مدي 1 تي في : مع خليل أوباعقا - 17/09/2024
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00:00Welcome to a new episode of your daily and artistic patchwork show.
00:20I'm happy to be here with you for two days to present to you some of the latest news and the latest developments in the artistic field.
00:26Let's start with Dabashweya.
00:34Welcome again. Today we have a 100% cinematic episode.
00:39Our guest today is Dabashweya.
00:42But first, let's get to know him because he is one of the heroes of this cinematic film.
00:49How much time do I have left?
00:51Six months? Two months?
00:53Let's get to work.
01:24I'm going to kill him.
01:31Ahmed!
01:32If I give you 80 million, I'll kill your husband.
01:35What do you mean 80 million?
01:36I have 100 million and more. Don't you know?
01:38I don't care if you have 100 million or not.
01:40I'm not going to let you kill your daughter.
01:42We only have the right people with us.
01:45I guarantee it.
01:46We have a brother and a sister.
01:53Dabashweya
01:55The story of a young man who lost his life in order to win.
01:57Dabashweya
01:59The story of a young man who lost his life in order to win.
02:01Dabashweya
02:03The story of a young man who lost his life in order to win.
02:05Dabashweya
02:09I'm going to kill you.
02:11In the name of God.
02:14I was born in your eyes, Jamara.
02:16You will always be my secret.
02:18You will always be my secret.
02:21Our guest in today's episode is the actor Khalil Obaqa.
02:24Hello and welcome.
02:26Thank you, Osama.
02:28It's a pleasure to be with you today.
02:30Welcome, brother. How are you?
02:32I'm fine, thank God.
02:34What's the story of the film?
02:36The film I'm going to watch as an actor
02:39is three stories that are going to be equally
02:43the three types of love.
02:47Hind bin Jabara and Khalil Obaqa.
02:49Fatim Zahra bin Nasser and Abdel Taif Shawqei.
02:52Aziz Dadas and Majd Elnen Idrisi.
02:54These three stories are going to be equally
02:57and each one is going to show facts and details
03:02about human states and human emotions.
03:05Some of which we can say are
03:09negative or positive.
03:11Some of which we can say are
03:13positive or negative.
03:15You are going to watch the film
03:17and choose the A.
03:19Why do you choose the A?
03:22It's the three types of love.
03:24I choose the A because it's the three types of love.
03:27Some people might say that
03:29the film is negative.
03:31It's a new topic.
03:33It's a new topic.
03:35Some people might say that
03:37the film is dark.
03:39Can we say that it's a black comedy?
03:42Of course.
03:44There is a black comedy in the film.
03:46For me, this is the main feature of the film.
03:50There is a black comedy
03:52and there is a drama.
03:54They are mixed in a unique way.
03:58There is laughter and tears.
04:00There is drama and comedy.
04:02Khalil, you knew Hind Ben Jabara before.
04:05What did you learn from her?
04:09Honestly, no.
04:11It was the first time I met her.
04:13She was a very nice person.
04:16We went to the same school
04:18but we were not in the same class.
04:21It was a nice experience.
04:23We had the same language.
04:25We had almost the same tools.
04:27We had the same composition.
04:31It was a new experience for me.
04:34The director of the film,
04:36Jehan El Bahar,
04:38mentioned that the film is currently
04:40in the cinemas.
04:42The film is called
04:44Ali El Hamish.
04:46The title of the film is Triple A.
04:48Tell us about the direction of Jehan.
04:50Why was he the director of the film?
04:55Jehan El Bahar was the first person
04:59I worked with as a director.
05:03He was the second person
05:05I worked with as a screenwriter.
05:07Did you work with him as a screenwriter?
05:09No.
05:11You worked with him as a screenwriter
05:13and this is the first time as an actor.
05:15No.
05:17I worked with the screenwriter
05:19and this is the first time
05:21I work with him as a screenwriter.
05:24What makes me happy
05:26is the positive relationship
05:28between him and the screenwriter.
05:30It's a mutual relationship.
05:33Jehan was one of those people.
05:35On the 12th day of the film's casting,
05:39we had the vibes.
05:41We had the vibes on the set.
05:44He proposed to me.
05:46He proposed to me.
05:48As I said,
05:50the actors were on their way.
05:52They were on their way.
05:54They had their moments
05:56and they stayed in the film.
05:58Both you and the other actors.
06:00Of course.
06:02When you see something you like,
06:04you let it be.
06:06I give you a chance
06:08and if something goes wrong,
06:10you let it go.
06:12The film went well.
06:14It won awards
06:16before it reached Morocco.
06:18We are in Soho,
06:20the International Film Festival
06:22in the US.
06:24The film won an award.
06:26I think the director, Jehan Bahar,
06:28couldn't make it.
06:30But you told me
06:32that you live in the US
06:34and you are close to the festival.
06:36It was a nice coincidence.
06:38I live in New York.
06:40One day,
06:42Jehan called me
06:44and told me
06:46that the film was going to be
06:48shot in a festival in New York.
06:50I told him that I was close to New York.
06:52When I turned around,
06:54I saw that the festival was only
06:56three blocks away.
06:58You live in Morocco
07:00and you live in New York.
07:02The festival where your film was shot
07:04is only three blocks away.
07:06It's only seven minutes away.
07:08It was a good thing for me.
07:10I was very happy to participate
07:12in a festival in New York.
07:14There were no taxis,
07:16no transportation,
07:18no chauffeurs.
07:20I was nominated
07:22for Best Actress.
07:24It was a nomination.
07:26The film won
07:28an important award
07:30in an important festival.
07:32It was the Best Foreign Film.
07:34The director gave the award.
07:36Yes.
07:38There were two competitions
07:40in the festival.
07:42One was an American film
07:44competition and the other
07:46was a foreign film competition.
07:48Thank God,
07:50it was the Best Foreign Film.
07:52You participated in two festivals
07:54in Naples, Italy
07:56and Holland.
07:58Your performance was good.
08:00You were one of the very
08:02distinguished actors.
08:04Your role may have helped you
08:06internationally.
08:08How did you play this role
08:10in order to deliver
08:12such a good performance?
08:14The first time
08:16I read the script,
08:18I asked myself
08:20what roles I should play.
08:22So,
08:24the first thing I did
08:26was to read the script
08:28again and again.
08:30Did you read it all?
08:32Did you read the dialogue?
08:34Of course.
08:36I read it a lot
08:38before the shooting.
08:40After that,
08:42I tried to create
08:44the atmosphere,
08:46the space,
08:48the characters and the world
08:50in the script.
08:52With the help of the director
08:54and the direction she wanted
08:56to deliver,
08:58I accepted her direction
09:00and I helped her
09:02through my sensibility
09:04to find things.
09:06What about the audience
09:08who haven't seen the film yet?
09:10Tell us about your role
09:12and what is it like?
09:14Before we watch the film.
09:16Of course.
09:18To be honest,
09:20my role is a young man
09:22in his mid-twenties,
09:24a Moroccan man
09:26from a poor family.
09:28He had a tough life
09:30and he had to leave
09:32and live in poverty.
09:34But unfortunately,
09:36he was shocked by a worse reality.
09:38A reality where the rich eat the poor
09:40and the poor eat the poor.
09:42So,
09:44I think he was lucky
09:46to be a poor man
09:48who didn't eat the poor
09:50because he believed
09:52in love.
09:54Love made him do great things.
09:56We will see it in the film.
09:58The character of Ben Jabara
10:00has a lot of difficulties
10:02but I think there is
10:04a base of hope
10:06and a lot of love
10:08which gives you a motivation
10:10to move forward in the film.
10:12Of course.
10:14Speaking of Ben Jabara,
10:16there is a topic
10:18that is very popular
10:20on social media.
10:22If you are not interested
10:24in this topic,
10:26it is the Qubla.
10:28The Qubla Gate.
10:30Honestly,
10:32it is written in the script
10:34and the director's vision.
10:36What do you think
10:38about the criticism
10:40on social media?
10:44Of course,
10:46there is a level of criticism.
10:48Originally,
10:50art was created
10:52to create discussion.
10:54All kinds of art,
10:56not just cinema.
10:58I want the discussion
11:00not to be based
11:02on a scene
11:04which is essential
11:06in the story
11:08and which is not
11:10a part of the drama
11:12but in its place.
11:14I want the discussion
11:16to be based on the main topics
11:18in the film,
11:20which are health, trade,
11:22human enemies, pedophilia,
11:24and love.
11:26I want the discussion
11:28to be based
11:30on these topics.
11:32I was wondering
11:34how we can disturb
11:36a Qubla scene
11:38while we are
11:40normalizing it
11:42with violence scenes
11:44in the film and in reality.
11:46So, the criticism
11:48should be based
11:50on things
11:52that are deeper
11:54than just scenes.
11:58Of course, just scenes.
12:00It is a human case.
12:02What I like about cinema
12:04is that it is a space.
12:06It is creative freedom.
12:08The viewer
12:10is free to watch
12:12as long as the viewer
12:14has that freedom.
12:16There is a scene
12:18of freedom
12:20with Kintya and Benjabara
12:22on a motorbike.
12:24People who watch Moroccan cinema
12:26can see that
12:28this scene is similar
12:30to a scene in Casa Negra
12:32between Anas Elbaz
12:34and Omar Lotfi.
12:36What can be an inspiration?
12:38I know that this question
12:40doesn't have to be directed
12:42to you.
12:44It can be directed to
12:46Jihan Al-Bahart.
12:48Did you think about it?
12:50No, I didn't think about it.
12:52I didn't think about it
12:54in this way.
12:56I think they were
12:58riding a motorbike
13:00or a car
13:02at night.
13:04I didn't think
13:06that it was
13:08similar to a scene.
13:10In artistic creativity,
13:12it is similar to a scene.
13:14What is important to me
13:16is that I read the script
13:18and that it is a scene
13:20and that it has to be a scene.
13:22The joy of the story
13:24is that
13:26they are riding a motorbike
13:28with their friend
13:30Yasmin.
13:34In the middle of the story,
13:36they are having a good time
13:38and they live a part
13:40of their childhood.
13:42Khalil, where is the park
13:44that you shot in?
13:46It is in the house.
13:48It is in the house.
13:50It was a beautiful scene.
13:52You shot it with a drone, right?
13:54Yes, it was a beautiful scene.
13:56People who watch it
13:58may not be able to watch it
14:00in the movie,
14:02but it is still present
14:04in cinemas.
14:06Let's talk about
14:08some other experiences
14:10that you had before.
14:12Maybe this was your first role
14:14as a main actor
14:16in a movie.
14:18Yes, that's right.
14:20But before that,
14:22we saw you in Ramadan.
14:24You played
14:26in a series
14:28with your wife,
14:30Khadija Zarwal,
14:32Moula Yaqoub and Lalla Shafia.
14:34How did you start this experience?
14:36Of course,
14:38it was a special experience.
14:40We shot the series
14:42in Fes, Fes city,
14:44with the director Ahad Bin Souda
14:46and the production
14:48of Absalam El Ftahi.
14:50These projects
14:52are historical stories.
14:54They are projects
14:56with big teams
14:58and big castings
15:00with great efforts
15:02from the technical,
15:04artistic and creative teams.
15:06For me,
15:08the special thing
15:10about this experience
15:12is that I play
15:14the role of Khadija Zarwal,
15:16my wife,
15:18and at the same time
15:20she is an actress.
15:22So, of course,
15:24it will be a great experience.
15:26It will be a great experience
15:28not only for you,
15:30but also for the audience.
15:32Do you feel the same passion for this job?
15:34Of course,
15:36I feel the same passion,
15:38the same interest,
15:40the same aspirations.
15:42Isn't there a problem
15:44with this job?
15:46For example,
15:48I want to act well,
15:50but the other actor
15:52wants to act like me.
15:54Isn't there
15:56a kind of
15:58narcissism?
16:00Yes, I imagine
16:02two actors married
16:04competing
16:06in their careers.
16:08For example?
16:10It's not our case
16:12because,
16:14like Khadija,
16:16I get a lot of inspiration
16:18and a lot of support
16:20from each other.
16:22I told Khadija
16:24many times
16:26that she is not
16:28a good actress
16:30because she lacks
16:32passion,
16:34ambition,
16:36and talent.
16:38Oh,
16:40I see,
16:42I see,
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19:44What happened to the acting with Qakim B el Abbas?
19:46How did this happen?
19:48Oh, Qakim Ababas...
19:50while supplements continue while I was at the hospital,
19:56beside for his casting in the movie,
19:58there wasn't one of his own,
20:00there's no one like him.
20:02his casting was something like a masterclass
20:04the days of casting were spent on him
20:06Why didn't they show it?
20:08How did they do it?
20:10It's not about
20:12and improvise a scene.
20:14In general, that's what I do.
20:16I give you a sequence,
20:18or I give you the idea and you improvise it.
20:20Hakim El Abbas gathered us all
20:22in a circle in a room,
20:24and he gave us his inspirations.
20:28And we gave him our inspirations
20:30in our real life,
20:32and our artistic inspirations.
20:34And we reached the point
20:36where each one of us
20:38gave us a story
20:40to tell.
20:42A small story from his life.
20:44And we told it.
20:46And each one of us,
20:48based on his sensibility,
20:50gave him his role.
20:52Nice.
20:54And at the end of the shooting,
20:56when we told him
20:58about my role,
21:00he told me
21:02that a young man
21:04was going to kill his grandfather.
21:06I asked him,
21:08why?
21:10And he told me,
21:12I wrote a monologue
21:14about that young man
21:16and his character,
21:18and I gave it to him.
21:20And when we went to the set,
21:22I read it, and it was good.
21:24And I told him,
21:26this is what I wrote.
21:28It's not going to work,
21:30but you have an idea.
21:32Hakim El Abbas has
21:34a different vision,
21:36and he's not a Serbian.
21:40Nabil Ayyoush,
21:42you participated in the movie
21:44Tudor, right?
21:46Yes, a few years ago.
21:48And what is the film about?
21:50It's nominated
21:52for the Oscar.
21:54Nomination for the Oscars.
21:56Ladies and gentlemen.
21:58So, what is your role in this movie?
22:00My role is Nadir,
22:02the character
22:04of Tudor.
22:06He's going to work
22:08in a hospital,
22:10and he's going to help
22:12his young son,
22:14who can't hear,
22:16and he can't walk.
22:18So, he's going to help
22:20her find a school
22:22to send her son to,
22:24a school that meets
22:26his needs.
22:28The Oscars are being held in Los Angeles, right?
22:30Exactly.
22:32In California.
22:34Yes, exactly.
22:36Why did you choose to participate in the Oscars?
22:38I don't know.
22:40California is another world.
22:42Yes, another world.
22:44So, it all started
22:46in the theater.
22:48Of course.
22:50Was it important for you to start in the theater?
22:52A little bit.
22:54Actually,
22:56when I first came to the theater,
22:58I felt like I was at home.
23:00I had a friend who was a Moroccan actor,
23:02Amina Obaqa.
23:04So, I went to her house
23:06to see her.
23:08I saw
23:10a girl,
23:12who was still in college.
23:14I wanted to get to know her.
23:16So,
23:18I went to another theater.
23:20I went to that theater.
23:22She was leaving the theater,
23:24and I was still there.
23:26What was your score?
23:286, 7, 8.
23:30So, you started acting
23:32at that time.
23:34I had a chance
23:36to go to her house.
23:38I did a casting
23:40for a Korean actress.
23:42It went well,
23:44and I started my career.
23:46You participated in many castings.
23:48A lot of them.
23:50You are still in college,
23:52but you participated in a lot of castings.
23:56Thank you, brother.
23:58Before you started acting,
24:00what did you do?
24:02What did I do?
24:04I started acting
24:06recently,
24:08after the pandemic.
24:10What people don't know about you,
24:12Khalil Obaqa,
24:14is that
24:16you are a musician
24:18and a singer.
24:20A musician.
24:22Yes or no?
24:24A musician.
24:26A singer.
24:28A musician.
24:30Do you play any instruments?
24:32Piano or guitar?
24:34Piano and guitar.
24:36I see.
24:38Can we watch a clip
24:40of a musician and a singer?
24:42I have a lot of creative ideas.
24:44I was in New York
24:46with a group of friends.
24:48We played together.
24:50We met at a place
24:52and I got the idea
24:54to become a professional musician.
24:56to become a professional musician.
24:58Good luck,
25:00brother Khalil.
25:02Right now,
25:04the film is still in theaters.
25:06Do you have any projects?
25:08The project
25:10that is about to be released
25:12is a series
25:14called
25:16Social Drama.
25:18It has 15 episodes.
25:20It's a story about a man
25:22who lives in the middle of the sea
25:24and a beautiful girl.
25:26It's a beautiful series.
25:28It's written in a beautiful way.
25:30The man is a friend of ours.
25:32The man is a friend of ours.
25:34I hope the audience will like it.
25:36I don't want to spoil the story.
25:38I don't want to spoil the character.
25:40I don't want to spoil the story.
25:42Do you have any other projects?
25:44I have a lot of projects.
25:46I have a lot of projects.
25:48We have to go back to New York.
25:50We have to go back to New York.
25:52We have to go back.
25:54We can't reveal the names of the projects.
25:56We can't reveal the names of the projects.
25:58No, we can't.
26:00There are some ideas,
26:02but we can't reveal them.
26:04Good luck, sir.
26:06I'd like to invite the audience
26:08to go to the theaters
26:10and watch the movie AAA.
26:12It's a film that we worked on
26:14with love and seriousness
26:16at all levels.
26:18It's a film that addresses
26:20important issues
26:22in our society.
26:24I hope the audience will like it.
26:26I hope the audience will like it.
26:28Khalil Obaqa,
26:30Majdouni Idrissi,
26:32Hind Benjbara,
26:34Aziz Dadas, Fatim Zahra Ben Nasser
26:36and many other great actors
26:38and actresses.
26:40Good luck.
26:42This is the end of today's episode.
26:46See you next time.
26:48Goodbye.