Nineties Eastenders (22nd April 1997)
Category
🦄
CreativityTranscript
00:00🎵
00:27Joe?
00:29Joe, are you up yet?
00:31Come on, I've only got a minute and I want a word.
00:34Come on, you can't lie in bed all day.
00:40What was all that about last night?
00:42I mean, why did you go off like that?
00:44Sorry?
00:45Well, what am I supposed to say to Grant when you behave like that?
00:49I had to get out, that's all.
00:51Why?
00:52Did someone upset you?
00:54I mean, what was it?
00:55Nothing.
00:56Can't you think of other people's feelings sometimes?
01:02Yeah, and cereal packets don't stay full by magic.
01:07Look, will you get me some milk and a loaf of brown bread?
01:11It wouldn't hurt to come into the Vic early today to make up for yesterday.
01:14I'll try.
01:16You know, it's really good of Grant to give you the work.
01:19And it wouldn't hurt to show him that you appreciate it.
01:23Listen, try and be a bit more enthusiastic, eh, love?
01:26All right. See you later.
01:49When this deal comes through, we're going to splash out on a second honeymoon.
01:52Luxury cruise, first class, no expense spared.
01:55You can stop dreaming, Sanjay. It ain't going to happen.
01:58Well, it's got to. This is our chance to have what we want for once.
02:00I've been through the accounts.
02:02With what we've got put by for stock and what we've got saved up at the bank,
02:05we can get maybe 2,000 together.
02:07Know any other five we need?
02:08That can't be right. We must have more than that.
02:10Well, then you tell me where it is.
02:12All right, we'll borrow the rest.
02:14We couldn't raise it for the IVF treatment. Why should it be any easier now?
02:17This is different. This is a business venture.
02:19It'll pay for the loan and it'll pay for any number of IVF treatments we want.
02:22Yeah, but then the bank won't want to see audit accounts and business plans.
02:25All right, so we go to someone who doesn't ask so many questions.
02:28Haven't you learned anything from your experience with Guppy?
02:30Look, it'll only be for a cut of a month. It's not long enough for the interest to run up.
02:33Sanjay, we are not going to a loan shark. Do you hear me?
02:36Look, we've got to sort this out by the end of the week.
02:38Can't you get more time?
02:39Look, Peter Shah's doing us a big favour already.
02:41We can't make him wait. He'll just go to someone else.
02:44Where are we going to get 3 grand at such short notice?
02:46I don't know. You've shot down all my ideas. Why don't you come up with something?
02:52Hello, Pauline.
02:53Hi, Nigel. How did you get on with Dot yesterday?
02:55That's funny. I was just thinking about her.
02:57You got her home OK?
02:58Oh, yeah. I left her off right at the hotel.
03:00It's funny. I was thinking I should have asked her back to the house.
03:03She was very anxious to get away.
03:05She didn't say much about what she'd been doing, did she?
03:08Well, you know, once Dot and Ethel get on for the old days, there's no stopping them.
03:12Did she say much on the way home?
03:14Not really, no. She wasn't very chatty.
03:16Not like our Dot.
03:18Well, I suppose you can't expect to pick up where you left off after all this time.
03:21No. Well, I'm not going to leave it so long now, now that I know where she is.
03:25That's just what I was thinking.
03:27Why don't we invite her up for a proper visit?
03:29Yeah. She's got no excuse now, has she?
03:31Right. I'll phone her today and I won't take no for an answer.
03:45PHONE RINGS
03:57It's Dot, isn't it? Dot Cotton.
04:00Sorry? Nellie Ellis.
04:03Lou's cousin. Oh.
04:05Hello.
04:07Ethel said you'd been up to see her.
04:10It was good of you to come all the way from...
04:13Where was it she said?
04:15Gravesend. Least I could do.
04:17Yes, I know.
04:19They can go downhill so quickly at Ethel's age.
04:22Ethel Skinner's going to see us all out yet.
04:25Of course, we all hope that.
04:27I'm in and out of her room all day long, seeing if there's anything I can do for her.
04:31You live there as well, do you?
04:33Yes. Oh, it's a wonderful place.
04:36Yeah. If you like that kind of thing.
04:38The flats are so cosy.
04:41All the amenities are close by.
04:44And everybody's so friendly.
04:46You mean they all know your business?
04:48Well, that's better than no-one taking any interest.
04:52That can happen all too easily when you get to our age.
04:56Well, only if you're sat in your armchair and expect the world to come to you.
05:00I mean, you've got to make the effort, you know.
05:02You've got to get out, make yourself busy.
05:04Yes. Well, that's all very well if you've got your health.
05:09But it all comes down to family and friends in the end, doesn't it?
05:13Yes. Well, in that respect, I ain't got no complaints.
05:16Oh, me neither.
05:18But poor Ethel.
05:20All she's got's her friends now.
05:23Not that she's short of friends.
05:27Oh.
05:29Well, I'm very glad to hear it.
05:32Can't have too many friends.
05:34No.
05:35Well, I'd better get off now.
05:37Oh, I thought you were waiting for the bus.
05:39No, me legs, you know.
05:42I've got to watch me legs.
05:43Oh.
05:46Hi, Joe.
05:48When are you going to come round for an evening then?
05:50I've got a chance to ask you if you enjoyed yourself at the wedding.
05:52Yeah.
05:53It was good, wasn't it?
05:54Took some organising, but it worked out all right in the end.
05:57It was great Frank turning up like that.
05:59The only thing that would have made it completely perfect
06:01would have been David being there, though.
06:03There's no way he could have come, though.
06:06He's light years away by now.
06:08Well, if you ask him then, do you know where he is?
06:10Of course not.
06:11He can only contact us where he is, can't he?
06:14What do you mean?
06:16It's beyond us, maybe.
06:23All right, can I help you?
06:49Joe?
06:50Didn't you get paid for that stuff?
06:52Oh, um, yeah, sorry.
06:54Sorry.
06:57Oh, he's a lot of kooky going.
07:00You as well.
07:01Sonia and Billy are into all of this stuff.
07:03Are they?
07:05How are you?
07:06Fine.
07:30Go on, go on, get off, get away.
07:32Oh, no, dear.
07:33Sorry about that, he's just being friendly.
07:35Yes, well, I don't want him slobbering over me, Mac.
07:37He shouldn't be hurt if you can't control him.
07:40Oh, he's just excited.
07:41Yeah, he's been stuck indoors while I'm at work.
07:43Well, I'm surprised they counsel it yet.
07:45Big dogs like that in their houses.
07:47There's no harm in well artists, they're...
07:49Oh, they're good artists.
07:51They've got lovely features.
07:53I mean, no big dog like that could do a lot of damage with his claws.
07:57I know, he's house trained.
07:58He knows not to scratch.
08:00Well, not since my mum redecorated, anyway.
08:02There weren't nothing wrong with it, as it was.
08:10Mrs Dorothy Cotton.
08:14But you must have.
08:16This is the Estuary Hotel, Gravesend, isn't it?
08:18Yeah, well, she's definitely staying there.
08:20I dropped her off last night myself.
08:25Well, look, could she have checked out this morning?
08:29Oh, look...
08:31This can't be. It must be a mistake.
08:33Are you sure?
08:35All right, Hugh, see you soon.
08:37PHONE RINGS
08:39Evans Executive Cars.
08:41Mr King, good afternoon. How are you?
08:44Yeah, yeah, that's no problem.
08:48Yeah, can you just hang on one sec?
08:53Yeah, Mr King, I'm sorry, I won't be able to give you a time on that.
08:58Yeah, I know. It's just all really busy at the moment.
09:01No, no, no, you can count on Evans Executive Cars, as always.
09:05Um, there will be someone there to meet the flight.
09:08Yeah, thanks.
09:29INDISTINCT CHATTER
09:34Yes, I know he's not in till six,
09:36but I was just wondering if he can come in early.
09:39No, look, it doesn't matter. It'll be too late by then.
09:42Problem? Oh, you know.
09:44Hugh, where are you now?
09:46Tyburn Road. The traffic's unbelievable.
09:49Well, can't you speed it up? Sorry.
09:53Can I help? It's Mr King. I promised him a car.
09:56I've got nowhere to go.
09:58Well, the car's out front there. Where's Lenny?
10:01I don't know. He went on break about half an hour ago.
10:03I tried to call the house, but all I keep getting is the answering machine.
10:06I've tried the evening drivers, but none of them can come in early.
10:09What am I going to do? I can't let Mr King down.
10:13I'll phone Roy. Maybe he can help.
10:15It's such a drag. Mum's still keeping my trumpet in her bedroom
10:18and only letting me have it to practice.
10:20It's unfair. I can't go back to practice on my own.
10:23Not that I'm used to playing the fiddle.
10:25But you can't go busking. No-one understands.
10:28It isn't just the money.
10:30It's people looking over and smiling because they love the music.
10:33Yeah, it must be so cold.
10:35Better than being yelled at by someone because they can't hear the telly.
10:38Can't you get Alan on your side?
10:40He says it's between Mum and me.
10:42She's useless these days.
10:44She agrees with everything she says.
10:46You've got to help me, Claire. Me?
10:48If I can get out the house tomorrow and leave the trumpet,
10:51will you keep it at your place for me?
10:53Yeah, but why?
10:55So I can go busking once more and say goodbye to Charles.
10:58Well, please, Claire. Sonia, please.
11:01Say you'll help me.
11:03No, it's all right. No message.
11:05Thanks. Bye.
11:07Roy's out of the office. Is there no-one else?
11:09It sounded pretty busy over there.
11:11What am I going to say to Mr King?
11:13Are you sure none of the evening shift drivers can do it?
11:15No, none of them can do it. What am I going to do?
11:17You'll have to phone Barry on his mobile.
11:19No, no, I can't do that.
11:21Maybe he can get back and do the pick-up himself.
11:24But he put me in charge, Pat.
11:26He'd be so angry if I have to drag him out of the meeting.
11:28I've got to sort this out myself.
11:30I've tried everything.
11:32Barry will sack me if I lose Mr King, with all the money he brings in.
11:36What am I going to do?
11:39Pat? Yeah?
11:41What about you? No, Robbie.
11:43Yeah, please, just this once.
11:45You'll be saving my life.
11:47Yeah, but I'm not the person to ask.
11:49But you're here.
11:51Pat, please, we have to get a car to the airport in under an hour.
11:53It ain't that simple, Robbie.
11:56I'll be right behind you.
11:59I could talk you through the route. Please.
12:01It's not that.
12:03It's been a long time, you know.
12:05Please, Pat, I know you can do it.
12:13Thank you, Pat. You're the greatest.
12:17Bye.
12:47Pat, what's up? When do you start?
12:50No, love, the...
12:52This wing mirror needed adjusting.
12:58Right, listen.
12:59Tell Mr King you're on your way.
13:01The plane's due at five. You should just make it.
13:03Right.
13:06You all right, Pat?
13:08Um, I'm not familiar with this car, Robbie.
13:11I need to get my bearings, love.
13:13Will you just give us a minute, please?
13:17OK.
13:40Joe!
13:43Hiya.
13:44I was just coming to look for you.
13:46Coffee?
13:47Um, no, I can't. I've got things to do, so...
13:50What's this?
13:53Everyone at school sees this alien stuff.
13:55It's the new thing, isn't it?
13:57Yeah.
13:58Listen, do you want to come out later?
14:00We could go and see a film.
14:02No, I don't want to.
14:03Well, I could come over and we could get a video.
14:06Yeah. Yeah, that'd be better.
14:08Right, then. I'll be over at six, OK?
14:10Bye.
14:13We could ask Mum to help, love.
14:15No, son.
14:16She's got the money sitting there.
14:18I don't like the idea of asking her to help.
14:20Well, you would have been happy enough to take her for the fertility treatment.
14:22No, it's a personal thing. It's different from asking her to help with the business.
14:25Look, it's not like it's risky. We'd pay her back in no time.
14:28Or she could come in with us. It'd be a great investment for us.
14:31I don't think so.
14:33Well, are you sure there's only one Estuary Hotel in the area?
14:37Right, um...
14:39Look, could you try another number for me?
14:41Um...
14:43Gravesend.
14:46Oh.
14:47Um, try, um...
14:49Endcotton. Nick.
14:54Oh. Uh...
14:55No, it's all right. OK, right.
14:57Thanks very much. All right. Bye.
15:01Nigel, look, can you help me? I need to film to watch with Joe.
15:04Something special. He's mad about science fiction.
15:07Right. Just the thing. I don't think he's seen it, either.
15:10The day they came from Saturn.
15:12It's about this sleepy little town, you see,
15:14and one night the sky's lit up by this meteor, and the next thing they know...
15:17Oh, no, no, don't tell me. I'll take it.
15:19All right. Only watch out for the cellar.
15:21It's just that if we ask your mother, it'll put a strain on things,
15:24what with her living with us and coming in on the business.
15:26She just wants to be more involved, that's all.
15:28Yeah, but then what if she wants to have a say in how we run things?
15:30Oh, no, she knows better than to do that, doesn't she?
15:32Anyway, this is our business.
15:34We shouldn't still be relying on our parents to bail us out.
15:36If I'd got my inheritance through, we wouldn't have this problem.
15:39We shouldn't still be looking for chances like this.
15:41Well, we are, and if we do this, we've got to do it on our own,
15:44or we'll always be in your mother's debt.
15:46Yeah.
15:49Oh, Dad, good day.
15:51Well, the usual.
15:52We've been non-stop hovering our side.
15:53It must be you, then, Bianca.
15:55Ricky says I haven't stopped going on since we've been married.
15:57I'm driving him nuts. I kept him up half the night,
15:59talking about the future and making plans.
16:01That sounds serious.
16:02I really love what I'm doing now, but you've got to think ahead, don't you?
16:05I mean, you know, I want a proper shop one day, maybe even a whole chain.
16:08It's finding a way to make it happen, though, isn't it?
16:10It's just a matter of hard work.
16:11Well, you can work till you drop, but you still need the lucky breaks to get ahead.
16:14Yeah, but I feel really lucky now.
16:15I mean, now that I've got Ricky behind me, anything's possible.
16:17Yeah? You go for it, Bianca.
16:19Bye.
16:36Oh, Mr King said they'd be back in an hour.
16:38To be used, you have to wait.
16:39Sorry, I should have explained. That's how it always works.
16:42Right.
16:43I don't know how you got me into this, Robbie.
16:45Sitting outside, overturning the West End, twiddling me thumbs,
16:47and I should be at home getting a dinner on.
16:49Sorry. I really appreciate you doing this, though.
16:51You'd better call Roy for me. Let him know where I am.
16:54Yep, no problem.
16:55And tell him I've no idea when I'll be back.
16:58I'll see you when I see you. Over.
17:01Over and out.
17:05You hadn't forgotten, had you?
17:06No.
17:07Well, I think I found something your brother would enjoy.
17:10What?
17:11The day they came from Saturn. Have you seen it?
17:14No.
17:15It's great. It's all about the Earth being taken over by aliens.
17:19Really? Are you sure?
17:21Well, that's what he says.
17:22You'd better take a look, then.
17:24What's the hurry? Can't we watch it later?
17:26No, no, there's no time.
17:28Well, can't we catch up first?
17:30So, what have you been up to?
17:32Sorry, we'll talk after.
17:34Don't I even get a cup of coffee?
17:38Joe?
17:40Come on, then. Sit back so I can watch it, too.
17:45She really came through, though. I wouldn't have been able to do it without her.
17:48Pat.
17:49Hello. What's with the welcoming committee?
17:52Thank you, Pat. You don't know how grateful I am.
17:54Well, if I'd known it was going to take three hours, I might have had second thoughts about it.
17:58All right, Robbie, you can go now.
18:00All right, yeah. Yeah, mustache.
18:03Thanks again, Pat.
18:05You didn't have to come over and wait.
18:07I wanted to give you these.
18:09What's this for?
18:10For saving the day. I know what a big step it was.
18:13How was it?
18:14All right, once I got going.
18:16Yeah, I couldn't believe it when Robbie told me where you were.
18:19He made it hard for me to say no.
18:21I didn't even have time to think.
18:23Tell you what, though, I could do with a stiff G&T.
18:25Yeah, well, come on, let's get out of here.
18:27You can tell me all about it, hmm?
18:29There's plenty to tell.
18:31Oh, no, don't go in there.
18:33Oh, I can't look.
18:34It didn't happen like that.
18:36Well, aren't you enjoying it? It's so scary.
18:38You did get it all wrong.
18:40What? People in charge?
18:42Well, I suppose they can't believe it's happening.
18:44No, no, they've already got to them.
18:46They've already got to the president and everyone, can't you see?
18:49You can see.
18:51I must have missed that bit.
18:53Can't trust anyone. They've all been taken over.
18:56I thought you said you hadn't seen it.
18:58I haven't seen it, have I?
19:00Well, you should have said.
19:02Well, I could have got another one.
19:04Oh, look, can't you see? Anyone can see it's too late.
19:08It's only a film.
19:11Cheers, Robbie.
19:12Thanks, Lorraine.
19:14Oh!
19:16Better?
19:18Funny, I felt fine earlier.
19:20Now it's all over, I feel a bit shaky.
19:22You know, I was really proud of you.
19:24I know it can't have been easy.
19:26No, it wasn't.
19:27I got in that car and I just froze.
19:29I didn't think I could do it.
19:31It kept coming back to me, what happened the last time
19:33I went out on an urgent call.
19:35But I couldn't let Robbie down, could I?
19:37I just had to pull myself together and get on with it.
19:39Well, it was time.
19:40I mean, what purpose does it serve?
19:42Never driving again except to go on punishing yourself.
19:44I know.
19:45It's been going on long enough.
19:47Do you know what?
19:49I was the most courteous and considerate driver out there.
19:51Well, you'll soon get your confidence back.
19:53Already started, haven't I?
19:55Yeah, right in at the deep end.
19:57You'd better believe it.
19:59Oh?
20:00This Mr King, it wasn't one of the accounts that came through you, was it?
20:03King? No. Why? What about him?
20:05Well, the job was to pick up these two blokes at the airport,
20:08take them to a hotel, wait there for an hour and a half
20:10and then drop them off at another hotel.
20:12Some sort of business meeting?
20:14Oh, no, this was no business meeting.
20:16Not judging by the girls who escorted them out of the car.
20:19We're talking personal services here.
20:22You're joking.
20:24Oh, very upmarket, very discreet.
20:26I don't believe it.
20:28No wonder you and Nanny were so keen to drive for him.
20:3120 quid tips, that's why.
20:33Oh, I see.
20:35I'm no brute. I mean, I don't care what people get up to.
20:38But our involvement in this is on a regular basis.
20:41We're practically on the payroll, and that is something else.
20:44I'll have a word with Barry. I'll find out what's going on.
20:47No, you let me do that.
20:49I'll get that machine fixed in the morning, so don't worry.
20:52Sorry to drag you out, but it was an emergency.
20:54It's always the way, isn't it, the first day back?
20:56Do you fancy a cuppa before you go home?
20:58Yeah, yeah, why not?
21:04SIREN WAILS
21:23It may be an old film, but it's still scary.
21:26What are you doing?
21:28I've got to work out how they did it.
21:30What, the special effects?
21:33Hello, Sarah.
21:35Hello, Mrs Wicks. What are you two up to?
21:37Oh, we were just watching a video. Well, I was just going, actually.
21:40Well, you don't have to.
21:42No, it's all right. I should get back and have my tea.
21:44Well, didn't Jo get you anything?
21:46It's all right, really.
21:48Jo, didn't you offer Sarah anything?
21:50Mel's not very friendly when she comes around.
21:52I forgot.
21:54No, it's all right, really. I wasn't that bothered.
21:56Jo.
21:57Look, what about the tape? Do you want me to take it, or will you return it?
22:00I'll do it, Sarah.
22:02OK, I'll see you then.
22:04Bye-bye.
22:06You could at least walk Sarah home.
22:08What?
22:10I don't know. I thought I'd brought you up to have better manners than that.
22:14What's she got?
22:25Sarah!
22:26Jo, what is it?
22:28Well, I just came to tell you.
22:31You know, to be careful.
22:33Careful?
22:34Yeah.
22:35There's lots of dangerous people around, Sarah. They're everywhere.
22:38I just don't want them to get to you, too.
22:40Well, it's half past seven. I'm only going round the corner.
22:43But if you want to walk me home, I wouldn't say no.
22:48Oh, sorry, you're busy.
22:49No, it's all right, Nigel.
22:50I'm just going to have a cup of tea. It's a fresh pot.
22:52No, I won't stop. It's about Dot.
22:54Oh, yeah. Did you speak to her?
22:56Well, that's the thing.
22:58I did as well, and they said she wasn't staying there.
23:00Well, you did ring the right one, the estuary.
23:02No, I did. It's the one I dropped her off at last night.
23:05They said they'd never heard of her.
23:07That's very odd.
23:09I tried director enquiries, but there was no listing under Dot or Nick.
23:12What's all this?
23:14Oh, Dot Cotton. She turned up at Ethel's yesterday.
23:17You must have heard about her. She's a real character.
23:20She used to smoke all the time, always knew the latest gossip.
23:23She used to live in your house.
23:25Yeah, of course I've heard of her.
23:27It is odd, you know, Nigel. I know.
23:30When we came out of the laundrette earlier, there was a woman hanging about.
23:33I thought she was going to talk to you, but she just turned away.
23:36Was she tall and thin?
23:38Sort of reddish-brown hair, wearing a light raincoat?
23:41Yeah, yeah, that's right, yeah.
23:43Dot? Well, why didn't she come and say hello if she's here?
23:47Do you think she could still be out there?
23:49Well, it was only five minutes ago.
23:53I don't suppose you know what time the next bus is?
23:56Be hours yet, I suppose.
23:58There's never one when you need one.
24:02I'll suit yourself.
24:04No, you're right.
24:05They're terrible things. They're very bad for you.
24:07It's too late for me.
24:09And I've few enough comforts left as it is.
24:12You live around here, too, you?
24:14I used to once.
24:16There used to be a day when I couldn't walk down that market street
24:19without stopping a dozen times to say hello.
24:21But you're soon forgotten.
24:23Life goes on.
24:24People change.
24:26You've noticed it, too?
24:28Oh, they say hello.
24:30But it's what they don't say.
24:32It's the look in their eyes.
24:34Yeah, it's their eyes. That's all you can tell.
24:36I'd rather have the kindness of strangers than the pity of friends.
24:40Do unto others, as what the good Lord says.
24:43We shall all be judged by our kind acts
24:45when the day comes to stand before the Almighty.
24:48Do you know when that day's going to be?
24:50For I say, you know not the hour nor the moment.
24:53You've got to be ready, that's all. You've got to be ever vigilant.
24:56You do know, don't you?
24:58Listen, please, you've got to tell me. I need to know.
25:00Get away from me. What's wrong with you?
25:02No, I need to know. Please, you've got to tell me.
25:04Now, get back. Go on, or I'll scream.
25:06I will. Threatening a defensive poor woman.
25:08I'll call the police.
25:10One of them might know.
25:12Get away from me. Go on.
25:15Joe? Joe, what's wrong?
25:17She started screaming at me for no reason, Nigel.
25:19You've got to stay away from her.
25:21Who? What are you talking about?
25:23She's talking about, erm, talking about judgment day.
25:26She's offering me cigarettes.
25:28Look, she's an elderly lady, sort of tall and thin.
25:30She wouldn't stop talking. She wouldn't let me go.
25:32Where is she? She's down there.
25:39Mrs C? Mrs C!
25:42It's me.
25:44Oh, Nigel.
25:46Didn't you hear me calling? I'm just home.
25:48But, er, what are you doing here?
25:50Why didn't you come and say hello? I didn't have the time.
25:52No, but I've been trying to phone you all day.
25:54Yes, well, I was out, so you wouldn't have got me.
25:56But what are you doing here?
25:57Well, I thought I'd just call in on Ethel again.
25:59You know, I don't know how I landed up here.
26:01It was a bad idea.
26:02No, it's been great to see you, but you can't rush off.
26:04What, about the bar? No, you can't.
26:06Oh, Nigel, please. I don't understand, Mrs C.
26:08What's wrong? Well, I got a...
26:10Oh, it was a mistake!
26:12Mrs C.
26:19This is mine. What are you doing with it?
26:21Sorry, I was stripping the bed. I found it.
26:24You've no right to go prying, Mum.
26:26I am not prying on you. It looked interesting.
26:29I didn't know you kept a scrapbook.
26:32Everything I do, everywhere I go, I'm being watched, aren't I?
26:35I'm being watched.
26:37I'm being watched.
26:39I'm being watched.
26:41I'm being watched.
26:43I'm being watched.
26:45I'm being watched.
26:47I'm being watched, aren't I?
26:48Look, I am not checking up on you.
26:50You know I wouldn't do that, and I'm sorry.
26:52Mum, keep out of my room.
26:54It's private.
26:56Joe, you are all right, aren't you?
27:00Just leave me alone.
27:17MUSIC PLAYS
27:47MUSIC FADES