Al Fondo Hay Sitio Cap 501 Completo 2024 - Al Fondo Hay Sitio Temporada 11 Cap 128 Completo 2024
Al Fondo Hay Sitio Cap 501 Completo 2024 - Al Fondo Hay Sitio Temporada 11 Cap 128 Completo 2024
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Al Fondo Hay Sitio Cap 501 Completo 2024:
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FunTranscript
00:00Feeling hola hola hola
00:08Hola cielo
00:13See me
00:16Recien llegas de trabajo
00:19Salvo tarde y el tráfico es terrible
00:23Con este brevaje vas a olvidar todo la maldición
00:27La princesa Bamba el beso
00:29Tu tu tu tu
00:48Yo rica nos consiguen una camilla
00:50Don't worry, don't worry, don't worry.
00:53Damn.
00:54And I don't know if Salvador learns super fast
00:57or he has hidden skills and he's releasing them little by little.
01:00Like to impress the chef, you say?
01:02Because he got it.
01:03It's not that he tries to impress me.
01:05He totally has the job.
01:06He just makes me happy because he's a good element for Francesca.
01:09That's it, that's it.
01:11Surprise!
01:14I know it's not your first day of work, but it's more of a surprise.
01:17You went to pick me up from school and we did everything together.
01:25Bingo!
01:32I'm dreaming.
01:34It's the characters.
01:35Shrek.
01:37The donkey.
01:39Ping-pong.
01:41Fiona.
01:43The cookie.
01:45Oh my God.
01:48It's the curse.
01:50It's the curse.
01:53Anastasia left me lying like a dog.
01:56There's no bed.
01:58I'm sick.
01:59I don't even have Yuri to help me.
02:02This curse is never going to end.
02:05God.
02:06God.
02:09This curse is never going to end.
02:14This curse is never going to end.
02:30The murder weapon no longer exists.
02:32Did you throw it into the sea?
02:33Yes, I already disarmed it and I decided that each piece separately.
02:36No, don't worry, it's impossible to find it.
02:39Thank you, Cookie.
02:40What do we have to do now?
02:41We still need to find out if Claudia didn't have an accomplice.
02:44Well, someone had to take her to Pachacamac.
02:46Or he could have arrived driving.
02:49I know his car well.
02:51I talked to him, he recognized him and he appears.
02:53Appear where?
02:54There was nothing in that house.
02:55Yes, but everyone arrives in San Jacinto.
02:58We have to find out before they dismantle it.
03:01I already notified my contacts.
03:03The low-down.
03:04That's right.
03:05They will let me know if an abandoned car appears.
03:07But there must be thousands.
03:08Yes, but come from Pachacamac.
03:10And surely intact.
03:11We have to find it before they sell it for parts.
03:15Who?
03:16I'm Claudio.
03:27I brought you a wrist tea.
03:29Leave the tray, please.
03:31Don't worry, keep talking.
03:34Just pretend I'm not here.
03:35Anyway, I know there are two types of employees here.
03:38Those who trust and those who do not.
03:41I'm not in the mood for jokes.
03:43Excuse me.
03:44Well, if the gentlemen don't need me for anything else.
03:47You can retire, Coqui.
03:48And take the non-trust staff.
03:50Oh, why are they like that?
03:52Why are you like that?
03:53They are doing a lot of damage to my self-esteem.
04:08I'm sorry.
04:38I'm not in the mood for jokes.
04:48I'm not in the mood for jokes.
05:02I'm not in the mood for jokes.
05:08More or less.
05:10More or less.
05:13What's wrong?
05:16What?
05:23My neck.
05:24Here is my neck.
05:26Here is my neck.
05:29Here it is.
05:34It hurts.
05:39Finally.
05:40Finally, a room is free.
05:42Come on, I'm going to take you.
05:46What's wrong?
05:52No, no, no.
05:53Nothing happens.
05:54Nothing happens.
05:55How do you understand him?
05:56What does he say?
05:59No, no.
06:00He thinks we are with you.
06:01That we have something.
06:02No, she is my grandmother.
06:03My grandmother.
06:05Of course.
06:06Don't you see the resemblance?
06:07Yes.
06:08The thing is that I married the grandfather.
06:10Yes, yes, yes.
06:11Besides, I'm not with anyone.
06:14Because of a curse.
06:16Oh, please.
06:17Damn curse.
06:18Stop talking.
06:19Don't scare the clown.
06:21Leave her.
06:22See you later.
06:23Have a nice day.
06:24Bye.
06:28Why so many clowns?
06:30Has the circus burned down?
06:32Let's go before the elephant and the lions come.
06:34Yes, yes.
06:35Eat, eat.
06:36Why don't you come for lunch?
06:37Have you seen him?
06:38It's easy.
06:39Are you working, sister?
06:40No.
06:41I was in the workshop and I haven't seen him all day.
06:42What thing?
06:43No one has seen him?
06:44No.
06:45What?
06:46I haven't seen Joel.
06:49Who?
06:50Joel.
06:51No, who asked you?
06:56No, but seriously.
06:58I've seen him very depressed.
07:00Don't be bad, uncle.
07:02Family, excuse me.
07:03I'm going to New York.
07:04By the way, I'll check the roof of your room.
07:06No, no, dad.
07:07Joel has no neck.
07:08He would never hang himself.
07:09Oh, it's true.
07:10No, now, now.
07:11Seriously.
07:12Who has been the last to see him?
07:13And if we take him to the morgue?
07:14That's my daughter.
07:16Before they think anything strange,
07:19Joel felt bad.
07:22And Olinda took him to the clinic.
07:27Oh, daddy, but who was thinking weird?
07:30As if I didn't know them.
07:33A member of our family needs us.
07:36Let's go.
07:37Let's go.
07:38Let's go, dad.
07:42Let's go.
07:44It's only for family members.
07:46Let's go.
07:57Oh, Joel just arrived.
07:58How do you feel?
07:59How do I feel?
08:01I have come from Acacia, Banayul.
08:03I was wonderful.
08:04Oh, Joel, don't do it.
08:05What a shame you couldn't be when you arrived.
08:07Was it very difficult to find a place?
08:09Yes, no, there was no bed.
08:12Until they gave us this one.
08:15Oh no, Mr. Jalachacky.
08:18Poor thing.
08:19Well, it's the law of life.
08:21No, he sent me to the bed of a dead man.
08:23With a very warm heart.
08:25No, no, no, I'm leaving.
08:26No, no, no, no, no, no, no.
08:27He is a man who has already been discharged.
08:29Yes, yes, of course, he's gone.
08:30Calm down.
08:31Yes, yes.
08:32Rather, apparently it is an infection,
08:35but they will need more analysis.
08:37Yes, yes, but let them give it to me quickly.
08:39I want to go, I don't want to stay long.
08:41No, no, at least you will have to stay that night.
08:43Yes.
08:44Take it.
08:45Oh, I had six, Joel.
08:48But this thing is empty.
08:50Of course, it's for your SS sample.
08:52Ah?
08:53But how am I going to find this thing?
08:56You'll have to have aim, it's not that difficult.
08:58I don't even have eyes on my back.
09:00It has nothing to do with it.
09:02I'm in a lot of coma.
09:03Joel, it's necessary for your analysis.
09:05No, no, no, but I do XL.
09:07This has to be bigger.
09:09I already told you that it is necessary.
09:11But I don't feel like it right now.
09:13In fact, I would have saved you a little.
09:15Well, I'll leave it here then.
09:17Leave me two, three, six.
09:20Joel, go to sleep, okay?
09:22Are you going to leave me alone?
09:24But...
09:25Rest.
09:26But Julie...
09:31It's okay.
09:32It's just going to be one night.
09:34It's okay.
09:35It's just going to be one night.
09:37I don't think you'll feel sorry here in this polyclinic.
09:47Surprise!
09:53His face is scary.
09:54And Gaspar?
09:55Why isn't Gaspar here?
10:06Because I feel that right now I'm stopping doing something important for a loved one.
10:24Dandelions.
10:25He thought I was going to be impressed with his dandelion dessert.
10:29Nowadays everyone uses dandelions.
10:31On the other hand, I prepared a crunchy African pear that I had never tried.
10:36It's not that good, it's true, but it's completely original.
10:41Hey, are you listening to me?
10:42Uh-huh.
10:43Let's see what I said.
10:44That Salva has you making desserts.
10:46And I tell you that you haven't stopped talking about him all day.
10:49Nothing to see.
10:50Yes, it's true, Miss Alessia.
10:53In fact, I've talked about him so many times that I'm curious to meet him.
10:56I'll take you to Francesca's tomorrow.
10:58You can't say anything here because you think badly of him.
11:02Nobody is thinking badly, little sister.
11:04We just see you a little excited.
11:06No, no, no.
11:07I'm not excited.
11:09Only that finally someone arrived at the restaurant with studies that push me to a healthy competition.
11:14She also had studies.
11:16Claudio, what are you doing here?
11:18Oh, the truth is that I came to tell you my sad story.
11:21Today I feel the third mellitus.
11:23It's not possible that the bosses are so shameless to prefer Koki Reyes instead of me.
11:28I said.
11:29Claudio, you're exaggerating.
11:31No, it's obvious.
11:32My dad and Francesca prefer Koki from afar.
11:35Of course.
11:36Since it's not your room, Claudio stays here crying all night, right?
11:39Hey, and what do you complain about?
11:40You haven't stopped editing photos.
11:42Hey, isn't that Lucia?
11:44Her book is not finished yet.
11:46No, no.
11:47I already gave her the commercial photos.
11:48These are the artistic ones.
11:50No, but these things cannot be published on networks.
11:52Let Yuli not see them.
11:53Hey, what's wrong?
11:54You know perfectly well that Yuli and I are no longer together.
11:57Sorry, sorry, sorry.
11:58I really thought you were in conversation.
12:00No, you know what? I'm tired.
12:01I'm tired.
12:02Everyone is going to go to bed.
12:03Good night.
12:04Thank you very much for being here.
12:05What are you doing, Mrs. Alicia?
12:06Wait.
12:07My slippers.
12:09There are some of your slippers.
12:10Claudio, please.
12:11You too.
12:12Me too.
12:13Nobody loves me.
12:14Yes, yes.
12:15Poor thing.
12:16Rest.
12:18Good night.
12:20Good night.
12:21Good night.
12:22Good night.
12:23Good night.
12:24Good night.
12:25Good night.
12:26Good night.
12:27Good night.
12:28I do not know how I managed to get to the hospital.
12:29I thought it was the same as the tractor, but no.
12:31The car goes much faster.
12:33It is that you had to take Joelito.
12:35It was an emergency.
12:37It almost becomes two emergencies.
12:39Because we almost collided the two of us.
12:40I just saw the needle going up and up until forty and we got there.
12:4440 kilometers per hour.
12:47What clumsiness.
12:49It could have been a tragedy.
12:51I never drive a car again.
12:53No, don't say that. You have to learn.
12:57So that you lose your fear.
12:59No, Gilgirito.
13:01Nothing of Gilgirito.
13:03I'm going to teach you myself.
13:07Are you going to teach me?
13:09Of course.
13:10Who do you think brought the family from Guamanga?
13:14We came on my bike through the Libertadores Highway.
13:18But that was like 15 years ago, Gilgirito.
13:21And have they changed the traffic rules?
13:24Do you see flying cars?
13:27You will see that you will learn very quickly.
13:29In a single day.
13:31Well, it's fine.
13:34Fortunately, I left Jolito's car in the hospital.
13:37What? How do you say?
13:39No, what a thrill, what a thrill.
13:41That I'm going to learn in a single day.
13:43Well, let's go to sleep.
13:49Joel, are you awake?
13:53I'm awake, yes, I'm awake.
13:56I'm more relaxed, I feel better.
13:59Also, that visit has lifted my spirits.
14:02With you and your things, we have won the lottery with our family.
14:07I brought you food.
14:09This is not a clinic for room service.
14:12But I took the opportunity to bring you some things.
14:15Thank you, thank you.
14:17Take advantage of the fact that they already took all the samples for your tests.
14:21Don't worry.
14:23As you eat, it seems that you are already healthy.
14:25I already feel good, I don't know what I'm doing here.
14:28But at least I met a new friend.
14:32A friend?
14:34But if no one has come in here ...
14:36Oh, Joel, don't scare me.
14:38No, no, no, don't worry.
14:40When I was waiting for them to give me a room,
14:43a very nice clown approached me.
14:46Very nice, maybe you know her.
14:48Oh, there are several clowns here.
14:50What was he like?
14:51He had a clown wig, clown nose, clown makeup.
14:55He had big shoes like Grace's.
14:57More or less.
14:58And he didn't speak.
15:00That's his gimmick.
15:02You just described all the clowns in the world.
15:04Didn't he tell you his name or give you a card?
15:07No, no, no, nothing.
15:09But what are they doing here?
15:11Do we pay them?
15:12No, no, not a penny.
15:14They are volunteers.
15:16Yes, here, even if you don't believe it, behind those red noses,
15:19there are very prudent people.
15:21Millionaire actors come like that.
15:23Like Flautín, Germán Loero, or Lalo Cubacho, who rots in silver.
15:27But no one recognizes him like that with the makeup.
15:32I mean, they don't do it for money or fame.
15:35To fill a void in their lives.
15:37There is nothing more beautiful than making a sick child smile.
15:40How nice.
15:42Has anyone come here dressed as a clown?
15:45Eri, who was he?
15:46No, that one who is coming.
15:48He's not funny.
15:49What happened?
15:51I'm not going to let you profane the name of a blessed woman.
15:53Careful.
15:55Eat, eat.
16:08Good morning, good morning.
16:10Your sister?
16:11He went to the restaurant.
16:13I think he's doing a healthy competition with the new chef.
16:16Oh, finally someone who stimulates his culinary creativity.
16:20It seems you chose well, Diego.
16:22It seems so.
16:23I love good competition.
16:26Coki, how are the low funds going?
16:28Diego.
16:31Don't be scared, Mrs. Francesca.
16:34Mr. Diego knows that I no longer frequent those friendships.
16:37So I have no news.
16:41Excuse me, excuse me, excuse me, excuse me.
16:44Excuse me.
16:46How are you?
16:47I took the liberty of baking this delicious bologna.
16:50Try it, please.
16:51Claudio, you're lucid with these buns.
16:53Right?
16:54Oh, it looks so cute.
16:55I don't know where to start.
16:56Try them, please.
17:00Well, what is this attention due to?
17:03Any interest?
17:04No.
17:05I do everything without interest.
17:06Only out of pure love.
17:07I'm not looking for a day off or an increase.
17:10Speaking of a day off, Coki.
17:12How are you doing?
17:14Why don't you go to Pachacamaca to look for ...
17:16Paltas?
17:17Paltas?
17:18Why would you go to Pachacamaca with some paltas?
17:20Paltas.
17:21In Pachacamaca there are very nice paltas.
17:23In your grandmother's house.
17:24They are big, rich, beautiful.
17:27Yes, yes.
17:28With pleasure I will go for the paltas.
17:30If I don't receive any news from my contacts.
17:33I'll go with you.
17:34No.
17:36No, no.
17:37You have your day off and Coki has his.
17:39Oh, it's not fair.
17:40He always gets the most fun.
17:42No, it's not that fun, Kennedy.
17:49Serve yourselves.
17:51Okay.
17:52It's still an hour to open.
17:54So I can make my dessert.
18:06Salvador?
18:07Chef!
18:08What are you doing so early?
18:10Can I ask you the same question?
18:12Apparently we have the same vices.
18:14I take advantage of the fact that there is no one to give free rein to my culinary creativity.
18:18And you?
18:19I don't.
18:20I love to enjoy the silence of the morning with a good coffee.
18:25Do you like it?
18:26Yes, thank you.
18:28Excellent.
18:29I made it.
18:31Let's see.
18:32How is it?
18:35I hope you like it.
18:44Very tasty.
18:46Out of curiosity, I took a course at the University of Barista
18:49and I fell in love like crazy.
18:51Now I buy coffees everywhere.
18:53I mix them.
18:54It's...
18:55It's...
18:56It's...
18:57It's...
18:58It's...
18:59It's everywhere.
19:00I mix them.
19:01It's...
19:02It's...
19:03It's everywhere.
19:04It's obvious you enjoy it.
19:05Before we have time,
19:06what do you think if we discuss the new dessert menu?
19:09Um, now we have time,
19:11what do you think if we do nothing.
19:14No, seriously.
19:15The morning flies by and we have to take advantage.
19:18Really?
19:19Chef!
19:20when was the last time you enjoyed a good cup of coffee without doing anything?
19:26Hey, I don't remember.
19:28So, you need to focus only on the flavor.
19:34Okay. And on the aroma, too.
19:43I thought I'd surprise you, but in the end, you bring me something new every...
19:59Mmm! The bread is cold!
20:02Oh, give it to me, I'll heat it up.
20:04No, Olinda, that doesn't belong to you anymore. Esperancito, please, heat up the bread.
20:08Have you eaten yet?
20:09No.
20:10They sell it in the corner.
20:12Come on, heat it up, heat it up.
20:14We already have a manager, although it leaves a lot to be desired.
20:17You have to give him time to learn.
20:20Yes, the truth is that all this servant thing is already like...
20:23But love, it's a fair price. In fact, there is free food too.
20:27Oh, come on, don't bother him. He's doing the best he can.
20:30You are a noble soul.
20:31Yes, but still, pay attention, because I don't want to take you to school late.
20:34What's going on? Is there no one in this family who doesn't complain?
20:37Me.
20:39Oh, Tusia, old friend.
20:41No, I mean, I haven't complained yet, but now that I'm tasting this coffee, it's kind of horrible.
20:45It's not like before.
20:46Well, because before I did it with pleasure and freedom, and now I'm an enclosed bird with a sad song.
20:51Oh, poor thing, locked in his cage.
20:54The door is open, no one would force you to stay.
20:56No, if I don't have a hard one. Besides, where would I go?
20:58Where Roberto.
20:59What Roberto?
21:00I'll explain later.
21:01Well, you don't have to make so much drama either.
21:05I remember how bad I had it on several occasions when I was a boy.
21:11I'm going to tell you the anecdote I had with the little sheep.
21:15One night...
21:16Thank you, Don Gil. I'm in a hurry too.
21:18Another day you tell us the adventures of your intrepid youth.
21:22I hope you remember this anecdote.
21:25I'm not leaving. I just ask for a better treatment.
21:27For example, that they give me better clothes, more beautiful, more attractive,
21:31that I used to dress better before.
21:33Times change.
21:34No, yes, it's true. Poor thing.
21:36Uncle, you have like his size, more or less.
21:38Shh.
21:39Well, uncle, but if you don't want to lend him your clothes, at least get him a uniform.
21:45I wear a uniform to go to work.
21:47And it suits you very well.
21:48I also wear a uniform.
21:50Yes, me too, for school.
21:52I don't wear a uniform, but I've always dressed the same.
21:55I would like a uniform, as long as it's elegant.
21:58What's wrong with you?
21:59I mean, we don't have to lend you clothes, unless we're going to...
22:01Hold on, hold on, hold on, buddy.
22:04We have one that's going to be painted and it's super elegant.
22:16I demand an explanation.
22:18Did you want a uniform? There's your uniform.
22:20Don't you see?
22:21You can't complain.
22:22It's colorful, flashy and elegant.
22:24The most elegant in the neighborhood.
22:26You're going to destroy dignity by throwing away the trash.
22:29Not even Peter in his good days, please.
22:31Don't say anymore.
22:32We have the most elegant mayor of all the Nuevas Lomas.
22:37Take it.
22:38That's it.
22:40Oh my God, why did I say anything?
22:41Ready?
22:42Let's go.
22:43One, two, three, four.
22:45Turn around, turn around.
22:46Turn around.
22:47That's it.
22:48Straight.
22:49Go, go, go, go, go.
22:50Go.
22:51One, two, three.
23:07I'm sleeping, I'm sleeping.
23:12Oh, the clown.
23:13Oh, the clown.
23:15Oh, hello.
23:16Let me introduce you to Yuli.
23:18She's Yuli, my cousin.
23:19Hello, hello, little clown.
23:20Yuli, the little clown.
23:22You've never seen each other before?
23:24You don't know each other?
23:27No, no.
23:28I don't think I've seen her before.
23:30It's just that there are so many clowns.
23:34Oh, I'm sorry, I'm sorry.
23:35I didn't mean to offend you.
23:40Come on.
23:45How am I?
23:46Oh, yes.
23:47I'm better now.
23:48I'm fine now.
23:49Oh, yes.
23:50I already did it, my dear.
23:51In a pommel.
23:52Oh, damn.
23:53Yes, yes.
23:54But the doctor is asking me.
23:55I have to tell her.
23:56Well, I have to go to the hospital before the license arrives.
23:59Well, what am I going to do in the meantime?
24:02Wait for the results to arrive.
24:04I already feel better.
24:05I'm so bored.
24:06I already want to get out of bed.
24:08No.
24:09What do you see?
24:12What do you see?
24:14Me?
24:15You?
24:16Us?
24:17There, here.
24:18What thing?
24:19Where?
24:26Oh, really?
24:27There, what?
24:28Are the children there?
24:29Do you want me to accompany you to see the children?
24:32Oh, to make clowns, you say?
24:35But I don't have clown clothes.
24:38How do I do it?
24:40Oh, clowns.
24:41No, no, no.
24:42Don't back down.
24:43Those are my daily clothes.
24:46Oh, that's it.
24:51There, there.
24:52I'm there, I'm there.
24:53How do I do it?
24:54It's missing.
24:59There.
25:00Ah.
25:01Do it.
25:02Let's see, let's see.
25:03Let's see.
25:05There it is.
25:06Now, yes.
25:07Now I look more like my dad, don't I?
25:09In every way.
25:10There it is.
25:11Oh, gentlemen.
25:12And the wig?
25:13I don't have a wig.
25:14It's missing.
25:15Ah.
25:16There.
25:17Now we're ready.
25:18We're ready, gentlemen.
25:19Let's go.
25:20One moment.
25:25Hello, Gaspar.
25:26Tell me.
25:28One moment.
25:29One moment.
25:30How do you say?
25:33Why do you ask me?
25:34Why don't you tell me?
25:35Why didn't I come to the workshop?
25:37Ah, what do you have?
25:39I'm at the polyclinic.
25:40I just got out of an almost fatal situation.
25:43No.
25:44You're a disappointment.
25:45No.
25:46You disappoint me, Gaspar.
25:47Really.
25:48No.
25:49Listen to me.
25:50This is one more demerit for your list of mistreatments and forgetfulness.
25:51Okay?
25:52You fell for me.
25:53No, no.
25:54No, no, no.
25:55No, no, no.
25:56Don't touch my drawer.
25:57I don't want your drawer, little brother.
25:58Oh, come on.
25:59No, no, no.
26:00What disappointment.
26:01You fell for it.
26:02Now we're going, gentlemen.
26:04Marching.
26:09Oh, it can't be.
26:10I failed again, Juan.
26:12But I don't give up.
26:13I don't give up.
26:14Here I go, Juan!
26:16Get out, get out.
26:17Stop at a school.
26:18Get out, get out.
26:20May the future promise of the country,
26:22the beautiful pre-teens, come down.
26:25Oh, Tito.
26:26You're making me sick.
26:28People love you, little girl.
26:31Yeah.
26:32Thanks for bringing me.
26:33I'll pick you up at the exit.
26:34Bye.
26:35Bye.
26:36Get in, get in.
26:37Let's go, guys.
26:40Get out, get out, get out.
26:41Stop at Sara Calavera.
26:43May the most beautiful worker,
26:45the most beautiful member of the National PBI, come down.
26:50Pay in cash or cash.
26:52You're making me sick, Tito.
26:53Yeah, well, I won't let you down with a little kiss.
27:00Are you coming to pick me up at the exit?
27:01Of course.
27:02You can count on me.
27:03If you want, I'll go with you to lunch.
27:04Actually, I'd rather not,
27:05because I don't have a fixed schedule
27:06and I always eat on the fly.
27:07Yeah, don't worry.
27:08So I'm coming to pick you up.
27:09Yes.
27:14Oh, brother.
27:15What's up, man?
27:16I'm so happy.
27:17I think I'm living my best moment.
27:19That's how it looks.
27:20You're a family man, man.
27:23And this time I'm sure it's going to last forever, brother.
27:25Oh, yeah?
27:26That's good, huh?
27:28Well, let's keep working.
27:29Come on, man, come on.
27:33Ice cream?
27:35Well, I don't usually eat while I work,
27:37but why not?
27:39Wait, wait, wait.
27:40Something's missing.
27:42Wait, no, no, no.
27:43What are you doing?
27:44Why are you adding oil?
27:45Olive oil and a touch of salt.
27:50Now, try it.
27:52Trust me.
27:54Let's see.
27:57That's crazy.
27:59That's crazy.
28:06It's delicious.
28:09It has a very peculiar flavor.
28:12What do you think?
28:13You didn't expect it?
28:14Well, I did know about the salt in the candy to stimulate the papillae,
28:17but with the olive oil...
28:23You surprised me.
28:24I surprised you?
28:25I surprised you?
28:27You said it.
28:28I surprised you.
28:29At last.
28:30It's not that bad.
28:31No, no, no, no.
28:32It is that bad.
28:33A star for the chaff.
28:45Dude, what's coming out of your forehead?
28:48Wow, that's cool.
28:50Doesn't your forehead hurt, bro?
28:52Stop talking nonsense, Flutarco.
29:23And there was Mr. Don Gato
29:27Taking the half-half
29:30And there was Mr. Don Gato
29:34You take it out.
29:35Sorry, Joel.
29:36Start it.
29:37No, forgive me.
29:38Start it.
29:39Joel!
29:40Start it.
29:41Joel!
29:42Start it.
29:43Sorry!
29:44Start it.
29:45Sorry!
29:46Start it.
29:47Yeah!
29:48Yeah!
29:49Yeah!
29:50Yeah!
29:51Yeah!
29:52Yeah!
29:53Yeah!
29:54Yo, yo, yo!
29:55Pikachu!
29:56Pikachu!
29:57Pikachu!
29:58Pikachu!
29:59Pikachu!
30:00Pikachu!
30:01Yeah!
30:08Pikachu!
30:09Marimba!
30:13That's it!
30:15Come on guys!
30:16Come on guys!
30:17Up, up, up.
30:21Pika, pika, pika, pika, pika, pika, pika, pika, pika, pika, pika, pika, pika, pika,
30:40pika, pika, pika, pika, pika, pika, pika, pika, pika, pika, pika, pika, pika, pika,
30:50Now it's ball war!
30:54Ball war! Ball war!
30:56Ball war!
31:00What are you going to do?
31:01I'm sorry! I'm tired of you!
31:03I'm sorry!
31:05Hello, hello, yes, head and tongue. Yes, tell me, what news?
31:11Aha.
31:12Aha.
31:16Yes, yes, yes, yes, yes.
31:20Aha.
31:22They found the car.
31:23Who?
31:25Tell that man to bring it.
31:27No, no, no, how are you going to bring it here? They are dangerous people. I'll take it down fast.
31:30Wait a minute, wait a minute.
31:31What do you say?
31:33Red?
31:35No, that's not the car I'm looking for.
31:39I'm looking for it. Don't go too far with me.
31:42Just keep looking, bye.
31:45So it's not Claudiano's car.
31:47No, it must be at this point in the trial.
31:50Unless that car has stayed in Pachacamac.
31:53Well, there's no other choice. Take the keys and go to Pachacamac.
31:58Oh no, this is the height of favoritism.
32:00Claudio, can you play before you come in?
32:04We urgently need skirts.
32:06I can also bring some great ones from Calango.
32:08Give me the keys.
32:09Don't bother, man.
32:10Coqui, go once so that you arrive before the day is over.
32:12Yes, I'm leaving right away and I hope I find what we are looking for.
32:16Come on, spoiled child.
32:19Excuse me.
32:39What's wrong, Mapi? Why don't you want to give me a kiss?
32:42Am I ugly? Am I ugly?
32:43No, no, it's not that.
32:44Why are you weird with me?
32:47Valentino, don't be offended,
32:48but does Margarito always have to be by your side?
32:51All the time?
32:53Ochato, it's all out of respect.
32:56See? How about the rest? I was here before.
32:58Well, but we have more rights because we are two.
33:01Besides, we are in love. Double right.
33:04Oh, that's how things are.
33:06Oh, that's how things are, then.
33:08That's how they are, Pecado.
33:09Don't let me catch you, Pecado. Don't bother me.
33:12Chato, don't be offended, but what if you find yourself a girl?
33:17What happens is that, look, I'm going to explain.
33:19The one my size is a chibola, okay?
33:21Yes, but the one meter and a half are still girls.
33:24Maripaz, you won't have a single friend like that,
33:26or for the last time, right?
33:28Who wants to cheat with Chato.
33:30No, Chato doesn't like anyone.
33:32Right now, Yuli is the only single who broke up with Cris.
33:34What did you say?
33:36So, it was nothing?
33:39It was nothing, Abuelo. Just an infection.
33:41But it's already in the polyclinic's water.
33:44Forgive me, Joel.
33:45Don't worry, I already forgave you today.
33:48Great!
33:50You look in a better mood.
33:54It's just that I was doing clowns.
33:56How is that?
33:58I met a little clown there in the polyclinic.
34:01And we went to the sick children's pavilion.
34:04And we brought him a little joy, right?
34:06We made them laugh.
34:08And he felt very cool.
34:09Cool.
34:10That's good.
34:12Because instead of feeling sorry for you,
34:15you bring joy to others.
34:18It's the best way to forget your sorrows.
34:23Abuelo,
34:24do you think this clown is hiding a sorrow behind his smile?
34:31Cascanúes!
34:33I'm coming!
34:42Hello, hello.
34:44Is Yuli...
35:00Is Yuli...
35:02Is Yuli...
35:30Is Yuli...
35:31Is Yuli...
35:32Is Yuli...
35:33Is Yuli...
35:34Is Yuli...
35:35Is Yuli...
35:36Is Yuli...
35:37Is Yuli...
35:38Is Yuli...
35:39Is Yuli...
35:40Is Yuli...
35:41Is Yuli...
35:42Is Yuli...
35:43Is Yuli...
35:44Is Yuli...
35:45Is Yuli...
35:46Is Yuli...
35:47Is Yuli...
35:48Is Yuli...
35:49Is Yuli...
35:50Is Yuli...
35:51Is Yuli...
35:52Is Yuli...
35:53Is Yuli...
35:54Is Yuli...
35:55Is Yuli...
35:56Is Yuli...
35:57Is Yuli...
35:58Is Yuli...
35:59Is Yuli...
36:00Is Yuli...
36:01Is Yuli...
36:02Is Yuli...
36:03Is Yuli...
36:04Is Yuli...
36:05Is Yuli...
36:06Is Yuli...
36:07Is Yuli...
36:08Is Yuli...
36:09Is Yuli...
36:10Is Yuli...
36:11Is Yuli...
36:12Is Yuli...
36:13Is Yuli...
36:14Is Yuli...
36:15Is Yuli...
36:16Is Yuli...
36:17Is Yuli...
36:18Is Yuli...
36:19Is Yuli...
36:20Is Yuli...
36:21Is Yuli...
36:22Is Yuli...
36:23Is Yuli...
36:24Is Yuli...
36:25Is Yuli...
36:26Is Yuli...
36:27Is Yuli...
36:28Is Yuli...
36:29Is Yuli...
36:30Is Yuli...
36:31Is Yuli...
36:32Is Yuli...
36:33Is Yuli...
36:34Is Yuli...
36:35Is Yuli...
36:36Is Yuli...
36:37Is Yuli...
36:38Is Yuli...
36:39Is Yuli...
36:40Is Yuli...
36:41Is Yuli...
36:42Is Yuli...
36:43Is Yuli...
36:44Is Yuli...
36:45Is Yuli...
36:46Is Yuli...
36:47Is Yuli...
36:48Is Yuli...
36:49Is Yuli...
36:50Is Yuli...
36:51Is Yuli...
36:52Is Yuli...
36:53Is Yuli...
36:54Is Yuli...
36:55Is Yuli...
36:56Is Yuli...
36:57And? Yuli, you're single.
37:00I'm single.
37:02What if we unite loneliness?
37:06Look, I don't know what they told you, but that's not how it works.
37:09Please, Yuli, let's give love a chance.
37:18Oops, I missed a photo.
37:22And I didn't want to sleep with you!
37:24Don't you dare come back here!
37:25It hurts, but I like it this way.
37:28With character.
37:31Strong.
37:33You're giving it hard.
37:36And now, what am I going to do with this photo?
37:39If I share it, they're going to say I'm a gossip.
37:41I know.
37:42I'm going to share it as anonymous.
37:56I love you.
37:57I love you.
37:58I love you.
37:59I love you.
38:00I love you.
38:01I love you.
38:02I love you.
38:03I love you.
38:04I love you.
38:05I love you.
38:06I love you.
38:07I love you.
38:08I love you.
38:09I love you.
38:10I love you.
38:11I love you.
38:12I love you.
38:13I love you.
38:14I love you.
38:15I love you.
38:16I love you.
38:17I love you.
38:18I love you.
38:19I love you.
38:20I love you.
38:21I love you.
38:22I love you.
38:23I love you.
38:24I love you.
38:25I love you.
38:26I love you.
38:27I love you.
38:28I love you.
38:29I love you.
38:30I love you.
38:31I love you.
38:32I love you.
38:33I love you.
38:34I love you.
38:35I love you.
38:36I love you.
38:37I love you.
38:38I love you.
38:39I love you.
38:40I love you.
38:41I love you.
38:42I love you.
38:43I love you.
38:44I love you.
38:45I love you.
38:46I love you.
38:47I love you.
38:48I love you.
38:49I love you.
38:50I love you.
38:51I love you.
38:52I love you.
38:53At some point, this seat is very comfortable for me, and Claudia is much shorter than me.
39:12She couldn't have driven this car.
39:23They're already flirting with Yuli. Signature, anonymous, back.
39:41Oh, Felix, why are you so cheeky? Let's see.
39:49Who will Yuli be dating? Well, who cares about me, right?
39:56That's it, the mourning is over, the mourning is over.
40:00Hi, Ana Lucia. I'm editing some photos of you right now. I hope you like them.
40:08Done.
40:19I found the car. It was hidden between a branch. Now I can say that Claudia had an accomplice.
40:33How can you be so sure?
40:35The driver's seat was accommodated for a larger person. In that position, Claudia would not even have reached the pedals.
40:42So that accomplice is the one who is calling to threaten.
40:47It is very likely.
40:49How do we locate that bastard?
40:51I think Claudia can tell us.
40:54What are you saying? Claudia is no longer dead.
40:58Yes, but the corpses also speak. We have to check that body.
41:17Lorena, Maripaz, hurry up. If we want to go for a walk to Cineguiña, we have to leave now.
41:29I'm going to take this thing, okay?
41:48Yes, hello?
42:03Hello, gentlemen. I come to clown.
42:07Joel, I see that you already liked it.
42:10Who, the clown? She has her little things.
42:13No, I meant that you already liked to bring joy to sick children.
42:17Well, yes, I like it. She too.
42:22As the old and well-known saying goes, a clown takes out another clown.
42:27Where is she?
42:30No, the clowness is not coming.
42:43Hello, hello. Sorry, who are you looking for?
42:47You. Come on, son, say hello.
42:51Daddy.
42:53Daddy? Daddy told me?
42:56Yes, his name is Albertito, but we call him Tito. You can imagine why, right?
43:02Ah, what? No, no, not really.
43:06I'm Sheila Carranza. Don't you remember me?
43:10No.
43:11Ah, it doesn't matter. I was very surprised to see your publication.
43:15I just came back from abroad and I saw your publication about the New Year in Paracas.
43:20Of the year 2000.
43:21Yes.
43:22We met later, in 2017.
43:26In 2017? But in 2017 I ...
43:31Of course, I went to Gallardo with my friend to celebrate the New Year.
43:35Exactly, in the New Year of Gallardo.
43:39Yes, the truth is that I don't remember much because I think it was a joke, right?
43:46Yes, we drank a lot.
43:51Yes, I have like sparks from what happened that night.
43:56I remember that I got into the sea at 12 and from there I was getting into other people's tents to wish a happy new year.
44:02Aha, exactly. One of those tents was mine.
44:05So we ...
44:08Yes, but when you woke up you were gone.
44:11But as you will understand, since that day it was impossible to forget you.
44:16Wait, are you telling me that he ...
44:20That Titito is our son. Come on, come on, my love.
44:28No, no.
44:29What's wrong with you?
44:30Wait.
44:31Do you feel good?
44:32Yes, yes. No, no.
44:34Sorry, all this is very surprising. Do you understand?
44:40Lorena!
44:41Sorry?
44:42No, please sit down.
44:46And if you need anything, ask the mayor, please.
44:57I'm here to serve you.
44:59Aha.
45:10I have to go.
45:13To finish faster, yes.
45:19Okay.
45:20Well, let's go at once. We will keep you informed, Mrs. Fencheca.
45:27No, the three of us are in this.
45:31The three of us will go.
45:34I'm not going to leave you alone.
45:37I was the one who shot.
45:52Where will it be?
45:53You should have asked for his phone number, that he is not healthy too.
45:55I'm already looking like you, but I already look like a turkey too.
45:58What?
45:59Little turkey.
46:00Where are you taking me?
46:01At any moment you will return to the clinic.
46:03No.
46:14I have to prepare a plan to get me out of this miserable situation.
46:19If Jean Valjean can, I can too.
46:22Of course you can, Xavi.
46:23Let's go ahead, champion.
47:00Thank you for making the family deposit, Marcial.
47:02Everything is correct.