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00:00THE NEXT DAY
00:07What's up, Inés? Why did you call me so urgently?
00:12It's Laurita.
00:13Laurita what?
00:15She's gone.
00:16She's gone? Where?
00:18To a friend's house? A boarding house?
00:20No, to Germany.
00:23Germany?
00:24Yes.
00:25No, that's not possible.
00:27Yes, yes, look, check it yourself.
00:32I'm going with Celia.
00:34This morning we're going to Germany. I'll call you.
00:40This...
00:42Laurita couldn't have written this.
00:44This is a goodbye.
00:47She's on her way and we haven't even been able to talk.
00:50Didn't you talk to her last night?
00:52No, because when she got back from Madrid Cabaret I was already asleep.
00:55And not this morning?
00:56No, uncle, because she hasn't slept here.
00:58I suppose she packed her things and left without making a sound.
01:04It's clear that she didn't want you to wake up.
01:07So as not to have to give you explanations about what she was going to do.
01:11I've lost my sister forever.
01:13No, no, that doesn't have to be like that.
01:15Laurita suffers a very hard blow.
01:17But I'm sure she'll recover and go home.
01:20Uncle, Laurita is very hurt by everything that has happened to Agustín.
01:24And if she's gone, it's because she doesn't want to see me ever again.
01:27No, no, you don't have to look at it from a certain perspective.
01:29We're still her family, Inés.
01:32It's all my fault for letting myself go.
01:36Our actions have consequences, Inés.
01:38And you should never have fallen in love with your sister's boyfriend.
01:41I know, I know, but...
01:44If only I had let myself talk to her, then...
01:48It's clear that she hasn't seen the right time.
01:52And now we have to respect her decision.
01:56But what if...
01:58What if she never comes back?
02:01Inés, no, I'm not going to lie to you.
02:05Only time can heal the wound that Laurita has right now.
02:10Only time.
02:12But I can't do anything to make you feel better.
02:15Uncle...
02:17I'm not going to work, I just don't feel well.
02:20Take as much time as you need.
02:29We want to tell you that we're waiting.
02:33For what? For a transfer?
02:35If you say it like that, they won't find out. Put a little more spirit into it.
02:38Hurray, hurray! News!
02:41We're going to have a child!
02:43And that's why we're going to invite you to drink whatever you want!
02:46No, we can't invite everyone because we don't have the money.
02:50It's enough for them to be happy for us.
02:52I don't know, say it in a calmer way.
02:55Comrades, comrades, in a reasonable time,
02:58we're going to increase the family in one member,
03:01and it will surely be a female.
03:05Tini, my love, you look like the Minister of Government giving the party.
03:08Son, we've been here for half an hour and I don't have any more ideas.
03:11We have to think of something else because they have to believe that it was now,
03:15What's going on? Are you kidding me?
03:18It's normal. When you get married, all the tension and romanticism is over.
03:23No, nothing like that.
03:25Actually, we were talking about my pregnancy because we're going to have a child.
03:28Congratulations!
03:30Surprise!
03:31And you say it with that funeral face.
03:33But that's the most beautiful thing in the world.
03:35And it is, and it's a blessing.
03:37Although this face is because it involves a great responsibility.
03:42And of course, everything has been very sudden and ...
03:44No, don't worry, Trini. I'm sure that over time you'll get the idea.
03:48Also, I'm sure that working in a tea salon,
03:50instead of coming with a loaf of bread under your arm,
03:52it would rather have to be an ogaza,
03:54the creature will come with a tray full of pasta.
03:58Are you sure you're pregnant?
04:00If you've only been married for a few days.
04:03Well, these things are noticeable, woman.
04:05Well, I imagine you've already done the toad test.
04:08The frog. What's that?
04:10Well, about the toad, it's very simple.
04:12The alleged pregnant woman lies down and has to put a toad on her belly,
04:16or a frog, depending on where you jump.
04:19If to the right is this pregnant woman ...
04:21Well, I think it's for one or the other.
04:24What do you say, Elia? It has nothing to do with that.
04:26Let's see, maybe it's not exactly like that, Miguel.
04:28But what you surely need is a batraccio, huh?
04:31A croc croc.
04:32What has been a frog, a toad, a frog, call it whatever you want.
04:36It can be found in another way.
04:38Much less arginine, no bug is needed.
04:40Look.
04:45Come closer to the belly.
04:46If this turns, it's pregnant.
04:48My grandmother always did this and never failed.
04:52Come, come.
04:54Oh, Trini, she's pregnant.
04:56Congratulations.
04:57Croc croc.
04:58Yes, I told you.
04:59Oh, a croc croc.
05:00Croc croc.
05:01Well, now that you say it, huh?
05:04The truth is that I see you quite excited.
05:06I told you you have a gut.
05:07Elías, the talk is over.
05:09Everyone to work.
05:10There are tables to attend to and floors without barriers.
05:13Everyone to work.
05:14Yes.
05:15Excuse me, congratulations.
05:19Where is Teresa? I want to tell her the news.
05:22I don't know, I haven't seen her all day.
05:29Well, that's it, you already know.
05:32Hello, Salvita.
05:33They told me you came to see me at Antonia's house yesterday.
05:36I wanted to know.
05:37I had to talk to you.
05:40I guess it's because of the talk I had with your father, right?
05:43Yes, just that.
05:44After you talked, it was my turn.
05:46And what did he tell you about what we talked about?
05:50He told me that you had questioned his good intentions
05:53and that what he wanted was to separate us.
05:56Yes.
05:57It's just what I told him, yes.
05:58It's just that it's green and with handles.
06:00What surprises me is that you didn't notice.
06:02Man, I don't think my father is so twisted
06:06to set us up to separate us.
06:09No, that's because you don't know him very well.
06:12Besides, do you really think I'm going to wait two years
06:15for you to come back with your lawyer's degree?
06:17Why not?
06:18I would wait for you as long as it was necessary.
06:20Yes, well, I'm not so sure.
06:22Besides, you know what they say.
06:24Distance makes you forget.
06:26And in a month, you've already forgotten about me.
06:28Do you trust me that little?
06:31You could trust you, Albita, but not your father.
06:34And I'm sick of him trying to manipulate us
06:36and you don't even realize it.
06:38But he just wants what's best for us.
06:40No way.
06:41He wants what's best for you.
06:42Well, not that.
06:43He wants what's best for him.
06:44And he's sure I'm not doing anything for you.
06:47Very innocent.
06:49And he's sure I'm not doing anything for you.
06:51You have to be very innocent if you really think
06:53he's happy that we're dating.
06:59Let's see, I was also surprised
07:01by the ease with which he took what was ours.
07:04That's it.
07:05All he's done is let you get excited
07:07to buy time and think of something to do.
07:11So you think he's not acting in good faith?
07:14People like your father don't change, Albita.
07:17He's looked for something
07:19until he found a way to separate us.
07:23But the worst of all is that he's given up.
07:25Okay, but I already told him I was going to Salamanca.
07:28I can't back out.
07:29What do we do?
07:33Well, you'll see.
07:35But if you don't back out, I don't care if you go to Salamanca,
07:38China or wherever.
07:40I'm not going to wait for you.
07:42But it's only two years.
07:43Well, but two years is a long time.
07:45I have a lot of plans, Albita.
07:49And you're not in them.
07:53Are you leaving me?
07:57If you don't back out, yes.
08:00I'm sorry, but I'm not your girlfriend anymore.
08:03If we've ever been boyfriends, I don't know...
08:08I'm sorry.
08:15I'm sorry.
08:31Darling, are you okay? You look tired.
08:34Yes, it's just that I've been under so much stress.
08:38Once the danger is over, I feel exhausted.
08:41It's normal.
08:42Do you want to go to a hotel with Inigo and the girl?
08:45To rest?
08:46It's not a bad idea.
08:48Because living in that apartment is hard for me, Antonio.
08:51Everything reminds me of Carla.
08:53Well, soon you'll forget about her.
08:55I'm trying, but I can't help feeling that...
08:59that apartment is full of bad memories.
09:02I feel like Carla is everywhere.
09:05I understand, but...
09:07soon her memories won't have any effect on you.
09:10You'll see.
09:11Yes, but I'm afraid that Carla has changed me.
09:14That she's become tougher.
09:16That she doesn't have joy anymore.
09:18No, darling, that's impossible.
09:20Because you have a lot of joy inside you.
09:22No one can take it away from you.
09:25But after so many misfortunes, I feel empty.
09:30Darling, you just need a little time to heal the wounds.
09:36Don't go.
09:37Katrina has good news for you.
09:41I'm pregnant.
09:42She's pregnant.
09:44Well, I would have liked to tell it to me,
09:46since I'm pregnant.
09:47Well, but this is a house for everyone.
09:49Yes, well, my husband wouldn't be surprised.
09:51And neither would I, because I'm the one with the baby inside.
09:54Darling, but isn't it good news?
09:56That soon you'll have a child.
09:58Yes, it's just that the women in my family,
10:00it's looking at them twice and they're already pregnant.
10:02Well, I say that something more than looking at you
10:04Miguelinho would have had to do.
10:07Well, I have...
10:08Oh, come here, Trini.
10:10I hope this girl or boy grows strong and healthy.
10:13Look, you point out that it could be the next one.
10:17You would also have to be happy and proud, Antonia.
10:20Oh yes? And why is that?
10:21For how well Marta spoke yesterday at the Madrid Cabaret.
10:24She left us all with our mouths open, come on.
10:27And there were very instructed ladies there, huh?
10:29Look, well, when she arrived I was already asleep,
10:32so I couldn't see her.
10:33She had a flash.
10:35I couldn't even imagine it, Trini.
10:37Well, the same goes for politics,
10:39and it would be good if there were more women in the courts
10:41and not so many gentlemen.
10:43Everything will work out.
10:44The first thing is that they let us vote,
10:45and then we'll move forward.
10:47What's up? No one's working today?
10:49It's just that with Trini's pregnancy,
10:51we're all revolutionized.
10:53Have you found out yet?
10:54Yes, I already imagined it.
10:56Come on, everyone to work.
11:02Pátela, I wanted to tell you that I know you've had a very bad time,
11:06and that you can count on me for whatever you want.
11:08Thank you, Teresa, really.
11:10I'm glad you're back.
11:27Inés won't come to work today.
11:29Has something happened? Is it serious?
11:32Yes.
11:36Laurita has left for Germany,
11:38and her sister is very affected.
11:40But it can't be.
11:42Yesterday I was talking to her,
11:44and I didn't get the feeling that she was going to leave.
11:46I didn't expect something like that either.
11:48Inés is capable of any madness, but Laurita...
11:50Laurita is much more reflexive.
11:53She must feel very bad
11:55for acting so impulsively.
11:57Has she said when she's coming back?
11:59No, no, no.
12:00She just left a note saying that she was leaving
12:02and that she would contact us as soon as she could.
12:06Well, I don't really think it's going to be a bad thing.
12:10Maybe she needs this distance.
12:13It was a slip-up. I'm sure she'll be back soon.
12:15That's what I told Inés to comfort her a little,
12:18but I'm not sure it's going to be like that.
12:21Do you think she's not coming back?
12:22I don't know. She feels betrayed by her sister,
12:24which is true.
12:25And that's something very difficult to accept.
12:28It's not the time she's going to need to close that wound,
12:31if she ever does.
12:33And what's going to happen to the gramophone store?
12:35Because if Laura leaves with Celia,
12:37who's going to run that business?
12:39We'll have to close it temporarily
12:41until we find a solution.
12:43I'll put a poster at the door to let our clients know.
12:48Fermín, I'm very sorry you're feeling this way.
12:52Especially now that we'd have to think about other things.
12:57Thank goodness I have you to support me
12:59in these complicated times.
13:01There's nothing I like more than being here to support you.
13:06By the way, I've been looking at several parishes,
13:10and we could get married in a few days.
13:13I don't know, maybe it's time to think about closing a date.
13:18I'm sorry, but I don't have the head for anything,
13:21much less to make such an important decision.
13:25Of course.
13:26Of course, don't worry.
13:28We'll close the date later.
13:31Yes, better when the problem with my nieces is cleared up.
13:35I'm sure everything will be solved.
13:37The girls are very united,
13:38and before you realize it, Laurita is back.
13:41I hope so, because if not, I don't know if I'll be able to sleep.
13:46Fermín, don't worry about anything.
13:48I'm here to help you with anything.
13:50Well, I'm going to take a walk around the living room
13:52to make sure everything is in order.
13:55If you'll excuse me.
14:05I'll see you later.
14:17Today it's easier to find you in the dressing room than in your workplace.
14:21It's just that with the pregnancy, I'm very tired,
14:23and now that there were no clients,
14:25I don't know, I thought I'd come here to rest a bit.
14:36It's affecting you a lot, isn't it?
14:39Because with just one week of pregnancy,
14:41you can't move your feet.
14:45Yes, well, it's normal to be like this at the beginning.
14:50Yes.
14:52Yes, maybe it's like you say,
14:53but I find it a bit strange that you have these symptoms so soon.
14:59You got pregnant very quickly, didn't you?
15:02Yes, the truth is that we could say that I've been lucky,
15:05that we've been lucky.
15:10Is something wrong?
15:12I mean, because it seems like you're not happy for me,
15:16and I don't know, you're asking me questions that,
15:18well, more than questions, it seems like an interrogation.
15:23Do you want to know what's wrong with me?
15:25Of course.
15:26Well, I was hoping that at some point you'd tell me the truth.
15:35The truth about what?
15:40Trini Cañete told me everything.
15:43I know that you've been married to Miguel for a long time,
15:46and that you haven't told anyone anything
15:48to keep your job.
15:56No.
16:01That's true.
16:03The thing is that it's been like that because we didn't have a choice.
16:08We had to keep our two salaries,
16:10because neither Miguel nor I come from a good family,
16:13so we're alone, no one helps us.
16:17Trini, I can understand that,
16:20but I thought you were my friend.
16:23The thing is that we don't trust each other enough to be honest with me.
16:26No, of course we trust each other.
16:28The thing is that the lie had become too big
16:31long before you and I became friends,
16:33and when we started getting along,
16:35it was too late.
16:38Well, I think it was very easy, Trini.
16:41You just had to tell me four words.
16:44Miguel is my husband.
16:47I know, it wasn't that easy.
16:49For you, it was much easier to keep the lie.
16:54And you didn't care that I even thought I could have an affair with Miguel,
16:58that I would fall into that humiliation.
17:00No, no, no, no, no, no, no.
17:02I swear that our intention was not to hurt him at any time.
17:06What happened was pure survival, nothing else.
17:10But have you stopped to think how I can feel made fun of?
17:14That I thought you were my friend.
17:17That our friendship was sincere.
17:19Well, of course it's sincere.
17:21I swear that our friendship is sincere.
17:23If lying to you has been what has hurt me the most in all this, I swear.
17:27I've been a coward, an absolute coward,
17:31and I feel very bad, I'm really sorry.
17:34We have behaved very badly and the circumstances have led me to...
17:37Stop.
17:41I have to think about this, Trinidad,
17:44because...
17:47if I'm honest with you, I don't know if I can forgive you.
17:50No, no, no, but you have to listen to me, Teresa, you have to listen to me.
17:54From now on, we will try to keep our distance.
17:57No, no, no, no, no, a moment, Teresa, no, no.
18:14The first thing is that you choose freely where you want to go.
18:17That's why I've looked for you these two major schools.
18:20I don't have much freedom if I only have two options.
18:23They are the best in Salamanca.
18:25Let's see, son, you choose first the one you like the most,
18:28and then you just have to fill in the enrollment.
18:30I don't care about either one, really.
18:33Look, I'm thinking about the subject of having to go to Salamanca to study,
18:37and I don't understand why I have to leave Madrid to finish my degree.
18:40Have you thought about that yourself?
18:42Or has the cleaning lady helped you reach that conclusion?
18:46Of course I've talked to Marta, and she has shown me her true intentions.
18:49Wow, this girl is extraordinary.
18:51Now she can even guess my thoughts.
18:54Father, admit that you don't want to send me to Salamanca,
18:56and she comes to the hair to separate us.
18:58It hurts me that you think that.
19:00I just try to make you keep the promise you made to your mother.
19:03I'm not going to stop studying.
19:04So? I don't see why there should be doubts.
19:07You keep the promise and then take your life wherever you want.
19:11Look, don't get my mother involved in this,
19:13because I'm sure that what she wanted for me was to be happy.
19:15She had you for a more integral person, my son.
19:18Father, I'm not going to stop studying.
19:20I'm just going to do it here, close to Marta.
19:22Look how hard she has hit you, huh?
19:24I understand that you have become capricious about her,
19:27but over time you will get to hate her.
19:31Let's see, son.
19:32We have all had a caprice of youth,
19:35but none of us have married her.
19:37You are completely wrong.
19:39I'm not like you.
19:40The love I have for Marta is pure and sincere.
19:43I don't doubt it.
19:44But that girl is not good for you.
19:46She's not our kind. She won't make you happy.
19:48Marta has a head full of birds
19:51and revolutionary ideas that take us nowhere.
19:54Believe me, son.
19:55In the long run, those women only bring problems.
19:58Look, father.
19:59Nothing you tell me will make me change my mind.
20:01I'm not going to let you throw your future away.
20:04Father, I have to decide about my life.
20:07And the discussion is over.
20:08We will stop talking when I feel like it.
20:12I'm still your father
20:14and I demand the respect I deserve.
20:18You're wrong if you think I can't comment on your actions.
20:22Your mother gave up her health by bringing you into the world.
20:25She never got pregnant.
20:27And I, working in our businesses
20:29to ensure a prosperous future for you,
20:31everything I do in this life,
20:33I do it thinking about you.
20:35So I think I've earned the right for you to listen to me
20:40and obey me.
21:15Mrs. Bárbara, I wanted to give you my most sincere condolences
21:18for your daughter's death.
21:20I thank you, Mr. Fermi.
21:21And I'm also very sorry for the tragic circumstances of her death.
21:25Yes.
21:26It's the worst thing that can happen to a mother.
21:29I don't think she'll be able to get her head up.
21:31Well, she'll have to do her best
21:33because no matter what, life goes on.
21:36Not for me.
21:40I don't think she'll be able to survive Carla's absence.
21:43Nothing makes sense anymore.
21:46Everything I've done lately,
21:48good or bad,
21:50I did it to protect her.
21:53It's a shame I couldn't save her from herself.
21:56Many times, no matter how much we want,
21:59we can't protect our loved ones
22:01if we can't prevent them from making mistakes.
22:04I know.
22:07But we always have to try.
22:10Although when we can't,
22:12it's almost impossible to accept it.
22:18I don't have children, but I understand perfectly
22:21the terrible moments she's going through.
22:24I have to go, Mr. Fermi.
22:26I've picked up things from Carla and
22:29I don't want her to come back.
22:31Are you going to leave Madrid for a while?
22:33Maybe forever.
22:36I can't live in that palace anymore.
22:38Too many memories.
22:39Yes, I understand.
22:41Have you found a place to stay?
22:43Yes.
22:44In Cordoba.
22:45There I have a cottage that belonged to my second husband.
22:48A quiet place, full of charm,
22:50to spend my last years.
22:52Don't say that, Mrs. Bárbara.
22:54You have your whole life ahead of you.
22:56Yes.
22:57To think that I made a mistake with my daughter.
23:00If I may have some advice,
23:02give her some time to think
23:04and return her life to where she left it.
23:08Who knows what the future will be like.
23:12The most important thing is that I have resolved
23:14all my daughter's issues.
23:16Have you managed to sell the gallery?
23:18Practically.
23:20But I can't give you more details
23:22because negotiations can get frustrating at the last minute.
23:26Does that mean you already have a buyer?
23:28Yes.
23:29A Spanish businessman who is based abroad
23:32is the possible buyer.
23:34Well.
23:35I wish with all my heart that you make good friends
23:38with the new owner of this building.
23:40I hope so too.
23:41I'm looking forward to meeting you.
23:46I'm sorry I haven't sold the gallery to you or the tenants.
23:50But any friend of Viñico Peña Albert is my enemy.
23:54Mrs. Barbara, of course you have the right
23:56to negotiate with whoever you want,
23:58but it seems to me that your words are being a bit excessive.
24:03My daughter will rot underground, Mr. Femi.
24:06No.
24:08I'm not being excessive.
24:11In fact, I'm being careful.
24:15I could end that marriage in multiple ways,
24:18I assure you.
24:21But the desire for revenge ended with my daughter
24:24and I'm not going to let myself be carried away by those feelings.
24:27No, I'm not going to allow it.
24:33Now, if you'll excuse me, I have to go.
24:37I'm sorry you have to leave like this.
24:40If you'll excuse me, I'll walk you to your car.
24:43Yes.
24:44Yes.
24:49I'm glad I can talk to you, Marta. I'm going crazy.
24:54I'm sorry your brother left so far away.
24:58I was surprised he was at the store today.
25:01Were you able to talk to her yesterday at the Madrid-Cabaret?
25:04Yes, but she didn't tell me anything about any trip.
25:06I didn't even know she was going around the corner.
25:09Is the note locked?
25:11No, I saw it as usual.
25:13When I left, she was talking to Celio.
25:17I guess she convinced her to go together.
25:21I couldn't tell you.
25:25I think it's strange that she left without saying goodbye.
25:29It doesn't suit me, Laurita.
25:31She left a note, but it's worse than not saying anything.
25:37You'll see how she gets in touch with you or your uncle.
25:41I don't think she wants to see me again.
25:44Don't get the worst of it.
25:46I'm sure she needs time to get over it.
25:49She should have told me about her plans.
25:52Inés, try to understand.
25:54Accepting that your boyfriend and sister have something
25:57doesn't have to be easy.
25:59No, Marta. He's not my boyfriend.
26:01We just kissed.
26:03You don't think it was a kiss?
26:06It was without looking for it.
26:09Yes, but you didn't do anything to avoid it.
26:12Try to understand.
26:14Imagine it was the other way around.
26:17Your sister kissing your boyfriend.
26:20You wouldn't have sat there, would you?
26:24How could I do this to her?
26:27Laurita is the most important person in my life.
26:30I've betrayed her.
26:33I can't live without her.
26:36You'll see how she gets back.
26:38Maybe she won't, Marta.
26:41You have to give her time.
26:44Wait for the bad luck to pass.
26:49What if I go to Germany?
26:52How can you go to Germany?
26:55Are you crazy? You know the streets in Germany.
26:58But I have to do something. I need to talk to her.
27:02Yes, and you're going to work until Laurita dies.
27:06The rest is crazy.
27:08I'll lose the house without her.
27:10You'll have to get the idea.
27:13I don't know if I can.
27:16You have no choice.
27:20Thank you for inviting me.
27:22I'm excited to have lunch with you.
27:24No, I'm excited to know you're pregnant.
27:27I wanted to celebrate. Sit down.
27:29I'll heat up the coffee.
27:33You were in a hurry to take care of Cigüeña.
27:37Yes, it was very fast.
27:41I love kids. I've always been a kid.
27:44I'll take care of you. I'll be your babysitter.
27:47We'll need help.
27:49Miguel and I are very overwhelmed.
27:53I don't know if I can do it right.
27:55Of course you can. Mothers have a natural instinct.
27:58Besides, no one is born learning.
28:02You're right.
28:08Antonia, why didn't you become a mother?
28:13Well, God didn't want me to.
28:17And we tried.
28:19Ramón and I wanted to see the kids running around.
28:24But there was no way.
28:28Not being a mother has been a thorn in my side.
28:35Don't worry.
28:37If you're okay with it, you'll be like a second mother to my son.
28:45I've always felt that I had a lot of love to give.
28:53I'm sorry, darling.
28:55We're here to celebrate your maternity, not to get melancholic.
29:01No, it's not that.
29:05I've been very bad to you.
29:08And to everyone.
29:10What can you do? You're a piece of bread.
29:12I'm not a piece of bread. I'm a liar.
29:16Miguel and I have been married for a long time.
29:21And we haven't said anything so I don't lose my job.
29:25And I've been pregnant for several months.
29:28We've been lying for too long.
29:31I'm sorry.
29:35So the Lion's wedding was a lie?
29:38Yes.
29:40We made that up to announce that I was pregnant.
29:46The coffee.
29:52That's it. I've told him.
29:55If he wants me to leave his house, I'll understand.
29:59I understand how he gets angry.
30:03I really do.
30:05Listen to me.
30:07First, I want to thank you for being honest with me.
30:10Although it's been a while.
30:15But he won't get angry with me.
30:18No.
30:22Of course he won't.
30:25Necessity sometimes leads us to take the wrong path.
30:29The important thing is to rectify time.
30:33But I feel bad for lying.
30:36For keeping the lie.
30:38And because of this, I'm going to lose Teresa's friend.
30:41It's normal for Teresa to get angry.
30:43You're a good friend.
30:45I'm sure you'll make up.
30:47I hope so.
30:49I swear, you're like a family to me.
30:53I can't stand you getting angry with me forever.
31:00What are you doing?
31:02You have to give me a hug.
31:04Come here.
31:05Come here.
31:12I'm here to tell you that Mrs. Bárbara said goodbye to me yesterday.
31:17She's going to live in Córdoba.
31:20Did she close the gallery?
31:22I spoke to Emiliano Pedraza on the phone.
31:25The deal is almost closed.
31:27I hope Mrs. Bárbara doesn't suspect her relationship with him.
31:31That would ruin his friend's purchase of the gallery.
31:36No, he has no idea.
31:38We can rest assured.
31:40We could say that Emiliano Pedraza is the only beneficiary.
31:45He's going to buy the gallery at a lower price than the market price.
31:48I think we all benefit from Mr. Fermin's trustworthiness as the new owner.
31:55Apart from being my friend, he's a successful businessman.
31:58I'm sure he's a good pusher in the building business.
32:01Why does Emiliano want to leave Argentina and come to Spain?
32:04He wants to start a new life here.
32:08That sounds good.
32:10I'd like to start from scratch in another place.
32:13But you never know if what's to come is better or worse.
32:16Listen to your instincts.
32:18When things are over, it's better to start over.
32:24Gentlemen, I'm going to leave. I have other matters to attend to.
32:28Then let's say the meeting is over.
32:31Mr. Fermin?
32:33Agustín, stay. You and I have other matters to discuss.
32:37Sit down.
32:44Has he changed the detergent he uses to clean the displays?
32:48No.
32:49Water, soap, and rubbing for a while, like he's done all his life.
32:53I don't like the smell. It stinks of bleach.
32:56It's hard for me to smell bleach when I haven't even touched the display.
33:01I tell him to throw away the smell of bleach.
33:04What he smells is clean.
33:06Oh, God.
33:07Teresa, wait a minute.
33:09What do the displays smell like?
33:12Don't they stink of bleach?
33:16No. What I smell is clean.
33:19What I told you.
33:21I really don't know why I'm asking for your opinion.
33:24It's clear that you're going to deny me even the evidence.
33:27Gentlemen, I don't smell anything strange.
33:31It's impossible to make a team like this.
33:33And I'm really trying.
33:35But when I say white, you say black.
33:37Do you want to drive me crazy?
33:39Look, he asked me a question and I answered him sincerely.
33:43What I think is that he enjoys contradicting me.
33:47Isn't that so?
33:48I don't know, ma'am. Maybe I don't smell as good as you do.
33:51That's why I'm only in charge and not the manager.
33:53Let's see if you're going to be the one who...
33:57You're right.
33:59I'm the manager.
34:00And as such,
34:02I order you to find out where that smell comes from
34:05and to clean up the stench of the displays.
34:19I've found you a wedding dress that suits you.
34:23Let it be the last time you ask me a personal question.
34:27It's strictly forbidden.
34:31Do you like it?
34:33The one who laughs last laughs best.
34:43This is the only dress that suits you.
34:46It's a black one with a pointed hat and a broom to fly.
34:50Why does it smell like a dog?
34:53You'll find out later.
34:55Be careful.
34:57It's very dangerous when it smells like that.
34:59And you're crazy about it.
35:01Any excuse to put it on the street.
35:04Look, whatever it has to be, it will be.
35:09I'm sorry you think that of me.
35:12I thought you were a gentleman.
35:15But the behavior I've had with my nieces
35:18is more typical of a Don Juan de Opereta.
35:21I assure you that it was not my intention to be enemies with Anais and Laura.
35:25You've broken Laura's heart to the point
35:29that she has decided to leave for Germany,
35:32far from her family, without giving an explanation.
35:35I didn't know anything.
35:37I wish I could do something to fix this matter.
35:41You've destroyed the wonderful relationship
35:44that the two sisters had,
35:46and all because you don't know how to control your snatches.
35:51You're despicable.
35:56Look, you're right.
35:59I don't know what to do.
36:03Look, you're right to despise me that way.
36:07But in my defense, I can assure you
36:09that it was not my intention for this to happen.
36:11From good intentions to hell.
36:13I couldn't help but feel attracted to Inés.
36:16But I assure you that it all started and ended in that kiss.
36:19You couldn't help it?
36:22A good man has to know how to control his impulses.
36:25You're a loser who gets carried away by the needs of the moment.
36:29Of course Inés is partly to blame,
36:31but her behavior has been that of a true scoundrel.
36:37I assume all the blame.
36:40I'm not going to argue with you.
36:41And I'm not going to allow you to leave my office right now.
36:46I have nothing else to say to you.
37:00You must be looking forward to going back to your house, right?
37:03Now that you don't have a carcoma.
37:05Not too much.
37:07I'm tired of walking around with my things up and down.
37:14The only thing I want is to move in with you.
37:19Under the same roof.
37:21Well, don't run so much,
37:23because until we go through the vicarage,
37:26Yes, but let's see if these papers arrive soon,
37:29canceling my wedding with Lucia, right?
37:32So we can get married.
37:39Hello.
37:40Hello.
37:41What can I do for you?
37:43Well, look, for now,
37:45tell us what you talked about in the act of the suffragette,
37:48that Esperanza told me that you were very close.
37:51Well, at first I stayed in the office,
37:54Well, at first I stayed in the office,
37:57when they told me that I had to speak in front of so many women
38:01and on top of that, after Clara Campagor herself.
38:05Oh my God, what a commitment.
38:07I wouldn't have said it in my mouth.
38:10Well, look, I thought the same thing.
38:12But then Mrs. Clara told me that the only thing I had to do was
38:17tell my experiences and what I thought.
38:21And suddenly, it was like magic,
38:24as if the words started to come out by themselves.
38:30We are very proud of you.
38:32I would have loved for you to be there with me.
38:35If I have had the opportunity to speak in front of so many people,
38:38it has been thanks to you.
38:40We haven't done anything.
38:42It has been you alone, with your treasure and your effort.
38:45Yes, and you will go very far, for sure.
38:49Because they have treated me as if I were their son.
38:53They are like parents to me.
38:55Well, you are going to tell me the truth.
38:58Come on, to work.
39:00You have to do a lot of things.
39:01Come on, go folding clothes.
39:04And with Saldita?
39:06How was it?
39:08That the boy seemed to me that he was a little disoriented,
39:11like a sailor without a compass.
39:13Well, I talked to him, but it didn't go very well.
39:17I told him that his father, the only thing he wanted was to separate us.
39:20And in the end I understood
39:22that the best thing is that we each follow our own path.
39:26Honey, I'm very sorry.
39:28I know you were very in love with him.
39:30No, and I am, Antonia, I am.
39:32But he will never face his father
39:35and in the end Don Salvador will end up dating his.
39:38So the best thing is to end it as soon as possible.
39:42Of course.
39:43You mean a lot to me.
39:45Also, the important thing now is to be a teacher.
39:51Well, yes, honey.
39:52You now have the opportunity to fulfill your dream.
39:54And that's what you have to do.
40:07What's up? Have you already regretted it?
40:09No, no, no, no.
40:11Yes, it's just two points.
40:13Really.
40:15Yes.
40:19Sorry, I think I didn't understand you well.
40:21You didn't understand?
40:23I'll explain it to you.
40:37Teresa.
40:40I've been trying to talk to you all day and you don't stop ignoring me.
40:43What do you want?
40:44I want to apologize for hiding what happened between you and Miguel.
40:47If I didn't tell you they were married, it was because I was jealous of them.
40:50Very noble of you.
40:52I understand that you are angry with me, but I didn't mean to hurt you.
40:55Let's see, what was the second thing you wanted to tell me?
40:59That I want you to forgive me.
41:02I understand that you are angry and that you feel betrayed.
41:06But I'm just asking for an opportunity to show you that you can trust me.
41:11Well, look, Cañete, I don't know if you deserve it.
41:15I made a very big mistake.
41:17And I failed you.
41:20But I want you to trust me again so I can show you that there will never be a secret between us.
41:27Cañete, we can't have a relationship if we're not honest with each other.
41:31I totally agree.
41:33And I'll never hide anything from you again.
41:36Teresa.
41:37I love you with all my heart.
41:39And I can't lose you.
41:42I just need you to give me that chance I'm asking for.
41:46Are you going to forgive me?
41:49You're going to have to try very hard.
41:52I'll do whatever you ask.
41:56Wait.
42:05Well, look, I'm going to tell you something that is important to me and no one else knows.
42:12And no, don't look at me like that, I'm not sick or anything.
42:20I'm going to leave the modern one.
42:22That's it, I imitate you.
42:24But, Teresa.
42:25Look, it's just that Mrs. Lázara gets me out of bed.
42:28I can't take it anymore.
42:30And it's not worth losing your health for a job.
42:33But that happens to everyone here.
42:35Yeah, well, but she has it taken with me.
42:38And that dislike is mutual.
42:40And besides, I'm a calm person.
42:42And all this doesn't do me any good anymore.
42:44That's it.
42:45Are you sure?
42:47One hundred percent.
42:49And besides, I don't want to be a witness to how Mrs. Lázara turns the modern one into a prison for all the employees.
42:57Well, if you leave, I'll hang up the waitress jacket and go with you.
43:01Would you do that?
43:02Teresa, I would go to the end of the world on my knees for you.
43:06And carrying a piano if you ask me.
43:08I would do anything for you.
43:14Cañete, for God's sake, they're going to kick us out.
43:17So what?
43:19If we're not going to leave anyway.
43:23Well, yes.
43:39Agustín.
43:41Agustín.
43:43Is something wrong?
43:45I've been talking to your uncle.
43:48He told me that Laura has left.
43:55It's been a conversation ...
43:59Very difficult, huh?
44:00He hasn't stopped telling me what he thought about me and ...
44:04It hasn't been pleasant at all, really.
44:07How are you?
44:08Destroyed.
44:10I thought Laura would get angry, but ...
44:14She's putting half the world between the two of us and ...
44:17She has left her business.
44:19I tried to talk to her last night in Madrid Cabaret.
44:22I told her that ...
44:24That I was to blame for everything, that she shouldn't get angry with you, but ...
44:29It's clear that I haven't succeeded.
44:32Well, it's normal.
44:33That she doesn't want to know anything about us.
44:36I think ...
44:39I should have talked to her before, I don't know ...
44:42Tell her that I was starting to feel things.
44:45Well, this has no solution, no matter how much we regret it.
44:49What I don't regret is kissing you.
44:54Even if we tried to bury ...
44:55Agustín.
45:00It's just that I don't ...
45:01I don't want to talk about this.
45:05We have broken my sister's heart and I ...
45:08I can't live with this guilt.
45:11But you can't deny what we feel either.
45:14Yeah, but I've hurt her so much ...
45:17That I ...
45:19I'm unable to get close to you.
45:26And I don't ...
45:27I don't want to see you again.
45:31Are you sure?
45:34Yes.
45:35Yes, totally.
45:41I respect your decision, but ...
45:46It breaks my soul, really.
45:49Yes, me too, but ...
45:52But there can't be anything between us.
45:55Okay.
45:57You won't see me again at rehearsals.
45:59No.
46:00No, no, it's just that ...
46:02There won't be any more rehearsals.
46:05Leave it now.
46:08You can't do that, no.
46:10I've been waiting for you all this time, Inés.
46:14You have to know how to differentiate ...
46:16the professional from the personal.
46:18Or you're going to miss your great opportunity.
46:21Yes, I know.
46:24It's a very painful decision, but it's the right thing to do.
46:27Are you aware of what your decision means?
46:31A lot of people are going to lose their jobs.
46:34I know.
46:36I'm very sorry.
46:38But ...
46:40I'm not going to change my mind.
46:45Then I'd better go.
47:00Bye.
47:14Aren't you cold?
47:16It's getting cold.
47:18I wanted to get some fresh air.
47:22I spoke to the doorman.
47:25He told me that a young woman rented the flat next door.
47:28And it had to be Carla.
47:30From there I could enter the terrace.
47:32And so I could go up and ...
47:34Listen to me.
47:36Don't continue, please.
47:38Carla is part of the past.
47:41And we shouldn't spend a minute more of our lives with her.
47:44The truth is that it's hard for me to believe that we don't have to worry about her anymore.
47:48Nor about what she's going to do to us next.
47:52Well, maybe ...
47:54opening a bottle of wine ...
47:55and having dinner in the light of the candles could help you forget it.
47:59I think it's a good plan.
48:01Besides, we have a lot of things to celebrate.
48:03Like, for example, that Mrs. Bárbara leaves here forever ...
48:06and that her complaint will not prosper.
48:09Normal.
48:11The police saw exactly what happened.
48:13There was no doubt that it was an accident.
48:15I went to talk to her this morning to tell her in person.
48:18And I found myself with a woman ...
48:21defeated.
48:23I hope that now that Carla is not by his side ...
48:26he finds peace.
48:28Whatever it is ...
48:30we will never see her again.
48:32Has he already sold the gallery?
48:34Well, he's about to close a deal with a Spanish businessman who is based in Argentina.
48:40A friend of Don Fermín.
48:42And Mrs. Bárbara knows it?
48:44No, no, of course not.
48:46If it were so, I wouldn't sell it to him.
48:48The businessman's name is ...
48:50Emiliano Pedraza.
48:52Yes, and ...
48:54apparently he wants to come to Spain to start a new life with his family.
48:57Sometimes it's good to change the mood.
48:59I'm glad you say that.
49:01Because I've been thinking that ...
49:04maybe ...
49:06we could leave here.
49:08The three of us.
49:11Wouldn't you like to leave all this behind?
49:14Everything that brings us bad memories.
49:19The truth is that ...
49:20I feel chills every time I'm here.
49:23And when I think of Carla's disappearances.
49:26Clarita would be very happy.
49:29It would help her a lot to move on with everything that has happened to her.
49:33If it has been hard for us, imagine for a girl.
49:36I see that you are very clear.
49:38I know.
49:40But it will be difficult to leave.
49:42Here you have Madrid Cabaret and you have to run your business.
49:47That's another thing I wanted to tell you.
49:50They have made me a very interesting offer for the place.
49:56Really?
49:58Yes.
50:00And you're going to be stunned
50:02when I tell you the name of the person who wants to buy me Madrid Cabaret.
50:21Before you sign,
50:23I have to talk to Clarita.
50:25Well, after everything that has happened, I want her to feel involved
50:28and know that we were going to take her into account.
50:30I think it's a very good idea.
50:32Should we do it now?
50:34Now? I'm starting to lose my patience.
50:37We irrevocably resign from our jobs.
50:40Both of us.
50:42I thought we could move.
50:44Go somewhere else.
50:46Where?
50:48To La Rioja.
50:50I'm going to star in the opera.
50:52And how have you taken it?
50:54Augusto in a coma?
50:56Well, not very well, really.
50:58But it's what I had to do.
51:00What did you have to do? For whom?
51:02For you or for Laurita?
51:04If I had a son, I would be proud
51:06that he would look at a woman
51:08as glamorous, honest, brave and exemplary as Marta.
51:11He is laughing at me.
51:13Because if so, he is digging his own grave.
51:16I would be satisfied with one thing.
51:17Knowing exactly what you feel towards me.
51:20I never thought you and I
51:22would become good friends.
51:24And much less I imagined that losing you
51:26would hurt so much.
51:28But that's how you have become
51:30someone essential to me, I swear.
51:32Forgive me, please.
51:36Teresa, say something, for God's sake.
51:38I can't take it anymore.
51:40I have been resigned.
51:42But what nonsense is that?
51:44Cañete and Teresa?
51:45I admit that Teresa
51:47has not just resigned to work under your orders,
51:49but Cañete.
51:51I think they are a couple.
51:53Now, the idea is born more from her than from him.
51:55What do you want now?
51:57I want to tell you something very important.
51:59And if you tell me where she is,
52:01I'll go where I came from.
52:03Well, if it's so important, tell us.
52:05I can't tell you anything
52:07before talking to the one interested.
52:09But I speak like a lawyer.
52:11Yes, I don't like this.
52:13Has something happened?
52:15What's going on with me?
52:19One of the things I've heard here.
52:21I'm sure I'll leave it in good hands.
52:28Wait, don't sign.
52:32Why not, Matilde?
52:34Now we don't have to fear anyone
52:36and we don't have to worry about anything.
52:38I have doubts.
52:40For another reason.
52:45I have doubts.