• 2 months ago
61° volumen del universo de Honto ni Atta! Noroi no Video, disfruten, subtitulado al ingles y español.subscríbanse y denle like para más contenido. Ayudaría mucho. (Nota: La serie se divide en eras, y el nombre de cada era depende de la persona o las personas que las dirigieron, esta era es conocida como la era Kikuchi.)

61th volume of the Honto ni Atta! Noroi no Video universe, enjoy, subtitled in English and Spanish.Subscribe and give a like for more content. It would help a lot. (Nota: The series is divided into eras, and the name of each era depends on the person or people who directed them, this era is known as the Kikuchi era.)
Transcript
00:01:00You
00:01:17I'm gonna tell my roots. Hey, man, that's it. What it does. So
00:01:23Talk Oh, Shannon. I'm saying I'm going to be to know you say to Tony
00:01:27Toreado, Konani no donkey by a city such a statue you azo
00:01:30Kobe to know you say I got there. I got to know you shooted a
00:01:34National and I keep on your she also recorded me not a time a jesus. You don't make all sky
00:01:38China look on washing it up. Oh you
00:01:41Can't look at you. I'm gonna Mase. You can't look at you. So not kill. Okay, you know that I'm going to go your
00:01:46Oh
00:02:16I need you to let me
00:02:24No, no
00:02:26Oh
00:02:56I
00:03:26Oh
00:03:56You
00:04:26You
00:04:56You
00:05:27Oh
00:05:33Well, I don't know what I don't go. Yeah. Hey, how much you'll keep a miracle to me
00:05:44That's you know, but I
00:05:49See I know
00:05:51Actually, I don't like it. Okay. I'll send you to my suit to go to the
00:05:55Institute stick with me. I got there. I don't think I'm there. Okay. Oh, so you got on this, you know
00:06:01Can you see me?
00:06:03It'll be a good time
00:06:11In chat on this kiddo
00:06:13I
00:06:43Think I'm gonna meet on this man. I need to cut it. I think I need time
00:06:50I'm gonna need to tell you I
00:06:53Thought I'm on that time this you don't know that. I'm still gonna come on. I'm gonna look at that. Hey, do you know this?
00:07:01Hi, so this one. We need to take a look at it. I'll tell you that
00:07:05There's no one who's shown you. It's the time to hold on. That's it. What's up, mama?
00:07:10So this
00:07:12Curry got our data to a zone of pink to a slow boy. I get on this you
00:07:17We are getting on a connoisseur. Connie
00:07:20Cover me. It's a time. I don't know. I'll let it take one of us. What am I kidding on this?
00:07:26Curry, who is she? No issue. Come on, you
00:07:29Thank you. She called us in this you
00:07:31costa 10 days. Yeah, I got she ran a truck
00:07:35Cisco, Chico Pike
00:07:37Tired on this kid, oh
00:07:39Karen, she's taking this leak. It's dead. It's got a
00:07:44big guy not come up to me. I see
00:07:46soon this kiddo
00:07:48It was a
00:07:50TV
00:07:53No, you can't
00:07:55give him a she's a man. You are
00:07:58Sakura, you might do nine on this kiddo
00:08:01Karen
00:08:05There's only sugar honey, what does she know what I know this car?
00:08:11Don't make the car
00:08:15Master
00:08:21He said no America Dakota Sarita, I don't even know suspense aga
00:08:27See these guys I didn't sit any it's it's not okay. No, it's good. I didn't mean to suck they are
00:08:34Honesty, no, so you got you are getting to know told you
00:08:36It's not you know, it's you only say some magic on a dog. I start to see you
00:08:41Don't it's got it. I don't know you need to get it. Oh, he's on the same home. Okay. Do you want to get out?
00:08:46Oh
00:09:16Oh
00:09:46I
00:09:48I
00:10:18Know
00:10:48It's
00:11:18You
00:11:48You
00:11:51Masaka, Korea, don't say you see me the name she needed to get aものの姿であるとでもいうのだろうか
00:11:59You
00:12:18Concur in本当にあった呪いのビデオ製作委員会スタッフである森沢の大学時代の友人から
00:12:25彼のもとにしてある相談が入った
00:12:27相談内容に興味を持った我々は直接あって話を聞いてみることにした
00:12:41それでは先日いただきましたご相談の件について内容をもう一度改めてお話しいただけますでしょうか
00:12:49はいあの小学校の時から中のいい友達がいるんですけどその友達の旦那さんが
00:12:56一個月くらい前に
00:12:58家の近くの駅の
00:13:00ホームから
00:13:02線路に落ちて
00:13:04電車に引かれてしまったんですよ
00:13:07命は助かったんですけど今も意識が戻らなくて入院しているんですね
00:13:14警察は状況を見て
00:13:17自殺だろうっていう風になったんですけど旦那さんが
00:13:22はい
00:13:23跳ねられる前に
00:13:25友達に電話をかけてきていて友達はその電話に出られなくて
00:13:30留守電が残ってたんですよ
00:13:32でもその留守電
00:13:35がちょっと変で
00:13:39森沢くんはこういう仕事をしてるって知ってたので相談してみようかなと思って
00:13:46留守電を今日持ってきたんだけど
00:13:49ありがとうございます
00:13:52こちらがそのご主人からのお電話の録音内容ってことですよね
00:13:56そうです
00:13:58旦那さんが
00:14:00電車に跳ねられる
00:14:03時の音とかも入ってるんですけどその後に
00:14:09女の人の笑い声
00:14:11みたいなのが入って
00:14:13笑い声?
00:14:15それは近くにいた方の声が入ったとかってことではなく
00:14:19友達が
00:14:21同じカメラの映像を見せてもらったらしいんですけど
00:14:24旦那さんの周りには人が全然いなかったらしいんですよ
00:14:28先ほども自殺かもしれないみたいなお話とかも出てましたけれども
00:14:33何かその
00:14:35ご主人に変わったご様子があったとかっていうようなことは?
00:14:40戸間違えてたんですけど
00:14:42この日の
00:14:44何日か前から
00:14:46旦那さんはずっと同じ夢を繰り返し見ていて
00:14:50そのせいですごい疲れてたっていう風には言ってましたけど
00:14:56どこかの家で髪の長い女の人が
00:15:00着物を着た人形みたいなのを
00:15:04赤ちゃんをあやすみたいにしてたっていう
00:15:09どこであるとかどなたであるっていうのは
00:15:12特に心当たりとかはないような?
00:15:15みたいでしたけど
00:15:17それ以外には何かこう悩んでらっしゃったりとか
00:15:22トラブルがあったとかっていうお話は
00:15:25特にないですか?
00:15:27友人とその旦那さんが結婚したのも半年くらい前で
00:15:33旦那さんの方が罰一で
00:15:35友達とは再婚だったんですけど
00:15:38前の奥さんと離婚する前から
00:15:43友達とは付き合っていて
00:15:46結果的に友達と結婚することになって
00:15:51前の奥さんとかそのお子さんを
00:15:54捨てるみたいな形になってしまって
00:15:58それで旦那さんと前の奥さんと
00:16:03かなり揉めてたらしい
00:16:06離婚時に前妻である女性と揉めていたという小木屋さん
00:16:11そして彼が事故の数日前から繰り返し見ていたという
00:16:16着物を着た人形をあやす髪の長い女の夢と
00:16:20留守番電話に残されていたという女の笑い声
00:16:24それらは一体何を示しているのだろうか
00:16:33その後我々は留守番電話の音声を
00:16:37とある音響関係の研究機関へ持ち込み
00:16:40解析を依頼してみることにした
00:16:53そして一週間ほど経った頃
00:16:56音声の解析結果が研究機関から送られてきた
00:17:11その他、送られてきた鑑定書によると
00:17:14留守番電話の音声に記録されていた女の笑い声は
00:17:18電話機から非常に近い場所から発せられていると推測される
00:17:23と記されていた
00:17:31その後我々は小木屋さんの前妻の名前を
00:17:37その後我々は小木屋さんの前妻の女性に電話をかけ
00:17:41小木屋さんの事故のことや何か知っていることがないか
00:17:45聞いてみることにした
00:18:06電話とかあったりとかすることってありますか?
00:18:10もう関わりたくないんで
00:18:13入育日のこととか気になりますけど
00:18:16何も知らないです
00:18:18もういいですか?
00:18:19あ、すみません、ちょっとお待たせください
00:18:21〇さんが事故の前に
00:18:24女が着物を着た人形のようなものを
00:18:28赤ん坊のように操る夢を繰り返し見るという風に聞いたんですね
00:18:34何かそのことについて過去に聞いたことがあるだとか
00:18:38心当たりがあるんだったらちょっとお話聞きたいんですけど
00:18:41正直いい決めだとしか思ってないんで
00:18:44お知らさまにでも語られたんじゃないですか?
00:18:47お知らさまとは何ですかね?
00:18:50小さい時にそういう神様がいるって聞いたんです
00:18:53もういいですか?失礼します
00:18:59着られました
00:19:01まあやっぱりその前の奥さん〇さんに対していい印象持ってないな
00:19:06そうですね
00:19:07最後言ってたお知らさま?
00:19:10お知らさまです
00:19:12これは何?神様?
00:19:14なんか小さい頃聞いた神様みたいなこと言ってましたね最後に
00:19:19じゃあ念のため調べてみようか
00:19:22わかります
00:19:24その後取材班は念のためお知らさまなるものに関して調べてみることにした
00:19:36お知らさまについて調べたことをちょっと報告してください
00:19:41はい、お知らさまっていうのは東北地方の方で
00:19:46農産業を営むお家とか農業をやっているお家なんかを中心に
00:19:51祀られている神様らしいんですけど
00:19:55御神体が桑の木で作った棒に布を巻いて服を着せるような形にして
00:20:02人形状の御神体を作ったものを神棚とかに祀るっていう姿をしているらしいですね
00:20:09人形?
00:20:10はい、お知らさまの祭日にあたる日のことを明日っていう風に呼ぶらしいんですけど
00:20:17その明日って呼ばれる日に神棚からその御神体を下ろして
00:20:22着物を新しいものに着せ替えたりとか
00:20:25あとは女の子に背負わせて
00:20:28祀って本当に遊んであげるみたいなこととかをする地域があるらしくて
00:20:33祀ること自体を遊ばせるっていう表現をするらしいんですよ
00:20:37お知ら遊びとかお知ら遊ばせとかってその祭り方を呼ぶらしいんですね
00:20:42何?お前が言ってた夢のお話?
00:20:45それとちょっと類似点があるよね
00:20:48そうですね、女性が人形をあやしてとか遊ばせてるようなっていう話があったので
00:20:56そういう日を明日っていうんだ
00:21:00普通は人が亡くなった日のことを指す気がするけどな
00:21:04そうですね、お知らさまに関していろんな伝承がたくさんあるので諸説あるんですけど
00:21:10名前の由来の一つにお知らせさまっていう言葉が元になってるという説があって
00:21:16地震とか火事とか大きな災いがある時に
00:21:21いたことかにそのご神託を伝えていくような
00:21:24余地を伝えるっていうお知らせさまっていうところから
00:21:27お知らさまっていう名前がついてるっていう説があって
00:21:32結構そういう力の強い神様らしいんですけど
00:21:37いろいろ決まり事がたくさんあって
00:21:41粗末に扱ったりとかその末縁の決まり事を破ったりとかすると
00:21:48たたりがあるって言われてる
00:21:51災いがもたらされるみたいな恐れられてたりする神様でもあるらしいんですよ
00:21:56家を守るとかっていう側面とその反面
00:22:00決まり事を破るとそういうたたりとか災いを引き起こす
00:22:07小木屋さんが事故の前に繰り返し見ていたという
00:22:12人間を操る髪の長い女の夢とお知らさま信仰との類似点は
00:22:18ただの偶然なのだろうか
00:22:24その後我々は小木屋さんの公有関係や会社関係などを中心に
00:22:29他方面に取材を行っていた
00:22:37もしもしすみませんお待たせしておりますかわいいです
00:22:40あのどのあたりにいらっしゃいますでしょうか
00:22:43いらっしゃいました
00:22:46その結果小木屋さんの電車事故の数日前に
00:22:50一緒に出張に行ったという方からある真実を聞くことができた
00:22:57あれは確か彼が事故にあう前のシーンだったと思うんですけれど
00:23:03私と彼の会社は環境コンサルタントの事業を手掛けておりまして
00:23:09出張先が…というところでそこへ出張を行ったのも
00:23:15サンリンの植物調査が目的でした
00:23:18スケジュールが早く終わったので
00:23:21彼とホテルの近くの居酒屋で夕食がてが酒を飲みました
00:23:279時頃にはホテルに戻ったんですけれど
00:23:30彼は飲み足りないって言って一人で出て行きました
00:23:35翌朝には東京に戻る予定だったので
00:23:38彼とホテルのロビーで待ち合わせをしていたんですけれど
00:23:41時間になっても降りてこないので彼の部屋を訪ねてみたんですけれど
00:23:46何とかノックをしてようやく出てきたら
00:23:50顔色がものすごく悪くて
00:23:52昨日の夜飲みすぎて二日酔いになったということで
00:23:57彼を支度するのを待って帰りの車に乗ったんですけれど
00:24:03その車の中で一人で出て行って
00:24:06どこでどうしたのか聞いてみたんですね
00:24:09彼の言うところだと
00:24:11ホテル近くの路上で
00:24:14オステスっぽい女性に声をかけられたと
00:24:18髪が長くてリッコを引いてて足が悪そうだと話してました
00:24:23本人もあんまりきりと覚えてないらしいですが
00:24:26一世というよりかは家のようなところで
00:24:30その女性と飲んだと話してました
00:24:33その女性のご住宅に行かれたようだということなんですか?
00:24:37そうみたいですね
00:24:39その家というのはぬいぐるみや人形が並べられていてたくさん
00:24:44着物を着た人形にその女性が子供をあやすような
00:24:51口をで話しかけていたのが
00:24:53気味が悪かったと話してましたね
00:24:56そういう風に酒癖も悪い男なんですけど
00:25:00あんまり大きい声じゃないんですけど
00:25:02女癖も悪くて
00:25:04今の奥さんも不倫して結婚したっていうことがあるので
00:25:10その後は平気でナンパもするし
00:25:13酷い時だと同僚の恋人にも手を出したりとか
00:25:17岩松さんが小木屋さんから聞いたという
00:25:20出張席で出会った
00:25:22子供をあやすかのように着物を着た人形に話しかけていたという
00:25:27髪が長く足の悪い女
00:25:30その女は一体何者なのだろうか
00:25:35それではここで小木屋さんの電車事故の瞬間が録音されているという
00:25:40留守番電話の音声を聞いていただこう
00:25:44再生済みの電話
00:25:49ただいま1件の電話をお預かりしています
00:25:55再生済みの電話
00:25:571件目
00:25:58今日の午前0時20分
00:26:01再生済みの電話
00:26:31再生済みの電話
00:26:361件目
00:26:39今日の午前0時20分
00:26:42再生済みの電話
00:26:451件目
00:26:48今日の午前0時20分
00:26:51再生済みの電話
00:26:541件目
00:26:58再生済みの電話
00:27:05お分かりいただけただろうか
00:27:09駅構内の音声がしばらく流れ
00:27:13その後電車から発せられるけたたましい汽笛音
00:27:18そして激しい衝撃音が聞こえた後
00:27:22女の笑い声と母式ものが聞こえる
00:27:52女の笑い声と母式ものが聞こえる
00:28:02女の笑い声と母式ものが聞こえる
00:28:05一体小宮さんは何を思って線路に飛び込んだというのだろうか
00:28:11そして無通電話の音声に記録されていた女の笑い声の主は何者なのだろうか
00:28:20まさかこの音声に残されている笑い声の主が
00:28:25小宮さんを死の台風へと誘ったとでも言うのだろうか
00:28:38その後我々は調査を継続していたものの
00:28:42具体的な進展はなく暗証に乗り上げていた
00:28:47今分かっていることを整理すると
00:28:50小宮さんが事故の前の数日前から
00:28:54人形を操る女の夢を見ていたというのと
00:28:59小宮さんが言っていた出張先で似たような体験
00:29:03女に出会ってその女が人形を操るような記憶が残っていた
00:29:10さらにそれに似た風習というか
00:29:14そういうものがあるお知らさま
00:29:17その3つに類似点があると
00:29:19ただそれ以上のことは特に分かっていないわけだから
00:29:23今後どうするかということだよね
00:29:26前の奥さんがちょっと僕気になっていまして
00:29:31すごく前の奥さんに対して恨みを持っていたじゃないですか
00:29:35調査をしたる過程で前の奥さんが岩手出身だということが分かったんですね
00:29:41そのことと電話で話していたお知らさま信仰
00:29:46奥さんの口から出たじゃないですか
00:29:49そういうのを総合すると今回のことと関連性があるんじゃないかなと思います
00:29:57それって例えば奥さんが本当に恨みを持っていたとして
00:30:02お知らさまのたたりみたいなものを消しかけたとかってことですか
00:30:07そうなんじゃないかなって僕は思っています
00:30:11仮にそうだとしても今まで調査した結果
00:30:17その前の奥さんが関係しているという証拠も何一つ出ていないから
00:30:23だからこそ別の方向で考えなきゃっていう話だからね
00:30:28そうなると調査の余地があるのは
00:30:33調査の余地があるのはお知らさまが言っていた出張先で声をかけられたっていう女?
00:30:40確かにどっちにしろ出張先には一回行ってみたいと思うよね
00:30:45お知らさまたちが行った足取りじゃないけど
00:30:49その調査をしたという土地と
00:30:52お知らさまが女に声をかけられたというビジネスホテル周辺
00:30:58その二箇所を行ってみるってことにするか
00:31:02そしたら…
00:31:04OOさんの周辺の人間関係とかお知らさま関連の方はどうしましょうか?
00:31:14その二つも継続して調べた方がいいと思うから
00:31:19川合さんがそっちを担当するっていう形にして
00:31:23俺らがそのOOの方の出張先に調査に行くっていう
00:31:28そういう分担にしようか
00:31:30はい
00:32:00人がいなくていいっすね
00:32:02え?
00:32:03人がいなくていいね
00:32:04ちょっと怖いね
00:32:06これは登校者の男性が高校時代の友人と二人で
00:32:11とある温泉宿に宿泊した際
00:32:14深夜露天風呂に入った時の様子であるという
00:32:19この映像に異常なものが映っているというのだが
00:32:23真っ暗じゃないですか
00:32:26あっ真っ暗
00:32:29電気どこですか?
00:32:32全然人いないな
00:32:34そうだね
00:32:36最初に上がった時だけだったから
00:32:39電気ついたよ
00:32:42女子風呂?
00:32:44本当に電気ついたの?
00:32:45本当についたよ
00:32:51女子風呂なんじゃない?
00:32:53消えた
00:32:56何?
00:32:57何何?
00:33:01さっき終わったよね?
00:33:03え?
00:33:05何なのこれ?
00:33:09何でカエルの血が満ちすぎるの?
00:33:13やっぱりスーパー銭湯との間違って
00:33:16あの
00:33:18そばに泣いている
00:33:20そうだな
00:33:23カエルが泣いている
00:33:25ねえ
00:33:27カエル
00:33:38お分かりいただけただろうか
00:33:41登校者たちが露天風呂に入りながら話をしている途中
00:33:46突然奥の女子風呂の照明が点灯する
00:33:51その後照明が消えた後
00:33:54温泉から立ち上る湯煙に
00:33:57数体の悲痛に歪んだような
00:34:00人形の顔と母式ものが映り込む
00:34:04確かに露が降り続いているだけだったかな
00:34:07電気ついたよ
00:34:09女子風呂?
00:34:11本当に電気ついたの?
00:34:13本当についたよ
00:34:15女子風呂じゃないよね?
00:34:19いや、女子風呂なんじゃない?
00:34:21あ、消えた
00:34:22消えた
00:34:24何?
00:34:25何?
00:34:29さっきもあったよね?
00:34:32え?
00:34:33何なの?これ今度
00:34:38カエルの小さな家がスイーツ
00:34:41やっぱりスーパー銭湯とは間違って
00:34:46スーパーに泣いている
00:34:48そうだな
00:34:52カエルが泣いてる
00:34:54ねえ
00:34:55カエル
00:35:01投稿者によるとこの旅館近くには
00:35:04地元で小鳥池と言われている
00:35:07温泉の湯が混じった池があるという
00:35:11その池では昔
00:35:13池に落ちた子供と
00:35:15助けようとした母親が
00:35:17激死しており
00:35:18それ以来
00:35:19池は心霊スポットになっているというのだが
00:35:38スーパー銭湯
00:35:44まさか
00:35:45その池と
00:35:46映像内の温泉が
00:35:48地下でつながっている
00:35:50とでも
00:35:51いうのだろうか
00:36:08とあるコインロッカーに設置された
00:36:10監視カメラの映像
00:36:13投稿者の男性が
00:36:14働いている警備会社の
00:36:16事務所の引っ越しの際に
00:36:18倉庫内から出てきたビデオテープに
00:36:20記録されていたものであるという
00:36:24テープのラベルには
00:36:25何も記載されておらず
00:36:27この映像が
00:36:29いつどこで撮影されたものなのかは
00:36:31不明であるというのだが
00:36:37何も記載されておらず
00:36:39この映像が
00:36:41いつどこで撮影されておらず
00:36:43この映像が
00:36:45何も記載されておらず
00:36:47この映像が
00:36:49何も記載されておらず
00:36:51この映像が
00:36:53何も記載されておらず
00:36:55この映像が
00:36:57何も記載されておらず
00:36:59この映像が
00:37:01何も記載されておらず
00:37:03この映像が
00:37:05何も記載されておらず
00:37:07この映像が
00:37:09何も記載されておらず
00:37:11この映像が
00:37:13何も記載されておらず
00:37:15この映像が
00:37:17何も記載されておらず
00:37:19この映像が
00:37:21何も記載されておらず
00:37:23この映像が
00:37:25何も記載されておらず
00:37:27この映像が
00:37:29何も記載されておらず
00:37:31この映像が
00:37:33おわかりいただけただろうか
00:37:35おわかりいただけただろうか
00:37:37途中、黒いカバンを抱えた女性が現れ、それをロッカーに入れる。
00:37:39途中、黒いカバンを抱えた女性が現れ、それをロッカーに入れる。
00:37:41さらに、女性がポケットからナイフのようなものを取り出し、ロッカー内のカバンに何度も突き刺しているように見える。
00:37:43さらに、女性がポケットからナイフのようなものを取り出し、ロッカー内のカバンに何度も突き刺しているように見える。
00:37:45その後、女性の腰のあたりから赤ん坊のような小さな顔が出てくるのが映り込む。
00:37:47その後、女性の腰のあたりから赤ん坊のような小さな顔が出てくるのが映り込む。
00:37:49その後、女性の腰のあたりから赤ん坊のような小さな顔が出てくるのが映り込む。
00:37:51その後、女性の腰のあたりから赤ん坊のような小さな顔が出てくるのが映り込む。
00:37:53その後、女性の腰のあたりから赤ん坊のような小さな顔が出てくるのが映り込む。
00:37:55その後、女性の腰のあたりから赤ん坊のような小さな顔が出てくるのが映り込む。
00:37:57その後、女性の腰のあたりから赤ん坊のような小さな顔が出てくるのが映り込む。
00:37:59その後、女性の腰のあたりから赤ん坊のような小さな顔が出てくるのが映り込む。
00:38:25This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:38:55This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:38:57This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:38:59This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:01This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:03This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:05This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:07This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:09This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:11This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:13This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:15This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:17This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:19This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:21This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:23This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:25This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
00:39:27This is a video of a high school student having a barbeque with four of his female friends in a park.
00:39:38And at this time, he said he had an experience of freezing his spine.
00:39:44We met the high school student and decided to ask him some questions.
00:39:50Nice to meet you.
00:39:52So, where are you from?
00:39:55Over there.
00:39:58We asked the high school student to set up a barbeque for us.
00:40:03He brought two girls from his part-time job and set everything up for us.
00:40:10There was no one around, so we got really excited.
00:40:13We ran out of alcohol and meat, so he brought me and a girl.
00:40:18We decided to go shopping together.
00:40:21We went to the supermarket nearby.
00:40:27But we got lost and ended up in a bush.
00:40:31Then we saw a swamp-like thing.
00:40:36There was a rope tied to a tree there.
00:40:40It looked like a rope for fishing.
00:40:43It was round.
00:40:45Yes.
00:40:47At first, I didn't understand what it was.
00:40:51But after a while, I realized that there were a lot of them.
00:40:55I was scared.
00:40:57So, I took a detour.
00:41:00I bought some alcohol and went home.
00:41:05Is this it?
00:41:07Yes, I think so.
00:41:09Is this the road that leads to the swamp?
00:41:12Yes.
00:41:17Is this the swamp?
00:41:19Yes.
00:41:24Is this the rope you were talking about?
00:41:28Yes.
00:41:30It looks like a rope for fishing.
00:41:32Yes.
00:41:34I didn't understand what it was.
00:41:37But I decided to take a detour.
00:41:41There are a lot of them here.
00:41:44There are a lot of them.
00:41:48There are a lot of these trees.
00:41:50Yes.
00:41:56So, I came back to this place.
00:42:01I felt uncomfortable here.
00:42:04So, I went back.
00:42:06I went to the supermarket to buy something and had a barbecue.
00:42:10I showed my video to my juniors.
00:42:14I showed my video to my juniors.
00:42:17There was a picture of a person's face on the tree.
00:42:24I was surprised.
00:42:27A week later, I called my juniors.
00:42:31I told them that I would drink with them again.
00:42:35The girl I came here with told me that she couldn't get in touch with me.
00:42:42She was a part-time worker at a bar.
00:42:47So, she came here for free.
00:42:51Since then, I haven't been able to get in touch with her.
00:42:56So, she hasn't been able to get in touch with you since the day after you came here.
00:43:03Yes.
00:43:06After that, we searched around the tree and the swamp.
00:43:11But we couldn't find anything special.
00:43:20A few days later, we heard an interesting story from a man living near the park.
00:43:30In the morning, I was taking a walk in the forest.
00:43:34I was taking a walk in the forest.
00:43:39When I went to the road near the swamp, I found a rope hanging on a branch of a tree.
00:43:48The rope grew little by little.
00:43:52It grew every month, every half year and every month.
00:43:56It grew little by little.
00:44:03I don't know how it grew.
00:44:08I don't know if you understand what I mean.
00:44:12I see.
00:44:14The rope that was tied to the tree grew little by little.
00:44:19I wonder if it has something to do with what we saw in the video.
00:44:29A few weeks after the interview,
00:44:33Mr. Hayashida called us and told us that a new rope was growing.
00:44:38So, we went to the site again.
00:44:41Did you find anything new?
00:44:44Yes.
00:44:45Isn't it that?
00:44:47It's something new.
00:44:49Yes.
00:44:50It wasn't there before, was it?
00:44:51No, it wasn't.
00:44:54If there is someone who tied the rope, I don't know why.
00:44:58That's right.
00:45:01The mystery of who is doing this and for what purpose is only getting deeper.
00:45:10Now, let's take a look at the problem.
00:45:16What is this?
00:45:18It's amazing.
00:45:20It's not a road, is it?
00:45:25What is this?
00:45:26It looks like a neck.
00:45:31That's a lie.
00:45:32It's not.
00:45:37It's amazing.
00:45:39It's amazing.
00:45:46It looks like a neck.
00:45:52This?
00:45:54That's a lie.
00:45:56This?
00:45:58A little bit.
00:46:01It's not.
00:46:10Did you understand?
00:46:12On the way to the store, a man and a woman get lost in the road.
00:46:18They get lost in the place where countless ropes are tied to the trees.
00:46:23And when the camera shows a tree with ropes tied to it,
00:46:29a human face and a hat that looks like it has merged with the trunk of the tree appear.
00:46:37What is this?
00:46:39It looks like a neck.
00:46:43It's not.
00:46:45This?
00:46:47That's a lie.
00:46:49This?
00:46:51A little bit.
00:46:54It's not.
00:46:55It's amazing.
00:46:59A few days later, according to the postman,
00:47:02he got a call from a friend of his junior who became mentally and physically ill.
00:47:06She said that she had been hospitalized due to a car accident.
00:47:26To be continued.
00:47:33What is the purpose of the rope tied to the tree?
00:47:40To solve this mystery, we will continue our investigation.
00:47:56Kiyo, how was the entrance ceremony?
00:47:59Were you nervous?
00:48:00I'm still nervous.
00:48:01Oh, really?
00:48:03The postman's father took a video of his son's entrance ceremony in front of his house.
00:48:10According to the postman,
00:48:12because he was not allowed to bring a randosel to the ceremony,
00:48:16he carried a randosel to his son in front of his house and took pictures and videos as a commemoration.
00:48:24Come closer.
00:48:28Peace, peace, peace.
00:48:31Randosel.
00:48:33Let's take a picture by ourselves.
00:48:38I'm hungry.
00:48:40What are you taking now?
00:48:42I'm looking for a card.
00:48:44A card?
00:48:46We can play a game later.
00:48:48You can take a picture later.
00:48:53Kiyo is doing her best to take a picture.
00:48:56Please wait a little longer.
00:49:08What was that?
00:49:09What?
00:49:13What was that?
00:49:23I think you understand.
00:49:26When his mother took a picture of his son in front of the entrance,
00:49:31a girl and a woman appear on the left side of the screen.
00:49:36Peace, peace, peace.
00:49:39Randosel.
00:49:42Let's take a picture by ourselves.
00:49:56You can take a picture later.
00:50:01Kiyo is doing her best to take a picture.
00:50:04Please wait a little longer.
00:50:06I'm hungry.
00:50:11What?
00:50:16What was that?
00:50:18I'm hungry.
00:50:21What?
00:50:22I'm hungry.
00:50:26According to our investigation,
00:50:29a few years ago,
00:50:31there was an accident in the back of a house where a high school student lived.
00:50:34Due to a landslide caused by a typhoon,
00:50:37four families, including a small child,
00:50:40were buried alive and died.
00:50:52A few years later.
00:51:06Could this be the image of a girl who died in an accident
00:51:10who appeared to be envious of the son of a high school student?
00:51:15Could it be?
00:51:22A few years later.
00:51:31A friend of a high school student,
00:51:34Osawa-san's childhood friend's husband, Ogiya-san,
00:51:37fell off the train from the platform of the station.
00:51:40He had a heart attack.
00:51:45He said that a few days before the accident,
00:51:48an unknown woman was wearing a kimono.
00:51:52He said he repeatedly looked at her eyes.
00:51:56She looked like a baby.
00:52:00In addition, at the time of the accident,
00:52:03the voice of the phone call he left to his wife at the station
00:52:07recorded the voice of an unknown woman along with the moment of the accident.
00:52:16After that, we interviewed Ogiya-san's ex-wife.
00:52:19Depending on how you treat it,
00:52:22it is possible that it may be a fable.
00:52:25We know that there is a possibility that it may be a fable.
00:52:32After that, we heard from a colleague of Ogiya-san's company,
00:52:36that Ogiya-san went on a business trip with Ogiya-san every week before the accident,
00:52:40and Ogiya-san went to the house of a woman with bad feet
00:52:44who spoke to Ogiya-san near the hotel.
00:52:47In Ogiya-san's story,
00:52:50the woman talked to Ogiya-san in the room where many dolls were lined up,
00:52:54as if she were manipulating a doll wearing a kimono.
00:53:01A few days later, we went to Ogiya-san's house
00:53:05in search of evidence of Ogiya-san's train accident
00:53:09and the voice analysis of the phone call left by Ogiya-san.
00:53:14First, we decided to go to the forest where Ogiya-san and his company
00:53:19conducted a plant survey.
00:53:23I think that's it.
00:53:28That car?
00:53:29Yes.
00:53:30In the back?
00:53:31Yes.
00:53:32Let's park the car somewhere.
00:53:34Can we park here?
00:53:35Let's park here for now.
00:53:37Yes.
00:53:42Let's go.
00:53:43Yes.
00:53:44This is the entrance.
00:53:49Which way is the back of this car?
00:53:53That way?
00:53:54I think it's this way.
00:53:55Let's go.
00:53:56Does this mean that this is not the survey area yet?
00:54:00What I said was that the center of the car was in front of the entrance,
00:54:05so I said that the radius is about 200 meters.
00:54:10Does this mean that this area is also a survey area?
00:54:12Yes, it's a survey area.
00:54:14I see.
00:54:16It's a mountain, isn't it?
00:54:17Yes.
00:54:19Are you teaching me?
00:54:21Yes.
00:54:25Is there anything unusual?
00:54:27There is nothing special about this place.
00:54:31Nothing?
00:54:32There are only mountains.
00:54:35However, we couldn't find anything unusual in the forest.
00:54:44I don't think there's anything wrong with this place.
00:54:48Let's go to the business hotel called Matomata.
00:54:52Okay.
00:54:53Let's go there.
00:54:55Let's ask the hotel if they know about a woman with bad legs and long hair like a hospice.
00:55:04Let's go.
00:55:08We're in the outskirts of the city.
00:55:10After that, we went to the hotel where the hospice stayed when we were on a business trip.
00:55:17The next city is on the left.
00:55:26It's here, isn't it?
00:55:27Yes.
00:55:28Let's go.
00:55:33The next city is on the right.
00:55:40What's going to happen?
00:55:42I'll tell you what's going to happen.
00:55:45If a woman with bad legs comes to me, I'll be able to talk to her.
00:55:50I heard there are some snacks around here.
00:55:53Snacks?
00:55:54Yes.
00:55:55I think I'll be able to talk to her if I go there.
00:56:00Are you the staff of the shop?
00:56:03Yes.
00:56:04Do you have to walk?
00:56:06Yes.
00:56:07Let's go this way.
00:56:13After that, we went to the neighborhood residents to ask them about a woman with bad legs and long hair like a hospice.
00:56:31Let's go.
00:56:35I'll be on TV.
00:56:38I'm looking for someone.
00:56:42However, we couldn't find anyone who knows a woman with bad legs.
00:56:54I don't think there's anyone.
00:56:57There's still a place where we can find someone.
00:57:00Let's go.
00:57:01Let's go.
00:57:02Let's go.
00:57:03Let's go back.
00:57:08And the next day, we had a problem.
00:57:20Isn't it straight?
00:57:22Yes, it is.
00:57:23Yes, it is.
00:57:26Excuse me.
00:57:27Excuse me.
00:57:29Can I take a picture of you?
00:57:30What?
00:57:31Can I take a picture of you?
00:57:33Excuse me.
00:57:34What's the matter?
00:57:35Are you a police officer?
00:57:37Please take it easy.
00:57:39I'm from a production company.
00:57:41Excuse me.
00:57:42I'm from a production company.
00:57:43A reporter.
00:57:44A reporter?
00:57:45Yes.
00:57:46I was looking for someone.
00:57:49Can you speak Japanese?
00:57:51I can speak a little.
00:57:53Do you understand a little?
00:57:55Yes!
00:57:56TV?
00:57:57No, it's not TV.
00:57:59What?
00:58:00It's an interview for a rental DVD called Noroi no Video.
00:58:04Noroi?
00:58:05Ah, my daughter is watching that.
00:58:07Noroi?
00:58:08Did you understand?
00:58:11Ah, yes, yes.
00:58:12Right?
00:58:13Did you understand?
00:58:14Yes, yes.
00:58:15Did you understand?
00:58:17What?
00:58:21What is that?
00:58:22What is that?
00:58:23Excuse me.
00:58:24What?
00:58:25Do you know a hostess with bad legs?
00:58:27Ah!
00:58:28Oh, yeah?
00:58:29Hostess?
00:58:30Yes.
00:58:31Yes, I know.
00:58:32Here, here, here.
00:58:33Here.
00:58:34I work with her.
00:58:35What is this?
00:58:36Snack.
00:58:37Snack, snack.
00:58:38She's working.
00:58:39Job, job.
00:58:40Job, job, job.
00:58:41Is she also working?
00:58:42No, before.
00:58:43Before.
00:58:44Before?
00:58:45Yes.
00:58:46So, you don't know her number?
00:58:48I don't know, I don't know.
00:58:50I don't know.
00:58:51Do you know who she is?
00:58:52The owner of the shop.
00:58:54Do you know who the owner is?
00:58:56Yes, I think.
00:58:57Do you want to talk to the owner?
00:59:00The owner?
00:59:01Yes.
00:59:02Do you want to talk to her?
00:59:03Yes.
00:59:04Talk to her.
00:59:05Ah, wait.
00:59:06I'll ask her on the phone.
00:59:08Please do.
00:59:09Ah, wait, wait, wait.
00:59:12You understand Japanese, don't you?
00:59:14I guess so.
00:59:15Yes.
00:59:16What don't you understand?
00:59:17I was just listening.
00:59:20What don't you understand?
00:59:22Yes.
00:59:23You didn't ask her politely, did you?
00:59:25Ah, I don't know.
00:59:28And the woman who understood the purpose of the interview
00:59:32called the snack shop where she works
00:59:35and told us that she wanted to talk to the owner.
00:59:41Um...
00:59:42Yes, yes.
00:59:43Um, snack, owner, president, call, call.
00:59:46Ah.
00:59:47This.
00:59:48Yes.
00:59:49Um, snack.
00:59:50Um, yes.
00:59:51Tomorrow, tomorrow.
00:59:52Tomorrow.
00:59:53Lunch.
00:59:54President, president, owner.
00:59:56Yes.
00:59:57Can you speak English?
00:59:58Yes.
00:59:59Tomorrow.
01:00:00Yes.
01:00:01Snack.
01:00:02She told us to call her.
01:00:03Yes.
01:00:04Number, number, yes, yes.
01:00:05Here.
01:00:06Yes, yes.
01:00:07I understand.
01:00:09Yes.
01:00:10I'm sorry.
01:00:13In the end, she was a good person.
01:00:14Yes.
01:00:15Yes.
01:00:16Yes?
01:00:17Yes, for us.
01:00:18Umm, is it XXX-san.
01:00:20Hmm.
01:00:21Yes.
01:00:25The next day, after calling the number which was on the flyer,
01:00:31we met with the owner and talked to him.
01:00:37Although the woman had a bad temper, it was clear that she might have been a different person from her appearance and age.
01:00:49However, after that, the owner's man started to contact several snack shops in the area.
01:00:56In the past, he started to talk to a man who runs a snack shop that seemed to be run by a woman with a problem.
01:01:04I'm Morisawa. I used to run a snack shop in Odeno.
01:01:10I used to have a hostess named ***.
01:01:15I heard that she is dead now.
01:01:18About 5 years ago, I published an article about recruiting a hostess in a newspaper.
01:01:24I applied for it.
01:01:26I had a bad temper, so while I was listening to the reason,
01:01:29I was told that my parents got divorced because of my father's affair when I was a child.
01:01:42Since then, my father abused me.
01:01:47Did he abuse you?
01:01:49Yes, he abused me on a daily basis.
01:01:53When I came to my senses, my father went to a local station.
01:01:59He fell down and broke his leg.
01:02:04But my father didn't take me to the hospital immediately.
01:02:08After a while, he took me to a nearby hospital.
01:02:13However, the treatment was late and I had a small leg injury.
01:02:17As a result, I was bullied a lot when I was a student and had a hard time.
01:02:21I heard that my father pushed me down to the station on purpose.
01:02:30Did your daughter's father push you down to the station?
01:02:35Yes.
01:02:37A hostess is a job where you sit down.
01:02:40I didn't care about my bad legs.
01:02:44I had a good face, so I hired a hostess to work for me.
01:02:48She had a backache.
01:02:51I had no time to rest.
01:02:54After that, she worked for me.
01:02:58But three years ago, she had a blood donation and I couldn't get in touch with her.
01:03:04After a few days, I got a call from her.
01:03:08She said that her lover was hospitalized for a serious injury.
01:03:13She was pregnant and had a miscarriage.
01:03:19I went to another hostess.
01:03:22The hostess said that the man was in debt.
01:03:25The hostess said that the man was in debt.
01:03:28The hostess said that the man was in debt.
01:03:33The hostess said that the man was in debt.
01:03:35After I retired, I asked the hostess to hire me again.
01:03:39I got a lot of scars, so I was fired.
01:03:43After that, she was a prostitute.
01:03:50She didn't hire me.
01:03:53My hostess said to me to quit.
01:03:56But she didn't listen to me.
01:03:59I couldn't see her face.
01:04:02She had a backache.
01:04:04She had a backache.
01:04:06She couldn't walk.
01:04:09She was kicked out of her apartment.
01:04:11She was homeless.
01:04:15She was pregnant.
01:04:18Whose child is she?
01:04:21I don't know.
01:04:24I don't know whose child she is.
01:04:26I found her in the abandoned house in the prefecture.
01:04:30I found her in the abandoned house in the prefecture.
01:04:36Excuse me.
01:04:38Is this the forest in the prefecture?
01:04:41Yes.
01:04:43Have you been there?
01:04:45Yes.
01:04:47Have you been there?
01:04:52Yes.
01:04:54Is there an abandoned house there?
01:04:55Can you give me a map of that place?
01:05:00Sure.
01:05:01Can you give me a map of that place?
01:05:03Sure.
01:05:04Can you give me a map of that place?
01:05:05Sure.
01:05:06Can you give me a map of that place?
01:05:07Sure.
01:05:08Can you give me a map of that place?
01:05:09Sure.
01:05:10Can you give me a map of that place?
01:05:11Sure.
01:05:12Can you give me a map of that place?
01:05:13Sure.
01:05:14Can you give me a map of that place?
01:05:15Sure.
01:05:16Can you give me a map of that place?
01:05:17Sure.
01:05:18Can you give me a map of that place?
01:05:19Sure.
01:05:20Can you give me a map of that place?
01:05:21Sure.
01:05:22Can you give me a map of that place?
01:05:23Sure.
01:05:24Can you give me a map of that place?
01:05:25Sure.
01:05:26Can you give me a map of that place?
01:05:27Sure.
01:05:28Can you give me a map of that place?
01:05:29Sure.
01:05:30Can you give me a map of that place?
01:05:31Sure.
01:05:32Can you give me a map of that place?
01:05:33Sure.
01:05:34Can you give me a map of that place?
01:05:35Sure.
01:05:36Can you give me a map of that place?
01:05:37Sure.
01:05:38Can you give me a map of that place?
01:05:39Sure.
01:05:40Can you give me a map of that place?
01:05:41Sure.
01:05:42Can you give me a map of that place?
01:05:43Sure.
01:05:44Can you give me a map of that place?
01:05:45Sure.
01:05:46Can you give me a map of that place?
01:05:47Sure.
01:05:48Can you give me a map of that place?
01:05:49Sure.
01:05:50Can you give me a map of that place?
01:05:51Sure.
01:05:54Can you give me a map of that place?
01:05:55Sure.
01:05:56Can you give me a map of that place?
01:05:57Sure.
01:05:58Can you give me a map of that place?
01:05:59Sure.
01:06:00Can you give me a map of that place?
01:06:01Sure.
01:06:02Can you give me a map of that place?
01:06:03Sure.
01:06:04Can you give me a map of that place?
01:06:05Sure.
01:06:06Can you give me a map of that place?
01:06:07Sure.
01:06:08Can you give me a map of that place?
01:06:09Sure.
01:06:10Can you give me a map of that place?
01:06:11Sure.
01:06:12Can you give me a map of that place?
01:06:13Sure.
01:06:14Can you give me a map of that place?
01:06:15Sure.
01:06:16Can you give me a map of that place?
01:06:17Sure.
01:06:18Can you give me a map of that place?
01:06:19Sure.
01:06:20Can you give me a map of that place?
01:06:21Sure.
01:06:22Can you give me a map of that place?
01:06:23Sure.
01:06:24Can you give me a map of that place?
01:06:25Sure.
01:06:26Can you give me a map of that place?
01:06:27Sure.
01:06:28Can you give me a map of that place?
01:06:29Sure.
01:06:30Can you give me a map of that place?
01:06:31Sure.
01:06:32Can you give me a map of that place?
01:06:33Sure.
01:06:34Can you give me a map of that place?
01:06:35Sure.
01:06:36Can you give me a map of that place?
01:06:37Sure.
01:06:38Can you give me a map of that place?
01:06:39Sure.
01:06:40Can you give me a map of that place?
01:06:41Sure.
01:06:42Can you give me a map of that place?
01:06:43Sure.
01:06:44Can you give me a map of that place?
01:06:45Sure.
01:06:46Can you give me a map of that place?
01:06:47Sure.
01:06:48Can you give me a map of that place?
01:06:49Sure.
01:06:50Can you give me a map of that place?
01:06:51Sure.
01:06:52Can you give me a map of that place?
01:06:53Sure.
01:06:54Can you give me a map of that place?
01:06:55Sure.
01:06:56Can you give me a map of that place?
01:06:57Sure.
01:06:58Can you give me a map of that place?
01:06:59Sure.
01:07:00Can you give me a map of that place?
01:07:01Sure.
01:07:02Can you give me a map of that place?
01:07:03Sure.
01:07:04Can you give me a map of that place?
01:07:05Sure.
01:07:06Can you give me a map of that place?
01:07:07Sure.
01:07:08Can you give me a map of that place?
01:07:09Sure.
01:07:10Can you give me a map of that place?
01:07:11Sure.
01:07:12Can you give me a map of that place?
01:07:13Sure.
01:07:14Can you give me a map of that place?
01:07:15Can you give me a map of that place?
01:07:16Sure.
01:07:17Can you give me a map of that place?
01:07:18Sure.
01:07:19Can you give me a map of that place?
01:07:20Sure.
01:07:21Can you give me a map of that place?
01:07:22Sure.
01:07:23Can you give me a map of that place?
01:07:24Sure.
01:07:25Can you give me a map of that place?
01:07:26Sure.
01:07:27Can you give me a map of that place?
01:07:28Sure.
01:07:29Can you give me a map of that place?
01:07:30Sure.
01:07:31Can you give me a map of that place?
01:07:32Sure.
01:07:33Can you give me a map of that place?
01:07:34Sure.
01:07:35Can you give me a map of that place?
01:07:36Sure.
01:07:37Can you give me a map of that place?
01:07:38Sure.
01:07:39Can you give me a map of that place?
01:07:40Sure.
01:07:41Can you give me a map of that place?
01:07:42Sure.
01:07:43Can you give me a map of that place?
01:07:44Sure.
01:07:45Can you give me a map of that place?
01:07:46Sure.
01:07:47Can you give me a map of that place?
01:07:48Sure.
01:07:49Can you give me a map of that place?
01:07:50Sure.
01:07:51Can you give me a map of that place?
01:07:52Sure.
01:07:53Can you give me a map of that place?
01:07:54Sure.
01:07:55Can you give me a map of that place?
01:07:56Sure.
01:07:57Can you give me a map of that place?
01:07:58Sure.
01:07:59Can you give me a map of that place?
01:08:00Sure.
01:08:01Can you give me a map of that place?
01:08:02Sure.
01:08:03Can you give me a map of that place?
01:08:04Sure.
01:08:05Can you give me a map of that place?
01:08:06Sure.
01:08:07Can you give me a map of that place?
01:08:08Sure.
01:08:09Can you give me a map of that place?
01:08:10Sure.
01:08:11Can you give me a map of that place?
01:08:12Sure.
01:08:13Can you give me a map of that place?
01:08:14Sure.
01:08:15Can you give me a map of that place?
01:08:16Sure.
01:08:17Can you give me a map of that place?
01:08:18Sure.
01:08:19Can you give me a map of that place?
01:08:20Sure.
01:08:21Can you give me a map of that place?
01:08:22Sure.
01:08:23Can you give me a map of that place?
01:08:24Sure.
01:08:25Can you give me a map of that place?
01:08:26Sure.
01:08:27Can you give me a map of that place?
01:08:28Sure.
01:08:29Can you give me a map of that place?
01:08:30Sure.
01:08:31Can you give me a map of that place?
01:08:32Sure.
01:08:33Can you give me a map of that place?
01:08:34Sure.
01:08:35Can you give me a map of that place?
01:08:36Can you give me a map of that place?
01:08:37Sure.
01:08:38Can you give me a map of that place?
01:08:39Sure.
01:08:40Can you give me a map of that place?
01:08:41Sure.
01:08:42Can you give me a map of that place?
01:08:43Sure.
01:08:44Can you give me a map of that place?
01:08:45Sure.
01:08:46Can you give me a map of that place?
01:08:47Sure.
01:08:48Can you give me a map of that place?
01:08:49Sure.
01:08:50Can you give me a map of that place?
01:08:51Sure.
01:08:52Can you give me a map of that place?
01:08:53Sure.
01:08:54Can you give me a map of that place?
01:08:55Sure.
01:08:56Can you give me a map of that place?
01:08:57Sure.
01:08:58Can you give me a map of that place?
01:08:59Sure.
01:09:00Can you give me a map of that place?
01:09:01Sure.
01:09:02Can you give me a map of that place?
01:09:04Can you give me a map of that place?
01:09:05Sure.
01:09:06Can you give me a map of that place?
01:09:07Sure.
01:09:08Can you give me a map of that place?
01:09:09Sure.
01:09:10Can you give me a map of that place?
01:09:11Sure.
01:09:12Can you give me a map of that place?
01:09:13Sure.
01:09:14Can you give me a map of that place?
01:09:15Sure.
01:09:16Can you give me a map of that place?
01:09:17Sure.
01:09:18Can you give me a map of that place?
01:09:19Sure.
01:09:20Can you give me a map of that place?
01:09:21Sure.
01:09:22Can you give me a map of that place?
01:09:23Sure.
01:09:24Can you give me a map of that place?
01:09:25Sure.
01:09:26Can you give me a map of that place?
01:09:27Sure.
01:09:28Can you give me a map of that place?
01:09:29Sure.
01:09:30Can you give me a map of that place?
01:09:31Let's stop for a while and walk around.
01:09:35Okay.
01:09:36Let's stop for a while and walk around.
01:09:37Okay.
01:09:47Let's go.
01:09:48Okay.
01:09:49Which way?
01:09:50That way.
01:09:51That way?
01:09:52This way.
01:10:01There is something...
01:10:02Isn't this there?
01:10:04There is something...
01:10:05Let's get closer a little.
01:10:07This is it.
01:10:14It's pretty big.
01:10:15Check if you can go through the front door.
01:10:20Yes, I see.
01:10:22So, let's go in.
01:10:24Okay.
01:10:30How is it?
01:10:32Yes, I think I can go in.
01:10:34Okay.
01:10:36Let's go in.
01:10:38Let's go in.
01:10:40Let's go in.
01:10:42Let's go in.
01:10:44Let's go in.
01:10:46Let's go in.
01:10:48Let's go in.
01:10:50I think I can go in.
01:10:52Let's go in.
01:11:08Is this a house?
01:11:10Yes.
01:11:12It's very far.
01:11:14It looks like a closet.
01:11:16Is there a doll?
01:11:18It doesn't open.
01:11:20It doesn't open?
01:11:22Can I go in?
01:11:24Yes.
01:11:38It doesn't open.
01:11:40Yes.
01:11:42What is it?
01:11:44It looks like a spider web.
01:11:46What?
01:11:48It looks like a spider web.
01:11:50Is it okay?
01:11:52It's attached.
01:11:54Is it a shelf?
01:11:56It's a document cabinet.
01:11:58A document cabinet?
01:12:00Yes.
01:12:02How about that shelf?
01:12:04Is it empty?
01:12:06It's empty.
01:12:08It's empty.
01:12:10It's empty.
01:12:18It's dusty.
01:12:24What is it?
01:12:26Is it a food?
01:12:28Yes.
01:12:30It looks like a living room.
01:12:32It looks like a living room.
01:12:34It looks like a living room.
01:12:36It looks like a living room.
01:12:38There is a candle.
01:12:42I don't know if there was a candle.
01:12:44I don't know if there was a candle.
01:12:46There was a candle.
01:12:48There was a candle.
01:12:52A doll.
01:12:54A doll.
01:13:00What is it?
01:13:02A stuffed animal?
01:13:04A stuffed animal?
01:13:06Wow.
01:13:08Wow.
01:13:10Wow.
01:13:12It's like a Japanese fridge.
01:13:16Is it a date?
01:13:18A date?
01:13:20Is it a date?
01:13:22What's on it?
01:13:24I don't know.
01:13:26Is it a date?
01:13:28Is it a date?
01:13:30What is it?
01:13:32What is it?
01:13:34I wonder if it's his birthday.
01:13:39There was a story about Mr. OO who became homeless and was pregnant.
01:13:45I think it's the birthday of Mr. OO's child.
01:13:51Birthday?
01:13:53I think it's the name of the child.
01:13:57You mean Mr. OO gave birth to him?
01:13:59Yes.
01:14:01It smells rotten.
01:14:05Yes, it smells bad.
01:14:08There are a lot of flies and insects.
01:14:12Yes.
01:14:15There are also insects like maggots.
01:14:19There is a white one.
01:14:20Yes.
01:14:21It looks like a larva.
01:14:24I think so.
01:14:25Yes.
01:14:26I think so.
01:14:28I heard that Mr. OO died here.
01:14:36But there was no story about having a child.
01:14:40Yes.
01:14:42I heard that maggots contain organic matter.
01:14:57Yes.
01:14:59Isn't it a little dangerous?
01:15:07Yes.
01:15:09I don't know what the baby's body is like.
01:15:18Yes.
01:15:25What's in the doll?
01:15:29We decided to check the contents of the doll.
01:15:35It can't be helped.
01:15:38I see.
01:15:58I don't know.
01:16:01You don't know?
01:16:02Yes.
01:16:03What should we do?
01:16:04Can you hold it?
01:16:06How can I say...
01:16:14Are you OK?
01:16:26Wait a minute.
01:16:29Let's put it down.
01:16:31OK.
01:16:33It's lighter than I thought.
01:16:36Is it?
01:16:37Yes.
01:16:44I see.
01:16:46It seems to be tied with a string.
01:16:49Let's untie it.
01:16:52Can you do it?
01:16:53Yes.
01:17:02There is another string inside.
01:17:05Please untie it.
01:17:07OK.
01:17:21How is it?
01:17:24There are many bugs.
01:17:28Bugs?
01:17:29Yes.
01:17:30What?
01:17:31A tree?
01:17:32Yes.
01:17:33It looks like a trap.
01:17:34A trap?
01:17:36What's that black thing?
01:17:37Black?
01:17:42What?
01:17:43It looks like a hair.
01:17:44A hair?
01:17:49What?
01:17:53A doll?
01:17:57Did it fall from above?
01:17:58Yes.
01:17:59Why?
01:18:01I don't know.
01:18:03What's that?
01:18:06Suddenly, a wooden doll fell from the shelf.
01:18:10Is this a warning to us?
01:18:16After that, we checked the contents of another doll.
01:18:21As before, there were straws and hair-like things inside.
01:18:30It's the same.
01:18:32Is it the same?
01:18:33Yes.
01:18:36What is this?
01:18:38This is a ball, isn't it?
01:18:43Yes.
01:18:45Is this a toy?
01:18:48This is a toy for this doll.
01:18:51Yes.
01:18:53What is this?
01:18:57This name...
01:19:00If this is a child of Mr. OO, it's Akarin.
01:19:04Yes.
01:19:06If you think about it normally, this doll looks like a child's toy.
01:19:18Let's look for something else in the room.
01:19:25There may be something related to Mr. OO.
01:19:28Yes.
01:19:30After that, we searched the room.
01:19:34But we couldn't find anything related to Mr. OO.
01:19:38The story of this day came to an end.
01:19:42What was Mr. OO doing in this abandoned house?
01:19:49Are you okay?
01:19:52Are you okay?
01:19:56Our theory is as follows.
01:20:03When Junko Kaimori was a child, her father had a car accident on the way from his home to the railroad.
01:20:11He was seriously injured and had a disability in his leg.
01:20:14Based on that, he sent a tragic letter of apology.
01:20:19And a few years before his death,
01:20:23the man she was dating was abused so much that he abandoned his child.
01:20:28As a result, he became homeless.
01:20:31He died alone without being recognized by anyone.
01:20:35He died with a strong grudge against his father and his lover.
01:20:42And when Mr. OO entered the abandoned house where her body was found,
01:20:48Mr. OO was possessed by the spirit of Junko Kaimori.
01:20:52He jumped off the platform and committed suicide.
01:20:58The question is why only Mr. OO was possessed in the abandoned house where Mr. OO and Ms. Arita entered.
01:21:07The hint is in Mr. OO's personality.
01:21:13Mr. OO abandoned his previous family because of his bad temper.
01:21:19It was not a coincidence that only Mr. OO was possessed.
01:21:22It was inevitable.
01:21:27And the name and date were engraved in the coffin of the abandoned house where Junko Kaimori lived.
01:21:35And the doll was made by Mr. OO.
01:21:41I don't know if Junko Kaimori became homeless, gave birth to a child and committed suicide.
01:21:47I don't know if Junko Kaimori abandoned his child legally.
01:21:50But I'm sure Junko Kaimori gave birth to a dead child.
01:21:55Because Junko Kaimori was a farmer in Aomori,
01:22:00it is possible that her family believed in Mr. OO.
01:22:06There is also a theory that Mr. OO was a priest who gave birth to a dead child.
01:22:14According to experts, the doll in the abandoned house was not Mr. OO.
01:22:20It may be a Jujutsu doll that uses the spirit of a dead child and the hair of a Jujutsu master.
01:22:33Either way, the spirit of the dead child is in the doll.
01:22:37Junko Kaimori worships it, and it becomes a spiritual being.
01:22:42Did Junko Kaimori use the spirit of the dead child as a curse?
01:22:50A few days later, we received a video of the abandoned house with Mr. OO.
01:22:58And we noticed that there was something mysterious in the video.
01:23:06Finally, let's take a look at the video taken at the abandoned house.
01:23:37What are you looking at?
01:23:43What is this?
01:23:46A doll?
01:23:54Are you listening?
01:23:56What?
01:23:58No, not what.
01:24:00I've been calling you.
01:24:03Really?
01:24:07I've been looking at you.
01:24:11What?
01:24:13These dolls.
01:24:16No, I haven't seen them at all.
01:24:21Really?
01:24:23Yes.
01:24:26Let's go home. I'm lonely.
01:24:37Did you notice?
01:24:39When the camera moved the shelf,
01:24:42the two dolls wearing kimonos inside seemed to be slightly moving.
01:24:49After that, a human-like object peeked out of the hole in the ceiling.
01:24:57I've been looking at you.
01:25:00What?
01:25:02These dolls.
01:25:05No, I haven't seen them at all.
01:25:10Really?
01:25:11Yes.
01:25:15Let's go home. I'm lonely.
01:25:35I've been looking at you.
01:25:38What?
01:25:40These dolls.
01:25:42No, I haven't seen them at all.
01:25:45I've been looking at you.
01:25:48What?
01:25:50These dolls.
01:25:53I've been looking at you.
01:25:56I've been looking at you.
01:26:01Could this be the ghost of Kaimori Junko?
01:26:05Ms. Ogiya, who abandoned her family just like her father,
01:26:09was thrown out of the train track by her curse.
01:26:14Could it be?
01:26:17Ms. Ogiya is still in the hospital, unconscious.
01:26:47To be continued

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