In Gyeongseong Creature Episode 4, the tension builds as multiple storylines converge. The episode starts with a flashback to Chae-ok’s mother, who talks about the bond between two people. Meanwhile, Tae-sang rushes to the hospital rooftop to save Chae-ok from soldiers sent by Ishikawa, who is tracking him down. At the same time, Tae-sang plans a rescue mission for Myeong-ja, joined by Sachimoto and Jun-taek, who have their own reasons for entering the hospital.
Inside, the group discovers that children being experimented on have been injected with a mysterious substance, and not all of them survived. Chae-ok and Tae-sang manage to smuggle the surviving kids out of the hospital using cleaning carts, despite raising suspicion among the soldiers. Director Ichiro and his guest, Lady Maeda, also arrive, complicating the mission further.
On a parallel track, the monstrous creature, which has been confined in the building, begins to wreak havoc on the soldiers, adding to the chaos. Amid the danger, Tae-sang and Chae-ok manage to stay one step ahead, using air vents and laundry chutes to escape, but not without encountering a series of deadly confrontations with soldier
Inside, the group discovers that children being experimented on have been injected with a mysterious substance, and not all of them survived. Chae-ok and Tae-sang manage to smuggle the surviving kids out of the hospital using cleaning carts, despite raising suspicion among the soldiers. Director Ichiro and his guest, Lady Maeda, also arrive, complicating the mission further.
On a parallel track, the monstrous creature, which has been confined in the building, begins to wreak havoc on the soldiers, adding to the chaos. Amid the danger, Tae-sang and Chae-ok manage to stay one step ahead, using air vents and laundry chutes to escape, but not without encountering a series of deadly confrontations with soldier
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00:00:30I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
00:01:00So long, so long, so long, so long
00:01:30So long, so long, so long, so long
00:02:00So long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long, so long
00:02:30They say that the unreachable links in life form the shape and direction of a new life.
00:02:39However, for that one encounter that looks like a coincidence
00:02:43time, era, space
00:02:50all start moving towards that one place.
00:03:00I can see it vaguely, but it's a very clear and specific attraction.
00:03:17Uncalculable and uncalculable.
00:03:23I can see it vaguely, but it's a very clear and specific attraction.
00:03:53I can see it vaguely, but it's a very clear and specific attraction.
00:04:24I'm a little late.
00:04:44Where is the place where the fireworks were fired?
00:04:46It seems to be in the east side of the mansion.
00:04:48It's time for the royal hospital.
00:04:53Royal hospital?
00:05:23I'm sorry. I was going to come without fail.
00:05:26I'm sorry. I was going to come without fail.
00:05:28I'm sorry. I was going to come without fail.
00:05:32Where did you miss it?
00:05:34I was on my way to the top of the town.
00:05:39I'll carry it.
00:05:40No, I'll carry it.
00:05:42I don't know.
00:05:47I'll carry it.
00:05:48No, I'll carry it.
00:05:53What is it?
00:05:58Are you going to stand up and apologize?
00:06:00Let's go one more time.
00:06:12How is the length of the sleeves and pants?
00:06:23It fits perfectly.
00:06:25It's bold and fits perfectly.
00:06:31Are you hurt?
00:06:37What about the passport?
00:06:39It's in the back.
00:06:42It's in the back.
00:06:48I need some space for one person.
00:06:51How long will it take?
00:06:53I'll see you at 9 o'clock tonight.
00:06:59Is this enough?
00:07:04As soon as I'm done, I'll give you the passport back.
00:07:10Wait a minute.
00:07:12Yes.
00:07:19Take care of yourself.
00:07:25No way.
00:07:27Jang Tae-sang is here.
00:07:29Do you think he has something to do?
00:07:37That's right.
00:07:38I'm Jang Tae-sang.
00:07:39To protect Geum Ok-dan and my people,
00:07:42I decided to go to Ongseong Hospital with my injured body.
00:08:10I heard that you have to help people from Ongseong Hospital.
00:08:16Where do you want to go?
00:08:19You could get in trouble.
00:08:21Please help me.
00:08:23I'll go with you.
00:08:26We're not going to the hospital.
00:08:28One of our colleagues was arrested.
00:08:30He said he was transported.
00:08:33It won't interfere with the search for the name tag,
00:08:35so don't put me in there.
00:08:38You're the only one I can get out of there.
00:08:41You'll have to figure out how to get out of there yourself.
00:08:45I know.
00:08:46Or you might have a problem,
00:08:49or you might pretend you don't know.
00:08:53I won't blame you.
00:08:54Think about it again.
00:08:57Anyway, this is too dangerous.
00:09:01I'll think about it.
00:09:03I'll think about it.
00:09:04I'll think about it.
00:09:06This is too dangerous.
00:09:08Hey.
00:09:11I'm Jang Tae-sung.
00:09:13How do you know the name of a Japanese soldier?
00:09:17I'll try to avoid it, so don't worry too much.
00:09:27Please come back alive, Jang Dae-joo.
00:09:30I'll wait for you here.
00:09:35I'll wait for you here.
00:09:45Let's go.
00:09:50I risked my life for you.
00:09:54Oh...
00:10:03You promised me.
00:10:05You said you found the name tag.
00:10:07You even sent me a note.
00:10:10You said you'd bring the name tag
00:10:13when I send you a signal.
00:10:20Well...
00:10:21Let's say I misinterpreted the meaning.
00:10:24But I can see them.
00:10:27Do you know them?
00:10:29No.
00:10:29Why?
00:10:31You don't even know them.
00:10:33Why did you bring them here?
00:10:37To save them.
00:10:41Or they'll all die.
00:10:47Let's talk about it later.
00:10:51They're out of breath.
00:10:53The rest of them won't be able to speak for a while.
00:10:58Come on, guys.
00:11:00Let's follow him.
00:11:05Let's go.
00:11:21Let's go.
00:11:31What's going on?
00:11:33There's no trace of an intruder.
00:11:37It looks like they ran away.
00:11:45What are you waiting for?
00:11:47Find them!
00:11:49Yes, sir.
00:11:51Let's go.
00:12:02What's going on? Where's Myeongja?
00:12:07I don't know.
00:12:10Who are they?
00:12:12I don't know.
00:12:14They were in the lab.
00:12:17The lab?
00:12:18They were here?
00:12:20Who are you?
00:12:23I'm Kwon Jun-taek, Jang Tae-sang's friend.
00:12:26I heard about you from him.
00:12:31Who are you?
00:12:37I work at Ongseong Hospital.
00:12:39You don't look like a soldier or a doctor.
00:12:42Are you trustworthy?
00:12:44We have to find Myeongja first.
00:12:46Let's stop here for now.
00:12:48We have to tell them what to do first.
00:12:53What's the lab you mentioned?
00:12:57Ongseong Hospital
00:13:18I was working at a military factory.
00:13:21I was suddenly brought here.
00:13:23After that, I got injections every day.
00:13:27What kind of injections?
00:13:29I don't know.
00:13:32I just saw the kids die.
00:13:36Some died from fever or cold.
00:13:41Some died while sleeping.
00:13:43I heard people screaming every day.
00:13:48They asked me to save them.
00:13:51They kept asking me to save them.
00:13:58I saw something similar in Manchuria.
00:14:02They conducted experiments on people.
00:14:10They were doing it in Gyeongseong.
00:14:21Ongseong Hospital
00:14:25So?
00:14:27Are you saying that Myeongja is in that situation?
00:14:32Maybe.
00:14:34Then we shouldn't stay here any longer.
00:14:37We don't know what will happen to Myeongja.
00:14:40Let's take care of the kids first.
00:14:42I don't know.
00:14:43It's your job. You take care of it.
00:14:47Are you really going to ignore the kids?
00:14:50I don't know.
00:14:59I'm a man of my word.
00:15:03If I don't save Myeongja,
00:15:05I'll lose everything I have.
00:15:08I don't have time to meddle in other people's business.
00:15:11So don't blame me.
00:15:13I won't do anything to save the kids.
00:15:15I'm just going to find Myeongja and take her out.
00:15:20I'm sorry.
00:15:51I can't find her anywhere.
00:15:53Did she run away from the hospital?
00:15:56No, the security is too tight.
00:15:58I don't think she ran away.
00:16:00Keep looking.
00:16:03She must be hiding somewhere.
00:16:05Kids are good at hiding.
00:16:20I'm going to find her.
00:16:51Let's go.
00:17:04I think two people can go in.
00:17:07We don't have time. Let's start with the little ones.
00:18:20What are you doing?
00:18:22What are you doing?
00:18:50What are you doing?
00:19:08What is he doing?
00:19:14What is he doing in this hospital?
00:19:21What is he doing?
00:19:29It's Sachimoto.
00:19:33The painter you were looking for.
00:19:36It's Sachimoto.
00:19:51What is that?
00:19:56I got it as a gift from my daughter.
00:19:59When I was 12 years old.
00:20:01I learned to paint for the first time.
00:20:04My mother and I gave it to me as a gift.
00:20:10How did you become a thief?
00:20:14How did you become a thief?
00:20:18I'm looking for my wife who disappeared 10 years ago.
00:20:28Is this the picture you drew about a year ago?
00:20:34That's right.
00:20:36Do you know the woman in this picture?
00:20:39When and where did you meet her?
00:20:45Do you know where she is now?
00:20:48How do you know her?
00:20:57My mother.
00:21:07I gave you something.
00:21:09If you know anything, please tell me everything you know.
00:21:12Do you know where my mother is?
00:21:42I don't know.
00:21:53It's quiet and scary.
00:21:59And it's strong.
00:22:03How long will you keep doing that?
00:22:09I don't know.
00:22:11The successful test subjects are old.
00:22:18The other test subjects died in the process of mutilation.
00:22:24Please increase the success rate.
00:22:27I want to report this great result to the emperor as soon as possible.
00:22:41That's all for today.
00:22:44Take the other subjects.
00:22:47I have something to do.
00:22:50See you.
00:22:58Take him.
00:23:10Take him.
00:23:36I'm sorry.
00:23:38I don't know.
00:23:40You said you drew it.
00:23:44I drew it.
00:23:47Where is this person?
00:23:55I don't know that far.
00:23:58I don't know.
00:24:06It's been 10 years since I've been looking for my mother.
00:24:11It's been over three years in Manchuria.
00:24:16Then I saw this picture and came back a month later.
00:24:20I don't know if the person who drew this knows my mother's news.
00:24:29I don't know. Is it true?
00:24:32I'm sorry.
00:24:40I'm sorry.
00:25:10I'm sorry.
00:25:27Do you know how to draw a human being?
00:25:31I've drawn it twice.
00:25:34Come here.
00:25:40Come here.
00:25:47From now on,
00:25:49You're the master.
00:25:51As a man,
00:25:53Take responsibility and take the children here.
00:25:56Do you understand?
00:26:04From now on,
00:26:06I'm going to do a tag.
00:26:08Don't let the Japanese get caught until the human resources stop.
00:26:14You can't make a sound.
00:26:16Can you do it?
00:26:26If you don't get caught and win,
00:26:28I'll give you one more of this.
00:26:30You can do well, right?
00:26:32Here you go.
00:26:34What are you going to do?
00:26:35What are you going to do?
00:26:37Let's get these kids out of here first.
00:26:41Let's do that first.
00:26:43Mr. Yoon Chae-wook.
00:26:52What?
00:26:54From Mr. Sachimoto's room?
00:26:56Yes, it was definitely the scream of a woman.
00:27:06Mr. Sachimoto.
00:27:09Mr. Sachimoto.
00:27:12Open the door.
00:27:35Open the door.
00:27:53Mr. Sachimoto.
00:28:05Mr. Sachimoto.
00:28:16What is it?
00:28:18Where are you going now, Mr. Sachimoto?
00:28:21Why don't you ask me?
00:28:24The kids ran away from the basement.
00:28:29So?
00:28:30Mr. Sachimoto's wife said she heard a woman's voice from Mr. Sachimoto's room.
00:28:38Did you know the shape of the room?
00:28:42Can I check it out?
00:29:00Mr. Sachimoto.
00:29:22Just look ahead and go.
00:29:24Don't hesitate or hesitate.
00:29:26You can't stop or look back as you go out the window.
00:29:30Okay?
00:29:36Wait a minute.
00:29:45Don't be afraid and be confident.
00:29:47You're on your way out now.
00:29:51Okay?
00:30:00Okay.
00:30:20Let's go.
00:30:31Hey.
00:30:32Hey!
00:30:40Tell Mr. Michiru that he has a visitor in town.
00:30:43Yes, sir.
00:31:00Let's go.
00:31:11Is there anything else you want to check?
00:31:16What should I do?
00:31:19Should I call the security guard when I clean the room?
00:31:25No.
00:31:26Excuse me, Mr. Sachimoto.
00:31:30Yes, sir.
00:32:00Mr. Michiru.
00:32:30Go get Mr. Koo.
00:32:33Yes, ma'am.
00:32:37Where is the other son?
00:32:47Oh, no. Not one, but two.
00:32:49Come out.
00:33:11Oh, no. Not one, but two.
00:33:13Come out.
00:33:26Mr. Koo gave it to me.
00:33:28Is it true that we won?
00:33:30What?
00:33:31The hide-and-seek game.
00:33:33If you hide well so that the Japanese can't find you,
00:33:36Mr. Koo will give you another box.
00:33:42Okay.
00:33:43You guys won.
00:33:44I'm so happy.
00:33:49Let's go.
00:33:51Let's eat first.
00:33:54Let's go.
00:33:55Let's go.
00:33:56Let's go.
00:33:57Let's go.
00:33:59Did you kill all the K-dome members?
00:34:02There was a man in the K-dome.
00:34:06No.
00:34:07This is the story of the man who saved the K-dome.
00:34:10There may be Koreans in the K-dome.
00:34:15Yes, sir.
00:34:16I understand.
00:34:23The guests are waiting for you.
00:34:26Yes, sir.
00:34:45I'm sorry to have kept you waiting.
00:34:48I was a little late because I had something to deal with.
00:34:56By the way, what are you doing at this time?
00:35:00Mr. Chang Tae.
00:35:02He's coming to the hospital now.
00:35:09Based on the information we got,
00:35:11I think there's a name on the 2nd basement.
00:35:16Then the other investigators are trapped there, too.
00:35:20I think so.
00:35:24We'd better hurry.
00:35:25We have three hours left before dawn.
00:35:27If we can't get the master in there, the situation will be difficult.
00:35:30That's right.
00:35:31It's time for me to switch.
00:35:33If you don't go back in time, you'll think it's weird.
00:35:37Okay.
00:35:38What do you mean?
00:35:40If you go down to the basement, please find my brother, too.
00:35:46His name is Oh Sang-deok.
00:35:48He's in his early 20s and he's short.
00:35:50There's a black spot next to his right ear.
00:35:55Please find him.
00:35:57All right.
00:35:59I'll find him.
00:36:04I'll say goodbye here, too.
00:36:08Please help me achieve my goal.
00:36:12Thanks.
00:36:25Let's stop moving.
00:36:29You guys should stop here, too.
00:36:33We couldn't get what we wanted.
00:36:37So our contract ends here.
00:36:40But it's okay.
00:36:42Instead, I'll take this.
00:36:47It was our promise to bring the master.
00:36:50It's enough to find out about the master.
00:36:54You've already kept your promise, so we have to keep ours.
00:36:59Well, you've already kept your promise.
00:37:04You're good at bothering people.
00:37:07Why do you keep saying the same thing over and over again?
00:37:12Did I do that?
00:37:17I won't give you a way, so let's just follow me.
00:37:28Please understand.
00:37:30My daughter is so serious about her promise.
00:37:34Yes, well...
00:37:42Let's go.
00:38:08Let's explain later.
00:38:11Ms. Jung.
00:38:13Are you okay?
00:38:16What do you mean?
00:38:21Can I just go down like this?
00:38:26There's nothing to go down.
00:38:34You're going down knowing something, right?
00:38:41There's nothing to go down.
00:38:44I'll take a look and go. You go down first.
00:38:47I'll be right with you.
00:39:11There seems to be someone on the roof of the hospital.
00:39:14Please confirm.
00:39:16Keep watching.
00:39:18Yes.
00:39:41Hello.
00:39:52I sprained my ankle. Don't worry.
00:40:10What the hell is this?
00:40:16This way.
00:40:40Let's go.
00:40:57Hurry up! Hurry up!
00:41:01I'll be right with you. Follow me.
00:41:03Follow me.
00:41:08Let's go.
00:41:10Hurry up.
00:41:12You, too.
00:41:14Take care of the five cars.
00:41:15You, take care of the fire department.
00:41:17I'll be right with you. Hurry up.
00:41:20Yes.
00:41:21Hurry up.
00:41:32I'm sorry, Maeda-sama.
00:41:34I've never done anything like this before.
00:41:37I'm sorry to have made you worry.
00:41:41Only those who think they are perfect can have a heart.
00:41:48Anyway, please protect the thing I entrusted to you.
00:41:54You can't get hurt until the baby is born.
00:41:59You can't die.
00:42:04I think you understand.
00:42:08Yes.
00:42:10I'll take care of it right away.
00:42:19Open it.
00:42:25Get out.
00:42:29Get out of here.
00:42:33Get out of here.
00:42:36No! No!
00:42:38Help me!
00:42:39Help me!
00:42:42Let me go!
00:42:43Let me go!
00:42:47Help me!
00:42:48Help me!
00:42:52What should we do now?
00:42:53Help me!
00:43:13Help me!
00:43:34Help me!
00:43:43Help me!
00:44:13Help me!
00:44:37Help me!
00:44:38There's a baby in my stomach.
00:44:40Please don't kill the baby.
00:44:43If you don't want to die, be quiet.
00:44:46Don't make a noise.
00:44:48Then you can be safe until the baby is born.
00:45:13Help me!
00:45:43Help me!
00:46:13Help me!
00:46:15Help me!
00:46:16Help me!
00:46:39Did you know?
00:46:41Did you know that there are many intruders?
00:46:44What do you mean?
00:46:46Keep an eye on all the entrances to the underground checkpoint.
00:46:51No matter who the intruder is,
00:46:55don't let him get away alive.
00:46:58Do you understand?
00:47:00Yes, sir!
00:47:06I think they found us.
00:47:10What was that gunshot?
00:47:11What was that?
00:47:12I don't think it's possible to go down the stairs anymore.
00:47:17What should we do now?
00:47:18There's a passage that Mr. Sachimoto told us about.
00:47:24This is the way to the underground checkpoint.
00:47:28It's the main way to the checkpoint.
00:47:34I think people can get off here.
00:47:37Where is the place called the storage room?
00:47:39That's on my side.
00:47:47To the storage room. Hurry up!
00:48:09To the storage room.
00:48:40Are you okay?
00:48:42I'll be there soon.
00:48:59You guys go to the other side.
00:49:02Hurry up!
00:49:04It's too dangerous. Be careful.
00:49:09Hurry up!
00:49:39Hurry up!
00:49:50Let's go upstairs.
00:50:09Let's go upstairs.
00:50:19Hurry up.
00:50:20There's a patient upstairs.
00:50:39Hurry up!
00:50:54I'm okay. I'm not hurt. I'm fine.
00:50:57I'm not hurt.
00:50:59I'm okay.
00:51:04I'm fine.
00:51:10Don't move!
00:51:18Put it down.
00:51:20Put it down!
00:51:28You dirty bastard!
00:51:39Let's go!
00:52:09Let's go!
00:52:39Shit!
00:53:09Shit!
00:53:39Shit!
00:53:55Help me!
00:53:57Help me!
00:53:59Help me!
00:54:00Help me!
00:54:09Help me!
00:54:39Help me!
00:55:09Help me!
00:55:10Help me!
00:55:11Help me!
00:55:12Help me!
00:55:13Help me!
00:55:14Help me!
00:55:15Help me!
00:55:16Help me!
00:55:17Help me!
00:55:18Help me!
00:55:19Help me!
00:55:20Help me!
00:55:21Help me!
00:55:22Help me!
00:55:23Help me!
00:55:24Help me!
00:55:25Help me!
00:55:26Help me!
00:55:27Help me!
00:55:28Help me!
00:55:29Help me!
00:55:30Help me!
00:55:31Help me!
00:55:32Help me!
00:55:33Help me!
00:55:34Help me!
00:55:35Help me!
00:55:36Help me!
00:55:37Help me!
00:55:38Please help me!
00:55:43In an occasion like this, Yong-Ki stopped himself too.
00:55:48What do you mean?
00:55:49Yong-Gi?
00:55:51He didn't act rashly.
00:55:55But he was confident enough to win.
00:56:08I'm not sure.
00:56:13I think the one who's going to be the witness has already left.
00:56:18When he came in, it was already decided that each of us would move.
00:56:26Are you sure?
00:56:27There's no end to it.
00:56:29Let's hurry up and find the witness.
00:56:34Let's split up here.
00:56:37You take care of the prison on the second floor.
00:56:40I'll look around the basement on the third floor.
00:56:42I'll go down.
00:56:44Make sure you're next to him so he doesn't get hurt.
00:56:48Father.
00:56:49That's how you can move efficiently.
00:56:55Let's meet at the gathering point in half a season.
00:56:59Don't wait for me even if it's late.
00:57:04Be careful.
00:57:18You can go with me.
00:57:20I'm fine.
00:57:22I can do it myself.
00:57:25Follow me.
00:57:29Let's go.
00:57:39Let's go.
00:57:55I heard a lot of gunshots earlier.
00:57:58Don't you think something else happened in here besides us?
00:58:03I don't know.
00:58:33Let's go.
00:59:03Let's go.
00:59:33Let's go.
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