Only Murders in the Building S4 Episode 6
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FunTranscript
00:00You know, I almost proposed to Loretta in L.A., and then I didn't.
00:05Why not?
00:06You know, one failed marriage, who hasn't been there?
00:08Two failed marriages, people start asking questions.
00:11I can't believe that you thought I killed your friend.
00:14I can't even kill this moderate to severe case of bacterial conjunctivitis.
00:19Sazh called Bev Mellon and said that there was a problem on the movie, and right after
00:24that she was shot.
00:25Someone on the movie killed Sazh to keep this problem a secret.
00:29The most brilliant directing team, the brothers!
00:32These three should be in the photo shoot, too.
00:35It's just the timing.
00:36Remember, you're saying in order for it to happen, that would mean someone shot from
00:39the West Tower, came all the way over here, cleaned up the crime scene, and disposed of
00:43the body all in 12 minutes?
00:44How am I doing?
00:45It's been 38 minutes.
00:46What?
00:47What is this I'm standing on?
00:49It feels like flypaper.
00:51It's a tacky mat.
00:52And that tacky mat matches the one from Dudinoff's apartment.
00:55The killer was up at the production offices, which means they're probably at the photo
01:00shoot.
01:01It wasn't one person who did the murder.
01:04It was two.
01:05One to shoot, and one to clean up.
01:08You're totally right.
01:09They could have done this.
01:10Where's the other brother, sister?
01:15Oh my God, they've been shot!
01:18What you are about to see is a testimony of the accused, but in our native language, the
01:28language of film.
01:32The footage is sourced from many different angles, cameras, and lenses to give a multidimensional
01:37perspective, as only cameras can, of the truth.
01:48Tony and I got our first camera at nine years old.
02:04Action!
02:05A Sony DCR-VX1000.
02:09We saved all our money, but it wasn't enough.
02:13So we stole it.
02:18Our aesthetic lived at the intersection of voyeurism and body horror.
02:25For whatever reason, we didn't fit in in high school.
02:40Then we met our film professor, and our lives were changed.
02:44He said what made us weird would make us successful.
02:47All we had to do was...
02:49Keep shooting.
02:51If there's one thing you take away from my class, it's this.
02:55Take your camera, and cover the world, and capture it all.
03:00And never, never censor yourself.
03:03Never look away.
03:05Unless it's an eclipse, or Medusa, or that time that I stapled your exams to my shirt.
03:13No, but seriously.
03:16Keep it rolling.
03:19Even when it's chaotic.
03:22Because chaos can be good.
03:26Chaos can be art.
03:33We really took that to heart.
03:38Oh God, they've been shot!
03:40Oliver!
03:44Get the fuck out of here!
03:46Get over there!
03:48There, right there!
03:50It's Glenn, he's still alive!
03:52Which Oliver is that?
03:54That's Dick!
03:56They got me in my fat!
03:58Okay, here, here, put pressure on it.
04:01Oliver!
04:05Is it over?
04:07He's okay.
04:11Act One, The Inciting Incident.
04:15Taxi!
04:19Drive, drive! Take us to the Upper West Side!
04:22Anywhere but the hell that is Soho!
04:24Are those guys gonna be okay?
04:26They have to be. I can't have anyone else die because of us.
04:29Oh my God.
04:30Did you guys see Tony when the shot was fired?
04:32No, no, all I saw was my life flash before my eyes.
04:36Oh, I was a beautiful boy.
04:38I loved it, even then.
04:40Innocent, and also very good.
04:43So, what's inside your heads?
04:45You thinking Tony took that shot?
04:47You think it was meant for Oliver?
04:49If it was, that means the shot that killed Sazh could have been meant for me.
04:53And who knows?
04:56Mabel could be next.
04:58So you're all the target.
05:01Howard, why are you filming us?
05:03Well, I'm the on-set documentarian slash talent liaison.
05:05I was told to never stop rolling.
05:07By the Brothers Sisters.
05:08The killers? Get out of this cast!
05:10We're not even in Midtown.
05:11Wait, wait, you know what? I'll work for you.
05:13Fuck the Brothers Sisters.
05:14If anything happens to you, this will be evidence for the police.
05:18Okay, fine. Keep filming.
05:20But favor my left side.
05:22Slightly higher angles.
05:23Okay.
05:24And no profiles.
05:25Oh boy.
05:26Why would the Brothers Sisters jeopardize their own film to kill Oliver?
05:31It doesn't make any sense.
05:32It makes perfect sense.
05:34We just can't make sense of it.
05:37Oh look, it's my famous neighbors who have ruined the building.
05:41Uma, step aside. I'm in a lunging mood.
05:43Look at this.
05:44Because of you, they've installed cameras everywhere in case we're murdered.
05:48Can't cut a fart or steal a newspaper anymore without being watched.
05:52Get the fuck away from me.
05:53Nobody around here shoots the right people.
05:55We need to get somewhere safe.
05:57Well, seeing as someone was killed in your apartment and the shot came from mine, I'm feeling Oliver's.
06:02Yes, mine's the least murdery.
06:04Also, I have the most comfortable furniture.
06:06If the shooter doesn't kill me, Charles Stiff's sofa will.
06:12Murder is in the building.
06:13Hit the close button.
06:14I am. I am.
06:15Hurry, Oliver.
06:16Press it all you want, but most close buttons haven't been operational since the Americans with Disabilities Act of 1990.
06:21Charles, we could die at any moment.
06:23Please make your fun facts funner.
06:35I am.
06:36I am.
06:37I am.
06:38I am.
06:39I am.
06:40I am.
06:41I am.
06:42I am.
06:43I am.
06:44I am.
06:45I am.
06:46I am.
06:47I am.
06:48I am.
06:49I am.
06:50I am.
06:51I am.
06:52I am.
06:53I am.
06:54I am.
06:55I am.
06:56I am.
06:57I am.
06:58I am.
06:59I am.
07:00I am.
07:01I am.
07:02I am.
07:03I am.
07:04I am.
07:05I am.
07:06I am.
07:07I am.
07:08I am.
07:09I am.
07:10I am.
07:11I am.
07:17Oh, god.
07:18The sisters are in the building and eerily calm.
07:21Are they toying with us?
07:22I know.
07:23I don't know.
07:24It's like killer whales and their prey.
07:25Though, technically killer whales aren't really whales.
07:27I'm a funner!
07:28Are you OK, Oliver?
07:29You seem upset.
07:31I seem upset?
07:32Mm-hmm.
07:33I seem upset!
07:34Oh, I don't know.
07:37I guess because I almost died today.
07:40Oh my God.
07:42I almost died today.
07:46And as I was lying there, completely fine, between two bleeding people, all I could think
07:52of was Loretta.
07:55Why am I living another moment without the love of my life by my side?
07:59Oh, hello.
08:00Look, I'm just one big tub of regret.
08:03How about a big tub of bourbon?
08:06How about you, Charles?
08:07What are your regrets?
08:09Me?
08:10Nothing, really.
08:11You have regrets.
08:12I'll start you off.
08:13That ad campaign you did for Sacred.
08:16Flashing that weird look whenever I give you the opportunity to pick up the bill.
08:20The moment you fell in love with Jan?
08:22True.
08:23Hey, she turned us on to Baked by Melissa, and we love that place.
08:26Oh, well that totally makes up for all the serial killing.
08:29Although those cinnamon rolls are good.
08:31Yeah.
08:32Don't shoot!
08:33Don't shoot!
08:34Oh, God.
08:35Oh, no, no, no.
08:36Oh, gosh.
08:37Get out!
08:38Get out!
08:39She just called from downstairs.
08:41Come on, guys.
08:42What did I say?
08:43Oh, thank God.
08:44I had one request.
08:45One fucking request.
08:47Do not let anything happen to Galifianakis.
08:49If someone is trying to kill us, Detective, kill me.
08:53If someone has wanted to kill you for the past three years, I understand.
08:55Rude.
08:56How are Zach and Glenn?
08:57Stubborn, sustainable, but unconscious.
08:59The bullet struck the plate in his head and deflected to Galifianakis.
09:02But don't worry.
09:03It did not hit any of his organs.
09:05Oh, no.
09:06That lucky piece of adorable comedy man meat.
09:08What is this?
09:09What's happening?
09:10Just pretend I'm not here.
09:11Yeah, no, that's not happening.
09:12Shut that shit off.
09:15Shut that shit off.
09:17You ought to go upstairs and arrest the brothers' sisters.
09:20Tawny wears boots that match the footprint found in Dudenov's apartment.
09:23The exact same boots?
09:25Yes.
09:26Oh, you're playing with me.
09:27Listen, I need more than similar footwear to get a warrant.
09:30Well, I saw Tawny carrying a long black case right before the shooting.
09:34It's possible the murder weapon is in there.
09:36Then find it.
09:37Okay.
09:38Oh, he did it again.
09:40Don't forget I'm hiding one here, too.
09:42Don't need to see my sister whacking off after hours.
09:45We'll give our film, NC-17, we've been waiting for.
09:49Huh.
09:50Listen, also, my little squatter, Dudenov?
09:54Not in Portugal.
09:55Nope.
09:56He's been cashing Social Security checks at a bodega on 125th Street.
10:01Dudenov's back in New York?
10:02Mm-hmm.
10:03And he was here around the time Saz died.
10:06He has to have something to do with this.
10:08What's Dudenov have to do with the brothers' sisters?
10:10Come on, brothers' sisters, Dudenov, Freddie, Chucky, Jigsaw, I don't give a fuck the bottom
10:13line is, there is someone definitely after you guys.
10:17So you all might want to consider moving to fucking Portugal.
10:19Oh.
10:20They want me to report back to the crime scene.
10:23Apparently someone else has also spotted your escaped ex, Jan Bellows, back in the city.
10:31And lucky me, they want me on it.
10:33Oh.
10:34Uh, Charles, this is for you.
10:40This is Saz Pataki's remains.
10:42I don't know, I thought it would be nice for her to be with you as opposed to, you know,
10:48on some shelf at an evidence warehouse.
10:51Oh.
10:53I'll add these to my mason jar.
10:58Listen, guys, don't all be heroes, okay?
11:01I really do not feel like identifying your parts.
11:07Do you hear me?
11:08Yes, yes, yes.
11:09What the fuck?
11:17Howard, would you turn off the camera, please?
11:19Sure.
11:20I'm not saying you make content out of other people's grief, but, right.
11:24Sorry.
11:25Oh.
11:26Bev Mellon just called an emergency production meeting upstairs.
11:31Do we go up there?
11:33No.
11:34We stay away from the sisters and get out of town.
11:36No, we can't run.
11:38We need to learn why the brothers' sisters are wanting us dead.
11:42Uh, jealous of my talent?
11:43Oh, yeah.
11:44You know, Rob Reiner once cut my brakes, thumb-and-louising me into the Potomac and stole the Princess
11:49Bride from me.
11:50Charles, what if we go upstairs, but Howard keeps filming us?
11:55That'll keep us safe.
11:56Good idea.
11:57No one's ever killed on camera.
11:59Don't Google someone killed on camera.
12:01We solve the case, save our lives, and avenge Sazh.
12:04Fine.
12:05I'll go up and look for that rifle case, but keep the camera rolling.
12:09Ooh, I get to save the day.
12:13With our lives on the line, it's a race against the clock to solve the case and get justice.
12:20You're supposed to ignore the camera.
12:22It loves me.
12:23That would be wrong.
12:24Patton!
12:25Oh!
12:26You're here.
12:27We have so many questions.
12:28One, has the closeness of death made you feel more alive?
12:29Absolutely.
12:30Uh-huh.
12:31Uh, careful.
12:32Cameras.
12:33We have cameras.
12:34Trina, Tawny, I'm back working for them, but it is not a big deal.
12:35It is nothing to murder about.
12:36Okay, everyone.
12:37Circle around.
12:38Circle around.
12:39Come on in.
12:40Come on in.
12:41Come on in.
12:42Come on in.
12:43Come on in.
12:44Come on in.
12:45Come on in.
12:46Come on in.
12:47Come on in.
12:48Come on in.
12:50Come on in.
12:51Um, I'm sure all of you may have heard about our little firearms moment at the photo shoot,
12:57but I'm here to assure you that, number one, the police are on it.
13:01Number two, it will not affect the production.
13:03One...
13:06I'm so sorry.
13:08So annoying.
13:09Okay, where was I?
13:10Um, yes.
13:11I just came back from the hospital, and Zach has asked me to send all of you a little tiny
13:16message saying, the show must go on.
13:19Woo!
13:20I told her I wanted out of the film, then she threatened to sue me, then she pulled
13:25the tube out of my arm and sucked the pain meds out of the IV bag like a fucking Capri
13:33Sun!
13:34Oh, yes.
13:35And now, Heather, um, please, I need you to all sign a waiver releasing me of all liability.
13:41She'll give you pens if we could do that.
13:43I'm feeling just a little bit tired, so I'm gonna take a quick catnap, snappy little nap.
13:48There's the rifle case.
13:49Zoom!
13:50Zoom!
13:51Okay, okay.
13:52Enhance!
13:53Huh?
13:54Did you get it?
13:55I zoomed.
13:56I'm gonna go check on Marshall, get some dirt on the brothers' sisters.
13:59Good idea.
14:00Spill the tea on them.
14:01Wait, no, that's not...
14:02That's...
14:03That's...
14:04What is it?
14:05It's something like...
14:06No, but it's close.
14:07It's like tea and spilling.
14:08No, this is gonna drive me nuts.
14:09Spill the tea on them.
14:10Bingo!
14:11Yeah, yeah.
14:12Spill the tea.
14:13Nailed it.
14:14Yeah.
14:16Hey.
14:17How are you holding up?
14:19Um, you know, two people got shot and we're supposed to act like nothing happened.
14:23How's Oliver?
14:24You know, people think the killer was going after him.
14:26This is so crazy.
14:28It is.
14:29The only ones who don't seem that thrown off are...
14:33The twins.
14:34I mean, above their normal baseline level of off.
14:38You think they're suspects?
14:40Well, I'm not surprised, actually.
14:42Have you seen their student film?
14:50Oliver, hurry up.
14:51We started the movie.
14:55What'd I miss?
14:56So much.
14:57It's weird.
14:58It's called The Desecration of Alice.
15:00It's about an elderly artist and identical twin sisters that he made out of clay and
15:07they came to life.
15:08It was a whole thing in the first scene.
15:10And as he is their creator, so they do his bidding.
15:14They make that point very clear.
15:16And there's some kind of anti-sugar message.
15:24Yes, creator, we will renew your bidding.
15:28Say the word and we will spoil our blade in the flesh of your enemies.
15:34Go.
15:37Spill some blood in my name, girls.
15:46Vince Fish?
15:50Act Two.
15:52The Rising Action.
15:54Visitors!
15:57Hey!
15:58Hey!
15:59Oh, wasn't your pink eye on the other side last time we were here?
16:02In-house.
16:03Come on in.
16:04Rudy and I are just playing with our new toy.
16:08We got it at this estate sale for this old lady.
16:12She was at that stop at the transverse, minding her own business.
16:15And you were there?
16:16I was there.
16:17And you were there?
16:18I was there.
16:19And you were there?
16:20I was there.
16:21And you were there?
16:22I was there.
16:23Minding her own business?
16:24Then bam!
16:25Decapitated by the side-view mirror of the M86 bus?
16:27Bam!
16:28The bus didn't even stop because it was pretty full and there was another one right behind it.
16:31Oh my God.
16:32On the bright side, we got a drone!
16:34Oh, it's working!
16:36And it's a camera drone.
16:38So what's with the camera?
16:39Oh, we're just shooting a little behind-the-scenes footage for the movie.
16:42I love the movies!
16:44I lost my head!
16:45I lost my bride!
16:47Johnny has his head!
16:49Johnny has his bride!
16:51And then Sherbono says,
16:53Snap out of it!
16:55It's from Moonstruck, Mabel.
16:57You really should see it.
16:59Yeah, I think I've seen enough.
17:01We also saw another movie recently.
17:03The Desecration of Alice.
17:05I listened to that.
17:06We saw.
17:08We didn't realize you were an actor.
17:10Or that you knew the brothers' sisters.
17:13Oh yeah, we didn't tell you?
17:15We all took classes with Dudinoff.
17:17At different times.
17:19So, he was your...
17:21Film professor.
17:23I wasn't much of an actor.
17:25I was just doing him a favor.
17:27He said I had desecrator vibes.
17:29But this guy, this guy!
17:31Mr. Spielberg movie.
17:35Catch me if you can.
17:36I play an agent in Tom Hanks' office.
17:38At the 107 mark,
17:40you can see me in the far right cubicle making a phone call.
17:42Really?
17:43And then, he got up,
17:45and he walked to the bathroom.
17:47But the DiCaprio had it cut
17:49to threatened.
17:51Also, I kept looking in the lens.
17:53Okay, so there is a connection
17:55between the brothers' sisters and Dudinoff.
17:57Oh yeah, he really made them.
17:59I mean, they were his favorites.
18:01Not ours.
18:03He would invite them to all hell nights,
18:05and they would be kissing his ass.
18:07We all love our daddy.
18:09Be our daddy, Doody.
18:11They would do anything for him.
18:13All right, come on, stop dwelling.
18:15Come on, help me pry open the window
18:17so we can take our drone on its maiden voyage.
18:21Did you hear that?
18:23Doodinoff made them. He gave them life.
18:25So they'd do his bidding, just like in their movie.
18:27Oh my god.
18:29Would they murder for him?
18:31Ooh, puppet master.
18:33Guys, guys, we should slow down.
18:35We still don't even know why they would want us dead.
18:37I think we should finish watching
18:39The Desecration of Alice
18:41before we base our entire theory around it.
18:43I can't believe that I'm phoning Lorena
18:45while I still feel the fleeting nature of my existence.
18:47She should be wrapping the set by now.
18:49Also, it's after 5, so it won't affect my rollover minutes.
18:51Yeah, that hasn't been a thing for like 15 years.
18:53Really?
18:55But no one told me.
18:57I've been so precious with my minutes.
18:59Charles, are you coming?
19:01I still want to look inside that rifle case.
19:03But it's in the office.
19:05How will you get in there without being shot?
19:07There we go.
19:09Through the window.
19:12Don't worry about that.
19:18I have friends in high places.
19:24I'm rolling.
19:26Do you think you could get a look
19:28inside the brothers' sister's office
19:30without anyone noticing?
19:32Oh yeah, absolutely.
19:34I am stealth.
19:36I am the African leopard
19:38on the Serengeti.
19:40Cunning. Precise.
19:42I always knew those sisters were sickos.
19:44They'd film dying animals.
19:46They'd set things on fire.
19:48And when they eat an apple, they eat the whole thing.
19:50The seeds, the stem,
19:52that little sticker.
19:54Ugh, they're nuts.
19:56Well, I had an aunt who ate cantaloupes like apples
19:58and a scientist got a grant to study her teeth.
20:00Wow, that's something.
20:02Okay, come on.
20:04We have liftoff.
20:06Oh, go easy on the upward thrust.
20:08I got it.
20:10I got it.
20:12Hey guys,
20:14do you have any idea why the brothers' sisters
20:16might dislike me or Oliver
20:18or Mabel?
20:20Oh, who knows anything about those two?
20:22Come on, halfway there.
20:24I hear Dudinoff's back in town.
20:26What? No.
20:28Where did you hear that?
20:30You must be mistaken.
20:32Dudinoff wouldn't come into town without saying hi.
20:34Vince, watch out!
20:36I got it.
20:38I got it.
20:40I got it.
20:42I don't got it.
20:44What the fuck?
20:50Loretta,
20:52before you say anything,
20:54um,
20:56something happened today
20:58and it got me thinking
21:00and regretting things that I haven't done.
21:02And, uh,
21:04I need to admit something.
21:06In L.A.,
21:08I was going to propose to you.
21:10And I choked.
21:12I'm an idiot.
21:14So I want to spend
21:16whatever time I have left with you.
21:20What do you say?
21:22Uh...
21:26Okay.
21:28Well, you take it in.
21:30I've said it. You've heard it.
21:32And so...
21:34Ugh.
21:40Well...
21:42Okay.
21:44Quiet on the set.
21:46Remember, you've been burned
21:48both physically and emotionally.
21:50Apple March.
21:54While I finished the desecration of Alice,
21:56I was hoping for more clues,
21:58but God is a deep fear of sugar.
22:00How'd it go with the drone?
22:02I'd say crash and burn sums it up.
22:04You did it with me and Loretta.
22:06I said I regretted not proposing
22:08and she went, ugh.
22:10Was it a
22:12uh or more of a
22:14ugh?
22:16The second one.
22:18Sorry.
22:20Oh, that's our friends.
22:22Guess who's accessorizing?
22:24Gravy's new collar
22:26is a doggy cam.
22:28She's a doggy spy.
22:30I'm a cadaver dog.
22:32No, no, no, no, no!
22:34Oh, Gravy, that's my friend.
22:36Oh, shit, Gravy.
22:38Bad Gravy.
22:40She is not bad.
22:42She is doing her job
22:44of being a cadaver dog
22:46and being absolutely adorable.
22:48Yes, you are. You're a good girl.
22:50Howard, bad.
22:52This has his replacement joints.
22:54Oh, no, it's not.
22:56Yeah, see, it says left.
22:58No, this one says left.
23:00In Bulgarian.
23:02I learned that when I dubbed
23:04Brazos episodes for Macedonia.
23:06So, there's two left shoulders?
23:08What?
23:10Who has two left shoulders?
23:12Guys,
23:14Saz's body wasn't the only one
23:16in the incinerator.
23:18Which means...
23:20What?
23:23Act Three.
23:25The Climax.
23:27Okay.
23:29Saz told Jan there was another murder
23:31in the building.
23:33And she was right. This was it.
23:35So, what if Dudenov killed someone,
23:37put them in the incinerator,
23:39and then when we started podcasting
23:41about murders in the building...
23:43Dudenov went into hiding.
23:45But he still needed someone
23:47to stop us investigating.
23:49So, he got me.
23:51They just stopped us investigating.
23:53So, he got the brothers sisters to do his bidding.
23:55They spoiled their blades in the flesh of their enemies.
23:57Yeah.
23:59They tried to kill me.
24:01They got Saz instead.
24:03They put her body in the incinerator
24:05just like Dudenov's first victim.
24:07Exactly. It's all so simple.
24:09Guys, let's not get ahead of ourselves.
24:11Well, it doesn't make no sense.
24:13I'm texting the serial number
24:15of this second shoulder to Williams
24:17to see if she can I.D. the person
24:19That was killed.
24:20Okay, let's see.
24:22How do we get the brothers sisters to confess?
24:25How do we get them to confess?
24:27Howard, point that somewhere else. I can't think with that in my face.
24:30Okay.
24:31I agree. It's unnerving being filmed.
24:33Oh.
24:34Turn it off, Werner Herzog.
24:37That's it.
24:38We go on the offense.
24:40We turn the tables and the camera on them, see how they like it.
24:43We throw them off balance so they just spill the tea everywhere in the rugs and places.
24:49Right.
24:54Is everything okay?
24:55No, no. I just thought it might be from Loretta, but it's from Carpets USA offering me a promo code for a free rug pad.
25:04Just because you have regrets doesn't mean you can fix all of them.
25:07And if you could send me that promo code at some point.
25:10Oliver, I'm sorry.
25:12No, it's fine. Listen, if my soulmate doesn't want to be with me, I don't want to be with her.
25:16Come on, let's go confront our would-be assassins.
25:19I'm going to get my video camera, too.
25:22Oh, is it digital?
25:23DHS.
25:24Retro.
25:26Are you okay?
25:29Turns out I do have a regret.
25:32If our podcast really did get Saz killed, I'd never forgive myself.
25:37We're going to solve this case.
25:40We have to solve this case.
25:45Now, where's that zoom button?
25:47Okay, let's go.
25:52Cameras down, ladies. It's time for us to ask the questions and you to buckle under the gaze of the lens.
25:57What's wrong with this thing?
25:58Are we suspects?
25:59Oh, we have to film this.
26:01Where were you the night Saz Pataki was murdered?
26:03We were here in the Arconia.
26:05What? You were?
26:06We came to visit a friend.
26:07And that friend was Milton Dudinoff.
26:10Yes.
26:11Admit it!
26:12She just did.
26:13So you were in his apartment that night?
26:15Yes, we got in using the password he always used. His favorite card game.
26:19Oh, hell.
26:20Exactly, but upside down.
26:21773440, yeah, we know. Keep it moving, sisters.
26:24Dudinoff was your film professor, and you were his star pupils.
26:29As he was your creator, so you do his bidding.
26:32Of course.
26:34Even kill?
26:42Professor Dudinoff was the first person who ever believed in us.
26:46Well, us students were pretty upset by your film.
26:51Ignore the critics and just keep shooting.
27:01These are for you.
27:05Professor Dudinoff, you're giving us your super 8s?
27:09Well, my bones are too creaky to lug those things around anymore.
27:14How can we ever repay you?
27:22He was our mentor, our everything.
27:26So would we kill for him?
27:30Abso-fucking-lutely.
27:35It's time to take a look inside that rifle case of yours.
27:41Oh, my God. Guys, they just identified the other left shoulder.
27:45Was it the guy who used to scream in the lobby about loving Zabars?
27:48I haven't seen him for ages. What was his name?
27:51It belongs to Dudinoff.
28:00Dudinoff was in the incinerator.
28:03He's not in Portugal or New York. Dudinoff was murdered.
28:08No. He's dead?
28:11When was the last time you spoke to him?
28:14It's been a while. Three years.
28:17He said we wanted to make bigger movies to earn real money. He hated that.
28:21We moved to L.A. and he cut off all communication. It was devastating.
28:26Then this movie, set in the place he lived, came up and...
28:29I mean, it was beneath us, but...
28:31We took it. To be close to him.
28:34But still he didn't answer our calls.
28:38Now we know why.
28:46Well, if you're not our killers, why have you been sneaking around with this rifle case?
28:51This part is jammed badly.
28:57What?
28:59Huh?
29:01It's a camera case. We've been making a film within our film, a behind-the-scenes thing.
29:06We put hidden cameras in our production office and in your apartments.
29:10That's an invasion of privacy. And it's illegal.
29:13Not really.
29:14You gave us permission in the life rights contract you signed.
29:17I seriously couldn't believe it.
29:19Oh, great. Don't worry, guys. We don't need a lawyer. I have signed millions of contracts.
29:25Saw that coming.
29:27Dudenov always said, keep shooting and the story will reveal itself.
29:33He would have been so proud of us.
29:37Keep shooting.
29:39Okay. We have two murders now.
29:42Who killed Saz and who killed Dudenov.
29:47Who was pretending to be Dudenov cashing the checks at the bodega? We need to look into that.
29:52Oh, my God. That's it.
29:54What do you got?
29:55The guy who used to love Zabars. His name was Doug.
29:58Okay.
30:01Act four. The denouement.
30:05You're slaying that jumpsuit, by the way.
30:07I got it at the Rikers auction.
30:09Something about being swaddled in the dried sweat of the imprisoned sets me free.
30:21Make sure you get all of the cameras.
30:26Okay.
30:32What's this?
30:34Oh, I found another camera.
30:38Ugh. Like we'd shoot in 720p.
30:41Wait, wait, wait, wait, wait, wait.
30:43So then, whose camera is this?
30:51What?
30:53It's from Saz's phone.
31:02What?
31:05I got one, too.
31:08But this is from five days ago, because I'm wearing my Monday jammies.
31:11Oh, my God.
31:17Not you, too?
31:19What the fuck?
31:23These aren't from your cameras.
31:25No.
31:26Oh.
31:29All right.
31:31The killer is watching us right now.
31:36They've been watching us.
31:38For how long?
31:41This is fucked. I got the wide shot.
31:43Good.
31:45I'm watching you.
31:52Oh.
31:56Okay, okay.
31:57We are not safe in this building.
31:59You think?
32:00Charles, you're all right. We have to get out of here now.
32:10What started as a defense for two innocents accused of being bad snipers
32:16turned into a found footage film about the murder of our mentor.
32:27Look.
32:28Did we murder?
32:30Sure.
32:31We murdered the rules of narrative storytelling.
32:34But nothing more.
32:46We are not safe in this building.
32:48You think?
32:49Sure.
32:50We are not safe in this building.
32:52You think?
32:53Sure.
32:54We are not safe in this building.
32:56You think?
32:57Sure.
32:58We are not safe in this building.
33:00You think?
33:01Sure.
33:02We are not safe in this building.
33:04You think?
33:05Sure.
33:06We are not safe in this building.
33:08You think?
33:09Sure.
33:10We are not safe in this building.
33:12You think?
33:13Sure.
33:14You think?
33:15Sure.
33:16We are not safe in this building.
33:17You think?
33:18Sure.
33:19We are not safe in this building.
33:20You think?
33:21Sure.
33:22We are not safe in this building.
33:23You think?
33:24Sure.
33:25We are not safe in this building.
33:26You think?
33:27Sure.
33:28We are not safe in this building.
33:29You think?
33:30Sure.
33:31We are not safe in this building.
33:32You think?
33:33Sure.
33:34We are not safe in this building.
33:35You think?
33:36Sure.
33:37We are not safe in this building.
33:38You think?
33:39Sure.
33:40We are not safe in this building.
33:41You think?
33:42Sure.