• last year
Transcript
00:00Lalalalalala
00:03Pajaro Sonador
00:09Okay...
00:10There are 7 bottles?
00:11Yes, that's correct.
00:14How much is it?
00:1535
00:18Thank you very much
00:18Thanks mate
00:21Oh, here it is!
00:22I was sure you would find it
00:23Because...
00:24Tell me
00:24How it's possible
00:25That a woman
00:26Buys 20 bottles
00:27Of cream
00:27Per week
00:28Huh?
00:29She can't consume them on her own.
00:31What's that?
00:32I'll show you.
00:33Look at how your excellent client
00:35sells your creams online
00:37five times over their original price.
00:39Maybe that profile you're looking at
00:41is someone else's.
00:42Oh, please, tell me where you live.
00:44Upstairs.
00:48That's what I mean.
00:50That convenience store girl comes from the city
00:52and she has no ethics.
00:54She's like a lot of people who come to steal our jobs,
00:56but that's over now.
00:58And you know why?
00:59Because now Deren is here and that's it.
01:02She's abusive.
01:03It's over.
01:04She's got no history.
01:05She's got a little soap.
01:06See you later.
01:07See you.
01:10See you.
01:11Bye.
01:21Mom?
01:22I'm getting out of here.
01:25It's so uncomfortable to travel in this.
01:27Mom?
01:28I can't believe it.
01:29The food.
01:30Here it is.
01:31Close the door.
01:33Mom, how are you?
01:35What a surprise.
01:36Good, daughter.
01:37Hello.
01:38Welcome.
01:39What's up?
01:40Hey, where's Jan?
01:41Where?
01:42In a cabin.
01:43She's not around here.
01:44Excellent.
01:45That makes me happy.
01:47Yes, Mom.
01:49Can I bring some food for my brother?
01:52Your brother is an adult now.
01:54He's probably already eaten something.
01:56From here I can smell the dolmas.
01:58They smell delicious.
01:59Thank you so much for bringing them.
02:00You're welcome.
02:01Well, let's all eat together.
02:03Yes, of course.
02:04I'm glad you came.
02:05Let's sit here.
02:07Here, daughter.
02:08Help me.
02:09Yes, give it to me, Mom.
02:10Careful.
02:12Excuse me.
02:14They smell really good.
02:15I hope you try them.
02:16Well, I'll go get something to drink.
02:18Can I go?
02:19Don't worry.
02:21Hi, Emel.
02:22Sorry, I've been busy.
02:25Yes, I understand.
02:26But I don't know what to do with Leila.
02:28She suspects something.
02:30And now we live with her parents.
02:37Well, I'll call you later, okay?
02:38Bye.
02:45He was a friend.
02:48Yes, of course, a friend.
02:50I'll find out who this little friend is.
02:52I swear I'll find out.
02:55Try them.
02:56Eat.
03:02Hey, Mom.
03:04You shouldn't have bothered.
03:05It wasn't necessary.
03:06I'll help you.
03:07It's not a bother.
03:10Emre, I know you drink those cappuccinos.
03:12You can go make it yourself.
03:14No, I already had one, but thank you for your consideration.
03:18I have to go.
03:20Mom?
03:21But what's wrong, Mom?
03:23I saw what I had to see.
03:24Now I have to go.
03:26What are you talking about?
03:27Mevki, please.
03:29My feet are hurting a lot.
03:32It's part of the job.
03:34Have a good day.
03:35Bye-bye.
03:37Goodbye.
03:41Guess what?
03:42We did it, Deren.
03:43You didn't trust us, but we did it.
03:45What did you get?
03:46A great job.
03:47Of what?
03:48We'll go back to the advertising industry with an ad for the hardware store back there.
03:52I trust the project.
03:53You have to have faith.
03:54You were shocked when I said it was for the hardware store, but this is just the beginning.
03:58Our goal will be the big international companies.
04:01Yay, yay.
04:03What Mozafer is saying is a joke.
04:05Tell me it's not true.
04:06Ay, la capataz.
04:07I can't stand her.
04:08Don't get mad, Mozafer.
04:09Inhale, inhale.
04:11It's serious.
04:12We'll do it.
04:13We'll work on that ad.
04:16I'm serious, so accept it, Deren.
04:23Ugh.
04:27Where are you going?
04:28How am I supposed to know where you're going?
04:30Don't worry, they'll be back.
04:32We have to go to the market.
04:33Let's go.
04:39Let's go.
04:40Inhale, exhale.
04:41Inhale, exhale.
04:53Let's go.
05:17I brought you something to eat in case you're hungry.
05:39Are you done?
05:45Almost.
05:48I'd offer you some tea, but I don't have any.
05:51I don't drink tea anymore.
05:55Goodbye.
06:09Me neither.
06:17What do you think he'll tell us?
06:18How would I know?
06:20He was his former boss.
06:21This has nothing to do with the agency.
06:23We run it now.
06:25If it were a family matter, he wouldn't call us.
06:27Ladies and gentlemen.
06:29Welcome, Ignatius.
06:32I have excellent news for everyone.
06:36Are you having a meeting?
06:38Benjigid, come in.
06:41I have something to tell you and it's also of your interest.
06:43Sit down.
06:48Well.
06:49Ta-ta-ta-ta.
06:53Freaky Arika is about to take charge of an important campaign for a social project.
06:59That's great, bravo.
07:00That's great.
07:03Sanem is the writer of the year.
07:06And the association that grants her the recognition wants to produce some brochures for all the awarded artists.
07:14And I called the director, who is an old friend of mine.
07:17Sure.
07:18So, I decided to make an interesting proposal about it.
07:22That instead of those brochures, we can make a book with a modern and also elegant design.
07:28To be able to distribute it with the companies.
07:32And he said yes.
07:34Bravo, that's great.
07:35That's great.
07:37I knew this day would come.
07:38Sure.
07:40We had already talked about that subject, Mr. Aziz.
07:42I think you should have informed me before all those changes.
07:46I inform you now.
07:48That's right, my friends.
07:49We are going to start from scratch.
07:51And the goal is to make Sanem and writers like her get all the possible donations from the companies as you planned.
08:02And then, expand the campaign throughout our beautiful country.
08:08What do you think?
08:09Oh, that's a great project.
08:11Congratulations, I'm glad you're back.
08:14It's practically the first project of the new agency, officially.
08:18We have the campaign for the railway, Mr. Aziz.
08:20We managed to...
08:22Can I say something?
08:24First of all, thank you.
08:26Because that project is a great idea.
08:29But this agency is new.
08:31And he wants us to go from making brochures to making books.
08:34It won't be too complicated.
08:36We don't have staff.
08:37Deren, JJ and I will take care of all the agency's work.
08:42Mr. Aziz, don't forget the mere mere.
08:44I want to participate.
08:45Of course.
08:46Deren, JJ, Muzafer and I will take care of all the agency's work.
08:54By the way.
08:56The decoration and all the wardrobe, we're going to leave it, of course, in the beautiful and talented hands of Miss Mirivan.
09:05Sanem's photographs.
09:07Sarah Jan's.
09:09With that, we have everything.
09:10What do you think?
09:24Sanem could feel uncomfortable, Dad.
09:26Look for another photographer.
09:35I'll take care of that.
09:40Well, in fact, in the agency we had many photographic sessions.
09:44And Jan and Sanem worked together.
09:46And they did very well.
09:47I don't see why they don't do it again.
09:49It's true.
09:50You already worked together.
09:52You're already used to doing it like this.
09:54Besides, it will only be a quick session.
09:56Ah, it will only be a moment.
09:58I know you're committed, Sanem, to charity campaigns.
10:01And we can do it like this.
10:03Please, accept to do it.
10:06What do you say?
10:08So.
10:11Yes, Sanem.
10:13Yes.
10:14Tell me.
10:15Do something fast.
10:18Yes, it's fine.
10:20Organize it.
10:21I'll do what you ask.
10:22Great.
10:23Very good.
10:24Let's hurry.
10:38Let's work.
10:39Very good.
10:42We have a lot of work to do.
10:46My love.
11:01Son, sit with me.
11:10Jan.
11:11Son.
11:12Don't be shy.
11:13It's just a few pictures.
11:15That's all.
11:16Look who's talking about shyness.
11:18You haven't seen my mother yet.
11:20And why would I see her?
11:22No, son.
11:24Mom says that if it weren't for Mirivan,
11:26we would be a happy family right now.
11:39Listen to me.
11:40You will decide who and what you want to believe.
11:43But I never, ever, deceived your mother.
11:49My love for Mirivan was born long before I met your mother.
11:53In fact, I met Uma because the two of them were friends.
11:56And when I met Uma,
11:58she knew very well that I was in love with Mirivan.
12:03Then we ended our relationship.
12:05But...
12:10My love for her never disappeared.
12:14It didn't end.
12:16Because of her elegance,
12:19her beauty,
12:21her sincere joy.
12:25Your mother knew it when she agreed to marry me, son.
12:28And then...
12:31her paranoia and...
12:33her jealousy increased more and more.
12:36The last day we had the last fight,
12:38she blamed me for cheating on her all her life.
12:42And of course,
12:43I gave her the reason for that senseless marriage to end.
12:50It ended,
12:51and we got divorced.
12:53So you never cheated on Mom?
12:55No.
12:56Never.
12:57But...
12:59I was wrong to marry her
13:01when I still loved another woman.
13:09Uh, look, Musafer.
13:11Let's organize these documents in the folders.
13:13One is with Zanem's life,
13:15and the other with the story of the novel.
13:17It would be necessary...
13:18Yes, yes, I understand, yes, yes.
13:20...to choose because neither symbolizes love.
13:22In all of them, a smiling girl appears as if she were a little girl,
13:25and they are useless.
13:26They are useless!
13:27Enough, JJ!
13:28I already told you that I take care of the folders.
13:30I can have the documents we need ready.
13:32And I'm going to tell you why.
13:33Because I've had a lot of properties.
13:35I had 72 properties,
13:36and also 117 vital properties,
13:39and 50 properties,
13:40and I had the documents in order,
13:42not to mention the folder with Zanem's things
13:44that I had when I was a child,
13:45and my book of poems written with my feelings,
13:47and with my heart.
13:49I know how to organize everything, JJ.
13:51You could practically say that I'm a librarian,
13:54a wise man.
13:55Listen, Musafer.
13:56I don't know anything about properties and properties.
13:58I just want you to have everything organized,
14:00otherwise I'll punish you.
14:01Oh, you're threatening me.
14:03Something like that.
14:05Well.
14:06After discussing it,
14:07we decided that Zan will do the photographs.
14:10Let's talk about the details of the session.
14:12Where do you want to do them?
14:15I suggest renting a studio.
14:16It's better...
14:20It's better to do them outdoors.
14:23Yes.
14:24I'll write it down.
14:27The agency, where was it founded?
14:29It was founded in a cabin, JJ.
14:31How easy.
14:32And in what year?
14:33In 79.
14:35You're almost wrong.
14:37It's true.
14:39Don't worry, I'm nervous.
14:40I'll classify everything.
14:46Well.
14:48I think we should split the book into episodes.
14:51That's what I think.
14:52This is the story of a true love story,
14:55as it often happens in movies.
14:57We should take photos inspired by that.
15:00I think the protagonists should come out
15:02like the characters in those movies.
15:04Wouldn't that be the best?
15:07What's wrong?
15:09Nothing.
15:10Let's continue with the subject.
15:13Let's see what we should focus on
15:15maybe in the last years of the protagonists.
15:17I don't know.
15:19They're birds.
15:21Oh, right.
15:22Birds.
15:23A book about birds.
15:24Then we would focus on the image of those birds.
15:28We would put an albatross and a phoenix.
15:30We have to make their personalities
15:32be reflected in the photos.
15:34That's what the reader is looking for.
15:37Forget that, JJ.
15:38We're not there yet.
15:39Don't worry.
15:42No one will listen to me?
15:44Then I'm leaving.
15:45Where are you going?
15:46Very far.
15:53Sanem will want details about your life.
15:56Maybe you can talk about your creams
15:58or maybe about the perfume you make for yourself.
16:02It's very personal information.
16:04I think it's a great idea.
16:05Jan, how do you think we can include this in the project?
16:10I don't think Sanem wants to talk about it.
16:13I don't think so.
16:14It's my perfume.
16:16It's always been mine
16:17and I don't want anything to be published about it.
16:19Okay.
16:20It won't be published.
16:22Uh...
16:23Let's talk about the phoenix.
16:25That bird.
16:27Miraculous.
16:28It's abandoned.
16:30But in the end, it comes back
16:32to resurface from the ashes.
16:37And the albatross?
16:40It's in the book.
16:45About the albatross...
16:47He has big wings.
16:51He loves his freedom.
16:54He likes to fly.
16:55He always does.
16:58But the truth is, he likes to fly alone.
17:01I'll write it down.
17:03Okay.
17:06Right now, I'm very happy
17:08because it's like when we were working together at the agency.
17:11From day one, we did a lot of things together.
17:14I think...
17:15Well...
17:16We missed this.
17:18That's all for today.
17:29Sanem, um...
17:30Are you okay?
17:44I'm okay.
18:12Aziz?
18:13Uma?
18:16You should have called before coming.
18:20If you want, I can leave right now, no problem.
18:22Of course not.
18:23Please, have a seat.
18:34A coffee?
18:35No, thank you.
18:36Sanem Aydin.
18:37On the English lists.
18:39Are you a Sanem fanatic or something?
18:43If you knew her better,
18:44you'd know that there's nothing to admire about her.
18:48She wrote a novel about her relationship.
18:50A bestseller.
18:52Not only did she ruin the life of our poor son,
18:54but she earned a fortune with it.
18:56And let her do it.
18:58That doesn't matter.
18:59She doesn't even have a cent of the profits.
19:02She gives it all to charity.
19:06Well, well, well.
19:08She convinced you too, didn't she?
19:11The agency went bankrupt.
19:13Our children were separated.
19:14The employees left.
19:16Our reputation was ruined.
19:18And all that was...
19:19because of Sanem, right?
19:22The company run by Janem Reh,
19:25and of which you had 50%,
19:28went bankrupt because of Sanem.
19:31Right?
19:33Okay.
19:34You're the one responsible for the agency going bankrupt.
19:37Now I see...
19:38that you haven't changed a bit, Uma.
19:41Always accusing me of everything.
19:43But I know how this conversation ends,
19:45so I'd better go.
19:46See you.
19:50Aziz!
19:51Aziz, wait!
19:56Get out of that ranch, please.
19:58And take Jan.
20:00If she comes back with Sanem,
20:01she'll end up suffering.
20:02Our son is already suffering.
20:04Don't you see?
20:05Don't you understand?
20:07If she leaves Sanem,
20:08our son will be lost forever.
20:13Uma, why don't you want to see him?
20:17Well,
20:18I don't know anything about love.
20:21You were the one who left me to return
20:23to the love of your dreams, remember?
20:25You ruined our marriage.
20:27You never forgot Mirivan.
20:29And what did she do?
20:30She left you.
20:32To me, love...
20:34only hurts us.
20:35That's not true.
20:36People are the ones who hurt, Uma.
20:40Love...
20:42is something wonderful.
20:45I don't want Jan to suffer, Aziz.
20:47I don't want her to go through that
20:49and end up destroyed by Sanem,
20:51understand?
20:54I want you to get it in your head, Uma.
20:58I'll do everything necessary
21:00for the happiness of our son,
21:02understand?
21:03Whatever it takes.
21:05Have a good afternoon.
21:24This is delicious, mother-in-law.
21:26I'm glad you like it.
21:28Honey, can you pass me the orange juice,
21:30please?
21:31Honey, can you pass me the orange juice,
21:33please?
21:44Excuse me, but I have to answer.
21:46I'll be right back, okay?
21:47Keep eating.
21:53It's delicious.
21:55I'm going to serve the tea.
21:56Eat first.
21:57Why are you in such a hurry?
21:59It'll be ready when we're done.
22:03I'm in love.
22:05Send me a picture, okay?
22:07I'm going to see it.
22:11Beautiful.
22:15Really beautiful.
22:17Yes, of course.
22:18Don't worry.
22:19See you tomorrow.
22:21Your mother's food is delicious.
22:23Nyat, Nyat, get up, please,
22:25and come with me.
22:26Help me.
22:27I'm eating.
22:28What's wrong with me?
22:30Come with me.
22:31At least let me finish chewing.
22:32It's over.
22:33Go, Nyat.
22:34Aren't we going to have tea?
22:38Where are your parents going?
22:40I have no idea, Emre.
22:43My mom said she needed help.
22:46Well, finally alone after a long time.
22:50And who were you talking to?
22:52I was talking to Jen.
22:58Wait.
22:59My parents can come back at any time, Emre.
23:02Better later.
23:03Okay, I know.
23:27I love you.
23:57I love you, too.
24:27I love you, too.
24:55Is this your medicine?
24:57A lot of things happened in your absence.
25:28Don't think I didn't feel it, Zanem.
25:31It was very difficult for me.
25:35Zanem, I'm sorry.
25:39To think
25:41that you were in a clinic,
25:42I...
25:46I...
25:48I...
25:50I...
25:52I...
25:54I...
25:55I...
25:59Don't regret it.
26:02I've regretted it enough, Yan.
26:07You weren't there.
26:13In fact,
26:15you're still not here.
26:20You didn't come back for me.
26:21You didn't stay for me.
26:25You didn't stay for me.
26:34It's what you wanted.
26:36For me to leave.
26:38You didn't want to see me.
26:40You didn't trust me.
26:42And you didn't trust me, either.
26:45You never believed in me, Yan.
26:48You distanced yourself from me too much.
26:50And you said
26:52you were leaving.
26:55Instead,
26:59I stayed.
27:03And I went crazy.
27:10If you had trusted me, I wouldn't have left.
27:12I wouldn't have left.
27:19If you loved me, you wouldn't have left.
27:36But please, Mekibe,
27:37why do you want to talk about this now?
27:39Because it's urgent.
27:40Mekibe,
27:41listen to Emre.
27:42He says he's in love with someone.
27:43What?
27:44I heard it very well.
27:45He's cheating on my daughter.
27:46Tell me, tell me.
27:47He's going to pay for it.
27:48I'm going to catch him, Nihat.
27:49Stop it, Mekibe.
27:50You have to calm down.
27:51You may have misinterpreted it.
27:53But if he heard it with his own ears,
27:55don't you hear?
27:56You better stay out of it, Nihat.
27:57Tell me what happened.
27:58Obviously, man.
27:59And everyone thinks exactly the same.
28:00Is it true?
28:01I brought the accounts of his card.
28:02Maybe there's some clue.
28:03Who knows?
28:05Let me see it.
28:06Mekibe,
28:07this is confidential information.
28:08We can't open it.
28:09You're right, Nihat.
28:10I'm going to return it
28:11from the place where you took it.
28:12Let's go.
28:13But you don't want to understand, Nihat.
28:15Don't talk.
28:17You don't talk,
28:18nor do you meddle, Nihat.
28:19But this...
28:20Silence.
28:26Supermarket...
28:29What's going on?
28:30It can't be!
28:31That damn dealer!
28:32It's incredible!
28:33Look at this!
28:34Look, here's a payment
28:35to a jewelry store.
28:36Give it to me.
28:37Look, look,
28:38jewelry store.
28:39What? Jewelry store?
28:40Yes, look,
28:41it says it clearly here.
28:43Are you still going to
28:44defend your son-in-law?
28:47This can't be.
28:49But they just got married.
28:51Really?
28:52That man is a damn...
29:09You're not going to answer, Semre?
29:11No, it's not important, Father-in-law.
29:13Answer,
29:14or should I answer Leila?
29:17And why do you insist
29:18so much on answering the phone?
29:20What? Us?
29:21No, not at all.
29:22No.
29:23We didn't insist.
29:24Yes, of course.
29:25They were from the bank.
29:29You've been acting very strange
29:30since last night.
29:31Talk.
29:32What's going on?
29:33What?
29:34Us?
29:35Yes,
29:36what's going on?
29:37What?
29:38Us?
29:39Did you hear that?
29:40Of course not.
29:41He says we're acting strange.
29:42That's crazy.
29:43This is very good.
29:44It's a very good price.
29:45You have to buy more Medkiveh.
29:48What's going on?
29:49Why are you laughing?
29:50Do you think it's funny?
29:51Huh?
29:52Do we look like clowns or what?
29:53Tell us so we can all laugh.
29:55Yes, what's going on?
29:56Is it because we're eating a lot
29:57and you think we won't leave food
29:58and that we're gluttons
29:59or something like that?
30:01Yes, that.
30:02Or maybe you're hiding
30:03something very funny from us.
30:04Maybe.
30:06I don't know what you mean.
30:07I'm going to have to leave you, my love.
30:09I have...
30:10I have some work to do.
30:11Enjoy your breakfast.
30:20Shh.
30:22What's going on?
30:23Nothing.
30:24No?
30:25But nothing's going on, dear.
30:26Okay.
30:31Come on.
30:32What now?
30:33We have things to do.
30:34Yes, yes, it's true.
30:35We have to go.
30:36Yes, yes, it's true.
30:37We have to go.
30:38See you later.
30:39But where are you going?
30:40To see the suppliers.
30:41I'm going to help him.
30:42The two of you, Mom?
30:43No, I'm going to see one
30:44and your mother to the other.
30:45That's right, and me to the other.
30:46I thought we'd all enjoy
30:47breakfast together.
30:48Don't go.
30:49Yes, you enjoy your breakfast,
30:50my dear.
30:51Eat it.
30:52If you want, you can eat it all.
30:53Don't worry.
30:54Eat it all.
30:55Hurry up.
30:56Don't forget to clean the table.
30:57They're crazy.
30:58Good morning, girls.
31:03Good morning.
31:08Good morning.
31:13Uh...
31:14Uh...
31:15I...
31:16I came to feed you
31:17and to pick some eggs up.
31:24Good.
31:25The eggs have to be in the water.
31:27The eggs have a hill. It's good for memory.
31:31And selenium, which is good for the nervous system.
31:35Oh, I'm not surprised.
31:37This is what happens when you raise smart chickens, I think.
31:42Okay, I don't want anything.
31:44I'll just finish feeding them and I'll go.
31:47Have a good day, girls. Bye.
31:49She's back.
31:52It's true.
31:57Jan is here.
31:58And what's that?
31:59Did he come for you?
32:03No.
32:04He'll only stay for a while.
32:05He didn't come for me.
32:06He came to see his father.
32:08There you are.
32:09And how do you feel?
32:11Well, the truth is, right now I feel very crazy because I'm talking to a chicken.
32:16It all happened very quickly.
32:18When I saw him at the dock, I didn't know what to say to him.
32:22There you are.
32:23Yes, I didn't know what to say.
32:26I feel very confused.
32:27How do you talk to chickens?
32:29I'm your inner voice.
32:31Why did you leave me alone for so long?
32:33Jan is back, and so am I.
32:37Well, they can both go.
32:38I don't want them here.
32:44I came because you wanted me to.
32:46To warn you not to go back with him.
32:48Otherwise, I won't be able to save you.
32:51That will destroy you.
32:52You will become food for chickens.
32:55The voice I hear is synchronized with the movement of that chicken's beak.
33:06You...
33:12You are...
33:22What a scare! What's wrong with you?
33:25Sanema, talk to the chickens.
33:26What are you talking about?
33:27Talk to the chickens.
33:28Talk to the chickens?
33:29Did you talk to her again?
33:31Did we take her to the doctor?
33:32No, no, no, no, no.
33:33What do we do, Yay Yay?
33:34No, no, no, no, no. No doctors. No doctors.
33:35So, what do we do?
33:38It's all your fault.
33:39It was your idea to keep me away from my friend.
33:41You told me not to talk to her.
33:42What does that have to do with me?
33:43It's your fault. It's your fault, Denise.
33:44I don't have the fault.
33:45I can't believe you listen to me.
33:46You constantly talk about Jan.
33:47You're always reminding him.
33:48How could I not separate you from her?
33:52Listen to me.
33:53Listen to me carefully, Denise.
33:54What are you doing, Yay Yay?
33:55Do you want me to talk to the chickens?
33:57To the chickens or to me?
33:58You tell me!
33:59I'll let her talk to you.
34:00There's no problem, Yay Yay.
34:01Okay?
34:02But I need your help.
34:03What do we do with her now?
34:04Therapy.
34:05What therapy?
34:06She needs therapy.
34:07But what therapy, Yay Yay?
34:08What are you talking about?
34:09Dance therapy.
34:10Move the skeleton, Denise.
34:11Dance therapy?
34:12Good.
34:13I'll show you how.
34:14Good.
34:15With these movements, we start with basic and simple steps.
34:16And then we have to surprise her with an unexpected movement like this.
34:20That's how it's done.
34:21We simulate the brain that way.
34:22The brain has to be unprepared.
34:23And dance.
34:24This is called dance therapy.
34:25She'll think she's just dancing, but we'll be stimulating all her neurons.
34:29And that will help her feel better.
34:31We can dance this way.
34:32With movements up so that her energy level increases.
34:35That.
34:36Yes, of course.
34:37That takes a little bit of psychology.
34:38Yes, it's true.
34:39Of course.
34:40Perfect.
34:41Let's take a few turns.
34:42Maybe you won't get it, but I'm an expert.
34:43I think I'm doing it very well.
34:44No, you're wrong.
34:45You're wrong.
34:46Don't you think?
34:47These are the steps.
34:48I can't stop dancing.
34:49Then how are you?
34:50I can't, Denise.
34:51Please, Denise.
34:52Please understand.
34:53Don't tell me.
34:54Breathe deep.
34:55Okay?
34:56Breathe deep.
34:57I'll count to four, and when you get to six, exhale.
34:58Okay.
34:59I close my eyes.
35:00Yes, close them.
35:01Now count to six.
35:02You can do it.
35:03One, two, three.
35:04What's wrong, Yayay?
35:05What's wrong?
35:06Is dance therapy necessary?
35:07Of course it is.
35:08Of course.
35:09I made a program to be able to follow it step by step.
35:10Uh, I'll put it there.
35:11And we'll start.
35:12Up.
35:13Get up.
35:14Good.
35:15Start.
35:16Oh, it's hot.
35:17It's hot.
35:18Yes, it is.
35:19Good.
35:20Very good. Let's start, Yei-Yei.
35:23We'll start with the basics. Basic movements. Very basic.
35:26Very good. Let's continue.
35:28Yes, yes, now we surprise the brain, according to Sanem.
35:31When the time comes, we have to do...
35:33Yes.
35:34Very good.
35:35Very good.
35:35Let's continue.
35:37Very good.
35:38Let's continue. Let's continue. And we get closer.
35:41We put ourselves aside, and then...
35:43Let's go!
35:45What? What's wrong, Musa?
35:46I can't express myself through my hips and my legs.
35:50Hi, Deren. Welcome.
35:52Hi, how are you? I have no idea why I'm dancing with you.
35:56Let yourself be carried away by the rhythm. It's what we do.
35:59And then we raise our arms.
36:00Yes, please, don't limit your thoughts.
36:03Let them just flow, let them rise.
36:05You can't have a party without me being present, please.
36:08Come on, dance!
36:09Yes, welcome.
36:10I'm glad you're coming. Welcome.
36:15Ready? We do it for Sanem.
36:18Oh, how fun.
36:19Yes, it's fun.
36:21They're calling me.
36:22Answer.
36:24Look at this. Our first client is calling us.
36:27He's the owner of the Bravo hardware store.
36:35I'm going to answer your call. Don't miss the next step.
36:39Our first client.
36:47This is great.
36:49I love it.
36:54You know what?
36:56That man is a real nuisance.
36:59He's handsome, but he bothers me a little.
37:02Our Bulut? Of course not. He's nice.
37:05Well, I don't know. I haven't seen him like that.
37:09I think the most handsome of the whole group is Jan.
37:12I think he has a great charm as a man.
37:15The more I see him, the more I want him.
37:17After so long on the boat, he got very tan, don't you think?
37:20He looks like a tan man.
37:22Yes, he's very dark and very handsome.
37:25Yes, I can't stop looking at him.
37:27It's always the same.
37:29I see him, he sees me, we see each other,
37:31and then I feel like I'm losing my mind completely.
37:34It can't be. I said it or I thought it.
37:37Shut up.
37:38I want you to stop looking at me.
37:40That Jan is an unconscious.
37:41Why does he come when you're not well?
37:43He really is a selfish man, selfish.
37:45That's it.
37:46No, Jan is not like that at all, girl.
37:50Look at your man.
38:05For me, there's only one attractive man here.
38:09Well, I'll leave you.
38:11I'll go talk to him.
38:13You're very brave.
38:25Hey, Sanem.
38:26I want to ask you a question.
38:28Mm-hmm.
38:29Jiggy used to be a very cheerful person,
38:31but he's become very serious, don't you think?
38:33Really, Deryn?
38:34I hadn't noticed.
38:35No?
38:36Uh-huh.
38:40His criteria for beauty is very common.
38:43I prefer a more natural beauty,
38:45a different attraction,
38:47a slightly wilder attraction.
38:49In this farm, there's only one man like that,
38:52Musafer.
38:53Who?
38:54Sorry?
38:56When you say Musafer,
38:57do you mean the same one we all know?
39:00Yeah, Musafer.
39:01What?
39:02Don't you think he's attractive?
39:03He's very sweet,
39:04but he doesn't have all the 127 criteria
39:06I have to choose a man.
39:08This therapy is very good.
39:10Keep going.
39:11I'm tired.
39:13127 criteria?
39:15I didn't understand anything.
39:16By the way, why are we still dancing?
39:18They're all gone.
39:19I don't know.
39:21Sanem, the session.
39:23It's too late.
39:24Go get ready.
39:25We must take advantage of the sunlight.
39:27I'm coming.
39:28Sanem, run!
39:31Yeah, I'm flying!
39:33Yay, yay.
39:34Today is an important day.
39:36Yes, of course.
39:37Today is an important day.
39:38Of course.
39:39I know.
39:40And why?
39:43I think Yan and Sanem
39:45will have a great opportunity today.
39:47At the moment,
39:48they don't even look each other in the face.
39:50The session must serve to bring them closer.
39:53And everything must be very romantic.
39:55Oh, yes, of course.
39:56The decoration of the place where the session will take place
39:58is ready.
39:59And I want everything to be perfect.
40:01We'll have problems.
40:02That's for sure.
40:04Whenever we start a new company,
40:05we make mistakes,
40:06and unfortunately,
40:07we'll have problems.
40:08What are you talking about, Musafer?
40:10Your friend always talks about problems.
40:12You see?
40:13We're getting nervous.
40:14We're already suffering.
40:15And that's how all the problems
40:16in a company start.
40:18Senji and I are unlucky.
40:20Everything we do always goes wrong.
40:22There's a very important African saying
40:24that we must not forget.
40:25All beauty comes from chaos.
40:26But I bet we won't see that beauty this time.
40:29I'm getting a migraine, JJ.
40:31I think my head is going to explode.
40:33Oh, don't talk about chaos, please.
40:35I don't like that word.
40:36Aihana talked about chaos and abandoned me.
40:38When you talk about Aihana,
40:39it reminds me of Bulicita.
40:40What do you think I should do?
40:42Maybe look for her in Papua New Guinea?
40:44That's frustrating.
40:45How could they leave us?
40:46How did they abandon us in such a terrible way?
40:49I can't believe it.
40:50Are you remembering Aihana?
40:52Please come closer and let's cry.
40:54You need to cry.
40:55Please come here, my Reime.
40:57Please, to my arms.
40:58They don't love us.
41:00Why are you crying?
41:03Don't you want to cry?
41:04Calm down, little brother.
41:10You two.
41:12What are you doing?
41:14You mean the two of us, right?
41:16See? He takes care of us like his own children.
41:18To him, we're another Jan and another Emre.
41:20Maybe he loves us more than Emre.
41:21Yes, it's very likely.
41:23We have work to do.
41:24That's right, partner.
41:25Well, let's go to work.
41:26To work.
41:29They love us.
41:30End of story.
41:34I'm sure we're in trouble.
41:36We have to be alert.
41:37And please stop being so sensitive, little girl.
41:40Why?
41:42So sensitive.
41:44You really are a love, Emre.
41:47Thank you for your words.
41:49I'm really very happy.
41:54And to know that our daughter loves him.
41:57What are we going to do now, Nihat?
41:59Poor Leila.
42:00Shh.
42:01Take out the phone and make a video with him.
42:04Very good.
42:05We need evidence.
42:06Evidence?
42:07In the end, the most important thing is that Leila knows the truth.
42:13But they seem to be friends.
42:15This doesn't prove anything.
42:17We need to see his messages.
42:19Shh.
42:20Focus on recording them, Melkiveh.
42:22We must continue to observe.
42:24Maybe we have to wait a little.
42:27Surely at some point he will make a mistake.
42:29We will record it.
42:30And so he will not be able to defend himself.
42:32And he will have to show him all the messages.
42:40That's it, that's it.
42:41It's beautiful.
42:42Record it, Melkiveh.
42:43It's great.
42:45Go, go, go, go.
42:48You are a shameless.
42:52Did you record it, woman?
42:53I already have it.
42:54Does it look good?
42:55Of course.
42:56Does it look clear?
42:57Yes, yes.
42:58Very good.
42:59Save it.
43:00Let's see what the bastard says.
43:01Let's go.
43:02Quick, quick.
43:03My legs are shaking.
43:04Careful.