علاقه موسيقار الازمان بسساميه جمال ف تحكيها في لقاء بواسطه سوزان مصطفي
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MusicTranscript
00:00How did you start singing?
00:04I was still in school.
00:06Yes.
00:07And I was in a school called Al-Khoromfesh.
00:13Yes.
00:14And I was learning there.
00:15And then there was a class where they were doing religious songs.
00:20I loved it when I would hear the students sing.
00:24So I would sit with them.
00:25Because I wanted to sing along with them.
00:29So the teachers noticed that there was something wrong with my voice.
00:38So they let me continue and I would lead my class to the religious songs.
00:45And from there I started to sing.
00:47I have a talent for singing.
00:50So people talked to my mother and told her,
00:52Of course, you have to teach them as long as your voice is good.
00:56To sing.
00:57Yes.
00:58So my mother took an interest in this.
01:00And I went to the music institute.
01:02And I studied there.
01:04And my artistic life started to develop.
01:06When I got to where I am now.
01:08Mr. Farid, when was the first time you sang in front of an audience?
01:14How? What did you do?
01:16After a while, I started to sing a little.
01:23God gave me this talent.
01:25The talent of singing.
01:26Yes.
01:27And I worked in a group.
01:29For example, I started in a church.
01:32In 1931.
01:34I started in the prayer group.
01:37I was young.
01:38And from there I started to get to know it.
01:41There were public stations.
01:42Public radio stations.
01:43Yes.
01:44So I used to sing in them.
01:45And the first thing I did,
01:47I used to imitate an Arab musician.
01:51He used to sing in my town.
01:52His name was Mohamed Al-Arabi.
01:54I used to like him a lot.
01:55He used to sing in my town.
01:57I used to go outside.
01:58I didn't have money to go inside.
02:00I used to stand outside on the sidewalk of Madadin Street.
02:02To hear his voice.
02:04And he used to sing.
02:05So I was very influenced by him.
02:06And that's why until today,
02:08I can't do a lot of songs in my town.
02:11I mean, Egyptian songs.
02:12Yes.
02:13Like Maqalbi, Jilou, Khabish Aalik.
02:15And the songs.
02:16And Zanouba.
02:17Yes.
02:18And the popular songs.
02:19And Mawwil.
02:20And Awaz.
02:21All of these, I really can't do.
02:23It had circumstances too.
02:24It forced me.
02:25I mean, it was a human circumstance.
02:27For me to accept to act in a film called
02:29Jamal and Dalal.
02:30Yes.
02:31And this human circumstance,
02:32I don't know how to explain it.
02:34Because it really was a human circumstance.
02:36I mean, it was the life of an artist.
02:38Yes.
02:39He came and told me,
02:40My life is in your hands.
02:41I mean, if I said no.
02:42That I won't make this film, for example.
02:44My life will be ruined.
02:46And you will be the reason.
02:47And if I said,
02:48If I wanted to make this film for you,
02:50You open the doors of hope and life in front of me.
02:53So, in front of this,
02:54I couldn't refuse.
02:56So, I accepted.
02:57And this was the first and the last experience for this artist.
03:00Because he is an excellent actor.
03:02And a very good person.
03:03His name is Mr. Stefan Rosti.
03:04Everyone knows him.
03:05Yes, of course.
03:06So, I went to convince a company,
03:07Which was in a contract with me,
03:09To produce this film for me.
03:12Yes.
03:13And I gave them a story.
03:14They liked it.
03:15They said,
03:16If Farid Al-Atrashi accepted you to produce the film,
03:18We don't have a problem.
03:19Yes.
03:20So, he came to me.
03:21I was very embarrassed.
03:23This is the mistake I made.
03:25But the circumstances were human, as you said.
03:28I had to accept him.
03:30I was very embarrassed.
03:31If you saw him in the next scene,
03:33He was crying.
03:34I felt that if I said no,
03:36He would end up like this.
03:38So, it was very difficult for me.
03:39And I appreciate him as an artist.
03:40Because he is a great actor.
03:41He is a great actor.
03:42He doesn't have to be a great actor.
03:43So, this film came out,
03:44I mean,
03:45Thank God.
03:46To the extent,
03:47I was making fun of him,
03:48Saying things,
03:49Ways,
03:50And jokes.
03:51I mean,
03:52There are a lot of jokes in this film.
03:55Do you want me to tell you one of them?
03:57Yes, of course.
03:58I don't want to embarrass you.
04:00But,
04:01There is a very nice joke in this film.
04:03Yes.
04:04Once,
04:05A customer went to buy a ticket.
04:08He took the ticket and went to the cinema door.
04:11He found it closed.
04:13He found the door closed.
04:14He knocked on the door.
04:16No one answered.
04:18No one answered.
04:19He knocked on the door.
04:20No one answered.
04:21So, he said,
04:22Open the door.
04:23I have a ticket.
04:24I want to go in.
04:25So, he answered someone.
04:26He said,
04:27Who are you?
04:28He said,
04:29I am a customer.
04:30I have a ticket.
04:31I want to go in.
04:32He said,
04:33I can't open the door.
04:34He said,
04:35Why?
04:36He said,
04:37There are people inside.
04:38You can go in.
04:39Have you ever,
04:40Or more than once,
04:41In the music section,
04:42Which he made,
04:43To make it more danceable,
04:44To make it have more rhythm,
04:45Something like that?
04:46No, of course,
04:47No, of course,
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09:05No, of course,
09:06No, of course,
09:07No, of course,
09:08If it's not possible,
09:09no one will accept you,
09:10huh?
09:11You have your job
09:12to do.
09:14I am very grateful
09:15to you for having
09:16given me this opportunity
09:17to meet you.
09:18I still aim at
09:19meeting you
09:20sometime.
09:21If it's possible,
09:22it will be
09:23next year.
09:25I am very grateful
09:26to you
09:27for all your experience
09:28and for
09:29your ideas
09:30for building
09:31a museum
09:32You are our
09:33hope,
09:34Your Korea
09:34You are our hope,
09:35You are our hope,
09:36for your reason
09:36for building a museum
09:37for your reason
09:37and you bring Farid Al-Atrash's music back to our time, as you say, and enjoy it.
09:43But at the same time, many people don't know that you not only bring the wind, like Farid Al-Atrash,
09:49but also his voice, his way of performing, his smile, etc.
09:52So if I talk to you now about Mr. Farid Al-Atrash, what would you say to me in his way?
09:58Did you succeed in cinema, Mr. Farid?
10:00By God, brother, I succeeded and I broke the world too.
10:03I had a lot of films.
10:05The audience would never leave me alone, not even for a minute.
10:10My film was doing 12 concerts a day.
10:13I don't know how, but it was happening.
10:16I had a film with Majda.
10:18They say I'm good, but I'm also smart.
10:22I made her take a single role.
10:25She wouldn't move throughout the film, and I would run down, and of course, I ate the camera.
10:31But I got good there.