مع محمد أمين كيحل - 17/07/2024
مدي 1 تي في : مع محمد أمين كيحل - 17/07/2024
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00:00Salaam alaikum and welcome to a new episode of Patchwork, a daily and artistic show.
00:15I'm happy to be here with you every night on Mediantv at 5.30pm to explain to you and share with you some of the news,
00:23work and innovations in the field of art. So I invite you to join us and we'll start in a bit.
00:31Welcome again, I'm Daban Mmshi and I invite you to watch today's episode.
00:41Salaam alaikum, how are you? I'm Mohamed Amin, I'm a Moroccan actor and I'm 33 years old.
00:48I have a lot of experience in foreign cinema and Arabic cinema. I speak Arabic well, I speak Hebrew, I speak Andalusian and I have no problem with Arab families.
01:00Did you hear what he said? The one who doesn't give the number is dead. Look at those who are lying there.
01:13We work together.
01:31What's wrong with you? Are you sick?
01:35I'm not sick. I'm happy to see you live.
01:41I'm nervous. I'm so nervous.
01:46Is there a problem with this song?
01:49Yes, there is.
01:53Tell me, why are you so nervous?
01:58He's right. Why are you so nervous?
02:04Daban, I'm a Moroccan actor and I have a lot of experience in foreign cinema.
02:15Our guest today is Mohamed Amin Kihal. Salaam alaikum.
02:20Salaam alaikum.
02:21How are you?
02:22I'm fine.
02:23How are you?
02:24I'm fine.
02:25It's a great pleasure to be with you.
02:26Welcome.
02:28Tell us about these three videos.
02:33The first video is a casting.
02:36Is it a Lebanese or Arabic film?
02:39It's an Iraqi film.
02:41It's an Iraqi film.
02:44Usually, in foreign projects, there is no casting.
02:50It's a professional way of casting.
02:57This is an Iraqi-Italian film.
03:01It's an Iraqi-Italian film.
03:04Do you accept casting?
03:06Yes.
03:07Let's talk about the casting.
03:12The second project is an Italian film.
03:15It's an Italian film by Matteo Garone.
03:18It won a lot of awards and was nominated for an Oscar.
03:22It's a unique experience with Matteo Garone, the great director.
03:29Let's talk about it.
03:31The last project is in Saeed Bay.
03:33It's a series about the life of a disabled person.
03:37Let's talk about the details of this project.
03:40You know about it.
03:43How did you start?
03:46Did you think about acting when you were young?
03:52I started with a play.
03:56It was my way of acting.
04:00I didn't see it as a career.
04:05I was a child.
04:08I didn't know how to read or write.
04:11I didn't think about it.
04:14But I knew there was something about acting.
04:17I was dancing in a play.
04:20I wrote music.
04:23I knew there was something about it.
04:26You didn't think about acting when you were young.
04:30No.
04:32You didn't think about music.
04:35I know you play a lot of musical instruments.
04:38Does music help you with acting?
04:41Acting is like a rhythm.
04:44A rhythm.
04:46We talk with a rhythm.
04:49We play with a rhythm.
04:51Music has an advantage.
04:56It has more rhythm.
05:00Music comes at a certain time.
05:04It doesn't come suddenly.
05:08I started playing the drums.
05:12Then the guitar, the bass, the piano.
05:15I played a lot of instruments.
05:17I was a professional.
05:20You played with a group.
05:23Tell us about that period.
05:26It was a coincidence.
05:29I fell in love with music.
05:32I was fascinated by art.
05:35I was fascinated by music.
05:38I started playing with friends.
05:41I played in a band in high school.
05:43I started playing with people who had a passion for music in Morocco.
05:52I played with Ayoub El Mouchad.
05:55I played with a lot of musicians.
05:58At that time, music was my passion.
06:02I didn't focus on it.
06:05Music was my life.
06:08Did you study psychology?
06:11Yes, I studied psychology.
06:14In general, an artist doesn't have a different vision of life.
06:25He doesn't have a different vision of life.
06:28He doesn't have a different vision of life.
06:31I used to study psychology.
06:35After high school, I wanted to become a better person.
06:49You wanted to develop before you discovered psychology.
06:52Do you have any advice for your future career?
06:55Of course, find good support.
06:58Find a job and find a job.
07:01Of course, we see that Darwish actors have this idea
07:10because we serve the psychological side of the character
07:13or the psychological dimension of the character
07:15Exactly
07:16It's like when you watch a TV show, you can do something simple
07:20but the actor goes into his own secrets
07:23and his psychological side, how he thinks and how he sees life
07:27Mohamed Amin, what do you think?
07:30Does the role stick to you before you start acting?
07:34Or does it stay with you a little while you're acting?
07:39It depends on the preparation
07:41If you're ready before you start acting
07:44Before you start acting
07:46If you're a foreign actor, if you're familiar with the character
07:49If you're new, if you're trying to see the psychological dimension of the character
07:54So you start a little bit before you start acting
07:56But until you say you're ready, you're not ready
07:59That's what happens
08:01Because the more you play, the more you discover
08:06You discover other dimensions that you didn't think of
08:09So you forget about the project and everything else
08:13You forget about everything else and you still have the character in your head
08:18Not only the character, sometimes you forget
08:20Sometimes you forget that you're a great character
08:22What is the role of the character?
08:24Does it stay with you a little while you're acting?
08:26It's a character called Hwana
08:31It's a psychological patient
08:35And a killer
08:37He's a psychopath
08:39Yes, he's a psychopath
08:41He's a psychopath
08:43So I was preparing the role a lot
08:46And the shooting time was very short
08:49Two days
08:51Two days, I felt like I wanted to keep playing
08:54So I left
08:57I left, it's not a metaphor, it's not a metaphor
09:02So I left
09:04I kept playing with the character
09:06It was a change
09:08I lost a little bit of weight
09:10And the hair that I had left
09:12And I could see other things
09:14It took me years to play this character
09:17So this role, you lost a little bit of weight
09:21And it took you years to play this character
09:23Yes, I lost a little bit of weight
09:25And I lost a little bit of weight
09:27So you sacrificed everything for this role
09:30I really wanted to go all the way
09:36You wanted to give 100%
09:38Yes, I wanted to give 100%
09:40But when I look at myself, I ask myself
09:43Am I at the same level as I imagined?
09:46Or will I be able to reach the same level?
09:49It's an unacceptable method
09:52But it was a very beautiful experience
09:56And I will create a difficult impact
09:59So you needed a doctor to get out of this crisis
10:03Yes, it took me a while
10:05The problem was that I wasn't aware
10:08I was aware that I was going to die
10:11But I wasn't aware that I was going to die
10:14After a while, I understood that I needed a doctor
10:19Finally
10:21The film, Mateo Garoni, and the film, Yo, Capitano
10:25Is an important film in your life
10:28Tell us how you worked on this big film
10:32With a big director
10:35The casting was open
10:39So I tried my luck
10:42It was the most difficult casting I've ever done
10:46Because we did the first one
10:48And we forgot about it
10:50We didn't plan it
10:52Because it's part of our job
10:54There's nothing specific that you can do
10:57You can do a good casting
10:59But the director needs someone like that
11:01You showed them something
11:03So they called me back
11:05And told me to try again
11:07So I tried again
11:09It took me 6 months
11:116 months?
11:12We forgot about it
11:134 months
11:14No, it was a year
11:16So after the last casting
11:19We tried again
11:23After a while, the casting director called me
11:26And told me that I did a good job
11:29Normally, it's a small role
11:32It's not a role, it's not a figure
11:34It's a role
11:35When you hear a role, it's a role
11:37It's a role
11:38It's not a figure, it's something else
11:40When you hear Mohamed Amin in a foreign film
11:44When you hear a role, you think you have a role
11:47And you're one of the heroes
11:49You don't know how to explain it
11:51I hear that a lot
11:53When you hear a role, you think it's a role
11:55And they don't care
11:56If it's a role, it's a role
11:58They don't care if it's a role
12:00The first castings
12:03Were casted by actors
12:05So it was the last one
12:07They wanted a silhouette
12:09An important figure
12:11So where did you film?
12:12How was the atmosphere?
12:14If I'm not mistaken
12:16It was a small role
12:17I was going to go
12:18I was going to go for 3 days
12:20It was a small role
12:22A Libyan
12:23A friend
12:24But when I arrived
12:26It was a completely different role
12:29From the one I worked with
12:31When you play with him
12:32He increases your class
12:34When he sees you playing
12:36He increases your space
12:38Because he's going to see you work without a paper
12:40He's going to think
12:42And then he's going to fill the blank
12:44So I started my space
12:46I had 3 days in Erfoud
12:48And Salina told me
12:50I'm going to see you in Gaza
12:52I asked her what the assistant was saying
12:54She said Salina is going to play with her
12:56That's what it was
12:58I told her to call me later
13:00Now I'm going to film in Gaza
13:02It was a long time
13:04Even from
13:06When I played the important role
13:08In the work
13:10And it was
13:12Not easy for me
13:14I played as a Libyan
13:16A bad guy
13:18Who was training the Africans
13:20It was a test
13:22For me
13:24I can say that I learned everything
13:26Except for the Arabic language
13:28I didn't have a script
13:30I didn't have a director
13:32I got an Oscar
13:34And I had a great film
13:36And I had a lot of conversations
13:38With the director
13:40Can we say that
13:42Mohamed Amin is a special case
13:44For your foreign work
13:46And your participation
13:48In international productions
13:52Yes, it's a special case
13:54But the actor can do anything
13:56It's true that I got bored
13:58With the foreign work
14:00But it's not my intention
14:02I started acting
14:04I loved acting
14:06I worked on my head as an actor
14:08I had a lot of opportunities
14:10Because
14:12They don't know
14:14You have to play well
14:16Competent
14:18There's nothing else
14:20I started acting
14:22And I felt
14:24That it's acceptable
14:26I tried to work more
14:28With foreign actors
14:30Because they asked for
14:32Dialects and languages
14:34For the fight
14:36I worked a lot
14:38With actors
14:40Like
14:42Lezard Martial
14:44And
14:46The art of fighting
14:48You have to be present
14:50From all sides
14:52Do you live well?
14:54Do you eat well?
14:56Look
14:58Look
15:00That's the answer
15:02Look
15:04Those people
15:06Don't appreciate the artist
15:08Because the artist is a saint
15:10So you finish well
15:12This is normal
15:14But for them
15:16They appreciate the artist
15:18Because it's an important place
15:20You have to be comfortable
15:22In order to work well
15:24Let's talk about Moroccan work
15:26Tell us about the management
15:28Of Yassine Fennane
15:30Who already worked with you
15:32Yassine Fennane is a great director
15:34I worked with him
15:36In a series
15:38It was in Ramadan
15:40It was my first experience
15:42With Yassine Fennane
15:44And
15:46Other great actors
15:48Like Abu Husseini and Amin Naji
15:50It was
15:52A new experience
15:54For me
15:56Let's see
15:58In Nabil Ayoush's film
16:00How did you experience it
16:02And what can you tell us about it?
16:04I will tell you about the experience
16:08Nabil Ayoush
16:10Was called
16:12He is a great director
16:14He is a creative director
16:16He is a director
16:18Who knows
16:20Everything
16:22Before the camera
16:24We had a nice conversation
16:26During the casting
16:28And
16:30He saw me
16:32In a different role
16:34And he knew why he chose me
16:36I can't tell you the details
16:38About the film
16:40What is the name of the film?
16:42Zayed
16:44I don't know
16:46The film
16:48Is called
16:50Zayed
16:52We will see it soon
16:54Mohamed Amin
16:56What do you like about him?
16:58The profile and the look
17:00In general
17:02The look
17:04The details
17:06Of the actor
17:08Like the costume
17:10But
17:12I don't want to
17:14Say anything about the moustache
17:16Or the hair
17:18I try to change it
17:20But now
17:22The moustache
17:24Is a language
17:26The moustache
17:28Is a language
17:30That shows the personality of the character
17:32Aren't you afraid that the moustache
17:34Will reduce the suggestions?
17:36It's a painful question
17:38No, I think
17:40There is a question
17:42About the moustache
17:44It's an important question
17:46I think
17:48It will reduce the moustache
17:50And when the time comes
17:52We will remove the moustache
17:54It's important
17:56Everyone should take what he can
17:58And maybe
18:00There will be a big chance
18:02At an unexpected time
18:04What is your ambition for the award?
18:08There is no one who works
18:10And doesn't want the award
18:12In any field
18:14Except for the pan-objective
18:16If we don't see it
18:18We will get it
18:20If you do a good job
18:22In a good place
18:24You will get the award
18:26For me, the award
18:28Is for those who come to festivals
18:30When we say awards
18:32We mean the cinema
18:34So this is
18:36Something
18:38That is beautiful
18:40If you have a good relationship with the cinema
18:42Why not
18:44If you come alone
18:46You will get the award
18:48It's not a pan-objective
18:50If you do a good job
18:52You will get the award
18:54If I asked you
18:56What is your ambition
18:58For the award?
19:02It's a difficult question
19:08My ambition
19:10Is to work in the sector
19:12To show what I have
19:14I want to show what I have
19:16There will be a lot of young people
19:18Coming here
19:22I don't want
19:24The audience
19:26To be influenced
19:28By the fame
19:30Things will come
19:32One after the other
19:34If you reach
19:36The level of the game
19:38Or the level of the work
19:40A lot
19:42For me, this is more important
19:44You want to excite the audience
19:46Of course
19:48Stay with us
19:50Mohamed Amin
19:52Who was a singer
19:54And now
19:56A new song
19:58In the form of a music video
20:00With the title
20:02Boom Boom
20:24Boom Boom
20:54Boom Boom
20:56Boom Boom
20:58Boom Boom
21:00Boom Boom
21:02Boom Boom
21:04Boom Boom
21:06Boom Boom
21:08Boom Boom
21:10Boom Boom
21:12Boom Boom
21:14Boom Boom
21:16Boom Boom
21:18Boom Boom
21:20Boom Boom
21:22Boom Boom
21:24Boom Boom
21:26Boom Boom
21:28Boom Boom
21:30Boom Boom
21:32Boom Boom
21:34Boom Boom
21:36Boom Boom
21:38Boom Boom
21:40Boom Boom
21:42Boom Boom
21:44Boom Boom
21:46Boom Boom
21:48Boom Boom
21:50Boom Boom
21:52Boom Boom
21:54Boom Boom
21:56Boom Boom
21:58Boom Boom
22:00Boom Boom
22:02Boom Boom
22:04Boom Boom
22:06Boom Boom
22:08Boom Boom
22:10Boom Boom
22:12Boom Boom
22:14Boom Boom
22:16Boom Boom
22:18Boom Boom
22:48There is a series that I am going to present for the first time.
22:56And there are some foreign works.
22:58There is a film directed by Philippe Gournier, a Canadian film called Musquet.
23:04And there is a dubbing film that is being shot in the festival outside,
23:09directed by Abdelattaye, called Cabo Negro.
23:13There is a lot of work.
23:15Recently, I played in a film called Le Chaos de Faraon,
23:20with the director Barbara.
23:22It is a French film.
23:24Barbara Schulz.
23:25Exactly.
23:26So, there is good.
23:28There is good, thank God.
23:30And you have, thank God, you can start with several dialects.
23:34Do you have any problem with dialects?
23:36Dialects are important.
23:40For example, when you watch an American film,
23:44and they bring a Saudi or an Iraqi,
23:48you know that you are Syrian because you are Arabic.
23:51So, for me, the American director,
23:54when you play in front of him,
23:56and he tells you that you play Tunisian or Arabic,
23:58he does not know.
23:59He draws water with Arabic.
24:01But you, as an actor, you have to work on it.
24:03You bring Syrian, Syrian, Iraqi, Moroccan, Moroccan.
24:05We try to work on these dialects with some foreign languages,
24:09but you have to be present.
24:11When I play with Barbara,
24:13I normally play in French and Egyptian,
24:15and she tells me that I speak Spanish.
24:17I tell her that I am Italian.
24:19I tell her that I play in Italian.
24:21So, I play Italian and Egyptian.
24:23Bravo.
24:24Any last words, Mohamed Amin?
24:28It was a pleasure to be with you.
24:30I shared with you everything with love.
24:34Thank you for the nice meeting and sharing.
24:41I wish you all the best.
24:43Thank you very much.
24:45Good luck in the future, Mohamed Amin.
24:47This is the end of today's episode.
24:49Thank you to the technical and artistic team.
24:51Thank you very much.
24:53See you soon.