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00:00Chance for acquisition.
00:15In the lead roles Francesco Arca,
00:20Laura Adriani,
00:33Antonio Milo,
00:38Arturo Muzeli,
00:43Chiara Cellotto,
00:47and Gemma.
01:08Here I am.
01:09Right after.
01:10I've been calling you for half an hour. What's going on?
01:12I'm sorry.
01:13You should come and take the boy.
01:15I'm sorry, but don't go to school.
01:17I don't have the whole morning off.
01:19What are you doing?
01:20Are you still sleeping?
01:22No, no, no, no.
01:23It's just...
01:24There was an emergency.
01:27Is everything alright?
01:28Yes, yes.
01:29I'm coming.
01:30Bye, bye.
01:45Bye.
02:06Hello.
02:18Did you know there was a hydromassage here?
02:20No, I didn't.
02:23I'm sorry I'm late, but I fell asleep.
02:26Can you imagine the problems they have?
02:30Hello.
02:33Are you coming?
02:35Yes.
02:40I'm very sorry.
02:41Really.
02:44There's no problem this morning.
02:49I'll tell him.
02:51The problem is different.
02:53Diego.
02:54Don't start again.
02:55I've had a pretty bad morning.
02:58Quieter.
03:00I know what he's been through, and I'm sorry.
03:03But it doesn't change anything.
03:06He seems very polite.
03:08He says thank you, good morning.
03:12But he's still your father's son.
03:14What exactly did he do?
03:16Stealing.
03:17Stealing?
03:18He didn't find his watch this morning.
03:21He turned the house upside down, but nothing.
03:23He was here last night, not this morning.
03:25And was it Diego?
03:30Wasn't it us?
03:32Can you hear what you're saying?
03:34Yes.
03:36Thank you for looking after him.
03:39Diego.
03:40Say goodbye to Jem.
03:44Thank you, Jem.
04:02Bye-bye.
04:03Bye-bye.
04:32I can't think about lunch, because I have to go to work.
04:35Don't worry.
04:36I cooked.
04:38No, no.
04:39I don't have time.
04:40I'll grab something on the way.
04:42I'm tired and hungry.
04:44No, first wash your hands.
04:49I'm coming.
04:59Is everything okay?
05:00Yes.
05:02Where are you going?
05:03To work.
05:07I'm sorry you're going alone.
05:10You should have woken me up.
05:16Besides, we need to talk about last night.
05:20Yes, of course.
05:22But not now.
05:23I'm late.
05:25What?
05:26Are you sorry already?
05:28I'm talking about...
05:30Yes, yes, I heard.
05:32But not now.
05:33I'm going to work.
05:36Look, talk to Diego.
05:39Jem says he stole Massimo's watch.
05:44Yes, leave it to me.
05:46Bye.
06:31You need to buy butter and jam.
06:34Jem brought it the other day, and Paola was happy.
06:37No.
06:38Today she's sad again.
06:40No, don't worry.
06:42Everything's fine.
06:44If it's because of the baby, make another one.
06:47I know how it is, but it'll be fine.
06:51Tell me how Jem was.
06:53Was he good?
06:55Yes.
06:57Tell me how Jem was.
06:59Was he good?
07:01I didn't steal the watch.
07:03Hide it.
07:04Why?
07:06Because the man was so horny.
07:08Yes, and I don't like him.
07:11But he wouldn't do it.
07:13I don't understand how Jem can be such a rude, unpleasant,
07:17smelly man,
07:19and she's so beautiful,
07:21nice,
07:23and...
07:24has class.
07:25Yes.
07:26No coffee.
07:27Okay.
07:48I'm afraid to go to trial, Montella.
07:51I want to see Martina de Rosa and her mother.
07:54No, not as soon as possible.
07:57Yes, tomorrow is fine.
08:55Hello.
08:57Have a nice day.
08:59Thank you. Good luck.
09:25Hello.
09:27Are you okay?
09:29Yes.
09:31And the job?
09:33The same.
09:35Diego's watching a movie.
09:37He said he didn't steal the watch,
09:40he hid it.
09:44I hope so.
09:46I'm going to work.
09:48Salvatore won't answer.
09:50I called him three times.
09:52I'm sure he can't hear you.
09:55If you're hungry,
09:57we can eat.
09:59What's going on between Jemila and Ciro?
10:02I don't know.
10:04I don't know.
10:06I don't know.
10:08I don't know.
10:10I don't know.
10:12I don't know.
10:14What's going on between Jemila and Ciro?
10:16Nothing new.
10:18This evening is different.
10:20Is everything okay?
10:22Yes.
10:23Yes, thank you.
10:25Tell me about him.
10:27I need more.
10:29You're still a profiler, aren't you?
10:32He makes a lot of mistakes.
10:35But it's easy with love.
10:38You just have to get to know her.
10:42I'll call Salvatore again.
10:53Yes, but there's something behind me.
10:55Why are you in my house?
10:58Calm down.
11:00I didn't run away.
11:02They let me in.
11:04Is that Enzo?
11:06Enzo?
11:07Mom.
11:08My dear, how are you?
11:12Wait, I'll take a look at you.
11:18Hello, Enzo.
11:19Hello.
11:26Come on in.
11:30I'll be right back.
11:33I'm sorry.
11:35My son is back.
11:37I'll be right back.
11:42Enzo Garofalo is Jamila.
11:47Vitiello.
11:48I've been looking for you.
11:49Yes.
11:50I can't contact your son-in-law, the mechanic.
11:53Tell him my wife will take care of his car.
11:57Okay, I'll arrange it.
11:58No, no, wait.
11:59Let him finish.
12:00Yes.
12:01You have to repair it.
12:03A lot of time.
12:04A lot.
12:06A lot of time.
12:07Days.
12:08Days.
12:09A lot of days.
12:10Weeks.
12:11Weeks.
12:12A lot of weeks.
12:13A lot of weeks.
12:14A lot of weeks.
12:15Do you understand?
12:16Yes.
12:17We'll repair it for a lot of days and a lot of weeks.
12:20A lot of days and a lot of weeks.
12:22Okay, don't worry.
12:24Let's hope so.
12:26A man is a man with a knife in a beating.
12:29They gave him five years.
12:32Ana and Jamila were reborn without him.
12:35I noticed it.
12:36I can't understand how they let him go.
12:40Is everything okay with your wife?
12:43My wife?
12:45Yes, I'm asking because of last night.
12:47It was pretty bad.
12:49Yes, last night.
12:50Everything's fine.
12:54You see,
12:56in the evening when the boy ran away,
12:59the boss told me some things.
13:02I knew about the shooting,
13:04but not that Gennaro Rosso was your friend and...
13:07Linda, we're good.
13:09We're slowly getting there.
13:14What?
13:16I don't know.
13:18We're going to the station. Come on.
13:20To the port?
13:24I think so.
13:26Is Alessandro there?
13:29What does he have to do with the port?
13:31He's in our squad. They know everything.
13:35Are you afraid more than how you worked last night?
13:41I think not.
13:45Here.
13:49Bad things happen to her during the day.
13:55I wanted to leave my house and see the port.
13:59But I can't.
14:04Because of your father?
14:12Yes, but it doesn't matter anymore.
14:30Okay.
14:43Wait, I'm coming.
14:51I can't leave you alone for a minute.
14:56Yes?
14:59Where is he?
15:02Okay, let's go.
15:04What's going on?
15:06A body was found at the other end of the port.
15:08The criminals are there.
15:10Let's go.
15:29Hello, Lello.
15:31Hello, Ale.
15:33Good evening, everyone.
15:35Good evening.
15:37Can you tell us something?
15:39A little.
15:41He was killed an hour ago.
15:43With three shots.
15:45He died in a flash.
15:47That's not a little, it's nothing.
15:49What's wrong with you?
15:51He didn't have dinner.
15:53The bodyguard is waiting for you.
15:56The bodyguard is waiting for you.
16:01Let's start with him.
16:09It's not necessary, but welcome.
16:12My husband and I were in San Carlo.
16:14And Adam is from Prishtina.
16:16The police officer called me.
16:18My husband got up because he didn't want the police officer to call me.
16:21And when we got out, we saw all the police officers, firefighters, sirens.
16:25Okay, make up your mind when you say that,
16:27apart from the explosion, there was also a good shot.
16:30How nice.
16:32So, what do we have?
16:34What should I say to the commissioner?
16:36The bodyguard was killed about an hour ago.
16:38Up and down during the explosion.
16:40Witnesses?
16:41We were going to ask the bodyguard.
16:44Then I'll go to the importer.
16:46As it seems, you don't know anything.
16:48To hell with you.
16:51Tell me the truth.
16:53When he was in the privileged detachment, what?
16:55At the theater with the prefect at 11?
16:57To hell with you.
16:59Obviously, you've never been to the theater.
17:07Don't give me a headache, go.
17:16As soon as we heard the explosion and saw the smoke,
17:18we got in the cars and went to the place.
17:21But it was strange.
17:23How strange?
17:25It was calm.
17:27The container was destroyed.
17:29We were there and then ...
17:31What was in the container?
17:33Chinese bottles, nothing explosive.
17:35That's why we thought it could be a cleaning of the garbage.
17:37A kind of warning.
17:39Apart from thinking, did you do anything?
17:42We raised the alarm and searched.
17:45Then a colleague, who was in the car, turned around
17:47and saw a strange movement.
17:49We heard shots and left alone, but we were late.
17:55When we came back, he was already dead.
17:58So the explosion is the diversion.
18:00The real target was on the current.
18:03What was the result?
18:05They stole the cargo of the bus.
18:07What was he driving?
18:09A minibus, SUV and two sports cars.
18:11It was parked right in front of the hangar 7.
18:14We want the documents for the goods.
18:16Yes, they are in the locker room.
18:19I'll lead you if you don't know the area.
18:22Yes, let's go.
18:28Lord ...
18:31Lord ...
18:39I caught him.
18:41The hangar and the bus are registered to a small company
18:44that transports for third parties.
18:46The cars arrived yesterday from Anterpen.
18:48The boss is Cecilia Abate.
18:50I asked Marco to take care of her.
18:52Thank you. I'm going to his office.
18:55Get home.
18:57If there's anything, I'll call you.
19:01Are we taking the bus?
19:03Yes.
19:05Let's be optimistic.
19:07It's huge and slow.
19:09And it won't be unnoticed.
19:11It won't be unnoticed if there's someone watching.
19:13As slow as it is, at least half a day is not a little.
19:17Then I'm leaving.
19:19Keep me posted.
19:21If you catch this genius
19:23who blows up a container 4 km from here
19:25to steal three cars and a van,
19:27I want to ask him first, right?
19:31Enjoy your work and good night.
19:33Good night.
19:35I'll keep you posted.
19:37Yes, thank you.
19:39There's nothing interesting.
19:41They didn't even get in.
19:43And the explosion?
19:45Explosive device remotely.
19:47I'm telling you, they know what they're doing.
19:49Lelo!
19:51His mother.
19:53I'm coming.
19:55We're going to check the security footage
19:57and the access points from the morning
19:59to the explosion.
20:01Then we'll talk to all the agents,
20:03including those who weren't on duty, right?
20:05I'm on it.
20:07Tell Cuomo.
20:09Where?
20:11Yes, thank you.
20:13A bus got off at A3 at Portici
20:15and disappeared.
20:17Apparently, it turned on the second floor
20:19where there are no cameras.
20:21We'll send a patrol to look at it.
20:23OK.
20:35What a toucher!
20:53Gentlemen!
20:55Chiro Abate,
20:57the older brother of Cecilia Abate.
20:59There's a file on fraud,
21:01the sale of stolen goods,
21:03and, you know,
21:05the traffic of precious stones.
21:07The stolen cars are coming from Unterpen,
21:09which is the capital of the diamonds.
21:11Maybe there really are precious stones
21:13in the cars.
21:15I don't know.
21:17I don't know.
21:19I don't know.
21:21And yes,
21:23there are stones in the cars.
21:25We must find them.
21:27I think it would be very good
21:29to bring them together.
21:31We'll just have to prove
21:33that the cars don't matter.
21:35The records are ready.
21:37Uh,
21:39tell me...
21:41May I get in your cinema?
21:43Come on.
21:51These are under your command.
21:58There is no mercy.
22:03Where are they going?
22:06They're looking around.
22:08Maybe they're undercover.
22:10They're stealing.
22:17The devils.
22:21What happened to the other two?
22:25Here they are.
22:34I'm sorry.
22:47What?
22:49Nothing.
22:51Let's watch him.
22:53Colleagues, they found the bus.
22:56It's already empty.
22:58It's three kilometers from the gate to a warehouse.
23:01There are four of them. Three in the car, one in the van.
23:05I'll tell the importer and we'll go there.
23:08No, wait.
23:10You're going to faint.
23:13Stefan will wake up and we'll go.
23:17Vitiello, let's go.
23:19We have to figure out how they got in.
23:22They can't come out of nowhere.
23:25We have to find the inside man.
23:27The one who reported the stones.
23:30How do we get to Abate?
23:32Marco is right.
23:34We're trapped.
23:36Let's hide.
23:40Let's leave it to them and, please, no jealousy.
23:54Alessa!
23:56You forgot something.
23:59Is everything all right?
24:00Yeah, why?
24:01I'm sorry, I thought I saw something on the records.
24:05Unfortunately, no.
24:07Okay.
24:08I just wanted to make sure we didn't go back.
24:12You think it's the gang's doing, but you don't say.
24:16The expensive stones made me think.
24:21But there were six of them, not four.
24:24They didn't go through the channels and they were armed.
24:28Okay.
24:29Maybe something has changed.
24:33Why don't you start?
24:34You're not going back.
24:36Now everything has changed.
24:39Hey.
24:41Take it.
24:43I'm sorry.
24:44I'm tired.
24:46Let's see how the situation develops, right?
24:49I'll wait for Linda and we'll go.
25:06Lello.
25:07What?
25:08When you turn it off, I'll ask you for a favor.
25:10Just say you want to die.
25:12Can't you turn to one of my people?
25:14No, it has to be you.
25:16It's delicate.
25:17Make an anthropometric comparison between one of the records from last night and the woman in the blue boat, okay?
25:23Okay.
25:36Am I good enough to be a psychologist?
25:40Gemma's lost it.
25:42Have you found the watch?
25:45It's in the yard of the house.
25:48Why did you do it?
25:50Because he's a thormozist.
25:52And he called me an excrement.
25:56What did he call you?
25:57An excrement.
25:58And if you don't know, that's very offensive.
26:01He called you an excrement?
26:02It doesn't matter.
26:03It's offensive again.
26:09Get rid of the gel.
26:10It's too much.
26:13Let's go.
26:26Gemma.
26:28I'm sorry, but what kind of man calls a child an excrement?
26:32What?
26:33Are you worried about the watch?
26:35If you ask me, Massimo can figure it all out, so don't bother me anymore, okay?
26:42Yes.
26:43Bye.
26:44You didn't think it through.
26:46I threw it out.
26:49I'm not stupid.
26:51You made a mistake.
26:54But he said something terrible.
26:56Did he lie to you?
26:58No, not really.
27:00He's been lying to me from time to time.
27:02How often?
27:04Don't try.
27:06What about this gel?
27:07I like it.
27:08The problem is not mine.
27:13Have a nice day.
27:23Hi.
27:24Hi.
27:25What are you doing here?
27:28I took Diego to the psychologist, and he's been waiting for me there for an hour.
27:32Coffee?
27:34Tea.
27:35Tea?
27:42Gemma, are you okay?
27:45Of course.
27:46I can't stop panting.
27:51So, when we turn off the watch, how's Diego?
27:54What do you expect from the psychologist?
27:56No, that's part of the process.
27:59He needs to know if he's ready for a new family.
28:03Are you feeling better?
28:06Valerio is looking for suitable adoptive parents.
28:09He's going to have meetings, and he's going to take his time.
28:13Paula, I asked you how you are, not how you work.
28:24I slept with Alessandro.
28:28It didn't happen that day.
28:31Really?
28:33I don't know if it's good.
28:35At night, everything seemed possible.
28:40Even the idea of having another child.
28:43But in the morning I woke up, I saw him, and I got angry.
28:47And I said to myself that I probably won't be able to have children anymore.
28:51Because you're a doctor.
28:53No.
28:54Then...
28:57I'm terrified that he's going to tell me this.
29:00And that we're going to break up with Alessandro again.
29:04That's not so bad at all.
29:08Don't be like me.
29:12I go out with my husband, open a bottle of wine in the evening, and drink it alone.
29:16It can become a cocktail.
29:18Idiot.
29:19That's right.
29:20Have a nice day.
29:22I want to talk seriously.
29:26You should have come back for the research.
29:28And don't do it.
29:31You won't understand.
29:34You and Alessandro should be together.
29:36And live what you have.
29:38You deserve it.
29:42Come on.
29:44Go.
29:57Hello.
29:58You're here.
29:59Wasn't it successful and convincing?
30:01Yes, of course.
30:02Come in.
30:03The two figures coincide.
30:05The technology is not absolutely certain, but in this case, it is.
30:09The man is the same.
30:11His mother, I knew.
30:13I'm sorry.
30:14I'm sorry.
30:15I'm sorry.
30:16I'm sorry.
30:17I'm sorry.
30:18I'm sorry.
30:19I'm sorry.
30:20I'm sorry.
30:21I'm sorry.
30:22I'm sorry.
30:23I'm sorry.
30:24I'm sorry.
30:25I'm sorry.
30:26I'm sorry.
30:27I'm sorry.
30:28I'm sorry.
30:29I'm sorry.
30:30I'm sorry.
30:31I'm sorry.
30:32I'm sorry.
30:33I'm sorry.
30:34I'm sorry.
30:35I'm sorry.
30:36I'm sorry.
30:37I'm sorry.
30:38I'm sorry.
30:39I'm sorry.
30:40I'm sorry.
30:41I'm sorry.
30:42I'm sorry.
30:43I'm sorry.
30:44I'm sorry.
30:45I'm sorry.
30:46I'm sorry.
30:47I'm sorry.
30:48I'm sorry.
30:49I'm sorry.
30:50I'm sorry.
30:51I'm sorry.
30:52I'm sorry.
30:53I'm sorry.
30:54I'm sorry.
30:55I'm sorry.
30:56I'm sorry.
30:57I'm sorry.
30:58I'm sorry.
30:59I'm sorry.
31:00I'm sorry.
31:01I'm sorry.
31:02I'm sorry.
31:03I'm sorry.
31:04I'm sorry.
31:05I'm sorry.
31:06I'm sorry.
31:07I'm sorry.
31:08I'm sorry.
31:09I'm sorry.
31:10I'm sorry.
31:11I'm sorry.
31:12I'm sorry.
31:13I'm sorry.
31:14I'm sorry.
31:15I'm sorry.
31:16I'm sorry.
31:17I'm sorry.
31:18I'm sorry.
31:19I'm sorry.
31:20I'm sorry.
31:21I'm sorry.
31:22I'm sorry.
31:23I'm sorry.
31:24I'm sorry.
31:25I'm sorry.
31:26I'm sorry.
31:27I'm sorry
31:28I'm sorry.
31:29Can you please hurry up?
31:30Good morning.
31:31Good morning.
31:32How is Diego?
31:33Good morning.
31:34You are going to be here in an hour.
31:36I'm sorry for the departure but I get it.
31:40I can only imagine.
31:41But everything is going to be fine soon.
31:44We are trying to help him find peace.
31:47We haven't found the end of sorrow since evening after his father's death.
31:51You're doing a good job.
31:54I'm going in now, or the animals will get lost.
31:57Okay. See you.
31:58See you. Thank you.
32:09There's nothing about the ballistics or anything else that can identify the sheep.
32:14But from the check-up of the herdsmen that I'm looking for, something interesting came out.
32:19One of them was supposed to be on duty in the southern part, but he changed.
32:23And when I asked him yesterday, he was hiding it from us.
32:27Let's bring him in.
32:28I already did.
32:34I'm going to get some coffee.
32:43Is this normal?
32:45You're doing a good job.
32:46A good job.
32:50I get a message, and he comes out to read it.
32:54Ale, you're doing a good job, period.
32:58A good job.
33:03Just tell me what it is.
33:10Ezio, right?
33:11Yes, sir.
33:12What is it?
33:17Look, I have nothing in common.
33:20I asked to talk, because I wanted a long weekend with my girlfriend.
33:24Ask her.
33:26If that's the case, why didn't you tell the police last night?
33:30Because I thought it was a little...
33:33Suspicious.
33:34Exactly.
33:35I didn't let anyone in.
33:37Take the records and look.
33:39No, no, they didn't go through the portal.
33:42But it can be helped in another way.
33:48Listen.
33:50If you want to get out of the suspicious situation, be more convincing.
33:54What can I tell you?
33:56There are no secret portals.
33:58You register on everyone, and you get in from there or from the sea.
34:13What did I say?
34:14How could I not remember?
34:17How could I not remember?
34:19If they got in from the sea, it explains a lot.
34:24We're talking about the port of Neapol.
34:26There's more corruption in Sicily.
34:28So what?
34:29What do you mean, so what?
34:30We're going to check the bank withdrawals.
34:32Did the smuggler get any strange sums?
34:35As well as whether the security camera recordings are fake.
34:39That's what we're going to do.
34:40Stefano, are you here?
34:43Yes, I'm here.
34:44Why?
34:45Are we going to have a meeting?
34:48Here's what.
34:49We're going back to the port.
34:51It's clear they got in from the sea.
34:53We're going to check everything else.
34:55Let's go.
34:56I'm coming.
34:57Let's go.
34:59Hey.
35:00Is everything all right?
35:01Yes, everything is all right.
35:11Are you in?
35:14Ah, there you are.
35:17Please, go ahead.
35:20What's going on?
35:21We're doing more than you told us to.
35:23No, no, no.
35:24Nothing's happened.
35:26Sit down.
35:28This is a normal check.
35:31What's going on?
35:32We're doing more than you told us to.
35:34No, no, no.
35:35Nothing's happened.
35:37Sit down.
35:38This is a normal check.
35:41How are you?
35:43Good.
35:46I'm sorry this happened so fast, but...
35:49I wanted to apologize for my behavior the last time.
35:54I was aggressive and rude, and I didn't mean to.
35:57Are you serious?
36:00Of course.
36:05Well, then, thank you.
36:08Can we go now?
36:10Yes.
36:13Are you still drinking?
36:14No, no.
36:15She stopped.
36:17If you want, you can drink with your father from time to time, but without paying.
36:22Mom, can we...
36:23No.
36:25Go.
36:26Goodbye.
36:27Goodbye.
36:29Let's go.
36:30Bye.
36:33Hello.
36:34Hello.
36:36Did they do it again?
36:39No, nothing.
36:40Everything's fine.
36:41And you...
36:42Do you have any news?
36:44Look, I just talked to the psychologist, and...
36:48Diego has very clear ideas.
36:52He wants to stay with you and Alessandro.
36:58Paula, I know what you're going through, but think about him.
37:03He adores you, and it's clear that you're starting to connect.
37:07Of course.
37:09He's funny, intelligent, curious.
37:14But, Valerio, I don't want this for myself.
37:22Do you know what all this costs me?
37:25I could win.
37:27Win what?
37:28Because you, Alessandro, are in a crisis, and maybe I...
37:32Stop it, you idiot.
37:34Stop it, stop it.
37:35All of this.
37:36I owe you to tell you to talk to him.
37:40Maybe it's the best solution, and it's in front of our eyes.
37:47What do you think?
37:48Is it possible for such a small boat to escape you?
37:51It's hard.
37:52Every ship wants access to the radio.
37:54Then there are cameras, security at the dock.
37:57But she's here.
37:58And she was close to the dock, where the robbery is.
38:00It's a lot of coincidences.
38:02I don't understand what you're implying.
38:04She's not implying, she's commanding.
38:06Is it possible for such a small boat to escape you?
38:09Yes.
38:10Is it possible for such a small boat to escape you?
38:12Exactly.
38:13If you let me finish, you'll understand.
38:15I agree.
38:18Please, go on.
38:19Do these cameras work?
38:23I didn't see this key on the records.
38:25Actually, no.
38:27Since when do they not work?
38:29They reported the problem this morning.
38:32The terminals were probably damaged by the explosion yesterday.
38:37Okay, let's leave the boat for a moment.
38:39I want everyone who was at night on video surveillance.
38:42Okay.
38:43Immediately, if possible.
38:44Okay.
38:47Hey, go back to him and watch to speed things up.
38:50Wait, I'm coming with you.
38:52I'll help her.
38:53You won't be surprised.
38:55I'm in charge.
39:01Lelo.
39:02Come on.
39:04Get to the port immediately.
39:07It's urgent.
39:20Alessa.
39:21Alessa.
39:22These guys are playing tricks on us.
39:24It's absurd.
39:27I'll go to Salvatore.
39:28No problem.
39:29I'm coming.
39:32Tell me.
39:33There's only ammonia up there.
39:34There are no fingerprints.
39:35It's perfectly clean.
39:37Surprised.
39:38The cupboards, the cups, nothing.
39:40Everything is empty.
39:41His mother.
39:42Thank you, Lelo.
39:44You still owe me a coffee.
39:46You're right.
39:47We're leaving in a bit.
39:52Tell me, Ale.
39:53The cameras weren't damaged by the explosion.
39:55They stopped working 50 seconds earlier.
39:57They fixed the recordings.
39:58Exactly.
39:59Simultaneously with the explosion.
40:00Who was on duty?
40:01Francesco Menoni and Luigi Santoni.
40:03The first one is on his way to the site.
40:05The second one doesn't answer, but we have his address.
40:08Okay.
40:09Send him to me.
40:10We're going there.
40:12We almost found the inside man.
40:18Okay.
40:20Ale?
40:21The coffee?
40:43Alessandro.
40:45I'm hungry.
40:49Make yourself a sandwich.
40:50With what?
40:51The fridge is empty.
40:56Okay.
40:57There's nothing.
40:58No, wait.
41:01We're going to the market.
41:03Do you want to?
41:04Me, yes.
41:05And you?
41:07No.
41:09But I'll make it.
41:11Let's go.
41:13I'm telling you, you can't get out of the ship.
41:16It could happen in the port itself.
41:18If the ship is bigger, but not with us.
41:20It's out of the question.
41:21There's no way.
41:22It's out of the question, of course.
41:24But if the camera is damaged, you won't see it.
41:27The problem is, how did it get damaged?
41:29Probably by the explosion.
41:31Not exactly.
41:32The cameras stopped working 50 seconds earlier.
41:35Strange.
41:37I don't know.
41:38I don't know.
41:39I don't know.
41:40Strange.
41:51We need Chulo's method here.
41:55Luigi Santoni.
41:57Are you sure?
41:58He's been working all night.
42:00Are you really friends with him?
42:02Yes.
42:04But you'll be the man of my life.
42:07After Chulo.
42:09Chulo.
42:11Chulo's method doesn't work here.
42:15Let's try this.
42:20Who is it?
42:21The police, ma'am.
42:23Let's go in.
42:27This is a momentary damage.
42:29It happens all the time.
42:31The port video system is complicated.
42:33You noticed it the very next day.
42:36And?
42:37There was an explosion yesterday.
42:39You don't know what happened.
42:40What happened?
42:41A mess.
42:42Describe this mess.
42:47We came out, like everyone else.
42:50Let's see what happened.
42:53We were guards, port workers.
42:55And we called you and the fire department.
42:57Go clean up inside.
42:59Is it possible that you didn't realize that there was a camera that was offline?
43:04Then we did a backup of all the cameras in the port.
43:07Do you know what that means?
43:09We did it...
43:12...to give you the recordings.
43:14You're a liar, Menoni.
43:15You have to make it harder, because that's your job.
43:18Or...
43:19You want a reward?
43:22Okay, uh...
43:24Your colleague?
43:25Do you remember if he came out after the explosion?
43:28Do you remember anything?
43:30What?
43:33You don't remember.
43:36Don't talk, you idiot.
43:42There he is, Santoni.
43:48Santoni, police.
43:53Wait.
44:00Well done.
44:08Do you train?
45:30I'm going to the bathroom.
45:37No, wait.
45:39Beshe is right.
45:42We need to talk.
45:45Sit down.
45:46I have to admit, that night was beautiful.
46:01I couldn't wait.
46:04Me neither.
46:06Actually, part of me couldn't wait.
46:17A part of me that I can't listen to.
46:24Our instinct is pushing us there.
46:29But I can't forget what happened.
46:34I don't want you to forget anything.
46:39Paula, darling.
46:44I'm afraid that I'm going to be okay with you again, you know?
47:06This is an advance.
47:19The rest...
47:21Why don't you do the job for me?