KUMOVI 6O EPIZODA
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00:00Pogacice, kilogram, euro 49.
00:04Domacja mrkva, 59 centi po kilogramu.
00:07I ananas, komad, euro 29.
00:11Lidl. Više za vas.
00:30Domacja mrkva, 59 centi po kilogramu.
00:56Are you ok?
00:57Yes.
00:58I don't know what's wrong with me,
01:01but I don't feel anything.
01:05You're a great man, you know?
01:08I don't know if I'd stand by you if I saw you on the road.
01:13Well, I don't know if I'd stand by you if I didn't see Luce alone.
01:16Thank you very much.
01:19Here we go again.
01:21Come on, give it to me.
01:22Here, after all this stress, I'm going to kill you.
01:25No, I won't.
01:26Give it to me because you're a moron, ok?
01:28Why do you think I'm a moron because I'm hardworking?
01:30But you did more than me today.
01:32You saved a man's life.
01:33Now I'm going to...
01:34That's right.
01:37What's wrong with you? Are you ok?
01:39We're fine.
01:40You drugged him with pills.
01:42He's great.
01:46Wait, wait.
01:47Hey, where are you going?
01:49I'm not going anywhere.
01:51Nobody knows he's here.
01:52That's exactly why.
01:55Yeah.
01:57Good.
02:09Hi there.
02:24I love you.
02:29One more time, we're going to kill him.
02:33One more time, let's go, Stanislav.
02:35Let's go.
02:36Stanislav, let's go.
02:37Let's go, Stanislav.
02:38We're all going to kill him.
02:39Let's go.
02:41Stanislav, let's go.
02:54What are you doing?
03:03What are you doing?
03:06What are you doing?
03:07What are you doing?
03:08What are you doing?
03:09What are you doing?
03:10I'm not, I'm just walking.
03:11I'm just walking.
03:12I'm just walking.
03:13Good morning.
03:14Good morning.
03:15I'm going to the hospital.
03:16What happened?
03:17Will you tell them?
03:18No, I don't think so.
03:19He's in a coma.
03:20Oh, my god.
03:21What is wrong with him?
03:22Oh, my god.
03:53He can't calm down.
03:55What does it mean that I can't look at him?
03:59We have to let him go for a while.
04:01He is sleeping now.
04:03He needs a lot of rest.
04:05Doctor, his son is coming today from France.
04:09It's not a pity that I won't be able to see him.
04:12I'm not sure that it's the best option to come today.
04:15Every kind of excitement and high emotions
04:18can seriously threaten his condition.
04:21I'm begging you, I wouldn't play with that.
04:42Are you coming today or are you going to cry?
04:44I think I'm coming.
04:46How are you going to get over this?
04:48It's a pity.
04:50Next time, after the show, on Novojtev.
05:20Choose fresh and quality beer.
05:22Janjetina, kilogram, 10 euros.
05:24Super Talent.
05:25On Sunday at 8 p.m. on Novojtev.
05:37Luce!
05:39Luce!
05:40What are you doing here?
05:42I was sleeping, mom.
05:44I can see that, but why?
05:46I think you and Janko had a fight.
05:49Wait, wait.
05:50Is it okay for him to sleep on a hard couch
05:53instead of forcing you, a woman in a miserable condition
05:55with a risk of infertility?
05:56Mom, I don't need anyone.
05:58God, let me sleep.
06:00I would let you sleep in your own bed.
06:03I don't understand how Janko behaves.
06:05Instead of holding a drop of water on his palm,
06:07he lets you sleep on a hard couch.
06:09God, I didn't have a fight.
06:11Everything is fine. I came here alone.
06:13Alone?
06:14Alone.
06:15Can you please let me sleep now?
06:18Does your soul hurt?
06:21Luce!
06:24Luce!
06:25Here, here, here.
06:28He's not sleeping.
06:29He's angry now.
06:30Tell me, does it hurt?
06:32Mom, it doesn't hurt.
06:33It doesn't hurt.
06:34I just couldn't sleep in my bed.
06:37You couldn't sleep?
06:38Why? Was it because of a fight?
06:40What fight?
06:41I didn't have a fight.
06:42Do you hear me?
06:43Stop it.
06:45You know what, Luce?
06:47I don't know what's wrong with you.
06:49You can sleep in your own bed every night,
06:51but you couldn't last night, right?
06:53God, it's not important where I sleep.
06:55It's important that I'm awake, right?
06:57I would be awake now if you didn't start fighting.
07:00I am awake.
07:01I am awake if you don't tell me why you sleep on the couch
07:04and you're tired.
07:05I told you, but you didn't listen to me.
07:07But you didn't tell me the real reason.
07:08If you asked me last night,
07:09why I couldn't sleep,
07:11I would tell you,
07:12my bones hurt,
07:13my stomach growls,
07:14I don't know, my cat barked all night.
07:16It was cold, it was hot,
07:17I would tell you anything.
07:19I couldn't sleep in my bed.
07:22You couldn't sleep?
07:23I couldn't sleep,
07:24and that's normal for a mother,
07:26it happens all the time.
07:28There.
07:29My daughter,
07:30I was hard on you twice,
07:32so I didn't change your bed.
07:42Oh, my bells.
07:44I can't believe you're taking care of me.
07:46I'm kidding.
07:47What's your problem?
07:48I would come to Zagreb if I were you.
07:50Oh, really?
07:51What can I tell you?
07:52It's easy for them here.
07:53They have everything they need.
07:55And we have to keep calm
07:57and keep the position we earned with our blood.
08:00There are a lot of crocodiles in our little bar.
08:03I love our little bar.
08:04It's better than this city.
08:06If we had a Zagreb hotel,
08:08no one would be happier than me.
08:10Are you done with that?
08:12What do you mean?
08:13I know him.
08:14I gave him money,
08:15he gave you good money,
08:17and that's it.
08:18Amen.
08:19Oh, my.
08:20Come here, Mom.
08:21I miss you so much.
08:22I brought you a debt.
08:24I'll pay you 100.
08:25I don't have money to pay you.
08:27Oh, my.
08:28You know what I'm going to tell you?
08:30I really missed you
08:31when you walked into the ministry.
08:33Where's the boss?
08:34And all this stuff around you.
08:36Do you need help?
08:37Or is he on a business trip?
08:39What do you think?
08:40That he would be the boss without a connection?
08:42Those are relationships that are built
08:44over years of investment.
08:46Now I believe you.
08:47And then they ask me where's the money.
08:49Here's the money.
08:50Pay for lunch, pay for the rent.
08:51Take him here, take him there.
08:53And you, Milica,
08:54you say it's expenses.
08:56You see,
08:57you pay them more
08:58for lunch and rent.
08:59When you need it,
09:00they give it to you.
09:02Yeah?
09:03What kind of experience is that?
09:05You should open
09:06a political school.
09:07You know,
09:08we have money for everything.
09:09I can only open a bar.
09:11I'll pay for it.
09:12Come on.
09:13Come on, man.
09:14What a good day.
09:15They're great.
09:16No,
09:17I just hope
09:18these Canadians don't take my money.
09:19I wish he would take it.
09:21You know,
09:22if he helps us,
09:23he doesn't help us at all.
09:24Yeah,
09:25but these new ones
09:26could be even worse.
09:27Come on,
09:28what are you shaking about?
09:29You got your year,
09:30you have a stamp,
09:31you're old,
09:32no one has to do anything to you.
09:33Come on,
09:34you're going to take off
09:35this coat, huh?
09:36Well,
09:37if you don't mind,
09:38I took off this coat.
09:39You're going to explain to Angie
09:40that she can come with us.
09:41Why should I remind her?
09:42Why should I bother her?
09:43Come on,
09:44you know Angie,
09:45fuck her.
09:46Okay,
09:47let it go,
09:48Arie,
09:49come on.
09:50Hey,
09:51what do you think,
09:52we should go somewhere
09:53until she comes back
09:54from shopping, huh?
09:55You know what,
09:56let's go.
09:57Come on,
09:58let's go.
09:59Janko,
10:00Janko,
10:01are you here?
10:02I'm here,
10:03I'm here,
10:04Angela,
10:05I'm in a hurry to work,
10:06Brava is stuck.
10:07What do you mean,
10:08stuck?
10:09I don't know,
10:10I'll figure it out,
10:11I have to go to work now.
10:12Wait,
10:13wait,
10:14I'll go to the other door.
10:15No,
10:16no,
10:17no,
10:18you don't have to.
10:19It's 3 o'clock,
10:20I have to go.
10:21No,
10:22no,
10:23you don't have to.
10:24It's 3 o'clock,
10:25I have to go.
10:26No,
10:27no,
10:28you don't have to.
10:29You have to call Brava,
10:30someone has to fix it.
10:32I already called him.
10:34And what did he say?
10:36That he'll be back soon.
10:38Then someone has to wait for him.
10:40No,
10:41no,
10:42you don't have to,
10:43I'll give him the key.
10:44You're going to leave the key
10:45to a stranger,
10:46that door leads to my apartment.
10:48That's my friend.
10:50From where?
10:52From Sinj.
10:54Who do you know from Sinj?
10:56Well,
10:57I'm not from there,
10:58I'm sorry,
10:59I have to go to work,
11:00you stay here.
11:02It's ok.
11:03Janko, wait.
11:04I'm going to the other door.
11:05Come on, wait.
11:06What are you going to do?
11:07It's going to take a long time,
11:08you won't be quiet from here.
11:10I'll take the phone.
11:12I don't have time,
11:13I'm going to work too.
11:14Bye.
11:15Janko,
11:17Janko, wait.
11:18You have to...
11:19Janko!
11:20Come with me,
11:21lock the door
11:22and I'll leave the key in the car.
11:23Because if Angela comes,
11:25you'll have to stay in the car.
11:27When I hear her,
11:28it's time.
11:29And don't ask her
11:30if she's sick or something.
11:31I'm fine,
11:32don't worry.
11:33Ok.
11:56Why are you so late today?
12:03Do you have time?
12:06Rudo,
12:07where is the woman
12:08from the city?
12:09There's a shop.
12:10She waited for the shops
12:11to open in Harač.
12:12What is she doing there?
12:13Buying cheaper stuff
12:14than in Germany?
12:15She's the only person
12:16who doesn't do that in Germany.
12:18I'm in a hurry.
12:19We can talk about it later.
12:20Listen,
12:21I couldn't come earlier.
12:22I could do it all by tomorrow.
12:24It's just a decrease.
12:26We could have a little more rest.
12:28We couldn't. You didn't rest yesterday.
12:30We have to go today.
12:32I don't even know when I'll go again.
12:34What if we stay another day?
12:36I'd love to.
12:38Then the three of us could go to another center.
12:40No, we can't.
12:42I don't want to go to Kukovina.
12:44I want to go home
12:46and watch TV.
12:48Come on, you're not retired.
12:50I really am.
12:52I'm not from Germany.
12:54Did you forget?
12:56I asked the Ministry for a car.
12:58Shut up.
13:00You don't have to shut up.
13:02Mother will pay if she has to.
13:04Is this the photo from yesterday?
13:06Look at it.
13:08I didn't see it.
13:10Did the photos come out?
13:12No, they didn't.
13:14If they came out,
13:16they'd call you behind your head.
13:18Poor guy, he's not in love.
13:20I don't want to go to Gospić.
13:24Should we ask him
13:26to hire us again?
13:28I don't know, is it stupid?
13:30What's stupid about it?
13:32We look great in this outfit.
13:34He doesn't have to hire us,
13:36he can just send us a profile picture.
13:38Fine, I have one jacket
13:40that would look great
13:42on this outfit.
13:44Oh, my God.
13:46What is it, Milica?
13:48What is it?
13:50I think Stanislav is dying.
13:52Oh, my God.
13:58Yes?
14:00Inspector.
14:02Do you know what the forensic report
14:04you asked for is?
14:06The autopsy report?
14:08That's right.
14:12Sabotage?
14:14I don't think so.
14:18IN THE NEXT EPISODE
14:24Super offer from Thursday
14:26at a little price.
14:28Fresh Čebapčiči XXL
14:30kilogram tablet.
14:32Croatian Telekom.
14:38Say it loud, Juhu.
14:40And watch your favorite series
14:42with Juhu.
14:44IN THE NEXT EPISODE
14:46This is a good sign
14:48that this is not a possible recovery.
14:50We ask you to come with us
14:52to the police station.
14:54What are you doing here?
14:56What do you think?
14:58It's time for the main prize,
15:00the one for the year.
15:02Ladies and gentlemen,
15:04a big, big clap for...
15:06It's nice that you like to cry,
15:08but live for surprise.
15:10For love.
15:12Serje Kumovi on Novoj TV.
15:22What is this?
15:24Huh?
15:26We're making a mess now, right?
15:28Yesterday we were the best in the world.
15:30Ma'am...
15:32Don't call me ma'am.
15:34I know you.
15:36You're in your underwear,
15:38and then there's dirt behind your back.
15:40What is this?
15:42Huh? What is this?
15:44Get out!
15:46That's a good picture.
15:48Of course it's a good picture
15:50when we're both on it.
15:52What's with the title?
15:54And the clothes were walking around the city.
15:56Do you know what clothes are?
15:58You came here because we're not from Zagreb,
16:00is that it?
16:02Okay, let the cops go.
16:04You see, they're amateurs.
16:06What are they doing when they're amateurs?
16:08You're not from the French portals.
16:10You're going to tell me what's fashionable.
16:12Look at your face. I wouldn't go into that.
16:14They didn't settle down in life.
16:16You live from a beetle.
16:18You should be ashamed.
16:20You wouldn't even survive in Germany.
16:22Calm down. This is for Zancia.
16:24You're at home with your mother.
16:26Wait, wait, wait. What did you say?
16:28This is for Zancia, right?
16:30Why didn't you put your picture up?
16:32I'm coming back,
16:34and you put up your picture
16:36and tell me what to do.
16:38I'm going to count the number of your reaction
16:40and we'll see how it affects your job.
16:42You really should do that.
16:44You don't need to count.
16:46I'm in charge.
16:48There he is.
16:52I see he agreed to help you.
16:54Yes, but under one condition.
16:56What condition?
16:58What's going on?
17:00Look, since I'm pissed off
17:02and since Jasenka is chasing me,
17:04I suggested that I give him
17:06my share in the hotel,
17:08just to get rid of that nutjob.
17:12But he won't.
17:14He won't agree.
17:16He says he wants your share.
17:18That's all.
17:20When did you talk to him?
17:22He has two days.
17:24But your uncle and I
17:26agreed to it.
17:28We made it like this.
17:30You give him your share,
17:32and your uncle and I
17:34will share our share with you.
17:36Then everything will be fine.
17:38We'll earn a little less,
17:40but who cares?
17:42It's important that he has a head on his shoulders.
17:44Don't get worked up because of your pride.
17:46This is our only way out.
17:48And don't talk to that nutjob.
17:50I'll solve it.
17:52Wait, did you hear what I just said?
17:54Janko, calm down.
17:56You'll only make it worse.
17:58Don't get worked up.
18:00Everything's fine.
18:02Maybe I have a solution.
18:04There's another option.
18:06Which one?
18:08You'll find it in Rome.
18:10Rome?
18:12Fuck you.
18:18What is this?
18:20Leave my photo.
18:22I don't want your photo.
18:24I'll delete all my photos.
18:26Don't touch my jacket.
18:28Let her go.
18:30This is for the press.
18:32Shut up.
18:34I'll call the police.
18:36I'll kill you.
18:38Go to your room.
18:42You broke my photo.
18:44It's your fault.
18:46I'm not normal.
18:48Give me the money.
18:50You'll go to the stock market.
18:52I'm not normal.
18:54I'm not from Zagreb.
18:56Leave me alone.
18:58What are you doing?
19:00Stop it.
19:02That's enough.
19:04That's enough.
19:08Who's here?
19:10Martin.
19:12How can you talk to your mother like that?
19:14You're dragging me.
19:16You don't understand.
19:18I told you five times to come.
19:20I'm hungry.
19:22You'll eat later.
19:24I went to bed.
19:26I went to the waitress.
19:28Janko told me
19:30that the door was broken
19:32and he was in a hurry to work.
19:34I didn't care.
19:36I went around the house
19:38and someone left a key in the door.
19:40It was Janko.
19:42How can he go to work?
19:44He left it by accident.
19:46How can he leave a key by accident
19:48if he's going to work?
19:50I don't know.
19:52Martin.
19:54Something smells fishy.
19:56What is it?
19:58I asked Luka.
20:00She said she didn't smell it.
20:02She said she couldn't sleep there
20:04because she was tired.
20:06What's wrong with you?
20:08She's tired.
20:10How can she sleep on an old bed?
20:12Something's going on.
20:14What?
20:16I don't know.
20:18You'll find out
20:20soon enough.
20:22What do you mean?
20:24You're a smart guy.
20:26I told you before.
20:28I don't understand anything.
20:30It's none of your business.
20:32You and I are the same.
20:34We have the same detective brain.
20:36OK.
20:38I'll see when I can.
20:40I have a meeting with Tomi
20:42at the airport.
20:44Tomi is coming to pick me up.
20:46He should have come earlier.
20:48It's all his fault.
20:50Hey, you two.
20:52Take it easy.
20:54I have to go.
20:56I don't even have a minute.
20:58I can't run after you.
21:00Do you want me to finish
21:02because of you?
21:04Because of me?
21:06No.
21:08You or my late grandma.
21:10You had a reason.
21:12To break his device.
21:14I didn't break his head.
21:16Milica,
21:18maybe you came to the wrong person.
21:20I came to the wrong person?
21:22Who did he hit?
21:24I hit him.
21:26I was defending you.
21:28Me too.
21:30Call the police.
21:32It's not the first time.
21:34It's none of your business.
21:36Call the police.
21:38It would be the best.
21:40I didn't break his device.
21:42We're not that bad.
21:44We broke his device.
21:46Do you know how much it costs?
21:48I'm recording his phone.
21:50There are a lot of witnesses.
21:52Okay.
21:54Milica,
21:56it would be the best
21:58if we report it ourselves.
22:00Then we'll get less punishment.
22:02What?
22:04Let's go.
22:06Nikita told her.
22:08Take these bags.
22:14Let's go.
22:22Sorry I'm late.
22:24It's okay.
22:26What did you eat today?
22:28Everything.
22:30Everything except the meat.
22:32I'll make it tomorrow.
22:34The cashier is ready.
22:38You're free.
22:40What happened?
22:42A woman followed us.
22:44She's a photographer.
22:46An old man came to help.
22:48All three ran away.
22:50Milica?
22:52She planned it.
22:54She said she was wearing it.
22:56That's why she took the picture.
22:58She's crazy.
23:00It's easy for her.
23:02It doesn't suit her.
23:04Don't mention it.
23:06She'll go crazy.
23:08Look at the pictures.
23:10Give me another one.
23:12She lost it again.
23:14Give her another one.
23:16When?
23:18Give her two beers.
23:20Be patient.
23:22Let's see what Milica did in Zagreb.
23:24What did she do?
23:26She took the picture.
23:28Where should I look?
23:30The portal.
23:32What's wrong with her head?
23:34She's aggressive.
23:36When I tell you,
23:38maybe the photographer
23:40attacked her first.
23:42I'm sure he did.
23:44She was mad at him
23:46because he took the picture.
23:48It's a nice memory.
23:50It reminds me of the angel.
23:52I hope the police
23:54will look for him.
23:56They said they ran away.
23:58Who's braver than the three of them?
24:00The director,
24:02the tourist,
24:04and the former chief.
24:06I don't know what to say.
24:14Oh my God,
24:16she's so beautiful.
24:20Zdenka, do you have a razor?
24:22I need it for Luka.
24:24Put it under the bank
24:26and I'll buy it when I get back from Sinj.
24:28Sure.
24:30Why are you laughing?
24:32I don't know how much
24:34you don't read portals
24:36when you're in such a good mood.
24:38I don't know what happened.
24:40The bell rang.
24:42Read it yourself,
24:44so I don't get confused.
24:46Just don't go out
24:48and knock on the wall.
24:50The old man will come
24:52and we'll all run away.
24:54This can't be true.
24:56How can't it be true?
24:58It's always true
25:00on the portals.
25:02You can tell it's a photo shoot.
25:04I don't have any money.
25:06What's wrong with you?
25:08Why would my bell ring
25:10for a fashion photographer?
25:12I don't know.
25:14You should ask him yourself.
25:16Don't tell me
25:18I'm going to ask my husband.
25:20Get me two kilos of blisters
25:22and look what kind of blisters you'll get me.
25:24Not the ones that don't peel
25:26after a month at home.
25:28Fucking Iris.
25:33Give it to me.
25:35Don't overdo it.
25:37I'm not overdoing it.
25:39What's wrong with all of you?
25:41You need to watch the fire at night.
25:43I don't want to drink with you.
25:45Why didn't you sleep
25:47with Draga?
25:49Did you have a fight?
25:51No, we didn't have a fight.
25:53I didn't sleep,
25:55I just got up early in the morning.
25:57Why?
25:59Why?
26:01It would've been easier for me.
26:03I'd rather lie in my bed.
26:05Look,
26:07if I'm going to lie in my bed all the time,
26:09I'd rather lie here,
26:11because Angela is here,
26:13and the furniture around me is always there,
26:15just like a cat,
26:17and I ring the bell like a fool.
26:19So it's a practical reason.
26:21Practical?
26:23Besides, Janko is always working
26:25and I'm less bored.
26:27I see.
26:29Why is that so important to you?
26:31It's not that important to me.
26:33My mother told me
26:35that Janko said
26:37that the door handle
26:39supposedly broke.
26:41Supposedly?
26:43What does that mean?
26:45If Janko says it broke,
26:47then it broke.
26:49What's that got to do with the exam?
26:51I think it did.
26:53No, it didn't.
26:55I'm sorry I'm so full of hormones.
26:57It's nothing.
26:59No, I mean, why are you doubting Janko?
27:01What?
27:03I'm not doubting him, I'm just asking.
27:05Why don't you
27:07have to be somewhere on the field
27:09instead of pretending to be Angela's agent?
27:11Well, if I can already have a beer,
27:13I'll have everything on my mind.
27:15Materialism is still a little annoying.
27:21Is there anyone else coming in?
27:23No, while I was awake.
27:25I took a pill and went to sleep.
27:29Does it hurt?
27:31A little on the head, yes.
27:33We need to talk.
27:35Talk?
27:37Look,
27:39I know I'm complicating your life with this,
27:41but I'm eternally grateful
27:43that I'm here.
27:45I hear you always want my share of the hotel.
27:47Not Aljoša's,
27:49not Vinko's, but mine.
27:53You really
27:55hate me so much.
27:59I can't believe we're here.
28:01This video is legendary.
28:03Yes, I mean, I knew Milica was crazy,
28:05but I didn't know she was so crazy
28:07that she even beat up Berlov.
28:09How did she beat him up?
28:11She was talking to Bruce Lee.
28:13She remembers when the song is played.
28:15And the bell just rang.
28:17It's funny,
28:19but he could really get into trouble
28:21because the police are looking for him,
28:23and they won't find anyone else.
28:25The press is still on him,
28:27so he's going to work for all the papers.
28:29And what?
28:31In the worst case, he's paying a fine.
28:33It's not going to be a small fine.
28:35What's it to you?
28:37Do you know what, people?
28:39I think Milica is right.
28:41Who wouldn't take a monkey for a walk?
28:43And you, you have a lot of work.
28:45You take pictures of people on the street
28:47and then you get drunk with them.
28:49Give me a beer.
28:51You won't be alone.
28:55You know what?
28:57I feel sorry for Milica, too.
28:59She's always the kind of person
29:01who likes to be well-dressed.
29:03She is.
29:05She doesn't care about what the papers say
29:07about her going to the countryside.
29:09She's going to pay the big fine.
29:11She's going to get it for years.
29:13My man didn't write anything wrong.
29:15He just said that women have no taste.
29:17I wouldn't agree with that.
29:19No taste?
29:21Maybe she has more taste than all the women in Zagreb.
29:23What do you know about fashion?
29:25I know something.
29:27When I see Vesna,
29:29all the women are dressed up.
29:31And Milica,
29:33she's dressed up too much.
29:35Stop it, Vesna.
29:37She's dressed up like an old woman in Zagreb.
29:39And our Milica,
29:41she's so young and pretty.
29:43She's only 16.
29:45She's a photographer, you know.
29:47You can't be so objective.
29:53Hey, Bogdarko.
29:55Good day, folks.
29:57Have you seen what's going on with Milica's portals?
29:59What's going on?
30:01What portals?
30:03I don't get any calls.
30:05If any of you hear from them,
30:07tell them to come here,
30:09because I need this much
30:11so that they don't write about her.
30:13Now,
30:15if I understood this correctly,
30:21will Vinko and Stari
30:23let you stay in the hotel?
30:25Because of some
30:27foggy chances,
30:29I would call it an illusion,
30:31that you will solve things
30:33with Jasenka
30:35and that she won't transfer the hotel to us.
30:37Now tell me,
30:39was that real or
30:41was that another game of yours?
30:45Listen, I know I made a mistake.
30:47I did. And I'm sorry.
30:49I stopped you because of that,
30:51but somehow I think
30:53that's not enough for you.
30:57And here's what you did
30:59to Luka,
31:01who wanted to kiss you.
31:03I can understand.
31:05You were angry,
31:07you wanted revenge.
31:09But to do this to me,
31:11in front of the hotel,
31:13now, while I'm waiting for the child,
31:15I can't.
31:21You won't say anything?
31:25I'm sorry.
31:27Everything I said
31:29is not true.
31:31I don't want
31:33neither their nor yours
31:35part of the hotel.
31:39What do you want?
31:41I want to catch the person
31:43who tried to kill me.
31:45You'll tell me who that person
31:47or who those people are.
31:49We're hiding you from the police,
31:51from Luka's family,
31:53from the whole world.
31:55It's safer for you not to know.
31:57They're monsters.
31:59But by hiding you,
32:01we're in danger.
32:03We saved your life.
32:05Maybe I should say that.
32:09Okay, I'll tell you.
32:11But please don't call Shema
32:13and tell her I'm okay.
32:15Why?
32:17Please. Just tell her I'm okay.
32:19Don't tell her you saved me
32:21or where I am.
32:23Actually, please, or I'll call her.
32:27Come on, please.
32:31My life depends on it.
32:39I'm sorry.
32:53Don't shout.
32:55Sorry.
32:57I've been busy for too long.
32:59What?
33:01Did you see this on the web?
33:03Did you read anything?
33:05I didn't find anything.
33:07Don't talk about Zupan.
33:09You still don't know if he's alive.
33:11I'm not talking about Zupan.
33:13I'm talking about Vica.
33:15Did you hear?
33:17I heard, but I didn't find anything.
33:19I called him.
33:21He said he needed something.
33:23He called me,
33:25but I didn't pick up.
33:27It's his fault.
33:29I'm sorry.
33:31He doesn't know anything about it.
33:33He doesn't know anything.
33:35I don't know.
33:37I mean, where do you know when someone
33:39buys a Veshto or a Borsh?
33:41Exactly.
33:43It's not a big deal.
33:45He's on that road.
33:47I don't know how to drive him.
33:49He'll get drunk and lose control.
33:51I hope he doesn't kill himself on the road.
33:53Radovina started a complete overhaul.
33:55It's going step by step.
33:57But it's not over yet.
33:59He hasn't learned how to drive
34:01yet.
34:03It's not over yet.
34:05It will be.
34:07I hope he'll call me.
34:09I need to talk to him.
34:11What did you want to show me?
34:13Watch and enjoy.
34:15What's that?
34:17It was filmed in Zagreb.
34:19Milica is laughing.
34:21Yes.
34:23Wait.
34:25Is he beating him?
34:27Give it back.
34:29Here.
34:31It's all recorded.
34:33The police is looking for
34:35fugitives from the scene of
34:37a physical attack on the manager
34:39of the fashion portal Odraza and his
34:41employee.
34:43I thought you were going to
34:45get out of the tourist business
34:47when you've made up your mind.
34:51Today is a good day.
35:01I know.
35:03I know.
35:05I know you have the opportunity
35:07to bring your son here,
35:09but let him pass.
35:11I speak Chinese.
35:13We're going to bring them
35:15to Zagreb
35:17and bring them here to talk.
35:19I've arranged everything
35:21with my people from Zagreb.
35:23I don't want them to rob a bank
35:25and break a camera.
35:27Don't worry.
35:29Goodbye.
35:31My dear Zvone,
35:33whenever you go to Zagreb,
35:35you do something.
35:37Hello.
35:39I have information
35:41about the victim.
35:43Come in.
35:47I spoke to him.
35:49Yes?
35:51Where is he?
35:53It's a bit stupid
35:55to tell you this,
35:57but you want to see
35:59under strict supervision
36:01that you come alone
36:03and don't tell anyone.
36:05Where should I come?
36:07To the accommodation
36:09that has moved,
36:11but you'll know that
36:13only if you show up.
36:15I'm just transferring information.
36:17What does he have to say?
36:19I don't know,
36:21but you'll find out
36:23if you show up.
36:25When is his transfer?
36:29Okay.
36:31You'll have to stay here
36:33for a while.
36:35I have to explain
36:37what kind of fugitives
36:39are in Zagreb.
36:41What kind of fugitives?
36:43Milica Zvona and Milica's mother.
36:45You can read the portals.
36:47No.
36:49How much longer
36:51do I have to serve you?
37:20Hey.
37:22Buras just tried
37:24to break through
37:26to the basement.
37:28I don't know what to do.
37:30I don't know where to hide Vica.
37:35You know what?
37:37I'd rather die
37:39than let him sleep
37:41in my wedding bed.
37:43I have to go.
37:46Hide.
37:48Come on.
38:06Can I wait for my wife
38:08in some intimate location?
38:10Can I surprise her?
38:12What's going on here?
38:14It's not serious.
38:16It's not enough that Angel
38:18keeps doing it all the time.
38:20You have to do it too.
38:22You're making me uncomfortable.
38:24I thought you were waiting
38:26for some Lucian.
38:28You're right.
38:30She called me.
38:32Do you want me to tell her
38:34to come right away
38:36or do you have a few options?
38:38Go to her and don't tell her anything
38:40or you'll ruin my surprise.
38:42I didn't do anything wrong.
38:44You don't know how much
38:46Bravo Arton paid you.
38:48I don't.
38:53Dude,
38:55this is not easy.
38:57Not at all.
38:59I'm like this because of you.
39:01Hello?
39:03Hello?
39:05You're on fire.
39:07I'm on fire, Martin.
39:09I'm dying of thirst.
39:11I can't go out right now.
39:13They're calling me.
39:15I don't know what you're doing,
39:17but if they tell me
39:19that we were sick...
39:21What would we do?
39:23I don't know.
39:25Tell me.
39:29It's nothing.
39:31Your husband is waiting for you
39:33in the waiting room.
39:35It's not his first time.
39:37He says it's a surprise for you.
39:39The doors are locked.
39:41You have to get in.
39:43I told you he'd take care of it.
39:45He did.
39:47He took out the tools.
39:49There was nothing else.
39:51It was just a locked door.
39:53Here.
39:55Mother, mother, mother.
39:57Mother again.
39:59Wait a minute.
40:01Whose apartment is mine?
40:03What are you talking about?
40:05What can I say?
40:07Here it is.
40:09Martin, you know
40:11I can't be upset right now.
40:13You forgot that.
40:15I didn't.
40:17You can tell me.
40:19Listen, I'm in a hurry.
40:21I can't.
40:23She'd come now.
40:25That's for her.
40:27I have to go.
40:29She'll let him see
40:31what's going on in the hospital.
40:33No, she won't.
40:35I'm going there.
40:37Why?
40:39I don't know.
40:41Let's see.
40:43Poor Tomi.
40:47Hello, ladies and gentlemen.
40:53Have a nice rest.
40:55There are no fashion journalists
40:57nearby.
40:59As you can see,
41:01it's a top-notch apartment.
41:03Do you need to
41:05rub salt on my wounds?
41:07Me? You?
41:09I've never been in a place like this.
41:11Just look at it. It's horrible.
41:13That's how it is when you attack people on the street.
41:15Get used to it.
41:17This is more like a cheap hostel.
41:19It is.
41:21Look where they brought us.
41:23You can't even see properly.
41:25You can't get a breath of fresh air.
41:27Be happy I arranged
41:29for the Zagreb police
41:31and my colleagues
41:33not to take you there.
41:35You're lucky.
41:37That's true. Thank you for that.
41:39This is a five-star hotel
41:41compared to other prisons.
41:43I know.
41:45That's why I'm surprised you didn't run away.
41:47I know. We were just...
41:49Shut up.
41:51Wait here until I have an important meeting.
41:53Wait. Where are you going?
41:55Where's my daughter?
41:57She's at a colleague's.
41:59It's good she's not taking our statements.
42:01Why should we wait for you?
42:03Because that's what I said.
42:05Be quiet.
42:07I don't want to send you to prison
42:09and you'll end up like Zohan.
42:11Zvon!
42:13Who gave him the right
42:15to be so rude to us?
42:17Because he burned us alive.
42:19He's waiting for his pension.
42:23OK. It doesn't matter.
42:25At least we'll have a little chat.
42:27It'll be a lot easier if we talk.
42:39You know what?
42:41He'll get out.
42:43I really hope so. He's a fighter.
42:45I hope so, too.
42:47This is Maca. He used to live here.
42:49He didn't give up.
42:51My son.
42:53I haven't seen you since
42:55I found out about you.
42:57But let it go.
42:59And let you know
43:01you're always welcome in this house.
43:05You have no idea how much I respect you.
43:07I would never say that.
43:09I didn't even give it to him.
43:11He hates me.
43:13I've been alive for a long time.
43:15Don't listen to them.
43:17Are you hungry?
43:19I warmed up the peas.
43:21I really am.
43:23Come on.
43:25Let's go.
43:27Where are you going?
43:29Take him with you.
43:31I'll do it myself.
43:33We'll make friends.
43:35Don't worry.
43:37You're strong.
43:39Nothing else.
43:41Hurry up.
43:45We didn't drink.
43:47We had two glasses of wine.
43:49We had dinner.
43:51That's it. I wasn't drunk.
43:55What happened on the way to your son?
43:57The brakes failed.
43:59I changed them recently.
44:01The brake pads and discs.
44:03I started to press the brake.
44:05Nothing.
44:07Then the turn came.
44:09Your statement is completely wrong.
44:11You're in the forensic department.
44:13Would that matter?
44:15It would mean
44:17someone disabled the brakes.
44:19What else could it be?
44:21You were very lucky.
44:23The speed wasn't great.
44:25You didn't have a puncture
44:27or anything like that.
44:29They found Ruca and Janko.
44:33I'm sure Počinte was somewhere
44:35close to...
44:37To finish the job if I survive.
44:39They didn't find the two of them.
44:41I don't know if they would
44:43lead this conversation.
44:45Yes.
44:47I took them to the grave.
44:49Let's get to the point.
44:51You didn't want
44:53to keep this conversation
44:55in complete secrecy.
44:57That means you're afraid of someone.
44:59Who do you suspect?
45:01Who had the motive
45:03for something like that?
45:07Weren't you surprised
45:09when you said about the brakes?
45:11You're hiding from the police,
45:13from the police station,
45:15from the police station.
45:17Who is so powerful
45:19to hang you at the door?
45:21I'm pretty sure I know.
45:25Thank you, Ljipa.
45:29Thank you for the information.
45:31And please, if there's any change,
45:33call me right away.
45:35Thank you for coming.
45:37My sister says
45:39she fell asleep.
45:41The doctors gave her some medicine
45:43so that she wouldn't have
45:45that arrhythmia again.
45:47If they'd put her to sleep, she'd be fine.
45:49She just needs to rest at night.
45:51Maybe you shouldn't
45:53go to the party tonight.
45:55I have to see him.
45:57That's why I came.
45:59But...
46:01No buts. God forbid
46:03something happens to him at night.
46:05I didn't even...
46:07I didn't even shake his hand.
46:09He's right. God forbid.
46:11You'd never forgive him for not being there.
46:13God forbid anything happens to him.
46:15It's a big deal.
46:17How many times has he had a heart attack?
46:19My heart is still beating.
46:21You're like a commander again.
46:23You're right.
46:25I'm begging you. Stop it.
46:27Stop whining.
46:29I know she'll...
46:31She'll get better.
46:35Jasenka Runjan.
46:37Yes.
46:39She cut the brakes herself,
46:41but she organized it.
46:43What motive
46:45did the mayor of Sinj
46:47have for the liquidation
46:49of the trustee
46:51of the city of Sinj,
46:53her employee?
46:55There are two motives.
46:57First, because she doesn't want to share
46:59a part of the hotel with me.
47:01You should be a part of the project.
47:03Yes, and it's not a small amount of money.
47:05People would lose their minds.
47:07And secondly,
47:09she's a completely disturbed
47:11and dangerous person.
47:13I'll be honest.
47:15I've been following Jasenka Runjan
47:17for a long time
47:19because of multiple possible accusations.
47:21Do you have any evidence?
47:23Unfortunately, no.
47:25She's always a very clean person.
47:27Yes, of course.
47:29But if you were willing to sign
47:31a paper and support her
47:33with concrete evidence,
47:35would you react?
47:41I will sign it, but I have some conditions.
47:43I'm listening.
47:45First of all,
47:47as a witness and a defendant,
47:49I want to be exempted
47:51from any possible prosecution
47:53that could arise
47:55from the investigation of Jasenka.
47:57That's the first thing.
47:59Secondly, I don't want anyone to know
48:01that I'm alive and where I am
48:03as long as she's not legally
48:05convicted and in prison.
48:07I have to tell this to my boss.
48:09No, only the two of us.
48:11You said that Janko and Luka
48:13didn't show up to finish the job.
48:17Deal.
48:33Police, come in.
48:35Good afternoon.
48:37I would like to report an attack
48:39and attempted murder.
48:49It's always like someone died.
48:51Come on, Slaven.
48:53What is it now?
48:55Come on, the driver is always playing music.
48:57Put the headphones on and enjoy.
48:59Put the headphones on and enjoy.
49:03Did you forget something?
49:05Oh, yes.
49:07I'm really glad we're going.
49:09I think it's very important
49:11to establish social contacts
49:13at work today.
49:15This is like a small team building,
49:17isn't it?
49:19It will remind me of a nice bill
49:21from a prized hotel.
49:23Boss, if it means anything to you,
49:25I don't need a diary at all.
49:27I'm just kidding.
49:29It's a team building.
49:37Don't waste your time.
49:39Who am I talking to?
49:41Joco.
49:43Joco Produzic?
49:45Maybe he hasn't seen us yet.
49:47I told you not to waste your time.
49:57I'm sorry.
50:19Unbelievable.
50:21You're lying here,
50:23you can't even move.
50:25I'm sorry.
50:55You're lying here,
50:57you can't even move.
50:59I'm sorry.