The episode opens in 1945 Gyeongseong, under Japanese occupation. The city, a mix of modern influences and traditional Korean culture, is depicted in all its complexity—bustling markets, shadowy alleyways, and the looming presence of Japanese authority. Amidst this backdrop, whispers of strange disappearances begin to spread among the locals, creating an undercurrent of fear and unease.
We are introduced to Jang Tae-sang, a charming and influential figure who runs a pawnshop in the city. Tae-sang, though outwardly carefree and well-connected, has a troubled past that has made him wary and deeply perceptive. His character is immediately established as someone who is not afraid to bend the rules to protect those he cares about.
The narrative quickly shifts to Yoon Chae-ok, a strong-willed and resourceful woman searching for her mother, who disappeared under mysterious circumstances. Chae-ok is depicted as a character with a deep sense of determination and a willingness to confront danger head-on. Her journey leads her to cross paths with Tae-sang when she seeks his help in navigating the darker, more dangerous parts of the city.
As Tae-sang and Chae-ok begin to investigate, they uncover unsettling clues that suggest something inhuman is responsible for the disappearances. Their initial inquiries are met with resistance and fear from the locals, who seem to know more than they are willing to admit. The tension escalates when they encounter their first direct sign of the creature—a mutilated body left in a state of horror.
The episode crescendos in a nerve-wracking sequence where Tae-sang and Chae-ok find themselves trapped in an abandoned warehouse at night. The sound design and cinematography create an intense atmosphere as they hear the creature’s movements around them, but never get a clear view of it. The episode ends on a cliffhanger, with the duo narrowly escaping the warehouse as they realize they are dealing with something far more dangerous than they initially thought.
Themes and Atmosphere:
Episode 1 expertly blends elements of horror, suspense, and historical drama. The oppressive atmosphere of Japanese-occupied Gyeongseong adds a layer of tension to the unfolding mystery, making the characters’ fight against the supernatural feel even more perilous. The episode also touches on themes of survival and resistance, not only against the literal monster but also the figurative "monsters" of oppression and fear.
The visual and auditory design of the episode heightens the sense of dread, with shadowy, dimly lit scenes and eerie sound effects that keep the viewer on edge. The creature, though barely seen, is a menacing presence that promises to become a central figure of terror as the series progresses.
We are introduced to Jang Tae-sang, a charming and influential figure who runs a pawnshop in the city. Tae-sang, though outwardly carefree and well-connected, has a troubled past that has made him wary and deeply perceptive. His character is immediately established as someone who is not afraid to bend the rules to protect those he cares about.
The narrative quickly shifts to Yoon Chae-ok, a strong-willed and resourceful woman searching for her mother, who disappeared under mysterious circumstances. Chae-ok is depicted as a character with a deep sense of determination and a willingness to confront danger head-on. Her journey leads her to cross paths with Tae-sang when she seeks his help in navigating the darker, more dangerous parts of the city.
As Tae-sang and Chae-ok begin to investigate, they uncover unsettling clues that suggest something inhuman is responsible for the disappearances. Their initial inquiries are met with resistance and fear from the locals, who seem to know more than they are willing to admit. The tension escalates when they encounter their first direct sign of the creature—a mutilated body left in a state of horror.
The episode crescendos in a nerve-wracking sequence where Tae-sang and Chae-ok find themselves trapped in an abandoned warehouse at night. The sound design and cinematography create an intense atmosphere as they hear the creature’s movements around them, but never get a clear view of it. The episode ends on a cliffhanger, with the duo narrowly escaping the warehouse as they realize they are dealing with something far more dangerous than they initially thought.
Themes and Atmosphere:
Episode 1 expertly blends elements of horror, suspense, and historical drama. The oppressive atmosphere of Japanese-occupied Gyeongseong adds a layer of tension to the unfolding mystery, making the characters’ fight against the supernatural feel even more perilous. The episode also touches on themes of survival and resistance, not only against the literal monster but also the figurative "monsters" of oppression and fear.
The visual and auditory design of the episode heightens the sense of dread, with shadowy, dimly lit scenes and eerie sound effects that keep the viewer on edge. The creature, though barely seen, is a menacing presence that promises to become a central figure of terror as the series progresses.
Category
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Short filmTranscript
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00:09:00Thank you, sir.
00:09:02You will be blessed.
00:09:08Actually, this could be real.
00:09:1510 minutes! 50 minutes!
00:09:19I guess the rumor was true.
00:09:21After the Great East Japan Offensive on March 9th,
00:09:24Japan was in the shadow of defeat.
00:09:27Joseon was quiet, hoping that Japan could fail.
00:09:32But...
00:09:33Whistle!
00:09:34Whistle!
00:09:38What are you doing?
00:09:39Get out of here!
00:09:52Let's run.
00:09:54Whistle!
00:09:57♪♪
00:10:07♪♪
00:10:17♪♪
00:10:28Stand up, rebels!
00:10:31It is time to sacrifice your lives for the Emperor.
00:10:35Become the invincible army of the Great Japanese Empire
00:10:38and return to your country!
00:10:43Are you going to die being taken away by your father?
00:10:48Or are you going to bite the army?
00:10:54Which is it?
00:10:58I'm going crazy.
00:11:06The darkness before dawn is the darkest.
00:11:24Untie him.
00:11:28Father...
00:11:30I'm going to hold out until the end.
00:11:33You really don't know?
00:11:48How did you die?
00:11:50Don't you know?
00:11:53It was Jang Tae-sun.
00:11:55Jang Tae-sun?
00:11:57Who's that?
00:11:58He's from Gimgyeok-do.
00:12:01Gimgyeok-do?
00:12:03Yes.
00:12:04Geumok-dang.
00:12:06It's located in the best area in the capital.
00:12:10It boasts the largest, highest-class gold mine in Gyeongseong.
00:12:16Dyeon-dang-po.
00:12:20This is the famous Wonsam-sik.
00:12:23I'll give you 450,000 won.
00:12:26This is the famous Wonsam-sik!
00:12:29450,000 won.
00:12:34Look.
00:12:35I'm going to lose my factory and my house to the Japanese.
00:12:40My mother has ten children,
00:12:42and I'm going to lose everything.
00:12:46I'll give you another 100,000 won.
00:12:48Take the money or the watch.
00:12:56Next!
00:12:57This is the money I got when I got married.
00:12:59Please take care of it.
00:13:00I'll come back to get it no matter what.
00:13:03I'll give you another 150,000 won.
00:13:06And this is a fake.
00:13:08It's an Italian suit.
00:13:09I got it from Italy.
00:13:11I can only give you 200,000 won.
00:13:14I'm a Japanese who came back to Korea three years ago.
00:13:17Is that so?
00:13:20I'll bring it back.
00:13:22I'm a civilian.
00:13:26I'm a Japanese who came back to Korea three years ago.
00:13:29I'm a Japanese who came back to Korea three years ago.
00:13:54What is it?
00:14:00What is it?
00:14:09If you do it again,
00:14:11I'll cut your fingers off.
00:14:14I was just kidding.
00:14:16You're so mean.
00:14:29You're so mean.
00:15:00What?
00:15:02It's been a long time since you've been here.
00:15:05I should have turned it over.
00:15:07I gave him 50,000 won.
00:15:10He said it was his money.
00:15:14It's good to have.
00:15:16I'll give it to him.
00:15:18I don't know what he's doing.
00:15:21He doesn't even have blood on his head.
00:15:22If there's a chance, he'll be a savage.
00:15:25There's a chicken set for Maeda's wife.
00:15:27Did you prepare all the chicken sets and five sticks for Maeda's wife?
00:15:32I told him not to go to the crow's nest.
00:15:37My husband is a transplant.
00:15:38My father-in-law is General Maeda.
00:15:41He's the head of the family who's been working hard.
00:15:45It's common sense to stay in the house.
00:15:49Are you a man because you're careful?
00:15:51Don't worry.
00:15:53I'm Jang Tae-sang.
00:15:57That's right. I'm Jang Tae-sang.
00:16:00The symbol of North Korea's self-reliance and self-reliance.
00:16:16One, two, three.
00:16:18I'll change the pose.
00:16:27One, two, three.
00:16:34There's nothing to be afraid of.
00:16:36If you make up your mind, you can make anything yours.
00:16:40Cheers!
00:16:42Cheers!
00:16:44I was Jang Tae-sang.
00:16:48But...
00:16:58I don't know how I've become so out of shape.
00:17:02Did you hide and make a special order?
00:17:05No, I didn't.
00:17:07Did you watch the phone?
00:17:09No, I didn't.
00:17:14We...
00:17:16We?
00:17:19What kind of relationship did you meet at the car dealership before Dolf?
00:17:23Why did you meet again?
00:17:25My wife said she wanted to get a white chicken and a 7.25.
00:17:31Why did you meet again at the art gallery a few days ago?
00:17:33It's not easy to get a white chicken and a 7.25.
00:17:38I heard you sent a scorpion a few days ago.
00:17:41Suddenly, I was able to get a white chicken and a 7.25.
00:17:47Did you come to my house before?
00:17:49It's a hard-to-get item.
00:17:53I'll give it to you in person.
00:18:07I think you're misunderstanding something.
00:18:15Don't talk nonsense.
00:18:18Tell me what you did with my wife.
00:18:23Ha ha ha ha ha ha ha.
00:18:28Oh, my God.
00:18:32You're right again, officer.
00:18:35Are you suspicious of my wife?
00:18:40You're suspicious of the world's respected Maeda.
00:18:46This is a defamation of Maeda's wife.
00:18:50What do you mean?
00:18:51I don't care if Maeda-bunny knows what you're going through.
00:18:59That's what I mean.
00:19:21Now, let's get down to business.
00:19:41What do you really want from me?
00:19:49He's missing.
00:19:53It's been about a year since he disappeared.
00:20:00If it's a missing person case, I think it's something to be handled by the police station.
00:20:05Wasn't it the first information call?
00:20:08It's not that bad.
00:20:10If there's anything you want from the main street, you have to go through a search.
00:20:14Whether it's money, things, or people.
00:20:18Isn't that right?
00:20:20It's mainly a guy who ran away for money.
00:20:23It's not a parasite.
00:20:31Find that girl.
00:20:34Why did she disappear? Where did she disappear?
00:20:36Or did another man come out?
00:20:38If you can't find it, you'll die.
00:20:48You're going to lose everything you have.
00:20:53Including your cultural property, real estate, police, cars, and all the wood in the main street.
00:21:03I'm going to take it all.
00:21:06And then I'll send you to the battlefield.
00:21:16How long will it take?
00:21:26How long will it take?
00:21:36Until Sakura comes back.
00:21:46I see.
00:21:52I see.
00:22:02Boss.
00:22:32What?
00:22:42How much cash can I get right now?
00:22:45Cash?
00:22:50How long will it take to sell all the buildings in the main street?
00:23:03Is it possible in half a month?
00:23:06What's going on?
00:23:08Tell me.
00:23:18I think it's time.
00:23:28Wait a minute.
00:23:59It's not sales time yet.
00:24:07I'm here to find someone.
00:24:11Do you know a Japanese man named Sachimoto?
00:24:18I heard he's a painter.
00:24:21I know two people named Sachimoto.
00:24:25He was a Japanese soldier, not a painter.
00:24:29I heard he was a regular.
00:24:32Well, it's been half a year since I worked here.
00:24:36I haven't seen such a guest.
00:24:39I see.
00:24:42Would you like to visit the wooden house?
00:24:46The owner is called Jang Tae-sang.
00:24:50If you need anything in the main street, you can talk to him.
00:24:55Whether it's money, things, or people.
00:25:00He's the best informant in Gyeongseong.
00:25:03What?
00:25:04I asked him if he was selling that outside.
00:25:09Oh, that?
00:25:11It's broken.
00:25:13It doesn't even start.
00:25:14I'll buy it.
00:25:16How much is it?
00:25:20It looks like it's from Manchuria.
00:25:24200 won?
00:25:26But it's a Saika.
00:25:28Let's say 300 won.
00:25:30You said it was broken.
00:25:33If you leave it like that, it'll be a useless piece of iron.
00:25:36It's a good thing if it's broken, and it's a Saika if it's broken.
00:25:45Okay, then 2.8 million won.
00:25:512.8 million won.
00:25:532.8 million won.
00:26:13Let's do all this and make it clean.
00:26:17Let's do 250 won.
00:26:19I won't take it.
00:26:50Did a young man find out?
00:26:54It's broken, but it's still like that.
00:26:57It's been broken for over three years.
00:27:02It won't start.
00:27:05Huh?
00:27:18It's done.
00:27:19You don't have to worry so much.
00:27:21Don't be so serious.
00:27:23Who's Jang Dae-joo?
00:27:25Isn't it the number one telephone in Gyeongseong?
00:27:27All you have to do is look it up on the Internet.
00:27:30Where would Myung-ja go?
00:27:33Myung-ja ran away with another guy.
00:27:35Who's the big guy who's going to play with this family?
00:27:43Isn't it the case of a woman who is very loud these days?
00:27:48It's a mess in Namchon and Bukchon these days.
00:27:52The women kept asking for alimony.
00:27:55The rumors are very bad.
00:27:57What if Myung-ja did that?
00:27:59Oh, this is a big deal.
00:28:02What am I supposed to do?
00:28:06Let's not do this.
00:28:09Why don't we just get rid of everything and leave Joseon?
00:28:12I have a best friend in Osaka.
00:28:15Mr. Koo, that's frustrating.
00:28:17Let me talk to you.
00:28:20Why are you so angry when I talk to you?
00:28:24Are you talking nonsense?
00:28:27I'm thinking about it, too.
00:28:29Look ahead.
00:28:31Give me all the real estate you have.
00:28:36I'll make a rumor right away.
00:28:39What if there's a rumor?
00:28:42I'm not going into the transplant.
00:28:45If I go into the transplant, I'll just leave you.
00:28:53I'm sorry.
00:28:55I didn't think about it.
00:29:01I'm sorry.
00:29:16You've got a lot of transplant papers.
00:29:19Mr. Koo.
00:29:20Yes, sir.
00:29:21Please find a clue about Myung-ja.
00:29:26Before she disappears, I want all the evidence.
00:29:29All right.
00:29:30That's a good idea.
00:29:32Let's all work together.
00:29:36Park, find Mr. Joon-taek.
00:29:40Who's Mr. Joon-taek?
00:29:42He's the only one who's going to play with this.
00:29:47Tell him to come here.
00:29:49Yes, sir.
00:29:51And you have to be as quiet and fast as possible.
00:29:56Make sure it's not a rumor.
00:29:59Make sure you have everything you can get.
00:30:04Find out about the shipment schedule.
00:30:08You might have to be very careful.
00:30:14Yes, sir.
00:30:21Let's go.
00:30:40You're getting more attention than I thought.
00:30:50Let's go.
00:31:09Mr. Joon-taek seems to have made a move.
00:31:11He's looking for clues about Ms. Akiko.
00:31:13He says that all the people in Gingyokudo have started to move.
00:31:17I see.
00:31:19Let's go.
00:31:20Yes, sir.
00:31:41I think she has a baby.
00:31:46A baby?
00:31:48Yes.
00:31:50A baby girl.
00:32:03I have a phone call from the company.
00:32:05They want to know when you'll be back.
00:32:08Tell them I don't have to wait.
00:32:11Tell them I'll be back for the shipment.
00:32:15Yes, sir.
00:32:23Yes.
00:32:25Is that so?
00:32:27No.
00:32:28Yes.
00:32:30I see.
00:32:41Wake up, everyone.
00:32:43Everyone, get in position.
00:32:47Hurry up.
00:32:55What are you doing?
00:32:57Don't say anything.
00:32:59Don't raise your head.
00:33:01What?
00:33:10What are you doing?
00:33:25Is it okay if it's just the two of us?
00:33:27Yes.
00:33:28It's just the two of us for now.
00:33:30Yes, sir.
00:33:40Here.
00:33:41Put it out.
00:33:42Yes, sir.
00:33:56What's that?
00:33:58I got it a long time ago from the Nishitai prison.
00:34:03It's in bad condition.
00:34:06Let's take a look.
00:34:08Put it out.
00:34:09Yes, sir.
00:34:28Put it out.
00:34:42Put it out.
00:34:43Put it out.
00:34:44What's wrong?
00:34:45Put it out.
00:34:52Put it out.
00:34:59It's just the two of us.
00:35:03Put it out.
00:35:05Put it out.
00:35:07Put it out.
00:35:09Put it out.
00:35:11Put it out.
00:35:13Put it out.
00:35:21Put it out.
00:35:28Put it out.
00:35:30Put it out.
00:35:58Put it out.
00:36:00Put it out.
00:36:02Put it out.
00:36:04Put it out.
00:36:06Put it out.
00:36:08Put it out.
00:36:10Put it out.
00:36:12Put it out.
00:36:14Put it out.
00:36:16Put it out.
00:36:18Put it out.
00:36:20Put it out.
00:36:22Put it out.
00:36:24Put it out.
00:36:26Put it out.
00:36:28Put it out.
00:36:30Put it out.
00:36:32Put it out.
00:36:34Put it out.
00:36:36Put it out.
00:36:38Put it out.
00:36:40Put it out.
00:36:42Put it out.
00:36:44Put it out.
00:36:46Put it out.
00:36:48Put it out.
00:36:50Put it out.
00:36:52Put it out.
00:36:54Put it out.
00:36:56Put it out.
00:36:58Put it out.
00:37:00Put it out.
00:37:02Put it out.
00:37:04Put it out.
00:37:06Put it out.
00:37:08Put it out.
00:37:10Put it out.
00:37:12Put it out.
00:37:14Put it out.
00:37:16Put it out.
00:37:18Put it out.
00:37:20Put it out.
00:37:22Put it out.
00:37:24Put it out.
00:37:26Put it out.
00:37:28Put it out.
00:37:30Put it out.
00:37:32Put it out.
00:37:34Put it out.
00:37:36Put it out.
00:37:38Put it out.
00:37:40Put it out.
00:37:42Put it out.
00:37:44Put it out.
00:37:46Put it out.
00:37:48Put it out.
00:37:50You speak Korean well.
00:37:52You must have been bored spying on me all day.
00:37:54Please drive me to the place we agreed to meet.
00:37:58I'm going to follow you anyway, so don't worry about me.
00:38:05Let's go to China.
00:38:12What? You're not going?
00:38:21China
00:38:31Oh, my. You're going to empty all of Geumokdang's secret weapons?
00:38:35Oh, my.
00:38:37There's no need to look at the state of the weapons. They're at their best.
00:38:40How can you be so sure? It's Geumokdang's stuff.
00:38:45Can you finish it in ten days?
00:38:48Ten days is a long time.
00:38:53By the way, why are you in such a hurry?
00:38:58Why?
00:38:59Are you afraid that Jang Dae-joo will come to Gyeongseong?
00:39:02The rumors have already spread.
00:39:05Jang Dae-joo is in a very bad situation because of his affair with Lee Sik-kwang.
00:39:09Shut up.
00:39:11You're talking nonsense.
00:39:15Actually, it's because the thieves are in Gyeongseong.
00:39:19I don't know if it will help Jang Dae-joo.
00:39:23Thieves?
00:39:24Thieves.
00:39:25Thieves are looking for missing people.
00:39:29In Manchuria, they call them thieves.
00:39:32What do you mean?
00:39:34My friend's cousin's daughter also disappeared the next day,
00:39:38so I couldn't find her for three years.
00:39:40But the thieves went all the way to Nambang-gu and brought her back.
00:39:46They found her there.
00:39:48They went all the way to Nambang-gu?
00:39:50Yes, not only the 8 provinces of Joseon,
00:39:52but also Manchuria, Yeonbyeon, and Nambang-gu.
00:39:55If she's already dead, they'll find her dead bones and bring her back.
00:39:59That's right.
00:40:02Where can I meet them now?
00:40:11Manchuria
00:40:29Good job.
00:40:30Thanks to you, I was able to come here comfortably.
00:40:40Ouch!
00:40:43Just buy me a meal.
00:40:45I'll keep it a secret from this restaurant.
00:40:48You eat it.
00:41:00What?
00:41:11Manchuria
00:41:16Oh, you're here.
00:41:18How many people are coming with you?
00:41:19I'm not here to eat.
00:41:21I'd like to use the back door of your house.
00:41:24This way, Mr. Jang.
00:41:40Manchuria
00:42:10Manchuria
00:42:37Who are you?
00:42:39Why are you following me?
00:42:44You don't look like a local,
00:42:48but where are you from?
00:42:49Who sent you? Answer me!
00:42:53You're Mr. Jang, aren't you?
00:42:55It's not polite to answer questions with questions.
00:42:59Besides,
00:43:02you're carrying such a dangerous thing.
00:43:09Manchuria
00:43:39Manchuria
00:44:09Manchuria
00:44:12Manchuria
00:44:38Are you here to kill me?
00:44:40I didn't mean to kill you,
00:44:43but I'm afraid I might do it now.
00:44:46Let's say you don't want to kill me.
00:44:49Let's start with this knife.
00:44:51Why don't you start with this gun?
00:44:53Okay, okay.
00:44:56Since we're three,
00:44:58let's start at the same time.
00:45:01Here.
00:45:02One.
00:45:04Two.
00:45:07Three.
00:45:13You don't trust me?
00:45:15I think you're crazy.
00:45:17Are you an informant?
00:45:19You must have had a bad life.
00:45:22You keep worrying about your life.
00:45:24Times have changed.
00:45:27There's no way to survive without committing a crime.
00:45:30There are so many reasons to die without committing a crime.
00:45:37One.
00:45:39Two.
00:45:41Three.
00:45:43Four.
00:45:45Five.
00:45:47Six.
00:45:49Seven.
00:45:51Eight.
00:45:53Nine.
00:45:55Ten.
00:45:57Eleven.
00:45:59Twelve.
00:46:01Thirteen.
00:46:03Fourteen.
00:46:05Fifteen.
00:46:07Sixteen.
00:46:09Seventeen.
00:46:11Eighteen.
00:46:13Nineteen.
00:46:15Twenty-one.
00:46:17Twenty-two.
00:46:19Twenty-three.
00:46:21Twenty-four.
00:46:23Twenty-five.
00:46:25Twenty-six.
00:46:27Twenty-seven.
00:46:29Twenty-eight.
00:46:31Twenty-nine.
00:46:33Twenty-one.
00:46:35Twenty-two.
00:46:37Twenty-three.
00:46:39Twenty-four.
00:46:41Twenty-five.
00:46:43Twenty-six.
00:46:45Twenty-seven.
00:46:47Twenty-eight.
00:46:49Twenty-nine.
00:46:51Twenty-ten.
00:46:53Twenty-eleven.
00:46:55Twenty-twelve.
00:46:57Twenty-thirty.
00:46:59Twenty-forty.
00:47:01If the person has escaped with the wind,
00:47:03it's not even worth to look for.
00:47:05It's quite long after sometimes just 10 years.
00:47:08If you're him,
00:47:10you may as well not try to find it.
00:47:13You bastard!
00:47:15I was about to slap you if he wants you to or not.
00:47:18But instead,
00:47:20you want the garbage can, don't you?
00:47:23Well, I don't want to deny it, because it's true that I was born like garbage, rolled around like garbage, and survived like a villain.
00:47:39Watch your mouth. You can go to the cafe while making fun of the cafe.
00:47:47What's your name?
00:47:53I have pretty eyes.
00:48:03Are you making fun of me?
00:48:13Do you want me to pierce your eyes?
00:48:21Anyway, it was nice to meet you.
00:48:25You're crazy.
00:48:33See you again.
00:48:41I can't live because I can't live because I can't live.
00:49:11Mr. Satsumoto.
00:49:31Mr. Satsumoto.
00:50:01No, what's going on, friend?
00:50:21Do you know where Myungja is?
00:50:31Myungja.
00:51:01Myungja.
00:51:31Myungja.
00:52:01Myungja.
00:52:31Myungja.
00:53:01Myungja.
00:53:31Myungja.
00:53:41Myungja.
00:53:51Myungja.
00:54:01Myungja.
00:54:11My head hurts.
00:54:21My head hurts.
00:54:31My head hurts.
00:54:41My head hurts.
00:54:51My head hurts.
00:55:01My head hurts.
00:55:11My head hurts.
00:55:41My head hurts.
00:55:51My head hurts.
00:56:01My head hurts.
00:56:11My head hurts.
00:56:21My head hurts.
00:56:31My head hurts.
00:56:41My head hurts.
00:56:51My head hurts.
00:57:01My head hurts.
00:57:11My head hurts.
00:57:21My head hurts.
00:57:31My head hurts.
00:57:41My head hurts.
00:57:51My head hurts.
00:58:01My head hurts.
00:58:11My head hurts.
00:58:21My head hurts.
00:58:31My head hurts.
00:58:41My head hurts.
00:58:51My head hurts.
00:59:01My head hurts.
00:59:11My head hurts.
00:59:21My head hurts.
00:59:31My head hurts.
00:59:41My head hurts.
00:59:51My head hurts.
01:00:01My head hurts.
01:00:11My head hurts.
01:00:21My head hurts.
01:00:31My head hurts.
01:00:41My head hurts.
01:00:51My head hurts.
01:01:01My head hurts.
01:01:11My head hurts.
01:01:21My head hurts.
01:01:31My head hurts.
01:01:51My head hurts.
01:02:01My head hurts.
01:02:11My head hurts.
01:02:21My head hurts.
01:02:31My head hurts.
01:02:41My head hurts.
01:02:51My head hurts.
01:03:01My head hurts.
01:03:11My head hurts.
01:03:41My head hurts.
01:03:51My head hurts.
01:04:01My head hurts.
01:04:11My head hurts.
01:04:21My head hurts.
01:04:31My head hurts.
01:04:41My head hurts.
01:04:51My head hurts.
01:05:01My head hurts.
01:05:11My head hurts.
01:05:31My head hurts.
01:05:41My head hurts.
01:05:51My head hurts.
01:06:01My head hurts.
01:06:11My head hurts.
01:06:21My head hurts.
01:06:31My head hurts.
01:06:41My head hurts.
01:06:51My head hurts.
01:07:01My head hurts.
01:07:11My head hurts.
01:07:21My head hurts.
01:07:31My head hurts.
01:07:41My head hurts.
01:07:51My head hurts.
01:08:01My head hurts.