Category
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Short filmTranscript
00:00Pájaro soñador
00:30So, let's go back to our topic.
00:32People know that you've made creams, but what they don't know is that you've also created perfumes.
00:37Maybe we can start from there.
00:42That! Perfume! How is it possible that I didn't think of that?
00:48Of course, we can sell creams and perfumes.
00:50The perfume of that night.
00:53The perfume that drove Jan crazy.
00:55The one I haven't used in a long time.
00:57He'll remember me if I wear it.
00:59We haven't forgotten the smell of the old grandmother's closet yet.
01:02He may have forgotten me, but he'll remember me as soon as he smells that perfume.
01:07Sanem, but where are you going?
01:08I have to make the perfume, it's for tomorrow.
01:10And what about the presentation?
01:12Jan will take care of it.
01:13But...
01:15Sister!
01:17I couldn't touch the subject anymore.
01:18Oh, wait.
01:19As soon as she heard perfume, she went crazy.
01:23You haven't said anything all the way, Aziz.
01:26What do you want me to say?
01:28What do I say?
01:29I could expect from Uma an attitude like today's, but from you?
01:33Never!
01:38Aziz.
01:40I'm not like you.
01:44I can't stay still and accept things the way you do, my love.
01:48You've heard it, haven't you?
01:52Did you understand?
01:53Everything she's tried to do against me.
01:57And that's very important to you?
01:59Of course.
02:00Good.
02:03Look, Ivan.
02:04I don't want any more chaos in my life.
02:07I want peace.
02:10You're right.
02:11Me too.
02:18Hey, let's go home.
02:20I'll make you some tea.
02:21That'll calm you down.
02:38I'd better spend the night with my son.
02:42I think I need to walk a little.
02:51Bye.
03:21Bye.
03:51Bye.
04:17These climate changes are killing me.
04:22Where are they?
04:23We only have two hours to start and they don't show up.
04:27And the phone doesn't answer either.
04:29Even if it's not there anymore, Sanem.
04:31There it is.
04:32Where were you?
04:33We need you to manage the crisis.
04:35Sanem.
04:36I worked all night.
04:38He already told us the same thing.
04:40He sent us an e-mail.
04:41He said he was going to pick us up.
04:43He said he was going to pick us up.
04:44He said he was going to pick us up.
04:45He said he was going to pick us up.
04:46He said he was going to pick us up.
04:48He said he was going to pick us up.
04:50He sent us an e-mail with a summary of the project, but it hasn't arrived.
04:53He wasn't home when I left.
04:55He should have arrived by now.
04:56Well, he's not here.
04:57And the phone doesn't answer when we call him.
05:00And we only have two hours left.
05:01Yeah, look, we only have two hours left.
05:05I can imagine where he could be.
05:07Where could he be, Jan?
05:08Wait for me here.
05:10Where are you going?
05:12Sanem is leaving.
05:13Is there a way to find him?
05:14Look at the time.
05:15Don't worry.
05:16You'll see how you find him.
05:20I'll be right back.
05:51Hi, Jan.
05:53Hi.
05:55Have I ever come here with you?
05:57Can you tell me?
05:59Yes.
06:01For me, this place was my refuge.
06:04I never brought anyone here, but I brought you.
06:07Yes, and you also cooked there for me.
06:11I didn't even bring Polen here.
06:15Polen was here because I brought her.
06:18I also brought my sister and Emre.
06:22Cheers.
06:23Thank you, Sanem.
06:24Anyway, let me understand.
06:27Did you know that this place is very special to me,
06:30and yet you brought everyone?
06:35What kind of love story did you and I have?
06:39We lived a love that became a bestseller,
06:41but you don't remember it.
06:44As you may have noticed, I'm not going to the agency today.
06:48And I sent a file for them to take care of the presentation.
06:52Of course, love.
06:55I told you, love.
06:57It was a lapse.
06:58Jan and love are very similar and I mix them up.
07:01Sometimes I don't even know what I'm saying.
07:04Well, no, they don't look alike.
07:06You are very interesting.
07:08What did you bring me?
07:14It's meat, like the one you cooked for me.
07:17Thank you very much.
07:18You are very considerate.
07:19And we're going to eat together, I guess.
07:23Oh, cheers.
07:25What's wrong?
07:27Don't get too close.
07:28I think I have something.
07:30I can't breathe well.
07:32I guess I'm going to have to get some air.
07:35I'm sorry.
07:37I'm sorry.
07:39I'm sorry.
07:40I'm sorry.
07:42I guess it's a cold breath.
07:44You can't smell anything.
07:47What?
07:53What, what?
07:55You smell raw meat a hundred meters away.
07:59Wow, what happened to me?
08:01Now it turns out that I have become a werewolf
08:03and that I can smell raw meat a hundred meters away.
08:07Put it in the fridge.
08:09Do you know where it is?
08:10I'll go get firewood.
08:13Don't you have one of those sprays that defogs the nose?
08:16I already tried it, but it doesn't work.
08:18Get better, Jan.
08:20Damn it.
08:22Oil.
08:24Olive oil can work.
08:30Let's see.
08:32Where is it?
08:34Not here.
08:36Not up here either.
08:38This is not it.
08:40Where did he put it?
08:42Where could it be?
08:47Relax, James.
08:50Who's calling me now?
08:52I'm coming.
08:55Hello?
08:56Hi, Sanem.
08:57You found Jan, right?
08:59Yes, yes, I found him.
09:01Well done.
09:02What's all that noise? What are you doing?
09:04It's nothing.
09:06I'm looking for olive oil.
09:08Tell me what you want it for.
09:10John has a clogged nose.
09:12I have to put the oil in there.
09:14Olive oil is good for nasal congestion.
09:17We're waiting for it.
09:18Where is it?
09:19In the cabin.
09:20What?
09:21What did you say? He's not coming to the agency?
09:22Oh, no.
09:23No, he'll stay here, Henry.
09:25Sanem, then you have to come right away.
09:27I'm not going.
09:28What?
09:29I have to defog Jan's nose.
09:31Get it?
09:32There are more important things than Jan's nose.
09:34So come here.
09:35John prepared a great file.
09:37So you can do the presentation without him.
09:39You have a congested nose and I'll defog it.
09:43There's nothing here.
09:45Just nature.
09:47He hung up on me.
09:48And now what?
09:49He hung up on you?
09:50Yes, he hung up on me.
09:51And how are we going to do the presentation?
09:54Olive oil.
09:55Let's drink olive oil.
09:57Olive oil is very healthy and has many properties.
10:00It's very good, Deryn.
10:01I see you like a bottle of oil.
10:03With a stopper and everything.
10:04Go away.
10:05Try to calm down.
10:07Oil.
10:08Oil.
10:09Oil.
10:10I see olive oil everywhere.
10:11Everywhere.
10:13I'm already stressed.
10:14Now what are we going to do with the presentation?
10:16Why do you ask me?
10:17I have no idea what we're going to do.
10:19We have to find a solution.
10:21Why do these things always happen to us?
10:23I don't know.
10:24I can't explain it.
10:25Sanem.
10:27Sanem, I brought the firewood.
10:28Where are you?
10:32Sanem.
10:38Oh, what is all this?
10:40It looks like a battlefield.
10:43Jan, what are you doing with such a strange girl?
10:46What a mess.
10:51I'm sure a thyme infusion would be good for her.
10:54But where is it?
10:55I wish I could find some manzanita.
11:01Surprise!
11:05Look at this.
11:09Lottery.
11:11It has a bug, but I don't care.
11:14Oh, it doesn't smell.
11:15But it's this one.
11:21Welcome.
11:22Welcome, Mr. Asim.
11:25Let me introduce you to the main team of our agency.
11:29Mr. Emre and Ms. Leila.
11:31It's a pleasure. Nice to meet you.
11:32Mr. Mesaferi.
11:33Mr. Sengis, who are key employees and a server.
11:37We've already talked about Eren.
11:39It's a pleasure to meet you.
11:41But where are Mr. Jan and Ms. Sanem?
11:49They had to attend a last-minute meeting that they couldn't postpone.
11:55But we'll do the presentation without any problems.
11:59I see.
12:00This meeting wasn't important.
12:02We'll do the following.
12:04Call my secretary for another appointment when you're available.
12:08We'll talk to other agencies in the meantime.
12:10Good morning.
12:11Other agencies?
12:15Mr. Asim.
12:17Oh, sir.
12:18We only asked for half an hour of your time.
12:21You should see the magnificent presentation you have.
12:25Yes, almost.
12:27I won't make any deals with you.
12:30Ms. Asim, excuse me.
12:34Ms. Asim!
12:35Stop right there!
12:37Wait!
12:41Now I'm scared of that woman.
12:43Please don't go.
12:45Please come back.
12:47They asked us not to tell you the real reason why she's not here.
12:54But we should tell her.
12:56Don't you think we should tell her now?
13:00Yes, we have to tell her.
13:02Tell her.
13:03What's the reason?
13:07We contacted a foreign director.
13:09They went to pick him up at the airport just now.
13:12That's the reason.
13:14I see.
13:15And the director's name?
13:19Arthur Capello.
13:23The great film director.
13:26Yes.
13:27Where is he from?
13:28Spain.
13:31Or the south?
13:34He's English of Spanish origin, sir.
13:36Yes.
13:37He's very busy.
13:38Yes.
13:39He was supposed to arrive yesterday, but there was a setback with the airline.
13:42Since we hadn't signed the contract with you yet,
13:45he didn't want us to tell you anything, but we felt obligated.
13:49Yes, he looked a little angry.
13:52Mr. Capello is not an ordinary director.
13:55He has received numerous awards and is famous all over the world.
13:59So it is very difficult to contact him.
14:02As you can understand, it is very inaccessible.
14:05Look, Mr. Chang wants his products to gain international fame,
14:10and that's why he contacted the director.
14:12That's right.
14:13Mr. Capello will only spend two hours in Istanbul
14:16and then fly to Switzerland immediately in his private jet
14:20to record an ad for a famous watch brand.
14:23He's busy.
14:24And now Mr. Chang is spending those two hours with Mr. Capello.
14:28In fact, he had to take Miss Sanem to help him convince him.
14:32You see, it all happened unexpectedly.
14:34I'm sorry.
14:35I see that Mr. Chang trusts himself a lot.
14:38A lot.
14:39Of course, of course.
14:40A lot of confidence, a lot, a lot.
14:43And if they don't convince me?
14:46Ah!
14:48Sir, if we did not trust the presentation,
14:51the gentleman would not have gone out to meet.
14:54Mr. Capello is not easy to find.
14:56It is inaccessible.
15:01It's true.
15:03Yes.
15:13It's okay. I stay.
15:14Yes!
15:16I'm curious to see that presentation.
15:19Excellent, good decision.
15:21This way, this way?
15:22Yes, yes, let's go.
15:25Let's go.
15:32I'm going to make you an infusion to uncover your nose.
15:35I slipped and I fell, but I'm fine.
15:38But why did you do all that?
15:41Was it because of my cold?
15:44Yes.
15:46If you eat meat, you need to smell it to eat with pleasure.
15:50Jan, I'm going to make you an infusion.
15:53I'm going to make you an infusion.
15:56I'm going to make you an infusion.
15:59I'm going to make you an infusion.
16:01Jan, it's no bother.
16:03When these flowers dry, I'll make you an infusion so you can breathe.
16:07Don't worry.
16:08Okay, but change. I have clothes over there.
16:11Okay, a lot of stones.
16:31I'm going to make you an infusion.
16:34I'm going to make you an infusion.
16:37I'm going to make you an infusion.
16:40I'm going to make you an infusion.
16:43I'm going to make you an infusion.
16:46I'm going to make you an infusion.
16:49I'm going to make you an infusion.
16:52I'm going to make you an infusion.
16:55I'm going to make you an infusion.
16:58I'm going to make you an infusion.
17:01I'm going to make you an infusion.
17:04I'm going to make you an infusion.
17:07I'm going to make you an infusion.
17:10I'm going to make you an infusion.
17:13I'm going to make you an infusion.
17:16I'm going to make you an infusion.
17:19I'm going to make you an infusion.
17:22I'm going to make you an infusion.
17:25I'm going to make you an infusion.
17:28I'm going to make you an infusion.
17:31I'm going to make you an infusion.
17:34I'm going to make you an infusion.
17:37I'm going to make you an infusion.
17:40I'm going to make you an infusion.
17:43I'm going to make you an infusion.
17:46I'm going to make you an infusion.
17:49I'm going to make you an infusion.
17:52I'm going to make you an infusion.
17:55I'm going to make you an infusion.
17:58I'm going to make you an infusion.
18:01I'm going to make you an infusion.
18:04I'm going to make you an infusion.
18:07I'm going to make you an infusion.
18:10I'm going to make you an infusion.
18:13I'm going to make you an infusion.
18:16I'm going to make you an infusion.
18:19Thank you for giving us the opportunity to show you our presentation.
18:23I will speak with your lawyer to prepare the contract.
18:26Tomorrow night we will close the rest.
18:29Great.
18:30Until then, goodbye.
18:32Yes, of course, good luck.
18:34Good luck for everything.
18:36I'm sure.
18:37See you later.
18:38See you later, good day.
18:39See you soon, thank you.
18:41Goodbye.
18:42We did it.
18:44Leila, who is Mr. Capello?
18:46I had to invent it.
18:48Obvious.
18:49You have lied like a professional.
18:52This is not called lying, Enrique.
18:54This is called good problem solving.
18:57I appreciate it, Deben.
18:58Did you hear that?
18:59If it weren't for Leila, that man would have gone.
19:01He would have gone to the front agency.
19:03It's true.
19:04You know what's next?
19:05Group hug.
19:11And you deserve a promotion for your performance.
19:13I'm going to talk to Jennifer.
19:14Thank you, but for now we have an even bigger problem.
19:17I guess you're not seeing it.
19:19We have to create director Artur Capello or our project will be lost.
19:23It's true.
19:24What are we going to do?
19:25This is crazy.
19:27And I don't remember.
19:31The novel is called The Phoenix and the Albatross.
19:34I guess I'm the albatross and you're the phoenix.
19:38Yes.
19:39According to legend, you have to cross seven valleys to reach the phoenix of the mountain of Kaf.
19:44But you stayed in the Valley of Solitude.
19:48Have you been reading?
19:50Yes, a little more.
19:52Why did you stay there?
19:54Because you will always be an albatross flying in the Valley of Solitude.
20:01Although I wrote it, it took me a long time to understand.
20:04You and I never changed.
20:10Our love is like that.
20:12We've had fights and nonsense.
20:15You'll understand when you finish it.
20:18I'll finish it.
20:23By the way, the meat is delicious.
20:26Your salad too.
20:28I love the smell of mint.
20:37Did it uncover?
20:39It could be the apple.
20:41It's okay.
20:42Stop there.
20:44That night we had dinner together.
20:46We ate meat.
20:47You wanted to be the cook and you cooked for me.
20:49What else?
20:53And we also drank a lot and I got drunk.
20:56What did you do next?
20:58Oh, I don't know how to describe it.
21:00Wait a minute.
21:02Look, I can show you.
21:05I came all the way here and I put this record.
21:10I put it for you.
21:13Like this.
21:21And then?
21:22It's called The Evil King.
21:24And then we danced for a while.
21:34I was like a bee before you.
21:44Look, I turned to the propellers when I saw you.
21:49Even if I burn, I can't leave you.
21:54I can't be without you all my life.
22:00Even if I burn, I can't leave you.
22:05Even if I live a thousand years, I can't get enough of you.
22:11You gave my heart to you.
22:18If I don't take you, my eyes will be open.
22:27Give me your hands, life is beautiful when it loves you.
22:33I devoted my life to your way, come, don't run away, beautiful.
22:39Give me your hands, life is beautiful when it loves you.
22:44I gave my heart to you, how beautiful.
22:56I devoted my life to you, how beautiful.
23:03I gave my heart to you, how beautiful.
23:10They found us!
23:12We trying to save the company and you guys here enjoying, do you think it's nice?
23:17Sorry to interrupt you, but the meeting has not been easy.
23:19We almost missed the opportunity, but in the end it was achieved.
23:22Yes, it is. But there is bad news.
23:25I also have a good one and a bad one.
23:28Control yourself.
23:29Everyone already knows my secret hideout.
23:31That's the bad one.
23:32But I'll look for another place.
23:34That's the good one.
23:35Jan, where are you going?
23:37I already knew this.
23:39Are you both against me?
23:40Because I can't believe it, really.
23:42I feel like crying.
23:43I started to smell.
23:44Just a moment ago.
23:45Right now I had my nose there stuck.
23:47You close the doors.
23:48Let me go.
23:49Wait.
23:50We have a serious problem.
23:51Jan!
23:52Jan!
23:53We have a serious problem.
23:54His name is Artur Capello.
23:55Where are you going?
23:56Where are you going now?
23:57I'm hungry.
23:58Where's the food?
23:59Because it smells delicious.
24:00Musa.
24:02Oh, it smells good.
24:03Jan, do you know where the kitchen is?
24:32What are you doing? What's wrong with you? What are you trying to do? I don't understand, something's going on here, but I don't know what it's about. I don't understand.
24:42What's wrong with you, fool? You're still in a bad mood? I already told you I didn't spit in your coffee.
24:46Oh, of course, we all saw it.
24:48What? You saw it? Well, I had the intention of spitting, but I changed my mind. I did it like this. I regretted it.
24:53Look, even though I'm very humble, I know that when you're going to spit, you can't regret it. All your microbes and amoebas fell in that coffee.
25:01Ah, that's what you want? Since we can't share the money, we won't share the house either.
25:06Oh, yes, I'm angry, aren't I? Is this what we've come to? Is this friendship? Is this being like brothers? Well, no.
25:13Spit on me, Musa. I want to see.
25:16Calm down. Don't ask me that, Yei Yei. I would be incapable. We've been friends for a long time.
25:22Musa, you know I have a mental problem. I can't go anywhere. If you don't spit on me, I can't. Spit on me, spit on me, spit on me.
25:29Yei Yei Yei, that's enough. Don't say that. I could never spit on you.
25:33Coward, coward.
25:35Perfect. Get out of here.
25:39Get out!
25:41The door is not there.
25:43It's over there.
25:45Did you spit on me?
25:46Yes.
25:47Look.
26:00Go away.
26:03Take care of them yourself. We'll see how you survive.
26:10I'm not hungry anymore.
26:29I'm not hungry anymore.
26:59I'm not hungry anymore.
27:29I'm not hungry anymore.
27:30I'm not hungry anymore.
27:31I'm not hungry anymore.
27:32I'm not hungry anymore.
27:33I'm not hungry anymore.
27:34I'm not hungry anymore.
27:35I'm not hungry anymore.
27:36I'm not hungry anymore.
27:37I'm not hungry anymore.
27:38I'm not hungry anymore.
27:39I'm not hungry anymore.
27:40I'm not hungry anymore.
27:41I'm not hungry anymore.
27:42I'm not hungry anymore.
27:43I'm not hungry anymore.
27:44I'm not hungry anymore.
27:45I'm not hungry anymore.
27:46I'm not hungry anymore.
27:47I'm not hungry anymore.
27:48I'm not hungry anymore.
27:49I'm not hungry anymore.
27:50I'm not hungry anymore.
27:51I'm not hungry anymore.
27:52I'm not hungry anymore.
27:53I'm not hungry anymore.
27:54I'm not hungry anymore.
27:55I'm not hungry anymore.
27:56I'm not hungry anymore.
27:57I'm not hungry anymore.
27:58I'm not hungry anymore.
27:59I'm not hungry anymore.
28:00I'm not hungry anymore.
28:01I'm not hungry anymore.
28:02I'm not hungry anymore.
28:03I'm not hungry anymore.
28:04I'm not hungry anymore.
28:05I'm not hungry anymore.
28:06I'm not hungry anymore.
28:07I'm not hungry anymore.
28:08I'm not hungry anymore.
28:09I'm not hungry anymore.
28:10I'm not hungry anymore.
28:11I'm not hungry anymore.
28:12I'm not hungry anymore.
28:13I'm not hungry anymore.
28:14I'm not hungry anymore.
28:15I'm not hungry anymore.
28:16I'm not hungry anymore.
28:17I'm not hungry anymore.
28:18I'm not hungry anymore.
28:19I'm not hungry anymore.
28:20I'm not hungry anymore.
28:21I'm not hungry anymore.
28:22I'm not hungry anymore.
28:23I'm not hungry anymore.
28:24I'm not hungry anymore.
28:25I'm not hungry anymore.
28:26I'm not hungry anymore.
28:27I'm not hungry anymore.
28:28I'm not hungry anymore.
28:29I'm not hungry anymore.
28:30I'm not hungry anymore.
28:31I'm not hungry anymore.
28:32I'm not hungry anymore.
28:33I'm not hungry anymore.
28:34I'm not hungry anymore.
28:35I'm not hungry anymore.
28:36I'm not hungry anymore.
28:37I'm not hungry anymore.
28:38I'm not hungry anymore.
28:39I'm not hungry anymore.
28:40I'm not hungry anymore.
28:41I'm not hungry anymore.
28:42I'm not hungry anymore.
28:43I'm not hungry anymore.
28:44I'm not hungry anymore.
28:45I'm not hungry anymore.
28:46I'm not hungry anymore.
28:47I'm not hungry anymore.
28:48I'm not hungry anymore.
28:49I'm not hungry anymore.
28:51Being on the street, life is cold.
28:54Without a home?
28:56And that?
28:57Did Musa kick you out or what?
28:59No, not at all.
29:00I forced him to kick me out.
29:01There is no communication.
29:02Nothing is like before.
29:06Do you have a place to stay?
29:10No.
29:12But yes.
29:13If you give me a blanket and some cardboard, I can pass.
29:20At night, on the street, like a dog without a home.
29:23A blanket and cardboard?
29:25That's right.
29:26But we are at 40 degrees.
29:28If I give you a blanket, tomorrow you will appear here melted.
29:32Wait a minute.
29:33I'm going to leave this.
29:36Come on, let's go home.
29:37No, no, no, no, no.
29:38Calm down.
29:39I do not want to bother.
29:40What do you say?
29:41For me you are like a son.
29:42You will never bother.
29:44Come on, come on.
29:45Well, only with one condition.
29:47We already started.
29:48And what condition is that?
29:49Whenever you want me to go, you'll have to kick me out.
29:51If not, I'll never leave.
29:53Did you kick you out?
29:54I've never done anything like that in my life.
29:58If you don't ask me to leave, I'll always be with you.
30:03Remember that.
30:05But what are you saying?
30:06Why would I do that?
30:09Well, perfect.
30:10I'll kick you out even if you don't understand.
30:11I'll kick you out.
30:12There you go.
30:13All right.
30:14Let's go.
30:15Thanks.
30:16Move.
30:17Are you going to give me hot chocolate?
30:19Yes, I have hot drinks.
30:20Great.
30:21You can drink all you want.
30:22And cookies too?
30:30What happened?
30:31Did you fail again?
30:33What would happen if they had kissed?
30:35Would you have regained your memory?
30:37Don't be naïve.
30:39I'm not naïve.
30:40Better shut up now.
30:41It looks like you're getting used to it.
30:44Yes, I am.
30:48Are you okay?
30:49Yes, yes.
30:50Okay, if you say so.
31:12Son.
31:13Get ready.
31:14Sit down.
31:15Don't bother.
31:16I can get ready.
31:17It's what I want.
31:18Son.
31:19Come here.
31:20Sit down properly.
31:21They did enough to give me lodging.
31:23I couldn't sit down, even if I wanted to.
31:25And why is that?
31:28I became a slave to the modern era.
31:38Tell me.
31:40Tell me.
31:41You'll see.
31:42I'll cure him.
31:45I beg you, Medkiveh.
31:46Don't meddle.
31:47Advertisers are like that.
31:48Weird people.
31:49I won't sit idly by.
31:51I'll cure you.
31:52Don't worry.
31:53When you leave, you'll be like new.
31:55You'll see.
31:56No, my life has no cure.
31:57I'll leave as soon as I find a place to live.
31:59But first, you have to kick me out.
32:01Nihat.
32:02I don't understand a word.
32:04What are we going to do with him?
32:05I don't know.
32:06It doesn't matter.
32:07Leave him alone.
32:08Leave him here.
32:09I can't kick him out.
32:10Poor guy.
32:11Good afternoon.
32:12Hello.
32:14What are you doing here, Yeye?
32:16Hello, Emre.
32:17You'll see.
32:18I always go where they take me as a pilgrim.
32:20And this will be my home.
32:23Oh, no way.
32:24He's depressed again.
32:28Help him.
32:29Of course.
32:30I will.
32:31Come on, Yeye.
32:32We have to take your things upstairs.
32:33What do you think?
32:34Okay.
32:35Let's go.
32:36See?
32:37We don't understand it.
32:38But they know how to communicate.
32:40Let him stay.
32:41Of course.
32:42Yes.
32:44Hey, are you really going to stay here?
32:46Of course.
32:47What's the problem?
32:48He's like family.
32:49But come.
32:50Come closer.
32:51The tea is getting cold.
32:52Sit here, son.
32:53Here.
32:54With your in-laws.
32:55Sit down.
32:57Let's have some tea.
33:08Jan, would you like some lemonade?
33:10No, thank you.
33:11I'm fine.
33:19I spoke to your brother today.
33:21He says you were alone with Sanem in the cabin.
33:25Tell me, have you been able to remember anything from the past?
33:33We've gotten very close.
33:36And we were about to kiss.
33:38But Leila and Imre arrived.
33:40Oh, it can't be possible.
33:42As timely as ever.
33:45But tell me, did you get angry with them because they arrived?
33:49No, in fact, it was a relief.
33:51And that?
33:52Well, if Sanem and I loved each other as much as everyone says,
33:57don't you think I should feel it in my heart?
34:06I don't remember her, and I understand that it's because of the accident.
34:12But why don't I feel anything? I don't understand.
34:20Look, son, if you remembered everything you've done for the girl you're talking about,
34:25you'd be angry about what you've said.
34:27I already told you, Dad.
34:28I can't remember.
34:30I don't remember anything from my previous life.
34:32Look, son, I've never met a couple who loved each other more than you two.
34:39They were very in love, made for each other.
34:43Listen to me, look for Sanem in the depths of your heart.
34:48And even if you can't find her,
34:51never let go of her hand, Jan.
34:55Because if you go away,
34:58you'll regret it when you remember her love.
35:02You mean that if I hold on to her, I'll be able to remember?
35:05Of course.
35:07And I know.
35:09Because her love was true.
35:16You're the evil king.
35:19Not only did you lose your memory when you hit your head,
35:22you've done it again.
35:24You're mean.
35:25You're evil.
35:28Am I wrong?
35:30Sanem.
35:32Daughter, who are you talking to?
35:34What happened?
35:35Tell me.
35:36I feel very sad.
35:37Why?
35:38Because of Jan.
35:40He still doesn't remember me.
35:43And he also says he doesn't feel anything in his heart.
35:47That he doesn't feel anything inside.
35:49Please, calm down, Sanem.
35:52Where do you get all that nonsense from?
35:54I heard him talking to his father.
35:56Let him stay between us.
35:57Of course.
35:58Don't worry.
36:00As you know, he's still upset about the accident.
36:03That's what you think.
36:04I'm going to be the one to leave him upset.
36:06What are you going to do?
36:08I'm not going to try to make him remember the past.
36:10I don't know why I'm doing this to myself.
36:12I'm going to be the same Sanem I was before.
36:14I'm going to try to forget everything like him.
36:16If Jan regains his memory, then he'll come looking for me.
36:19And if he doesn't, he'll lose me forever.
36:21But don't say anything, okay?
36:22Okay.
36:23First of all, he has a heart.
36:25It would be good to know that before.
36:28And let's see if he beats.
36:39The seismic alarm works.
36:52Mother!
37:02Good morning!
37:05Good morning, little flowers.
37:08That's it.
37:10Perfect.
37:13Well, breakfast will be right away.
37:16I'll wait for you.
37:22Good morning.
37:25Oh, son.
37:26Why did you bother?
37:27I could take care of it.
37:28Look, what a beautiful table.
37:30Oh, what a detail.
37:32Sit down, please.
37:33It's a pleasure.
37:34And so it will be every day until they fire me.
37:39Let's see.
37:40Why are you obsessed with us firing you?
37:43Someday I'll tell you.
37:44It's a kind of trauma.
37:46Calm down.
37:47Oh, yes.
37:48I can't go anywhere until they fire me.
37:51I'll explain it to you.
37:52Good morning.
37:53Good morning, daughter.
37:54Oh, I think this is JJ's work, right?
37:59Everything looks good.
38:00In the office we also have.
38:02My mother has made us some very rich.
38:04Yes, of course.
38:05But for us it's a novelty.
38:07Good job.
38:08Anyway.
38:09What?
38:10And all this?
38:11Where do we start?
38:12Tell me.
38:13Well, let's start with the kitchen.
38:15And all this?
38:16Where do we start?
38:17Tell me.
38:18Guess.
38:24Why this one?
38:25Is it clear?
38:27Due to your recent health problems,
38:29I made you a delicious tofu salad.
38:32What is tofu?
38:33How am I going to know?
38:34Eat it.
38:41Oh, dad, you're going to like it.
38:44Eat.
38:46Now.
38:51That's how it's done.
38:57And how about?
38:58If you like it, yes.
39:00Don't tell him.
39:03Oh, I miss Sanem.
39:05I'm going to call her.
39:14Tell me, mom.
39:15Oh, Sanem.
39:16How are you, love?
39:17Fine, mom.
39:18I'm going to work.
39:19Well, listen.
39:20Don't sit in front of the air conditioner.
39:22You know it's not good.
39:23Thank you, mom.
39:24It looks delicious.
39:25And you can get constipated.
39:26We'll talk later.
39:27Yes, mom.
39:28Quiet.
39:29Hello, Mrs. McVeigh.
39:30How are you?
39:31Mr. Jan.
39:32Good morning.
39:33Sanem.
39:34How are you?
39:35JJ.
39:36What are you doing at my parents' house?
39:37Ah.
39:38It's a long story.
39:39I think it will be better to hang up the phone.
39:42I respect the rest of us.
39:44It's true.
39:45You're right.
39:46Goodbye, daughter.
39:48Are we leaving?
39:51I'm not going with you.
39:52I'm going by taxi.
39:53A taxi?
39:54And why?
39:55It's because you forgot everything.
39:57I don't know who I am to you.
39:59And since we work together, I don't think it's appropriate for my boss to take me to work every day.
40:04Did you get up in a bad mood?
40:06No.
40:07Not at all.
40:08Stay alone and listen to your heart.
40:12Do you usually get up like that or is this your morning mood?
40:17Because that wasn't in the book.
40:19That wasn't funny.
40:22Hello.
40:24Good morning.
40:25Can you send me a taxi to Mrs. Mirivan's farm?
40:29What do you mean no?
40:34Well, I'll wait.
40:38What?
40:40Okay.
40:43Get in the car.
40:45No.
40:46No, you get in first.
40:49Okay.
40:50I'll go first.
41:04Hey!
41:05Why don't you understand my problem?
41:07Someone has to answer the phone in the office and that's you.
41:10So if you don't like your job, I'm sorry.
41:13Calm down, Dere.
41:14You don't have to be yelling at me.
41:16But why are you talking so loud?
41:18I remind you that I am a shareholder of this company.
41:20I was expecting to have an office and you tell me to be a receptionist and take the phone.
41:25Do you think it's normal?
41:26You're not doing anything.
41:27The truth is that you have no initiative.
41:29That vase is more productive than you, so you're going to answer the phone and period.
41:34Listen, I told you not to yell at me because you're still doing it.
41:38I'm thinking about JJ and don't bother me.
41:40I don't want to argue.
41:42Good morning.
41:43Good morning.
41:44Good morning.
41:45Good morning, people.
41:46How are you?
41:47Good morning.
41:48How are you?
41:49Good morning.
41:50Good morning.
41:51Good morning.
41:52Why have you come together?
41:53Because today I have decided to close a chapter in my friendly life.
41:55Now I live with the parents of Sanem.
41:57I hope you are calmer.
41:59I see.
42:00It seems that now I understand all this.
42:02Listen.
42:03That's right.
42:04Don't mix your private life with work or I won't have a choice but to fire you.
42:08Musa, if you're not going to answer the phone, at least look for someone.
42:11Yes, yes, that's it.
42:12No need.
42:13I'll take care of it.
42:14Don't make Musa make a mistake.
42:15JJ, you break my heart.
42:16Good morning.
42:17Good morning.
42:18Quietly you look more beautiful.
42:19You hurt my feelings.
42:20Hello, good morning.
42:21Good morning.
42:22Good morning.
42:23Hey, we thought we should look for a new receptionist.
42:27Yes, of course.
42:28We need it.
42:29We have a problem.
42:30We have to make a meeting.
42:31What?
42:32What's going on?
42:33If you had listened to us for two minutes, you would know.
42:35We have to call a meeting urgently.
42:38We'll solve it.
42:39Don't worry.
42:40Let's go to the meeting room.
42:42Okay.
42:43We have to make a meeting.
42:45Yes.
42:46And where are you going?
42:47We are shareholders, so we have to be at the meeting.
42:50Let us pass, Cleopatra.
42:52I agree with this guy.
42:54Listen.
42:55Today we already have enough problems.
42:57I don't want there to be more.
42:58Go put the ad to find the receptionist.
43:01Yes.
43:02Hurry up.
43:03Move.
43:04I'm going crazy.
43:07Did you hear how he shouted at me?
43:08I hear something.
43:09I'm deaf.
43:10I have fish ears.
43:12Arthur Capello?
43:14Where did you get the idea?
43:15I don't know.
43:16It was the first thing that came to mind.
43:18I was about to leave.
43:19In short, Mr. Asim thinks we are going to work with Director Arthur Capello,
43:23but he doesn't really exist.
43:27Let's do this.
43:29Eren calls Mr. Asim and organizes a meeting.
43:32Tell him it's about the director.
43:34What?
43:35Let's go and tell him that we couldn't reach an agreement with him,
43:37that he asked for a lot of money and ...
43:39that's how we got rid of the issue.
43:44It's already solved.
43:46Okay.
43:47I'll call him right away.
43:48Good.
43:50I would like to talk to you alone for a moment, if you excuse us.
43:53Now you want me to leave?
43:55Yes.
43:57Let's go.
43:58This is between brothers.
44:00Sit down.
44:05Look, Jan.
44:06Yesterday Leila was up to the task and knew how to manage the situation.
44:09It seems unfair to me that she is still my secretary.
44:11She deserves a better position, if you agree.
44:13We promote her to account executive.
44:15Do you agree?
44:17If we have that campaign, it is thanks to Leila.
44:19So ...
44:21Yes, I agree.
44:24She's going to feel very motivated.