Hit Movies / Kettle Movie
A romantic honeymoon on the island became a love triangle 🎬 Best Drama Romance Movie
A young woman arrives on a picturesque Greek island in the 1920s for her honeymoon with her husband, an aspiring artist. Their passionate love is soon disrupted when she meets the daughter of a Russian archaeologist, a captivating and mysterious figure. Drawn to her beauty and intellect, she embarks on an intense romance that challenges her marriage and ignites a forbidden desire. As emotions spiral, she begins to believe she is reliving the fate of an ancient poet whose tragic love stories echo through time. Torn between devotion and passion, she must confront the reality of her trinianpal1983 desires before history repeats itself.
Drama / Romance
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#romance #drama #movie #kettlemovie
A romantic honeymoon on the island became a love triangle 🎬 Best Drama Romance Movie
A young woman arrives on a picturesque Greek island in the 1920s for her honeymoon with her husband, an aspiring artist. Their passionate love is soon disrupted when she meets the daughter of a Russian archaeologist, a captivating and mysterious figure. Drawn to her beauty and intellect, she embarks on an intense romance that challenges her marriage and ignites a forbidden desire. As emotions spiral, she begins to believe she is reliving the fate of an ancient poet whose tragic love stories echo through time. Torn between devotion and passion, she must confront the reality of her trinianpal1983 desires before history repeats itself.
Drama / Romance
Enjoy a collection of full movies in English, from action and thrillers to dramas and classics. Watch the best movies to watch anytime, anywhere – all for free!
✅ Movies in English with high-quality video.
✅ Free movies updated regularly.
✅ The best movies to watch, handpicked for you.
📌 Subscribe now and never miss out on great movies to watch!
#romance #drama #movie #kettlemovie
Category
🎥
Short filmTranscript
00:00:30Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
00:01:00ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
00:01:30ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
00:02:00I thought it was a beginning, and I'm not sure life is a fairy tale too
00:02:04Though you are my beautiful princess
00:02:08I guess I really am modern day royalty, since the newspapers call daddy a stock market king
00:02:14Kiss me, maybe I'll turn back into a frog
00:02:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:03:01Welcome to Lesbos, Mr. and Mrs. Lovell. I am Dionysios.
00:03:11Call me Phil. May I present my wife, Sappho.
00:03:14I am enchanted, Kyria.
00:03:21Sir, is a painter, yes? Madam is also an artist?
00:03:25No, Madam's a housewife. She doesn't even paint her face.
00:03:31Madam is likely a star in the movie pictures.
00:03:36How do you like our island's light, Mr. Lovell?
00:03:40It feels so real, Mr. Shannon.
00:03:44Alas, our light is all we have to call our own.
00:03:49Lesbos is now just a factory that breeds babies for export to your new world.
00:03:56We Greeks aren't paradoxical people.
00:04:00We say ne when we say yes.
00:04:03We nod when we mean no.
00:04:06The angrier we are, the more we smile.
00:04:09And we glory that we invented modern civilization.
00:04:13And yet, we live lost in the past.
00:04:18Here's the motor car.
00:04:20You see how very backwards we are.
00:04:22Dromo, ella Dromo.
00:04:25This is the only automobile on the whole island.
00:04:30But Madam, driving is not for a lady.
00:04:35Welcome to 1926.
00:04:37If a girl can vote, why can't she drive?
00:04:46Please, slow down, Mrs. Lovell.
00:04:50Grapes are for cowards.
00:05:08Welcome to Villa Byron.
00:05:11This is Maria. She is the woman.
00:05:13She will cook and clean.
00:05:16The child is called Christos because only God knows who is his father.
00:05:22He is his mother's shame.
00:05:25What about a cat? What's its name?
00:05:27Cassandra.
00:05:33Where shall I put your parrots?
00:05:35They're not parrots. They're lovebirds. You can put them on the table.
00:05:46Don't open it.
00:05:48What are you doing? Surely they will escape.
00:05:53The cage is their home, not their prison.
00:05:55And lovebirds will only sing if they're free to fly away.
00:05:59Wow. Who built this ruin?
00:06:01An English lord. He was quite mad.
00:06:05He wrote poetry and loved boys.
00:06:08But, as you can see, he was very rich.
00:06:12Even the paintings are old, old masters.
00:06:17Come.
00:06:20Look. It's the ghost of the mad English lord.
00:06:25It's not the house planted.
00:06:28Your father's instructions were that only the best would do.
00:06:34Yes. Daddy has calculated his investment will yield the return of a great fortune.
00:06:38Yes. Daddy has calculated his investment will yield the return of a grandson.
00:06:43Quite. Of course.
00:06:47Now, I shall leave you alone.
00:06:56So, how do you like your new home, Mrs. Lovell?
00:07:01It's just fine.
00:07:05Just like my new husband.
00:07:08Yes.
00:07:39Do you always wake up so early?
00:07:42Uh-huh. Where did you get the waistcoat?
00:07:45It was hanging in the cupboard. Don't you like it?
00:07:49It looks good on you, but it's what the men here wear.
00:07:52So? People like us shouldn't follow fashions. We should lead them.
00:07:57And here's one for you.
00:08:01It's what the men here wear.
00:08:03So? People like us shouldn't follow fashions. We should lead them.
00:08:08And here's one for you, too. Now we can really look like brother and sister.
00:08:12If you're my sister and not my wife, this would be incest.
00:08:15Well, did you know incest is an anagram of nicest?
00:08:18And don't call me your wife. It's such a bourgeois word.
00:08:22Mistress for life sounds so much better.
00:08:26Hey, I was painting that.
00:08:31How do you see all these colors?
00:08:34Must be the creative type.
00:08:37That makes us the perfect couple. I'm the destructive type.
00:08:42Back home, people think you struck pay dirt with me.
00:08:45But you don't know how unlucky you are.
00:08:50I'll annihilate you.
00:08:52And all that will be left of you is a broken cross to mark your unkept grave.
00:09:01I'm looking forward to the day.
00:09:03Now let's go for a swim. That's an order.
00:09:32What are you waiting for? The sea's wonderful.
00:09:39What's wrong? Haven't you ever seen a grown man in swimming trunks before?
00:09:44Let's swim out as far as we can.
00:10:02Stop! I can't swim any further.
00:10:07Let's dive down so deep that we can only just make it back up.
00:10:10Okay, but I don't believe you've touched the bottom unless you bring up a pebble.
00:10:32I'm sorry.
00:10:33I'm sorry.
00:10:34I'm sorry.
00:10:35I'm sorry.
00:10:36I'm sorry.
00:10:37I'm sorry.
00:10:38I'm sorry.
00:10:39I'm sorry.
00:10:40I'm sorry.
00:10:41I'm sorry.
00:10:42I'm sorry.
00:10:43I'm sorry.
00:10:44I'm sorry.
00:10:45I'm sorry.
00:10:46I'm sorry.
00:10:47I'm sorry.
00:10:48I'm sorry.
00:10:49I'm sorry.
00:10:50I'm sorry.
00:10:51I'm sorry.
00:10:52I'm sorry.
00:10:53I'm sorry.
00:10:54I'm sorry.
00:10:55I'm sorry.
00:10:56I'm sorry.
00:10:57I'm sorry.
00:10:58I'm sorry.
00:10:59I'm sorry.
00:11:01I'm sorry.
00:11:03I'm sorry.
00:11:04I'm sorry.
00:11:05I'm sorry.
00:11:06I'm sorry.
00:11:25Are you all right?
00:11:26What did you get?
00:11:27Nothing!
00:11:28What did you get?
00:11:28Nothing. I was too busy saving your life.
00:11:31Do you know what that is?
00:11:34Is it some kind of dove?
00:11:36It's a prayer.
00:11:38Long ago, women used to make offerings like these to Aphrodite,
00:11:41the great goddess of love.
00:11:43Well, it's a sign.
00:11:44It must mean that she approves of my plans.
00:11:47What plans?
00:11:49I don't know.
00:11:50I haven't made them yet.
00:11:51Come on. I'll race you back to the shore.
00:11:59It's all right. No one can see us.
00:12:05Don't you want to be tan like an antelope,
00:12:07and not striped like a zebra?
00:12:09I'm shy.
00:12:11You're beautiful.
00:12:28I read in the Times the Swiss physicist has calculated
00:12:31the sun's getting hotter every year.
00:12:33Someday, we'll all be fried like fritters on a griddle.
00:12:35Well, that's good.
00:12:37I'd like to bake until I'm black.
00:12:40Why would you want to do that?
00:12:42I don't know.
00:12:44Why do we want anything?
00:12:45You're an artist.
00:12:46You should know that desire doesn't need a reason.
00:12:48It just is.
00:12:50Or isn't.
00:12:52And besides, won't you like it when I wear my tan in bed?
00:12:56I'll love it.
00:12:57But you'll get sunburned.
00:12:58Uh-uh.
00:12:59I'm dark on the inside, really.
00:13:01The sun just develops it, like a photograph.
00:13:03Promise me that we'll sunbathe here every day
00:13:05until we're changed.
00:13:07What do you want us to become?
00:13:09Us, of course.
00:13:13Only different.
00:13:15Reversed.
00:13:23Are you men really such numbskulls?
00:13:27Yeah.
00:13:30It was like seeing another color in the rainbow.
00:13:33A color all my own.
00:13:35My nanny never told me it could be like that for a woman.
00:13:40Hmm.
00:13:41Long ago, when the world was young,
00:13:45the Greek gods once quarreled over who received more pleasure in bed,
00:13:48a man or a woman.
00:13:51So they visited a blind seer named Tiresias,
00:13:54and one day it was a man, and the next day a woman.
00:13:57And they asked him her, his, her opinion.
00:14:00And Tiresias replied that as a woman,
00:14:03she received ten times more pleasure than he was ever given as a man.
00:14:08Poor Phil.
00:14:10Lucky Phil.
00:14:11Every artist must learn that what matters most is what you give,
00:14:14not what you get.
00:14:20I...
00:14:22Why do men always want to know in words?
00:14:24I am tonight. Isn't that enough for you?
00:14:53Ah, there's my muse.
00:14:56You look nice.
00:14:58What's the big occasion?
00:15:01Are you bored of me yet?
00:15:03No, I'm not bored of you.
00:15:06I want to grow old with you.
00:15:09And you do love me, don't you?
00:15:11You love me just the way I am?
00:15:13Yes.
00:15:15Of course, yes. Why? Why do you ask?
00:15:19Because I'm bored of me.
00:15:21I'm bored of being this nice, decent girl that everybody else wants me to be.
00:15:25I just want you to be yourself.
00:15:27Well, that's good, because I want to be different.
00:15:30What do you mean, different?
00:15:32That's my surprise.
00:15:34Wait, I'll come with you.
00:15:35No, you stay and finish my portrait.
00:15:522, 3, 4, 5, 6, 7, 8, 9, 10.
00:16:17Hello.
00:16:22You are welcome.
00:16:24You speak English.
00:16:26I was a sailor. I learned it in the ships.
00:16:29But I think madam has made a mistake.
00:16:31I only cut gentlemen's hair.
00:16:33No, there is no mistake.
00:16:35I want you to cut my hair short.
00:16:37Very short.
00:16:42Like a boy's.
00:16:44But madam, I have read that such experiments are made in Paris or New York.
00:16:49But here, on this island?
00:16:51Are you sure?
00:16:53Do you want to destroy your beauty?
00:16:55Madam is quite sure.
00:16:57She has wanted this for a very long time.
00:17:00But madam is married.
00:17:01It is not possible.
00:17:03I am not my husband's property.
00:17:06And I will pay very well.
00:17:16You do not mind.
00:17:19I worry how people might gossip.
00:17:50May I disturb you?
00:17:52Is it you who arrived a few weeks ago in the boat?
00:17:54You look so lovely.
00:17:56So changed.
00:17:58That was my caterpillar face.
00:18:00Now I am a butterfly.
00:18:02May I sit down?
00:18:08I feel like we have met before.
00:18:10Never.
00:18:12But I have a feeling that we have.
00:18:15I feel like we have met before.
00:18:17Never.
00:18:19At least not in this lifetime.
00:18:21Let's have a drink.
00:18:27Helen. Helen Orlovo.
00:18:29Sappho Orlovo.
00:18:31Sappho?
00:18:33Do you know the history of your name?
00:18:35I know it was the name my mother chose for me.
00:18:37She died giving me birth.
00:18:39You have a namesake.
00:18:41A poetess who lived here 2,500 years ago.
00:18:44She made the island famous.
00:18:46Let me take you to the museum.
00:18:48You can meet her there.
00:18:52Isn't it a little too early for spirits?
00:18:55Why should men be allowed all the fun?
00:18:59Two new friends?
00:19:11Hello.
00:19:33That's Sappho.
00:19:35Or so it says.
00:19:37Actually, it was painted 50 years after her death.
00:19:40She does look like me one bit.
00:19:42What's written there?
00:19:44It's a stanza of her poetry.
00:19:46Some men say
00:19:48nothing on a dark-soiled earth
00:19:50says lovely as infantry on parade.
00:19:52Other men say cavalry
00:19:54or swift warships.
00:19:56But I say
00:19:58loveliest
00:20:00is whom you love.
00:20:02That's beautiful.
00:20:04We know that Sappho wrote nine books of poetry.
00:20:07And that she was so famous
00:20:09that her profile was minted on the local coins.
00:20:11But the early Christians burned her works.
00:20:14Why would the monks burn her work
00:20:16if she was so well-known?
00:20:18Because it was love poetry written by a woman to women.
00:20:21It was Sappho who put the lesbian
00:20:23in Lesbos.
00:20:27How is it that you know so much about her?
00:20:29My father is a professor of archaeology.
00:20:32He's working on an excavation here.
00:20:34Because of Lenin and the revolution
00:20:36we can't go back to Russia.
00:20:38Come on, I'll show you what else
00:20:40is kept locked up in here.
00:20:52Hi, what have you been doing all day?
00:20:54I was making a new friend.
00:20:59Well, am I good likeness to my picture?
00:21:08You're beautiful.
00:21:20Now we really look like brothers.
00:21:22Wasn't I good to do it?
00:21:24Maybe, but you'll get a sunburnt neck.
00:21:26Don't lie, Philip Lovell.
00:21:28I can feel how much you like it.
00:21:31Aren't you worried what people will say?
00:21:34This isn't New York.
00:21:36There are no people here.
00:21:38And anyways, why should we care
00:21:40what people think?
00:21:42Pleasure is good.
00:21:45Pain is bad.
00:21:47Shame is painless.
00:21:49That's my new philosophy.
00:21:57Hello!
00:21:59This way!
00:22:06Hello!
00:22:36Be careful.
00:23:03Careful.
00:23:05Father!
00:23:07Kerem, I was so worried about you.
00:23:09I brought you a visit of the father,
00:23:11Safo,
00:23:13Professor Vladimir Orlov.
00:23:15Oh, I'm enchanted, Safo.
00:23:19Oh, you don't remember,
00:23:21by any chance,
00:23:23some of your poetry?
00:23:25Oh, I'm sorry,
00:23:27I don't speak a word of Greek.
00:23:29Such a pity.
00:23:31Please.
00:23:33What are you looking for in these ruins?
00:23:36Glory!
00:23:38Twenty-five centuries ago,
00:23:40this was one of the
00:23:42greatest cities of the
00:23:44civilized world.
00:23:50Don't laugh, don't laugh.
00:23:53Someday your New York
00:23:55will look like this
00:23:57and archaeologists
00:23:59will excavate the ruins
00:24:01as skyscrapers
00:24:03and speculate over
00:24:05the significance
00:24:07of a chipped coffee cup.
00:24:12Father is a follower of Pythagoras.
00:24:14Oh, like Pythagoras' triangle?
00:24:17He invented the musical scale, too.
00:24:20Pythagoras believed that
00:24:22life is like a wheel
00:24:24that repeats the same story
00:24:26over and over
00:24:28as it turns.
00:24:30And what do you think?
00:24:32I believe that we can't step
00:24:34into the same rivet vise.
00:24:36Pythagoras said that, too.
00:24:38Good girl, thank you.
00:24:40Lemonade?
00:24:42Oh, no, no, Father.
00:24:46Come on, I want to show you
00:24:48where I go when I want to be alone.
00:24:50Goodbye, Father.
00:24:52Helen!
00:25:01Where are we?
00:25:03This was once the temple of Apollo,
00:25:05god of the sun.
00:25:10According to the legend,
00:25:12lovers, tormented
00:25:14by unrequited desire,
00:25:16would sacrifice to Apollo
00:25:18and then they would leap
00:25:20up this cliff into the sea,
00:25:22down there.
00:25:24If they survived their leap of faith,
00:25:26they would be able to
00:25:28If they survived their leap of faith,
00:25:30they were cured of their passion.
00:25:32And if they didn't survive then,
00:25:34they were healed of their love all the same.
00:25:36Well, that's some way
00:25:38to fall out of love.
00:25:40They say Sappho died here,
00:25:42out of love for a fisherman.
00:25:44But I thought
00:25:46you said she loved women.
00:25:48Sometimes, if we are
00:25:50lucky enough to love somebody,
00:25:52who cares if it's a boy or a girl?
00:25:54Love is what is love.
00:25:58Aren't you scared?
00:26:00It's a long way down to fall.
00:26:02I want to know what it feels like
00:26:04to be a bird.
00:26:08To trust the wind.
00:26:10Aren't you scared?
00:26:12It's a long way down to fall.
00:26:14I want to know what it feels like
00:26:16to be a bird.
00:26:18To trust the wind.
00:26:28Why did you do that?
00:26:30I wanted to.
00:26:32And if you wanted it too,
00:26:34then it's alright.
00:26:36I've never been with a girl.
00:26:38Did you even practice kissing?
00:26:40It was forbidden.
00:26:42We were watched all the time.
00:26:44It was forbidden in my school too, but we all did it.
00:26:46If you like,
00:26:48I can be a girl.
00:26:50I'm not that sort.
00:26:52I'm sorry.
00:27:08I'm sorry.
00:27:39Who used to love me when I'm old
00:27:41and useless for making love?
00:27:43You're too young to ever be old.
00:27:45I'm not.
00:27:47I'm as ancient as beauty herself.
00:27:49This flesh and blood and bone
00:27:51is just my latest costume.
00:27:53You never said you believed in reincarnation.
00:27:55Maybe I do.
00:27:59That moth could be me, Phil.
00:28:01She loved the light too much
00:28:03to fear the flame.
00:28:05She loved the light too much to fear the flame.
00:28:07Don't be so tragic.
00:28:11I've only just started out, but
00:28:13already it's too late to stop.
00:28:15Stop what?
00:28:17You.
00:28:19Me, the change.
00:28:21There's nothing I can do about it.
00:28:27What are you trying to prove?
00:28:32That at least I'm not a coward.
00:28:36You're bold.
00:28:38You're brave.
00:28:40You're beautiful.
00:28:42There's no need to hurt yourself.
00:28:46And I thought every man dreamt of wearing a mask.
00:28:48You know, they say they make the most
00:28:50submissive wives.
00:28:52Bottoms up.
00:29:05Good morning.
00:29:07Good morning.
00:29:09Good morning.
00:29:11Good morning.
00:29:13Good morning.
00:29:15Good morning.
00:29:17Good morning.
00:29:19Good morning.
00:29:21Good morning.
00:29:23Good morning.
00:29:25Good morning.
00:29:27Good morning.
00:29:29Good morning.
00:29:31Good morning.
00:29:33Good morning.
00:29:35Good morning.
00:29:45Hello?
00:29:47Helen?
00:29:59Her mother was a
00:30:01violinist. Someday, when the revolution is over, we will go home and she will play concerts
00:30:10too. Do you play?
00:30:13Only the gramophone. I have no talent for anything. Just good taste. Very expensively
00:30:22purchased. What are those? They look like fossilized Easter eggs.
00:30:27This is how we began. What? They're making love?
00:30:36Long ago, the first people were all like this. Sometimes they walked and crawled, but mostly
00:30:45they rolled around like a ball. What happened?
00:30:49Then one day the gods decided to kill them all.
00:30:53Why? Because they were too happy.
00:30:57But then Aphrodite said she knew how the new people could be made to need the gods.
00:31:05And then Aphrodite took a strand of her golden hair and cut all the people in two. So that
00:31:13one half became a man and one half became a woman.
00:31:20But here are two women.
00:31:22That is how Aphrodite made the lesbians. We are all the love goddesses' work.
00:31:29And then the new half people threw their arms around their other half's necks and locked
00:31:35their mouths together, longing to be whole again. However, no matter how much they made
00:31:41love, the half people still felt incomplete.
00:31:46So soon, the new half people began to lie and to deceive and even to disbelieve that
00:31:52they had a true other half who could make them whole. And as the half people begged
00:31:58all the gods up in heaven for help, the gods all grew fat on their prayers and sacrifices.
00:32:06This is how love came into the world.
00:32:09Hello, I thought I'd never see you again.
00:32:12Hello, I thought I'd never see you again.
00:32:15Here I am. How do you like me as a boy?
00:32:18Very much. Let's go for a bicycle ride.
00:32:22Have you finished playing?
00:32:25A bow cannot always be strung, or it will break.
00:32:29And a man cannot always work, or he will go mad.
00:32:34Those are your words, Sappho!
00:32:43Slow down, stop!
00:32:54You must get so bored on this island.
00:32:56Sometimes, don't you?
00:32:59Honestly, I get bored of being a girl. It'd be so wonderful to really be a boy and not
00:33:04have to worry about getting pregnant or bleeding half to death every month.
00:33:08At least you have a man.
00:33:11But I thought you said you loved women.
00:33:14What else is a girl to do? All our men killed one another in the World War.
00:33:19That's me.
00:33:23That bear hanging hopelessly at the tip of that topmost branch.
00:33:28Overlooked, unpicked.
00:33:31No, not overlooked. Unreached.
00:33:34Well, let's climb up and get it.
00:33:41Let's go.
00:34:02Is it ripe?
00:34:11No.
00:34:30What's that for?
00:34:32I'll feel free. Now promise me, whatever I do, you won't say a word.
00:34:38Or move a muscle.
00:34:40Not even one muscle?
00:34:42All right.
00:34:46One.
00:34:49Now I'm changing.
00:35:05We did it, Bill. We did it.
00:35:08Yes, now we've really done it.
00:35:10Don't be such a coward, Phil. I meant it. You liked it.
00:35:15Yes, I liked it.
00:35:18So no matter what happens now,
00:35:22don't ever say it was all my fault.
00:35:30How long have you thought about becoming a boy? Like that?
00:35:35For years. It's what my father always wanted.
00:35:39A son and not a daughter.
00:35:42Don't worry. I'll never embarrass you in public.
00:35:46I'll be your girl by day. I'll only be your boy at night.
00:35:51You're crazy, girl. You know that?
00:35:53Then you must be crazy for loving me.
00:36:06How are you?
00:36:09Where's everybody going?
00:36:11Today's a holiday.
00:36:13Every day's a holiday. It's our honeymoon.
00:36:16Today's a holiday for everybody else, too.
00:36:18It's like the Fourth of July. What's everyone celebrating?
00:36:22It's the Feast of the Virgin.
00:36:24The way we live. Forgotten silence. Christian. The way we are, too.
00:36:28You, maybe. I never chose to be baptized.
00:36:30And Christianity has destroyed far more than it's ever created.
00:36:35The Happy Couple
00:36:42The Happy Couple.
00:36:45Good evening.
00:36:47Good afternoon.
00:36:49Excuse me.
00:36:55Mr. and Mrs. Philip Lovell.
00:37:00You look so handsome, Mrs. Lovell.
00:37:04How did you guess?
00:37:06I'm sorry. What did I guess?
00:37:09How did you guess that I'm a boy now?
00:37:12That was just my way of words.
00:37:15A fish cannot become a bird.
00:37:17We all are what we are.
00:37:19Why can't I become what I'd like if I'd like to be a boy?
00:37:21Why can't I become a boy?
00:37:23Darling, you promised, remember?
00:37:24He guessed I'm changed. I don't know how.
00:37:27Madam was pleased to joke with me, Mr. Lovell.
00:37:32Madam is more woman than any woman I know.
00:37:35Yes, I'm sure that was it. A joke.
00:37:44Give my regards to your father, Mrs. Lovell.
00:37:50The Happy Couple
00:37:53The Happy Couple
00:38:17So, what's the news from home?
00:38:21Well, stock market hemlines are both soaring,
00:38:25Babe Ruth hit a new home run record,
00:38:27and the mob are making millions
00:38:28importing moonshine from Canada
00:38:30because Congress doesn't understand
00:38:31you can't forbid human nature.
00:38:33Cheers.
00:38:36I meant, what's in your letters?
00:38:41The gallery sold two canvases.
00:38:44Well, that's marvelous.
00:38:46That's twice as many paintings
00:38:48as Vincent van Gogh ever sold in his lifetime.
00:38:52How's your father?
00:38:54He's hoping I'm a child already.
00:38:56Are you?
00:38:57No, and I won't be forever.
00:38:59You don't really want me to get fat and ugly
00:39:01and love some vile brat and not you, do you?
00:39:04Maybe I would someday.
00:39:06Never.
00:39:19Hi, baby.
00:39:30Hello. I escaped from my father at last.
00:39:34Helen, my husband, Phil.
00:39:37Hello.
00:39:38Hello.
00:39:39Please.
00:39:41Phil's a painter.
00:39:43He just sold his first two canvases,
00:39:45but he thinks he's a genius,
00:39:47and he's determined to make
00:39:48the rest of the world believe it, too.
00:39:50So what do you think?
00:39:52Well, I think he's very handsome,
00:39:54just like an advertisement of a man.
00:39:56He's a thoroughbred American aristocrat, too.
00:39:58One of his ancestors bought Manhattan
00:40:00from a drunk Indian for 23 silver dollars
00:40:02and a bottle of whiskey.
00:40:04So you're my wife's new friend.
00:40:06Mm-hmm.
00:40:11How did you do that?
00:40:13Practice.
00:40:14He always does that when he wants to make a new friend.
00:40:16I fell for it, too, the first time we met.
00:40:21I have a present for you.
00:40:24It's Safa's poetry.
00:40:26All that survives.
00:40:34My mind's in two. I can't decide.
00:40:37You came and I wanted you.
00:40:40You deceived my mind as it blazed with desire.
00:40:43And? What comes next?
00:40:45It's lost. We'll never know.
00:40:49Well, perhaps we should decide for ourselves.
00:40:55Look, so many of them.
00:40:57Let's investigate.
00:41:09It's obscene.
00:41:10They all got through this island
00:41:11so much better than these weird Jewish imports.
00:41:14What's so weird about Christianity?
00:41:16What's so normal about a bastard child
00:41:18fantasizing that his mom's a virgin
00:41:20and his runaway dad's almighty and all-merciful Lord God?
00:41:24Maybe you're missing the point.
00:41:26Yeah? And what's the point?
00:41:30Love.
00:41:31But what kind of love?
00:41:32Love which thinks of desire as something shameful and forbidden
00:41:35and which makes suffering its meaning?
00:41:37Or love which is open and unafraid and free?
00:41:41See, that's just it, Phil.
00:41:43Christianity began as a religion of slaves and of women
00:41:47which in those days was the same thing.
00:41:49It doesn't suit people like us.
00:41:51We should believe in desire and not in virginity
00:41:53and in life before death, not afterwards.
00:42:11Give me my money now.
00:42:12I don't have it.
00:42:13I said give it to me now. I need it.
00:42:15I don't have it.
00:42:16See?
00:42:21Look, let's have our picture taken.
00:42:23Won't Phil be offended?
00:42:25Isn't it like trading with the enemy?
00:42:27So what if he does mind?
00:42:28Photography will soon make painting obsolete anyway.
00:42:32Never. The camera only sees, it doesn't feel.
00:42:42I think your husband's so handsome.
00:42:45Is it alright?
00:42:47Of course.
00:42:48What man could ever object to having two women?
00:42:50I mean, really, is it alright with you?
00:42:53Why not?
00:42:54We're modern people.
00:42:55Let's all be in love with one another.
00:42:57Really.
00:43:00I'd like that.
00:43:01Akinniti?
00:43:12Hmm.
00:43:21It's so antique, Phil.
00:43:22It's like they're gonna make love.
00:43:37May I confess something terrible?
00:43:39I'm not a priest.
00:43:41If you were a priest, I wouldn't tell you.
00:43:44Is it so bad?
00:43:47I'm in love with your wife.
00:43:51I'm in love with my wife, too.
00:43:54I could be in love with you, too.
00:43:56Would you mind?
00:44:01How could you be in love with two people at the same time?
00:44:04Oh, that's easy.
00:44:05It's only in fairy tales that things like that happen.
00:44:12We'll be good together.
00:44:17Who will?
00:44:19Sappho and I.
00:44:22Sappho and you.
00:44:25And you, Ram.
00:44:29We're all wrong.
00:44:30We're not together.
00:44:31We're just two people standing in a crowd.
00:44:33Then let go of my hand!
00:44:41Bravo!
00:44:58Helen!
00:44:59Father!
00:45:01Sorry.
00:45:03How do you like my friend?
00:45:05She's charming.
00:45:06But she's in love with you.
00:45:08She's in love with both of us, if I'm not crazy.
00:45:12I kissed her, Phil.
00:45:13But if you kiss her, too, then I won't feel bad.
00:45:16How do you like my present?
00:45:19What, do you really want her?
00:45:20I don't know.
00:45:21Yes, as an experiment.
00:45:23It'd be strange and dangerous and pagan and fun.
00:45:27We come to each other to be faithful, remember?
00:45:29I'm being faithful in my own way.
00:45:31How can I be true to you if I'm not true to myself?
00:45:34And besides, you don't want me to live a lie, do you?
00:45:38See? I've been recaptured at last.
00:45:41My father, Professor Vladimir Orlov.
00:45:43Mr. Philip Lovell.
00:45:45I'm pleased to meet you.
00:45:47Hello.
00:45:49Hey, what's he doing?
00:45:52Now he ignites the cannon to scare away the Turks for one more year.
00:45:57That is how the festival always ends.
00:46:12Excuse us, we must go.
00:46:14Antiquity has been waiting 2,500 years and it can't wait a moment longer.
00:46:20Good night.
00:46:21Good night.
00:46:27Come swimming tomorrow.
00:46:28I'll do that.
00:46:36Come in, the water's lovely.
00:46:42Stay still!
00:47:04Did I scare you?
00:47:06You looked like an angel.
00:47:07Come on.
00:47:37Come on.
00:48:08It seems unfair that we're enjoying ourselves and that Phil is working.
00:48:14Every artist must learn to be alone.
00:48:17And besides, he's not really alone.
00:48:20He's surrounded by millions of imaginary admirers.
00:48:23Haven't you ever wanted to be an artist?
00:48:25Why should I share this moment with some complete stranger in a picture gallery or a movie stop that's so vulgar?
00:48:31I want to keep it all for myself.
00:48:33But what about when you're dead?
00:48:35Then I'll be dead.
00:48:37If your father is right.
00:48:40We'll both relive this moment in different lifetimes, over and over and over.
00:48:45I'd like that so much.
00:49:05Hello?
00:49:33Hello?
00:49:34You're late.
00:49:36Would you like something to drink?
00:49:38Champagne.
00:49:43How was your work?
00:49:44Will you show me?
00:49:45Someday when you're bored.
00:49:51Who wants to make a toast?
00:49:54To Aphrodite, goddess of the sea foam.
00:49:57Cheers.
00:50:04So what are we celebrating?
00:50:05Can't you tell?
00:50:06Don't I look changed?
00:50:08Sappho.
00:50:10We did it.
00:50:11Now I really am a boy as well as a girl.
00:50:14I should go.
00:50:15My father will worry.
00:50:17He knows where you are.
00:50:19Stay the night.
00:50:20Now you can kiss Phil.
00:50:22I know you'd like that.
00:50:23Sappho, no.
00:50:24This is wrong.
00:50:25You're my wife.
00:50:27Be sophisticated.
00:50:28It's not infidelity if we don't keep secrets.
00:50:31We're just being generous with our bodies.
00:50:33Come on.
00:50:43Okay.
00:50:44Alright.
00:50:46That's enough.
00:50:48Now that we've shared around the guilt, we can all be happy.
00:50:57Come on.
00:51:11Come dance with Helen, Phil.
00:51:12I'm dying on my feet.
00:51:24Are you still mad I kissed you?
00:51:27Why should you care how I feel?
00:51:28I mean nothing to you.
00:51:31I told you.
00:51:33I'm in love with you.
00:51:42You shouldn't say that.
00:51:43Love is someone you die for.
00:51:44Not this jazz of lust and egoism for two or three or whatever number this is.
00:51:48Alright then.
00:51:50I'm in lust with you.
00:51:54And I'm dancing in your arms.
00:51:56Tell me.
00:51:57Is that so bad?
00:52:18What are the stakes?
00:52:19We're playing for the right to share your bed.
00:52:21I'm trying to win, Phil.
00:52:22But she keeps rolling doubles.
00:52:25Don't I even get to choose who I sleep with?
00:52:26Uh-uh.
00:52:27You're our stud stallion.
00:52:29We've planned out your diary.
00:52:30We'll take turns at being your girl.
00:52:32One date at a time.
00:52:33Sunday will be your day of rest.
00:52:35This game is just to decide who goes first tonight.
00:52:38Very funny.
00:52:39Let's discuss something more serious.
00:52:41I know Helen.
00:52:43Let's think of a way to end our wars.
00:52:45Oh, that's easy.
00:52:46We just need to invent a way for men to give birth to children.
00:52:50I want you to love Helen.
00:52:52You can marry her if she likes.
00:52:54I'm not a Turk.
00:52:55I can only have one wife, not two.
00:52:57It's in the rules.
00:52:59Don't be so boring, Phil.
00:53:00There are no rules.
00:53:02There's nothing that we can imagine that's not allowed.
00:53:05Love is what is love.
00:53:07Well, love is loyalty, too.
00:53:08Don't you even care if I sleep with other women now?
00:53:11You can sleep with other boys, too, if you'd like.
00:53:15Will you marry my husband?
00:53:16Yes.
00:53:18That's perfect.
00:53:19It makes it all so simple.
00:53:22We can all be married to one another.
00:53:27Would you really marry me?
00:53:28Yes.
00:53:29Are you really asking me?
00:53:34Well, Phil, have you got the balls?
00:53:37Don't you understand?
00:53:38No good will come of this game.
00:53:40Theory might sound fine, but people aren't like that.
00:53:43We'll take sides, get jealous, and start to hate one another.
00:53:47Just like what happens when two normal people get married?
00:53:51That's how it is, most times, for most couples.
00:53:53But it's the way nature meant it to be.
00:53:56You see, Helen, that's what makes Phil such a bad painter.
00:54:00He wants to be liked too much.
00:54:02So he just paints ordinary pictures that ordinary people will buy.
00:54:07Phil, come back!
00:54:08I'm going for a walk.
00:54:14Don't worry.
00:54:15He'll be back sooner or later.
00:54:21I'll be back.
00:54:51Phil!
00:55:21Phil!
00:55:37Good evening.
00:55:38We waited for you until sunset.
00:55:40Where were you?
00:55:41Where's Sappho?
00:55:42She's dreaming that she is Sappho come back to life.
00:55:45She said she loves me.
00:55:48Oh, no.
00:55:52Why don't you leave?
00:55:54There's no future in all of this.
00:55:56Because just now, I'm happy.
00:55:59You're crazy too.
00:56:13Let's ask the girl to leave.
00:56:15We could go home to America, begin over.
00:56:18Home?
00:56:19This island's my home, Phil.
00:56:21I can't go back to America, no more than I can become a virgin again.
00:56:25Their doors once opened can never be closed.
00:56:27But all I want is for you to be the girl I married.
00:56:34Take a look at me as a girl, Phil.
00:56:36Are you happy?
00:56:38Yes.
00:56:39Then I'm happy for you.
00:56:44Because I hate it.
00:56:47Don't be it, then.
00:56:48Didn't you just say you wanted me as a girl?
00:56:50Make up your mind, Phil.
00:56:51And stop making me tear myself in two.
00:56:54Don't you understand?
00:56:57I love you.
00:56:58I just want you to be yourself.
00:57:06Then here I am.
00:57:19I love you.
00:57:32Let's suffer.
00:57:33Let's suffer.
00:57:43Shit.
00:57:49Shit.
00:57:56Will you paint me?
00:57:58Would you like that?
00:58:15Can I see?
00:58:18Yes.
00:58:26Is it really how you see me?
00:58:29Yes.
00:58:36Good evening.
00:58:39I can see you both have had a good day.
00:58:42What have you done to your hair?
00:58:44Nothing.
00:58:48It's so stuffy in here.
00:58:50Do you mind helping me with my jacket, darling?
00:58:58Oh, my God.
00:58:59What have you done?
00:59:01I had myself painted, too.
00:59:03Ink on skin.
00:59:04That's real art.
00:59:06It hurts.
00:59:07It shocks.
00:59:09And it changes you forever.
00:59:10But only sailors and whores.
00:59:12I mean, how can we ever be seen in decent society again?
00:59:15Well, that's just it.
00:59:16We can't.
00:59:18I've burned our boats.
00:59:35Ouzo's a wonderful drink.
00:59:37It tastes as bittersweet as jealousy.
00:59:43And yet it erases its effects.
00:59:44You shouldn't drink it like that.
00:59:47Why not?
00:59:49Or do you want me to be jealous?
00:59:51We've only kissed.
00:59:53And you said it was all right.
00:59:55As lucky as a god, I think that man who sits beside you.
00:59:59Hearing all for him.
01:00:01Your whispered small talk and your laugh of love.
01:00:04Not knowing how it rips and tears my heart in two.
01:00:09One glance from you and I'm half dead with fear.
01:00:12My voice is broken.
01:00:14Terror blinds my eyes.
01:00:16My ears go deaf.
01:00:19And flames sneak through my veins.
01:00:22A trembling haunts my limbs.
01:00:26Sweat pours from me.
01:00:28My skin is scorched as white as withered grass.
01:00:31And I know.
01:00:33If I can't have you,
01:00:35I'll die.
01:00:43What was that?
01:00:46Poetry.
01:00:48I wrote it long ago.
01:00:51In another lifetime.
01:00:53You really don't think you're Sappho reincarnated, do you?
01:00:56Of course I'm Sappho.
01:00:58I always was.
01:01:00But all we know for sure about the historical Sappho could be written on a bus ticket.
01:01:03Her story's just a myth.
01:01:05Well, you know what a wise man once called a myth?
01:01:08A story that never happened and yet always is.
01:01:10So, who fucks whom tonight?
01:01:13Sappho, don't be vulgar.
01:01:15Since I'm paying, I think I should decide.
01:01:19Didn't Tso tell you?
01:01:21See, I can only think.
01:01:24I'm the boy here, not the girl.
01:01:26My husband is penniless.
01:01:28Of course, he comes from one of the rat families.
01:01:31But his father was a gambler.
01:01:34He swindled his mother out of every penny she had.
01:01:37Then, he killed her.
01:01:38Every penny she had.
01:01:40Then, he shot his brains out in a Paris hotel room.
01:01:45Don't be so offended, Phil.
01:01:47A girl has the right to know these things before she sleeps with you.
01:01:50Don't you think you've had enough to drink?
01:01:52All right, I have had enough.
01:01:54You can screw Helen tonight.
01:01:56Because I can recommend her as a good lover.
01:01:58I think you should stop Nell's suffering.
01:02:00Why? I'm rich.
01:02:02I'm beautiful.
01:02:04Whatever I say, you'll forgive me.
01:02:06Ain't that so, painter boy?
01:02:08Let's go to bed.
01:02:31Goodnight.
01:02:33Try and get some sleep.
01:02:35I'm sorry, Phil.
01:02:38Let's go home.
01:02:40There are people there that could help you.
01:02:42Who, Phil?
01:02:44I can't even help myself.
01:02:47It's not me.
01:02:49It's just my nature.
01:02:51I am who I am.
01:02:55I know.
01:03:08Len?
01:03:32Len?
01:03:39I couldn't sleep.
01:03:44I'm moonbathing.
01:03:46On the island they say that's how you go mad.
01:03:49You live in this house, that's how.
01:03:51Oh, Phil.
01:03:53Sopho was rich, young, charming, beautiful.
01:03:56You must have thought you'd won the lottery of life.
01:03:59I don't think they'd print a winning ticket for that racket.
01:04:03We all get what we deserve in the end.
01:04:08And my fortune is in it.
01:04:39Good morning.
01:04:41How is your head?
01:04:45Is that a psychological question or a physiological question?
01:04:50Just a polite one.
01:04:53Then politely, it's fine.
01:04:59Did you make love with Phil?
01:05:02Yes.
01:05:04How was it?
01:05:05Fine.
01:05:07That's fine.
01:05:08Now we can all be happy.
01:05:11You are jealous?
01:05:13Okay, I'm jealous.
01:05:16But you said it was all right.
01:05:20I know how to make it all right.
01:05:27I'm sorry.
01:05:28Don't be annoyed.
01:05:30I'm not annoyed.
01:05:32I'm not annoyed.
01:05:33I'm not annoyed, but...
01:05:35A few days ago you corrupted me and now you act like I'm a pervert when I try to kiss you?
01:05:40Please, let's not quarrel.
01:05:42We're not quarreling.
01:05:44Don't you understand?
01:05:46For you, I'd take opium.
01:05:49I love you to death.
01:05:52Don't say that.
01:05:55Is it because Phil's a man?
01:05:58I didn't even know what a lesbian was until I met you.
01:06:00I'm sorry, Sappho.
01:06:02I can't be your girl.
01:06:08Never?
01:06:11Never.
01:06:15But...
01:06:18You promised me.
01:06:20You never did mean a word you said to me, did you?
01:06:23I did, I did.
01:06:25Only then I didn't, too.
01:06:26Sometimes we must have something to learn that we don't need it.
01:06:29Yeah, and sometimes we must lose something to learn that we must have it.
01:06:32I'd better go.
01:06:35Yeah, and never come back, you whore!
01:06:37What, did you seduce the wife just so you could steal the husband?
01:06:41And I thought you were my friend!
01:06:43Goodbye, Sappho.
01:06:56Goodbye, Sappho.
01:07:26No!
01:07:50Hello, Phil.
01:07:52What's wrong?
01:07:54I don't know, I...
01:07:57I...
01:08:00Where's Helen?
01:08:02She went home.
01:08:07I don't love you.
01:08:09There, I've said it.
01:08:12I feel so much better now.
01:08:14Oh, I'm so happy for you.
01:08:16I never did love you.
01:08:18That just makes me even a bigger fool.
01:08:21Now that's set, we can go on loving the same girl.
01:08:24Tell me, if I buy you a pretty little slave boy to suck your cock, will you leave the girl to me?
01:08:29Or can you only be unfaithful to me with a woman?
01:08:32Sappho, what?
01:08:34Slave boys?
01:08:36Oh yes, Abe Lincoln, Emancipation.
01:08:40Where are my paintings?
01:08:42What have you done?
01:08:45I had to do it.
01:08:47They were so ordinary.
01:08:50No, you're just trying to scare me, aren't you?
01:08:53Tell me you haven't touched them.
01:08:57Why make such a fuss about a few worthless scraps of cloth?
01:09:24Well?
01:09:26Didn't I tell you?
01:09:29Don't you understand?
01:09:31That was my work.
01:09:33My soul.
01:09:35It was a cheap and common soul.
01:09:38You need a head doctor.
01:09:39You're crazy.
01:09:40No, I'm not.
01:09:41I'm just different.
01:09:42And don't you think for one second that you can ship me back to America,
01:09:44and lock me up in a summer asylum,
01:09:45and strap electrodes to my head,
01:09:46and front me braids of fat in their pan.
01:09:48Because I won't let you have my money.
01:09:50I'm not going to let you have my money.
01:09:51I'm not going to let you have my pan.
01:09:52Because I won't let you have my money so easily.
01:09:56I want a divorce.
01:09:58Don't you think it's a bit late to act the real man, Phil?
01:10:01I am what you let me become.
01:10:07I'm so sorry.
01:10:13If you only knew how much I loved you.
01:10:21I love you.
01:10:43Oh Aphrodite on your rainbow throne,
01:10:45don't let the sorrow tear my heart in two.
01:10:47But come to me as once you came before,
01:10:49and make me whole.
01:10:51Come as you came that day you left the clouds.
01:10:54And in your chariot drawn by white doves,
01:10:56you glided through the ever-swirling air,
01:10:58down to dark earth.
01:11:01And smiling your immortal smile, you asked,
01:11:04So Sappho, now what's wrong?
01:11:06Are you in love or out again?
01:11:09Which girl is it this time?
01:11:10What must I do?
01:11:12For let her turn and run.
01:11:14Soon she'll be back.
01:11:15And let her taunt and tease.
01:11:17Soon you'll see tears.
01:11:19Because like it or not, I'll make her yours.
01:11:22To love or loathe.
01:11:24Oh deathless goddess, come to me again.
01:11:27And ease my pain.
01:11:29All that my hurt heart hopes may happen.
01:11:32Make happen.
01:11:33And be in love.
01:11:34Always my friend.
01:11:48Helen?
01:11:52Helen?
01:11:57Helen?
01:12:18Come on.
01:12:19I want to show you where I go when I want to be alone.
01:12:48Kalimera!
01:12:50See? I'm learning Greek.
01:12:52I brought Phil's paints and brushes.
01:12:55I haven't seen your husband.
01:12:58Have you come to say goodbye?
01:13:00Goodbye?
01:13:05Aren't you going home? To America?
01:13:11I am home.
01:13:13This is Lesbos.
01:13:15I'm a lesbian.
01:13:18This is my home.
01:13:20It's so boring. You are welcome to it.
01:13:30It's like always and never.
01:13:35The sea breaking against the rocks.
01:13:37The one always wanting.
01:13:39The other always denying.
01:13:43It's the hardest thing loving someone who doesn't love you.
01:13:47I'm sorry.
01:13:48It's not my fault.
01:13:50Come and be my girl.
01:13:51To hear your footsteps.
01:13:53To see your face.
01:13:54I'd give the world.
01:13:56I'm a woman now.
01:13:58I want a husband, children, a home of my own.
01:14:01You can't give me what I want.
01:14:13But it's you.
01:14:14It's you.
01:14:16How it could be?
01:14:21Yes.
01:14:23I'm Sappho.
01:14:25I really am.
01:14:27You're my girl.
01:14:28You really are.
01:14:30You made me dream that I could fly.
01:14:40No.
01:14:41We can't relieve the past.
01:14:42But that's just what we do.
01:14:44I and I and I and you.
01:14:46You and you.
01:14:47Over and over and over.
01:14:51Now I understand.
01:14:53You have this coin made.
01:14:55I'm not a fool.
01:14:56You can't trick me with a fake.
01:14:58And I'm not a lesbian.
01:15:00I don't love you.
01:15:01Why don't you understand?
01:15:02I never want to see you again.
01:15:14I love you.
01:15:44I love you.
01:15:52Indeed.
01:15:53It was an easy mistake.
01:15:56The esteemed professor says the coin is very old.
01:15:59From Sappho's own time.
01:16:01We will place it in the town museum.
01:16:05No.
01:16:06It's hers.
01:16:08She'll need it to pay the ferryman to the other side.
01:16:15Let's go.
01:16:27We should have buried her here.
01:16:30She wanted to stay.
01:16:32They will keep her on ice till America.
01:16:35And her father was most insistent.
01:16:39Of course, legally,
01:16:41you were still her husband, Mr. Lovell.
01:16:44She did it in her own right.
01:16:48It was my fault she killed herself.
01:16:50There must be rules about things like that.
01:16:53You should not blame yourself.
01:16:55It was a tragedy.
01:16:57Her money is yours.
01:17:14I love you so much.
01:17:44I love you.
01:18:04Phil?
01:18:09Sappho left this for you.
01:18:12I don't need them anymore.
01:18:14Why paint a picture if it will just be destroyed?
01:18:17Or why write a poem if it will only be burned?
01:18:23You are an artist.
01:18:25You should know that what matters is what you give
01:18:28and not what you get back.
01:18:38You'd better go.
01:18:40You'll miss the boat.
01:18:45Do you think we have the right?
01:18:49What right?
01:18:51To be happy.
01:18:53We?
01:18:55Yes.
01:18:57We.
01:19:14I love you.
01:19:44I love you.
01:20:14I love you.
01:20:34Love.
01:20:36Honey bitter.
01:20:38Wild.
01:20:40Overwhelming.
01:20:41Shattered my limbs.
01:21:12My sweet honey.
01:21:14My king.
01:21:17I will not betray you.
01:21:31My sweet honey.
01:21:34My king.
01:21:38Summer.
01:21:41Love.
01:21:42Honey bitter.
01:21:43Wild.
01:21:44Overwhelming.
01:21:45Shattered my limbs.
01:21:46My sweet honey.
01:21:47My king.
01:22:11Love.
01:22:12Honey bitter.
01:22:13Wild.
01:22:14Overwhelming.
01:22:15Shattered my limbs.
01:22:16My sweet honey.
01:22:17My king.
01:22:42Love.
01:22:43Honey bitter.
01:22:44Wild.
01:22:45Overwhelming.
01:22:46Shattered my limbs.
01:22:47My sweet honey.
01:22:48My king.
01:22:49Love.
01:22:50Honey bitter.
01:22:51Wild.
01:22:52Overwhelming.
01:22:53Shattered my limbs.
01:22:54My sweet honey.
01:22:55My king.
01:22:56Love.
01:22:57Honey bitter.
01:22:58Wild.
01:22:59Overwhelming.
01:23:00Shattered my limbs.
01:23:01My sweet honey.
01:23:02My king.
01:23:03Love.
01:23:04Honey bitter.
01:23:05Wild.
01:23:06Overwhelming.
01:23:07Shattered my limbs.
01:23:08My sweet honey.
01:23:09My king.