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Short filmTranscript
00:30It's not a good idea. Hi Leila. Yo yo soy muy mayor para eso. Wow
00:39Mm-hmm
00:41Creo que podríamos
00:44Cambiarnos de escuela a la vuelta en cuanto acabe la expulsión
00:48bueno
00:50No creo que la cosa mejore entre mis compañeros y yo después de esto
00:55Lo veremos ya tenéis hecha una rutina en ese centro no será difícil
01:00Algo pero estoy muy segura por lo del cumpleaños y por el último suceso
01:06No estoy feliz en ese lugar y no lo estaré
01:10Antes yo tampoco estoy feliz es la verdad podría hacer amigos mejores si voy a otra escuela
01:19Bueno lo pensaremos de acuerdo
01:22Ah
01:26Ates muchas gracias por el día de hoy y también por el apoyo en la escuela
01:35De nada irás ojalá hubiera podido
01:38hacer mucho más por vosotros
01:41Por el día de hoy darle las gracias a Leila ha sido idea suya
01:46entonces muchas gracias Leila
01:48Y
01:50Sabes que
01:51Podría acabar llevándome bien contigo y eso no lo sé pero creo que ates junto a ti está más tranquilo
01:59os complementáis
02:01wow
02:02Sois buenos el uno para el otro
02:13Bueno en fin yo me voy a ver a ver
02:16Hay dos ven conmigo si quieres luego subiremos muy bien vale esperad voy con vosotros
02:25No quédate es vuestra noche
02:31Disfrutar
02:38Creo que el gas ha crecido ya hasta nos da consejos te das cuenta
02:45El gas ha crecido mucho por nuestra amistad
02:55Por nuestra amistad
03:06Que se supone que es esto es de parte del hotel por su luna de miel señor bueno pues gracias gracias
03:16En serio
03:20Es demasiado
03:22Algo romántico espera no lo toques han tardado en prepararlo no seas malo
03:31Gracias por todo esto que dices esto es gracias a ti
03:35Y
03:45Te lo he dicho es sencillo mira que has dicho mira que tú observa fíjate esos dos
03:52llevan
03:53muy poco saliendo
03:55porque se me da muy bien la gente sé calarlos
04:00yo sé si romperán
04:06En serio observa mira mira el chico míralo
04:13Has visto lo ha hecho si me está mirando te está mirando está con su novia pero no deja de ligar con el resto
04:20aunque fresco vaya menudo regalito
04:24ya pero los ligones no suelen mirar a otras cuando están con su novia no lo sabías
04:29Sí
04:31Que estás diciendo tú como lo sabes lo sé
04:36Oye antes mira que mono son esos señores
04:43Sí lo son pero siguen enamorados creo que es costumbre así es
04:55Eso crees lo creo
04:59O sea que tú no crees
05:02Que el amor pueda durar siempre no entonces no sabes nada del amor
05:09en serio
05:11Puede ser
05:14Puede ser
05:16Puede ser
05:19Estoy borracha
05:29Y
05:37Novio
05:38Ya con que ocurre que susto
05:41Calmate novio no sabes lo que dices como no me devuelvas el dinero si sabrás lo que es el miedo
05:47Que dinero ya que yo no tengo dinero no me mientas o vas a enterarte tienes mi dinero me lo ha dicho paris
05:54Por qué ha dicho eso yo no tengo el dinero no me sigas mintiendo estoy mintiendo lo tenía pero lo perdí lo juro
06:02Lo perdiste si ya cubres tanto no es eso soy un idiota
06:07Eso crees no claro que no claro que no
06:10Mira si no me traes el dinero no volverás a ver a medir
06:14Está claro escucha meriem no tiene nada que ver con esto
06:19Bueno, qué quieres no se me ocurre otra amenaza es lo que hay
06:23el tiempo corre
06:24el tiempo corre oye smurf
06:27entiendes anda corre en marcha
07:24Ah
07:28No va a funcionar
07:37Escucha
07:40Funcionará si te propones comportarte como este video antes yo pues y tú yo
07:49Yo
07:50Porque no cogemos otra habitación
07:53Yo me quedo aquí mira no me importa no a mí tampoco me importa de hecho estoy bien aquí entonces porque no te fías de
08:00mí
08:00Acabas de poner almohadas por medio para poder dormir conmigo
08:05Perdona si es de verdad crees que quiero dormir contigo por supuesto
08:10Espera si eres tú el que siempre está buscando excusas para acercarse a mí no seas bobo qué excusas
08:16Ah
08:24Bueno espera había alguna veamos yo quise que nos fuéramos de vacaciones y que nos quedásemos solos así fue tienes razón
08:33No, no esa fue idea tuya verdad si
08:36lo fue
08:46Si no eres mas que un niño, un niño mimado
08:48Que?
08:50Pero que dices?
08:52Me has dado en la cabeza ten cuidado
08:54Pero si eres tu quien me pega
08:56Claro
08:58Estas loca
09:00Por mentiroso eres una encreguita
09:02Vale para ya vamos tranquila
09:16No
09:18Basta
09:20Parate
09:22Vamos
09:24Vale
09:26Basta
09:28No podemos
09:30No podemos
09:32No podemos
09:34Decir
09:36No
09:38No
09:40No
09:42No
09:44We can't do anything like this.
09:55True.
09:57I'm so sorry.
10:14I'm so sorry.
10:45Who could it be?
10:46I don't know.
10:51Are you sure it's me?
10:52Possibly.
10:54Okay, Peke, I'm coming.
11:01My shoes.
11:04My shoes.
11:06My shoes.
11:08My shoes.
11:10My shoes.
11:12My shoes.
11:14I'm coming, Peke.
11:17I'm here.
11:19Hello.
11:20Good morning.
11:21Your honeymoon breakfast.
11:28Did you order it?
11:29It must be the address.
11:33Thank you very much.
11:34You're welcome.
11:35Thank you very much.
11:38It looks delicious.
11:42Enjoy.
11:44It's good.
11:52This isn't very romantic.
11:54It's the truth.
11:55I'm sorry, my friend.
11:58They've prepared everything very carefully.
12:00Like a honeymoon, it's not bad.
12:08The kids will be awake by now.
12:10We should go have breakfast with them.
12:12Of course.
12:14Come on, let's go.
12:15I'm going to change.
12:16Okay.
12:23Eidos?
12:25Where did you get those glasses?
12:27I found them over there.
12:29But those glasses aren't yours.
12:30Look what you've done.
12:31Do you see me, Leila?
12:32I look like a movie director.
12:34Don't do that.
12:35You can't keep those glasses.
12:36Okay, okay, I'll leave them.
12:41Hey, why don't you write to me?
12:43Things are a little messy around here.
12:45You should write to me.
12:46You're on vacation.
12:53Can we take a bath now?
12:55Come on, let's go, kids.
12:57I haven't been able to undress.
12:59We haven't been here long.
13:01Honey, that's not the right word.
13:03Okay?
13:04It's called tanning, okay?
13:06It's true, Atesh.
13:07We should have stayed a few more days.
13:10Yes, why don't we go, Atesh?
13:12Atesh?
13:13What a short vacation.
13:15I'd like to stay a few more days,
13:17but I have to go back to the office.
13:19Next time we'll stay longer, okay?
13:21Besides, it's not a good time.
13:23We'll come back another day.
13:24That's right.
13:25Come on, kids, get in the car.
13:26Let's go.
13:27Come on.
13:28Let's go.
13:29Come on, Hilgas.
13:30One second.
13:32Hilgas, come on.
13:33What's going on? Are you okay?
13:34Something's going on at home,
13:35and I don't know what it is.
13:36Did Varys tell you?
13:37Something like that.
13:38Okay, calm down.
13:39We're leaving.
13:41Come on, guys.
13:42Come on.
13:49Where's Mr. Jakob?
13:51I think he was sleeping,
13:53but he's coming now.
13:56Yes, look, there he is.
13:59Mr. Jakob.
14:00Good morning.
14:01What time is it?
14:02I suppose the room service
14:04hasn't woken you up,
14:05and that's why you're late
14:07for your first day of work.
14:08My first day?
14:10Mr. Yurter,
14:11I've been here for months.
14:13Mr. Jakob,
14:14I told you that from now on
14:16things would be different.
14:18Everyone would have to be working now,
14:21and they would also inform me
14:23of how the tasks are going
14:24in the middle of the day.
14:25Mr. Yurter,
14:26we should review
14:27this whole morning thing.
14:30Let's see,
14:31neither the vineyard,
14:32nor the garden,
14:33nor the bugs
14:34are going anywhere.
14:35Why get up early?
14:36What for?
14:37Believe me,
14:38not even the chief of the army
14:40managed to get me up so early.
14:44Mr. Jakob,
14:45you're going to work.
14:47You're going to work.
14:49Everyone will get up early.
14:58Begin.
15:05Jakob, shut up already,
15:06for God's sake.
15:07I assure you,
15:08I won't lose a job again
15:09because of you.
15:10Jakob, come on,
15:11obey.
15:12You seem to like it,
15:14being drivers and servants.
15:16What's wrong with that?
15:18We want to make money
15:19by working.
15:20You don't get it.
15:24Jakob,
15:25you're drawing a lot of attention.
15:27Better be happy.
15:28Listen to me.
15:32Let's see what we have.
15:34Let's see.
15:38This is not his style.
15:45I'm sure I've seen these designs
15:47somewhere before.
16:07Darling,
16:08could you find me
16:09the old designs of Fusun
16:10as soon as you find time,
16:12please?
16:13Okay, I'll wait for you.
16:14Thank you very much.
16:30Welcome.
16:31Thank you very much.
16:32Welcome, sir.
16:33You're all so serious.
16:34Welcome.
16:38What's going on?
16:42It turns out
16:43that I wanted the service
16:44to behave properly.
16:45You know,
16:46lately,
16:47guests and employees
16:48get along too well
16:49with each other.
16:50It seems to me
16:51exaggerated,
16:52but you decide.
16:53Thank you very much, sir.
16:54Welcome, sir.
16:55I thought you'd be tired,
16:56so I made you
16:57a drink.
16:58It's in the garden.
17:04I have to go to work now.
17:06See you later.
17:07See you later.
17:08Bye.
17:11Kids,
17:12you must be hungry.
17:13Come with me.
17:14Maryam, I'm tired.
17:15I'm leaving.
17:16Me too, Maryu.
17:20Don't sit there.
17:21Come.
17:22Come, come.
17:23Come with me.
17:24Come on.
17:25Now the cat
17:26is coming with us.
17:27Come on, Michimichi.
17:28Come on, Michimichi.
17:29Come here, kitty.
17:31Oh,
17:32Ilgas.
17:33You're back so soon.
17:34I see you're not happy
17:35to see me.
17:36I don't know
17:37why you say that.
17:38Because it doesn't seem like it?
17:43I'm just careful.
17:45We can't be
17:46as close as before.
17:47I'm the driver.
17:48Milter has cast an eye on me.
17:50That's nonsense.
17:51Milter can't
17:52forbid me
17:53to have friends.
17:54Don't be so scared.
17:55I'm the driver.
17:56I'm the driver.
17:57I'm the driver.
17:58I'm the driver.
17:59Don't be so scared.
18:08Mr. Baris,
18:10can I know
18:11why you're sitting there
18:12instead of being
18:13at your work station?
18:15I'm going, Mr. Milter.
18:18I can't forbid you.
18:20But as you can see,
18:21I can.
18:30It was a great idea.
18:31You're right.
18:32It was.
18:34And you know what?
18:35They made us
18:36a huge suite, Merche.
18:38With hearts,
18:39roses, balloons.
18:40It said,
18:41I love you everywhere.
18:42It was great.
18:44Don't tell me.
18:45Is that true?
18:48A suite.
18:49Hearts.
18:51Well, and then?
18:53Say it.
18:55There's no one for sure.
18:57Well, we're almost
18:58like at the beginning.
18:59In fact...
19:03Wait.
19:04It's not what you think.
19:05And then what?
19:07We're a little closer.
19:09A little closer?
19:11What does that mean?
19:13Merche.
19:15It was about time.
19:17Come on, Leila.
19:18Don't you see?
19:20That man loves you.
19:21It's obvious.
19:23I can't believe it.
19:26Well, well.
19:27Now we have to forget
19:28Ates.
19:29Now I want...
19:31Fusun to tell me
19:32who my mother is.
19:34It's normal
19:35for you to worry
19:36about your mother now.
19:37Ates' love
19:38is secondary.
19:42Well,
19:43you enjoy it.
19:44We're going to find
19:45your mother.
19:46We're going to find
19:47your mother.
19:48We're going to find
19:49your mother.
19:50We're going to find
19:51your mother.
19:53Are you sure?
20:02Okay.
20:03This one too.
20:06It looks like
20:07you're preparing
20:08something special
20:09for the Freyja brand.
20:10Or so it seems.
20:11I've never seen
20:12these designs.
20:13How are you, Vigge?
20:14What's going on?
20:16What do you want?
20:18What a level of detail.
20:19It looks like
20:20you're very interested
20:21in this collaboration.
20:22Is there a problem?
20:24Not at all.
20:25I'm telling you
20:26I like them a lot.
20:27That's good.
20:28There are very good designs,
20:29but they don't look
20:30like your style at all.
20:33How dare you?
20:35You know,
20:36I'm sure I've seen them
20:37before somewhere.
20:38After all,
20:39we all need
20:40to be inspired by something.
20:41Vigge, dear,
20:42if you have nothing
20:43more to say,
20:44please leave.
20:45I still have sketches
20:46to do.
20:47Not yet,
20:48but I want to see
20:49when this is all over.
20:50See you later.
21:04Oh,
21:05have you remembered me,
21:06you country bumpkin?
21:09Just a moment.
21:11I'm listening.
21:13As I promised,
21:14I'll testify in your favor.
21:16But please,
21:17tell me now
21:18who my mother is.
21:22Girl,
21:23you're so funny.
21:24Of course,
21:25you're so funny.
21:28Listen,
21:29do you think I'm like
21:30any of those men
21:31you've cheated on?
21:33You can't fool me.
21:34Did you think
21:35I'd fall for it?
21:37Make me sign
21:38a contract,
21:39if you want.
21:40Seriously,
21:41I'll do whatever you want.
21:42But tell me
21:43who my mother is,
21:44if you really
21:45know who she is.
21:47Oh,
21:48would you have called me
21:50if you really thought
21:51I didn't know
21:52who your mother was?
21:54I doubt it,
21:55little viper.
21:56You'll be my witness
21:57in court,
21:58and then I'll take you
21:59to meet
22:00your mother.
22:01Don't worry.
22:08You really are
22:09a viper.
22:17Miss Berit,
22:18Miss Berit,
22:19it's much easier
22:20if you hold the brush
22:21like this.
22:22Like this?
22:23That's it,
22:24very good,
22:25perfect.
22:29Hey,
22:30who are you painting,
22:31Ilter?
22:33I also want to know
22:34who's in the painting.
22:37Miss,
22:38it's a long story.
22:39Come on,
22:40Ilter,
22:41tell us.
22:42Please,
22:43Ilter,
22:44come on.
22:45Okay.
22:47Many years ago,
22:48I was working
22:49in another house,
22:50and it was a long time
22:51ago,
22:52of course.
22:53The owner of the house
22:54had a very beautiful
22:55daughter.
22:56How beautiful she is!
22:57It's like
22:58a fairy tale.
22:59And did you
23:00fall in love
23:01with that girl?
23:02That's right,
23:03I fell in love.
23:05She was also
23:06my best friend,
23:07but
23:09her father
23:10didn't approve
23:11our relationship.
23:12Why?
23:13Because I was
23:14just an employee
23:15and I couldn't be
23:16her daughter's boyfriend.
23:18Well,
23:19and what happened
23:20after that?
23:22After that,
23:23nothing happened.
23:24Didn't you leave
23:25with her?
23:28It was then
23:29when I met
23:30your father,
23:32and everything
23:33changed for me.
23:35My life started
23:36again,
23:37and I'm happy
23:38to have met
23:39you.
23:40I'm glad
23:41you came
23:42here,
23:43Ilte.
23:45We love you
23:46very much.
23:47We love you
23:48very much, too.
23:49I love you
23:50very much, too,
23:51coming here.
23:55Can I help you
23:56paint?
23:57Of course.
23:59Fuzun has changed
24:00the contract
24:01with Firuze,
24:02you know?
24:03Maybe you want
24:04to take a look.
24:05I don't trust her.
24:06What can she gain
24:07from that?
24:08I don't know,
24:09but it's strange.
24:10Leila's situation
24:11has changed.
24:12I've seen that part,
24:13but I don't think
24:14Leila would like it.
24:15You should talk
24:16to your wife about that.
24:17What I don't understand
24:18is why Umut
24:19signed it
24:20without asking me.
24:21Umut's not
24:22to blame for this.
24:23We took care
24:24of everything
24:25while you had fun.
24:26You can cancel
24:27the contract
24:28if you want.
24:29Yes, thank you.
24:30I know.
24:31I'll think about it.
24:32Okay, great.
24:36Well, Mr. Ilter,
24:38what a hell
24:39you've put us through.
24:40I've never worked
24:41so hard in my life.
24:43Oh, poor you.
24:44What a shame.
24:45I wish you hadn't
24:46worked so hard, Jakob.
24:47You're a little sweaty
24:48in this life.
24:49It's hard, isn't it?
24:51Hey, Jakob,
24:52thank you for coming back.
24:54Ilter is a very
24:55disciplined man.
24:56It's a miracle
24:57he tolerates you.
24:58You're here
24:59thanks to the kids.
25:01I'm here
25:02just for my money.
25:04Well,
25:05give him your money.
25:07Enough.
25:08Come on.
25:10I'll put my feet
25:11here
25:12to see if I can recover.
25:14You have a headache.
25:16Yes, lie down
25:17and see if you feel better.
25:21Do you need help?
25:27I have a headache.
25:29I've worked a lot.
25:30It's not normal.
25:32Please come in,
25:33Mrs. Shevnan.
25:34Come in.
25:35Welcome.
25:36Thank you very much.
25:38Would you like something to drink?
25:40I'd appreciate it,
25:41but no.
25:43Very well.
25:44You tell me.
25:46I told you
25:47to leave us alone.
25:49I don't want to know
25:50anything about that woman.
25:52What happened?
25:53What happened?
25:54Zeynep has shown up.
25:56Haldun will have
25:57problems because of her.
25:59She knows we gave her
26:00information.
26:02But I didn't say anything.
26:03I'll tell you again.
26:05Get that woman
26:06out of my sight.
26:08Look, Mrs. Shevnan.
26:10I didn't tell anyone anything.
26:12I was just trying to help
26:13that poor girl.
26:16Don't make me regret
26:17talking to you.
26:20You can regret it
26:21if you want.
26:23See you later,
26:24Mrs. Shevnan.
26:25If I wanted to find
26:26your daughter,
26:27I would have.
26:28Don't meddle in her affairs.
26:29Of course,
26:30Mrs. Shevnan.
26:31Have a good day.
26:32Come back soon.
26:34Hello, Ateş.
26:42Nergis.
26:43Yes, Mr. Ateş?
26:44That project
26:45that interests Fusun so much.
26:47Put it on hold
26:48until you get
26:49a good look at it, okay?
26:50Of course, as you wish.
26:52Have a good day.
26:54Hello.
27:02Welcome, Miss.
27:03Thank you very much.
27:05I urgently need
27:06Yulide's designs.
27:08Everything that's
27:09in the digital archive,
27:10I need it as soon as possible.
27:12Of course.
27:13Okay, hurry up.
27:14Bye.
27:25Very good.
27:27That's it.
27:31Great.
27:32Now be careful.
27:33Very good.
27:37Not bad.
27:42Is that all?
27:43Yes, you've learned.
27:46You were supposed
27:47to teach me,
27:48but I taught you.
27:50I don't want to know
27:51anything about the school now.
27:53Maybe I should leave it,
27:54like you.
27:55What are you saying?
27:56Shut up.
27:57If Ateş allows it,
27:58I'll oppose it.
28:02Hello, guys.
28:04What are you doing?
28:06He was teaching me
28:07how to drive.
28:09Good.
28:11Very well done, Baris.
28:17We'll talk later.
28:18Okay.
28:19See you later, Ilgaz.
28:25Baris,
28:27maybe you're letting yourself
28:28get carried away a bit.
28:29Or am I imagining it?
28:31Do you believe me
28:32if I tell you
28:33it's your business?
28:35No.
28:36You know it.
28:37It's not easy
28:38not to let yourself get carried away.
28:39I know, I know.
28:41But I'm telling you
28:42to protect you,
28:43you know?
28:45You could learn
28:46what's happening to me.
28:49No, I'm fine.
28:50Seriously.
28:52And how are you?
28:54Meriem told me
28:55you were a return to the attack.
28:57Yes.
28:59I can follow her if you want.
29:00No.
29:01Don't follow her.
29:02I don't want you
29:03to get in danger.
29:05I just have to wait
29:06for the trial.
29:09Are you going to do
29:10what she asks?
29:12Mr. Ates,
29:13Mr. Namik.
29:14Come in.
29:16Welcome.
29:18I'm afraid you want
29:19to see me urgently
29:21because there are problems,
29:22is that right?
29:23Yes, Mrs. Ates.
29:24Your brother and aunt
29:25have asked me
29:26to come see you.
29:27I'm afraid
29:28I can't.
29:29I'm afraid
29:30I can't.
29:31I'm afraid
29:32I can't.
29:33I'm afraid
29:34I can't.
29:35I'm afraid
29:36I can't.
29:37I'm afraid
29:38I can't.
29:39I'm afraid
29:40I can't
29:41go home.
29:42I'm afraid
29:43I can't
29:44go home.
29:45I'm afraid
29:46I can't
29:47go home.
29:48I'm afraid
29:49I can't
29:50go home.
29:51I'm afraid
29:52everything
29:54will go completely
29:55against my will
29:56and won't
29:57turn into
29:59a lie
30:01to me,
30:03because
30:04I don't
30:05want
30:06to tell
30:07others
30:08anything
30:09Well, see you later
30:23Then look at this design you never give up
30:28I don't know what you're talking about, but you're right or you don't know what I'm talking about. You say it seriously
30:33What's wrong with you? What's going on?
30:35The kids are happy with me. Leave them alone.
30:38Oh, that's what it's about.
30:40Ates, dear, I've already talked to you about it, haven't I?
30:43It's not good for them. Don't hurt the kids anymore.
30:46That's right, Ates. I took care of the kids when you weren't around.
30:49But, let's see, I'm very aware that all this is to keep you with the company.
30:53But that's enough, that's enough.
30:55Please don't get the kids involved in this.
30:58And the contract with Freya is cancelled.
31:00You won't dare!
31:02Ates, I've already done it.
31:04Ates!
31:08For God's sake, do something!
31:12Ugh.
31:31Are you okay?
31:34No.
31:36What happened?
31:38Umut and Fusun want to take the kids away from me because of what happened at school.
31:42Do they have the right to do that?
31:44Yes, they have the right.
31:46And they have requested an order.
31:48That the kids don't know about it yet.
31:50Of course. Besides, they're already sleeping.
31:53Ates, listen, we'll fix it.
31:56Even if the kids left with Umut, it would only take a while.
32:00I don't think they'll give him custody in court.
32:03I hope so too, but...
32:06Anyway.
32:08Ates.
32:09Tell me.
32:10I was actually waiting for you to talk to you about something.
32:17I don't want to hide anything from you anymore.
32:20Very well.
32:25Fusun wants me to testify against you tomorrow in court.
32:32That woman is crazy. She doesn't even know what to do.
32:35And?
32:36No, she's always been like that. She's always wanted something from me.
32:39But now...
32:41This time she's got an ace up her sleeve.
32:45What is it?
32:52She knows who my mother is.
32:57What?
32:59I don't know. She's been able to do what I've never been able to do.
33:02And she won't give up until she has everything she wants.
33:09If she wanted to find her daughter, she would have.
33:12Don't meddle in her affairs.
33:14Of course, Mrs. Shepnam. Have a good day. Come back soon.
33:20Wait a minute.
33:23I'm not sure about this, but...
33:26Maybe...
33:28Maybe we don't...
33:30Maybe we don't need Fusun, because I think there's someone...
33:34Who will take us to your mother.
33:36What are you saying?
33:38Do you know who it is?
33:40No, no.
33:41Look, a woman has come who has argued with Fusun.
33:45And I think it won't be difficult to find her.
33:48What was she like?
33:50Who was she?
33:51Look, right now I don't know exactly.
33:54Hey, you leave it to me, okay? We'll find out.
33:58Okay?
33:59Of course.
34:00Good.
34:02Thank you very much.
34:04You're welcome.
34:14Thank you very much.
34:28You're welcome.
34:58Good morning.
35:01Good morning.
35:29Falta!
35:31You're always cheating.
35:33Hey, Ilgas, it's not true.
35:35Good morning.
35:36Good morning.
35:37Good morning.
35:38Good morning.
35:39What are you doing? And breakfast?
35:41We've already eaten it, and you've lost it.
35:44Oh, really?
35:45Yes, you've lost it.
35:46Kids, don't you think it's a little early to be playing?
35:49We're on vacation.
35:51Oh, wait. I forgot to show you my painting.
35:54Oh, Tos, stop cheating.
35:56What are you saying? Do you think Pitta's referee is Falta for fun?
35:59Look, why don't you study a little?
36:01I understand that you don't go to class and all that, but...
36:04Ilgas, I think you should...
36:06Goal! Goal!
36:07How did it go? Why?
36:10Leave it to me. Ilgas will find out who I am.
36:13Bring it.
36:14I'm going to beat you.
36:16Let's see, who am I?
36:18You control the red team.
36:20Well, great.
36:21Are you ready?
36:22Learn from Idost.
36:23You're good.
36:24Of course.
36:26I pass it to the center and goal!
36:28Goal!
36:29Well, now what?
36:30You're lucky.
36:31Oh, yes, of course. I've been playing this all my life.
36:33Does anyone want to see my painting?
36:35Come here, let me see it.
36:37Hey, but who is this?
36:39Look, Iltera taught me how to paint.
36:42I've painted Idost, but since I wasn't very comfortable,
36:46I've been a little weird.
36:49Well, yes.
36:50I'm a little weird.
36:51It's not that he looks a lot like Idost.
36:53Don't say that, Ates.
36:55Look, he has black hair. He looks a lot like Idost.
36:58Hey, Leila, I don't wear huge green glasses.
37:01What's the point of that?
37:03That's how he imagined you. Just think about it.
37:06But he's never seen me like this.
37:08Well, guys, I have to go.
37:10Don't forget to do your homework, okay?
37:13Study.
37:14Ates.
37:15What?
37:18Don't worry, I'll find her.
37:20Okay, Ates, thank you very much.
37:22Idost, look.
37:26Goal! Goal!
37:28That's not a goal!
37:29Look, it's out of the game, girls!
37:31That's out of the game!
37:32No, it's not a goal!
37:34Come on, let's go play somewhere nice,
37:38and please don't make so much noise.
37:40Okay, fine.
37:52I'm sorry.
38:13Vigée?
38:14Where have you been?
38:16Is everything okay?
38:18I don't feel very well, Umut.
38:20I have to go. I'll stay home.
38:22Oh, well, get better.
38:24Call me if you need anything.
38:26Okay, thank you very much for being so kind.
38:29Take good care of yourself, too.
38:31See you later.
38:32See you later.
38:49Aunt.
38:51Any news on the case?
38:53Not yet.
38:55The lawyer will call me.
38:57Don't worry, we won.
38:59It's as if Ates had already given us the kids,
39:03with his temperament.
39:08Mrs. Firouze, welcome.
39:11Why did you cancel the contract?
39:13That's why.
39:15The truth is, we didn't plan it.
39:18Everything was ready, and we were going to announce it,
39:21but we had to stop it.
39:23Yes, that's true, and we're very sorry,
39:26but Mrs. Ates made that decision.
39:29If you want, we can talk about this later in private,
39:33don't you think?
39:35Well, I'm leaving. I'll leave you two alone.
39:37Umut, thank you very much for being so kind.
39:40Please, Firouze, sit down.
39:46This isn't what we agreed on.
39:48He's annoyed us.
39:49No, calm down.
39:50It hasn't been cancelled, it's been postponed.
39:52Look, don't worry.
39:54I'm not going to tell your daughter anything yet.
39:57Tell me what you're planning, okay?
40:00Ates did this because he's very angry with me,
40:03and it's going to be hard to convince him,
40:06but if you can convince Leila,
40:09the situation will change,
40:11and everything will be back in your hands.
40:15We look great.
40:17Yes, but you look prettier.
40:20Then let's share it on social media.
40:26I can't find your account. Can you write it for me?
40:29I don't have an account, no.
40:32Why? That's strange.
40:35I don't like social media.
40:37I don't like social media.
40:39I don't like social media.
40:41That's strange.
40:42I don't like social media.
40:45Okay, then I'll upload it without tagging you,
40:50so my friends can see it.
40:53Hey, could you not upload it?
40:57Why not?
41:00I don't know.
41:01Uploading photos to social media seems very fake to me.
41:05What if it stays between us?
41:07Send it to me, we can look at it together and that's it.
41:11Okay.
41:12Really?
41:13I don't know why you don't want to, but I'll send it to you.
41:18Did you get it?
41:21Yes, I have it.
41:31It's a bit cheesy, don't you think?
41:33It's romantic.
41:35You're crazy.
41:37What sign are you?
41:38I'm Libra, but I don't believe in that.
41:41So your birthday is soon?
41:43Tomorrow.
41:44It's tomorrow?
41:46Then we have to celebrate it, I don't want excuses.
41:48Very well.
41:49I'm going to think about something.
41:51Okay, let's see how it goes.
41:52Okay.
41:53Perfect.
41:54Why didn't you tell me before?
41:56Because you never asked me.
41:58True.
41:59True.
42:01Mrs. Tess, here's more.
42:03Okay.
42:04Okay.
42:06Nergis, there was a lady talking to Fusun yesterday.
42:10Would you look for her in the entry register?
42:12Yes, I'll look for her.
42:14Okay.
42:15And make sure no one finds out.
42:17Here.
42:18Okay, I'll be right there.
42:19Okay, thank you very much.
42:21Mr. Namik.
42:23Hello, Mrs. Tess.
42:24The hearing is over.
42:25It's still unclear if the judge will take action.
42:28What do you mean?
42:30Well, the judge doesn't seem to be in favor of anyone.
42:33But the arguments from the other side are good.
42:35Okay, what will happen?
42:37It's too soon, Mrs. Tess.
42:38We have to wait for the resolution.
42:41Very well, I understand.