KUMOVI 61 EPIZODA
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00:0075 cents with the Lidl Plus app.
00:03Also, don't forget the LED solar reflector.
00:078,99 euros.
00:10Lidl. More for you.
00:14Jasenka Runja.
00:16Yes.
00:17I don't think she cut the brakes herself, but she organized it.
00:22What would be the motive of the mayor of Sinje
00:26for the liquidation of the trustee of the same city,
00:30practically her employee?
00:32Well, there are two motives.
00:34The first one is that she doesn't want to share the hotel with us.
00:38So she should be a part of the project?
00:40Yes, and not just a small amount of money.
00:42People would lose their minds and reduce it.
00:44And the second one?
00:45The second one is that she is a completely crazy and dangerous person.
00:51I'll be honest with you.
00:53I've been following Jasenka Runja for a long time
00:56because of multiple possible accusations.
00:59Do you have evidence?
01:01Unfortunately not, because she always cleans up after herself.
01:05Of course.
01:06But if you were willing to sign a paper and support it with concrete evidence,
01:12I'm sure the state would react in a great way.
01:16I will sign it, but I have some conditions.
01:19I'm listening.
01:21First of all, as a witness and a defendant,
01:24I want to be exempted from any possible criminal proceedings
01:28that could arise from the investigation of Jasenka.
01:31That's the first thing.
01:33Secondly, I don't want anyone to know that I'm alive and where I am,
01:38as long as she is not legally convicted and in prison.
01:42As long as she is not legally convicted and in prison.
01:45I have to tell this to my bosses.
01:47No, only the two of us know about it.
01:49And you said that Janko and Luka didn't show up to finish the job.
01:56Agreed.
01:58JANKO AND LUKA
02:11I don't know what to say.
02:13They think Milica is on trial.
02:16I don't care about her.
02:19She's on her mother's side.
02:22I don't care about her, I care about myself.
02:25Luka, why are you so upset? Come with me.
02:28No, Voki, we're in a hotel.
02:31Okay, be patient a little longer.
02:34That Milica is on her mother's side.
02:37If she was on her mother's side, we wouldn't be here.
02:40Come on, please.
02:41She just showed you that you don't have to mess with her.
02:44You don't have to say that you don't know her.
02:46You'll see.
02:47She's always on her mother's side.
02:49Except when it comes to love.
02:52She didn't pull the wool over your eyes.
02:55You're much more reliable than her.
02:57What do you mean?
02:58What do I mean?
02:59She's the owner of that redhead.
03:01The only reliable person would be the owner of Gogmacan.
03:05What?
03:06Do you think I had some sort of account?
03:09That I got married to a redhead because they were rich?
03:12Okay, you don't have to drag me into all this, but...
03:15Okay, when you mention it.
03:18They quickly ran out of money.
03:21It's like I didn't even have time to comb my hair.
03:23What's all this fuss about?
03:24What's all this fuss about?
03:25I've earned everything I have in life with my own hands.
03:30I'm so proud of you.
03:32I didn't mean anything bad.
03:35I didn't take him in, he took me in.
03:38If I could be skinned, I wouldn't be with him.
03:42You couldn't be skinned?
03:44You couldn't be skinned?
03:46Who is that skin you couldn't be?
03:48I don't believe you.
03:49What?
03:50You were pretty, 16 years old, rich.
03:53You weren't really sociable.
03:56What do you mean?
03:57What do I mean?
03:58You went to China, you're 9 meters tall, rich.
04:01You rejected me when I asked you to go to my high school.
04:04I had to call that girl from Inja, a rich girl with a little moustache.
04:08I didn't reject you, my mother stopped me.
04:11Your mother stopped you?
04:12Your mother stopped you from going to my high school?
04:14What does your mother have against me?
04:16Everything.
04:17She told me to avoid working as a maid.
04:19She told me to keep an eye on a girl from Inja,
04:21so she wouldn't look at an orphan like me.
04:24What orphan?
04:25What orphan?
04:26What are you talking about?
04:27What are you talking about?
04:28I was in love with you, rich girl.
04:30I didn't want to look at you.
04:40Team, let's see.
04:41Did we find out where and what pays off the best?
04:44Mom, look, look!
04:47Bravo!
04:48On the board!
04:49Look, look!
04:50Various fine chocolates at a great price!
05:07Please, just don't take too long.
05:09Calm down and be stable.
05:11It would be good if you stayed that way.
05:16Okay.
05:47You can go now.
06:11Mom!
06:13You look better.
06:15You know,
06:16how will I look better when your uncle embarrasses me again?
06:21First, he was staring at him instead of looking
06:23at the picture with that ugly Iris.
06:25And now he's full of interest in this memory.
06:29Okay, you can't compare it, Mom.
06:31How can I not?
06:32Grandmothers are all ugly.
06:34Come on, please.
06:35And now this one is still in the closet.
06:39You know what?
06:40I think this time your uncle really didn't do anything wrong.
06:43I mean, they both did something stupid.
06:45He went to save the situation.
06:47What else could he have done?
06:48He saved the situation nicely.
06:50For example, he took this out of the closet.
06:52He didn't let go of it.
06:54Okay, he went to prevent her from doing something even worse.
06:58Okay, but why are you defending him?
07:00And why didn't he tell me that the memorial is going with them to Zagreb?
07:04Maybe he knows you're going to react like this.
07:06I mean, you're exaggerating a little.
07:08I wouldn't react like this,
07:10that he's making a fool of me again.
07:14Okay, so he's defending you.
07:18You're telling me you wouldn't ask him
07:20why the memorial was going with them to Zagreb?
07:24Of course I would.
07:25What does he have to do with them going to Zagreb?
07:27What does he have?
07:28You don't know what they're like.
07:29They're the same.
07:30You just don't ask.
07:33I have to admit, I've never liked her.
07:37Not then, not now.
07:38You know how she looks at me?
07:39Yeah, how?
07:40Just like that.
07:41From the bottom of her heart, when she's in love with me.
07:43What love?
07:44What will she be like when she's not even in love with you?
07:46Come on.
07:47She's not.
07:48What?
07:50She's not.
07:51Of course she's not.
07:55What do you think now?
07:57I was crazy about you.
08:01You were crazy about me.
08:03I am, but my mother is mad at you.
08:06She said you're like your aunt.
08:08Unemployed, a whore.
08:11That you only change women's clothes
08:13and that you won't meet me.
08:14That you'll just take me to bed and leave me.
08:17And you believed her?
08:19What could I do?
08:20I was a child.
08:22Besides, to be honest,
08:24she's not the only one who said that about you.
08:26That's because they shat on me.
08:29But that's not true.
08:30No, it's not.
08:32It's not?
08:34Then why didn't you ever say anything?
08:36Because I called you an amatuer.
08:38Why did you call me?
08:39Come on, that was the custom.
08:41We used to go from club to club.
08:43That's not why I called you.
08:44Then why didn't you ever say anything?
08:46That's why you're a whore, Ivica Maria.
08:48You're a whore because you want to eat around you.
08:50Who are you to say anything?
08:51For God's sake.
08:54All your life you've been thinking about one thing
08:56and in the end it turns out to be another.
08:57Oh, come on.
08:58Do you know that I gave myself up
09:00for my late son out of sheer desperation?
09:02Don't say that.
09:03I did.
09:04I'm a god, forgive me, but that's how it was.
09:07I liked him,
09:09and we had a baby.
09:12What, I couldn't leave him after that?
09:15You know, it was such a shame
09:17to be just a mother's food.
09:20That's true.
09:23And I wanted it.
09:25Everything and everything.
09:26And I wanted to run away from here,
09:29from this damned poverty and from you.
09:34You ran away from me in Germany?
09:37I did.
09:38I ran away with him, to the other side.
09:40Later I heard that you didn't marry
09:42that child of your son,
09:44but Angel, so I felt even worse.
09:47Then I didn't even want to come back from Germany.
09:51And you didn't come back here
09:53because of me.
09:59Mom,
10:00drink this chamomile tea, you'll calm down.
10:05Instead of worrying about my daughter,
10:07who's having a hard time,
10:09she's running around me.
10:10It's okay, come on.
10:11It's not okay, Luka, nothing is okay.
10:14Instead of you lying down,
10:15and we're all flying around you,
10:17you're worrying about your sad mother,
10:19because Caca is around,
10:21she's all over Zagreb.
10:25You know what?
10:26Let him pretend, I'm glad.
10:28Let him be there for a month,
10:29I'm not going to visit him.
10:30You can think about it,
10:31I'll let him go tomorrow morning,
10:32the latest.
10:33Let him go.
10:34He's not coming here.
10:36What?
10:37What, what?
10:38He's not going to sleep here.
10:39I'm not going to accept him in the house.
10:41Oh my God, dear.
10:42How many times have we been through this?
10:44I don't care how many times we've been through this.
10:47He's not going to sleep here.
10:49You can take him wherever you want.
10:51I don't care.
10:52I don't have a chance.
10:53I'm not going.
10:54Really?
10:55So I'm not the only one
10:56you're not letting go of.
10:58Oh my God, I'm not letting you go.
11:00I've told you a hundred times,
11:01bravo doesn't work.
11:04As far as Caca is concerned,
11:05it's not really okay
11:07for us to hang out there,
11:09and you're all over the place.
11:11It's not easy for you, you know.
11:13It's not for me.
11:15Vata, you know,
11:16when we're with Mira,
11:17I need some peace and sleep,
11:19and I have to go to bed.
11:20Hey, Martin.
11:23How's Tommy?
11:24He'll be fine.
11:26Is he seeing Caca?
11:27He is.
11:28He sent me.
11:29I hope he'll be okay.
11:31Oh my God, dear.
11:32I'm going to bed.
11:33My head is starting to hurt.
11:34Luce, do you want me to make you something?
11:36No, Mom.
11:37You enjoy it.
11:38Good night.
11:39No, it's not going to be easy.
11:41Do you have anything to eat?
11:42You brought me something to eat.
11:45What's that?
11:46Why are you so nervous?
11:47What's not to be nervous about?
11:48Tell me, did you find out about Luce's bra?
11:51Yeah, it doesn't work.
11:52But I don't know what it is.
11:55Martin, are you lying to me like he did?
11:59No.
12:13Vata.
12:14Hey.
12:16Oh my God.
12:17I'm here, Vata.
12:18I'm here.
12:19Everything is fine.
12:20Everything is under control.
12:21Hey.
12:29Martin, why didn't you find out anything when I sent you?
12:33Is that you?
12:34Are you lying to me?
12:36He's not lying.
12:37He doesn't know anything.
12:38He hears what he says.
12:39I can't attack her because she's hard.
12:41And that's why I can't go around the house and force her.
12:44Do you understand?
12:45I can't force her.
12:46But Martin, something is happening there.
12:48It's not happening.
12:49You're paranoid.
12:50Then why didn't Janko come to the bra shop?
12:53What do I know?
12:54He couldn't.
12:55Maybe he was there, but he couldn't solve the bra problem.
12:57What do you mean he couldn't solve the problem?
12:58When is the counterattack?
12:59Okay, I don't know.
13:00I don't understand bra.
13:02Martin, are you lying to me?
13:04If you're lying, I'll know.
13:06You know I know you.
13:07I'm not lying.
13:08What's wrong with you?
13:09Okay, okay.
13:10Then I'll go to the exhibition tomorrow.
13:13Maybe it's...
13:14What maybe?
13:15Maybe it's because of this surprise.
13:18We're all preparing a surprise for your wedding anniversary.
13:22Martin, is that possible?
13:24Now that we're going to surprise you, we have to.
13:27Wait.
13:28My child is preparing a surprise for me.
13:31You remember that, don't you?
13:33You know me.
13:34I'm a sensitive type.
13:36A heavy romantic.
13:38My happiness.
13:39My dearest.
13:40Oh, mother.
13:43Even my father is like that.
13:45No one is happier than me.
13:49We need to start over.
13:54Have you ever thought that your life could be different?
13:57What am I missing?
13:58I'm not dissatisfied.
14:01I mean, have you ever thought what it would be like
14:05if you took a different step?
14:09I don't know.
14:10A million times.
14:11But I don't think about it anymore.
14:15Me neither.
14:17That's normal for you.
14:26They scared me to death when I robbed the bank
14:29and didn't steal the camera.
14:32What's wrong with you?
14:35I'm begging you, mother.
14:38Okay.
14:39My happiness.
14:40I'm happy to see you.
14:42Let me come back.
14:52The bigger the risk, the bigger the reward.
15:04The Bigger the Reward
15:12Is there any news about Stanislav?
15:14Yes.
15:15I called the nurse earlier.
15:17She said his sister is much better.
15:20Thank God.
15:22It looks like the therapy has started.
15:25They say he hasn't had sex since last night.
15:30We could visit him.
15:32Vinjela.
15:33What?
15:34We visited him.
15:35We didn't let him in.
15:37Why don't you listen to me?
15:40He was critical then.
15:42He's better now.
15:44Little Tomi went to check on him.
15:46You should take care of him.
15:48How is Tomi?
15:50Poor child.
15:54Okay.
15:55If we're going to visit the nurse,
15:57we should go now.
15:58We have a lot of work to do.
16:00I have something to tell you.
16:02Do you really enjoy
16:04calling him uncle all the time?
16:07What do I enjoy?
16:09It's like I can choose a family.
16:11If I could choose a family,
16:12who would be my brother?
16:14That's why you're here.
16:16I was looking for you.
16:18You're welcome.
16:21You're welcome.
16:23Good morning, auntie.
16:25Good morning, uncle.
16:27Good morning, beautiful.
16:29Good morning, uncle.
16:31I'm not talking to you.
16:33Why not?
16:35You were mean to my uncle.
16:38I was mean?
16:39How?
16:40Who told you that?
16:42I hear you from my room every day.
16:44Vinko, really?
16:46Look at her, she's defending herself.
16:49I'm the first to yell,
16:51then I hit you.
16:53Really?
16:54You heard that, didn't you?
16:58Do you hear me?
16:59No, I don't.
17:01Okay, if that's the case,
17:02just wait.
17:03Come on.
17:08Listen,
17:09good luck, auntie.
17:10Don't listen to him.
17:12He's not very smart.
17:16Auntie will bring you a drink,
17:19and you'll have a nice snack.
17:22Are you hungry?
17:27Come on.
17:30Why are you so distant?
17:32He's walking with us.
17:34You're smart, you know everything.
17:36Really?
17:37Let him be.
17:38He's a real man.
17:40He's just waiting for you.
17:41If he comes,
17:42you won't have to worry.
17:44Right.
17:45Don't talk nonsense.
17:47Here's our star.
17:49Can I get an autograph?
17:51Don't provoke me.
17:52You'll be in the portals tomorrow.
17:54Milica is rich.
17:56Yes, she is.
17:57We're leaving.
17:58See you.
17:59Bye.
18:01Do you feel like a hero?
18:03Don't talk nonsense.
18:04I'm tired.
18:05I think you're really tired.
18:08You're smart.
18:09You know everything.
18:11I'm just saying.
18:12It's good for you.
18:13Do you know what I could have done?
18:15I had to jump in
18:16because I didn't see
18:17those two white-eyes
18:18from that poor photographer.
18:20I know.
18:21That's why I'm going to
18:22white-eye you.
18:26Martin,
18:27are you going to work?
18:29I'll go as soon as I can.
18:30Or right now,
18:31or stay here.
18:32Wait, I'll go.
18:33Come on.
18:34You're going the wrong way.
18:35Wait, what's your problem?
18:36Why are you throwing me out?
18:37Come on, hurry up.
18:38Come on.
18:39Hurry up.
18:40Come on, hurry up.
18:44I was worried about you.
18:46You got into a fight,
18:47and you're so worried.
18:48When I know you have
18:49experience,
18:50I'm jealous.
18:51Look at him.
18:52What are you talking about?
18:54What happened?
18:55What happened?
18:56They're going to shoot me.
18:57What about Milica?
18:58They're going to shoot her in the ass.
19:00They need her,
19:01because she's a manipulator.
19:02Your mother could have
19:03sanctioned you, you know.
19:04I'll take care of her.
19:05I don't know what she wants.
19:07Okay, if you need me,
19:08I'm in the tourist agency.
19:09If anyone needs me,
19:10it's you.
19:15What is it now?
19:16Andrzej!
19:25Andrzej!
19:41Listen to me.
19:42Ring the doorbell,
19:43knock on the door,
19:44come in,
19:45or leave.
19:46Andrzej, let me in,
19:47or I'll break the door.
19:49Andrzej, it's not my fault.
19:50These two are crazy,
19:52and they're buying.
19:53They're not two.
19:54As far as I know,
19:55you're with Milica in Zagreb.
19:57Andrzej, let me in,
19:58so we can talk inside.
20:00I haven't slept all night.
20:02I'm hungry.
20:03Then let her drink you,
20:05and she'll remember.
20:07Go inside,
20:08or you won't.
20:25Milica.
20:28Milica.
20:44Yes?
20:45Good morning.
20:47Good morning?
20:48Why are you here?
20:51No reason.
20:52Actually,
20:53it has nothing to do with her.
20:56But she's with someone
20:57I suspect
20:58she's had an accident.
21:00I'm listening.
21:04Listen, Darko,
21:05I think I can help you
21:07with the investigation.
21:08Okay.
21:09How?
21:11Everyone knows
21:12what's going on here.
21:14Bica figured it out
21:15in a more difficult way,
21:17but I've known for a long time
21:18that Jasenka Runja
21:19is a dangerous woman.
21:21You think she's doing it for the municipality?
21:23That's how it all started.
21:25As soon as the chief
21:26withdrew the money,
21:27she fired us.
21:28I was suspicious.
21:32I was conducting my own investigation
21:34while I was in Zagreb.
21:36You were conducting an investigation?
21:38Yes, I was.
21:40I don't want to sound pretentious,
21:42but I have connections
21:44and I know Stavagore.
21:46I was the one who delivered
21:47the materials to Jasenka.
21:50Jure is the director
21:52of the case in Zagreb.
21:54I know.
21:55Anyone like him
21:56is eliminated from the case.
22:00I hope that won't happen to you.
22:03I don't think you'll go that far.
22:05Okay, maybe I'm exaggerating,
22:07but I think the investigation
22:08should be handled
22:09as carefully as possible.
22:11Yes, we always do that.
22:13I didn't want to interrupt
22:14your work, I'm sorry.
22:16But I suggest
22:17we arm our forces.
22:19He'll be smarter that way.
22:28I'm glad you came.
22:31How are you?
22:33I look good.
22:34I have a nice complexion.
22:37We didn't know
22:38you had a surgery tomorrow.
22:40The doctors told us
22:41you'd only need
22:42a defibrillator in the city.
22:45No.
22:49I don't know.
22:52It looks like I have
22:53the same weak heart
22:56as Stipan.
22:57You think it's genetic?
22:58Maybe.
23:00Because Uncle Vinko
23:02also has a rusty heart.
23:04Yes, yes, you're right.
23:05Vinko also died of a heart attack.
23:07Stipan has a lot of problems,
23:09but he always gets better.
23:10You'll get better too.
23:11Don't worry.
23:15Who is it now?
23:17Šima, I have to go.
23:19You have to go?
23:20I have to.
23:21Maybe it's something urgent.
23:25Hello?
23:27Don't worry,
23:28I won't bother you for long.
23:29I just came to see how you are.
23:30No, no.
23:31You don't bother me,
23:33but somehow
23:35it seems like
23:36I'm talking to two people
23:37and I'm tired.
23:39But I called you.
23:41Okay, but don't
23:42interrupt me now.
23:43God willing,
23:45I'll come back home.
23:47I would like you
23:48to come to my place one day,
23:50but come alone, please,
23:52because I have something serious
23:54to talk to you about.
23:57Okay.
24:00If, God forbid,
24:02something happens
24:03before I talk to you,
24:06just remember
24:09Ivka knows everything.
24:11Come on,
24:12don't be afraid.
24:13What's going on?
24:14I can't talk about it now,
24:16because
24:18it's a delicate matter.
24:23Šima sent me
24:25to tell you that
24:26we need to meet in the office.
24:27We have to go.
24:28Thank you so much for coming.
24:31Now,
24:32when he knows
24:33that we are related,
24:34it means a lot to me.
24:42The next day
24:47It's a riot.
24:48We didn't plan this well.
24:50I don't think it will ever go
24:52as slowly as it is now.
24:54We slowed it down a bit,
24:55but let's say
24:56two bigger groups
24:57come in a few days.
24:59They could be key.
25:00You can't do that.
25:01You repeat it every other week.
25:03Morana is having a tough battle.
25:05We can't lose him now.
25:06I don't know what to tell you,
25:08but I'm afraid
25:09it's all over.
25:10Nothing will work.
25:11We're close to the finish line, we can't just give up.
25:13Give up?
25:14You've all given up on us.
25:15What do you mean?
25:16We've got Vinko and Katuzas.
25:18And what did you do?
25:19Well, I'll talk to Vinko.
25:22He's on his own.
25:23Maybe I'll talk to him about some future strategy.
25:25Yeah, it seems to me that you and Vesla are on the same page.
25:27Stop being so pessimistic.
25:29Of course I am, dear.
25:30What about you?
25:31Where are you? Where are you?
25:32Where's Zvone? Where's Milica?
25:33And where's Vedran?
25:34There's no Vedran.
25:35Didn't she promise to bring him from Zlatno?
25:37And where is he?
25:38He's smoking that statuette over there.
25:39Oh, yeah, we're a bit down.
25:40But we're going to meet the heroes.
25:42We're here together.
25:43So, imagine how it all ends.
25:44Who's going to watch the heroes,
25:46until they bring us back?
25:47You think we're going to be the heroes?
25:49What would that be like?
25:50Well, bro, 18.
25:52What's that to us after those...
25:5537, what we've done?
25:57Yeah, bro, we're...
25:59Hey, you're talking.
26:00Let's go and thicken this up a bit.
26:02Let's get this thing going.
26:04I forgot how bad you are at this.
26:07Turn the table, if you already know everything.
26:09Okay, okay, I'll turn it.
26:13Let's go, let's go.
26:21Tell me, what did I tell you?
26:22Is he coming or not?
26:24He's coming.
26:25That's what you tell me.
26:26He's coming, he's coming.
26:27But, Mirjana, I told you to fix the car,
26:29and today he's going to the airport.
26:30And I'm going to throw all the meat and potatoes at him.
26:32You're going to throw meat and potatoes at him?
26:34Who knows when he's going to come?
26:36Did you tell him about the studio?
26:38I didn't.
26:39Why?
26:40Why?
26:41Tell him when he comes.
26:42What now?
26:43As soon as he comes, you'll see.
26:44You'll get it right away.
26:45We won't, Mirjana.
26:46Here, here, look.
26:47Here, here.
26:48He'll hear from me first.
26:49Here, he found it.
26:50Here, here.
26:53We're going to talk nicely,
26:54talk like two grown-up people,
26:55and that's it.
26:56What now?
26:57I mean, really, he...
26:59Okay.
27:00Come on.
27:06Here's the bell.
27:07I'm sorry to keep you waiting.
27:09What's this?
27:10Zlatan's coming today?
27:11He is.
27:12You see, Mom's upset.
27:14Adamantian mothers and sons.
27:16That's never going to change.
27:18Is it Pishke, is it Kake, is it Zlatan?
27:20Exactly.
27:21I'm not even trying to change it.
27:23It's just that...
27:25Thank you for stopping my mother and mother-in-law.
27:27What could I do?
27:28If you hadn't stopped her,
27:29she would have been in the palace.
27:31She would have been poor.
27:32But because of that heroism,
27:34Adam didn't let me in.
27:35Don't worry about it.
27:36I warned you about everything.
27:37You're crazy, Mom.
27:38You see,
27:39Luka's in the guardhouse, locked up.
27:41And where are you going tonight?
27:42Me?
27:44I always have a place in town for my boss.
27:46You can choose which room you want.
27:48I'll also bring you this mattress
27:50for swimming at home.
27:51Thank you very much.
27:52What's the rush?
27:53Did you set up a nice guesthouse?
27:55I could go for a walk.
27:56But I didn't.
27:57But you didn't.
28:00Vedro,
28:01let's go for another walk.
28:03Another walk?
28:04I didn't ask you for money,
28:06but I don't have any,
28:07so sign me up for a loan.
28:09I wouldn't want to credit
28:11the future competition.
28:12It's not a competition,
28:13it's a card club.
28:14A card club?
28:15Who's going to pay for it?
28:16I don't know how it works.
28:18Okay, then.
28:19I can get it
28:20through this
28:21hire for your yoga.
28:23Do you mean a paid hire?
28:25What?
28:26Why?
28:27I don't know.
28:28That's how you stick to the rules and laws.
28:30It's not up to me, Vedro.
28:32It's not easy to be rich.
28:33It's not?
28:34No.
28:41Inspector?
28:43What is it?
28:44What's wrong?
28:45Guys,
28:46I called the inspector
28:47to explain what we're doing.
28:49And also to discuss
28:50what we're going to do
28:51and how we're going to do it.
28:52About what?
28:53I think you can help me.
28:55As far as I understand,
28:57we have a common interest.
29:00Which one?
29:01Which one?
29:03To expose Jasen Korunje.
29:06Just listen to him.
29:08He knows you're in on this, too.
29:10And we can do this openly,
29:12without any worries.
29:13As far as I know,
29:14Misha trusts you
29:15and appreciates you.
29:17And I follow him for other things.
29:19But before I share that with you,
29:22I have to be sure
29:23you want to cooperate.
29:24Of course we do.
29:26I mean,
29:27only if Jasen pays us more.
29:29I see.
29:30We need him.
29:31Look,
29:32she's been burning under our feet
29:33since she flew into this business
29:34with the hotel.
29:35I can't sleep at night.
29:37Yes.
29:38And the question is
29:39when we're going to have to
29:40assign her to our property.
29:41How can we help at all?
29:44Well, obviously,
29:45your hotel is one of her goals.
29:48You have to help her
29:49by gathering evidence.
29:51Material, non-material.
29:52Everything you find,
29:53I'll get it right.
29:54She's mentally mistreating me.
29:56Do you understand?
29:57How am I supposed to prove it?
29:59Well,
30:00Vika can handle that.
30:02But we have to make one thing clear.
30:04If you stop,
30:05I, as an official,
30:06am the only one in charge.
30:08Okay.
30:10I'm glad I have your support.
30:12That's great,
30:13but this has to remain
30:14a top secret.
30:15It wouldn't be good
30:16if there were
30:17any procedural errors.
30:19Do you understand?
30:20Of course.
30:21Yeah.
30:24And so, my dear,
30:25I'm opening a gambling club
30:27as soon as I get some money
30:28for the building.
30:30What do you mean?
30:31Well, I'll probably get
30:32some compensation.
30:33My wife wrote me a complaint
30:35and sent it up to Zagreb.
30:37What luck
30:38if she wrote you a complaint.
30:40You'd be left
30:41with no income,
30:42no savings.
30:43Well, there's no time
30:44for that anymore.
30:45Those times are over.
30:46That's right.
30:47The times of darkness
30:48and a variety of yogurts are over.
30:50You know her son
30:51who used to be a yogurt.
30:53But people,
30:54I don't understand
30:55why people become
30:56criminals like that.
30:57Who's a criminal?
30:58Well, our Vedra, for example.
31:00She mines me
31:01to compete with her.
31:03And I quit drinking
31:04so I wouldn't compete with her.
31:07Wait, are you
31:08naturally stupid
31:09or are you training?
31:11Did she ask you
31:12to sell drinks?
31:13Did you say
31:14that she sells drinks?
31:15If she sells drinks,
31:16then you're a competitor.
31:17But still,
31:18it's not a competition
31:19to drink.
31:20Well, competition is healthy
31:21if it isn't.
31:22Man, you can't
31:23fill the tables
31:24in two.
31:25This isn't Zagreb.
31:26That's right,
31:27she's a criminal too.
31:28She doesn't let me
31:29respect people
31:31on TV,
31:32and she expects me
31:33to give her
31:34free space.
31:35Can't I?
31:36She's stupid.
31:37What can I do?
31:38And that's it.
31:39That's it.
31:40There's no more
31:41naive Marko.
31:42Now I've become
31:43a new man.
31:44Now I'm Marko the capitalist.
31:45You're a capitalist?
31:46What do you like?
31:47Look,
31:48what I'm interested in
31:49is just one thing.
31:50If Andja doesn't
31:51let me stay at home,
31:52will I be able
31:53to sleep
31:54in the dormitory?
31:55But boss,
31:56I told you
31:57you're my eternal boss.
31:58You can do
31:59whatever you want.
32:00I'll even bring you
32:01a mattress outside.
32:02I will.
32:03I have one at home,
32:04in the basement.
32:05My mother bought it
32:06through TV sales.
32:07You're a man.
32:08I am.
32:09I've always been.
32:12You're hiding the truth.
32:14From everyone,
32:15you.
32:16That's how it's supposed to be,
32:17my grandkids.
32:18We're the first
32:19to find out
32:20after an accident.
32:21And all the time
32:22you're talking shit,
32:23right?
32:24What do you mean
32:25all the time?
32:26For two days
32:27he's been asking
32:28us to get him out.
32:29So he got out
32:30of your house?
32:31Yes.
32:32Don't you two
32:33hate each other?
32:34We do.
32:35I mean,
32:36we have a history.
32:37We used to be friends.
32:38Real friends.
32:39It doesn't matter now.
32:40He was hurt.
32:41He wanted us
32:42to get him out.
32:43He said
32:44someone sabotaged
32:45his brakes.
32:46Why should I let him go?
32:47I don't want
32:48someone to kill him.
32:49I understand Janka.
32:50I'm surprised
32:51he's still alive.
32:52If she was ready
32:53to kill him,
32:54what would she do
32:55to me?
32:56I'm next.
32:57There's no one
32:58she hates in the world
32:59but her.
33:00Vinko,
33:01calm down.
33:02We'll fix Jasenka.
33:03You see,
33:04the vice is interested
33:05in working with the police.
33:06He offered
33:07to be a witness.
33:08But we have to
33:09be careful.
33:10Jasenka
33:11or her right hand
33:12or whoever
33:13is working for her
33:14can try
33:15to get the job
33:16done
33:17in a slightly
33:18different way.
33:19I'm next.
33:20I'm next.
33:21Look what I'm saying.
33:22I'm next.
33:23Come on,
33:24calm down.
33:25The fact that the vice
33:26is a witness
33:27is key.
33:28We have to
33:29keep him
33:30away
33:31so that Jasenka
33:32doesn't think
33:33she's right.
33:34Exactly.
33:35If she thinks
33:36and gets away,
33:37the case will be like
33:38Ura got away.
33:39Or she'll make
33:40the whole case
33:41worse.
33:42I wanted to tell you
33:43that this is
33:44a temporary solution
33:45for me
33:46and that
33:47I shouldn't
33:48avoid it.
33:49It's hard.
33:50I don't want
33:51it to get worse.
33:52And Angela
33:53is there.
33:54She's the head
33:55of the security service.
33:56If she finds out,
33:57it won't be good.
33:58Okay,
33:59we'll move him
34:00somewhere else.
34:01Okay.
34:02Fuck you,
34:03I'll take him
34:04with me.
34:05If he's going to
34:06help us
34:07get rid of
34:08that lunatic,
34:09I'll put him
34:10in my place.
34:11What are you looking at me for?
34:12Fuck you,
34:13I'll put him
34:14between me
34:15and Jadranka
34:16in his bed.
34:17Let him be there.
34:18I'll put him
34:19in the prison
34:20or the madhouse.
34:21Where are you going
34:22with him?
34:23To the brothel.
34:24You're too much.
34:25And you?
34:26How are you going
34:27to hide it from Ivka?
34:28No way.
34:29I'll have to tell her.
34:30But it's not
34:31a bad idea.
34:32What do you mean
34:33it's not a bad idea?
34:34Vinko,
34:35Vinko,
34:36just think
34:37how Ivka
34:38will react to this.
34:39How will she react?
34:40Don't worry about Ivka,
34:41I'll protect her.
34:42She won't write.
34:43Don't worry.
34:44Dude,
34:45maybe it's really
34:46better to find out
34:47what's going on
34:48because I can
34:49personally transfer him
34:50at night.
34:51As far as
34:52the other steps are concerned,
34:53it's important
34:54that you don't sign anything.
34:55Tell him that.
34:56He's a smartass.
34:57Yes.
35:00You know,
35:01she's such a wild one.
35:02She attacked a man.
35:03What's different
35:04about my bell
35:05than a nice
35:06help.
35:10Bells were always
35:11gentlemen.
35:13Wait.
35:14I know
35:15he was your partner
35:16when you were in high school.
35:18What are you talking about?
35:19What's it to you?
35:20My bells
35:21wouldn't look
35:22at that bitch
35:23when she was younger
35:24or now.
35:25Listen, honey,
35:26my pretty maid
35:27came to me.
35:28I have to spend
35:29some time with her.
35:30Come on,
35:31I'll come back
35:32when she leaves.
35:33Come on.
35:35Mom,
35:36he won't do
35:37a stupid job
35:38of locking the door.
35:39Mom,
35:40you can't leave me
35:41at home like this.
35:42I can,
35:43and I will.
35:44What happened?
35:45Listen,
35:46Javorka just told me
35:48something that happened
35:50before,
35:51and he's been
35:52bothering me about it
35:53for 40 years.
35:54Javorka told you
35:55something that happened
35:5640 years ago,
35:57and it's very important
35:58now.
35:59No, no, no,
36:00she's lying.
36:01It's very important,
36:02and he's been bothering me
36:03about it for 40 years.
36:04Okay,
36:05I heard a part of it.
36:06I didn't deny it.
36:07I'm just interested
36:08in what she heard.
36:10Honey,
36:11I'm going
36:12to lock the door.
36:15Okay.
36:28Okay.
36:30Whoa, whoa.
36:31Hi.
36:32Hopefully,
36:32she'll be fine.
36:35Okay.
36:36Leave her.
36:37Just leave her.
36:52Where did you go,
36:53my childhood sweetheart?
36:57Ah.
37:01We're sorting them out.
37:03My husband, my son-in-law.
37:04That's why he's married.
37:05They don't have to take care of him on their own.
37:06Oh, God.
37:07It's more ridiculous in our country than in Zagreb.
37:10There are a lot of hotels,
37:11but there's only one in our country.
37:13Brother!
37:15Aurelio!
37:17Welcome, Aurelio!
37:19I've been waiting for you.
37:21You're late.
37:22Look at him.
37:23Look at him.
37:24He's a real Italian artist.
37:26That's a compliment.
37:28God, you look nice, too.
37:31What's new?
37:32There's nothing new, my dear.
37:34No?
37:35Except for the fact that we don't have a place,
37:37a municipality, a manager.
37:39You're smart, you know.
37:40You're in a hurry.
37:42I'm not in a hurry, I'm working hard.
37:44Yeah?
37:45We work here, too,
37:46but we can barely make ends meet.
37:47But I see you have time and money
37:51to invest in fashion.
37:52Well, that's up to you, Zdenčina,
37:54if you don't need me.
37:55You're a nice woman.
37:56Oh, really?
37:57I'm going to call my wife.
37:59Bye-bye.
38:00Bye-bye.
38:01Bye-bye.
38:05Look at him.
38:06He's a real Italian artist.
38:09He looks you in the eye and says nice things.
38:12He does his job, too.
38:14The fact that he doesn't care about the municipality
38:17doesn't mean anything to anyone.
38:18And the fact that he left his wife and child here.
38:21Oh, come on.
38:22Oh, come on.
38:24Now Zlato is going to work on the train,
38:27and I'm going to drink.
38:28Don't drink.
38:29You have to drink.
38:30It's good for you.
38:32But I don't drink.
38:34If you drink a lot,
38:36you're going to have big muscles.
38:38You're going to play football like...
38:40What's your favorite football player?
38:42Liwaj.
38:43You're going to be like Liwaj.
38:44There you go.
38:46All the big football players drink a lot, you know?
38:49Then you can play...
38:50Where are you going to play?
38:51You can even play hide and seek.
38:54Bogdan!
38:56Dad!
38:57It's you, my little boy.
38:59What did you bring me?
39:00Everything I brought you.
39:01Is it a skate?
39:02Of course I brought you a skate.
39:04Come on, get down.
39:05You're heavy.
39:06What is it?
39:07I have to eat yuva.
39:08Dad forces you to eat yuva,
39:09and you don't eat it.
39:10It's true, Mom.
39:11It's not nice.
39:12Is it possible that I gave birth to such a nice,
39:14nice son?
39:15It's because of the food.
39:16Like a mother, like a son.
39:18Yeah, yeah, yeah.
39:19Come on, hurry up.
39:20Wash your hands.
39:21You're going to drink yuva.
39:22Come on.
39:23Look at this.
39:24He forces me to eat yuva, too.
39:25You have to.
39:26We have to.
39:27What are we going to do?
39:28Big muscles.
39:29Where's my wife?
39:31She went to pick up the food in the living room.
39:33You know, give her lunch.
39:34There's no point in waiting for her, you know?
39:36You're right.
39:37Go wash your hands,
39:38then we'll hang out.
39:39Come on, come on.
39:40I'll be back in a second.
39:41Come on, come on.
39:42You're going to eat yuva.
39:43Come on.
39:46Hey, come here.
39:48Did you hear what Mom said?
39:51She's not crying.
39:52Now the air is clean.
39:54She came out so I could take everything I needed.
39:57But she's still bothering me.
39:59You know,
40:00she always goes to you.
40:03Wait, God, I didn't ask you,
40:04but do you like beans?
40:06Well, I eat everything.
40:07I love it, yeah.
40:08It's just that it's not restaurant food.
40:10It's great.
40:11Don't pressure me so much.
40:12I didn't really deserve it.
40:16You're welcome.
40:24What's up?
40:25It's me.
40:26Okay.
40:28I have news.
40:29What is it?
40:31The inspector was in the office.
40:34And...
40:36We're all going to help you get Jasenka together.
40:38Who, all of us?
40:39All of us.
40:40Me, Stari, Vinko, Shima,
40:42and you, as we agreed.
40:44And don't worry,
40:45everything is under control.
40:47Is that dangerous for you?
40:49No, honey,
40:50believe me,
40:51I wouldn't risk anything
40:52if I were you.
40:53Everything will be okay.
40:54That's exactly why
40:55you're going to sleep at Vinko's tonight,
40:57at the estate,
40:58because we're in the center of Zagla,
41:00and anyone can come at any time.
41:02At Vinko's?
41:03Yes.
41:04Can we trust him?
41:05Of course we can,
41:06and the inspector will transfer you to him.
41:08I mean,
41:09can we trust you?
41:12We're all in the same shit,
41:13if one of us falls,
41:14we all fall.
41:16God, honey,
41:17am I the only one here
41:18who sounds like a movie star?
41:19No, no,
41:20you're not, honey.
41:21We're all like that.
41:22It's just easier for me
41:23because the inspector is with us.
41:25Yeah.
41:26Good peas, huh?
41:27Andja's peas with dry meat
41:29is a perversion.
41:31No.
41:32Janko!
41:33What?
41:34Come on, let's go.
41:35Before you get drunk,
41:36I want to go to Mirjana's
41:38for a cappuccino,
41:39because I get drunk all day.
41:41I mean, I can at least have a glass.
41:43I just...
41:44I just...
41:45I can.
41:46Let's go.
41:47Sugar or no sugar?
41:48No sugar.
41:49Okay.
41:52To sweetness.
41:56I didn't think I'd ever say this,
41:59but Janko wasn't like this
42:01to any of his girls
42:03like he was to you.
42:05Maybe because I'm his wife.
42:08Yeah.
42:09Well, yeah.
42:10Do I have to ask you?
42:13Wait.
42:14Do you really believe
42:16that Jasenka would be able
42:18to order someone
42:19to cut your ribs?
42:22A hundred percent.
42:25I just heard.
42:28I'm just glad you're back.
42:30You know,
42:31we're missing that chick.
42:33It's a good thing she left before the end.
42:35I didn't come back.
42:36I just came for Malo
42:38and Vedran,
42:39a little Mother Family,
42:40that's all.
42:41Okay, I'll write it all down, but...
42:43I've been in Italy for five years.
42:45What?
42:46Is it easier for me because of work?
42:48You know how it is.
42:49No, I don't.
42:50Why?
42:51It's better this way.
42:52No, you won't.
42:53You won't, Zlatan.
42:54We're missing Malo.
42:55We need to get to 3,000 people.
42:56That's the only way
42:57to save our heads.
42:58When I went to Italy,
43:00it was much earlier
43:01than our heads fell apart.
43:02Okay, it doesn't matter
43:03when you go.
43:04It doesn't matter to everyone.
43:05Don't give me a hard time
43:06because I won't write it down.
43:07Come on, Zlatan.
43:08You know how close we are
43:09to getting to that number
43:10of 3,000 people.
43:11What do I mean to you?
43:12One against one?
43:13Not everyone in this situation
43:14knows what it means.
43:17Zlatan!
43:19Oh!
43:20Here he is!
43:21Uncle!
43:22Congratulations!
43:23Thank you!
43:24Sit down.
43:25Wait.
43:26Why me?
43:27I didn't know you were coming.
43:28Because I wasn't sure
43:29when I was going to leave.
43:30You see,
43:31I had some business to take care of.
43:32I had problems with my car.
43:33It's a classic.
43:34I have to be late for yoga.
43:35I won't make it.
43:37Man!
43:39He said he'd be late for yoga.
43:41Hey!
43:42Do you want to drink something?
43:43Everyone goes to yoga.
43:44Huh?
43:45Everyone.
43:46No, I just have to see
43:47how Marko, Fran and Martin
43:48practice together.
43:49I have to see that.
43:50Where's that yoga?
43:51There, in the yard.
43:53God,
43:54what a mess you've turned into.
43:56Let's drink.
43:57Cheers.
43:58Come on.
43:59I'm sure I'm with you.
44:00Come on.
44:01Can I have a quick one?
44:02Luka sent me a coffee.
44:03Of course,
44:04hard-working wishes
44:05every day and night.
44:06It's best for you to get used to it
44:07and not comment on things like that.
44:08I know.
44:09No, don't think I'm hard-working.
44:10You'll get food on your eyes
44:11right away.
44:12You know?
44:13You know.
44:14Okay, guys,
44:15where's Vedran?
44:16I mean,
44:17he left for a long time
44:18last night.
44:19I don't get it.
44:24Who's going to tell auntie
44:25that we're moving Vica
44:26to Barlog?
44:28Why didn't you say you'd do it?
44:30I said it.
44:31Of course I'd do it.
44:33What am I asking,
44:34asshole?
44:35You don't have a brain,
44:36of course.
44:37I'm sorry, Vinko.
44:38You offered,
44:39so you tell her.
44:41I mean, if you want,
44:42we can move Vica
44:43to my place.
44:44No one comes to my place.
44:46No one comes to your place?
44:47Except the lady, right?
44:54Okay, then we'll do it that way.
44:57What would Stipan tell us
44:58now that he's here?
45:00He'd say we can't
45:01keep a project
45:02that's 100% secure.
45:04I don't think
45:05Stipan could breathe.
45:07He'd breathe.
45:08The hotel would come out
45:09on his nose.
45:10What?
45:11Why did you two
45:12get together?
45:14Auntie,
45:15I need to talk to you
45:16about something.
45:18Is there a problem?
45:20It's no wonder
45:21I see you two together.
45:23There's something
45:24going on around the hotel.
45:25Yeah, and I need
45:26to talk to you
45:27about Stanislav.
45:29It's like you came
45:30to confession.
45:32That's how it is.
45:34Yeah, when there's
45:35no one else
45:36but you for consultation.
45:38No, when you
45:39sign the contract
45:40and the kids
45:41don't want to be with you.
45:43See?
45:44Why would you
45:45talk to women
45:46about our
45:47business problems?
45:49We can do a little
45:50with them,
45:51but we can't do it all the time.
45:53And the kids
45:54don't want to be with us
45:55because they have
45:56their own problems.
45:57And in the end
45:58you have your own
45:59crazy Ivka, right?
46:00Okay, let's see
46:01who goes first.
46:03You go first.
46:04I need to eat something.
46:05Come on.
46:07Come on, go, go.
46:08Go eat.
46:10Sit here.
46:13What is it?
46:15You don't have anyone
46:16to go with you to eat?
46:18I don't.
46:20So,
46:21you're alone,
46:22all alone.
46:24All alone.
46:28My son,
46:29I'm afraid you don't.
46:32But let it be.
46:39And...
46:41exhale.
46:42Oh my God,
46:43if there was one more second,
46:44I'd fall on the floor.
46:45Oh God.
46:46And now that we've practiced
46:47so well,
46:48it's time to drink
46:49some yoga coffee.
46:50What kind of coffee
46:51are you talking about?
46:52Oh my God, what is it?
46:53It's just a name
46:54for this breathing exercise
46:55that wakes us up.
46:56It will cover our whole body.
46:57But there's yoga and beer.
46:59What are you laughing at?
47:00You're just kidding.
47:01But your body
47:02will be grateful.
47:03Yeah,
47:04I'm already grateful.
47:05My whole body
47:06is kind of crazy.
47:07I can't wait
47:08to hit my head.
47:09Yeah.
47:10Now,
47:11these exercises
47:12that we're going to do
47:13aren't really for people
47:14who have high blood pressure,
47:15so they're not recommended
47:16to do them
47:17because they raise
47:18the blood pressure a bit.
47:19Great.
47:20I have problems
47:21with blood pressure
47:22and I'm tired of those exercises.
47:23Come on,
47:24you're not that high.
47:25You're going to try it,
47:26and if it bothers you,
47:27you can stop.
47:28Let's go.
47:29Put your hand
47:30on your chest
47:31and now we're going
47:32to exhale
47:3310 to 30 times.
47:34Let's go.
47:37I'm already tired,
47:38Bogat.
47:39I can't take it anymore.
47:40Stop.
47:41Now,
47:42between those breaths,
47:43you need to take
47:44one minute
47:45to two breaks
47:46and then
47:48take a deep breath
47:50and exhale.
47:51Concentration on the exhale.
47:53Golden.
47:55That's it,
47:56this is it.
47:57Break, guys.
47:58There will be a break now.
47:59There will be a break.
48:04She didn't even call us,
48:05Bogat.
48:06You know what,
48:07this is not going to work.
48:08What do you mean?
48:09I'm serious.
48:10If Zlatan comes
48:11after a long time,
48:12he won't call us.
48:13It's over with this yoga.
48:14Believe me.
48:15I'm begging God
48:16to stop this yoga.
48:17I can't believe
48:18I gave up on this, Bogat.
48:19This yoga is killing me.
48:20I feel like
48:21I'm losing my mind,
48:22mother.
48:23I'm going to take
48:24another breath.
48:32Okay.
48:33Let's stop for a minute.
48:36Can you tell me
48:37what I missed here?
48:38Let it go.
48:39We'll talk about it
48:40when the hour ends.
48:41I just wanted to kiss you.
48:43I haven't seen you for a long time.
48:46When did you get here?
48:47I got here an hour ago.
48:50Why are you holding
48:51this yoga for men now?
48:52It's not just for men.
48:53I wanted it to be a surprise.
48:55You really surprised me.
48:57Why are you sulking?
48:59I'm not sulking.
49:00I thought
49:01you'd be glad
49:02I gave up on business
49:03so I could finally do
49:04what I love.
49:05You gave up on business?
49:06What?
49:07I opened a yoga class.
49:08There's a women's group.
49:09Everyone says I'm great.
49:11But it's a yoga class.
49:13What's the difference
49:14between a yoga class
49:15and a yoga studio
49:16without a yoga class?
49:17Okay, let's stop for a minute.
49:18When did you start thinking
49:19all this stuff?
49:20What am I talking about?
49:21I told you over the phone.
49:22I was stupid.
49:24Wait a minute.
49:25Can you at least act
49:26like you're happy for me?
49:27I'm really happy
49:28that you organized
49:29your life without me.
49:30I'm really happy.
49:33I'm really happy.
49:46He couldn't talk much,
49:47but I think he's getting better.
49:49Is he?
49:50Yes.
49:51The doctor
49:52confirmed that.
49:54That's good
49:55if she said so.
49:56I hear people
49:57telling him
49:58what he needs
49:59and what he doesn't need.
50:01Just to put him on his feet.
50:03You know?
50:04I don't know
50:05how good that is.
50:06It's obvious
50:07that the therapy was successful.
50:09And they said
50:10they'd put him
50:11on a defibrillator.
50:13Thank God, dear.
50:14You see,
50:15it's the same diagnosis
50:16that Stipan had.
50:20But Stanislav told me
50:22something
50:23that I should say.
50:25Yes?
50:26If something happens to him,
50:28you'll tell me,
50:29because you know everything.
50:32I'm interested
50:33in what it's all about.
50:34Is that what he told you?
50:35Yes.
50:36I don't know, dear.
50:38I don't know
50:39how he always manages
50:40to put everything
50:41on someone else.
50:42How?
50:55Hey.
50:57How are you?
50:58I brought you juice.
51:01Thank you for coming.
51:02You're welcome.
51:04Thank you for coming.
51:07I wouldn't dare
51:08to interrupt
51:09before this surgery
51:10in the morning.
51:11Really?
51:12But I have to tell you something.
51:13Please,
51:14don't say anything now.
51:15You have to rest.
51:16Okay, okay.
51:17Listen.
51:19If something happens to me,
51:22call Ivka.
51:23Don't worry, dad.
51:24Nothing will happen to you.
51:25It's a normal surgery.
51:26They just have to put
51:27this defibrillator on you
51:29to block the rhythm
51:30when you breathe.
51:31Call Ivka.
51:32Can you hear me?
51:34Why should I call Ivka?
51:35I don't understand.
51:39Ivka knows everything,
51:40remember that.
52:00I love you.
52:01I love you too.