• 3 months ago
Sexy Jenny at Art Show

Category

People
Transcript
00:00Hi guys, how are you? Thanks for being with us at Miami TV. Here we are still in
00:03our Basel underground with Herbert Hofer. How are you? Very well, how are you doing my dear?
00:08You are the man for tonight. You gave an awesome speech up there. Congratulations.
00:12How are you feeling? Well, I feel very well because I have worked with young people
00:17for the last few years and I really enjoy it. I have also the support of the
00:23German General Council who is a friend of mine for many years and I'm so proud
00:28as an Austrian to have Red Bull and Beck's beer also supporting me.
00:33Good, but who wouldn't support you? Look at your beautiful art. How long have you been painting for?
00:39Well, I'm two beautiful young girls. I don't really want to tell how long.
00:44Oh, come on. I just say one thing forever.
00:46Alright, let's go closer to your painting so we can go one by one.
00:49I know that you're an artist so you love all your paintings. Is there any of them in particular that you want to tell us a little story about?
00:57Well, I'll tell you what. My paintings are like my children. I work on them and the minute I sign them,
01:05they are ready for a new home to be adopted by wonderful people who enjoy happiness and harmony.
01:13Because a lot of my paintings explain the music, the literature, champagne.
01:22Every day is a Sunday. It's a good life. You don't need a lot. You just need to be a good person,
01:31know a lot of good friends and enjoy your life. That's my philosophy.
01:36You are what I like to call a very positive person that likes to spread love and positiveness as well with his paintings around the world.
01:44I love it.
01:45It's whatever karma you put out there, it comes back to you.
01:51And I'm an artist who only can work when I'm happy. I can't work when I'm sad and I hope I'll never be angry in my life.
02:04Because I love life, people and the world.
02:07Yeah, well I think that if you paint a sad painting or when you're sad or angry, that expresses in the painting
02:13and then the person that sees it will feel that way too, right?
02:16This is true. A lot of people come to me who are my collectors and they say,
02:23you know, the first painting I see is your painting.
02:27Just your philosophy, your brightness in the morning, it's like a good morning kiss to me.
02:33I love it. I absolutely love it. And one of the things I do is that without getting too close to it,
02:37you know that it's very positive because of the colors. You love using a lot of colors, don't you?
02:41Yes.
02:42It's bright. It's life.
02:43I'm a little older than you.
02:45A little bit.
02:46I'm coming from old Europe after the Second World War and a lot of things were very gray and dark,
02:55bombed out cities. So I always had this dream, what is behind the blue mountains?
03:00And I knew there would be beautiful palm trees, beaches and great places, you know.
03:09And this is what my philosophy went on to search.
03:14Now, a little birdie told me something that you were the last person to see Versace.
03:19How do you feel about that?
03:21Well, it was a very sad thing because I'm one of the pioneers of South Beach.
03:26And when Versace hit the ground, it was like, oh my God, this is it. This is the new Nirvana.
03:34And then my friend Charles Podesta, who was then the manager for Gianni,
03:43called me and said, we would need an artist to paint frescoes.
03:49And I said, I never did it before, but I'm not afraid of colors.
03:54So I started to work on the frescoes.
03:56And this horrible morning, I spoke to Versace and we were talking about them because I lived
04:06in Italy for 20 years, so I spoke in Italian with him. And I said, I'll see you later on.
04:14And when I turned around on my bicycle, my neighbor said, they just shot an intruder.
04:23And I said, an intruder? And then I looked and I said, this is funny to myself.
04:30I said, the intruder is dressed like Versace, but you couldn't see the face because it was all blood.
04:39And it was the worst thing police can buy in Channel 7.
04:44And at a certain point, they said in a cracking voice, in a walkie talkie, it's Versace.
04:51We are at Jackson Memorial. He's dead. And it changed completely the scenery of South Beach.
04:58But little did I know that next day, it was like Graceland.
05:06Buses came by with Japanese tourists just to make photographs where Versace died.
05:13But it was still, for me, a horrible experience.
05:17Because I knew this man, he was almost like painting and working for the last pope.
05:24Oh, wow. That's flattering. Well, you have to remember the good times, right?
05:31Anyway, I'm very thankful to you that you asked me these questions, because a lot of people
05:38don't understand what a great person Gianni Versace was. He was not what most people try to
05:45portray. He was a maestro. He was an inventor of new things. He was a master of fashion and the arts.
05:56And now we have you as well. You're another master nowadays. Look at this.
06:00Well, you know, when you hang around long enough, you become an old master.
06:06It sticks, right?
06:07I have the right ring here. Maybe somebody will kiss it.
06:11Maybe. You get lucky. All right. Thank you so much. You're an amazing person. Congratulations.
06:16I think that you're doing something different. And I'm glad to see positive art in Arbazo.
06:22At least it's not all black and sad.
06:24And thank you for coming to our show, because the most exciting thing for me is
06:30to work with young artists who normally would never have a chance to give them a showcase.
06:38Because those are innocent souls, but they have so much to say.
06:43And you give them a chance. So good. All right. Thank you so much. Have a wonderful evening.
06:47And say hello to Miami TV.
06:50Miami TV, I love you.
06:52All right, guys. Stay tuned. We'll see you in a little bit. I love you. Bye.
07:00Hi, guys. How are you? Thanks for being with us at Miami TV. Here we are still in
07:03Arbazo Underground with Herbert Hofer. How are you?
07:06Very well. How are you doing, my dear?
07:08You are the man for tonight. You gave an awesome speech up there. Congratulations. How are you
07:12feeling?
07:13Well, I feel very well because I have worked with young people for the last few years
07:19and I really enjoy it. I have also the support of the German General Council,
07:24who is a friend of mine for many years. And I'm so proud as an Austrian to have Red Bull
07:30and Batsphere also supporting me.
07:33Good. Well, who wouldn't support you? Look at your beautiful art. How long have you been
07:37painting for?
07:38Well, I'm two beautiful young girls. I don't really want to tell how long.
07:43Oh, come on.
07:44I just say one thing forever.
07:46All right. Let's go closer to your painting so we can go one by one. Is there any... I know
07:50that... I mean, you're an artist, so you love all your paintings. Is there any of them in
07:54particular that you want to tell us a little story about?
07:56Well, I'll tell you what. My paintings are like my children. I work on them. And the
08:02minute I sign them, they're ready for a new home to be adopted by wonderful people who
08:11enjoy happiness and harmony. Because a lot of my paintings explain the music, the literature,
08:20champagne. Every day is a Sunday. It's a good life. You know, you don't need a lot. You
08:27just need to be a good person, know a lot of good friends and enjoy your life. That's
08:35my philosophy.
08:36You are what I like to call a very positive person that likes to spread love and positiveness
08:41as well with his paintings around the world. I love it.
08:45It's whatever karma you put out there, it comes back to you, you know. And I'm an artist
08:51who only can work when I'm happy. I can work out of when I'm sad or... And I hope I never
09:01will be angry in my life because I love life, people and the world.
09:07Yeah. Well, I think that if you paint a sad painting or when you're sad or angry,
09:11that expresses in the painting and then the person that sees it will feel that way too, right?
09:16This is true. A lot of people come to me, my collectors, and they say,
09:22you know, the first painting I see is your painting. And just your philosophy,
09:28your brightness in the morning, it's like a good morning kiss to me.
09:32I love it. I absolutely love it. And one of the things I do is that without getting too close to
09:36it, you know that it's very positive because of the colors. You love using a lot of colors, don't
09:40you?
09:41Yes.
09:42I'm a little older than you, so I'm coming from old Europe after the Second World War.
09:50And a lot of things were very gray and dark, bombed out cities. So I always had this dream,
09:57what is behind the blue mountains? And I knew there would be beautiful palm trees, beaches
10:06and great places, you know. And this is what my philosophy went on to search.
10:13Now, a little birdie told me something that you were the last person to see Versace.
10:19How do you feel about that?
10:20Well, it was a very sad thing because I'm one of the pioneers of South Beach.
10:25And when Versace hit the ground, it was like, oh my God, this is it. This is the new Nirvana.
10:34And then my friend Charles Podesta, who was then the manager for Gianni, called me and said,
10:44we would need an artist to paint frescoes. And I said, I never did it before,
10:51but I'm not afraid of colors. So I started to work on the frescoes.
10:56And this horrible morning, I spoke to Versace and we were talking about them because I lived
11:05in Italy for 20 years, so I spoke in Italian with him. And I said, I'll see you later on.
11:13And when I turned around on my bicycle, my neighbor said, they just shot an intruder.
11:22And I said, an intruder? And then I looked and I said, this is funny to myself. I said,
11:30the intruder is dressed like Versace. But you couldn't see the face because it was all black.
11:38And it was the worst thing police can buy in Channel 7. At a certain point, they said in a
11:45voice, in a walkie-talkie, it's Versace. We are at Jack's memorial. He's dead. And it changed
11:54completely the scenery of South Beach. But little did I know that next day, it was like Graceland.
12:06Buses came by with Japanese tourists just to make photographs where Versace died. But it was still
12:14for me, a horrible experience because I knew this man, he was almost like painting and working
12:21for the last Pope. Oh, wow. That's flattering. Well, you have to remember the good times, right?
12:30Anyway, I'm very thankful to you that you asked me these questions because a lot of people don't
12:38understand what a great person Gianni Versace was. He was not what most people try to portray.
12:45He was a maestro. He was an inventor of new things. He was a master of fashion and the arts.
12:55And now we have you as well. You're another master nowadays. Look at this.
13:00Well, you know, when you hang around long enough, you become an old master.
13:06It sticks, right? I have the right ring here. Maybe someday we'll kiss it. Maybe you get lucky.
13:13All right. Thank you so much. You're an amazing person. Congratulations. I think that you're
13:16doing something different. And I'm glad to see positive art in our Basel. At least it's not
13:22all black and sad. Thank you for coming to our show, because the most exciting thing for me is
13:29to work with young artists who normally would never have a chance to give them a showcase,
13:37because those are innocent souls, but they have so much to say.
13:43And you give them a chance. So good. All right. Thank you so much. Have a wonderful evening and
13:47say hello to Miami TV. Miami TV. I love you. All right, guys. Stay tuned. We'll see you in a little
13:53bit. I love you. Hi, guys. How are you? Thanks for being with us at Miami TV. Here we are still
14:02in our Basel underground with Herbert Hofer. How are you? Very well. How are you doing, my dear?
14:07You are the man for tonight. You gave an awesome speech up there. Congratulations. How are you
14:11feeling? Well, I feel very well because I have worked with young people for the last few years
14:18and I really enjoy it. I have also the support of the German General Council,
14:23who is a friend of mine for many years. And I'm so proud as an Austrian to have Red Bull and
14:30Becks. We are also supporting them. Good. Well, who wouldn't support you? Look at your beautiful
14:35art. How long have you been painting for? Well, I'm two beautiful young girls. I don't really
14:41want to tell how long. Oh, come on. I just say one thing forever. All right. Let's go closer
14:47to your painting so we can go one by one. I know that you're an artist, so you love all your
14:52paintings. Is there any of them in particular that you want to tell us a little story about?
14:56Well, I'll tell you what. My paintings are like my children. I work on them and the minute I
15:03sign them, they are ready for a new home to be adopted by wonderful people who enjoy happiness
15:11and harmony. Because a lot of my paintings explain the music, the literature, champagne,
15:20every day is a Sunday. It's like a good life. You know, you don't need a lot. You just need
15:28to be a good person, know a lot of good friends and enjoy your life. That's my philosophy.
15:35You are what I like to call a very positive person that likes to spread
15:39love and positiveness as well with his paintings around the world.
15:42I love it. It's whatever karma you put out there, it comes back to you. You know,
15:49and I am an artist who only can work when I'm happy. I can work out of when I'm sad.
16:00And I hope I never will be angry in my life because I love life, people and the world.
16:06Yeah. Well, I think that if you paint a sad painting or when you're sad or angry,
16:11that expresses in the painting and then the person that sees it will feel that way too, right?
16:15This is true. I want my people, a lot of people come to me, but
16:19are my collectors. And I say, you know, the first painting I see is your painting.
16:25And just your philosophy, your brightness in the morning is like a good morning kiss to me.
16:31I love it. I absolutely love it. And one of the things that you that without getting too close
16:35to it, you know that it's very positive because of the colors. You love using a lot of colors,
16:39don't you? I'm a little older than you. So I'm coming from old Europe after the Second World
16:49War. And a lot of things were very gray and dark, bombed out cities. So I always had this dream,
16:57what is behind the Blue Mountains? And I knew there would be beautiful palm trees, beaches
17:05and great places. And this is what my philosophy went on to search.
17:13Now, a little birdie told me something that you were the last person to see Versace.
17:18How do you feel about that? Well, it was a very sad thing because I'm one of the pioneers of
17:24South Beach. And when Versace hit the ground, it was like, oh, my God, this is it. This is the new
17:31Nirvana. And then my friend Charles Podesta, who was then the manager for Gianni, called me and
17:43said, we would need an artist to paint frescoes. And I said, I never did it before, but I'm not
17:51afraid of colors. So I started to work on the frescoes. And this horrible morning, I spoke to
18:01Versace and we were talking about them because I lived in Italy for 20 years. So I spoke in Italian
18:08with him. And I said, I'll see you later on. And when I turned around on my bicycle,
18:17my neighbor said they just shot an intruder. And I said, an intruder? And then I looked and I said,
18:26this is funny to myself. I said, the intruder is dressed like Versace. But you couldn't see the
18:33face because it was all blood. And it was the worst thing police can buy on Channel 7. And
18:43at a certain point they said in a cracking voice, in a walkie-talkie, it's Versace.
18:50We are at Jack's memorial. He's dead. And it changed completely the scenery of South Beach.
18:57But little did I know that next day, it was like Gravelland. Buses came by with Japanese tourists
19:09just to make photographs where Versace died. But it was still, for me, a horrible experience
19:16because I knew this man. He was almost like painting and working for the last pope.
19:23Oh, wow. That's flattering. Well, you have to remember the good times, right?
19:30Anyway, I'm very thankful to you that you asked me these questions because a lot of people
19:37don't understand what a great person Gianni Versace was. He was not what most people try to
19:44portray. He was a maestro. He was an inventor of new things. He was a master of fashion and the
19:53arts. And now we have you as well. You're another master nowadays. Look at this. Well, you know,
20:00when you hang around long enough, you become an old master. It sticks, right? I have the right
20:07ring here. Maybe someday we'll kiss it. Maybe. You get lucky. All right. Thank you so much. You're
20:14an amazing person. Congratulations. I think that you're doing something different. And
20:17I'm glad to see positive art in Arbazo. At least it's not all black and sad. Thank you for coming
20:24to our show, because the most exciting thing for me is to work with young artists who normally
20:32would never have a chance to give them a showcase because those are innocent souls,
20:40but they have so much to say. And you give them a chance. So good. All right. Thank you so much.
20:45Have a wonderful evening and say hello to Miami TV. Miami TV. I love you. All right, guys,
20:52stay tuned. We'll see you in a little bit. I love you. Bye. Hi, guys. How are you? Thanks
20:59for being with us in Miami TV. Here we are still in Arbazo Underground with Herbert Hofer. How are
21:04you? Very well. How are you doing, my dear? You are the man for tonight. You gave an awesome speech
21:09up there. Congratulations. How are you feeling? Well, I feel very well because I have worked with
21:15young people for the last few years and I really enjoy it. I have also the support
21:21of the German General Council, who is a friend of mine for many years. And I'm so proud as an
21:27Austrian to have Red Bull and Beck's Beer also supporting me. Good. Well, who wouldn't support
21:33you? Look at your beautiful art. How long have you been? How long have you been painting for?
21:37Well, I'm two beautiful young girls. I don't really want to tell how long. Oh, come on. I
21:43just say one thing forever. All right, let's go closer to your painting so we can go one by one.
21:48Is there any I know that I mean, you're an artist, so you love all your paintings. Is there any of
21:52them in particular that you want to tell us a little story about? Well, I'll tell you what.
21:56My paintings are like my children. I've worked on them. And the minute I I signed them,
22:04they're ready for a new home to be adopted by wonderful people with joy, happiness and harmony.
22:12Because because a lot of my paintings explain the music, the literature, champagne,
22:20every day is a Sunday. It's like a good life. You know, you don't need a lot. You just need
22:27to be a good person, know a lot of good friends and enjoy your life. That's my philosophy.
22:35You are what I like to call a very positive person that likes to spread
22:38love and positiveness as well with his paintings around the world. I love it. It's whatever karma
22:45you put out there, it comes back to you. You know, and I am an artist who only can work
22:52when I'm happy. I can work out of when I'm sad. And I hope I never will be angry
23:01in my life because I love life, people and the world. Well, I think that if you paint a sad
23:08painting or when you're sad or angry, that expresses in the painting and then the person
23:12that sees it will feel that way, too, right? This is true. I want my people, a lot of people come
23:18to me, but I'm a collector. And I say, you know, the first painting I see is your painting.
23:25And just your philosophy, your brightness in the morning is like a good morning kiss to me.
23:31I love it. I absolutely love it. And one of the things that you that without getting too close
23:35to it, you know that it's very positive because of the colors. You love using a lot of colors,
23:39don't you? I'm a little older than you. So I'm coming from old Europe after the Second World
23:48War. And a lot of things were very gray and dark, bombed out cities. So I always had this dream,
23:56what is behind the blue mountains? And I knew.

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