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00:00That's the same look on my Simona's face when my father told us about it.
00:04We didn't count on it anymore.
00:06In fact, we thought it was over.
00:08So, Mr. Condo and you are going to run the jam business again?
00:13That's right.
00:14For real? Without a break?
00:16Without a break.
00:17It was about time.
00:20And with the excitement that we knew you were going to do it, miss.
00:23Yes, we were hoping to get rid of it.
00:25And it's not going to be easy.
00:26There's a long way to go if we want to rescue the business after the captain's management.
00:30How miraculous, there's still business to rescue.
00:33Well, I want to believe that there is.
00:35Of course, miss.
00:37And where do you want to start?
00:39Well, the first thing we'll do is talk to the women of Lujan,
00:42who have suffered the most from all this change.
00:45Actually, that's going to be the second thing.
00:47The first thing we want, Lope, is for you to come back to Spain.
00:51Actually, that's going to be the second thing.
00:52The first thing we want, Lope, is for you to come back to be the soul of this.
00:57This business would never have existed if it weren't for you,
00:59because you created impossible flavors and we all loved them.
01:04For me, it would be everyone.
01:06Well, I hope it is for you too, because of the account you bring me.
01:10Doubt offends.
01:11Of course, miss. You can always count on us, you know that.
01:14Thank you very much to the three of you.
01:18And is that all?
01:20Yes.
01:22What do you want, Candela?
01:23Do you want the lady to dance a Zapatea for you?
01:25Is it necessary?
01:26I'll put on the Zapatea.
01:28Senor Per Capitán, Senor Per Capitán.
01:31And we have back the pearl of Higo de Castaña and of Lacón Congrelo.
01:37Well, some jams of Lacón Congrelo, you'd have to think about it.
01:41Senor Per Capitán.
01:44No, Lope, for now we will be more traditional.
01:47What do you mean?
01:49Well, I imagine that we will have to make jams again that everyone likes a little bit.
01:53What did the captain do?
01:54Let's see, a medium term.
01:56The bad thing about the captain was that he bet on popular tastes,
02:00but to save money, he bought rotten fruit.
02:03What a fabric.
02:05But I say that we could leave aside the ordinary jams and continue tasting with special flavors,
02:11as we did before.
02:12Some, sure, but the most important thing is that they are rich and well done.
02:15That is guaranteed.
02:17Have you ever seen a jam made by Lope that was not scandalous?
02:24It is fulfilled as it should be.
02:25Senor Per Capitán, Senor Per Capitán.
02:31Well, I think you no longer have a fever.
02:33You are almost recovered.
02:36Great.
02:38Although I still find it difficult to breathe and my head hurts a bit.
02:48Don't make a scene.
02:50At this point I have you shut up.
02:53It's just that it's so good here.
02:56Although it is true that I feel much better.
02:59If you already know that you don't care about me, I could go back to work.
03:03But Santos, this happens to you often.
03:07I mean, to make you so sick.
03:10Yes, yes.
03:13I raised you to be sick every two by three.
03:16And always for the same thing. The lungs.
03:20But no one has ever taken care of me like you.
03:24It gives me heartburn.
03:27No.
03:28I mean it.
03:33My aunt raised me.
03:36It's not that she was bad to me.
03:39But not good either.
03:42When my mother died, she took care of me.
03:45I already had many children to take care of.
03:47So I didn't have time for delicacies and contemplations.
03:52Yes, you were sick, but you could stand up.
03:55Or do things the way you did.
03:58My aunt didn't hang out with little girls.
04:01You couldn't tell her ...
04:06that something hurt you or you felt bad.
04:10Her reasoning was that when you were an adult,
04:14no one would feel sorry for you because your head hurt.
04:20And you were right.
04:24Over time I was able to prove it.
04:27But you didn't.
04:30You kept me in the dark
04:33from the first moment you saw that something was wrong.
04:40Because health is paramount, Santos.
04:44And we shouldn't play with it.
04:47And we shouldn't play with it.
04:54Well, but we shouldn't overdo it either.
04:57If I keep lying here, I'll have a crumpled back.
05:00No.
05:01You can't say this bed is especially comfortable.
05:04No, I guarantee you not.
05:06Although, thanks to your care,
05:08it's like lying in a cloud.
05:11Then don't complain, Juan.
05:14Okay, I won't complain anymore.
05:17Let's see if it's true.
05:20Although, well, I don't think you're going to feel bad.
05:23I'll take a little more care of you.
05:25So I'll talk to the wardens
05:27so you don't have to go to work tomorrow.
05:29Okay?
05:33Now rest.
05:43Good night.
05:53Well, it didn't go bad, did it?
05:57They're wonderful.
05:59It's nice to see the excitement with which they received the news.
06:04Well, yes.
06:07And suddenly it seems that the one who is not so excited is you.
06:11Is everything going well?
06:14Well, on the one hand, it couldn't be better.
06:17I am delighted to have regained control of the business.
06:21And above all, that my father has been able to disobey
06:24the arguments of Cruz and my uncle.
06:27But on the other hand?
06:29I'm afraid of the reprisals they might take.
06:32Especially my uncle.
06:34Who my father has defenestrated.
06:37Lorenzo de la Mata is not one of those who stays
06:39angry with something like that.
06:41The captain is not going to do anything.
06:44And how are you so sure?
06:45Because I've already talked to him.
06:46He's not going to do anything about it.
06:48In addition, he will keep his mouth shut.
06:51And how have you done it?
06:53Well, that's irrelevant.
06:55You now forget about the captain and focus on something adventurous.
06:58For example, what are we going to wear to look good in the news?
07:02Well, especially me, because you are fine with anything.
07:06That's another matter I wanted to talk to you about.
07:10I know it would have been the same thing to let you know sooner,
07:12but I don't want to do that chronicle.
07:14I would like to cancel it.
07:16But why?
07:19The situation between Cruz and I is already quite bad.
07:22For the fire to continue to live.
07:24And more with something so frivolous and so essential.
07:27Besides, my father is right, that's not me.
07:30That's Cruz.
07:31I shouldn't go down to his level.
07:33It's a way of seeing it.
07:35She used the press to hurt us.
07:38But are we going to take revenge by doing exactly the same to her?
07:41I don't like it, Pelayo.
07:43I don't want to fall so low.
07:46Those in the newspaper are not going to take anything well
07:48that we back out with so little time in advance.
07:51Well ...
07:52We will apologize as many times as necessary.
08:03Let's go.
08:04Let's go.
08:06I saw you through the window and I came running.
08:08How did it go with that man?
08:10Well, I wouldn't know what to tell you.
08:12From the beginning he stabbed me in the face and ...
08:14during almost the entire conversation I had his knife to the neck.
08:17Oh my God.
08:18Hanna, don't worry.
08:20It was a piece.
08:21I hope it wasn't the gun I saw you take.
08:24No.
08:25No, I didn't need it.
08:27I managed to keep calm and make myself heard.
08:30And how did he take it?
08:33At first not very seriously.
08:36But when he understood that ...
08:38I could gather the pieces to accuse him of the death of that inmate
08:42and that that did not only mean the perpetuity,
08:44but that it could be the death penalty,
08:45he understood that he had little to gain and a lot to lose.
08:48I don't think that was enough.
08:50I don't think it was enough.
08:52I don't think it was enough.
08:54I don't think that was enough.
08:58It wasn't my only argument.
09:02I also offered him money.
09:03Manuel thought we said the bribes weren't going to work.
09:06I didn't bribe him.
09:08It was an incentive for him not to feel that he was only losing.
09:11An incentive of two thousand pesetas, everything has been said.
09:13Two thousand pesetas?
09:15But how dare you take that on?
09:17I wasn't going to take that money on, Hanna.
09:20I have to get it out of the bank.
09:22Anyway, I've given him time to think about it.
09:24If he wants the money and doesn't report it for the death of that man,
09:28we'll see each other the day after tomorrow at the same place.
09:31I'll give him the money and we'll say goodbye so we never see each other again.
09:34And you think he's going to go?
09:36Yes.
09:38Yes, I'm convinced he might be a dangerous and sinister criminal,
09:41but he's not a fool.
09:45I hope you're right.
09:48Hanna, in the meantime, we have to take extreme precautions.
09:53Are you talking about Doña Pia?
09:55She knows we're doing something,
09:57so she's more than prepared.
10:01Poor woman.
10:04After everything that's happened, I don't know how much strength she still has.
10:07Me neither.
10:10The important thing is that in a few days,
10:12if all goes well, her confinement will be over.
10:16And it will have been thanks to you.
10:18Well...
10:45Good night.
11:12Good night.
11:14Good night.
11:16Yes, they really are.
11:19Because I get the feeling you're coming from one of those outings
11:22where you can't talk to me,
11:24but you'll get to talk to me at some point, right?
11:27You'll be the first to know.
11:31I think the cooks have already left,
11:33but I think there's still a maid waiting.
11:35Do you still want them to make you something for dinner?
11:37Would you like to see me?
11:39No, thank you. I'm not hungry.
11:41It's not easy to help someone who doesn't let herself be helped,
11:44although it's obvious that something happens.
11:46But it's my duty,
11:48as a friend, to insist.
11:50No, it's nothing concrete.
11:52Well, if you say so.
11:54That's where you can tell how many years I've been with you.
11:57Sometimes I feel that life weighs me down, so to speak.
12:01But it's not so many years of difference.
12:04No, it's not. In this case, yes.
12:07It seems that everything has changed around me.
12:10In what sense?
12:12It's just that I'm less and less interested in the values
12:14I was instilled when I was a kid,
12:16and that have served as a guide all this time.
12:19Things have been changing.
12:22There's something natural about that.
12:24Yes. Myself.
12:26Sometimes I think I'm someone else.
12:28I'm able to do things that I never thought I'd be able to do.
12:34If you keep talking to me with riddles,
12:36it's as if you're not telling me anything.
12:38Don't listen to me.
12:40I'm tired.
12:42Tired because I say bad things out of habit.
12:45I hope Santos hasn't infected you with his illness.
12:48But your son's illness isn't contagious, is it?
12:50Well, we're dealing with my son.
12:52Anything can happen.
12:54How is he?
12:55Better. Much better.
12:56Thank God.
12:57Well, he's too young to wait.
12:59Although it's true that lung ailments
13:02are often complicated.
13:04Yes. Sometimes they are very dangerous.
13:07Once I was about to die because of one of them.
13:11But you don't feel sick, do you?
13:13No, no, no.
13:14Don't worry, I'm fine.
13:16I just need to rest.
13:38Is that the newspaper that's going to do the chronicle
13:41about your daughter and her count?
13:44I think so.
13:45But I'm not sure.
13:48Well, I'll take a look at the echoes of society.
13:51It will be my last chance
13:53before they start publishing Catalina's lies about me.
13:56Don't worry.
13:57She won't say anything inconvenient.
13:59An unfounded hope, it seems to me.
14:01No, it's not.
14:03Because I myself have expressly asked her
14:05not to do such a thing.
14:07And that's going to stop her?
14:09I think so.
14:11Thank God.
14:14Cruz, you still don't know my daughter.
14:17Even if I hadn't told her anything,
14:19she would never take advantage of that interview to charge against you.
14:22But what are you saying, Alonso?
14:23She announced it herself.
14:24That she was going to file against me in that chronicle.
14:28She did that in a moment of anger, Cruz.
14:31But Catalina is a Lujan.
14:33She will never do or say anything that harms the family.
14:37She won't.
14:40What do you mean by that?
14:41That I will?
14:43I leave it to your interpretation and your conscience.
14:46My conscience is very calm, dear.
14:48And my interpretation is that the one who doesn't know her daughter is you,
14:51her own father.
14:52What Catalina are we talking about?
14:54The one who bragged that she didn't care what they would say
14:57and then locks herself in the hangar just for some rumors?
15:01The one who mocks social norms?
15:03The one who does whatever she wants?
15:05Look, it's no use talking about how my daughter is now.
15:09I just wanted to reassure you about that interview.
15:12Not to start arguing again.
15:18Excuse me, ma'am.
15:20This letter has just arrived.
15:38Here.
15:39I'm sure you're more excited to read it to yourself.
15:45It's from Maria Antonia.
16:01Come in.
16:04Mr. Baeza.
16:05Come in, come in.
16:08Sit down, please.
16:13Better like this.
16:15How can I help you?
16:17Actually, I'm not here to ask you for anything, Mr. Baeza.
16:20Quite the opposite.
16:23I think it's fair that I tell you about my latest movements
16:27regarding Mrs. Barre's husband.
16:29What happened to that man?
16:32The first thing I want to do is apologize
16:34for not having told you about all this until now,
16:37but, you see, what I was going to do entailed a certain risk.
16:40And I was convinced that you would be totally against it.
16:44What are you talking about exactly?
16:48I've gone to great lengths to get something to pressure that bastard.
16:53And I think I've found it.
16:59I think I've found it.
17:10We have a surprise for you.
17:12And what is it?
17:14It's the badminton game that Jurre ordered.
17:16The compensation he had promised.
17:18No more, no less.
17:21Let's see.
17:24The rackets.
17:26Well, they're not heavy, are they?
17:28They're not heavy,
17:29considering that what's going to hit them is even lighter.
17:34Let's see.
17:37Well, yes, it's not heavy.
17:40I love the feathers it has.
17:42Do you know why they are placed that way?
17:44No idea.
17:45To make them more stable in the air.
17:48Yes.
17:49And that's why it has that cone shape.
17:52But you all know everything about badminton,
17:54because that would be playing with advantage.
17:56Don't worry about that.
17:58Look.
17:59Here you have the rules of the very noble badminton sport.
18:03And you want me to study this?
18:05Because I really don't feel like it.
18:07Well, you should.
18:09I'm sure you can take the reading and that Curro will explain to you how to play.
18:13I know him better, but I'm sure you're an expert.
18:16Well, let him prove it.
18:18Shall we play?
18:20Well, it's just that playing, what they say is playing, we can't yet.
18:24And why?
18:26Because if you look closely, there's no net.
18:30Well, what a chore, right?
18:32Yes, but it's actually much better this way.
18:34Because while we wait for the net to arrive,
18:37we can practice with the rackets or the flyers,
18:39and you'll learn faster and it'll be easier for you.
18:42Yes?
18:43Well, let's go.
18:45Shall we play?
18:46Yes.
18:51I think he changed his way of looking at it.
18:53It's true that he continued to act tough,
18:55but at that moment my threat of reporting him began to overwhelm him.
19:00And despite the fact that he doesn't lack money,
19:02the idea of taking 2,000 pesetas didn't displease him either.
19:04How to displease him?
19:07We've said it many times, that man will be a bad guy, but he's not stupid.
19:11Yeah, but I don't know how we're going to be sure that man has left.
19:15That he's not coming back.
19:16That he's going to leave Mrs. Atarri alone once and for all.
19:20I'm afraid we'll never have that certainty.
19:23The only thing we can do is wait for his intelligence to impose itself on his thirst for blood.
19:29I have proposed that we meet again.
19:32So that he takes the money and if it appears, we'll have a lot of money.
19:37But if he doesn't, the uncertainty will be greater.
19:40Of course, for us.
19:43Because he knows perfectly well what awaits him if he doesn't come.
19:46I assure you that I made it completely clear to him that I will not hesitate to report him
19:50for the murder of his cellmate.
19:54But I'm convinced that sooner or later, one way or another,
19:58we will be able to get rid of Gregorio Castillo.
20:00God willing.
20:03Anyway, that's all.
20:05Keep informing him, Mr. Beza.
20:07As you wish.
20:08Sir.
20:10Yes?
20:13You have done something that had no reason and I asked you to do it.
20:19I had no alternative.
20:20Yes, you did, sir.
20:21What you have done requires real courage.
20:26It was not a matter of courage.
20:28It was a matter of principles.
20:30Well, then you even have more merit.
20:35It is an honor to work for you.
20:39You know, if you keep insulting me that way, I won't be able to get in through this door.
20:47Thank you, Romulo.
21:06And I don't take away his reason.
21:08I understand him, I understand him.
21:10So, María Antonia, have I sent you a postcard from Mallorca?
21:14Yes, this morning.
21:17What? How is it going? What does it say?
21:20I haven't read it yet.
21:21And I'm very sorry. Really.
21:26Well, they gave it to me when I was having breakfast and I left it for later.
21:29And the truth is that later I completely forgot about it.
21:33Well, let's hope that María Antonia is okay.
21:36A person who is not okay does not send you a postcard, he sends you a telegram, right?
21:40Well, it's true that you are right about that.
21:42I apologize. Goodbye.
21:47Bad news?
21:48No, just an uncomfortable conversation.
21:51I was talking to the newspaper, I called them to cancel the chronicle that Catalina and I were going to do.
21:56Oh, I see.
21:58As you can understand, they have not taken it very well.
22:01They insisted that we stop at what was convenient, that it was too late to back out.
22:06Anyway, a bad time, but it's over.
22:08And if it's not much to ask, why did you make that call?
22:12Because Catalina told me.
22:14But she would give you some reason.
22:16She told me that she was going to feel uncomfortable in front of the camera and, above all, in front of the journalist's questions.
22:21As you know, Catalina doesn't like those things.
22:24But also and above all, she told me that she did it so that Mrs. Cruz would not feel uncomfortable.
22:30Don't make me laugh.
22:32It's the truth.
22:33She thinks there have been too many tensions between the two of them lately.
22:37Look, don't take it the wrong way, but I don't believe a word of it.
22:41I don't know what the reasons will be for which Catalina has canceled that chronicle.
22:45But I'm sure it's not out of consideration for me.
22:49Yes, it's hard to believe the truth.
22:52That's what she told me.
23:00Excuse me, Mr. Baeza.
23:01One second, I have a glass of wine here that doesn't fit me.
23:04Look how I look at it.
23:07Of course, tell me.
23:09He wanted to talk to me.
23:11Come in, come in.
23:15What I have to tell you, you won't like it.
23:18Don't worry, Mr. Baeza.
23:20As you know, this week's service has been affected by Mr. Pellicer's illness.
23:25Mr. Pellicer's son, you understand.
23:27Yes, Mr. Baeza.
23:28Mr. Pellicer's father was forced to entrust his husband with Mr. Pellicer's son's tasks,
23:34because he had no other option.
23:37Beyond the contingency, I have to tell you, Mrs. Villamil,
23:41that your husband was not up to what was expected of him.
23:45You don't know how sorry I am, Mr. Baeza.
23:47You know very well that an obligation of the good lackey and the good maid
23:51is to know how to replace a partner when he has a problem,
23:55and that this incidence is not noticeable.
23:57It was not the case in this substitution.
24:00I have received two very serious complaints.
24:03One from Mr. Curro and another from Captain de la Mata.
24:07It seems that Mr. Curro had problems when preparing a trip to Caballó.
24:11Captain de la Mata had a breakdown due to a very unfortunate intervention
24:17by his husband, asking him questions while talking on the phone.
24:21Look, Mr. Baeza, I would like to tell you that I can change this situation
24:25with a simple snap of my fingers.
24:27But unfortunately it is not like that.
24:29The only thing I can do is apologize and promise you that I will talk to Marcelo again
24:34so that he pays more attention to the tasks.
24:36Mrs. Villamil, you know that I am on your side.
24:39I don't know your husband, but if you defend him like that ...
24:43In fact, if you have married him, it will be because you have seen in him something
24:47that has happened to us unnoticed, we have not been able to see.
24:51I think he will appear.
24:53But he is taking a long time to appear.
24:55I thank you for your trust.
24:57That trust cannot be unconditional or unlimited.
25:00Of course, Mr. Baeza.
25:01If your husband doesn't calm down, he keeps getting into trouble every time he has a chance.
25:05Yes, Mr. Baeza.
25:06Well, you have to warn him that he must change.
25:09Mr. Pellicer and I cannot spend our lives looking the other way.
25:14I will do what I can, Mr. Baeza.
25:16That's good.
25:26What are you doing?
25:28Why did you get out of bed?
25:31What do you want, father?
25:32Santos, your situation is not to take the joke.
25:34And I guarantee you that I take it very seriously.
25:36It seems to me.
25:37Seeing that you are not resting, what should you do?
25:39I've been here for days.
25:41Santos.
25:42Come on, father.
25:43I'm already recovered, and thanks to Mrs. Petra, by the way.
25:46And you don't have to be in bed.
25:48Yeah.
25:51I thought you weren't sick as usual, like when you were a kid.
25:56Come on, father.
25:57Not that you suffered my affections a lot.
26:00I was never going to see them.
26:02I always did it to be aware of what happened to you.
26:04You don't have to lie.
26:06We both know that the aunt didn't care when she was sick.
26:09She didn't even let me rest in bed.
26:12That's why I'm so grateful for what Mrs. Petra did for me.
26:16And don't look at me like that.
26:19I'm not saying that the aunt was mean to me.
26:23But she wasn't affectionate either.
26:25And she didn't know how to take care of a child.
26:28Of so many that she had, I guess.
26:30I say it would be the other way around, right?
26:32The other way around.
26:33Yes, if she had taken care of so many, she would know how to do it.
26:39What I mean is that sometimes I felt like one of so many.
26:45And you know what? I'm telling the truth.
26:48I was an orphan when I was very young.
26:51I've never known that it's what everyone says is the best thing in life.
26:59A mother's love.
27:02But I guess it will be very similar to what Mrs. Petra has done for me these days.
27:07Her gestures, her concern, her affection, her spirits.
27:14And that is something I will never forget.
27:28I'm ready to get back to work.
27:31Where do I start?
27:48But Mr. Baeza was such a pain in the ass.
27:50And what else?
27:52The important thing is that you're playing it and that you're taking things to the limit.
27:55Well, don't exaggerate either, Teresa.
27:56I'm not exaggerating, Marcelo.
27:58If you don't calm down, they're going to kick you in the street.
28:00I don't know how to tell you.
28:01Well, well.
28:05You can't go on like this.
28:08You're right.
28:09I know I'm right.
28:11And what's the point of me being right if you don't do anything to straighten up afterwards?
28:15I'm going to straighten up, I promise you.
28:17Don't you realize it's always the same?
28:19I read your letter, I yell at you.
28:20Yes, I know.
28:21And you swear and swear that you're going to correct yourself.
28:23And I don't say it to say it.
28:24And what's the point of you saying it?
28:26If the next day you do exactly the same thing again,
28:30you don't pay attention to your homework,
28:32you don't ask for help or you ask for it too late,
28:34and you spend more time chatting than working.
28:36That's not true either, huh?
28:39And you're not even able to recognize your fault.
28:45You're right.
28:46Forgive me.
28:48And there it is again.
28:50Forgive me, Teresa.
28:52Teresa, this time I'm going to do everything right.
28:54You'll see.
28:56Well, stop saying it and do it.
28:59I'll do my best and I'll try to do it better.
29:02It's not enough to try, Marcelo.
29:05You've strained the rope too many times.
29:06You have to do it better.
29:08I'll do it better, Teresa.
29:09And stop calling attention to yourself.
29:11Okay.
29:12In this job, the less they look at you, the better.
29:15I'll try not to look at me.
29:16Marcelo.
29:17They won't look at me, you'll see.
29:18The only thing you have to do is pay attention.
29:21Go unnoticed and not bother.
29:23Is it really that hard?
29:25No.
29:26Then do it.
29:27Yes.
29:30And try to do it right.
29:32Because if you make a single mistake again,
29:34it's very likely that they'll kick you in the street.
29:38I won't fail again, I promise you.
29:41I hope so.
29:43Maybe they'll even set an example for me.
29:49It was a joke.
29:50Then stop joking and get to work.
30:12From what I see, you like torrijas.
30:14Very good, Gemma.
30:16Well, with all the free time I have here,
30:19the truth is that I'm going to end up defending myself in the kitchen.
30:21I have faith in you.
30:23Look, as I continue to lock him up longer,
30:25when the promise arrives, I will be able to compete with Mrs. Simona.
30:28Well, even with myself, López.
30:31Well, the torrijas, of course, are delicious,
30:34but it seems to me that she won't be able to spend much more time here.
30:39Mr. Márquez.
30:41If all goes well,
30:43she won't be able to develop her culinary skills
30:46because she won't be here for many days.
30:48Really? But explain to me why.
30:50Well, everything indicates that, apparently,
30:52that man, Gregorio, is going to give up his intentions with you.
30:56Oh my God.
30:58But how did they do it?
30:59No, he did it.
31:00It was all thanks to Don Manuel,
31:02who has been completely involved in helping her.
31:04Oh my God, God bless him.
31:06He located Gregorio and made an appointment with him.
31:10But that must have been very risky.
31:12But Don Manuel is no longer the boy he was until recently.
31:16The passage of time and I suppose that the war have changed him.
31:20But then he managed to convince Gregorio.
31:23It seems so, Mrs. Darre.
31:24He would already be with money ahead.
31:26No, indeed, he offered her a good amount of money,
31:29but it wasn't just that, no.
31:32Money wasn't the only argument.
31:34And what else did he do?
31:35For now, all we can know is that Don Manuel is not only a good pilot,
31:40but it seems that he is also very good at negotiating.
31:44That, of course, yes.
31:46Thanks to him, this hell that has had to happen will come to an end.
31:50I would love to believe him, but I can't.
31:54Well, it's been a long time, it's normal.
31:59Mr. Baeza, what's going on?
32:03I see in your eyes a halo of concern,
32:06despite the good news you bring me.
32:08What's going on?
32:09No, no, I'm just tired.
32:11Are you sure? Is that all?
32:13Yes.
32:14Well, I'm tired and I'm also worried that I'm going to cheat him.
32:19Worried, why?
32:21All this almost surpasses me.
32:24And now that it seems that everything is going to be solved, I don't know ...
32:27You don't know what?
32:29It's just that I'm afraid he'll go crazy at the last minute.
32:35Yeah, I understand.
32:36But hey, it's not a reasonable fear, so don't listen to me.
32:40I always listen to you, Mr. Baeza.
32:42But in this matter, you shouldn't do it,
32:44because it's all old-fashioned apprehensions.
32:47No, that's not true.
32:48It may be because I'm tired, but you're old, you have nothing.
32:51Oh my God, no.
32:53As a young man, if I have something left, it's ...
32:55Don't say silly things and finish the sandwich.
32:58What else?
33:08Teresa, are you okay?
33:10Are you worried about something?
33:14Someone, rather.
33:16Hmm, I see.
33:19And I guess you know who I'm talking about.
33:22Your husband, right?
33:25This morning, Mr. Baeza has thrown a good rag at me again because of him.
33:30And he's not wrong.
33:32He doesn't pay enough attention and makes mistakes all the time.
33:38I know it's a little hard for him, right?
33:41It's not that it's hard for him, Maria.
33:43It's just that it seems that ...
33:46It seems that sometimes he doesn't want me to stop bothering him.
33:49Well, don't be hard on him.
33:51The man won't be wrong if he wants to, I mean.
33:54But I promise you that sometimes I think the same thing.
33:56And then I feel guilty about it, of course.
33:58Well, it's not your fault.
33:59Maria, it was me who brought him here.
34:01And I was also the one who spoke to Mr. Baeza and I assured him.
34:04I assured him that Marcelo would adapt to the tasks of this palace.
34:07Well, but he's been here for a long time.
34:09And we learn this job in two days.
34:12We all know that, and the elders too.
34:15But one thing is to be patient and another is not to have eyes in your face.
34:19I really don't understand what's wrong with Marcelo.
34:24And that look?
34:26What look?
34:28Maria, that look.
34:32What?
34:34Is there something you're not telling me?
34:36No.
34:37Maria.
34:41It could be.
34:42What do you mean it could be?
34:45Yes.
34:46And I'm not going to tell you this because I want to get in trouble.
34:50That's why I hadn't told you before.
34:52But it may be that Marcelo is a little confused, to put it mildly.
34:58What do you mean confused?
35:01Yes.
35:02I've seen him a few times more worried about making the maids laugh than at his own work.
35:10What do you mean?
35:12Well, I mean, Teresa, that this man is married to a very good friend.
35:16You.
35:17And I think he spends too much time making fun of the maids.
35:21In my opinion.
35:23And it wouldn't hurt if you told him something, of course.
35:25Because here, as there is no more work and less making fun, it will last very little.
35:48My mother told me that you canceled the news.
35:53And she also told me that you did it out of respect for Cruz, which makes it a little harder for me to believe.
35:58Cruz is not the main reason.
36:02And what is it?
36:04I've already told you, I'm not going to feel good in front of the journalists.
36:08Being the center of attention.
36:10I prefer to dedicate my time to work.
36:14And more now that I'm going to take the jam business.
36:19Besides, I'll tell you again.
36:22No, no, I'm not feeling well.
36:26I'm down.
36:29Let's see if you're going to be sick.
36:32What's wrong with you? You can tell me.
36:36Catalina, why are you crying?
36:39Forgive me.
36:40No, you're stupid.
36:42What's wrong?
36:43I don't know, it was a bad streak, I don't know.
36:45What do you mean a bad streak? From the outside it seems that you are in a very good streak.
36:50No, I don't know, it will be the wear and tear.
36:52It's just that there are too many things at the same time.
36:55Trying to know if I want Pelayo or not.
36:58The fights with Cruz, which are as always or even worse.
37:02The jam business.
37:04Trying to claim what is mine by right.
37:06It's just that there are too many things.
37:08There are too many things.
37:10There are too many things.
37:21Everything is finally going to end, Maria.
37:26What is going to end?
37:28This and the matter of Doña Pia, which is going to be resolved.
37:32Do you mean that that son of his mother is going to leave Doña Pia in peace?
37:37Yes, for good first.
37:38And how is that going to be?
37:40Let's see, I also stayed for you and Fusa.
37:43But it turns out that Manuel has been looking until he finds evidence that incriminates Gregorio in the arrest of the prison.
37:49The one that Mr. Baisa told you about?
37:51Exactly.
37:53And now he has told Gregorio that he has that evidence and he has threatened to report him.
38:00So he had courage, Mr. Manuel.
38:02Well, courage and something else, because he had to have something, just in case.
38:06What?
38:07Well, that he offered him a lot of money, a good amount.
38:12And above all, so that he leaves and never returns.
38:15The fact is that if Gregorio accepts all that money, which I think he will,
38:19it is possible that all this is over and that Doña Pia returns to the world of the living.
38:28What's going on?
38:30I don't know, Johanna.
38:31What do you not know?
38:33Because what Mr. Manuel has done is blackmail.
38:36And blackmail, everyone knows that when blackmail is over, money comes back for more.
38:41And blackmail comes back.
38:43I know, María, but I want you to know that it seems to me that this is not going to end like this.
38:47Of course, because it is not convenient for you to believe it.
38:49What I mean is that Manuel has enough evidence to put Gregorio back in jail.
38:54And this time forever.
38:56So money is just an incentive.
38:59Anyway, if he accepts it, he won't dare to return.
39:03Well, when are you going to see him?
39:05Manuel has agreed to meet him tomorrow to give him the money.
39:09Well, I hope everything works out.
39:12And that Doña Pia can get out of that lock and return to the promise and reunite with her little Diego.
39:18You'll see how it goes.
39:21But we'll have to tell him, right?
39:23Don't worry, Mr. Báez has already gone to see her.
39:28I'm sure he's going to jump out of joy.
39:30And with good reason, too.
39:34Come on, let's go.
39:37See you later.
39:47So you're not meeting the cooks today?
39:49No. Not today, not in the next few days. I'm going on a trip.
39:52Well, I could have told you.
39:54The cooks have organized to attend to her and I assure you that it is difficult for them to fit everything.
39:58Yes, I'll take care of it.
40:00And for that very reason, as a disgrace, I have brought them a gift.
40:05Agua de azar. One for each cook and the other for you.
40:10I know it's not your favorite perfume and I've never seen you use it when you were the daughter of the dukes of Carril, but who knows.
40:17Now that you are a maid, you have other tastes.
40:21The truth is that I do have them.
40:24Who do you think you're fooling?
40:28It turns out that now I love the agua de azar. What am I going to do?
40:31Please.
40:33And Lope? He hasn't brought him any gifts?
40:36Well, look, I would have loved to bring him a gift, but I don't know what his tastes are.
40:43You see, I don't know him enough, although I have to say that I like him better every day.
40:49So that means that he approves of my relationship and that in the end he will leave me alone?
40:58Not even dead.
41:21Julia.
41:23Are you coming to give me a badminton class?
41:26No, no, no.
41:28Then it is clear that you are interested in the world of pictorial restoration.
41:32Not especially, really.
41:34That's because you don't know it enough.
41:36Look, I just put the new varnish on it.
41:40Ah.
41:41I think I have dealt with the type of varnish that was used and it is one of very good quality.
41:46That has made my task easier and I hope it lasts longer to wear out this time.
41:51Yes, we all hope so.
41:53That's why I was doing tests with different solvents.
41:56The last thing I want is to damage the painting, so I'm going with lead.
42:00Is that what smells so strong? The solvent?
42:03Yes, this is too alcoholic.
42:06Do you want me to explain to you how a solvent differs from another?
42:09No, no, it won't be necessary.
42:11Maybe at another time.
42:13As you prefer.
42:16Vera.
42:18I have not come to talk about solvents or varnishes.
42:25I wanted to talk to you about another matter.
42:28Very different.
42:30I think it's fair.
42:33Fair?
42:34Yes, that said.
42:37These last few days I have noticed that you have a certain interest in me.
42:42And I would like to clarify things before I go any further.
42:47Look, I don't feel attracted to you.
42:51I'm sorry.
42:53But nothing is going to happen between us.
42:57And I'm sorry to be so direct, but given the circumstances, I consider it the best.
43:04It is true that I am interested in you, Curro.
43:07But mine is not a romantic interest.
43:11Look at me.
43:13I'm sure that if you make an effort and make up your mind, you will realize who I am.
43:18I recently became familiar with your cousin Manuel.
43:23If you look at me well, you may remember when and where he saw me.
43:28Someone showed him a portrait of me.
43:31Someone?
43:34Who?
43:36I'm sure he didn't introduce me as Julia.
43:38Because I have never been Julia.
43:40My name is Matilde.
43:42Do you remember me now?
43:44Do you know who I am?
43:46I was Paco's girlfriend.
43:48The comrade who died by his side fighting the Germans.
43:51Do you remember me now?
43:53Do you remember him?
43:54You are one of those war ghosts that I prefer to forget.
43:58The truth is that I find it curious that a lady is interested in this kitchen thing.
44:13As they say now, she is single.
44:15Yes, but let her come personally.
44:17I don't know, the logical thing would be for her to send one of her cooks.
44:19We will be good parents.
44:23Well, it's a bit early to think about that, isn't it?
44:26I hope not.
44:28I assure you that being a father is what I fear the most in this world.
44:33But I can't look forward to anything with so much strength.
44:35As long as your mother dedicates herself to giving smiles and fragrances, we can't do anything.
44:39López is winning the cooks for interest.
44:41But that's the only thing that proves that he is a strategist.
44:43The attitude he is having is a bit suspicious for a lady of his class.
44:47And that can raise jealousy.
44:48Santos, I'm getting to know you.
44:51What are you up to?
44:54So if I'm right, tell me what it's about.
44:59As you say, you are already getting to know me.
45:03So you already know how much I like mystery and intrigue.
45:07He has to get up and finish getting ready.
45:09Otherwise, he's going to waste his time.
45:12Time for what?
45:14What is it for?
45:15To receive the gentlemen from the press, who have just arrived.
45:18How?
45:19How? It can't be.
45:21Are they waiting for him?
45:23Anyway, if Gregorio has some common sense left, he has no choice but to accept the deal.
45:27But still, it doesn't end up reassuring me.
45:30Neither do I.
45:32Until I meet that man who takes the money and leaves so as not to breathe in peace again.
45:38What are those two journalists doing down there?
45:40Didn't we cancel the interview?
45:42What?
45:43You can see them yourself.
45:47Has he ever done that coin trick on you?
45:50Of course, he has.
45:52How can you leave the slave to this troubadour and trust him?
45:55Yes, the truth is that since he was a child, he was good at those tricks.
45:57I loved them.
46:02What do you mean you loved them?
46:04But you didn't meet us at the house of the Thief Duchess.