuffed doll.
19:58It's a perfect time.
20:00You can dress up
20:02and go out with your family.
20:04You can see ballet
20:06and eat delicious food.
20:08When you get older,
20:10you can see Cinderella
20:12and feel like you have a new heart.
20:14You can start a new year
20:16with a fresh mind.
20:18It's a happy feeling.
20:20So I think it's a very nice program.
20:26Last year, my daughter bought a small ornament of a walnut doll and said she wanted it.
20:32Can you imagine spending such a luxurious Christmas
20:38with her holding it and actually going to see the walnut doll?
20:42It's so wonderful!
20:44That's why I wanted her to have such a wonderful Christmas.
20:53Mr. Hirako, how did you like the K-Ballet Special?
20:55I thought I had to go and see it.
20:58When I hear professional opinions, my point of view changes.
21:02That's right. I want to know more about history and Christmas ballet.
21:07I want to tell my family everything I heard today.
21:12I'm very faithful to the original work.
21:16How many stars do you have for today?
21:19I have 10 stars.
21:2210?
21:23Yes, 10 stars.
21:26It's already shining.
21:28I won't lose to the wind of courage.
21:30Let's shine and shine.
21:32Miteran, the three-star entertainment guide.
21:34See you next time.
21:36Good-bye.
21:38Miteran, the three-star entertainment guide is now available for free on TVer.
21:43Please subscribe to our channel.